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author | Case Duckworth | 2015-04-01 16:29:46 -0700 |
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committer | Case Duckworth | 2015-04-01 16:29:46 -0700 |
commit | 61baf210a9d0d4fffcd82751ba3419dd2feb349d (patch) | |
tree | 577fe121f035854399f820c420eca38b60879156 /manifesto_poetics.river | |
parent | Add Abstract and Process Narrative (diff) | |
download | autocento-61baf210a9d0d4fffcd82751ba3419dd2feb349d.tar.gz autocento-61baf210a9d0d4fffcd82751ba3419dd2feb349d.zip |
Revise a few poems in Elegies
Also add a .gitignore. How is this so late?
Diffstat (limited to 'manifesto_poetics.river')
-rw-r--r-- | manifesto_poetics.river | 577 |
1 files changed, 0 insertions, 577 deletions
diff --git a/manifesto_poetics.river b/manifesto_poetics.river deleted file mode 100644 index d0f9bd0..0000000 --- a/manifesto_poetics.river +++ /dev/null | |||
@@ -1,577 +0,0 @@ | |||
1 | what | ||
2 | is | ||
3 | a | ||
4 | poem | ||
5 | i | ||
6 | think | ||
7 | it | ||
8 | was | ||
9 | yeats | ||
10 | that | ||
11 | called | ||
12 | a | ||
13 | poem | ||
14 | the | ||
15 | best | ||
16 | words | ||
17 | in | ||
18 | the | ||
19 | best | ||
20 | order | ||
21 | and | ||
22 | that | ||
23 | is | ||
24 | not | ||
25 | an | ||
26 | inaccurate | ||
27 | description | ||
28 | but | ||
29 | i | ||
30 | do | ||
31 | not | ||
32 | think | ||
33 | it | ||
34 | captures | ||
35 | all | ||
36 | of | ||
37 | what | ||
38 | a | ||
39 | poem | ||
40 | is | ||
41 | let | ||
42 | me | ||
43 | start | ||
44 | with | ||
45 | communication | ||
46 | communication | ||
47 | is | ||
48 | a | ||
49 | transaction | ||
50 | an | ||
51 | exchange | ||
52 | between | ||
53 | two | ||
54 | people | ||
55 | or | ||
56 | entities | ||
57 | in | ||
58 | which | ||
59 | one | ||
60 | the | ||
61 | speaker/writer/communicator | ||
62 | gives | ||
63 | the | ||
64 | other | ||
65 | the | ||
66 | reader/listener/consumer | ||
67 | a | ||
68 | set | ||
69 | of | ||
70 | ideas | ||
71 | / | ||
72 | a | ||
73 | wireframe | ||
74 | organization | ||
75 | of | ||
76 | a | ||
77 | concept | ||
78 | / | ||
79 | a | ||
80 | set | ||
81 | of | ||
82 | reasons/instructions | ||
83 | for | ||
84 | action | ||
85 | in | ||
86 | many | ||
87 | kinds | ||
88 | of | ||
89 | communication | ||
90 | for | ||
91 | example | ||
92 | speeches | ||
93 | reports | ||
94 | or | ||
95 | advertisements | ||
96 | the | ||
97 | kind | ||
98 | of | ||
99 | ideas | ||
100 | transacted | ||
101 | are | ||
102 | generally | ||
103 | factual/logical/brain-based | ||
104 | in | ||
105 | nature | ||
106 | in | ||
107 | art | ||
108 | these | ||
109 | ideas | ||
110 | are | ||
111 | emotional/heart-based | ||
112 | in | ||
113 | short | ||
114 | art | ||
115 | is | ||
116 | to | ||
117 | emotion | ||
118 | as | ||
119 | an | ||
120 | article | ||
121 | is | ||
122 | to | ||
123 | information | ||
124 | i | ||
125 | think | ||
126 | art | ||
127 | should | ||
128 | strive | ||
129 | to | ||
130 | transmit | ||
131 | the | ||
132 | emotion | ||
133 | the | ||
134 | author | ||
135 | feels | ||
136 | as | ||
137 | efficiently | ||
138 | as | ||
139 | possible | ||
140 | to | ||
141 | the | ||
142 | reader | ||
143 | of | ||
144 | that | ||
145 | art | ||
146 | in | ||
147 | order | ||
148 | to | ||
149 | do | ||
150 | this | ||
151 | multiple | ||
152 | notation | ||
153 | systems | ||
154 | have | ||
155 | been | ||
156 | devised | ||
157 | music | ||
158 | is | ||
159 | the | ||
160 | most | ||
161 | notable | ||
162 | example | ||
163 | that | ||
164 | comes | ||
165 | to | ||
166 | mind | ||
167 | as | ||
168 | it | ||
169 | has | ||
170 | the | ||
171 | most | ||
172 | rigid | ||
173 | style | ||
174 | but | ||
175 | grammar | ||
176 | as | ||
177 | used | ||
178 | self-consciously | ||
179 | in | ||
180 | writing | ||
181 | would | ||
182 | be | ||
183 | another | ||
184 | example | ||
185 | poetry | ||
186 | has | ||
187 | only | ||
188 | a | ||
189 | very | ||
190 | loose | ||
191 | set | ||
192 | of | ||
193 | rules | ||
194 | and | ||
195 | assumptions | ||
196 | that | ||
197 | allow | ||
198 | it | ||
199 | a | ||
200 | sort | ||
201 | of | ||
202 | notational | ||
203 | language | ||
204 | and | ||
205 | this | ||
206 | is | ||
207 | complicated | ||
208 | by | ||
209 | the | ||
210 | fact | ||
211 | that | ||
212 | when | ||
213 | writing | ||
214 | poetry | ||
215 | the | ||
216 | author | ||
217 | writes | ||
218 | for | ||
219 | a | ||
220 | different | ||
221 | medium | ||
222 | poetry | ||
223 | is | ||
224 | meant | ||
225 | to | ||
226 | be | ||
227 | performed | ||
228 | aloud | ||
229 | this | ||
230 | makes | ||
231 | the | ||
232 | notation | ||
233 | system | ||
234 | even | ||
235 | more | ||
236 | important | ||
237 | but | ||
238 | again | ||
239 | it | ||
240 | is | ||
241 | hard | ||
242 | to | ||
243 | come | ||
244 | up | ||
245 | with | ||
246 | a | ||
247 | system | ||
248 | that | ||
249 | will | ||
250 | be | ||
251 | read | ||
252 | mostly | ||
253 | the | ||
254 | same | ||
255 | by | ||
256 | most | ||
257 | people | ||
258 | what | ||
259 | i've | ||
260 | been | ||
261 | trying | ||
262 | to | ||
263 | do | ||
264 | since | ||
265 | i | ||
266 | began | ||
267 | writing | ||
268 | is | ||
269 | develop | ||
270 | a | ||
271 | personal | ||
272 | notation | ||
273 | system | ||
274 | or | ||
275 | what | ||
276 | i | ||
277 | think | ||
278 | most | ||
279 | would | ||
280 | refer | ||
281 | to | ||
282 | as | ||
283 | my | ||
284 | voice | ||
285 | as | ||
286 | a | ||
287 | poet/writer | ||
288 | i | ||
289 | personally | ||
290 | do | ||
291 | not | ||
292 | like | ||
293 | the | ||
294 | word | ||
295 | poet | ||
296 | as | ||
297 | it | ||
298 | sounds | ||
299 | pretentious | ||
300 | to | ||
301 | me | ||
302 | i'm | ||
303 | aware | ||
304 | i | ||
305 | should | ||
306 | get | ||
307 | over | ||
308 | this | ||
309 | however | ||
310 | there | ||
311 | were | ||
312 | some | ||
313 | places | ||
314 | that | ||
315 | still | ||
316 | needed | ||
317 | improving | ||
318 | from | ||
319 | my | ||
320 | draft | ||
321 | manuscript | ||
322 | most | ||
323 | notably | ||
324 | my | ||
325 | prose | ||
326 | in | ||
327 | rip | ||
328 | tide | ||
329 | of | ||
330 | memory | ||
331 | now | ||
332 | only | ||
333 | rip | ||
334 | tide | ||
335 | and | ||
336 | amber | ||
337 | alert | ||
338 | i | ||
339 | rewrote | ||
340 | each | ||
341 | to | ||
342 | tighten | ||
343 | their | ||
344 | syntactic | ||
345 | and | ||
346 | idea | ||
347 | rhythm | ||
348 | to | ||
349 | make | ||
350 | them | ||
351 | move | ||
352 | more | ||
353 | lightly | ||
354 | and | ||
355 | gracefully | ||
356 | the | ||
357 | most | ||
358 | notable | ||
359 | difference | ||
360 | in | ||
361 | my | ||
362 | series | ||
363 | is | ||
364 | the | ||
365 | reordering | ||
366 | of | ||
367 | poems | ||
368 | within | ||
369 | it | ||
370 | i | ||
371 | think | ||
372 | that | ||
373 | in | ||
374 | my | ||
375 | first | ||
376 | draft | ||
377 | i | ||
378 | spent | ||
379 | so | ||
380 | much | ||
381 | time | ||
382 | on | ||
383 | getting | ||
384 | my | ||
385 | individual | ||
386 | poems | ||
387 | tight | ||
388 | and | ||
389 | polished | ||
390 | that | ||
391 | i | ||
392 | threw | ||
393 | them | ||
394 | together | ||
395 | somewhat | ||
396 | haphazardly | ||
397 | using | ||
398 | a | ||
399 | loose | ||
400 | thematic | ||
401 | correspondence | ||
402 | with | ||
403 | the | ||
404 | fake | ||
405 | table | ||
406 | of | ||
407 | contents | ||
408 | with | ||
409 | the | ||
410 | new | ||
411 | order | ||
412 | i | ||
413 | hope | ||
414 | this | ||
415 | has | ||
416 | been | ||
417 | fixed | ||
418 | the | ||
419 | piece | ||
420 | consists | ||
421 | of | ||
422 | six | ||
423 | sections | ||
424 | each | ||
425 | with | ||
426 | three | ||
427 | poems | ||
428 | a | ||
429 | new | ||
430 | one | ||
431 | everything | ||
432 | stays | ||
433 | the | ||
434 | same | ||
435 | makes | ||
436 | the | ||
437 | totals | ||
438 | correct | ||
439 | each | ||
440 | section | ||
441 | has | ||
442 | a | ||
443 | thematic/emotional/personal | ||
444 | element | ||
445 | that | ||
446 | ties | ||
447 | the | ||
448 | sections | ||
449 | together | ||
450 | they | ||
451 | are | ||
452 | ordered | ||
453 | by | ||
454 | the | ||
455 | order | ||
456 | in | ||
457 | which | ||
458 | i | ||
459 | wrote | ||
460 | the | ||
461 | sestinas | ||
462 | at | ||
463 | the | ||
464 | beginning | ||
465 | of | ||
466 | each | ||
467 | section | ||
468 | which | ||
469 | works | ||
470 | out | ||
471 | to | ||
472 | make | ||
473 | the | ||
474 | series | ||
475 | move | ||
476 | from | ||
477 | identity | ||
478 | to | ||
479 | memory | ||
480 | to | ||
481 | a | ||
482 | feeling | ||
483 | of | ||
484 | universal | ||
485 | justice | ||
486 | and | ||
487 | from | ||
488 | there | ||
489 | to | ||
490 | a | ||
491 | discussion | ||
492 | of | ||
493 | death | ||
494 | and | ||
495 | something | ||
496 | like | ||
497 | love | ||
498 | that | ||
499 | culminates | ||
500 | in | ||
501 | an | ||
502 | exploration | ||
503 | of | ||
504 | the | ||
505 | nature | ||
506 | of | ||
507 | time | ||
508 | and | ||
509 | cosmology | ||
510 | the | ||
511 | piece | ||
512 | is | ||
513 | bookended | ||
514 | by | ||
515 | the | ||
516 | fake | ||
517 | table | ||
518 | of | ||
519 | contents | ||
520 | provided | ||
521 | at | ||
522 | the | ||
523 | end | ||
524 | as | ||
525 | an | ||
526 | ironic | ||
527 | commentary | ||
528 | on | ||
529 | the | ||
530 | rest | ||
531 | of | ||
532 | the | ||
533 | text | ||
534 | and | ||
535 | an | ||
536 | about | ||
537 | the | ||
538 | author | ||
539 | section | ||
540 | i | ||
541 | think | ||
542 | it | ||
543 | works | ||
544 | better | ||
545 | this | ||
546 | way | ||
547 | and | ||
548 | i | ||
549 | think | ||
550 | the | ||
551 | about | ||
552 | the | ||
553 | author | ||
554 | at | ||
555 | the | ||
556 | beginning | ||
557 | serves | ||
558 | as | ||
559 | a | ||
560 | fair | ||
561 | prelude | ||
562 | poem | ||
563 | to | ||
564 | the | ||
565 | piece | ||
566 | i'm | ||
567 | excited | ||
568 | to | ||
569 | be | ||
570 | a | ||
571 | writer | ||
572 | like | ||
573 | i | ||
574 | have | ||
575 | not | ||
576 | been | ||
577 | before | ||