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author | Case Duckworth | 2015-03-24 22:53:18 -0700 |
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committer | Case Duckworth | 2015-03-24 22:53:18 -0700 |
commit | df0d5f3cb03f8bf7d72e067c0fd7ee54ce4b86eb (patch) | |
tree | 9cb3585e91c71e0d56bff5fb1f0d6c8dc5f8c093 /onformalpoetry.html | |
parent | Disable Jekyll page rendering (diff) | |
download | autocento-df0d5f3cb03f8bf7d72e067c0fd7ee54ce4b86eb.tar.gz autocento-df0d5f3cb03f8bf7d72e067c0fd7ee54ce4b86eb.zip |
Change template and CSS for flatter structure
- Change CSS to one file - Change template to reflect CSS flattening
Diffstat (limited to 'onformalpoetry.html')
-rw-r--r-- | onformalpoetry.html | 16 |
1 files changed, 7 insertions, 9 deletions
diff --git a/onformalpoetry.html b/onformalpoetry.html index bd9a7d6..6ab8dfb 100644 --- a/onformalpoetry.html +++ b/onformalpoetry.html | |||
@@ -12,23 +12,19 @@ | |||
12 | <title>On formal poetry | Autocento of the breakfast table</title> | 12 | <title>On formal poetry | Autocento of the breakfast table</title> |
13 | <link rel="icon" type="image/png" href="img/favico.png" /> | 13 | <link rel="icon" type="image/png" href="img/favico.png" /> |
14 | 14 | ||
15 | <link rel="stylesheet" type="text/css" href="./css/common.css"> | 15 | <link rel="stylesheet" type="text/css" href="style.css"> |
16 | <script src="./js/lozenge.js" type="text/javascript"> </script> | 16 | <script src="./js/lozenge.js" type="text/javascript"> </script> |
17 | <script src="./js/hylo.js" type="text/javascript"> </script> | 17 | <script src="./js/hylo.js" type="text/javascript"> </script> |
18 | 18 | ||
19 | <link rel="stylesheet" type="text/css" href="./css/verse.css"> | 19 | <!--[if lt IE 9]> |
20 | <script src="./js/verse.js" type="text/javascript"> </script> | ||
21 | <link rel="stylesheet" type="text/css" href="./css/elegies.css"> | ||
22 | <script src="./js/elegies.js" type="text/javascript"> </script> | ||
23 | <!--[if lt IE 9]> | ||
24 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
25 | <![endif]--> | 21 | <![endif]--> |
26 | <!-- <script src="js/external.js"> </script> --> | 22 | <!-- <script src="js/external.js"> </script> --> |
27 | </head> | 23 | </head> |
28 | <body> | 24 | <body id="onformalpoetry" class="elegies"> |
29 | 25 | ||
30 | 26 | ||
31 | <article id="container"> | 27 | <article class="container"> |
32 | <header> | 28 | <header> |
33 | <!-- title --> | 29 | <!-- title --> |
34 | <h1 class="title">On formal poetry</h1> | 30 | <h1 class="title">On formal poetry</h1> |
@@ -40,7 +36,9 @@ | |||
40 | </header> | 36 | </header> |
41 | 37 | ||
42 | 38 | ||
43 | <section class="content verse"><p>I think that I could write formal poems<br />exclusively, or at least inclusive<br />with all the other stuff I write<br />I guess. Of course, I’ve already written<br />a few, this one included, though “formal”<br />is maybe a stretch. Is blank verse a form?<br />What is form anyway? I picture old<br />women counting <a href="roughgloves.html">stitches on their knitting</a>,<br />keeping iambs next to iambs in lines<br />as straight and sure as arrows. But my sock<br />is lumpy, poorly made: it’s beginning<br />to unravel. Stresses don’t line up. Syl-<br />lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.<br />That cliché on the arrow? I’m aware.<br />My prepositions too—God, where’s it stop?<br />The answer: never. I will never stop<br />writing poems, or hating what I write.</p></section> | 39 | <section class="content verse"> |
40 | <p>I think that I could write formal poems<br />exclusively, or at least inclusive<br />with all the other stuff I write<br />I guess. Of course, I’ve already written<br />a few, this one included, though “formal”<br />is maybe a stretch. Is blank verse a form?<br />What is form anyway? I picture old<br />women counting <a href="roughgloves.html">stitches on their knitting</a>,<br />keeping iambs next to iambs in lines<br />as straight and sure as arrows. But my sock<br />is lumpy, poorly made: it’s beginning<br />to unravel. Stresses don’t line up. Syl-<br />lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.<br />That cliché on the arrow? I’m aware.<br />My prepositions too—God, where’s it stop?<br />The answer: never. I will never stop<br />writing poems, or hating what I write.</p> | ||
41 | </section> | ||
44 | </article> | 42 | </article> |
45 | <nav> | 43 | <nav> |
46 | <a class="prevlink" href="feedingtheraven.html" | 44 | <a class="prevlink" href="feedingtheraven.html" |