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authorCase Duckworth2015-03-19 12:43:39 -0700
committerCase Duckworth2015-03-19 12:43:39 -0700
commit6574f561ff89b2fa95d1cdb78760eab2b4820023 (patch)
tree6b90b333f8c72f3c0b232a65deac6cb599a0b9e8
parentFix em-dash typo in first lines index (diff)
downloadautocento-6574f561ff89b2fa95d1cdb78760eab2b4820023.tar.gz
autocento-6574f561ff89b2fa95d1cdb78760eab2b4820023.zip
Change index.html to be a cover.
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-rw-r--r--README.html4


-rw-r--r--_first-lines.html2


-rw-r--r--building.html2


-rw-r--r--common-titles.html72


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-rw-r--r--src/README.txt4


-rw-r--r--src/_first-lines.txt35


-rw-r--r--src/building.txt2


-rw-r--r--src/common-titles.txt (renamed from src/index.txt)3


15 files changed, 671 insertions, 77 deletions
diff --git a/README.html b/README.html
index e04dddd..8040784 100644
--- a/README.html
+++ b/README.html

@@ -70,12 +70,12 @@

70</section>
70</section>

71<section id="technology" class="level2">
71<section id="technology" class="level2">

72<h2>Technology</h2>
72<h2>Technology</h2>

73<p>Because this project lives online, I’ve used a fair amount of technology to get it there. First, I converted all the articles<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> present into plain text files, which are viewable <a href="src/index.html">here</a>. Then, I used John McFarlane’s venerable document preparation system <a href="http://johnmacfarlane.net/pandoc/">pandoc</a>, along with a short <a href="https://github.com/duckwork/autocento/blob/gh-pages/compile.lua">script</a>, to compile the text sources to HTML using <a href="https://github.com/duckwork/autocento/blob/gh-pages/.template.html">this template</a>. The compiled HTML is what you’re reading now.<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a></p>
73<p>Because this project lives online, I’ve used a fair amount of technology to get it there. First, I converted all the articles<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> present into plain text files, which are viewable <a href="src/common-titles.html">here</a>. Then, I used John McFarlane’s venerable document preparation system <a href="http://johnmacfarlane.net/pandoc/">pandoc</a>, along with a short <a href="https://github.com/duckwork/autocento/blob/gh-pages/compile.lua">script</a>, to compile the text sources to HTML using <a href="https://github.com/duckwork/autocento/blob/gh-pages/.template.html">this template</a>. The compiled HTML is what you’re reading now.<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a></p>

74<p>To host the project, I’m using <a href="https://github.com/">Github</a>, an online code-collaboration tool with the version control system <a href="http://www.git-scm.com/">git</a> under the hood. This enables me (and you, dear Reader!) to explore the path of revision even more, from beginning to end, based on my commits to the repository. You can view the repository and its changes and files at <a href="https://github.com/duckwork/autocento">my Github profile</a>.<a href="#fn3" class="footnoteRef" id="fnref3"><sup>3</sup></a></p>
74<p>To host the project, I’m using <a href="https://github.com/">Github</a>, an online code-collaboration tool with the version control system <a href="http://www.git-scm.com/">git</a> under the hood. This enables me (and you, dear Reader!) to explore the path of revision even more, from beginning to end, based on my commits to the repository. You can view the repository and its changes and files at <a href="https://github.com/duckwork/autocento">my Github profile</a>.<a href="#fn3" class="footnoteRef" id="fnref3"><sup>3</sup></a></p>

75</section>
75</section>

76<section id="using-this-site" class="level2">
76<section id="using-this-site" class="level2">

77<h2>Using this site</h2>
77<h2>Using this site</h2>

78<p>All of the articles on this site are linked together hypertextually (i.e., like a webpage). This means that all you need to do to explore the creative threads linking these articles together is to start clicking links. However, if you find you’re looping around to a lot of the same articles, you can head back to the <a href="index.html">index</a> and click through the titles in order—that article contains the titles of all the other works in this project.</p>
78<p>All of the articles on this site are linked together hypertextually (i.e., like a webpage). This means that all you need to do to explore the creative threads linking these articles together is to start clicking links. However, if you find you’re looping around to a lot of the same articles, you can head back to the <a href="first-lines.html">index</a> and click through the titles in order—that article contains the titles of all the other works in this project.</p>

79<p>Alternatively, you can click the lozenge (◊) at the bottom of each page. It’ll take you to a random article in the project, thanks to <a href="https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js">this javascript</a>.</p>
79<p>Alternatively, you can click the lozenge (◊) at the bottom of each page. It’ll take you to a random article in the project, thanks to <a href="https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js">this javascript</a>.</p>

80<p>If you want to experience the earlier projects in something resembling the original orders, previous and next links are provided at the bottom of each page, next to the lozenge. Sometimes, there are more than one of each of these, or there are none, dependant on the structure of their original project.</p>
80<p>If you want to experience the earlier projects in something resembling the original orders, previous and next links are provided at the bottom of each page, next to the lozenge. Sometimes, there are more than one of each of these, or there are none, dependant on the structure of their original project.</p>

81</section>
81</section>
diff --git a/_first-lines.html b/_first-lines.html
index 598dd47..1149de1 100644
--- a/_first-lines.html
+++ b/_first-lines.html

@@ -36,7 +36,7 @@

36        </header>
36        </header>

37
37

38        
38        

39        <section class="content "></section>
39        <section class="content "><p>&amp; 386 40 70s about accent action advice along ancient anger another any anymore anything apparently around astonishing ate attached autumn away axe ball beauty because been before begin beings between bible bieber big bladder blank book born bottom branching buildings builds burn call calling care carefully case casserole cave celebrity chair challenge chance chapped charlie chefs chop chopped chopping clocks clog coffee come conjoined contents couch course cowardly craft craned created credits current dane data days dead deal deep definition dialect diary dimly dinner discover dish distance dog doing drink dropped drove drowning drunk dry dryer duckworth early earth either eleven eli emotion end enough eskimo ever exploration eyes fall feel few fifty fig finally find finds fire flagstaff floor flows fly force forgotten formal found friend frightening front fucking gamble gave gilbert girls going gone goodbye got gotten gray half handed happiness happy hardware has hatchet head heart hearts heaven hell) hello here hoggle hold hours house hymn hymnal hyperintelligent ideals idly importance important jack january justin kissed kitchen knit language larry late lava least letting lies lights lips literature lived lives long longest looking loud lovable love made makes mammals matters mcdonald minutes mirror modern more morning mountain must mysteries nameless natural neck never new nightgown no noe notebook notecard occasions occurrence okay old ones onto open opens order other our overhead page pandimensional part party peach pen penny people phase phone pillar pine place plant plastic playing poetry polish possible problem pushes quite radio rain ran rare ratio rats read real realizes really refused remembered removed replacement ribbon ride rides riding river rogue rolling ronald run sacred sapling scare screaming searching secrets seen self separate serengeti sestina set she sheen shined ship shoulder show shrugged shuffle sick side silence since singing sixteenth size sky small smoke smoked solves something somewhere song soon southern spit spittle spooky spooling stages states staying stool store story strangely street striped stuff surprise surprised swallow swans swimming swollen take talkie tangerine their then theory thin those though thoughts thread three threw through ticking times toilet told tongue tonight took toolset top traffic treatise trees truly tuesday turn twelve typed typewriters underneath universe unix unnatural us vacation vertical voice waiting walk walked walkie walter want wanted watch watched water wednesday went whenever which white who whole will wind window wish woke woman wood words works would wrapping writer writers yarn yesterday</p></section>

40    </article>
40    </article>

41    <nav>
41    <nav>

42                <a href="#" id="lozenge" title="Random page"> &loz; </a>
42                <a href="#" id="lozenge" title="Random page"> &loz; </a>
diff --git a/building.html b/building.html
index a87a857..e66e7cd 100644
--- a/building.html
+++ b/building.html

@@ -42,7 +42,7 @@

42        
42        

43        <section class="content prose"><p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p>
43        <section class="content prose"><p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p>

44<p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p>
44<p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p>

45<p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="index.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p>
45<p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="common-titles.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p>

46<p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p></section>
46<p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p></section>

47    </article>
47    </article>

48    <nav>
48    <nav>
diff --git a/common-titles.html b/common-titles.html
new file mode 100644
index 0000000..ef313c2
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@@ -0,0 +1,72 @@


1<!DOCTYPE html>


2<!-- AUTOCENTO OF THE BREAKFAST TABLE -->


3<!-- vim: fdm=indent


4-->


5<html lang="en">


6<head>


7    <meta charset="utf-8">


8    <meta name="generator" content="pandoc">


9    <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes">


10    <meta name="author" content="Case Duckworth">


11


12    <title>Autocento of the breakfast table | Autocento of the breakfast table</title>


13    <link rel="icon" type="image/png" href="img/favico.png" />


14


15    <link rel="stylesheet" type="text/css" href="./css/common.css">


16    <script src="./js/lozenge.js" type="text/javascript"> </script>


17    <script src="./js/hylo.js" type="text/javascript"> </script>


18


19        <link rel="stylesheet" type="text/css" href="./css/verse.css">


20    <script src="./js/verse.js" type="text/javascript"> </script>


21            <link rel="stylesheet" type="text/css" href="./css/autocento.css">


22    <script src="./js/autocento.js" type="text/javascript"> </script>


23        <!--[if lt IE 9]>


24    <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script>


25    <![endif]-->


26    <!-- <script src="js/external.js"> </script> -->


27    </head>


28<body>


29    


30


31    <article id="container">


32        <header>


33            <!-- title -->


34            <h1 class="title">Autocento of the breakfast table</h1>


35            <h1 class="subtitle">index of common titles</h1>


36


37            <div class="header-extra">


38                


39                                    <!-- epigraph -->


40                    <div class="epigraph">


41                                            <a href="README.html">Read me.</a>


42                    


43                                        </div>


44                            </div>


45        </header>


46


47        


48        <section class="content verse"><p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a>, <a href="about_author.html">Case Duckworth</a> (née <a href="amber-alert.html">Amber): alert</a>!</p>


49<p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.<br /><a href="collage-instrumented.html">Instrument</a> a collage.”</p>


50<p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p>


51<p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p>


52<p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>-<a href="on-genre-dimension.html">on poetry</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p>


53<p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br /><a href="i-want-to-say.html">I want to say</a> the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p>


54<p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>. This is<br />a <a href="manifesto_poetics.html">manifesto</a>.</p>


55<p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p>


56<p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p>


57<p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>,<br />some <a href="peaches.html">peaches</a>. <a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p>


58<p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p>


59<p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p>


60<p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="dollywood.html">Something about my tenure as a bear</a>. <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p>


61<p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p>


62<p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p>


63<p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p>


64<p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, <a href="walking-in-the-rain.html">walking<br />in the rain</a>, thinking about <a href="what-we-are-made-of.html">what we are made of</a>: <a href="words-meaning.html">words and meaning</a>, <a href="words-irritable-reaching.html">irritably reaching after reason</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p></section>


65    </article>


66    <nav>


67                <a href="#" id="lozenge" title="Random page"> &loz; </a>


68            </nav>


69


70    


71</body>


72</html>
diff --git a/css/common.css b/css/common.css
index 1156808..3212c67 100644
--- a/css/common.css
+++ b/css/common.css

@@ -116,7 +116,7 @@ a:link {

116    padding-top: 1px;
116    padding-top: 1px;

117    color: inherit;
117    color: inherit;

118    text-decoration: none;
118    text-decoration: none;

119    border-bottom: 1px dotted #a1a3a1;
119    border-bottom: 1px dotted black;

120}
120}

121a:visited {
121a:visited {

122    color: inherit;
122    color: inherit;
diff --git a/css/cover.css b/css/cover.css
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@@ -0,0 +1,126 @@


1/* vim: fdm=marker


2 */


3@import url(http://fonts.googleapis.com/css?family=Playfair+Display:400,700,400italic,700italic&subset=latin,latin-ext);


4/* Flexboxing {{{ */


5#cover {


6    position: absolute;


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9    left: 0;


10    right: 0;


11    display: -webkit-box;


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17    -moz-box-direction: normal;


18    -webkit-box-orient: vertical;


19    -moz-box-orient: vertical;


20    -webkit-flex-direction: column;


21    -ms-flex-direction: column;


22    flex-direction: column;


23    -webkit-flex-wrap: nowrap;


24    -ms-flex-wrap: nowrap;


25    flex-wrap: nowrap;


26    -webkit-box-pack: center;


27    -moz-box-pack: center;


28    -webkit-justify-content: center;


29    -ms-flex-pack: center;


30    justify-content: center;


31    -webkit-align-content: center;


32    -ms-flex-line-pack: center;


33    align-content: center;


34    -webkit-box-align: center;


35    -moz-box-align: center;


36    -webkit-align-items: center;


37    -ms-flex-align: center;


38    align-items: center;


39    }


40.title {


41    -webkit-box-ordinal-group: 1;


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45    order: 0;


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47    -moz-box-flex: 0;


48    -webkit-flex: 0 1 auto;


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51    -webkit-align-self: auto;


52    -ms-flex-item-align: auto;


53    align-self: auto;


54}


55.byline {


56    -webkit-box-ordinal-group: 1;


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1<!DOCTYPE html>
1<!DOCTYPE html>

2<!-- AUTOCENTO OF THE BREAKFAST TABLE -->
2<html>

3<!-- vim: fdm=indent
3    <head>

4-->
4        <meta charset="utf-8">

5<html lang="en">
5        <meta name="generator" content="pandoc">

6<head>
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12    <title>Autocento of the breakfast table | Autocento of the breakfast table</title>
9        <title>Autocento of the breakfast table</title>

13    <link rel="icon" type="image/png" href="img/favico.png" />
10        <link rel="icon" type="image/png" href="img/favico.png" />

14
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28<body>
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29    
20        <article id="cover">

30
21            <header>

31    <article id="container">
22                <h1 class="title">Autocento of the breakfast table</h1>

32        <header>
23                <h2 class="byline">by Case Duckworth</h2>

33            <!-- title -->
24                <h3 class="lozenge"><a href="#" id="lozenge">&loz;</a></h3>

34            <h1 class="title">Autocento of the breakfast table</h1>
25            </header>

35            <h1 class="subtitle">index of first lines and common titles</h1>
26            <section class="content">

36
27                <ul>

37            <div class="header-extra">
28                    <li>Index of

38                
29                        <a href="first-lines.html">first lines</a> and

39                                    <!-- epigraph -->
30                        <a href="common-titles.html">common titles</a>.

40                    <div class="epigraph">
31                    </li>

41                                            <a href="README.html">Read me.</a>
32                    <li><a href="README.html">An explanation</a>.</li>

42                    
33                </ul>

43                                            <div class="attrib">Case Duckworth</div>
34            </section>

44                                        </div>
35        </article>

45                            </div>
36    </body>

46        </header>


47


48        


49        <section class="content verse"><p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a>, <a href="about_author.html">Case Duckworth</a> (née <a href="amber-alert.html">Amber): alert</a>!</p>


50<p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.<br /><a href="collage-instrumented.html">Instrument</a> a collage.”</p>


51<p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p>


52<p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p>


53<p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>-<a href="on-genre-dimension.html">on poetry</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p>


54<p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br /><a href="i-want-to-say.html">I want to say</a> the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p>


55<p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>. This is<br />a <a href="manifesto_poetics.html">manifesto</a>.</p>


56<p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p>


57<p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p>


58<p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>,<br />some <a href="peaches.html">peaches</a>. <a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p>


59<p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p>


60<p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p>


61<p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="dollywood.html">Something about my tenure as a bear</a>. <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p>


62<p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p>


63<p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p>


64<p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p>


65<p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, <a href="walking-in-the-rain.html">walking<br />in the rain</a>, thinking about <a href="what-we-are-made-of.html">what we are made of</a>: <a href="words-meaning.html">words and meaning</a>, <a href="words-irritable-reaching.html">irritably reaching after reason</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p></section>


66    </article>


67    <nav>


68                <a href="#" id="lozenge" title="Random page"> &loz; </a>


69            </nav>


70


71    


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105end


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108ever


109exploration


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156hoggle


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158hours


159house


160hymn


161hymnal


162hyperintelligent


163ideals


164idly


165importance


166important


167jack


168january


169justin


170kissed


171kitchen


172knit


173language


174larry


175late


176lava


177least


178letting


179lies


180lights


181lips


182literature


183lived


184lives


185long


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188loud


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190love


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193mammals


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195mcdonald


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197mirror


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206neck


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209nightgown


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214occasions


215occurrence


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232penny


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235phone


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237pine


238place


239plant


240plastic


241playing


242poetry


243polish


244possible


245problem


246pushes


247quite


248radio


249rain


250ran


251rare


252ratio


253rats


254read


255real


256realizes


257really


258refused


259remembered


260removed


261replacement


262ribbon


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265riding


266river


267rogue


268rolling


269ronald


270run


271sacred


272sapling


273scare


274screaming


275searching


276secrets


277seen


278self


279separate


280serengeti


281sestina


282set


283she


284sheen


285shined


286ship


287shoulder


288show


289shrugged


290shuffle


291sick


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304somewhere


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307southern


308spit


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314staying


315stool


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320striped


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323surprised


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357twelve


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362unix


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398yarn


399yesterday
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--- a/src/README.txt
+++ b/src/README.txt

@@ -103,7 +103,7 @@ If you'd like to contact me about the state of this work or my writing in genera

103[ἅπαξ]: http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0057:entry=a%28/pac
103[ἅπαξ]: http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0057:entry=a%28/pac

104[nothing-new]: https://www.biblegateway.com/passage/?search=Ecclesiastes+1%3A9&version=NIV
104[nothing-new]: https://www.biblegateway.com/passage/?search=Ecclesiastes+1%3A9&version=NIV

105
105

106[text]: src/index.html
106[text]: src/common-titles.html

107
107

108[pandoc]: http://johnmacfarlane.net/pandoc/
108[pandoc]: http://johnmacfarlane.net/pandoc/

109[compile.lua]: https://github.com/duckwork/autocento/blob/gh-pages/compile.lua
109[compile.lua]: https://github.com/duckwork/autocento/blob/gh-pages/compile.lua
@@ -112,7 +112,7 @@ If you'd like to contact me about the state of this work or my writing in genera

112[git]: http://www.git-scm.com/
112[git]: http://www.git-scm.com/

113[my Github profile]: https://github.com/duckwork/autocento
113[my Github profile]: https://github.com/duckwork/autocento

114
114

115[index]: index.html
115[index]: first-lines.html

116[this javascript]: https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js
116[this javascript]: https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js

117
117

118[published]: published.html
118[published]: published.html
diff --git a/src/_first-lines.txt b/src/_first-lines.txt
index e69de29..a8b6573 100644
--- a/src/_first-lines.txt
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1& 386 40 70s about accent action advice along ancient anger another any anymore


2anything apparently around astonishing ate attached autumn away axe ball beauty


3because been before begin beings between bible bieber big bladder blank book


4born bottom branching buildings builds burn call calling care carefully case


5casserole cave celebrity chair challenge chance chapped charlie chefs chop


6chopped chopping clocks clog coffee come conjoined contents couch course


7cowardly craft craned created credits current dane data days dead deal deep


8definition dialect diary dimly dinner discover dish distance dog doing drink


9dropped drove drowning drunk dry dryer duckworth early earth either eleven eli


10emotion end enough eskimo ever exploration eyes fall feel few fifty fig finally


11find finds fire flagstaff floor flows fly force forgotten formal found friend


12frightening front fucking gamble gave gilbert girls going gone goodbye got


13gotten gray half handed happiness happy hardware has hatchet head heart hearts


14heaven hell) hello here hoggle hold hours house hymn hymnal hyperintelligent


15ideals idly importance important jack january justin kissed kitchen knit


16language larry late lava least letting lies lights lips literature lived lives


17long longest looking loud lovable love made makes mammals matters mcdonald


18minutes mirror modern more morning mountain must mysteries nameless natural


19neck never new nightgown no noe notebook notecard occasions occurrence okay old


20ones onto open opens order other our overhead page pandimensional part party


21peach pen penny people phase phone pillar pine place plant plastic playing


22poetry polish possible problem pushes quite radio rain ran rare ratio rats read


23real realizes really refused remembered removed replacement ribbon ride rides


24riding river rogue rolling ronald run sacred sapling scare screaming searching


25secrets seen self separate serengeti sestina set she sheen shined ship shoulder


26show shrugged shuffle sick side silence since singing sixteenth size sky small


27smoke smoked solves something somewhere song soon southern spit spittle spooky


28spooling stages states staying stool store story strangely street striped stuff


29surprise surprised swallow swans swimming swollen take talkie tangerine their


30then theory thin those though thoughts thread three threw through ticking times


31toilet told tongue tonight took toolset top traffic treatise trees truly


32tuesday turn twelve typed typewriters underneath universe unix unnatural us


33vacation vertical voice waiting walk walked walkie walter want wanted watch


34watched water wednesday went whenever which white who whole will wind window


35wish woke woman wood words works would wrapping writer writers yarn yesterday
diff --git a/src/building.txt b/src/building.txt
index dfc8b48..1a6066a 100644
--- a/src/building.txt
+++ b/src/building.txt

@@ -45,7 +45,7 @@ The [act of memory][] is our only ART._

45[chair]: boar.html
45[chair]: boar.html

46[message to a future person]: poetry-time.html
46[message to a future person]: poetry-time.html

47[We have to try.]: plant.html
47[We have to try.]: plant.html

48[our buildings of air]: index.html
48[our buildings of air]: common-titles.html

49[photographs]: man.html
49[photographs]: man.html

50[memory]: ouroboros_memory.html
50[memory]: ouroboros_memory.html

51[act of memory]: riptide_memory.html
51[act of memory]: riptide_memory.html
diff --git a/src/index.txt b/src/common-titles.txt
index 3ab11e3..a5c0120 100644
--- a/src/index.txt
+++ b/src/common-titles.txt

@@ -1,12 +1,11 @@

1---
1---

2title: Autocento of the breakfast table
2title: Autocento of the breakfast table

3subtitle: index of first lines and common titles
3subtitle: index of common titles

4genre: verse
4genre: verse

5
5

6epigraph:
6epigraph:

7    content: 'Read me.'
7    content: 'Read me.'

8    link: README.html
8    link: README.html

9    attrib: Case Duckworth


10
9

11project:
10project:

12    title: Autocento of the breakfast table
11    title: Autocento of the breakfast table
 


© 2022 C. Duckworth.
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