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| author | Case Duckworth | 2015-03-25 21:49:45 -0700 |
|---|---|---|
| committer | Case Duckworth | 2015-03-25 21:54:26 -0700 |
| commit | ecda49e0b20ad3bd52449356dccf2f8095ecfb70 (patch) | |
| tree | 4789dd035fa827edf280fd8234d014b171de1c38 /src/phone.txt | |
| parent | Fix makefile re: RIVER crashing (diff) | |
| download | autocento-ecda49e0b20ad3bd52449356dccf2f8095ecfb70.tar.gz autocento-ecda49e0b20ad3bd52449356dccf2f8095ecfb70.zip | |
Flatten directory structure
All content files (*.txt, *.html, *.river) are now in /. I did this to simplify the compilation step, and to make linking easier. I'm still thinking about whether I should move the contents of js/, img/, and lua/ into /, or into an 'assets' folder of some sort. We'll see.
Diffstat (limited to 'src/phone.txt')
| -rw-r--r-- | src/phone.txt | 52 |
1 files changed, 0 insertions, 52 deletions
| diff --git a/src/phone.txt b/src/phone.txt deleted file mode 100644 index b3c89f5..0000000 --- a/src/phone.txt +++ /dev/null | |||
| @@ -1,52 +0,0 @@ | |||
| 1 | --- | ||
| 2 | title: Phone | ||
| 3 | id: phone | ||
| 4 | genre: prose | ||
| 5 | |||
| 6 | project: | ||
| 7 | title: "Buildings out of air: Paul in the Woods" | ||
| 8 | class: paul | ||
| 9 | order: 16 | ||
| 10 | next: | ||
| 11 | - title: Tapestry | ||
| 12 | link: tapestry | ||
| 13 | - title: Planks | ||
| 14 | link: planks | ||
| 15 | prev: | ||
| 16 | - title: Treatise | ||
| 17 | link: treatise | ||
| 18 | - title: Paul | ||
| 19 | link: paul | ||
| 20 | ... | ||
| 21 | |||
| 22 | "Hello Paul this is Jill Jill Noe remember me" the voice on the phone was a woman's. | ||
| 23 | He nodded into the receiver. | ||
| 24 | "Hello" Jill asked again "hello?" | ||
| 25 | Paul remembered that phones work by talking and said "Hello Jill." | ||
| 26 | |||
| 27 | "Do you remember me" she asked "we were in school together? | ||
| 28 | How have you been?" | ||
| 29 | "Pretty well" said Paul "I've been writing and making furniture." | ||
| 30 | "Oh that's nice" [said the woman's voice][] tinny in the phone | ||
| 31 | "Listen I ran into your mother at the [Supermarket][] the other day and she said you need a job. | ||
| 32 | You still need one?" | ||
| 33 | Paul had to tell the truth. | ||
| 34 | His mother was watching him out of the corner of her eye as she was playing dominoes at the kitchen table. | ||
| 35 | "Yes" he said sighing "Although woodworking takes up much of my time." | ||
| 36 | |||
| 37 | "OK" she laughed uncomortably "I actually have something you could do for me if you think you can get away from woodworking a bit. | ||
| 38 | It's just data entry really basic stuff entry-level." | ||
| 39 | "What's it pay" he asked. | ||
| 40 | "Minimum but there is room for movement." | ||
| 41 | "OK" he said. | ||
| 42 | "Start on Monday okay?" | ||
| 43 | "Sure" he said "bye" and the tin voice in the phone said "Goodbye Paul see you" by the time he put it back on the hook. | ||
| 44 | |||
| 45 | "Who was that" asked his mother. | ||
| 46 | "Jill Noe" he said. | ||
| 47 | "Oh her was she calling about a job for you?" | ||
| 48 | "Yes starts Monday" he said. | ||
| 49 | She smiled behind her glasses reflecting dominoes. | ||
| 50 | |||
| 51 | [said the woman's voice]: telemarketer.html | ||
| 52 | [Supermarket]: last-bastion.html | ||