diff options
| author | Case Duckworth | 2015-03-10 23:17:06 -0700 |
|---|---|---|
| committer | Case Duckworth | 2015-03-10 23:17:06 -0700 |
| commit | bec7c936d59e331500c8350b92e33f2b5c5eb0e0 (patch) | |
| tree | eb35d9c37efccc6eafa8dbca1538387dcf6c3ff4 /lappel-du-vide.html | |
| parent | Fix broken link in I think it's you (diff) | |
| download | autocento-bec7c936d59e331500c8350b92e33f2b5c5eb0e0.tar.gz autocento-bec7c936d59e331500c8350b92e33f2b5c5eb0e0.zip | |
Move dedication to before epigraph
Diffstat (limited to 'lappel-du-vide.html')
| -rw-r--r-- | lappel-du-vide.html | 61 |
1 files changed, 31 insertions, 30 deletions
| diff --git a/lappel-du-vide.html b/lappel-du-vide.html index bd3c140..0b025a5 100644 --- a/lappel-du-vide.html +++ b/lappel-du-vide.html | |||
| @@ -1,5 +1,6 @@ | |||
| 1 | <!DOCTYPE html> | 1 | <!DOCTYPE html> |
| 2 | <!-- Template for compiled 'Autocento' documents --> | 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> |
| 3 | <!-- vim: fdm=indent --> | ||
| 3 | <html lang="en"> | 4 | <html lang="en"> |
| 4 | <head> | 5 | <head> |
| 5 | <meta charset="utf-8"> | 6 | <meta charset="utf-8"> |
| @@ -23,38 +24,38 @@ | |||
| 23 | <!-- <script src="js/external.js"> </script> --> | 24 | <!-- <script src="js/external.js"> </script> --> |
| 24 | </head> | 25 | </head> |
| 25 | <body> | 26 | <body> |
| 27 | |||
| 28 | <article id="container"> | ||
| 29 | <header> | ||
| 30 | <!-- title --> | ||
| 31 | <h1 class="title">L’appel du vide</h1> | ||
| 32 | |||
| 26 | 33 | ||
| 27 | <article id="container"> | 34 | <!-- epigraph --> |
| 28 | <header> | 35 | <div class="epigraph"> |
| 29 | <!-- title --> | 36 | <a href="http://books.google.com/books?id=yybDMC0TRIwC&pg=PR12&lpg=PR12#v=onepage&q&f=false">You can never go home again.</a> |
| 30 | <h1 class="title">L’appel du vide</h1> | 37 | </div> |
| 31 | 38 | <div class="epigraph-attrib">Thomas Wolfe</div> | |
| 32 | 39 | ||
| 33 | 40 | ||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://books.google.com/books?id=yybDMC0TRIwC&pg=PR12&lpg=PR12#v=onepage&q&f=false">You can never go home again.</a> | ||
| 37 | </div> | ||
| 38 | <div class="epigraph-attrib">Thomas Wolfe</div> | ||
| 39 | </header> | 41 | </header> |
| 40 | 42 | ||
| 41 | <section class="content prose"> | 43 | <section class="content prose"> |
| 42 | <section id="i.-walter" class="level2"> | 44 | <section id="i.-walter" class="level2"> |
| 43 | <h2>I. Walter</h2> | 45 | <h2>I. Walter</h2> |
| 44 | <p>Walter <a href="sense-of-it.html">rides the bus</a> into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life. That era in which the next time he goes under, to the fields of seaweed waving gently, the anemones slowly filtering seawater, it will most likely be for a death in the family.</p> | 46 | <p>Walter <a href="sense-of-it.html">rides the bus</a> into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life. That era in which the next time he goes under, to the fields of seaweed waving gently, the anemones slowly filtering seawater, it will most likely be for a death in the family.</p> |
| 45 | <p>He is able to idly speculate on who it might be, and this surprises him. Not much does surprise him after these few months above the waves, because so many things did surprise him those first few months: the plants standing still, the quickness of the fluid these creatures walk in, the lack of pressure that still makes him feel so alone and cold—as if all of his life he had been in an embrace by the ocean, and now for some reason it’s pulled away from him, and it doesn’t love him anymore.</p> | 47 | <p>He is able to idly speculate on who it might be, and this surprises him. Not much does surprise him after these few months above the waves, because so many things did surprise him those first few months: the plants standing still, the quickness of the fluid these creatures walk in, the lack of pressure that still makes him feel so alone and cold—as if all of his life he had been in an embrace by the ocean, and now for some reason it’s pulled away from him, and it doesn’t love him anymore.</p> |
| 46 | <p>His speculations lead him to picture his grandmother, small and frail and forgetful. He always assumed she’d be next, since last year when the other one died and Gina said, “I wonder who’ll be next.” She said what they’d both been thinking.</p> | 48 | <p>His speculations lead him to picture his grandmother, small and frail and forgetful. He always assumed she’d be next, since last year when the other one died and Gina said, “I wonder who’ll be next.” She said what they’d both been thinking.</p> |
| 47 | <p>Soon after that he’d come up to land, to the mountains of all places, the most land-like land, and started a job with an <a href="telemarketer.html">accounting firm</a>. While it was challenging to adjust to the change in pressure and movement, to people staring at him on the bus, in the supermarket, at the job, him with his scales and fins and breathing machine, he’d always made a point to make the best out of a situation. The problem was that the best wasn’t good enough.</p> | 49 | <p>Soon after that he’d come up to land, to the mountains of all places, the most land-like land, and started a job with an <a href="telemarketer.html">accounting firm</a>. While it was challenging to adjust to the change in pressure and movement, to people staring at him on the bus, in the supermarket, at the job, him with his scales and fins and breathing machine, he’d always made a point to make the best out of a situation. The problem was that the best wasn’t good enough.</p> |
| 48 | </section> | 50 | </section> |
| 49 | <section id="ii.-lappel-du-vide" class="level2 verse"> | 51 | <section id="ii.-lappel-du-vide" class="level2 verse"> |
| 50 | <h2>II. L’appel du vide</h2> | 52 | <h2>II. L’appel du vide</h2> |
| 51 | <p>And I’ll get in my car and drive<br />and I’ll want to keep driving<br />straight into the next state<br />or even the next country<br />or even even the ocean</p> | 53 | <p>And I’ll get in my car and drive<br />and I’ll want to keep driving<br />straight into the next state<br />or even the next country<br />or even even the ocean</p> |
| 52 | <p>and go down deeper<br />keep exploring forever<br />find out what’s down there<br />go to the Marianas trench<br />miss the air world and<br />come back up<br />itself a kind of unknown<br />the homecoming after</p> | 54 | <p>and go down deeper<br />keep exploring forever<br />find out what’s down there<br />go to the Marianas trench<br />miss the air world and<br />come back up<br />itself a kind of unknown<br />the homecoming after</p> |
| 53 | <p>What happened to the home I was?</p> | 55 | <p>What happened to the home I was?</p> |
| 56 | </section> | ||
| 54 | </section> | 57 | </section> |
| 55 | </section> | 58 | </article> |
| 56 | </article> | ||
| 57 | |||
| 58 | <nav> | 59 | <nav> |
| 59 | <a class="prevlink" href="ouroboros_memory.html" | 60 | <a class="prevlink" href="ouroboros_memory.html" |
| 60 | title="Next article in Stark Raving"> | 61 | title="Next article in Stark Raving"> |
| @@ -74,5 +75,5 @@ | |||
| 74 | I think it’s you (but it’s not) | 75 | I think it’s you (but it’s not) |
| 75 | </a> | 76 | </a> |
| 76 | </nav> | 77 | </nav> |
| 77 | </body> | 78 | </body> |
| 78 | </html> | 79 | </html> |