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authorCase Duckworth2015-04-14 16:36:17 -0700
committerCase Duckworth2015-04-14 16:36:17 -0700
commit9fce418b46c9f0894f429384ef9e3dabaeffbeb4 (patch)
treeb2339220ee50cf48b8887f0cc1fed4813a95901b /deadman.html
parentAdd toc metadata (diff)
downloadautocento-9fce418b46c9f0894f429384ef9e3dabaeffbeb4.tar.gz
autocento-9fce418b46c9f0894f429384ef9e3dabaeffbeb4.zip
Change file hierarchy and rewrite makefile
- File hierarchy is now as follows:
    - /
        - appendix/  < appendix source files
        - backlinks/ < backlink sources & builds
        - hapax/     < *.hapax source files
        - scripts/   < scripts, like *.js, *.hs, etc.
        - templates/ < templates for outputs
        - text/      < source files
        - trunk/     < assets, like css, images, heads, etc.
        - index.html
        - *.html
        - Makefile
Diffstat (limited to 'deadman.html')
-rw-r--r--deadman.html80
1 files changed, 0 insertions, 80 deletions
diff --git a/deadman.html b/deadman.html deleted file mode 100644 index ae1fd52..0000000 --- a/deadman.html +++ /dev/null
@@ -1,80 +0,0 @@
1<!DOCTYPE html>
2<!-- AUTOCENTO OF THE BREAKFAST TABLE -->
3<!-- vim: fdm=indent
4-->
5<html lang="en">
6<head>
7 <meta charset="utf-8">
8 <meta name="generator" content="pandoc">
9 <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes">
10 <meta name="author" content="Case Duckworth">
11
12 <title>Dead man | Autocento of the breakfast table</title>
13 <link rel="icon" type="image/png" href="trunk/favico.png" />
14
15 <link rel="stylesheet" type="text/css" href="_style.css">
16 <script src="trunk/lozenge.js" type="text/javascript"> </script>
17 <script src="trunk/hylo.js" type="text/javascript"> </script>
18
19 <!--[if lt IE 9]>
20 <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script>
21 <![endif]-->
22 </head>
23<body id="deadman" class="elegies">
24
25
26 <article class="container">
27 <header>
28 <!-- title -->
29 <h1 class="title">Dead man</h1>
30
31
32 <div class="header-extra">
33
34 </div>
35 </header>
36
37
38 <section class="content verse">
39 <p><span class="line">The dead man finds <a href="last-bastion.html">his way into our hearts</a></span><span class="line">by <a href="words-meaning.html">opening the door</a> and walking in.</span></p>
40 <p><span class="line">He pours himself <a href="ex-machina.html">a drink</a>, something like</span><span class="line">German cognac, from the mini-bar. He starts talking</span></p>
41 <p><span class="line">aimlessly about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other</span></p>
42 <p><span class="line">like <a href="x-ray.html">x-rays</a> around bones and soft tissue.</span><span class="line">The dead man can see x-rays now, he says,</span></p>
43 <p><span class="line">a perk of his <a href="initial-conditions.html">condition</a>.</span><span class="line">It’s not so bad, he says, though</span></p>
44 <p><span class="line">he stops short of saying it’s as good as</span><span class="line">being alive, an omission we can, ultimately,</span></p>
45 <p><span class="line">forgive. There’s <a href="creation-myth.html">a short silence</a> where nothing</span><span class="line">is said, we’re just looking at him as he looks</span></p>
46 <p><span class="line">at the ceiling or through it. He looks good</span><span class="line">for being dead. We mention this to him</span></p>
47 <p><span class="line">but he just looks embarrassed. He mentions</span><span class="line">eels he saw in the aquarium earlier, how they knot</span></p>
48 <p><span class="line">while mating. For hours, it’s just a huge mass</span><span class="line">of <a href="spittle.html">eel flesh, he says, undulating in the water</a>.</span></p>
49 <p><span class="line">We nod, waiting for what he’ll say next. He seems</span><span class="line">uncomfortable carrying the conversation, but we</span></p>
50 <p><span class="line">can’t think of anything either. Now it’s his turn</span><span class="line">to look at us, and <a href="moongone.html">ours to stare at the ceiling</a></span></p>
51 <p><span class="line">or wherever. Finally, we mention the knots we tied</span><span class="line">in Boy Scouts, especially the loop—a noose? he asks—</span></p>
52 <p><span class="line">but we say no, the one with the rabbit in its hole</span><span class="line">and the tree it goes around. The dead man</span></p>
53 <p><span class="line">knows that knot, he says, it’s a good knot. But what</span><span class="line">he really likes is the rabbit, coming out of its hole</span></p>
54 <p><span class="line">in the morning, eating some grass, and a fox creeping</span><span class="line">out of its hiding place and chasing the rabbit around</span></p>
55 <p>the tree, back into its hole, where it always ends up safe.</p>
56 </section>
57 </article>
58 <nav>
59 <div class="anchors">
60 <a href="deadman_backlinks.htm" id="back-link" title="Links to this page">
61 &phi;
62 </a>
63 <a href="index.html" id="cover-link" title="To cover">&loz;</a>
64 <a href="#" id="lozenge" title="ERROR">&xi;</a>
65 </div>
66
67 <a class="prevlink" href="boar.html"
68 title="Previous article in Elegies for alternate selves">
69 The boar
70 </a>
71
72 <a class="nextlink" href="angeltoabraham.html"
73 title="Next article in Elegies for alternate selves">
74 The angel to Abraham
75 </a>
76 </nav>
77
78
79</body>
80</html>