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authorCase Duckworth2015-04-18 13:59:29 -0700
committerCase Duckworth2015-04-18 13:59:29 -0700
commitbccfb001ad3c250c2fd7c11b92c247abefe8233e (patch)
treea1ca5693c9d350bfd1d38ddf503539633b508607 /front-matter/manifesto_poetics.txt
parentRevise abstract & add to index.html (diff)
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Move frontmatter to front-matter; add colophon
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1---
2title: Manifesto of poetics
3genre: prose
4
5id: manifesto_poetics
6toc: "A manifesto of poetics"
7
8project:
9 title: Stark raving
10 class: stark
11...
12
13What is a poem?
14I think it was Yeats that called a poem "the best words in the best order," and that isn't an inaccurate description, but I don't think it captures all of what a poem is.
15[Let me start][] with communication.
16
17Communication is a transaction, an exchange between two people or entities, in which one (the Speaker/Writer/Communicator) gives the other (the Reader/Listener/Consumer) a \
18set of ideas / \
19a wireframe organization of a concept / \
20a set of reasons/instructions for action.
21In many kinds of communication, for example speeches, reports, or advertisements, the kind of ideas transacted are generally factual/logical/brain-based in nature.
22In art, these ideas are emotional/heart-based.
23In short, Art is to Emotion as an [Article][] is to Information.
24I think art should strive to transmit the emotion the author feels as efficiently as possible to the reader of that art.
25
26In order to do this, multiple notation systems have been devised.
27Music is the most notable example that comes to mind, as it has the most rigid style, but grammar, as used self-consciously in writing, would be another example.
28Poetry has only a very loose set of rules and assumptions that allow it a sort of notational language, and this is complicated by the fact that when writing poetry, the author writes for a different medium: poetry is meant to be performed aloud.
29This makes the notation system even more important, but again, it's hard to come up with a system that will be read mostly the same by most people.
30
31What I've been trying to do since I began writing is develop a personal notation system, or what I think most would refer to as my "voice" as a poet/writer (I personally don't like the word "poet," as it sounds pretentious to me; I'm aware I should get over this).
32
33However, there were some places that still needed improving from my draft manuscript: most notably, my prose in "Rip Tide of Memory" (now only "Rip Tide") and "AMBER Alert."
34I rewrote each to tighten their syntactic and idea rhythm, to make them move more lightly and gracefully.
35
36The most notable difference in my series is the reordering of poems within it.
37I think that in my first draft, I spent so much time on getting my individual poems tight and polished that I threw them together somewhat haphazardly, using a loose thematic correspondence with the fake "Table of contents."
38With the new order, I hope this has been fixed: the piece consists of six sections, each with three poems (A new one, "Everything stays the same," makes the totals correct).
39Each section has a thematic/emotional/personal element that ties the sections together.
40They are ordered by the order in which I wrote the sestinas at the beginning of each section, which works out to make the series move from identity to memory to a feeling of universal justice, and from there to a discussion of death and (something like) love that culminates in an exploration of the nature of time and cosmology.
41The piece is bookended by the fake "Table of contents" (provided at the end as an ironic commentary on the rest of the text) and an "About the author" section.
42I think it works better this way, and I think the "About the author" at the beginning serves as a fair prelude poem to the piece.
43
44I'm excited to be a writer like I haven't been before.
45
46[Let me start]: prelude.html
47[Article]: README.html#fn1