From 7f93c5f7205bc1cc0c2e21694fd10880eec51aca Mon Sep 17 00:00:00 2001 From: Case Duckworth Date: Thu, 29 Jan 2015 22:54:41 -0700 Subject: Add Hezekiah; Work out YAML metainfo" --- 98-words-meaning.txt | 50 ++++++++++++++++++++++++++++++++++++++++++++++++++ 1 file changed, 50 insertions(+) create mode 100644 98-words-meaning.txt (limited to '98-words-meaning.txt') diff --git a/98-words-meaning.txt b/98-words-meaning.txt new file mode 100644 index 0000000..092b2d2 --- /dev/null +++ b/98-words-meaning.txt @@ -0,0 +1,50 @@ +--- +title: 'Words and meaning' +project: 'Elegies for Alternate Selves' +genre: 'prose' +... + +"How astonishing it is that language can almost mean, / and frightening +that it does not quite," Jack Gilbert opens his poem "The Forgotten +Dialect of the Heart." In a similar vein, Hass's "Meditation at +Legunitas" states, "A word is elegy to what it signifies." These poems +get to the heart of language, and express the old duality of thought: by +giving a word to an entity, it is both tethered and made meaningful. + +Words are the inevitable byproduct of an analytic mind. Humans are +constantly classifying and reclassifying ideas, objects, animals, +people, into ten thousand arbitrary categories. A favorite saying of +mine is that "Everything is everything," a tautology that I like, +because it gets to the core of the human linguistic machine, and because +every time I say it people think I'm being [disingenuous][]. But what I mean +by "everything is everything" is that there is a continuity to existence +that works beyond, or rather underneath, our capacity to understand it +through language. Language by definition compartmentalizes reality, sets +this bit apart from that bit, sets up boundaries as to what is and is +not a stone, a leaf, a door. Most of the time I think of language as +limiting, as defining a thing as the [inverse of everything][] is not. + +In this way, "everything is everything" becomes "everything is nothing," +which is another thing I like to say and something that pisses people +off. To me, infinity and zero are the same, two ways of looking at the +same point on the circle–of numbers, of the universe, whatever. Maybe +it's because I wear an analogue watch, and so my view of time is +cyclical, or maybe it's some brain trauma I had in vitro, but whatever it +is that's how I see the world, because I'm working against the +limitations that language sets upon us. I think that's the role of the +poet, or of any artist: to take the over-expansive experience of +existing and to boil it down, boil and boil away until there is the +ultimate concentrate at the center that is what the poem talks around, +at, etc., but never of, because it is ultimately made of language and +cannot get to it. A poem is getting as close as possible to the speed of +light, to absolute zero, to God, while knowing that it can't get all the +way there, and never will. A poem is doing this and coming back and +showing what happened as it happened. Exegesis is hard because a really +good poem will be just that, it will be the most basic and best way to +say what it's saying, so attempts to say the same thing differently will +fail. A poem is a kernel of existence. It is a description of the +kernel. [It is][]. + +[disingenuous]: likingthings.html +[inverse of everything]: i-am.html +[It is]: arspoetica.html -- cgit 1.4.1-21-gabe81