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author | Case Duckworth | 2015-03-10 23:17:06 -0700 |
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committer | Case Duckworth | 2015-03-10 23:17:06 -0700 |
commit | bec7c936d59e331500c8350b92e33f2b5c5eb0e0 (patch) | |
tree | eb35d9c37efccc6eafa8dbca1538387dcf6c3ff4 /onformalpoetry.html | |
parent | Fix broken link in I think it's you (diff) | |
download | autocento-bec7c936d59e331500c8350b92e33f2b5c5eb0e0.tar.gz autocento-bec7c936d59e331500c8350b92e33f2b5c5eb0e0.zip |
Move dedication to before epigraph
Diffstat (limited to 'onformalpoetry.html')
-rw-r--r-- | onformalpoetry.html | 29 |
1 files changed, 14 insertions, 15 deletions
diff --git a/onformalpoetry.html b/onformalpoetry.html index 6ef8cf6..f98a1b5 100644 --- a/onformalpoetry.html +++ b/onformalpoetry.html | |||
@@ -1,5 +1,6 @@ | |||
1 | <!DOCTYPE html> | 1 | <!DOCTYPE html> |
2 | <!-- Template for compiled 'Autocento' documents --> | 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> |
3 | <!-- vim: fdm=indent --> | ||
3 | <html lang="en"> | 4 | <html lang="en"> |
4 | <head> | 5 | <head> |
5 | <meta charset="utf-8"> | 6 | <meta charset="utf-8"> |
@@ -23,21 +24,19 @@ | |||
23 | <!-- <script src="js/external.js"> </script> --> | 24 | <!-- <script src="js/external.js"> </script> --> |
24 | </head> | 25 | </head> |
25 | <body> | 26 | <body> |
27 | |||
28 | <article id="container"> | ||
29 | <header> | ||
30 | <!-- title --> | ||
31 | <h1 class="title">On formal poetry</h1> | ||
32 | |||
26 | 33 | ||
27 | <article id="container"> | 34 | </header> |
28 | <header> | ||
29 | <!-- title --> | ||
30 | <h1 class="title">On formal poetry</h1> | ||
31 | |||
32 | |||
33 | |||
34 | </header> | ||
35 | |||
36 | <section class="content verse"> | ||
37 | <p>I think that I could write formal poems<br />exclusively, or at least inclusive<br />with all the other stuff I write<br />I guess. Of course, I’ve already written<br />a few, this one included, though “formal”<br />is maybe a stretch. Is blank verse a form?<br />What is form anyway? I picture old<br />women counting <a href="roughgloves.html">stitches on their knitting</a>,<br />keeping iambs next to iambs in lines<br />as straight and sure as arrows. But my sock<br />is lumpy, poorly made: it’s beginning<br />to unravel. Stresses don’t line up. Syl-<br />lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.<br />That cliché on the arrow? I’m aware.<br />My prepositions too—God, where’s it stop?<br />The answer: never. I will never stop<br />writing poems, or hating what I write.</p> | ||
38 | </section> | ||
39 | </article> | ||
40 | 35 | ||
36 | <section class="content verse"> | ||
37 | <p>I think that I could write formal poems<br />exclusively, or at least inclusive<br />with all the other stuff I write<br />I guess. Of course, I’ve already written<br />a few, this one included, though “formal”<br />is maybe a stretch. Is blank verse a form?<br />What is form anyway? I picture old<br />women counting <a href="roughgloves.html">stitches on their knitting</a>,<br />keeping iambs next to iambs in lines<br />as straight and sure as arrows. But my sock<br />is lumpy, poorly made: it’s beginning<br />to unravel. Stresses don’t line up. Syl-<br />lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.<br />That cliché on the arrow? I’m aware.<br />My prepositions too—God, where’s it stop?<br />The answer: never. I will never stop<br />writing poems, or hating what I write.</p> | ||
38 | </section> | ||
39 | </article> | ||
41 | <nav> | 40 | <nav> |
42 | <a class="prevlink" href="feedingtheraven.html" | 41 | <a class="prevlink" href="feedingtheraven.html" |
43 | title="Next article in Elegies for alternate selves"> | 42 | title="Next article in Elegies for alternate selves"> |
@@ -49,5 +48,5 @@ | |||
49 | I am | 48 | I am |
50 | </a> | 49 | </a> |
51 | </nav> | 50 | </nav> |
52 | </body> | 51 | </body> |
53 | </html> | 52 | </html> |