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1---
2title: 'Telemarketer'
3project: 'Elegies for Alternate Selves'
4...
5
6It was one of those nameless gray buildings that could be seen from the
7street only if Larry craned his neck to almost vertical. He never had,
8of course, having heard when he first arrived in the city that only
9tourists unaccustomed to tall buildings did so. He'd never thought about
10it until he'd heard the social injunction against such a thing; it was
11now one of the things he thought about almost every day as he rode to
12and from work in gritty blue buses.
13
14Inside the building, the constant sound of recirculating dry air made
15Larry feel as though he were at some beach in hell, listening to the
16[ocean][], or more accurately at a gift shop in a landlocked state in hell
17listening to the ocean as represented by the sound a conch shell makes
18when he holds it up to his ear. The buzz of the fluorescent bulbs
19overhead sounded like the hot sun bearing down all day in this metaphor,
20a favorite of Larry's.
21
22His cubicle was made of that cheap, grayish-blue plywood that cubicles
23are made of; inside it, his computer sat on his desk as Larry liked to
24think an [eagle perched][] on a mountainous crag much like the crag that was
25his desktop wallpaper. The walls were unadorned except for a few
26tacked-up papers in report covers explaining his script. When Larry made
27a call to a potential customer it always went the same way:
28
29"Hi, Mr/Mrs (customer's name). My name is Larry and I'm with (client's
30name), and was just wondering if I could have a minute of your time?"
31
32"Oh, no, sir; I don't want whatever it is you're selling." (customer
33terminates call).
34
35Larry had only ever read the first line of the script on the wall.
36Sometimes he had an urge to read more of it, to be ready when a customer
37expressed interest in whatever it was Larry was selling, but something
38in him---he liked to think it was an actor's intuition that told him it
39was best to improvise, though he worried it was the futility of it---kept
40him from reading further into the script. So when Jane said, "Sure, I
41have nothing better to do," he was thrown completely off guard.
42
43"Um, alright Mrs ... Mrs. Loring, I was wondering---"
44
45"It's Ms, not Mrs. Em ess. Miz. No ‘r,' Larry." She sounded patient, as
46if she were used to correcting people about the particulars of her
47title. But how often can that happen? Larry thought, and he was suddenly
48deeply confused.
49
50"Oh, sorry, ma'am, uh, Miz Loring, but I wanted to know whether you'd
51like to, ah, buy some…" Larry put his head in his hand and started
52twirling his hair in his finger, a nervous habit he'd had since
53childhood, and closed his eyes tightly. "Why don't you have anything
54better to do?"
55
56Immediately he knew it was the wrong question. Even before the silence
57on the other end moved past impatience and into stunned, Larry had a
58mini-drama written and staged within his mind: she would call customer
59service and complain loudly into the representative's ear. The rep would
60send a memo to the head of telemarketing requesting disciplinary action,
61and the head would delegate the action to Larry's immediate supervisor,
62David. David would saunter over to Larry's cubicle sometime within the
63next week, depending on when he got the memo and when he felt like
64crossing fifty feet of office space, and have one of what David liked to
65call "chats" but what Larry knew were lectures. After about half an hour
66of "chatting" David would give Larry a warning and ask him to come in
67for overtime to make up for the discretion, and walk back slowly to his
68office, making small talk with the cubicled workers on the way. The
69world suddenly felt too small for Larry, or he too big for it.
70
71Quietly, with the same patience but with a [bigger pain][], Jane said, "My
72husband just left me and I thought you could take my mind off of him for
73just a minute," and hung up.
74
75[ocean]: 12-theoceanoverflowswithcamels.html
76[eagle perched]: 31-mountain.html
77[bigger pain]: 11-arspoetica.html