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| author | Case Duckworth | 2015-02-09 12:13:08 -0700 |
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| committer | Case Duckworth | 2015-02-09 12:13:08 -0700 |
| commit | 43e2b69dfb0d37cce157ea78a35b47e54c85c7d3 (patch) | |
| tree | 1aee0f1e6db0d79de8495bbba9aaef14db3fe70e /treatise.html | |
| parent | Add Paul; move source files to src/ (diff) | |
| download | autocento-43e2b69dfb0d37cce157ea78a35b47e54c85c7d3.tar.gz autocento-43e2b69dfb0d37cce157ea78a35b47e54c85c7d3.zip | |
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| 1 | <!DOCTYPE html> | ||
| 2 | <!-- Template for compiled 'Autocento' documents --> | ||
| 3 | <html> | ||
| 4 | <head> | ||
| 5 | <meta charset="utf-8"> | ||
| 6 | <meta name="generator" content="pandoc"> | ||
| 7 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 8 | <meta name="author" content="Case Duckworth"> | ||
| 9 | <!-- more meta tags here --> | ||
| 10 | <title>Treatise | Autocento of the breakfast table</title> | ||
| 11 | <link rel="stylesheet" type="text/css" href="_common.css"> | ||
| 12 | <link rel="stylesheet" type="text/css" href="_prose.css"> | ||
| 13 | <link rel="stylesheet" type="text/css" href="_paul.css"> | ||
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| 17 | </head> | ||
| 18 | <body> | ||
| 19 | |||
| 20 | |||
| 21 | <header> | ||
| 22 | <!-- title --> | ||
| 23 | <h1 class="title">Treatise</h1> | ||
| 24 | |||
| 25 | </header> | ||
| 26 | |||
| 27 | <section class="prose"> | ||
| 28 | <pre class="type"><code>TREATISE ON LITERATURE AS "SPOOKY | ||
| 29 | ACTION FROM A DISTANCE" | ||
| 30 | |||
| 31 | There is this thing called "spooky | ||
| 32 | action at a distance." Einstein | ||
| 33 | mentioned it first I believe. It | ||
| 34 | is about how two electrons can act | ||
| 35 | like they are right next to each | ||
| 36 | other although they are very far | ||
| 37 | away (lightyears even). For a long | ||
| 38 | time this puzzled scientists until | ||
| 39 | someone (not Einstein) figured out | ||
| 40 | that maybe the universe is a | ||
| 41 | hologram or projection. So what | ||
| 42 | appears to be very far apart in | ||
| 43 | the hologram might actually be | ||
| 44 | very close in the substrate | ||
| 45 | reality. | ||
| 46 | I want to talk about this | ||
| 47 | effect in literature. In literature | ||
| 48 | the writer writes words on a | ||
| 49 | substrate (paper) and later the | ||
| 50 | reader reads the same words off | ||
| 51 | the substrate. Although the writer | ||
| 52 | and reader might be very far apart | ||
| 53 | from each other in time and space, | ||
| 54 | they experience the same effect | ||
| 55 | from reading the words. Even the | ||
| 56 | writer reading his own words after | ||
| 57 | he has written them becomes a | ||
| 58 | reader and feels who he was at | ||
| 59 | that time, like a ghost. | ||
| 60 | |||
| 61 | PROBLEMS: | ||
| 62 | Maybe the substrate isn't | ||
| 63 | paper it's what the writing is | ||
| 64 | about. Where is the hologram? Are | ||
| 65 | physics and literature comparable? | ||
| 66 | What if the universe isn't a | ||
| 67 | hologram what then?</code></pre> | ||
| 68 | </section> | ||
| 69 | |||
| 70 | <nav> | ||
| 71 | <a href="phone.html">Phone ></a> | ||
| 72 | <a href="underwear.html">Underwear ></a> | ||
| 73 | </nav> | ||
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| 75 | </body> | ||
| 76 | </html> | ||