From 096a9aa8a4675b952f036ad4725540995e655ad8 Mon Sep 17 00:00:00 2001
From: Case Duckworth
Date: Sun, 1 Mar 2015 18:07:48 -0700
Subject: Fix typographical problems in src/

---
 src/words-meaning.txt | 2 +-
 1 file changed, 1 insertion(+), 1 deletion(-)

(limited to 'src/words-meaning.txt')

diff --git a/src/words-meaning.txt b/src/words-meaning.txt
index 1efe4ba..c0fba74 100644
--- a/src/words-meaning.txt
+++ b/src/words-meaning.txt
@@ -26,7 +26,7 @@ Language by definition compartmentalizes reality, sets this bit apart from that
 Most of the time I think of language as limiting, as defining a thing as the [inverse of everything][] is not.
 
 In this way, "everything is everything" becomes "everything is nothing," which is another thing I like to say and something that pisses people off.
-To me, infinity and zero are the same, two ways of looking at the same point on the circle–of numbers, of the universe, whatever.
+To me, infinity and zero are the same, two ways of looking at the same point on the circle---of numbers, of the universe, whatever.
 Maybe it's because I wear an analogue watch, and so my view of time is cyclical, or maybe it's some brain trauma I had in vitro, but whatever it is that's how I see the world, because I'm working against the limitations that language sets upon us.
 I think that's the role of the poet, or of any artist: to take the over-expansive experience of existing and to boil it down, boil and boil away until there is the ultimate concentrate at the center that is what the poem talks around, at, etc., but never of, because it is ultimately made of language and cannot get to it.
 A poem is getting as close as possible to the speed of light, to absolute zero, to God, while knowing that it can't get all the way there, and never will.
-- 
cgit 1.4.1-21-gabe81