diff options
| author | Case Duckworth | 2015-03-28 10:50:24 -0700 |
|---|---|---|
| committer | Case Duckworth | 2015-03-28 10:50:24 -0700 |
| commit | 417eddb940ec0b364a11d459e27d5ae05d2c7d11 (patch) | |
| tree | 291dd47551917c6cc1e5ec819b5d76312ee89f80 | |
| parent | Add backlinks pages (fixes #16). (diff) | |
| download | autocento-417eddb940ec0b364a11d459e27d5ae05d2c7d11.tar.gz autocento-417eddb940ec0b364a11d459e27d5ae05d2c7d11.zip | |
Add Abstract and Process Narrative
| -rw-r--r-- | abstract.html | 71 | ||||
| -rw-r--r-- | abstract.river | 195 | ||||
| -rw-r--r-- | abstract.txt | 34 | ||||
| -rw-r--r-- | abstract_backlinks.htm | 57 | ||||
| -rw-r--r-- | hapax.html | 2 | ||||
| -rw-r--r-- | hapax.txt | 101 | ||||
| -rw-r--r-- | hapax_backlinks.htm | 4 | ||||
| -rw-r--r-- | process.html | 69 | ||||
| -rw-r--r-- | process.river | 464 | ||||
| -rw-r--r-- | process.txt | 53 | ||||
| -rw-r--r-- | process_backlinks.htm | 4 | ||||
| -rw-r--r-- | trunk/lozenge.js | 2 |
12 files changed, 913 insertions, 143 deletions
| diff --git a/abstract.html b/abstract.html new file mode 100644 index 0000000..e1e41ac --- /dev/null +++ b/abstract.html | |||
| @@ -0,0 +1,71 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="abstract" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | ||
| 30 | |||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content prose"> | ||
| 39 | <section id="brief-description" class="level2"> | ||
| 40 | <h2>Brief Description</h2> | ||
| 41 | <p><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. I’ve compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. To make this easier than collating everything by hand, I’ve relied on a process that leverages open-source technologies to publish my work onto a web platform.</p> | ||
| 42 | </section> | ||
| 43 | <section id="things-to-notice" class="level2"> | ||
| 44 | <h2>Things to notice</h2> | ||
| 45 | <p>Take a look around the site. See how it’s navigable: there are links within each article to other articles and to the wider web, mapping common images, themes, or inspirations; there’s also navigation links at the bottom of each page:</p> | ||
| 46 | <ul> | ||
| 47 | <li>The <strong>φ</strong> shows you the backlinks to each page.</li> | ||
| 48 | <li>The <strong>◊</strong> takes you back to the cover of the project, to start over.</li> | ||
| 49 | <li>The <strong>∝</strong> takes you to a random article in the project.</li> | ||
| 50 | <li>Some pages also have <em>previous</em> and <em>next</em> links. These take you to other articles in their original project-order. It’s another way to navigate the page.</li> | ||
| 51 | </ul> | ||
| 52 | <p>Check out my <a href="process.html">process narrative</a> for the technical details of putting this site together, or see my <a href="about.html">about page</a> for an artist’s statement.</p> | ||
| 53 | </section> | ||
| 54 | </section> | ||
| 55 | </article> | ||
| 56 | <nav> | ||
| 57 | |||
| 58 | <!-- ANCHORS --> | ||
| 59 | <div class="anchors"> | ||
| 60 | <a href="abstract_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 61 | φ | ||
| 62 | </a> | ||
| 63 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 64 | <a href="#" id="lozenge" title="ERROR">∝</a> | ||
| 65 | </div> | ||
| 66 | |||
| 67 | </nav> | ||
| 68 | |||
| 69 | |||
| 70 | </body> | ||
| 71 | </html> | ||
| diff --git a/abstract.river b/abstract.river new file mode 100644 index 0000000..b1c2084 --- /dev/null +++ b/abstract.river | |||
| @@ -0,0 +1,195 @@ | |||
| 1 | brief | ||
| 2 | description | ||
| 3 | autocento | ||
| 4 | of | ||
| 5 | the | ||
| 6 | breakfast | ||
| 7 | table | ||
| 8 | is | ||
| 9 | my | ||
| 10 | master's | ||
| 11 | thesis | ||
| 12 | an | ||
| 13 | inter/hypertextual | ||
| 14 | exploration | ||
| 15 | of | ||
| 16 | the | ||
| 17 | workings | ||
| 18 | of | ||
| 19 | inspiration | ||
| 20 | revision | ||
| 21 | and | ||
| 22 | obsession | ||
| 23 | i've | ||
| 24 | compiled | ||
| 25 | this | ||
| 26 | work | ||
| 27 | over | ||
| 28 | multiple | ||
| 29 | years | ||
| 30 | and | ||
| 31 | recently | ||
| 32 | linked | ||
| 33 | it | ||
| 34 | all | ||
| 35 | together | ||
| 36 | to | ||
| 37 | form | ||
| 38 | a | ||
| 39 | hopefully | ||
| 40 | more | ||
| 41 | cohesive | ||
| 42 | whole | ||
| 43 | to | ||
| 44 | make | ||
| 45 | this | ||
| 46 | easier | ||
| 47 | than | ||
| 48 | collating | ||
| 49 | everything | ||
| 50 | by | ||
| 51 | hand | ||
| 52 | i've | ||
| 53 | relied | ||
| 54 | on | ||
| 55 | a | ||
| 56 | process | ||
| 57 | that | ||
| 58 | leverages | ||
| 59 | open-source | ||
| 60 | technologies | ||
| 61 | to | ||
| 62 | publish | ||
| 63 | my | ||
| 64 | work | ||
| 65 | onto | ||
| 66 | a | ||
| 67 | web | ||
| 68 | platform | ||
| 69 | things | ||
| 70 | to | ||
| 71 | notice | ||
| 72 | take | ||
| 73 | a | ||
| 74 | look | ||
| 75 | around | ||
| 76 | the | ||
| 77 | site | ||
| 78 | see | ||
| 79 | how | ||
| 80 | it | ||
| 81 | is | ||
| 82 | navigable | ||
| 83 | there | ||
| 84 | are | ||
| 85 | links | ||
| 86 | within | ||
| 87 | each | ||
| 88 | article | ||
| 89 | to | ||
| 90 | other | ||
| 91 | articles | ||
| 92 | and | ||
| 93 | to | ||
| 94 | the | ||
| 95 | wider | ||
| 96 | web | ||
| 97 | mapping | ||
| 98 | common | ||
| 99 | images | ||
| 100 | themes | ||
| 101 | or | ||
| 102 | inspirations | ||
| 103 | there's | ||
| 104 | also | ||
| 105 | navigation | ||
| 106 | links | ||
| 107 | at | ||
| 108 | the | ||
| 109 | bottom | ||
| 110 | of | ||
| 111 | each | ||
| 112 | page | ||
| 113 | the | ||
| 114 | phi | ||
| 115 | shows | ||
| 116 | you | ||
| 117 | the | ||
| 118 | backlinks | ||
| 119 | to | ||
| 120 | each | ||
| 121 | page | ||
| 122 | the | ||
| 123 | loz | ||
| 124 | takes | ||
| 125 | you | ||
| 126 | back | ||
| 127 | to | ||
| 128 | the | ||
| 129 | cover | ||
| 130 | of | ||
| 131 | the | ||
| 132 | project | ||
| 133 | to | ||
| 134 | start | ||
| 135 | over | ||
| 136 | the | ||
| 137 | x221d | ||
| 138 | takes | ||
| 139 | you | ||
| 140 | to | ||
| 141 | a | ||
| 142 | random | ||
| 143 | article | ||
| 144 | in | ||
| 145 | the | ||
| 146 | project | ||
| 147 | some | ||
| 148 | pages | ||
| 149 | also | ||
| 150 | have | ||
| 151 | previous | ||
| 152 | and | ||
| 153 | next | ||
| 154 | links | ||
| 155 | these | ||
| 156 | take | ||
| 157 | you | ||
| 158 | to | ||
| 159 | other | ||
| 160 | articles | ||
| 161 | in | ||
| 162 | their | ||
| 163 | original | ||
| 164 | project-order | ||
| 165 | it | ||
| 166 | is | ||
| 167 | another | ||
| 168 | way | ||
| 169 | to | ||
| 170 | navigate | ||
| 171 | the | ||
| 172 | page | ||
| 173 | check | ||
| 174 | out | ||
| 175 | my | ||
| 176 | process | ||
| 177 | narrative | ||
| 178 | for | ||
| 179 | the | ||
| 180 | technical | ||
| 181 | details | ||
| 182 | of | ||
| 183 | putting | ||
| 184 | this | ||
| 185 | site | ||
| 186 | together | ||
| 187 | or | ||
| 188 | see | ||
| 189 | my | ||
| 190 | about | ||
| 191 | page | ||
| 192 | for | ||
| 193 | an | ||
| 194 | artist's | ||
| 195 | statement | ||
| diff --git a/abstract.txt b/abstract.txt new file mode 100644 index 0000000..845faee --- /dev/null +++ b/abstract.txt | |||
| @@ -0,0 +1,34 @@ | |||
| 1 | --- | ||
| 2 | title: Autocento of the breakfast table | ||
| 3 | subititle: abstract | ||
| 4 | id: abstract | ||
| 5 | genre: prose | ||
| 6 | |||
| 7 | project: | ||
| 8 | title: About Autocento | ||
| 9 | class: meta | ||
| 10 | ... | ||
| 11 | |||
| 12 | Brief Description | ||
| 13 | ----------------- | ||
| 14 | |||
| 15 | _Autocento of the breakfast table_ is my Master's thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. | ||
| 16 | I've compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. | ||
| 17 | To make this easier than collating everything by hand, I've relied on a process that leverages open-source technologies to publish my work onto a web platform. | ||
| 18 | |||
| 19 | Things to notice | ||
| 20 | ---------------- | ||
| 21 | |||
| 22 | Take a look around the site. | ||
| 23 | See how it's navigable: there are links within each article to other articles and to the wider web, mapping common images, themes, or inspirations; | ||
| 24 | there's also navigation links at the bottom of each page: | ||
| 25 | |||
| 26 | - The **φ** shows you the backlinks to each page. | ||
| 27 | - The **◊** takes you back to the cover of the project, to start over. | ||
| 28 | - The **∝** takes you to a random article in the project. | ||
| 29 | - Some pages also have _previous_ and _next_ links. These take you to other articles in their original project-order. It's another way to navigate the page. | ||
| 30 | |||
| 31 | Check out my [process narrative][] for the technical details of putting this site together, or see my [about page][] for an artist's statement. | ||
| 32 | |||
| 33 | [process narrative]: process.html | ||
| 34 | [about page]: about.html | ||
| diff --git a/abstract_backlinks.htm b/abstract_backlinks.htm new file mode 100644 index 0000000..aa1926c --- /dev/null +++ b/abstract_backlinks.htm | |||
| @@ -0,0 +1,57 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <p><em>Nothing links here!</em></p> | ||
| 40 | </section> | ||
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | |||
| 44 | <!-- ANCHORS --> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">∝</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | </nav> | ||
| 54 | |||
| 55 | |||
| 56 | </body> | ||
| 57 | </html> | ||
| diff --git a/hapax.html b/hapax.html index 883a3e7..93b2493 100644 --- a/hapax.html +++ b/hapax.html | |||
| @@ -36,7 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content prose"> | 38 | <section class="content prose"> |
| 39 | <p><a href="about.html">//en</a> <a href="about.html">//github</a> <a href="about.html">//nau</a> <a href="poetry-time.html">0</a> <a href="todaniel.html">05</a> <a href="dollywood.html">19</a> <a href="on-genre-dimension.html">1970s</a> <a href="collage-instrument.html">1977</a> <a href="about-the-author.html">1994</a> <a href="about_author.html">1997</a> <a href="dollywood.html">20</a> <a href="howtoread.html">2000</a> <a href="todaniel.html">2006</a> <a href="about.html">2015</a> <a href="man.html">203</a> <a href="man.html">22</a> <a href="man.html">28</a> <a href="paul.html">2x</a> <a href="dollywood.html">30</a> <a href="dollywood.html">32</a> <a href="call-me-aural-pleasure.html">4/10</a> <a href="call-me-aural-pleasure.html">40</a> <a href="dollywood.html">50</a> <a href="dollywood.html">55</a> <a href="dollywood.html">58</a> <a href="collage-instrument.html">70s</a> <a href="on-genre-dimension.html">80s</a> <a href="collage-instrument.html">a-z</a> <a 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href="what-we-are-made-of.html">tiger</a> <a href="manifesto_poetics.html">tighten</a> <a href="time-looks-up-to-the-sky.html">tightens</a> <a href="i-wanted-to-tell-you-something.html">til</a> <a href="paul.html">tiller</a> <a href="man.html">tilted</a> <a href="dollywood.html">tim</a> <a href="shipwright.html">timbers</a> <a href="phone.html">tin</a> <a href="howtoread.html">tinker</a> <a href="phone.html">tinny</a> <a href="epigraph.html">tip</a> <a href="man.html">titled</a> <a href="about.html">to-dos</a> <a href="last-passenger.html">toes</a> <a href="sixteenth-chapel.html">toil</a> <a href="what-we-are-made-of.html">toilet-water</a> <a href="table_contents.html">toll</a> <a href="proverbs.html">tom</a> <a href="plant.html">tongues</a> <a href="planks.html">too-hot</a> <a href="ouroboros_memory.html">too-small</a> <a href="collage-instrument.html">toolset</a> <a href="peaches.html">tooth</a> <a href="art.html">topic</a> <a href="stump.html">torn</a> <a href="nothing-is-ever-over.html">torturous</a> <a href="manifesto_poetics.html">totals</a> <a href="dollywood.html">tourist</a> <a href="telemarketer.html">tourists</a> <a href="writing.html">towels</a> <a href="hardware.html">towering</a> <a href="boar.html">towers</a> <a href="man.html">town</a> <a href="process.html">track</a> <a href="proverbs.html">tracked</a> <a href="on-genre-dimension.html">traditional</a> <a href="collage-instrument.html">tragic</a> <a href="ex-machina.html">trains</a> <a href="hymnal.html">trait</a> <a href="manifesto_poetics.html">transacted</a> <a href="manifesto_poetics.html">transaction</a> <a href="what-we-are-made-of.html">transferring</a> <a href="collage-instrument.html">translate</a> <a href="collage-instrument.html">transliterate</a> <a href="manifesto_poetics.html">transmit</a> <a href="moon-drowning.html">trap</a> <a href="ex-machina.html">trash</a> <a href="reports.html">trashcan</a> <a href="words-meaning.html">trauma</a> <a href="largest-asteroid.html">travel</a> <a href="table_contents.html">traveler</a> <a href="likingthings.html">treat</a> <a href="about.html">treicle</a> <a href="death-zone.html">trellis</a> <a href="lappel-du-vide.html">trench</a> <a href="what-we-are-made-of.html">triangle</a> <a href="about_author.html">trichinosis</a> <a href="peaches.html">trigger</a> <a href="words-irritable-reaching.html">triggering</a> <a href="i-want-to-say.html">trips</a> <a href="arspoetica.html">tropical</a> <a href="dollywood.html">trotted</a> <a href="the-sea_the-beach.html">troubles</a> <a href="peaches.html">trousers</a> <a href="hardware.html">tuesday</a> <a href="weplayedthosegamestoo.html">tundra</a> <a href="movingsideways.html">tune-up</a> <a href="yellow.html">tupperware</a> <a href="exasperated.html">twenty-two</a> <a href="stump.html">twilight</a> <a href="weplayedthosegamestoo.html">twins</a> <a href="telemarketer.html">twirling</a> <a href="toilet.html">two-dimensional</a> <a href="telemarketer.html">uh</a> <a href="words-meaning.html">ultimate</a> <a href="telemarketer.html">um</a> <a href="telemarketer.html">unaccustomed</a> <a href="what-we-are-made-of.html">unacknowledged</a> <a href="telemarketer.html">unadorned</a> <a href="love-as-god.html">unanswerable</a> <a href="cold-wind.html">uncareful</a> <a href="on-genre-dimension.html">uncomfortable</a> <a href="phone.html">uncomortably</a> <a href="serengeti.html">uncovering</a> <a href="the-sea_the-beach.html">under-the-skin</a> <a href="dollywood.html">underarmour</a> <a href="plant.html">underground</a> <a href="about_author.html">underprivileged</a> <a href="reports.html">understandably</a> <a href="dollywood.html">unease</a> <a href="leg.html">uneven</a> <a href="initial-conditions.html">unfold</a> <a href="plant.html">unfurling</a> <a href="peaches.html">unharmed</a> <a href="toothpaste.html">unidentifiable</a> <a href="fire.html">uniform</a> <a href="manifesto_poetics.html">universal</a> <a href="howtoread.html">universality</a> <a href="about.html">university</a> <a href="collage-instrument.html">unix</a> <a href="collage-instrument.html">unix-based</a> <a href="nothing-is-ever-over.html">unmade</a> <a href="howtoread.html">unpack</a> <a href="collage-instrument.html">unreliable</a> <a href="howtoread.html">unsatisfying</a> <a href="howtoread.html">unsayable</a> <a href="ouroboros_memory.html">unsolvable</a> <a href="about.html">unsourced</a> <a href="dollywood.html">unzipped</a> <a href="process.html">updater</a> <a href="sapling.html">upholstery</a> <a href="about-the-author.html">ups</a> <a href="i-want-to-say.html">upstate</a> <a href="something-simple.html">urethra</a> <a href="telemarketer.html">urge</a> <a href="time-looks-up-to-the-sky.html">urn</a> <a href="about.html">uttered</a> <a href="collage-instrument.html">utterly</a> <a href="in-bed.html">v</a> <a href="howithappened.html">vacation</a> <a href="moongone.html">vaguely</a> <a href="call-me-aural-pleasure.html">valhalla</a> <a href="mountain.html">valley</a> <a href="plant.html">valleys</a> <a href="on-genre-dimension.html">value</a> <a href="words-irritable-reaching.html">valve</a> <a href="deathstrumpet.html">vampire</a> <a href="window.html">vanishes</a> <a href="collage-instrument.html">variables</a> <a href="about.html">venerable</a> <a href="plant.html">venom</a> <a href="largest-asteroid.html">veranda</a> <a href="proverbs.html">verses</a> <a href="punch.html">versions</a> <a href="telemarketer.html">vertical</a> <a href="call-me-aural-pleasure.html">verulam</a> <a href="toothpaste.html">vest</a> <a href="spittle.html">vestigial</a> <a href="likingthings.html">vet</a> <a href="in-bed.html">vi</a> <a href="collage-instrument.html">vicious</a> <a href="lappel-du-vide.html">vide</a> <a href="about.html">viewable</a> <a href="moongone.html">viewed</a> <a href="moongone.html">viewer’s</a> <a href="in-bed.html">vii</a> <a href="in-bed.html">viii</a> <a href="deathstrumpet.html">vine</a> <a href="toothpaste.html">vinegar</a> <a href="on-genre-dimension.html">visual</a> <a href="words-meaning.html">vitro</a> <a href="weplayedthosegamestoo.html">vocal</a> <a href="sapling.html">vocation</a> <a href="movingsideways.html">vogue</a> <a href="weplayedthosegamestoo.html">voicebox</a> <a href="about_author.html">voiced</a> <a href="on-genre-dimension.html">volume</a> <a href="howtoread.html">voluminous</a> <a href="howtoread.html">vonnegut</a> <a href="call-me-aural-pleasure.html">vote</a> <a href="proverbs.html">wagging</a> <a href="no-nothing.html">wailful</a> <a href="dollywood.html">waists</a> <a href="window.html">waits</a> <a href="100-lines.html">waking</a> <a href="about-the-author.html">walgreen’s</a> <a href="swansong.html">walkers</a> <a href="movingsideways.html">wandered</a> <a href="table_contents.html">wandering</a> <a href="call-me-aural-pleasure.html">wanna</a> <a href="plant.html">warbling</a> <a href="january.html">ward</a> <a href="cereal.html">warm-cold</a> <a href="no-nothing.html">warmer</a> <a href="no-nothing.html">warmth</a> <a href="telemarketer.html">warning</a> <a href="what-we-are-made-of.html">warthog</a> <a href="sixteenth-chapel.html">wary</a> <a href="dollywood.html">wash</a> <a href="cereal.html">washer</a> <a href="last-bastion.html">waste</a> <a href="worse-looking-over.html">wasted</a> <a href="shed.html">wasting</a> <a href="hard-game.html">wastrel’s</a> <a href="cold-wind.html">watcher</a> <a href="deathstrumpet.html">watches</a> <a href="plant.html">waterlike</a> <a href="howithappened.html">waters</a> <a href="spittle.html">watery-eyed</a> <a href="dollywood.html">waved</a> <a href="window.html">wavered</a> <a href="lappel-du-vide.html">waving</a> <a href="poetry-time.html">we’ve</a> <a href="initial-conditions.html">weak</a> <a href="plant.html">weary</a> <a href="about.html">webpage</a> <a href="lappel-du-vide.html">wednesday</a> <a href="peaches.html">weed</a> <a href="reports.html">weekend</a> <a href="ronaldmcdonald.html">weekends</a> <a href="about_author.html">welker</a> <a href="feedingtheraven.html">welling</a> <a href="plant.html">wetly</a> <a href="what-we-are-made-of.html">what-do-we-do-now</a> <a href="deadman.html">wheeling</a> <a href="last-bastion.html">wheels</a> <a href="dollywood.html">when’s</a> <a href="100-lines.html">whenever</a> <a href="axe.html">wherever</a> <a href="man.html">whichever</a> <a href="table_contents.html">whinny</a> <a href="plant.html">whisper</a> <a href="time-looks-up-to-the-sky.html">whispered</a> <a href="largest-asteroid.html">whistfully</a> <a href="stagnant.html">whistle</a> <a href="what-we-are-made-of.html">whiteness</a> <a href="howtoread.html">whitman</a> <a href="howtoread.html">whitman-esque</a> <a href="leg.html">whittle</a> <a href="leg.html">whittled</a> <a href="exasperated.html">who’d</a> <a href="lappel-du-vide.html">who’ll</a> <a href="angeltoabraham.html">whom</a> <a href="what-we-are-made-of.html">wicker</a> <a href="plant.html">widening</a> <a href="abstract.html">wider</a> <a href="dollywood.html">widgets</a> <a href="about.html">wikipedia</a> <a href="100-lines.html">wild</a> <a href="sense-of-it.html">willed</a> <a href="hardware.html">william</a> <a href="words-irritable-reaching.html">willows</a> <a href="likingthings.html">win</a> <a href="words-irritable-reaching.html">wind’s</a> <a href="plant.html">windblown</a> <a href="last-bastion.html">windows</a> <a href="call-me-aural-pleasure.html">wine</a> <a href="seasonal-affective-disorder.html">winter-returned</a> <a href="roughgloves.html">winters</a> <a href="about-the-author.html">wintery</a> <a href="words-irritable-reaching.html">wire</a> <a href="manifesto_poetics.html">wireframe</a> <a href="exasperated.html">wishful</a> <a href="dollywood.html">wisps</a> <a href="statements-frag.html">withdrew</a> <a href="leg.html">wobbly</a> <a href="epigraph.html">wonderful</a> <a href="paul.html">wooden</a> <a href="wallpaper.html">woodgrain</a> <a href="roughgloves.html">wool</a> <a href="on-genre-dimension.html">word-picture</a> <a href="telemarketer.html">workers</a> <a href="process.html">workflow</a> <a href="plant.html">worldmaking</a> <a href="howtoread.html">worlds</a> <a href="plant.html">wormilled</a> <a href="plant.html">worms</a> <a href="i-am.html">worship</a> <a href="on-genre-dimension.html">worth</a> <a href="i-am.html">wound</a> <a href="plant.html">wounds</a> <a href="riptide_memory.html">woven</a> <a href="statements-frag.html">wrap-up</a> <a href="paul.html">wrench</a> <a href="100-lines.html">wrestling</a> <a href="about-the-author.html">wriggled</a> <a href="epigraph.html">wrinkle</a> <a href="nothing-is-ever-over.html">wrists</a> <a href="x-ray.html">x-rays</a> <a href="abstract.html">x221d</a> <a href="collage-instrument.html">xenophobia</a> <a href="the-sea_the-beach.html">yawn</a> <a href="what-we-are-made-of.html">yawns</a> <a href="sixteenth-chapel.html">year-old</a> <a href="100-lines.html">yearning</a> <a href="howtoread.html">yearnings</a> <a href="poetry-time.html">yearns</a> <a href="manifesto_poetics.html">yeats</a> <a href="dollywood.html">yell</a> <a href="plant.html">yellowshot</a> <a href="on-genre-dimension.html">yes-or-no</a> <a href="moongone.html">yields</a> <a href="100-lines.html">yoke</a> <a href="last-passenger.html">yoked</a> <a href="what-we-are-made-of.html">yolks</a> <a href="plant.html">youngnesses</a> <a href="sixteenth-chapel.html">youth</a> <a href="sixteenth-chapel.html">youthful</a> <a href="dollywood.html">zipped</a> <a href="dollywood.html">zipper</a> <a href="shed.html">zoom</a> <a href="last-passenger.html">zoos</a></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| diff --git a/hapax.txt b/hapax.txt index 106ffa2..0e16cf0 100644 --- a/hapax.txt +++ b/hapax.txt | |||
| @@ -9,6 +9,12 @@ project: | |||
| 9 | class: meta | 9 | class: meta |
| 10 | ... | 10 | ... |
| 11 | 11 | ||
| 12 | [-a](process.html) | ||
| 13 | [-f](process.html) | ||
| 14 | [-m](process.html) | ||
| 15 | [-o](process.html) | ||
| 16 | [-t](process.html) | ||
| 17 | [//autocento](process.html) | ||
| 12 | [//en](about.html) | 18 | [//en](about.html) |
| 13 | [//github](about.html) | 19 | [//github](about.html) |
| 14 | [//nau](about.html) | 20 | [//nau](about.html) |
| @@ -57,12 +63,10 @@ project: | |||
| 57 | [actor's](telemarketer.html) | 63 | [actor's](telemarketer.html) |
| 58 | [adage](on-genre-dimension.html) | 64 | [adage](on-genre-dimension.html) |
| 59 | [adam](todaniel.html) | 65 | [adam](todaniel.html) |
| 60 | [adapted](process.html) | ||
| 61 | [adapting](howtoread.html) | 66 | [adapting](howtoread.html) |
| 62 | [addition](about_author.html) | 67 | [addition](about_author.html) |
| 63 | [additionally](on-genre-dimension.html) | 68 | [additionally](on-genre-dimension.html) |
| 64 | [additive](howtoread.html) | 69 | [additive](howtoread.html) |
| 65 | [adds](words-irritable-reaching.html) | ||
| 66 | [adjust](lappel-du-vide.html) | 70 | [adjust](lappel-du-vide.html) |
| 67 | [adjusted](dream.html) | 71 | [adjusted](dream.html) |
| 68 | [admin](stayed-on-the-bus.html) | 72 | [admin](stayed-on-the-bus.html) |
| @@ -99,7 +103,6 @@ project: | |||
| 99 | [alive](building.html) | 103 | [alive](building.html) |
| 100 | [allen](table_contents.html) | 104 | [allen](table_contents.html) |
| 101 | [allowing](dollywood.html) | 105 | [allowing](dollywood.html) |
| 102 | [allows](when-im-sorry-i.html) | ||
| 103 | [aloof](dollywood.html) | 106 | [aloof](dollywood.html) |
| 104 | [alpha](collage-instrument.html) | 107 | [alpha](collage-instrument.html) |
| 105 | [alternatively](about.html) | 108 | [alternatively](about.html) |
| @@ -126,7 +129,6 @@ project: | |||
| 126 | [appeared](i-want-to-say.html) | 129 | [appeared](i-want-to-say.html) |
| 127 | [appears](treatise.html) | 130 | [appears](treatise.html) |
| 128 | [applied](words-irritable-reaching.html) | 131 | [applied](words-irritable-reaching.html) |
| 129 | [applies](on-genre-dimension.html) | ||
| 130 | [appointment](underwear.html) | 132 | [appointment](underwear.html) |
| 131 | [appreciate](likingthings.html) | 133 | [appreciate](likingthings.html) |
| 132 | [aquarium](deadman.html) | 134 | [aquarium](deadman.html) |
| @@ -134,12 +136,12 @@ project: | |||
| 134 | [arbitrary](words-meaning.html) | 136 | [arbitrary](words-meaning.html) |
| 135 | [arcade](deathstrumpet.html) | 137 | [arcade](deathstrumpet.html) |
| 136 | [archers](words-irritable-reaching.html) | 138 | [archers](words-irritable-reaching.html) |
| 137 | [area](dollywood.html) | ||
| 138 | [arises](philosophy.html) | 139 | [arises](philosophy.html) |
| 139 | [ark](howithappened.html) | 140 | [ark](howithappened.html) |
| 140 | [arrow](onformalpoetry.html) | 141 | [arrow](onformalpoetry.html) |
| 141 | [arson](fire.html) | 142 | [arson](fire.html) |
| 142 | [articles1](about.html) | 143 | [articles1](about.html) |
| 144 | [artist's](abstract.html) | ||
| 143 | [ascribe](apollo11.html) | 145 | [ascribe](apollo11.html) |
| 144 | [ashbark](plant.html) | 146 | [ashbark](plant.html) |
| 145 | [asleep](riptide_memory.html) | 147 | [asleep](riptide_memory.html) |
| @@ -180,11 +182,12 @@ project: | |||
| 180 | [b](hymnal.html) | 182 | [b](hymnal.html) |
| 181 | [babel](howithappened.html) | 183 | [babel](howithappened.html) |
| 182 | [babies](ouroboros_memory.html) | 184 | [babies](ouroboros_memory.html) |
| 185 | [back-link](process.html) | ||
| 183 | [back-to-front](howtoread.html) | 186 | [back-to-front](howtoread.html) |
| 184 | [backdrop](movingsideways.html) | 187 | [backdrop](movingsideways.html) |
| 185 | [backfires](collage-instrument.html) | 188 | [backfires](collage-instrument.html) |
| 186 | [backgrounded](what-we-are-made-of.html) | 189 | [backgrounded](what-we-are-made-of.html) |
| 187 | [backlinks](process.html) | 190 | [backlinks](abstract.html) |
| 188 | [backpacks](dollywood.html) | 191 | [backpacks](dollywood.html) |
| 189 | [badgers](purpose-dogs.html) | 192 | [badgers](purpose-dogs.html) |
| 190 | [bahamas](100-lines.html) | 193 | [bahamas](100-lines.html) |
| @@ -204,6 +207,7 @@ project: | |||
| 204 | [barrier](dollywood.html) | 207 | [barrier](dollywood.html) |
| 205 | [bars](ronaldmcdonald.html) | 208 | [bars](ronaldmcdonald.html) |
| 206 | [bartenders](creation-myth.html) | 209 | [bartenders](creation-myth.html) |
| 210 | [bash](process.html) | ||
| 207 | [bastards](ex-machina.html) | 211 | [bastards](ex-machina.html) |
| 208 | [bastion](last-bastion.html) | 212 | [bastion](last-bastion.html) |
| 209 | [bathtub](what-we-are-made-of.html) | 213 | [bathtub](what-we-are-made-of.html) |
| @@ -310,6 +314,7 @@ project: | |||
| 310 | [breed](purpose-dogs.html) | 314 | [breed](purpose-dogs.html) |
| 311 | [breeds](purpose-dogs.html) | 315 | [breeds](purpose-dogs.html) |
| 312 | [bride](death-zone.html) | 316 | [bride](death-zone.html) |
| 317 | [brief](abstract.html) | ||
| 313 | [briefcase](spittle.html) | 318 | [briefcase](spittle.html) |
| 314 | [brilliant](epigraph.html) | 319 | [brilliant](epigraph.html) |
| 315 | [bro](call-me-aural-pleasure.html) | 320 | [bro](call-me-aural-pleasure.html) |
| @@ -327,6 +332,7 @@ project: | |||
| 327 | [buck](table_contents.html) | 332 | [buck](table_contents.html) |
| 328 | [buck-fifty](creation-myth.html) | 333 | [buck-fifty](creation-myth.html) |
| 329 | [buffet](peaches.html) | 334 | [buffet](peaches.html) |
| 335 | [buggy](process.html) | ||
| 330 | [bugs](dollywood.html) | 336 | [bugs](dollywood.html) |
| 331 | [bulbs](telemarketer.html) | 337 | [bulbs](telemarketer.html) |
| 332 | [bunk](hard-game.html) | 338 | [bunk](hard-game.html) |
| @@ -372,6 +378,7 @@ project: | |||
| 372 | [candidate](about.html) | 378 | [candidate](about.html) |
| 373 | [canned](peaches.html) | 379 | [canned](peaches.html) |
| 374 | [canopy](stump.html) | 380 | [canopy](stump.html) |
| 381 | [capabilities](process.html) | ||
| 375 | [capability](words-irritable-reaching.html) | 382 | [capability](words-irritable-reaching.html) |
| 376 | [capacity](words-meaning.html) | 383 | [capacity](words-meaning.html) |
| 377 | [capital-l](love-as-god.html) | 384 | [capital-l](love-as-god.html) |
| @@ -482,7 +489,6 @@ project: | |||
| 482 | [clutched](stump.html) | 489 | [clutched](stump.html) |
| 483 | [cock](nothing-is-ever-over.html) | 490 | [cock](nothing-is-ever-over.html) |
| 484 | [cocky](call-me-aural-pleasure.html) | 491 | [cocky](call-me-aural-pleasure.html) |
| 485 | [code](process.html) | ||
| 486 | [code-collaboration](about.html) | 492 | [code-collaboration](about.html) |
| 487 | [coffins](100-lines.html) | 493 | [coffins](100-lines.html) |
| 488 | [cola](lovesong.html) | 494 | [cola](lovesong.html) |
| @@ -493,7 +499,6 @@ project: | |||
| 493 | [collapses](collage-instrument.html) | 499 | [collapses](collage-instrument.html) |
| 494 | [collarbone](roughgloves.html) | 500 | [collarbone](roughgloves.html) |
| 495 | [collectible](purpose-dogs.html) | 501 | [collectible](purpose-dogs.html) |
| 496 | [collection](process.html) | ||
| 497 | [collective](collage-instrument.html) | 502 | [collective](collage-instrument.html) |
| 498 | [college](collage-instrument.html) | 503 | [college](collage-instrument.html) |
| 499 | [column](movingsideways.html) | 504 | [column](movingsideways.html) |
| @@ -509,7 +514,6 @@ project: | |||
| 509 | [command-line](collage-instrument.html) | 514 | [command-line](collage-instrument.html) |
| 510 | [commentators](howtoread.html) | 515 | [commentators](howtoread.html) |
| 511 | [commercials](about_author.html) | 516 | [commercials](about_author.html) |
| 512 | [commits](about.html) | ||
| 513 | [committed](man.html) | 517 | [committed](man.html) |
| 514 | [communicably](on-genre-dimension.html) | 518 | [communicably](on-genre-dimension.html) |
| 515 | [communicate](howtoread.html) | 519 | [communicate](howtoread.html) |
| @@ -555,7 +559,6 @@ project: | |||
| 555 | [consumed](ouroboros_memory.html) | 559 | [consumed](ouroboros_memory.html) |
| 556 | [contempt](arspoetica.html) | 560 | [contempt](arspoetica.html) |
| 557 | [contemptibly](arspoetica.html) | 561 | [contemptibly](arspoetica.html) |
| 558 | [content](collage-instrument.html) | ||
| 559 | [continued](fire.html) | 562 | [continued](fire.html) |
| 560 | [continues](shipwright.html) | 563 | [continues](shipwright.html) |
| 561 | [continuity](words-meaning.html) | 564 | [continuity](words-meaning.html) |
| @@ -590,7 +593,6 @@ project: | |||
| 590 | [courage](call-me-aural-pleasure.html) | 593 | [courage](call-me-aural-pleasure.html) |
| 591 | [court](ex-machina.html) | 594 | [court](ex-machina.html) |
| 592 | [cousin](tapestry.html) | 595 | [cousin](tapestry.html) |
| 593 | [cover](art.html) | ||
| 594 | [coveralls](ronaldmcdonald.html) | 596 | [coveralls](ronaldmcdonald.html) |
| 595 | [covers](telemarketer.html) | 597 | [covers](telemarketer.html) |
| 596 | [covino](call-me-aural-pleasure.html) | 598 | [covino](call-me-aural-pleasure.html) |
| @@ -693,6 +695,7 @@ project: | |||
| 693 | [deflate](dollywood.html) | 695 | [deflate](dollywood.html) |
| 694 | [deigned](exasperated.html) | 696 | [deigned](exasperated.html) |
| 695 | [delegate](telemarketer.html) | 697 | [delegate](telemarketer.html) |
| 698 | [deleted](process.html) | ||
| 696 | [demand](collage-instrument.html) | 699 | [demand](collage-instrument.html) |
| 697 | [demanded](movingsideways.html) | 700 | [demanded](movingsideways.html) |
| 698 | [demolished](building.html) | 701 | [demolished](building.html) |
| @@ -711,11 +714,11 @@ project: | |||
| 711 | [destroy](i-am.html) | 714 | [destroy](i-am.html) |
| 712 | [destroyed](when-im-sorry-i.html) | 715 | [destroyed](when-im-sorry-i.html) |
| 713 | [destruction](angeltoabraham.html) | 716 | [destruction](angeltoabraham.html) |
| 717 | [detailed](process.html) | ||
| 714 | [detergent](cereal.html) | 718 | [detergent](cereal.html) |
| 715 | [detractors](january.html) | 719 | [detractors](january.html) |
| 716 | [devastating](about-the-author.html) | 720 | [devastating](about-the-author.html) |
| 717 | [develop](manifesto_poetics.html) | 721 | [develop](manifesto_poetics.html) |
| 718 | [developed](howtoread.html) | ||
| 719 | [devices](ouroboros_memory.html) | 722 | [devices](ouroboros_memory.html) |
| 720 | [devil](sapling.html) | 723 | [devil](sapling.html) |
| 721 | [devised](manifesto_poetics.html) | 724 | [devised](manifesto_poetics.html) |
| @@ -736,6 +739,7 @@ project: | |||
| 736 | [dipped](writing.html) | 739 | [dipped](writing.html) |
| 737 | [dipping](writing.html) | 740 | [dipping](writing.html) |
| 738 | [directly](man.html) | 741 | [directly](man.html) |
| 742 | [directory](process.html) | ||
| 739 | [dirty](cereal.html) | 743 | [dirty](cereal.html) |
| 740 | [disagree](ouroboros_memory.html) | 744 | [disagree](ouroboros_memory.html) |
| 741 | [disagree1](movingsideways.html) | 745 | [disagree1](movingsideways.html) |
| @@ -767,6 +771,7 @@ project: | |||
| 767 | [divine](ex-machina.html) | 771 | [divine](ex-machina.html) |
| 768 | [doctor's](dollywood.html) | 772 | [doctor's](dollywood.html) |
| 769 | [document](about.html) | 773 | [document](about.html) |
| 774 | [documents](process.html) | ||
| 770 | [docx](about.html) | 775 | [docx](about.html) |
| 771 | [doe-eyed](last-bastion.html) | 776 | [doe-eyed](last-bastion.html) |
| 772 | [dog's](feedingtheraven.html) | 777 | [dog's](feedingtheraven.html) |
| @@ -816,7 +821,6 @@ project: | |||
| 816 | [dwelling](on-genre-dimension.html) | 821 | [dwelling](on-genre-dimension.html) |
| 817 | [e](about.html) | 822 | [e](about.html) |
| 818 | [earthworms](about-the-author.html) | 823 | [earthworms](about-the-author.html) |
| 819 | [ease-of-compilation](process.html) | ||
| 820 | [eaten](plant.html) | 824 | [eaten](plant.html) |
| 821 | [eclipse](in-bed.html) | 825 | [eclipse](in-bed.html) |
| 822 | [economic](collage-instrument.html) | 826 | [economic](collage-instrument.html) |
| @@ -907,13 +911,15 @@ project: | |||
| 907 | [expel](collage-instrument.html) | 911 | [expel](collage-instrument.html) |
| 908 | [experienced](howtoread.html) | 912 | [experienced](howtoread.html) |
| 909 | [experiencing](sixteenth-chapel.html) | 913 | [experiencing](sixteenth-chapel.html) |
| 914 | [experimenting](process.html) | ||
| 910 | [experiments](howtoread.html) | 915 | [experiments](howtoread.html) |
| 911 | [expertly](creation-myth.html) | 916 | [expertly](creation-myth.html) |
| 912 | [explained](collage-instrument.html) | 917 | [explained](collage-instrument.html) |
| 913 | [explains](toilet.html) | 918 | [explains](toilet.html) |
| 914 | [explanation](collage-instrument.html) | ||
| 915 | [expressed](telemarketer.html) | 919 | [expressed](telemarketer.html) |
| 916 | [expression](last-bastion.html) | 920 | [expression](last-bastion.html) |
| 921 | [extend](process.html) | ||
| 922 | [extended](process.html) | ||
| 917 | [extract](howtoread.html) | 923 | [extract](howtoread.html) |
| 918 | [extrapolate](howtoread.html) | 924 | [extrapolate](howtoread.html) |
| 919 | [extrapolating](howtoread.html) | 925 | [extrapolating](howtoread.html) |
| @@ -965,7 +971,6 @@ project: | |||
| 965 | [fighting](what-we-are-made-of.html) | 971 | [fighting](what-we-are-made-of.html) |
| 966 | [figment](poetry-time.html) | 972 | [figment](poetry-time.html) |
| 967 | [figurine](purpose-dogs.html) | 973 | [figurine](purpose-dogs.html) |
| 968 | [file](about.html) | ||
| 969 | [filled](writing.html) | 974 | [filled](writing.html) |
| 970 | [filling](on-genre-dimension.html) | 975 | [filling](on-genre-dimension.html) |
| 971 | [filtered](plant.html) | 976 | [filtered](plant.html) |
| @@ -1030,7 +1035,6 @@ project: | |||
| 1030 | [forlorn](ex-machina.html) | 1035 | [forlorn](ex-machina.html) |
| 1031 | [format](process.html) | 1036 | [format](process.html) |
| 1032 | [formation](swansong.html) | 1037 | [formation](swansong.html) |
| 1033 | [formats](collage-instrument.html) | ||
| 1034 | [formula](howtoread.html) | 1038 | [formula](howtoread.html) |
| 1035 | [fortinis](collage-instrument.html) | 1039 | [fortinis](collage-instrument.html) |
| 1036 | [fortress](howtoread.html) | 1040 | [fortress](howtoread.html) |
| @@ -1071,6 +1075,7 @@ project: | |||
| 1071 | [ftw](call-me-aural-pleasure.html) | 1075 | [ftw](call-me-aural-pleasure.html) |
| 1072 | [fulfill](purpose-dogs.html) | 1076 | [fulfill](purpose-dogs.html) |
| 1073 | [full-throated](last-passenger.html) | 1077 | [full-throated](last-passenger.html) |
| 1078 | [functionality](process.html) | ||
| 1074 | [fundamental](on-genre-dimension.html) | 1079 | [fundamental](on-genre-dimension.html) |
| 1075 | [fundamentally-different](on-genre-dimension.html) | 1080 | [fundamentally-different](on-genre-dimension.html) |
| 1076 | [fungi](plant.html) | 1081 | [fungi](plant.html) |
| @@ -1091,6 +1096,7 @@ project: | |||
| 1091 | [gazebo](dollywood.html) | 1096 | [gazebo](dollywood.html) |
| 1092 | [gee](epigraph.html) | 1097 | [gee](epigraph.html) |
| 1093 | [generality](words-irritable-reaching.html) | 1098 | [generality](words-irritable-reaching.html) |
| 1099 | [generate](process.html) | ||
| 1094 | [generated](words-irritable-reaching.html) | 1100 | [generated](words-irritable-reaching.html) |
| 1095 | [generations](building.html) | 1101 | [generations](building.html) |
| 1096 | [genesis](about.html) | 1102 | [genesis](about.html) |
| @@ -1115,6 +1121,7 @@ project: | |||
| 1115 | [gluing](dollywood.html) | 1121 | [gluing](dollywood.html) |
| 1116 | [gnashing](no-nothing.html) | 1122 | [gnashing](no-nothing.html) |
| 1117 | [gnawer](plant.html) | 1123 | [gnawer](plant.html) |
| 1124 | [gnu](process.html) | ||
| 1118 | [goad](what-we-are-made-of.html) | 1125 | [goad](what-we-are-made-of.html) |
| 1119 | [goats](words-irritable-reaching.html) | 1126 | [goats](words-irritable-reaching.html) |
| 1120 | [god-lover](love-as-god.html) | 1127 | [god-lover](love-as-god.html) |
| @@ -1151,6 +1158,7 @@ project: | |||
| 1151 | [growling](shipwright.html) | 1158 | [growling](shipwright.html) |
| 1152 | [grown](in-bed.html) | 1159 | [grown](in-bed.html) |
| 1153 | [grows](peaches.html) | 1160 | [grows](peaches.html) |
| 1161 | [gruber](process.html) | ||
| 1154 | [guessed](statements-frag.html) | 1162 | [guessed](statements-frag.html) |
| 1155 | [guide](dollywood.html) | 1163 | [guide](dollywood.html) |
| 1156 | [gut](i-wanted-to-tell-you-something.html) | 1164 | [gut](i-wanted-to-tell-you-something.html) |
| @@ -1230,7 +1238,6 @@ project: | |||
| 1230 | [honor](i-am.html) | 1238 | [honor](i-am.html) |
| 1231 | [hooks](amber-alert.html) | 1239 | [hooks](amber-alert.html) |
| 1232 | [hoop](swear.html) | 1240 | [hoop](swear.html) |
| 1233 | [hopefully](exasperated.html) | ||
| 1234 | [hopes](largest-asteroid.html) | 1241 | [hopes](largest-asteroid.html) |
| 1235 | [horizontal](dollywood.html) | 1242 | [horizontal](dollywood.html) |
| 1236 | [horn](deathstrumpet.html) | 1243 | [horn](deathstrumpet.html) |
| @@ -1239,6 +1246,7 @@ project: | |||
| 1239 | [hotel](what-we-are-made-of.html) | 1246 | [hotel](what-we-are-made-of.html) |
| 1240 | [hovering](time-looks-up-to-the-sky.html) | 1247 | [hovering](time-looks-up-to-the-sky.html) |
| 1241 | [how'd](hardware.html) | 1248 | [how'd](hardware.html) |
| 1249 | [html5](process.html) | ||
| 1242 | [huge](words-irritable-reaching.html) | 1250 | [huge](words-irritable-reaching.html) |
| 1243 | [hugging](dollywood.html) | 1251 | [hugging](dollywood.html) |
| 1244 | [huh](call-me-aural-pleasure.html) | 1252 | [huh](call-me-aural-pleasure.html) |
| @@ -1287,6 +1295,7 @@ project: | |||
| 1287 | [includes](collage-instrument.html) | 1295 | [includes](collage-instrument.html) |
| 1288 | [including](dollywood.html) | 1296 | [including](dollywood.html) |
| 1289 | [inclusive](onformalpoetry.html) | 1297 | [inclusive](onformalpoetry.html) |
| 1298 | [inconsistent](process.html) | ||
| 1290 | [increase](ouroboros_memory.html) | 1299 | [increase](ouroboros_memory.html) |
| 1291 | [increasingly](real-writer.html) | 1300 | [increasingly](real-writer.html) |
| 1292 | [independent](peaches.html) | 1301 | [independent](peaches.html) |
| @@ -1313,8 +1322,7 @@ project: | |||
| 1313 | [inside-out](dollywood.html) | 1322 | [inside-out](dollywood.html) |
| 1314 | [insist](problems.html) | 1323 | [insist](problems.html) |
| 1315 | [insists](when-im-sorry-i.html) | 1324 | [insists](when-im-sorry-i.html) |
| 1316 | [inspiration](collage-instrument.html) | 1325 | [inspirations](abstract.html) |
| 1317 | [instructions](process.html) | ||
| 1318 | [insults](joke.html) | 1326 | [insults](joke.html) |
| 1319 | [intended](initial-conditions.html) | 1327 | [intended](initial-conditions.html) |
| 1320 | [intense](arspoetica.html) | 1328 | [intense](arspoetica.html) |
| @@ -1326,7 +1334,6 @@ project: | |||
| 1326 | [interpreted](collage-instrument.html) | 1334 | [interpreted](collage-instrument.html) |
| 1327 | [interrelate](on-genre-dimension.html) | 1335 | [interrelate](on-genre-dimension.html) |
| 1328 | [interstate](peaches.html) | 1336 | [interstate](peaches.html) |
| 1329 | [intertextuality](process.html) | ||
| 1330 | [intervals](early.html) | 1337 | [intervals](early.html) |
| 1331 | [interview](snow.html) | 1338 | [interview](snow.html) |
| 1332 | [intimately](about-the-author.html) | 1339 | [intimately](about-the-author.html) |
| @@ -1428,10 +1435,12 @@ project: | |||
| 1428 | [land-features](on-genre-dimension.html) | 1435 | [land-features](on-genre-dimension.html) |
| 1429 | [land-like](lappel-du-vide.html) | 1436 | [land-like](lappel-du-vide.html) |
| 1430 | [landlocked](telemarketer.html) | 1437 | [landlocked](telemarketer.html) |
| 1438 | [languages](process.html) | ||
| 1431 | [largely](collage-instrument.html) | 1439 | [largely](collage-instrument.html) |
| 1432 | [las](dollywood.html) | 1440 | [las](dollywood.html) |
| 1433 | [lasting](what-we-are-made-of.html) | 1441 | [lasting](what-we-are-made-of.html) |
| 1434 | [lately](real-writer.html) | 1442 | [lately](real-writer.html) |
| 1443 | [lather](process.html) | ||
| 1435 | [latin](about.html) | 1444 | [latin](about.html) |
| 1436 | [laughed](phone.html) | 1445 | [laughed](phone.html) |
| 1437 | [laughter](100-lines.html) | 1446 | [laughter](100-lines.html) |
| @@ -1454,7 +1463,6 @@ project: | |||
| 1454 | [legomena](about.html) | 1463 | [legomena](about.html) |
| 1455 | [lent](collage-instrument.html) | 1464 | [lent](collage-instrument.html) |
| 1456 | [lessons](howithappened.html) | 1465 | [lessons](howithappened.html) |
| 1457 | [lets](real-writer.html) | ||
| 1458 | [letters](notes.html) | 1466 | [letters](notes.html) |
| 1459 | [letting](leaf.html) | 1467 | [letting](leaf.html) |
| 1460 | [lettuce](underwear.html) | 1468 | [lettuce](underwear.html) |
| @@ -1467,12 +1475,13 @@ project: | |||
| 1467 | [lifetime](howtoread.html) | 1475 | [lifetime](howtoread.html) |
| 1468 | [lifetimes](howtoread.html) | 1476 | [lifetimes](howtoread.html) |
| 1469 | [lift](punch.html) | 1477 | [lift](punch.html) |
| 1478 | [lightweight](process.html) | ||
| 1470 | [limbaugh](call-me-aural-pleasure.html) | 1479 | [limbaugh](call-me-aural-pleasure.html) |
| 1471 | [limitations](words-meaning.html) | ||
| 1472 | [limiting](words-meaning.html) | 1480 | [limiting](words-meaning.html) |
| 1473 | [linear](on-genre-dimension.html) | 1481 | [linear](on-genre-dimension.html) |
| 1474 | [linguistic](words-meaning.html) | 1482 | [linguistic](words-meaning.html) |
| 1475 | [linguistics](about.html) | 1483 | [linguistics](about.html) |
| 1484 | [link](process.html) | ||
| 1476 | [linking](about.html) | 1485 | [linking](about.html) |
| 1477 | [linoleum](in-bed.html) | 1486 | [linoleum](in-bed.html) |
| 1478 | [lion's](finding-the-lion.html) | 1487 | [lion's](finding-the-lion.html) |
| @@ -1504,12 +1513,12 @@ project: | |||
| 1504 | [lovable](about_author.html) | 1513 | [lovable](about_author.html) |
| 1505 | [lover](moon-drowning.html) | 1514 | [lover](moon-drowning.html) |
| 1506 | [loving](dollywood.html) | 1515 | [loving](dollywood.html) |
| 1507 | [loz](about.html) | ||
| 1508 | [lumpy](onformalpoetry.html) | 1516 | [lumpy](onformalpoetry.html) |
| 1509 | [lure](about_author.html) | 1517 | [lure](about_author.html) |
| 1510 | [lvaro](howtoread.html) | 1518 | [lvaro](howtoread.html) |
| 1511 | [lyrically](on-genre-dimension.html) | 1519 | [lyrically](on-genre-dimension.html) |
| 1512 | [ma'am](telemarketer.html) | 1520 | [ma'am](telemarketer.html) |
| 1521 | [macfarlane's](process.html) | ||
| 1513 | [machinations](collage-instrument.html) | 1522 | [machinations](collage-instrument.html) |
| 1514 | [machine's](ex-machina.html) | 1523 | [machine's](ex-machina.html) |
| 1515 | [machines](hands.html) | 1524 | [machines](hands.html) |
| @@ -1528,11 +1537,11 @@ project: | |||
| 1528 | [manner](howtoread.html) | 1537 | [manner](howtoread.html) |
| 1529 | [manufacturers](collage-instrument.html) | 1538 | [manufacturers](collage-instrument.html) |
| 1530 | [manuscript](manifesto_poetics.html) | 1539 | [manuscript](manifesto_poetics.html) |
| 1540 | [mapping](abstract.html) | ||
| 1531 | [marianas](lappel-du-vide.html) | 1541 | [marianas](lappel-du-vide.html) |
| 1532 | [marianne](on-genre-dimension.html) | 1542 | [marianne](on-genre-dimension.html) |
| 1533 | [mario](problems.html) | 1543 | [mario](problems.html) |
| 1534 | [mark](sense-of-it.html) | 1544 | [mark](sense-of-it.html) |
| 1535 | [markdown](process.html) | ||
| 1536 | [marked](death-zone.html) | 1545 | [marked](death-zone.html) |
| 1537 | [maroon](moon-drowning.html) | 1546 | [maroon](moon-drowning.html) |
| 1538 | [marriages](dollywood.html) | 1547 | [marriages](dollywood.html) |
| @@ -1543,6 +1552,7 @@ project: | |||
| 1543 | [mash-up](about.html) | 1552 | [mash-up](about.html) |
| 1544 | [mass](statements-frag.html) | 1553 | [mass](statements-frag.html) |
| 1545 | [massful](plant.html) | 1554 | [massful](plant.html) |
| 1555 | [master's](abstract.html) | ||
| 1546 | [masturbation](in-bed.html) | 1556 | [masturbation](in-bed.html) |
| 1547 | [mates](poetry-time.html) | 1557 | [mates](poetry-time.html) |
| 1548 | [mathematical](howtoread.html) | 1558 | [mathematical](howtoread.html) |
| @@ -1572,8 +1582,6 @@ project: | |||
| 1572 | [mercury](the-sea_the-beach.html) | 1582 | [mercury](the-sea_the-beach.html) |
| 1573 | [merrily](stayed-on-the-bus.html) | 1583 | [merrily](stayed-on-the-bus.html) |
| 1574 | [merseinne](howtoread.html) | 1584 | [merseinne](howtoread.html) |
| 1575 | [mess](options.html) | ||
| 1576 | [message](building.html) | ||
| 1577 | [messick](about_author.html) | 1585 | [messick](about_author.html) |
| 1578 | [metal](howtoread.html) | 1586 | [metal](howtoread.html) |
| 1579 | [metaphors](peaches.html) | 1587 | [metaphors](peaches.html) |
| @@ -1659,7 +1667,11 @@ project: | |||
| 1659 | [namesake](last-passenger.html) | 1667 | [namesake](last-passenger.html) |
| 1660 | [nanowrimo](exasperated.html) | 1668 | [nanowrimo](exasperated.html) |
| 1661 | [narrowed](shed.html) | 1669 | [narrowed](shed.html) |
| 1670 | [navigable](abstract.html) | ||
| 1671 | [navigate](abstract.html) | ||
| 1672 | [navigation](abstract.html) | ||
| 1662 | [near-unattainable](words-irritable-reaching.html) | 1673 | [near-unattainable](words-irritable-reaching.html) |
| 1674 | [necessary](process.html) | ||
| 1663 | [neck](telemarketer.html) | 1675 | [neck](telemarketer.html) |
| 1664 | [necks](last-passenger.html) | 1676 | [necks](last-passenger.html) |
| 1665 | [needing](plant.html) | 1677 | [needing](plant.html) |
| @@ -1754,7 +1766,6 @@ project: | |||
| 1754 | [ostentatious](sixteenth-chapel.html) | 1766 | [ostentatious](sixteenth-chapel.html) |
| 1755 | [out-of-state](dollywood.html) | 1767 | [out-of-state](dollywood.html) |
| 1756 | [outfit](dollywood.html) | 1768 | [outfit](dollywood.html) |
| 1757 | [outline](process.html) | ||
| 1758 | [outputs](on-genre-dimension.html) | 1769 | [outputs](on-genre-dimension.html) |
| 1759 | [outta](proverbs.html) | 1770 | [outta](proverbs.html) |
| 1760 | [over-expansive](words-meaning.html) | 1771 | [over-expansive](words-meaning.html) |
| @@ -1785,6 +1796,7 @@ project: | |||
| 1785 | [parity](creation-myth.html) | 1796 | [parity](creation-myth.html) |
| 1786 | [participate](real-writer.html) | 1797 | [participate](real-writer.html) |
| 1787 | [partitioned](dollywood.html) | 1798 | [partitioned](dollywood.html) |
| 1799 | [parts](arspoetica.html) | ||
| 1788 | [passenger](last-passenger.html) | 1800 | [passenger](last-passenger.html) |
| 1789 | [passion](angeltoabraham.html) | 1801 | [passion](angeltoabraham.html) |
| 1790 | [pastor's](boy_bus.html) | 1802 | [pastor's](boy_bus.html) |
| @@ -1824,7 +1836,6 @@ project: | |||
| 1824 | [perchance](poetry-time.html) | 1836 | [perchance](poetry-time.html) |
| 1825 | [percolating](plant.html) | 1837 | [percolating](plant.html) |
| 1826 | [perfected](todaniel.html) | 1838 | [perfected](todaniel.html) |
| 1827 | [perfectly](collage-instrument.html) | ||
| 1828 | [performances](on-genre-dimension.html) | 1839 | [performances](on-genre-dimension.html) |
| 1829 | [period](howtoread.html) | 1840 | [period](howtoread.html) |
| 1830 | [personally](manifesto_poetics.html) | 1841 | [personally](manifesto_poetics.html) |
| @@ -1835,6 +1846,7 @@ project: | |||
| 1835 | [pew](mountain.html) | 1846 | [pew](mountain.html) |
| 1836 | [pg](dream.html) | 1847 | [pg](dream.html) |
| 1837 | [phase](lappel-du-vide.html) | 1848 | [phase](lappel-du-vide.html) |
| 1849 | [phi](abstract.html) | ||
| 1838 | [philosophers](words-irritable-reaching.html) | 1850 | [philosophers](words-irritable-reaching.html) |
| 1839 | [philosophical](philosophy.html) | 1851 | [philosophical](philosophy.html) |
| 1840 | [philosophy](words-irritable-reaching.html) | 1852 | [philosophy](words-irritable-reaching.html) |
| @@ -1871,6 +1883,7 @@ project: | |||
| 1871 | [pitchers](words-irritable-reaching.html) | 1883 | [pitchers](words-irritable-reaching.html) |
| 1872 | [pithy](peaches.html) | 1884 | [pithy](peaches.html) |
| 1873 | [pizzazz](todaniel.html) | 1885 | [pizzazz](todaniel.html) |
| 1886 | [pl](process.html) | ||
| 1874 | [plane](on-genre-dimension.html) | 1887 | [plane](on-genre-dimension.html) |
| 1875 | [planet](howtoread.html) | 1888 | [planet](howtoread.html) |
| 1876 | [planets](initial-conditions.html) | 1889 | [planets](initial-conditions.html) |
| @@ -1943,6 +1956,7 @@ project: | |||
| 1943 | [preparation](about.html) | 1956 | [preparation](about.html) |
| 1944 | [prepositions](onformalpoetry.html) | 1957 | [prepositions](onformalpoetry.html) |
| 1945 | [prescription](x-ray.html) | 1958 | [prescription](x-ray.html) |
| 1959 | [presentation](process.html) | ||
| 1946 | [pressure-release](words-irritable-reaching.html) | 1960 | [pressure-release](words-irritable-reaching.html) |
| 1947 | [pretended](early.html) | 1961 | [pretended](early.html) |
| 1948 | [pretending](underwear.html) | 1962 | [pretending](underwear.html) |
| @@ -1962,9 +1976,12 @@ project: | |||
| 1962 | [production](initial-conditions.html) | 1976 | [production](initial-conditions.html) |
| 1963 | [professor](epigraph.html) | 1977 | [professor](epigraph.html) |
| 1964 | [profile](about.html) | 1978 | [profile](about.html) |
| 1979 | [program](process.html) | ||
| 1980 | [programmatically](process.html) | ||
| 1965 | [progress](about.html) | 1981 | [progress](about.html) |
| 1966 | [progresses](collage-instrument.html) | 1982 | [progresses](collage-instrument.html) |
| 1967 | [progression](on-genre-dimension.html) | 1983 | [progression](on-genre-dimension.html) |
| 1984 | [project-order](abstract.html) | ||
| 1968 | [projecting](movingsideways.html) | 1985 | [projecting](movingsideways.html) |
| 1969 | [prom](movingsideways.html) | 1986 | [prom](movingsideways.html) |
| 1970 | [proper](writing.html) | 1987 | [proper](writing.html) |
| @@ -1973,13 +1990,11 @@ project: | |||
| 1973 | [prospective](on-genre-dimension.html) | 1990 | [prospective](on-genre-dimension.html) |
| 1974 | [protagonist](collage-instrument.html) | 1991 | [protagonist](collage-instrument.html) |
| 1975 | [protective](sapling.html) | 1992 | [protective](sapling.html) |
| 1976 | [proved](notes.html) | ||
| 1977 | [proven](collage-instrument.html) | 1993 | [proven](collage-instrument.html) |
| 1978 | [proves](proverbs.html) | 1994 | [proves](proverbs.html) |
| 1979 | [prybar](paul.html) | 1995 | [prybar](paul.html) |
| 1980 | [pseudonyms](howtoread.html) | 1996 | [pseudonyms](howtoread.html) |
| 1981 | [psych](january.html) | 1997 | [psych](january.html) |
| 1982 | [publish](exasperated.html) | ||
| 1983 | [puffy](statements-frag.html) | 1998 | [puffy](statements-frag.html) |
| 1984 | [punched](i-want-to-say.html) | 1999 | [punched](i-want-to-say.html) |
| 1985 | [punches](i-wanted-to-tell-you-something.html) | 2000 | [punches](i-wanted-to-tell-you-something.html) |
| @@ -2020,6 +2035,7 @@ project: | |||
| 2020 | [raving](about.html) | 2035 | [raving](about.html) |
| 2021 | [raw](philosophy.html) | 2036 | [raw](philosophy.html) |
| 2022 | [razor](statements-frag.html) | 2037 | [razor](statements-frag.html) |
| 2038 | [re-compile](process.html) | ||
| 2023 | [reaching-out](building.html) | 2039 | [reaching-out](building.html) |
| 2024 | [reader/listener/consumer](manifesto_poetics.html) | 2040 | [reader/listener/consumer](manifesto_poetics.html) |
| 2025 | [readjust](notes.html) | 2041 | [readjust](notes.html) |
| @@ -2038,7 +2054,6 @@ project: | |||
| 2038 | [received](collage-instrument.html) | 2054 | [received](collage-instrument.html) |
| 2039 | [receiver](phone.html) | 2055 | [receiver](phone.html) |
| 2040 | [recent](collage-instrument.html) | 2056 | [recent](collage-instrument.html) |
| 2041 | [recently](about.html) | ||
| 2042 | [receptacle](arspoetica.html) | 2057 | [receptacle](arspoetica.html) |
| 2043 | [recipe](riptide_memory.html) | 2058 | [recipe](riptide_memory.html) |
| 2044 | [recirculating](telemarketer.html) | 2059 | [recirculating](telemarketer.html) |
| @@ -2078,6 +2093,7 @@ project: | |||
| 2078 | [reminds](boy_bus.html) | 2093 | [reminds](boy_bus.html) |
| 2079 | [remix](art.html) | 2094 | [remix](art.html) |
| 2080 | [remnants](feedingtheraven.html) | 2095 | [remnants](feedingtheraven.html) |
| 2096 | [remote](process.html) | ||
| 2081 | [removed](writing.html) | 2097 | [removed](writing.html) |
| 2082 | [rendering](weplayedthosegamestoo.html) | 2098 | [rendering](weplayedthosegamestoo.html) |
| 2083 | [rent](peaches.html) | 2099 | [rent](peaches.html) |
| @@ -2092,7 +2108,6 @@ project: | |||
| 2092 | [replaces](collage-instrument.html) | 2108 | [replaces](collage-instrument.html) |
| 2093 | [replacing](reports.html) | 2109 | [replacing](reports.html) |
| 2094 | [replies](creation-myth.html) | 2110 | [replies](creation-myth.html) |
| 2095 | [repo](about.html) | ||
| 2096 | [report](telemarketer.html) | 2111 | [report](telemarketer.html) |
| 2097 | [representative's](telemarketer.html) | 2112 | [representative's](telemarketer.html) |
| 2098 | [represented](telemarketer.html) | 2113 | [represented](telemarketer.html) |
| @@ -2120,6 +2135,7 @@ project: | |||
| 2120 | [returning](no-nothing.html) | 2135 | [returning](no-nothing.html) |
| 2121 | [revealed](about-the-author.html) | 2136 | [revealed](about-the-author.html) |
| 2122 | [revenging](exasperated.html) | 2137 | [revenging](exasperated.html) |
| 2138 | [revise](process.html) | ||
| 2123 | [revising](process.html) | 2139 | [revising](process.html) |
| 2124 | [revolves](about.html) | 2140 | [revolves](about.html) |
| 2125 | [reward](last-bastion.html) | 2141 | [reward](last-bastion.html) |
| @@ -2129,6 +2145,7 @@ project: | |||
| 2129 | [ribcage](man.html) | 2145 | [ribcage](man.html) |
| 2130 | [ricardo](howtoread.html) | 2146 | [ricardo](howtoread.html) |
| 2131 | [richard](words-irritable-reaching.html) | 2147 | [richard](words-irritable-reaching.html) |
| 2148 | [richer](process.html) | ||
| 2132 | [ride](stagnant.html) | 2149 | [ride](stagnant.html) |
| 2133 | [rides](lappel-du-vide.html) | 2150 | [rides](lappel-du-vide.html) |
| 2134 | [ridges](hardware.html) | 2151 | [ridges](hardware.html) |
| @@ -2138,6 +2155,7 @@ project: | |||
| 2138 | [rigid](manifesto_poetics.html) | 2155 | [rigid](manifesto_poetics.html) |
| 2139 | [ring](seasonal-affective-disorder.html) | 2156 | [ring](seasonal-affective-disorder.html) |
| 2140 | [rings](plant.html) | 2157 | [rings](plant.html) |
| 2158 | [rinse](process.html) | ||
| 2141 | [ripe](words-irritable-reaching.html) | 2159 | [ripe](words-irritable-reaching.html) |
| 2142 | [rippled](cold-wind.html) | 2160 | [rippled](cold-wind.html) |
| 2143 | [rise](stump.html) | 2161 | [rise](stump.html) |
| @@ -2204,6 +2222,7 @@ project: | |||
| 2204 | [scraping](when-im-sorry-i.html) | 2222 | [scraping](when-im-sorry-i.html) |
| 2205 | [screwdriver](paul.html) | 2223 | [screwdriver](paul.html) |
| 2206 | [screws](what-we-are-made-of.html) | 2224 | [screws](what-we-are-made-of.html) |
| 2225 | [scripting](process.html) | ||
| 2207 | [sculpture](on-genre-dimension.html) | 2226 | [sculpture](on-genre-dimension.html) |
| 2208 | [seagulls](collage-instrument.html) | 2227 | [seagulls](collage-instrument.html) |
| 2209 | [search-and-replace](collage-instrument.html) | 2228 | [search-and-replace](collage-instrument.html) |
| @@ -2257,7 +2276,6 @@ project: | |||
| 2257 | [she'd](lappel-du-vide.html) | 2276 | [she'd](lappel-du-vide.html) |
| 2258 | [sheen](feedingtheraven.html) | 2277 | [sheen](feedingtheraven.html) |
| 2259 | [sheets](hardware.html) | 2278 | [sheets](hardware.html) |
| 2260 | [shell](telemarketer.html) | ||
| 2261 | [ship's](shipwright.html) | 2279 | [ship's](shipwright.html) |
| 2262 | [shiploads](words-irritable-reaching.html) | 2280 | [shiploads](words-irritable-reaching.html) |
| 2263 | [ships](largest-asteroid.html) | 2281 | [ships](largest-asteroid.html) |
| @@ -2277,6 +2295,7 @@ project: | |||
| 2277 | [shouldered](axe.html) | 2295 | [shouldered](axe.html) |
| 2278 | [shower's](initial-conditions.html) | 2296 | [shower's](initial-conditions.html) |
| 2279 | [showering](initial-conditions.html) | 2297 | [showering](initial-conditions.html) |
| 2298 | [shows](abstract.html) | ||
| 2280 | [shrink](ouroboros_memory.html) | 2299 | [shrink](ouroboros_memory.html) |
| 2281 | [shrugged](leaf.html) | 2300 | [shrugged](leaf.html) |
| 2282 | [shuffled](feedingtheraven.html) | 2301 | [shuffled](feedingtheraven.html) |
| @@ -2413,6 +2432,7 @@ project: | |||
| 2413 | [stage](death-zone.html) | 2432 | [stage](death-zone.html) |
| 2414 | [staged](telemarketer.html) | 2433 | [staged](telemarketer.html) |
| 2415 | [stages](words-irritable-reaching.html) | 2434 | [stages](words-irritable-reaching.html) |
| 2435 | [staging](process.html) | ||
| 2416 | [stagnant](stagnant.html) | 2436 | [stagnant](stagnant.html) |
| 2417 | [staining](peaches.html) | 2437 | [staining](peaches.html) |
| 2418 | [stairs](cereal.html) | 2438 | [stairs](cereal.html) |
| @@ -2428,7 +2448,9 @@ project: | |||
| 2428 | [starlight](100-lines.html) | 2448 | [starlight](100-lines.html) |
| 2429 | [starvation](last-bastion.html) | 2449 | [starvation](last-bastion.html) |
| 2430 | [starving](epigraph.html) | 2450 | [starving](epigraph.html) |
| 2451 | [statement](abstract.html) | ||
| 2431 | [station](what-we-are-made-of.html) | 2452 | [station](what-we-are-made-of.html) |
| 2453 | [status](process.html) | ||
| 2432 | [statuses](call-me-aural-pleasure.html) | 2454 | [statuses](call-me-aural-pleasure.html) |
| 2433 | [steak](hard-game.html) | 2455 | [steak](hard-game.html) |
| 2434 | [steals](about_author.html) | 2456 | [steals](about_author.html) |
| @@ -2484,7 +2506,7 @@ project: | |||
| 2484 | [students](collage-instrument.html) | 2506 | [students](collage-instrument.html) |
| 2485 | [studies](collage-instrument.html) | 2507 | [studies](collage-instrument.html) |
| 2486 | [stupid](purpose-dogs.html) | 2508 | [stupid](purpose-dogs.html) |
| 2487 | [styles](howtoread.html) | 2509 | [stylesheet](process.html) |
| 2488 | [subconscious](collage-instrument.html) | 2510 | [subconscious](collage-instrument.html) |
| 2489 | [subject's](howtoread.html) | 2511 | [subject's](howtoread.html) |
| 2490 | [subliminal](on-genre-dimension.html) | 2512 | [subliminal](on-genre-dimension.html) |
| @@ -2536,7 +2558,6 @@ project: | |||
| 2536 | [syl](onformalpoetry.html) | 2558 | [syl](onformalpoetry.html) |
| 2537 | [syllables](table_contents.html) | 2559 | [syllables](table_contents.html) |
| 2538 | [syntactic](manifesto_poetics.html) | 2560 | [syntactic](manifesto_poetics.html) |
| 2539 | [syntax](collage-instrument.html) | ||
| 2540 | [t-shirt](dollywood.html) | 2561 | [t-shirt](dollywood.html) |
| 2541 | [tablespoons](question.html) | 2562 | [tablespoons](question.html) |
| 2542 | [tablet](collage-instrument.html) | 2563 | [tablet](collage-instrument.html) |
| @@ -2560,11 +2581,11 @@ project: | |||
| 2560 | [tautological](proverbs.html) | 2581 | [tautological](proverbs.html) |
| 2561 | [tautology](words-meaning.html) | 2582 | [tautology](words-meaning.html) |
| 2562 | [tax](january.html) | 2583 | [tax](january.html) |
| 2584 | [technical](abstract.html) | ||
| 2563 | [technological](about.html) | 2585 | [technological](about.html) |
| 2564 | [teenagers](movingsideways.html) | 2586 | [teenagers](movingsideways.html) |
| 2565 | [telemarketing](telemarketer.html) | 2587 | [telemarketing](telemarketer.html) |
| 2566 | [television](real-writer.html) | 2588 | [television](real-writer.html) |
| 2567 | [template](about.html) | ||
| 2568 | [tender](creation-myth.html) | 2589 | [tender](creation-myth.html) |
| 2569 | [tends](on-genre-dimension.html) | 2590 | [tends](on-genre-dimension.html) |
| 2570 | [tension](about.html) | 2591 | [tension](about.html) |
| @@ -2580,6 +2601,7 @@ project: | |||
| 2580 | [thaw](last-passenger.html) | 2601 | [thaw](last-passenger.html) |
| 2581 | [thematic](manifesto_poetics.html) | 2602 | [thematic](manifesto_poetics.html) |
| 2582 | [thematic/emotional/personal](manifesto_poetics.html) | 2603 | [thematic/emotional/personal](manifesto_poetics.html) |
| 2604 | [themes](abstract.html) | ||
| 2583 | [theories](collage-instrument.html) | 2605 | [theories](collage-instrument.html) |
| 2584 | [therapy](x-ray.html) | 2606 | [therapy](x-ray.html) |
| 2585 | [there'll](ouroboros_memory.html) | 2607 | [there'll](ouroboros_memory.html) |
| @@ -2600,7 +2622,6 @@ project: | |||
| 2600 | [three-fingered](dollywood.html) | 2622 | [three-fingered](dollywood.html) |
| 2601 | [three-message](statements-frag.html) | 2623 | [three-message](statements-frag.html) |
| 2602 | [throng](and.html) | 2624 | [throng](and.html) |
| 2603 | [throughout](process.html) | ||
| 2604 | [thud](x-ray.html) | 2625 | [thud](x-ray.html) |
| 2605 | [thumb](writing.html) | 2626 | [thumb](writing.html) |
| 2606 | [thumbed](purpose-dogs.html) | 2627 | [thumbed](purpose-dogs.html) |
| @@ -2625,7 +2646,6 @@ project: | |||
| 2625 | [tip](epigraph.html) | 2646 | [tip](epigraph.html) |
| 2626 | [titled](man.html) | 2647 | [titled](man.html) |
| 2627 | [to-dos](about.html) | 2648 | [to-dos](about.html) |
| 2628 | [todo](process.html) | ||
| 2629 | [toes](last-passenger.html) | 2649 | [toes](last-passenger.html) |
| 2630 | [toil](sixteenth-chapel.html) | 2650 | [toil](sixteenth-chapel.html) |
| 2631 | [toilet-water](what-we-are-made-of.html) | 2651 | [toilet-water](what-we-are-made-of.html) |
| @@ -2722,6 +2742,7 @@ project: | |||
| 2722 | [unsolvable](ouroboros_memory.html) | 2742 | [unsolvable](ouroboros_memory.html) |
| 2723 | [unsourced](about.html) | 2743 | [unsourced](about.html) |
| 2724 | [unzipped](dollywood.html) | 2744 | [unzipped](dollywood.html) |
| 2745 | [updater](process.html) | ||
| 2725 | [upholstery](sapling.html) | 2746 | [upholstery](sapling.html) |
| 2726 | [ups](about-the-author.html) | 2747 | [ups](about-the-author.html) |
| 2727 | [upstate](i-want-to-say.html) | 2748 | [upstate](i-want-to-say.html) |
| @@ -2807,7 +2828,6 @@ project: | |||
| 2807 | [we've](poetry-time.html) | 2828 | [we've](poetry-time.html) |
| 2808 | [weak](initial-conditions.html) | 2829 | [weak](initial-conditions.html) |
| 2809 | [weary](plant.html) | 2830 | [weary](plant.html) |
| 2810 | [web](on-genre-dimension.html) | ||
| 2811 | [webpage](about.html) | 2831 | [webpage](about.html) |
| 2812 | [wednesday](lappel-du-vide.html) | 2832 | [wednesday](lappel-du-vide.html) |
| 2813 | [weed](peaches.html) | 2833 | [weed](peaches.html) |
| @@ -2838,6 +2858,7 @@ project: | |||
| 2838 | [whom](angeltoabraham.html) | 2858 | [whom](angeltoabraham.html) |
| 2839 | [wicker](what-we-are-made-of.html) | 2859 | [wicker](what-we-are-made-of.html) |
| 2840 | [widening](plant.html) | 2860 | [widening](plant.html) |
| 2861 | [wider](abstract.html) | ||
| 2841 | [widgets](dollywood.html) | 2862 | [widgets](dollywood.html) |
| 2842 | [wikipedia](about.html) | 2863 | [wikipedia](about.html) |
| 2843 | [wild](100-lines.html) | 2864 | [wild](100-lines.html) |
| @@ -2864,6 +2885,7 @@ project: | |||
| 2864 | [wool](roughgloves.html) | 2885 | [wool](roughgloves.html) |
| 2865 | [word-picture](on-genre-dimension.html) | 2886 | [word-picture](on-genre-dimension.html) |
| 2866 | [workers](telemarketer.html) | 2887 | [workers](telemarketer.html) |
| 2888 | [workflow](process.html) | ||
| 2867 | [worldmaking](plant.html) | 2889 | [worldmaking](plant.html) |
| 2868 | [worlds](howtoread.html) | 2890 | [worlds](howtoread.html) |
| 2869 | [wormilled](plant.html) | 2891 | [wormilled](plant.html) |
| @@ -2880,6 +2902,7 @@ project: | |||
| 2880 | [wrinkle](epigraph.html) | 2902 | [wrinkle](epigraph.html) |
| 2881 | [wrists](nothing-is-ever-over.html) | 2903 | [wrists](nothing-is-ever-over.html) |
| 2882 | [x-rays](x-ray.html) | 2904 | [x-rays](x-ray.html) |
| 2905 | [x221d](abstract.html) | ||
| 2883 | [xenophobia](collage-instrument.html) | 2906 | [xenophobia](collage-instrument.html) |
| 2884 | [yawn](the-sea_the-beach.html) | 2907 | [yawn](the-sea_the-beach.html) |
| 2885 | [yawns](what-we-are-made-of.html) | 2908 | [yawns](what-we-are-made-of.html) |
| diff --git a/hapax_backlinks.htm b/hapax_backlinks.htm index aa1926c..713365b 100644 --- a/hapax_backlinks.htm +++ b/hapax_backlinks.htm | |||
| @@ -36,7 +36,9 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><em>Nothing links here!</em></p> | 39 | <ul> |
| 40 | <li><a href="process.html">Autocento of the breakfast table</a></li> | ||
| 41 | </ul> | ||
| 40 | </section> | 42 | </section> |
| 41 | </article> | 43 | </article> |
| 42 | <nav> | 44 | <nav> |
| diff --git a/process.html b/process.html index 67f8046..2246863 100644 --- a/process.html +++ b/process.html | |||
| @@ -21,7 +21,7 @@ | |||
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="process" class="meta"> | 23 | <body id="process" class="meta"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| @@ -30,38 +30,60 @@ | |||
| 30 | <h1 class="subtitle">process narrative</h1> | 30 | <h1 class="subtitle">process narrative</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| 34 | </div> | 34 | </div> |
| 35 | </header> | 35 | </header> |
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content prose"> | 38 | <section class="content prose"> |
| 39 | <section id="outline" class="level2"> | 39 | <section id="hi.-my-name-is-case-duckworth.-this-is-my-thesis." class="level2"> |
| 40 | <h2>Outline</h2> | 40 | <h2>Hi. My name is Case Duckworth. This is my thesis.</h2> |
| 41 | <ul> | 41 | <p><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. I’ve compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. To make this easier than collating everything by hand, I’ve relied on a process that leverages open-source technologies to publish my work onto a web platform.</p> |
| 42 | <li>Hi. My name is Case Duckworth. This is my thesis.</li> | ||
| 43 | </ul> | ||
| 44 | </section> | 42 | </section> |
| 45 | <section id="process-steps" class="level2"> | 43 | <section id="process-steps" class="level2"> |
| 46 | <h2>Process steps</h2> | 44 | <h2>Process steps</h2> |
| 47 | <ol type="1"> | 45 | <ol type="1"> |
| 48 | <li>Write poems.</li> | 46 | <li>Write poems.</li> |
| 49 | <li>Convert to Markdown – generally easy.</li> | 47 | <li>Convert to Markdown. |
| 50 | <li>Compile to HTML with Pandoc.</li> | 48 | <ul> |
| 51 | <li>Style the pages with CSS.</li> | 49 | <li>Markdown, originally by <a href="http://daringfireball.net/projects/markdown/">John Gruber</a>, is a lightweight markup language that allows me to focus on the <em>content</em> of my writing, knowing that I can work on the <em>presentation</em> later.</li> |
| 52 | <li>Use Github to put them online. | 50 | <li>The original <code>markdown.pl</code> program is buggy and inconsistent with how it applies styles to markup. It also only works to convert text to HTML.</li> |
| 51 | <li>Because of these limitations, I’ve used John MacFarlane’s <a href="http://johnmacfarlane.net/pandoc/README.html#pandocs-markdown">extended Markdown syntax</a>, which lets me write richer documents and programmatically compile my work into multiple formats.</li> | ||
| 52 | </ul></li> | ||
| 53 | <li>Compile to HTML with Pandoc. | ||
| 53 | <ul> | 54 | <ul> |
| 54 | <li><code>git</code> has been used throughout to keep track of changes.</li> | 55 | <li><p>At first, I used this code in the shell to generate my HTML:</p> |
| 55 | <li>It’s a Version Control System – usually used for code but adapted for creative writing.</li> | 56 | <pre class="sourceCode bash"><code class="sourceCode bash"><span class="kw">for</span> <span class="kw">file</span> in *.txt<span class="kw">;</span> <span class="kw">do</span> |
| 57 | <span class="kw">pandoc</span> <span class="st">"</span><span class="ot">$file</span><span class="st">"</span> -f markdown -t html5 \ | ||
| 58 | --template=template.html -o <span class="st">"</span><span class="ot">${file%</span>txt<span class="ot">}</span><span class="st">html"</span> | ||
| 59 | <span class="kw">done</span></code></pre> | ||
| 60 | but this proved tedious with time.</li> | ||
| 61 | <li>After a lot of experimenting with different scripting languages, I finally realized that <a href="https://www.gnu.org/software/make/manual/make.html"><code>GNU make</code></a> would fit this task perfectly.</li> | ||
| 62 | <li>You can see my makefile <a href="https://github.com/duckwork/autocento/blob/gh-pages/makefile">here</a>—it’s kind of a mess, but it does the job. See below for a more detailed explanation of the makefile.</li> | ||
| 56 | </ul></li> | 63 | </ul></li> |
| 57 | <li>Write Makefile for ease-of-compilation. | 64 | <li>Style the pages with CSS. |
| 58 | <ul> | 65 | <ul> |
| 59 | <li>A <code>makefile</code> is a collection of instructions to <code>make</code> that tells it how to compile a set of files.</li> | 66 | <li>I use a pretty basic style for <em>Autocento</em>. You can see my stylesheet <a href="https://github.com/duckwork/autocento/blob/gh-pages/style.css">here</a>.</li> |
| 60 | <li>It’s made the other parts of this much easier.</li> | 67 | </ul></li> |
| 68 | <li>Use <a href="https://github.com">Github</a> to put them online. | ||
| 69 | <ul> | ||
| 70 | <li>Github uses <code>git</code> under the hood—a Version Control System developed for keeping track of large code projects.</li> | ||
| 71 | <li>My workflow with <code>git</code> looks like this: | ||
| 72 | <ul> | ||
| 73 | <li>Change files in the project directory—revise a poem, change the makefile, add a style, etc.</li> | ||
| 74 | <li>(If necessary, re-compile with <code>make</code>.)</li> | ||
| 75 | <li><code>git status</code> tells me which files have changed, which have been added, and if any have been deleted.</li> | ||
| 76 | <li><code>git add -A</code> adds all the changes to the <em>staging area</em>, or I can add individual files, depending on what I want to commit.</li> | ||
| 77 | <li><code>git commit -m "[message]"</code> commits the changes to git. This means they’re “saved”—if I do something I want to revert, I can <code>git revert</code> back to a commit and start again.</li> | ||
| 78 | <li><code>git push</code> pushes the changes to the <em>remote repository</em>—in this case, the Github repo that serves <a href="http://autocento.me" class="uri">http://autocento.me</a>.</li> | ||
| 79 | <li>Lather, rinse, repeat.</li> | ||
| 80 | </ul></li> | ||
| 81 | </ul></li> | ||
| 82 | <li>Write Makefile to extend build capabilities. | ||
| 83 | <ul> | ||
| 84 | <li>As of now, I’ve completed a <em><a href="hapax.html">Hapax legomenon</a></em> compiler, a <a href="makefile">back-link</a> compiler, and an updater for the <a href="trunk/lozenge.js">random link functionality</a> that’s on this site.</li> | ||
| 85 | <li>I’d like to build a compiler for the <a href="first-lines.html">Index of first lines</a> and <a href="common-titles.html">Index of common titles</a> once I have time.</li> | ||
| 61 | </ul></li> | 86 | </ul></li> |
| 62 | <li>Write <em>Hapax legomenon</em> compiler.</li> | ||
| 63 | <li>Write compiler for backlinks.</li> | ||
| 64 | <li>(TODO) write compiler for Index of first lines and common titles.</li> | ||
| 65 | </ol> | 87 | </ol> |
| 66 | </section> | 88 | </section> |
| 67 | <section id="the-beauty-of-this-system" class="level2"> | 89 | <section id="the-beauty-of-this-system" class="level2"> |
| @@ -69,14 +91,13 @@ | |||
| 69 | <ul> | 91 | <ul> |
| 70 | <li>I can compile these poems into (almost) any format: <code>pandoc</code> supports a lot.</li> | 92 | <li>I can compile these poems into (almost) any format: <code>pandoc</code> supports a lot.</li> |
| 71 | <li>Once I complete the above process once, I can focus on revising my poems.</li> | 93 | <li>Once I complete the above process once, I can focus on revising my poems.</li> |
| 72 | <li>These poems are online for anyone to see and work off of.</li> | 94 | <li>These poems are online for anyone to see and use for their own work.</li> |
| 73 | <li>Something something intertextuality.</li> | ||
| 74 | </ul> | 95 | </ul> |
| 75 | </section> | 96 | </section> |
| 76 | </section> | 97 | </section> |
| 77 | </article> | 98 | </article> |
| 78 | <nav> | 99 | <nav> |
| 79 | 100 | ||
| 80 | <!-- ANCHORS --> | 101 | <!-- ANCHORS --> |
| 81 | <div class="anchors"> | 102 | <div class="anchors"> |
| 82 | <a href="process_backlinks.htm" id="back-link" title="Links to this page"> | 103 | <a href="process_backlinks.htm" id="back-link" title="Links to this page"> |
| @@ -88,6 +109,6 @@ | |||
| 88 | 109 | ||
| 89 | </nav> | 110 | </nav> |
| 90 | 111 | ||
| 91 | 112 | ||
| 92 | </body> | 113 | </body> |
| 93 | </html> | 114 | </html> |
| diff --git a/process.river b/process.river index df1e8b6..196d5f7 100644 --- a/process.river +++ b/process.river | |||
| @@ -1,4 +1,3 @@ | |||
| 1 | outline | ||
| 2 | hi | 1 | hi |
| 3 | my | 2 | my |
| 4 | name | 3 | name |
| @@ -9,6 +8,69 @@ this | |||
| 9 | is | 8 | is |
| 10 | my | 9 | my |
| 11 | thesis | 10 | thesis |
| 11 | autocento | ||
| 12 | of | ||
| 13 | the | ||
| 14 | breakfast | ||
| 15 | table | ||
| 16 | is | ||
| 17 | an | ||
| 18 | inter/hypertextual | ||
| 19 | exploration | ||
| 20 | of | ||
| 21 | the | ||
| 22 | workings | ||
| 23 | of | ||
| 24 | inspiration | ||
| 25 | revision | ||
| 26 | and | ||
| 27 | obsession | ||
| 28 | i've | ||
| 29 | compiled | ||
| 30 | this | ||
| 31 | work | ||
| 32 | over | ||
| 33 | multiple | ||
| 34 | years | ||
| 35 | and | ||
| 36 | recently | ||
| 37 | linked | ||
| 38 | it | ||
| 39 | all | ||
| 40 | together | ||
| 41 | to | ||
| 42 | form | ||
| 43 | a | ||
| 44 | hopefully | ||
| 45 | more | ||
| 46 | cohesive | ||
| 47 | whole | ||
| 48 | to | ||
| 49 | make | ||
| 50 | this | ||
| 51 | easier | ||
| 52 | than | ||
| 53 | collating | ||
| 54 | everything | ||
| 55 | by | ||
| 56 | hand | ||
| 57 | i've | ||
| 58 | relied | ||
| 59 | on | ||
| 60 | a | ||
| 61 | process | ||
| 62 | that | ||
| 63 | leverages | ||
| 64 | open-source | ||
| 65 | technologies | ||
| 66 | to | ||
| 67 | publish | ||
| 68 | my | ||
| 69 | work | ||
| 70 | onto | ||
| 71 | a | ||
| 72 | web | ||
| 73 | platform | ||
| 12 | process | 74 | process |
| 13 | steps | 75 | steps |
| 14 | write | 76 | write |
| @@ -16,101 +78,396 @@ poems | |||
| 16 | convert | 78 | convert |
| 17 | to | 79 | to |
| 18 | markdown | 80 | markdown |
| 19 | generally | 81 | markdown |
| 20 | easy | 82 | originally |
| 83 | by | ||
| 84 | john | ||
| 85 | gruber | ||
| 86 | is | ||
| 87 | a | ||
| 88 | lightweight | ||
| 89 | markup | ||
| 90 | language | ||
| 91 | that | ||
| 92 | allows | ||
| 93 | me | ||
| 94 | to | ||
| 95 | focus | ||
| 96 | on | ||
| 97 | the | ||
| 98 | content | ||
| 99 | of | ||
| 100 | my | ||
| 101 | writing | ||
| 102 | knowing | ||
| 103 | that | ||
| 104 | i | ||
| 105 | can | ||
| 106 | work | ||
| 107 | on | ||
| 108 | the | ||
| 109 | presentation | ||
| 110 | later | ||
| 111 | the | ||
| 112 | original | ||
| 113 | markdown | ||
| 114 | pl | ||
| 115 | program | ||
| 116 | is | ||
| 117 | buggy | ||
| 118 | and | ||
| 119 | inconsistent | ||
| 120 | with | ||
| 121 | how | ||
| 122 | it | ||
| 123 | applies | ||
| 124 | styles | ||
| 125 | to | ||
| 126 | markup | ||
| 127 | it | ||
| 128 | also | ||
| 129 | only | ||
| 130 | works | ||
| 131 | to | ||
| 132 | convert | ||
| 133 | text | ||
| 134 | to | ||
| 135 | html | ||
| 136 | because | ||
| 137 | of | ||
| 138 | these | ||
| 139 | limitations | ||
| 140 | i've | ||
| 141 | used | ||
| 142 | john | ||
| 143 | macfarlane's | ||
| 144 | extended | ||
| 145 | markdown | ||
| 146 | syntax | ||
| 147 | which | ||
| 148 | lets | ||
| 149 | me | ||
| 150 | write | ||
| 151 | richer | ||
| 152 | documents | ||
| 153 | and | ||
| 154 | programmatically | ||
| 155 | compile | ||
| 156 | my | ||
| 157 | work | ||
| 158 | into | ||
| 159 | multiple | ||
| 160 | formats | ||
| 21 | compile | 161 | compile |
| 22 | to | 162 | to |
| 23 | html | 163 | html |
| 24 | with | 164 | with |
| 25 | pandoc | 165 | pandoc |
| 166 | at | ||
| 167 | first | ||
| 168 | i | ||
| 169 | used | ||
| 170 | this | ||
| 171 | code | ||
| 172 | in | ||
| 173 | the | ||
| 174 | shell | ||
| 175 | to | ||
| 176 | generate | ||
| 177 | my | ||
| 178 | html | ||
| 179 | bash | ||
| 180 | for | ||
| 181 | file | ||
| 182 | in | ||
| 183 | txt | ||
| 184 | do | ||
| 185 | pandoc | ||
| 186 | file | ||
| 187 | -f | ||
| 188 | markdown | ||
| 189 | -t | ||
| 190 | html5 | ||
| 191 | template | ||
| 192 | template | ||
| 193 | html | ||
| 194 | -o | ||
| 195 | file | ||
| 196 | txt | ||
| 197 | html | ||
| 198 | done | ||
| 199 | but | ||
| 200 | this | ||
| 201 | proved | ||
| 202 | tedious | ||
| 203 | with | ||
| 204 | time | ||
| 205 | after | ||
| 206 | a | ||
| 207 | lot | ||
| 208 | of | ||
| 209 | experimenting | ||
| 210 | with | ||
| 211 | different | ||
| 212 | scripting | ||
| 213 | languages | ||
| 214 | i | ||
| 215 | finally | ||
| 216 | realized | ||
| 217 | that | ||
| 218 | gnu | ||
| 219 | make | ||
| 220 | would | ||
| 221 | fit | ||
| 222 | this | ||
| 223 | task | ||
| 224 | perfectly | ||
| 225 | you | ||
| 226 | can | ||
| 227 | see | ||
| 228 | my | ||
| 229 | makefile | ||
| 230 | here | ||
| 231 | it | ||
| 232 | is | ||
| 233 | kind | ||
| 234 | of | ||
| 235 | a | ||
| 236 | mess | ||
| 237 | but | ||
| 238 | it | ||
| 239 | does | ||
| 240 | the | ||
| 241 | job | ||
| 242 | see | ||
| 243 | below | ||
| 244 | for | ||
| 245 | a | ||
| 246 | more | ||
| 247 | detailed | ||
| 248 | explanation | ||
| 249 | of | ||
| 250 | the | ||
| 251 | makefile | ||
| 26 | style | 252 | style |
| 27 | the | 253 | the |
| 28 | pages | 254 | pages |
| 29 | with | 255 | with |
| 30 | css | 256 | css |
| 257 | i | ||
| 258 | use | ||
| 259 | a | ||
| 260 | pretty | ||
| 261 | basic | ||
| 262 | style | ||
| 263 | for | ||
| 264 | autocento | ||
| 265 | you | ||
| 266 | can | ||
| 267 | see | ||
| 268 | my | ||
| 269 | stylesheet | ||
| 270 | here | ||
| 31 | use | 271 | use |
| 32 | github | 272 | github |
| 33 | to | 273 | to |
| 34 | put | 274 | put |
| 35 | them | 275 | them |
| 36 | online | 276 | online |
| 277 | github | ||
| 278 | uses | ||
| 37 | git | 279 | git |
| 38 | has | 280 | under |
| 39 | been | 281 | the |
| 40 | used | 282 | hood |
| 41 | throughout | ||
| 42 | to | ||
| 43 | keep | ||
| 44 | track | ||
| 45 | of | ||
| 46 | changes | ||
| 47 | it | ||
| 48 | is | ||
| 49 | a | 283 | a |
| 50 | version | 284 | version |
| 51 | control | 285 | control |
| 52 | system | 286 | system |
| 53 | usually | 287 | developed |
| 54 | used | ||
| 55 | for | 288 | for |
| 289 | keeping | ||
| 290 | track | ||
| 291 | of | ||
| 292 | large | ||
| 56 | code | 293 | code |
| 57 | but | 294 | projects |
| 58 | adapted | 295 | my |
| 59 | for | 296 | workflow |
| 60 | creative | 297 | with |
| 61 | writing | 298 | git |
| 62 | write | 299 | looks |
| 63 | makefile | 300 | like |
| 64 | for | 301 | this |
| 65 | ease-of-compilation | 302 | change |
| 303 | files | ||
| 304 | in | ||
| 305 | the | ||
| 306 | project | ||
| 307 | directory | ||
| 308 | revise | ||
| 66 | a | 309 | a |
| 310 | poem | ||
| 311 | change | ||
| 312 | the | ||
| 67 | makefile | 313 | makefile |
| 68 | is | 314 | add |
| 69 | a | 315 | a |
| 70 | collection | 316 | style |
| 71 | of | 317 | etc |
| 72 | instructions | 318 | if |
| 73 | to | 319 | necessary |
| 320 | re-compile | ||
| 321 | with | ||
| 74 | make | 322 | make |
| 75 | that | 323 | git |
| 324 | status | ||
| 76 | tells | 325 | tells |
| 77 | it | 326 | me |
| 78 | how | 327 | which |
| 328 | files | ||
| 329 | have | ||
| 330 | changed | ||
| 331 | which | ||
| 332 | have | ||
| 333 | been | ||
| 334 | added | ||
| 335 | and | ||
| 336 | if | ||
| 337 | any | ||
| 338 | have | ||
| 339 | been | ||
| 340 | deleted | ||
| 341 | git | ||
| 342 | add | ||
| 343 | -a | ||
| 344 | adds | ||
| 345 | all | ||
| 346 | the | ||
| 347 | changes | ||
| 79 | to | 348 | to |
| 80 | compile | 349 | the |
| 81 | a | 350 | staging |
| 82 | set | 351 | area |
| 83 | of | 352 | or |
| 353 | i | ||
| 354 | can | ||
| 355 | add | ||
| 356 | individual | ||
| 84 | files | 357 | files |
| 85 | it | 358 | depending |
| 86 | is | 359 | on |
| 87 | made | 360 | what |
| 361 | i | ||
| 362 | want | ||
| 363 | to | ||
| 364 | commit | ||
| 365 | git | ||
| 366 | commit | ||
| 367 | -m | ||
| 368 | message | ||
| 369 | commits | ||
| 88 | the | 370 | the |
| 89 | other | 371 | changes |
| 90 | parts | 372 | to |
| 91 | of | 373 | git |
| 92 | this | 374 | this |
| 93 | much | 375 | means |
| 94 | easier | 376 | they're |
| 377 | saved | ||
| 378 | if | ||
| 379 | i | ||
| 380 | do | ||
| 381 | something | ||
| 382 | i | ||
| 383 | want | ||
| 384 | to | ||
| 385 | revert | ||
| 386 | i | ||
| 387 | can | ||
| 388 | git | ||
| 389 | revert | ||
| 390 | back | ||
| 391 | to | ||
| 392 | a | ||
| 393 | commit | ||
| 394 | and | ||
| 395 | start | ||
| 396 | again | ||
| 397 | git | ||
| 398 | push | ||
| 399 | pushes | ||
| 400 | the | ||
| 401 | changes | ||
| 402 | to | ||
| 403 | the | ||
| 404 | remote | ||
| 405 | repository | ||
| 406 | in | ||
| 407 | this | ||
| 408 | case | ||
| 409 | the | ||
| 410 | github | ||
| 411 | repo | ||
| 412 | that | ||
| 413 | serves | ||
| 414 | http | ||
| 415 | //autocento | ||
| 416 | me | ||
| 417 | lather | ||
| 418 | rinse | ||
| 419 | repeat | ||
| 95 | write | 420 | write |
| 421 | makefile | ||
| 422 | to | ||
| 423 | extend | ||
| 424 | build | ||
| 425 | capabilities | ||
| 426 | as | ||
| 427 | of | ||
| 428 | now | ||
| 429 | i've | ||
| 430 | completed | ||
| 431 | a | ||
| 96 | hapax | 432 | hapax |
| 97 | legomenon | 433 | legomenon |
| 98 | compiler | 434 | compiler |
| 99 | write | 435 | a |
| 436 | back-link | ||
| 100 | compiler | 437 | compiler |
| 438 | and | ||
| 439 | an | ||
| 440 | updater | ||
| 101 | for | 441 | for |
| 102 | backlinks | 442 | the |
| 103 | todo | 443 | random |
| 104 | write | 444 | link |
| 445 | functionality | ||
| 446 | that's | ||
| 447 | on | ||
| 448 | this | ||
| 449 | site | ||
| 450 | i'd | ||
| 451 | like | ||
| 452 | to | ||
| 453 | build | ||
| 454 | a | ||
| 105 | compiler | 455 | compiler |
| 106 | for | 456 | for |
| 457 | the | ||
| 107 | index | 458 | index |
| 108 | of | 459 | of |
| 109 | first | 460 | first |
| 110 | lines | 461 | lines |
| 111 | and | 462 | and |
| 463 | index | ||
| 464 | of | ||
| 112 | common | 465 | common |
| 113 | titles | 466 | titles |
| 467 | once | ||
| 468 | i | ||
| 469 | have | ||
| 470 | time | ||
| 114 | the | 471 | the |
| 115 | beauty | 472 | beauty |
| 116 | of | 473 | of |
| @@ -152,9 +509,8 @@ anyone | |||
| 152 | to | 509 | to |
| 153 | see | 510 | see |
| 154 | and | 511 | and |
| 512 | use | ||
| 513 | for | ||
| 514 | their | ||
| 515 | own | ||
| 155 | work | 516 | work |
| 156 | off | ||
| 157 | of | ||
| 158 | something | ||
| 159 | something | ||
| 160 | intertextuality | ||
| diff --git a/process.txt b/process.txt index d048558..080dd0d 100644 --- a/process.txt +++ b/process.txt | |||
| @@ -20,43 +20,52 @@ Process steps | |||
| 20 | ------------- | 20 | ------------- |
| 21 | 21 | ||
| 22 | 1. Write poems. | 22 | 1. Write poems. |
| 23 | 2. Convert to Markdown -- generally easy. | 23 | 2. Convert to Markdown. |
| 24 | - Markdown, originally by [John Gruber][], is a lightweight markup language that allows me to focus on the _content_ of my writing, knowing that I can work on the _presentation_ later. | 24 | - Markdown, originally by [John Gruber][], is a lightweight markup language that allows me to focus on the _content_ of my writing, knowing that I can work on the _presentation_ later. |
| 25 | - The original `markdown.pl` program is buggy and inconsistent with how it applies styles to markup. It also only works to convert text to HTML. | 25 | - The original `markdown.pl` program is buggy and inconsistent with how it applies styles to markup. It also only works to convert text to HTML. |
| 26 | - Because of these limitations, I've used John MacFarlane's [extended Markdown syntax][], which lets me write richer documents and programmatically compile my work into multiple formats. | 26 | - Because of these limitations, I've used John MacFarlane's [extended Markdown syntax][], which lets me write richer documents and programmatically compile my work into multiple formats. |
| 27 | 3. Compile to HTML with Pandoc. | 27 | 3. Compile to HTML with Pandoc. |
| 28 | - At first, I used this code in the shell to generate my HTML: | 28 | - At first, I used this code in the shell to generate my HTML: |
| 29 | ```bash | 29 | ```bash |
| 30 | for file in *.txt; do | 30 | for file in *.txt; do |
| 31 | pandoc "$file" -f markdown -t html5 --template=template.html -o "${file%txt}html" | 31 | pandoc "$file" -f markdown -t html5 \ |
| 32 | done | 32 | --template=template.html -o "${file%txt}html" |
| 33 | ``` | 33 | done |
| 34 | ``` | ||
| 34 | but this proved tedious with time. | 35 | but this proved tedious with time. |
| 35 | - After a lot of experimenting with different scripting languages, I finally realized that [`GNU make`][] would fit this task perfectly. | 36 | - After a lot of experimenting with different scripting languages, I finally realized that [`GNU make`][] would fit this task perfectly. |
| 36 | - You can see my makefile [here][] | 37 | - You can see my makefile [here][makefile]---it's kind of a mess, but it does the job. See below for a more detailed explanation of the makefile. |
| 37 | |||
| 38 | 4. Style the pages with CSS. | 38 | 4. Style the pages with CSS. |
| 39 | 4. Use Github to put them online. | 39 | - I use a pretty basic style for _Autocento_. You can see my stylesheet [here][stylesheet]. |
| 40 | - `git` has been used throughout to keep track of changes. | 40 | 4. Use [Github][] to put them online. |
| 41 | - It's a Version Control System -- usually used for code but adapted | 41 | - Github uses `git` under the hood---a Version Control System developed for keeping track of large code projects. |
| 42 | for creative writing. | 42 | - My workflow with `git` looks like this: |
| 43 | 5. Write Makefile for ease-of-compilation. | 43 | - Change files in the project directory---revise a poem, change the makefile, add a style, etc. |
| 44 | - A `makefile` is a collection of instructions to `make` that tells it how | 44 | - (If necessary, re-compile with `make`.) |
| 45 | to compile a set of files. | 45 | - `git status` tells me which files have changed, which have been added, and if any have been deleted. |
| 46 | - It's made the other parts of this much easier. | 46 | - `git add -A` adds all the changes to the _staging area_, or I can add individual files, depending on what I want to commit. |
| 47 | 6. Write _Hapax legomenon_ compiler. | 47 | - `git commit -m "[message]"` commits the changes to git. This means they're "saved"---if I do something I want to revert, I can `git revert` back to a commit and start again. |
| 48 | 7. Write compiler for backlinks. | 48 | - `git push` pushes the changes to the _remote repository_---in this case, the Github repo that serves <http://autocento.me>. |
| 49 | 8. (TODO) write compiler for Index of first lines and common titles. | 49 | - Lather, rinse, repeat. |
| 50 | 5. Write Makefile to extend build capabilities. | ||
| 51 | - As of now, I've completed a _[Hapax legomenon][]_ compiler, a [back-link][] compiler, and an updater for the [random link functionality][] that's on this site. | ||
| 52 | - I'd like to build a compiler for the [Index of first lines][] and [Index of common titles][] once I have time. | ||
| 50 | 53 | ||
| 51 | The beauty of this system | 54 | The beauty of this system |
| 52 | ------------------------- | 55 | ------------------------- |
| 53 | 56 | ||
| 54 | - I can compile these poems into (almost) any format: `pandoc` supports a lot. | 57 | - I can compile these poems into (almost) any format: `pandoc` supports a lot. |
| 55 | - Once I complete the above process once, I can focus on revising my poems. | 58 | - Once I complete the above process once, I can focus on revising my poems. |
| 56 | - These poems are online for anyone to see and work off of. | 59 | - These poems are online for anyone to see and use for their own work. |
| 57 | - Something something intertextuality. | ||
| 58 | 60 | ||
| 59 | [John Gruber]: http://daringfireball.net/projects/markdown/ | 61 | [John Gruber]: http://daringfireball.net/projects/markdown/ |
| 60 | [extended Markdown syntax]: http://johnmacfarlane.net/pandoc/README.html#pandocs-markdown | 62 | [extended Markdown syntax]: http://johnmacfarlane.net/pandoc/README.html#pandocs-markdown |
| 61 | [`GNU make`]: https://www.gnu.org/software/make/manual/make.html | 63 | [`GNU make`]: https://www.gnu.org/software/make/manual/make.html |
| 62 | [here]: | 64 | [makefile]: https://github.com/duckwork/autocento/blob/gh-pages/makefile |
| 65 | [stylesheet]: https://github.com/duckwork/autocento/blob/gh-pages/style.css | ||
| 66 | [Github]: https://github.com | ||
| 67 | [Hapax legomenon]: hapax.html | ||
| 68 | [back-link]: makefile | ||
| 69 | [random link functionality]: trunk/lozenge.js | ||
| 70 | [Index of first lines]: first-lines.html | ||
| 71 | [Index of common titles]: common-titles.html | ||
| diff --git a/process_backlinks.htm b/process_backlinks.htm index aa1926c..dced8b7 100644 --- a/process_backlinks.htm +++ b/process_backlinks.htm | |||
| @@ -36,7 +36,9 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><em>Nothing links here!</em></p> | 39 | <ul> |
| 40 | <li><a href="abstract.html">Autocento of the breakfast table</a></li> | ||
| 41 | </ul> | ||
| 40 | </section> | 42 | </section> |
| 41 | </article> | 43 | </article> |
| 42 | <nav> | 44 | <nav> |
| diff --git a/trunk/lozenge.js b/trunk/lozenge.js index 8cf25c8..4e6968b 100644 --- a/trunk/lozenge.js +++ b/trunk/lozenge.js | |||
| @@ -6,7 +6,7 @@ | |||
| 6 | function _lozenge() { | 6 | function _lozenge() { |
| 7 | var lozenge = document.getElementById('lozenge'); | 7 | var lozenge = document.getElementById('lozenge'); |
| 8 | // array with all files {{{ | 8 | // array with all files {{{ |
| 9 | var files=["100-lines.html","about-the-author.html","about.html","about_author.html","amber-alert.html","and.html","angeltoabraham.html","apollo11.html","arspoetica.html","art.html","axe.html","big-dipper.html","boar.html","boy_bus.html","building.html","call-me-aural-pleasure.html","cereal.html","cold-wind.html","collage-instrument.html","common-titles.html","creation-myth.html","deadman.html","death-zone.html","deathstrumpet.html","dollywood.html","dream.html","early.html","elegyforanalternateself.html","epigraph.html","ex-machina.html","exasperated.html","father.html","feedingtheraven.html","finding-the-lion.html","fire.html","first-lines.html","found-typewriter-poem.html","hands.html","hapax.html","hard-game.html","hardware.html","howithappened.html","howtoread.html","hymnal.html","i-am.html","i-think-its-you.html","i-want-to-say.html","i-wanted-to-tell-you-something.html","in-bed.html","initial-conditions.html","january.html","joke.html","lappel-du-vide.html","largest-asteroid.html","last-bastion.html","last-passenger.html","leaf.html","leg.html","likingthings.html","listen.html","love-as-god.html","lovesong.html","man.html","manifesto_poetics.html","moon-drowning.html","moongone.html","mountain.html","movingsideways.html","music-433.html","no-nothing.html","notes.html","nothing-is-ever-over.html","on-genre-dimension.html","onformalpoetry.html","options.html","ouroboros_memory.html","paul.html","peaches.html","philosophy.html","phone.html","planks.html","plant.html","poetry-time.html","prelude.html","problems.html","process.html","proverbs.html","punch.html","purpose-dogs.html","question.html","real-writer.html","reports.html","riptide_memory.html","ronaldmcdonald.html","roughgloves.html","sapling.html","seasonal-affective-disorder.html","sense-of-it.html","serengeti.html","shed.html","shipwright.html","sixteenth-chapel.html","snow.html","something-simple.html","spittle.html","squirrel.html","stagnant.html","statements-frag.html","stayed-on-the-bus.html","stump.html","swansong-alt.html","swansong.html","swear.html","table_contents.html","tapestry.html","telemarketer.html","the-night-we-met.html","the-sea_the-beach.html","theoceanoverflowswithcamels.html","time-looks-up-to-the-sky.html","todaniel.html","toilet.html","toothpaste.html","treatise.html","underwear.html","walking-in-the-rain.html","wallpaper.html","weplayedthosegamestoo.html","what-we-are-made-of.html","when-im-sorry-i.html","window.html","words-irritable-reaching.html","words-meaning.html","worse-looking-over.html","writing.html","x-ray.html","yellow.html"] | 9 | var files=["100-lines.html","about-the-author.html","about.html","about_author.html","abstract.html","amber-alert.html","and.html","angeltoabraham.html","apollo11.html","arspoetica.html","art.html","axe.html","big-dipper.html","boar.html","boy_bus.html","building.html","call-me-aural-pleasure.html","cereal.html","cold-wind.html","collage-instrument.html","common-titles.html","creation-myth.html","deadman.html","death-zone.html","deathstrumpet.html","dollywood.html","dream.html","early.html","elegyforanalternateself.html","epigraph.html","ex-machina.html","exasperated.html","father.html","feedingtheraven.html","finding-the-lion.html","fire.html","first-lines.html","found-typewriter-poem.html","hands.html","hapax.html","hard-game.html","hardware.html","howithappened.html","howtoread.html","hymnal.html","i-am.html","i-think-its-you.html","i-want-to-say.html","i-wanted-to-tell-you-something.html","in-bed.html","initial-conditions.html","january.html","joke.html","lappel-du-vide.html","largest-asteroid.html","last-bastion.html","last-passenger.html","leaf.html","leg.html","likingthings.html","listen.html","love-as-god.html","lovesong.html","man.html","manifesto_poetics.html","moon-drowning.html","moongone.html","mountain.html","movingsideways.html","music-433.html","no-nothing.html","notes.html","nothing-is-ever-over.html","on-genre-dimension.html","onformalpoetry.html","options.html","ouroboros_memory.html","paul.html","peaches.html","philosophy.html","phone.html","planks.html","plant.html","poetry-time.html","prelude.html","problems.html","process.html","proverbs.html","punch.html","purpose-dogs.html","question.html","real-writer.html","reports.html","riptide_memory.html","ronaldmcdonald.html","roughgloves.html","sapling.html","seasonal-affective-disorder.html","sense-of-it.html","serengeti.html","shed.html","shipwright.html","sixteenth-chapel.html","snow.html","something-simple.html","spittle.html","squirrel.html","stagnant.html","statements-frag.html","stayed-on-the-bus.html","stump.html","swansong-alt.html","swansong.html","swear.html","table_contents.html","tapestry.html","telemarketer.html","the-night-we-met.html","the-sea_the-beach.html","theoceanoverflowswithcamels.html","time-looks-up-to-the-sky.html","todaniel.html","toilet.html","toothpaste.html","treatise.html","underwear.html","walking-in-the-rain.html","wallpaper.html","weplayedthosegamestoo.html","what-we-are-made-of.html","when-im-sorry-i.html","window.html","words-irritable-reaching.html","words-meaning.html","worse-looking-over.html","writing.html","x-ray.html","yellow.html"] |
| 10 | // }}} | 10 | // }}} |
| 11 | 11 | ||
| 12 | var index = Math.floor(Math.random() * files.length); | 12 | var index = Math.floor(Math.random() * files.length); |