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| author | Case Duckworth | 2015-04-14 18:09:55 -0700 |
|---|---|---|
| committer | Case Duckworth | 2015-04-14 18:09:55 -0700 |
| commit | 08fd8e95dccb91d0495a50d1009f85cb80cfad65 (patch) | |
| tree | 9accf8a6e9b1f836e3c7c7b5437d11351545a07e /deadman.html | |
| parent | Change file hierarchy and rewrite makefile (diff) | |
| download | autocento-0af6ad9f9bc07c4a922b00b47c48ef1104ed5037.tar.gz autocento-0af6ad9f9bc07c4a922b00b47c48ef1104ed5037.zip | |
First compile in v1.0.0 v1.0.0
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| -rw-r--r-- | deadman.html | 78 |
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| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Dead man | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="deadman" class="elegies"> | ||
| 24 | |||
| 25 | <article class="container"> | ||
| 26 | <header> | ||
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Dead man</h1> | ||
| 29 | |||
| 30 | |||
| 31 | <div class="header-extra"> | ||
| 32 | |||
| 33 | </div> | ||
| 34 | </header> | ||
| 35 | |||
| 36 | |||
| 37 | <section class="content verse"> | ||
| 38 | <p><span class="line">The dead man finds <a href="last-bastion.html">his way into our hearts</a></span><span class="line">by <a href="words-meaning.html">opening the door</a> and walking in.</span></p> | ||
| 39 | <p><span class="line">He pours himself <a href="ex-machina.html">a drink</a>, something like</span><span class="line">German cognac, from the mini-bar. He starts talking</span></p> | ||
| 40 | <p><span class="line">aimlessly about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other</span></p> | ||
| 41 | <p><span class="line">like <a href="x-ray.html">x-rays</a> around bones and soft tissue.</span><span class="line">The dead man can see x-rays now, he says,</span></p> | ||
| 42 | <p><span class="line">a perk of his <a href="initial-conditions.html">condition</a>.</span><span class="line">It’s not so bad, he says, though</span></p> | ||
| 43 | <p><span class="line">he stops short of saying it’s as good as</span><span class="line">being alive, an omission we can, ultimately,</span></p> | ||
| 44 | <p><span class="line">forgive. There’s <a href="creation-myth.html">a short silence</a> where nothing</span><span class="line">is said, we’re just looking at him as he looks</span></p> | ||
| 45 | <p><span class="line">at the ceiling or through it. He looks good</span><span class="line">for being dead. We mention this to him</span></p> | ||
| 46 | <p><span class="line">but he just looks embarrassed. He mentions</span><span class="line">eels he saw in the aquarium earlier, how they knot</span></p> | ||
| 47 | <p><span class="line">while mating. For hours, it’s just a huge mass</span><span class="line">of <a href="spittle.html">eel flesh, he says, undulating in the water</a>.</span></p> | ||
| 48 | <p><span class="line">We nod, waiting for what he’ll say next. He seems</span><span class="line">uncomfortable carrying the conversation, but we</span></p> | ||
| 49 | <p><span class="line">can’t think of anything either. Now it’s his turn</span><span class="line">to look at us, and <a href="moongone.html">ours to stare at the ceiling</a></span></p> | ||
| 50 | <p><span class="line">or wherever. Finally, we mention the knots we tied</span><span class="line">in Boy Scouts, especially the loop—a noose? he asks—</span></p> | ||
| 51 | <p><span class="line">but we say no, the one with the rabbit in its hole</span><span class="line">and the tree it goes around. The dead man</span></p> | ||
| 52 | <p><span class="line">knows that knot, he says, it’s a good knot. But what</span><span class="line">he really likes is the rabbit, coming out of its hole</span></p> | ||
| 53 | <p><span class="line">in the morning, eating some grass, and a fox creeping</span><span class="line">out of its hiding place and chasing the rabbit around</span></p> | ||
| 54 | <p>the tree, back into its hole, where it always ends up safe.</p> | ||
| 55 | </section> | ||
| 56 | </article> | ||
| 57 | <nav> | ||
| 58 | <div class="anchors"> | ||
| 59 | <a href="backlinks/deadman.html" id="backlinks" title="Links to this page"> | ||
| 60 | φ | ||
| 61 | </a> | ||
| 62 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 63 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 64 | </div> | ||
| 65 | |||
| 66 | <a class="prevlink" href="boar.html" | ||
| 67 | title="Previous article in Elegies for alternate selves"> | ||
| 68 | The boar | ||
| 69 | </a> | ||
| 70 | |||
| 71 | <a class="nextlink" href="angeltoabraham.html" | ||
| 72 | title="Next article in Elegies for alternate selves"> | ||
| 73 | The angel to Abraham | ||
| 74 | </a> | ||
| 75 | </nav> | ||
| 76 | |||
| 77 | </body> | ||
| 78 | </html> | ||