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author | Case Duckworth | 2015-03-27 15:40:42 -0700 |
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committer | Case Duckworth | 2015-03-27 15:40:42 -0700 |
commit | 643d9ceb308c206a6e572c7c555168ff0ca60bc1 (patch) | |
tree | 8878d45b3dcc5c894a21d4e379be0f7293c5d345 /onformalpoetry.html | |
parent | Change verse lines '$' -> '^| ' (diff) | |
download | autocento-643d9ceb308c206a6e572c7c555168ff0ca60bc1.tar.gz autocento-643d9ceb308c206a6e572c7c555168ff0ca60bc1.zip |
Fix #5: Verse typesetting
Thanks to the pandoc-discussion thread at <https://groups.google.com/forum/#!topic/pandoc-discuss/_JnTJnsSK3k>, line breaks in verse have been converted to <span class="line">s, which enables the CSS to style them with hanging indents, given a too-small viewport. This commit also includes a makefile edit to reflect this change, and the Haskell source and executable of the pandoc filter.
Diffstat (limited to 'onformalpoetry.html')
-rw-r--r-- | onformalpoetry.html | 2 |
1 files changed, 1 insertions, 1 deletions
diff --git a/onformalpoetry.html b/onformalpoetry.html index e2e98df..8af8860 100644 --- a/onformalpoetry.html +++ b/onformalpoetry.html | |||
@@ -36,7 +36,7 @@ | |||
36 | 36 | ||
37 | 37 | ||
38 | <section class="content verse"> | 38 | <section class="content verse"> |
39 | <p>I think that I could write formal poems<br />exclusively, or at least inclusive<br />with all the other stuff I write<br />I guess. Of course, I’ve already written<br />a few, this one included, though “formal”<br />is maybe a stretch. Is blank verse a form?<br />What is form anyway? I picture old<br />women counting <a href="roughgloves.html">stitches on their knitting</a>,<br />keeping iambs next to iambs in lines<br />as straight and sure as arrows. But my sock<br />is lumpy, poorly made: it’s beginning<br />to unravel. Stresses don’t line up. Syl-<br />lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.<br />That cliché on the arrow? I’m aware.<br />My prepositions too—God, where’s it stop?<br />The answer: never. I will never stop<br />writing poems, or hating what I write.</p> | 39 | <p><span class="line">I think that I could write formal poems</span><span class="line">exclusively, or at least inclusive</span><span class="line">with all the other stuff I write</span><span class="line">I guess. Of course, I’ve already written</span><span class="line">a few, this one included, though “formal”</span><span class="line">is maybe a stretch. Is blank verse a form?</span><span class="line">What is form anyway? I picture old</span><span class="line">women counting <a href="roughgloves.html">stitches on their knitting</a>,</span><span class="line">keeping iambs next to iambs in lines</span><span class="line">as straight and sure as arrows. But my sock</span><span class="line">is lumpy, poorly made: it’s beginning</span><span class="line">to unravel. Stresses don’t line up. Syl-</span><span class="line">lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.</span><span class="line">That cliché on the arrow? I’m aware.</span><span class="line">My prepositions too—God, where’s it stop?</span><span class="line">The answer: never. I will never stop</span><span class="line">writing poems, or hating what I write.</span></p> |
40 | </section> | 40 | </section> |
41 | </article> | 41 | </article> |
42 | <nav> | 42 | <nav> |