diff options
104 files changed, 1228 insertions, 563 deletions
| diff --git a/.txt b/.txt deleted file mode 100644 index e69de29..0000000 --- a/.txt +++ /dev/null | |||
| diff --git a/_style.css b/_style.css index 4ef57e3..b0474e9 100644 --- a/_style.css +++ b/_style.css | |||
| @@ -400,7 +400,7 @@ a.footnoteRef { | |||
| 400 | -ms-flex-item-align: auto; | 400 | -ms-flex-item-align: auto; |
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| 403 | #cover .lozenge { | 403 | #cover .anchors { |
| 404 | -webkit-box-ordinal-group: 1; | 404 | -webkit-box-ordinal-group: 1; |
| 405 | -moz-box-ordinal-group: 1; | 405 | -moz-box-ordinal-group: 1; |
| 406 | -webkit-order: 0; | 406 | -webkit-order: 0; |
| @@ -428,6 +428,8 @@ a.footnoteRef { | |||
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| 429 | #cover header { | 429 | #cover header { |
| 430 | border: none; | 430 | border: none; |
| 431 | margin: auto; | ||
| 432 | padding: 0; | ||
| 431 | } | 433 | } |
| 432 | #cover .content { | 434 | #cover .content { |
| 433 | max-width: 39em; | 435 | max-width: 39em; |
| @@ -466,6 +468,10 @@ a.footnoteRef { | |||
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| 471 | #cover .anchors a { | ||
| 472 | margin-left: 0.25em; | ||
| 473 | margin-right: 0.25em; | ||
| 474 | } | ||
| 469 | #cover .lozenge { | 475 | #cover .lozenge { |
| 470 | text-align: center; | 476 | text-align: center; |
| 471 | font-size: 1em; | 477 | font-size: 1em; |
| @@ -483,12 +489,12 @@ a.footnoteRef { | |||
| 483 | table { border-collapse: collapse; } | 489 | table { border-collapse: collapse; } |
| 484 | td { | 490 | td { |
| 485 | vertical-align: top; | 491 | vertical-align: top; |
| 486 | text-indent: -1em; | 492 | padding-top: 0.25em; |
| 487 | padding-left: 1em; | 493 | padding-bottom: 0.25em; |
| 488 | } | 494 | } |
| 489 | tr { | 495 | tr { |
| 490 | border-bottom: 1px solid #aaa; | 496 | border-bottom: 1px solid black; |
| 491 | border-top: 1px solid #aaa; | 497 | border-top: 1px solid black; |
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| 493 | /* .stark }}} */ | 499 | /* .stark }}} */ |
| 494 | /* .PAUL {{{ */ | 500 | /* .PAUL {{{ */ |
| @@ -527,3 +533,20 @@ tr { | |||
| 527 | background-color: white; | 533 | background-color: white; |
| 528 | } | 534 | } |
| 529 | /* .autocento }}} */ | 535 | /* .autocento }}} */ |
| 536 | /* ARTICLE CSS */ | ||
| 537 | /* #TABLE_CONTENTS {{{ */ | ||
| 538 | #table_contents table { | ||
| 539 | max-width: 39em; | ||
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| 541 | #table_contents tr { | ||
| 542 | border: none; | ||
| 543 | } | ||
| 544 | #table_contents td { | ||
| 545 | max-width: 50%; | ||
| 546 | } | ||
| 547 | /* #table_contents }}} */ | ||
| 548 | /* #ABOUT_AUTHOR {{{ */ | ||
| 549 | #about-the-author td { | ||
| 550 | vertical-align: middle; | ||
| 551 | } | ||
| 552 | /* #about_author }}} */ | ||
| diff --git a/_toc.html b/_toc.html new file mode 100644 index 0000000..6af4378 --- /dev/null +++ b/_toc.html | |||
| @@ -0,0 +1,196 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="toc" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | ||
| 30 | <h1 class="subtitle">table of contents</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ol> | ||
| 40 | <li><a href="hapax.html">Autocento of the breakfast table: hapax legomena</a></li> | ||
| 41 | <li><a href="island.html">Islands</a></li> | ||
| 42 | <li><a href="first-lines.html">Autocento of the breakfast table: index of first lines</a></li> | ||
| 43 | <li><a href="common-titles.html">Autocento of the breakfast table: index of common titles</a></li> | ||
| 44 | <li><a href="about-the-author.html">About the author: (not pictured)</a></li> | ||
| 45 | <li><a href="about.html">Autocento of the breakfast table: about this site</a></li> | ||
| 46 | <li><a href="about_author.html">About Case Duckworth</a></li> | ||
| 47 | <li><a href="abstract.html">Autocento of the breakfast table: abstract</a></li> | ||
| 48 | <li><a href="amber-alert.html">AMBER alert</a></li> | ||
| 49 | <li><a href="and.html">And</a></li> | ||
| 50 | <li><a href="angeltoabraham.html">The angel to Abraham</a></li> | ||
| 51 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 52 | <li><a href="arspoetica.html">Ars poetica</a></li> | ||
| 53 | <li><a href="art.html">Art</a></li> | ||
| 54 | <li><a href="axe.html">Axe</a></li> | ||
| 55 | <li><a href="big-dipper.html">The Big Dipper</a></li> | ||
| 56 | <li><a href="boar.html">The boar</a></li> | ||
| 57 | <li><a href="boy_bus.html">Boy on the bus</a></li> | ||
| 58 | <li><a href="building.html">Building</a></li> | ||
| 59 | <li><a href="call-me-aural-pleasure.html">Call me: aural pleasure</a></li> | ||
| 60 | <li><a href="cereal.html">Cereal</a></li> | ||
| 61 | <li><a href="cold-wind.html">Cold wind</a></li> | ||
| 62 | <li><a href="collage-instrument.html">Instrumented: a collage</a></li> | ||
| 63 | <li><a href="creation-myth.html">Creation myth</a></li> | ||
| 64 | <li><a href="deadman.html">Dead man</a></li> | ||
| 65 | <li><a href="death-zone.html">The Death Zone</a></li> | ||
| 66 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 67 | <li><a href="dollywood.html">Something: about my tenure as a bear</a></li> | ||
| 68 | <li><a href="dream.html">Dream</a></li> | ||
| 69 | <li><a href="early.html">Early</a></li> | ||
| 70 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 71 | <li><a href="epigraph.html">epigraph: “– Sylvia Plath”</a></li> | ||
| 72 | <li><a href="ex-machina.html">Ex machina</a></li> | ||
| 73 | <li><a href="exasperated.html">Exasperated</a></li> | ||
| 74 | <li><a href="father.html">Father</a></li> | ||
| 75 | <li><a href="feedingtheraven.html">Feeding the raven</a></li> | ||
| 76 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
| 77 | <li><a href="fire.html">Fire</a></li> | ||
| 78 | <li><a href="found-typewriter-poem.html">Look: a found typewriter poem</a></li> | ||
| 79 | <li><a href="hands.html">Hands</a></li> | ||
| 80 | <li><a href="hard-game.html">A hard game</a></li> | ||
| 81 | <li><a href="hardware.html">Hardware</a></li> | ||
| 82 | <li><a href="howithappened.html">How it happened</a></li> | ||
| 83 | <li><a href="howtoread.html">How to read this</a></li> | ||
| 84 | <li><a href="hymnal.html">Hymnal</a></li> | ||
| 85 | <li><a href="i-am.html">I am</a></li> | ||
| 86 | <li><a href="i-think-its-you.html">I think it’s you (but it’s not)</a></li> | ||
| 87 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 88 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
| 89 | <li><a href="in-bed.html">In bed</a></li> | ||
| 90 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 91 | <li><a href="january.html">January</a></li> | ||
| 92 | <li><a href="joke.html">Joke</a></li> | ||
| 93 | <li><a href="lappel-du-vide.html">L’appel du vide</a></li> | ||
| 94 | <li><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a></li> | ||
| 95 | <li><a href="last-bastion.html">Last bastion</a></li> | ||
| 96 | <li><a href="last-passenger.html">Last passenger</a></li> | ||
| 97 | <li><a href="leaf.html">Leaf</a></li> | ||
| 98 | <li><a href="leg.html">Leg</a></li> | ||
| 99 | <li><a href="likingthings.html">Liking Things</a></li> | ||
| 100 | <li><a href="listen.html">Listen</a></li> | ||
| 101 | <li><a href="love-as-god.html">Love as God</a></li> | ||
| 102 | <li><a href="lovesong.html">Love Song</a></li> | ||
| 103 | <li><a href="man.html">Man</a></li> | ||
| 104 | <li><a href="manifesto_poetics.html">Manifesto of poetics</a></li> | ||
| 105 | <li><a href="moon-drowning.html">The Moon is drowning</a></li> | ||
| 106 | <li><a href="moongone.html">The moon is gone and in its place a mirror</a></li> | ||
| 107 | <li><a href="mountain.html">The mountain</a></li> | ||
| 108 | <li><a href="movingsideways.html">Moving Sideways</a></li> | ||
| 109 | <li><a href="music-433.html">Something: ‘about all music being performances of <em>4′33″</em> in places where other bands happen to be playing’</a></li> | ||
| 110 | <li><a href="no-nothing.html">No nothing</a></li> | ||
| 111 | <li><a href="notes.html">Notes</a></li> | ||
| 112 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | ||
| 113 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> | ||
| 114 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 115 | <li><a href="onformalpoetry.html">On formal poetry</a></li> | ||
| 116 | <li><a href="options.html">Options</a></li> | ||
| 117 | <li><a href="ouroboros_memory.html">Ouroboros of Memory</a></li> | ||
| 118 | <li><a href="paul.html">Paul</a></li> | ||
| 119 | <li><a href="peaches.html">Peaches</a></li> | ||
| 120 | <li><a href="philosophy.html">Philosophy</a></li> | ||
| 121 | <li><a href="phone.html">Phone</a></li> | ||
| 122 | <li><a href="planks.html">Planks</a></li> | ||
| 123 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 124 | <li><a href="poetry-time.html">Something: about the nature of poetry and time</a></li> | ||
| 125 | <li><a href="prelude.html">Prelude</a></li> | ||
| 126 | <li><a href="problems.html">Problems</a></li> | ||
| 127 | <li><a href="process.html">Autocento of the breakfast table: process narrative</a></li> | ||
| 128 | <li><a href="proverbs.html">Proverbs</a></li> | ||
| 129 | <li><a href="punch.html">Punch</a></li> | ||
| 130 | <li><a href="purpose-dogs.html">The purpose of dogs</a></li> | ||
| 131 | <li><a href="question.html">Question</a></li> | ||
| 132 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 133 | <li><a href="reports.html">Reports</a></li> | ||
| 134 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | ||
| 135 | <li><a href="ronaldmcdonald.html">Ronald McDonald</a></li> | ||
| 136 | <li><a href="roughgloves.html">Rough gloves</a></li> | ||
| 137 | <li><a href="sapling.html">Sapling</a></li> | ||
| 138 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> | ||
| 139 | <li><a href="sense-of-it.html">Sense of it</a></li> | ||
| 140 | <li><a href="serengeti.html">Serengeti</a></li> | ||
| 141 | <li><a href="shed.html">Shed</a></li> | ||
| 142 | <li><a href="shipwright.html">The shipwright</a></li> | ||
| 143 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 144 | <li><a href="snow.html">Snow</a></li> | ||
| 145 | <li><a href="something-simple.html">“Let’s start with something simple:”</a></li> | ||
| 146 | <li><a href="spittle.html">Spittle</a></li> | ||
| 147 | <li><a href="squirrel.html">The squirrel</a></li> | ||
| 148 | <li><a href="stagnant.html">Stagnant</a></li> | ||
| 149 | <li><a href="statements-frag.html">Statements: a fragment</a></li> | ||
| 150 | <li><a href="stayed-on-the-bus.html">Stayed on the bus too long</a></li> | ||
| 151 | <li><a href="stump.html">Stump</a></li> | ||
| 152 | <li><a href="swansong-alt.html">Swansong: alternate version</a></li> | ||
| 153 | <li><a href="swansong.html">Swan song</a></li> | ||
| 154 | <li><a href="swear.html">Swear</a></li> | ||
| 155 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 156 | <li><a href="tapestry.html">Tapestry</a></li> | ||
| 157 | <li><a href="telemarketer.html">Telemarketer</a></li> | ||
| 158 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind: or lying in the dark</a></li> | ||
| 159 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> | ||
| 160 | <li><a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a></li> | ||
| 161 | <li><a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a></li> | ||
| 162 | <li><a href="todaniel.html">To Daniel: an elaboration of a previous comment</a></li> | ||
| 163 | <li><a href="toilet.html">Toilet</a></li> | ||
| 164 | <li><a href="toothpaste.html">Toothpaste</a></li> | ||
| 165 | <li><a href="treatise.html">Treatise</a></li> | ||
| 166 | <li><a href="underwear.html">Underwear</a></li> | ||
| 167 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 168 | <li><a href="wallpaper.html">Wallpaper</a></li> | ||
| 169 | <li><a href="weplayedthosegamestoo.html">We played those games too</a></li> | ||
| 170 | <li><a href="what-we-are-made-of.html">What we are made of</a></li> | ||
| 171 | <li><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a></li> | ||
| 172 | <li><a href="window.html">Window</a></li> | ||
| 173 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> | ||
| 174 | <li><a href="words-meaning.html">Words and meaning</a></li> | ||
| 175 | <li><a href="worse-looking-over.html">Worse looking over</a></li> | ||
| 176 | <li><a href="writing.html">Writing</a></li> | ||
| 177 | <li><a href="x-ray.html">X-ray</a></li> | ||
| 178 | <li><a href="yellow.html">Yellow</a></li> | ||
| 179 | </ol> | ||
| 180 | </section> | ||
| 181 | </article> | ||
| 182 | <nav> | ||
| 183 | <div class="anchors"> | ||
| 184 | <a href="toc_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 185 | φ | ||
| 186 | </a> | ||
| 187 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 188 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 189 | </div> | ||
| 190 | |||
| 191 | |||
| 192 | </nav> | ||
| 193 | |||
| 194 | |||
| 195 | </body> | ||
| 196 | </html> | ||
| diff --git a/_toc.txt b/_toc.txt new file mode 100644 index 0000000..0d0c157 --- /dev/null +++ b/_toc.txt | |||
| @@ -0,0 +1,139 @@ | |||
| 1 | #. [Autocento of the breakfast table: hapax legomena](hapax.html) | ||
| 2 | #. [Islands](island.html) | ||
| 3 | #. [Autocento of the breakfast table: index of first lines](first-lines.html) | ||
| 4 | #. [Autocento of the breakfast table: index of common titles](common-titles.html) | ||
| 5 | #. [About the author: (not pictured)](about-the-author.html) | ||
| 6 | #. [Autocento of the breakfast table: about this site](about.html) | ||
| 7 | #. [About Case Duckworth](about_author.html) | ||
| 8 | #. [Autocento of the breakfast table: abstract](abstract.html) | ||
| 9 | #. [AMBER alert](amber-alert.html) | ||
| 10 | #. [And](and.html) | ||
| 11 | #. [The angel to Abraham](angeltoabraham.html) | ||
| 12 | #. [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | ||
| 13 | #. [Ars poetica](arspoetica.html) | ||
| 14 | #. [Art](art.html) | ||
| 15 | #. [Axe](axe.html) | ||
| 16 | #. [The Big Dipper](big-dipper.html) | ||
| 17 | #. [The boar](boar.html) | ||
| 18 | #. [Boy on the bus](boy_bus.html) | ||
| 19 | #. [Building](building.html) | ||
| 20 | #. [Call me: aural pleasure](call-me-aural-pleasure.html) | ||
| 21 | #. [Cereal](cereal.html) | ||
| 22 | #. [Cold wind](cold-wind.html) | ||
| 23 | #. [Instrumented: a collage](collage-instrument.html) | ||
| 24 | #. [Creation myth](creation-myth.html) | ||
| 25 | #. [Dead man](deadman.html) | ||
| 26 | #. [The Death Zone](death-zone.html) | ||
| 27 | #. ["Death's trumpet"](deathstrumpet.html) | ||
| 28 | #. [Something: about my tenure as a bear](dollywood.html) | ||
| 29 | #. [Dream](dream.html) | ||
| 30 | #. [Early](early.html) | ||
| 31 | #. [Elegy for an alternate self](elegyforanalternateself.html) | ||
| 32 | #. [epigraph: "– Sylvia Plath"](epigraph.html) | ||
| 33 | #. [Ex machina](ex-machina.html) | ||
| 34 | #. [Exasperated](exasperated.html) | ||
| 35 | #. [Father](father.html) | ||
| 36 | #. [Feeding the raven](feedingtheraven.html) | ||
| 37 | #. [Finding the Lion](finding-the-lion.html) | ||
| 38 | #. [Fire](fire.html) | ||
| 39 | #. [Look: a found typewriter poem](found-typewriter-poem.html) | ||
| 40 | #. [Hands](hands.html) | ||
| 41 | #. [A hard game](hard-game.html) | ||
| 42 | #. [Hardware](hardware.html) | ||
| 43 | #. [How it happened](howithappened.html) | ||
| 44 | #. [How to read this](howtoread.html) | ||
| 45 | #. [Hymnal](hymnal.html) | ||
| 46 | #. [I am](i-am.html) | ||
| 47 | #. [I think it's you (but it's not)](i-think-its-you.html) | ||
| 48 | #. [I want to say](i-want-to-say.html) | ||
| 49 | #. [I wanted to tell you something](i-wanted-to-tell-you-something.html) | ||
| 50 | #. [In bed](in-bed.html) | ||
| 51 | #. [Initial conditions](initial-conditions.html) | ||
| 52 | #. [January](january.html) | ||
| 53 | #. [Joke](joke.html) | ||
| 54 | #. [L'appel du vide](lappel-du-vide.html) | ||
| 55 | #. [The largest asteroid in the asteroid belt](largest-asteroid.html) | ||
| 56 | #. [Last bastion](last-bastion.html) | ||
| 57 | #. [Last passenger](last-passenger.html) | ||
| 58 | #. [Leaf](leaf.html) | ||
| 59 | #. [Leg](leg.html) | ||
| 60 | #. [Liking Things](likingthings.html) | ||
| 61 | #. [Listen](listen.html) | ||
| 62 | #. [Love as God](love-as-god.html) | ||
| 63 | #. [Love Song](lovesong.html) | ||
| 64 | #. [Man](man.html) | ||
| 65 | #. [Manifesto of poetics](manifesto_poetics.html) | ||
| 66 | #. [The Moon is drowning](moon-drowning.html) | ||
| 67 | #. [The moon is gone and in its place a mirror](moongone.html) | ||
| 68 | #. [The mountain](mountain.html) | ||
| 69 | #. [Moving Sideways](movingsideways.html) | ||
| 70 | #. [Something: 'about all music being performances of _4′33″_ in places where other bands happen to be playing'](music-433.html) | ||
| 71 | #. [No nothing](no-nothing.html) | ||
| 72 | #. [Notes](notes.html) | ||
| 73 | #. [Nothing is ever over](nothing-is-ever-over.html) | ||
| 74 | #. [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 75 | #. [One hundred lines](one-hundred-lines.html) | ||
| 76 | #. [On formal poetry](onformalpoetry.html) | ||
| 77 | #. [Options](options.html) | ||
| 78 | #. [Ouroboros of Memory](ouroboros_memory.html) | ||
| 79 | #. [Paul](paul.html) | ||
| 80 | #. [Peaches](peaches.html) | ||
| 81 | #. [Philosophy](philosophy.html) | ||
| 82 | #. [Phone](phone.html) | ||
| 83 | #. [Planks](planks.html) | ||
| 84 | #. [Litany for a plant](plant.html) | ||
| 85 | #. [Something: about the nature of poetry and time](poetry-time.html) | ||
| 86 | #. [Prelude](prelude.html) | ||
| 87 | #. [Problems](problems.html) | ||
| 88 | #. [Autocento of the breakfast table: process narrative](process.html) | ||
| 89 | #. [Proverbs](proverbs.html) | ||
| 90 | #. [Punch](punch.html) | ||
| 91 | #. [The purpose of dogs](purpose-dogs.html) | ||
| 92 | #. [Question](question.html) | ||
| 93 | #. [A real writer](real-writer.html) | ||
| 94 | #. [Reports](reports.html) | ||
| 95 | #. [Riptide of memory](riptide_memory.html) | ||
| 96 | #. [Ronald McDonald](ronaldmcdonald.html) | ||
| 97 | #. [Rough gloves](roughgloves.html) | ||
| 98 | #. [Sapling](sapling.html) | ||
| 99 | #. [Seasonal affective disorder](seasonal-affective-disorder.html) | ||
| 100 | #. [Sense of it](sense-of-it.html) | ||
| 101 | #. [Serengeti](serengeti.html) | ||
| 102 | #. [Shed](shed.html) | ||
| 103 | #. [The shipwright](shipwright.html) | ||
| 104 | #. [The Sixteenth Chapel](sixteenth-chapel.html) | ||
| 105 | #. [Snow](snow.html) | ||
| 106 | #. ["Let's start with something simple:"](something-simple.html) | ||
| 107 | #. [Spittle](spittle.html) | ||
| 108 | #. [The squirrel](squirrel.html) | ||
| 109 | #. [Stagnant](stagnant.html) | ||
| 110 | #. [Statements: a fragment](statements-frag.html) | ||
| 111 | #. [Stayed on the bus too long](stayed-on-the-bus.html) | ||
| 112 | #. [Stump](stump.html) | ||
| 113 | #. [Swansong: alternate version](swansong-alt.html) | ||
| 114 | #. [Swan song](swansong.html) | ||
| 115 | #. [Swear](swear.html) | ||
| 116 | #. [Table of contents](table_contents.html) | ||
| 117 | #. [Tapestry](tapestry.html) | ||
| 118 | #. [Telemarketer](telemarketer.html) | ||
| 119 | #. [The night we met, I was out of my mind: or lying in the dark](the-night-we-met.html) | ||
| 120 | #. [The sea and the beach](the-sea_the-beach.html) | ||
| 121 | #. [The ocean overflows with camels](theoceanoverflowswithcamels.html) | ||
| 122 | #. [Time looks up to the sky](time-looks-up-to-the-sky.html) | ||
| 123 | #. [To Daniel: an elaboration of a previous comment](todaniel.html) | ||
| 124 | #. [Toilet](toilet.html) | ||
| 125 | #. [Toothpaste](toothpaste.html) | ||
| 126 | #. [Treatise](treatise.html) | ||
| 127 | #. [Underwear](underwear.html) | ||
| 128 | #. [Walking in the rain](walking-in-the-rain.html) | ||
| 129 | #. [Wallpaper](wallpaper.html) | ||
| 130 | #. [We played those games too](weplayedthosegamestoo.html) | ||
| 131 | #. [What we are made of](what-we-are-made-of.html) | ||
| 132 | #. [When I'm sorry I wash dishes](when-im-sorry-i.html) | ||
| 133 | #. [Window](window.html) | ||
| 134 | #. [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 135 | #. [Words and meaning](words-meaning.html) | ||
| 136 | #. [Worse looking over](worse-looking-over.html) | ||
| 137 | #. [Writing](writing.html) | ||
| 138 | #. [X-ray](x-ray.html) | ||
| 139 | #. [Yellow](yellow.html) | ||
| diff --git a/about-the-author.html b/about-the-author.html index 169934c..fca1d22 100644 --- a/about-the-author.html +++ b/about-the-author.html | |||
| @@ -40,7 +40,7 @@ | |||
| 40 | </header> | 40 | </header> |
| 41 | 41 | ||
| 42 | 42 | ||
| 43 | <section class="content prose"> | 43 | <section class="content table"> |
| 44 | <table> | 44 | <table> |
| 45 | <colgroup> | 45 | <colgroup> |
| 46 | <col style="width: 44%" /> | 46 | <col style="width: 44%" /> |
| diff --git a/about-the-author.txt b/about-the-author.txt index fb024e2..e955b5f 100644 --- a/about-the-author.txt +++ b/about-the-author.txt | |||
| @@ -2,7 +2,7 @@ | |||
| 2 | title: About the author | 2 | title: About the author |
| 3 | id: about-the-author | 3 | id: about-the-author |
| 4 | subtitle: (not pictured) | 4 | subtitle: (not pictured) |
| 5 | genre: prose | 5 | genre: table |
| 6 | 6 | ||
| 7 | epigraph: | 7 | epigraph: |
| 8 | content: The body that surrounds him is his, but his insides are not. | 8 | content: The body that surrounds him is his, but his insides are not. |
| diff --git a/abstract.html b/abstract.html index 285a4b3..eaef8fb 100644 --- a/abstract.html +++ b/abstract.html | |||
| @@ -27,7 +27,7 @@ | |||
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | 29 | <h1 class="title">Autocento of the breakfast table</h1> |
| 30 | 30 | <h1 class="subtitle">abstract</h1> | |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -46,7 +46,7 @@ | |||
| 46 | <ul> | 46 | <ul> |
| 47 | <li>The <strong>φ</strong> shows you the backlinks to each page.</li> | 47 | <li>The <strong>φ</strong> shows you the backlinks to each page.</li> |
| 48 | <li>The <strong>◊</strong> takes you back to the cover of the project, to start over.</li> | 48 | <li>The <strong>◊</strong> takes you back to the cover of the project, to start over.</li> |
| 49 | <li>The <strong>∝</strong> takes you to a random article in the project.</li> | 49 | <li>The <strong>ξ</strong> takes you to a random article in the project.</li> |
| 50 | <li>Some pages also have <em>previous</em> and <em>next</em> links. These take you to other articles in their original project-order. It’s another way to navigate the page.</li> | 50 | <li>Some pages also have <em>previous</em> and <em>next</em> links. These take you to other articles in their original project-order. It’s another way to navigate the page.</li> |
| 51 | </ul> | 51 | </ul> |
| 52 | <p>Check out my <a href="process.html">process narrative</a> for the technical details of putting this site together, or see my <a href="about.html">about page</a> for an artist’s statement.</p> | 52 | <p>Check out my <a href="process.html">process narrative</a> for the technical details of putting this site together, or see my <a href="about.html">about page</a> for an artist’s statement.</p> |
| diff --git a/abstract.txt b/abstract.txt index 899a4fb..7163133 100644 --- a/abstract.txt +++ b/abstract.txt | |||
| @@ -1,6 +1,6 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: Autocento of the breakfast table | 2 | title: Autocento of the breakfast table |
| 3 | subititle: abstract | 3 | subtitle: abstract |
| 4 | id: abstract | 4 | id: abstract |
| 5 | genre: prose | 5 | genre: prose |
| 6 | 6 | ||
| @@ -23,7 +23,7 @@ See how it's navigable: there are links within each article to other articles an | |||
| 23 | 23 | ||
| 24 | - The **φ** shows you the backlinks to each page. | 24 | - The **φ** shows you the backlinks to each page. |
| 25 | - The **◊** takes you back to the cover of the project, to start over. | 25 | - The **◊** takes you back to the cover of the project, to start over. |
| 26 | - The **∝** takes you to a random article in the project. | 26 | - The **ξ** takes you to a random article in the project. |
| 27 | - Some pages also have _previous_ and _next_ links. These take you to other articles in their original project-order. It's another way to navigate the page. | 27 | - Some pages also have _previous_ and _next_ links. These take you to other articles in their original project-order. It's another way to navigate the page. |
| 28 | 28 | ||
| 29 | Check out my [process narrative][] for the technical details of putting this site together, or see my [about page][] for an artist's statement. | 29 | Check out my [process narrative][] for the technical details of putting this site together, or see my [about page][] for an artist's statement. |
| diff --git a/abstract_backlinks.htm b/abstract_backlinks.htm index d469096..f6bbd22 100644 --- a/abstract_backlinks.htm +++ b/abstract_backlinks.htm | |||
| @@ -36,7 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href=".htm"><em>island</em></a>.</p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| diff --git a/angeltoabraham.html b/angeltoabraham.html index 9c0851a..df86a19 100644 --- a/angeltoabraham.html +++ b/angeltoabraham.html | |||
| @@ -34,6 +34,14 @@ | |||
| 34 | </div> | 34 | </div> |
| 35 | </header> | 35 | </header> |
| 36 | 36 | ||
| 37 | <div class="ekphrastic"> | ||
| 38 | <a href="https://en.wikipedia.org/wiki/Abraham#/media/File:Sacrifice_of_Isaac-Caravaggio_%28Uffizi%29.jpg"> | ||
| 39 | <img src="trunk/Sacrifice_of_Isaac-Caravaggio.jpg" | ||
| 40 | title="Abraham, Abraham!" | ||
| 41 | alt="Abraham, Abraham!" | ||
| 42 | /> | ||
| 43 | </a> | ||
| 44 | </div> | ||
| 37 | 45 | ||
| 38 | <section class="content verse"> | 46 | <section class="content verse"> |
| 39 | <p><span class="line">Abraham, Abraham, you are old and cannot hear:</span><span class="line">what if you miss my small voice amongst the creaking</span><span class="line">of your own grief, kill your son unknowing</span><span class="line">of what he will be, and commit Israel to nothing?</span></p> | 47 | <p><span class="line">Abraham, Abraham, you are old and cannot hear:</span><span class="line">what if you miss my small voice amongst the creaking</span><span class="line">of your own grief, kill your son unknowing</span><span class="line">of what he will be, and commit Israel to nothing?</span></p> |
| diff --git a/angeltoabraham.txt b/angeltoabraham.txt index 5318c65..21772c8 100644 --- a/angeltoabraham.txt +++ b/angeltoabraham.txt | |||
| @@ -3,6 +3,11 @@ title: The angel to Abraham | |||
| 3 | id: angeltoabraham | 3 | id: angeltoabraham |
| 4 | genre: verse | 4 | genre: verse |
| 5 | 5 | ||
| 6 | ekphrastic: | ||
| 7 | image: "Sacrifice_of_Isaac-Caravaggio.jpg" | ||
| 8 | title: "Abraham, Abraham!" | ||
| 9 | link: "https://en.wikipedia.org/wiki/Abraham#/media/File:Sacrifice_of_Isaac-Caravaggio_%28Uffizi%29.jpg" | ||
| 10 | |||
| 6 | project: | 11 | project: |
| 7 | title: Elegies for alternate selves | 12 | title: Elegies for alternate selves |
| 8 | class: elegies | 13 | class: elegies |
| diff --git a/angeltoabraham_backlinks.htm b/angeltoabraham_backlinks.htm index b196ef2..25d601f 100644 --- a/angeltoabraham_backlinks.htm +++ b/angeltoabraham_backlinks.htm | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 41 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | 40 | <li><a href="riptide_memory.html">Riptide of memory</a></li> |
| 42 | <li><a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a></li> | 41 | <li><a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a></li> |
| 43 | <li><a href="underwear.html">Underwear</a></li> | 42 | <li><a href="underwear.html">Underwear</a></li> |
| diff --git a/apollo11.html b/apollo11.html index 019cecc..27e8982 100644 --- a/apollo11.html +++ b/apollo11.html | |||
| @@ -44,12 +44,14 @@ | |||
| 44 | </div> | 44 | </div> |
| 45 | 45 | ||
| 46 | <section class="content verse"> | 46 | <section class="content verse"> |
| 47 | <p><span class="line">So it’s the <a href="deathstrumpet.html">fucking moon</a>. Big deal. As if</span><span class="line">you haven’t seen it before, hanging in the sky</span><span class="line">like a piece of <a href="roughgloves.html">rotten meat</a> nailed to the wall,</span></p> | 47 | <p><span class="line">So it’s the <a href="deathstrumpet.html">fucking moon</a>. Big deal. As if</span><span class="line">you haven’t seen it before, tacked to the sky</span><span class="line">like a <a href="roughgloves.html">rotten hunk of meat</a>, a maudlin love</span></p> |
| 48 | <p><span class="line">a maudlin love letter (the i’s dotted with <a href="proverbs.html">hearts</a>)</span><span class="line">tacked to the sky’s door like ninety-eight theses.</span><span class="line">Don’t stare at it like it means anything.</span></p> | 48 | <p><span class="line">letter (the _i_s dotted with hearts) hung</span><span class="line">on the sky like ninety-eight theses.</span><span class="line">Don’t stare at it like it means anything.</span></p> |
| 49 | <p><span class="line">Don’t give it the chance to collect meaning</span><span class="line">from your hand like an old pigeon. Don’t dare ascribe</span><span class="line">it a will, or call it fickle, or think it has any say</span></p> | 49 | <p><span class="line">Walk past it quickly, eyes averted.</span><span class="line">Don’t give it the chance to collect meaning</span><span class="line">from your <a href="last-passenger.html">outstretched hand like a pigeon</a>.</span></p> |
| 50 | <p><span class="line">in your affairs. It’s separated from your life</span><span class="line">by three hundred eighty-four thousand miles of space,</span><span class="line">the same distance you stepped away from time that night</span></p> | 50 | <p><span class="line">Ascribing it a will, calling it fickle, or</span><span class="line">thinking it has any say or even an opinion</span><span class="line">of your affairs is a mistake: it’s separated</span></p> |
| 51 | <p><span class="line">you said your love was broken, a crippled gyroscope</span><span class="line">knocking in the dark. It was then that time fell apart,</span><span class="line">had a nervous breakdown and started following you</span></p> | 51 | <p><span class="line">from you by three hundred eighty thousand miles</span><span class="line">of emptiness, staring at you blankly like a child</span><span class="line">or your reflection when you found your love broken</span></p> |
| 52 | <p><span class="line">everywhere, moonfaced, always asking where you’re going.</span><span class="line">You keep trying to get away from it but it nuzzles closer</span><span class="line">and sings you songs that sound like the cooing of a dove</span><span class="line">that will only escape again into an empty sky at dawn.</span></p> | 52 | <p><span class="line">in the dark, when time fell apart, broke down,</span><span class="line">started following you around everywhere, <a href="boy_bus.html">moonfaced</a>,</span><span class="line">doggedly asking where you’re going, like you know.</span></p> |
| 53 | <p><span class="line">Don’t try side stepping time, either: it’s only</span><span class="line">a river you’re stuck in, <a href="music-433.html">carrying you</a> under the glare</span><span class="line">of the moon nuzzling closer, cooing in your ear</span></p> | ||
| 54 | <p>like a dove that escapes into the empty sky at dawn.</p> | ||
| 53 | </section> | 55 | </section> |
| 54 | </article> | 56 | </article> |
| 55 | <nav> | 57 | <nav> |
| diff --git a/apollo11.txt b/apollo11.txt index a957d83..36983e0 100644 --- a/apollo11.txt +++ b/apollo11.txt | |||
| @@ -21,30 +21,37 @@ project: | |||
| 21 | ... | 21 | ... |
| 22 | 22 | ||
| 23 | | So it's the [fucking moon][]. Big deal. As if | 23 | | So it's the [fucking moon][]. Big deal. As if |
| 24 | | you haven't seen it before, hanging in the sky | 24 | | you haven't seen it before, tacked to the sky |
| 25 | | like a piece of [rotten meat][] nailed to the wall, | 25 | | like a [rotten hunk of meat][], a maudlin love |
| 26 | 26 | ||
| 27 | | a maudlin love letter (the i's dotted with [hearts][]) | 27 | | letter (the _i_s dotted with hearts) hung |
| 28 | | tacked to the sky's door like ninety-eight theses. | 28 | | on the sky like ninety-eight theses. |
| 29 | | Don't stare at it like it means anything. | 29 | | Don't stare at it like it means anything. |
| 30 | 30 | ||
| 31 | | Walk past it quickly, eyes averted. | ||
| 31 | | Don't give it the chance to collect meaning | 32 | | Don't give it the chance to collect meaning |
| 32 | | from your hand like an old pigeon. Don't dare ascribe | 33 | | from your [outstretched hand like a pigeon][]. |
| 33 | | it a will, or call it fickle, or think it has any say | ||
| 34 | 34 | ||
| 35 | | in your affairs. It's separated from your life | 35 | | Ascribing it a will, calling it fickle, or |
| 36 | | by three hundred eighty-four thousand miles of space, | 36 | | thinking it has any say or even an opinion |
| 37 | | the same distance you stepped away from time that night | 37 | | of your affairs is a mistake: it's separated |
| 38 | 38 | ||
| 39 | | you said your love was broken, a crippled gyroscope | 39 | | from you by three hundred eighty thousand miles |
| 40 | | knocking in the dark. It was then that time fell apart, | 40 | | of emptiness, staring at you blankly like a child |
| 41 | | had a nervous breakdown and started following you | 41 | | or your reflection when you found your love broken |
| 42 | 42 | ||
| 43 | | everywhere, moonfaced, always asking where you're going. | 43 | | in the dark, when time fell apart, broke down, |
| 44 | | You keep trying to get away from it but it nuzzles closer | 44 | | started following you around everywhere, [moonfaced][], |
| 45 | | and sings you songs that sound like the cooing of a dove | 45 | | doggedly asking where you're going, like you know. |
| 46 | | that will only escape again into an empty sky at dawn. | 46 | |
| 47 | | Don't try side stepping time, either: it's only | ||
| 48 | | a river you're stuck in, [carrying you][] under the glare | ||
| 49 | | of the moon nuzzling closer, cooing in your ear | ||
| 50 | |||
| 51 | | like a dove that escapes into the empty sky at dawn. | ||
| 47 | 52 | ||
| 48 | [fucking moon]: deathstrumpet.html | 53 | [fucking moon]: deathstrumpet.html |
| 49 | [rotten meat]: roughgloves.html | 54 | [rotten hunk of meat]: roughgloves.html |
| 50 | [hearts]: proverbs.html | 55 | [outstretched hand like a pigeon]: last-passenger.html |
| 56 | [moonfaced]: boy_bus.html | ||
| 57 | [carrying you]: music-433.html | ||
| diff --git a/apollo11_backlinks.htm b/apollo11_backlinks.htm index 1980d9f..a01db63 100644 --- a/apollo11_backlinks.htm +++ b/apollo11_backlinks.htm | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 41 | <li><a href="moongone.html">The moon is gone and in its place a mirror</a></li> | 40 | <li><a href="moongone.html">The moon is gone and in its place a mirror</a></li> |
| 42 | <li><a href="mountain.html">The mountain</a></li> | 41 | <li><a href="mountain.html">The mountain</a></li> |
| 43 | <li><a href="plant.html">Litany for a plant</a></li> | 42 | <li><a href="plant.html">Litany for a plant</a></li> |
| diff --git a/big-dipper_backlinks.htm b/big-dipper_backlinks.htm index d607f07..8808ea7 100644 --- a/big-dipper_backlinks.htm +++ b/big-dipper_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 40 | <li><a href="initial-conditions.html">Initial conditions</a></li> | 41 | <li><a href="initial-conditions.html">Initial conditions</a></li> |
| 41 | <li><a href="joke.html">Joke</a></li> | 42 | <li><a href="joke.html">Joke</a></li> |
| 42 | <li><a href="no-nothing.html">No nothing</a></li> | 43 | <li><a href="no-nothing.html">No nothing</a></li> |
| diff --git a/boy_bus.html b/boy_bus.html index 91a36ee..a17e993 100644 --- a/boy_bus.html +++ b/boy_bus.html | |||
| @@ -37,7 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content verse"> | 38 | <section class="content verse"> |
| 39 | <p><span class="line">When he said <a href="mountain.html">Bible</a> I heard his southern accent</span><span class="line">and he had a face I expect all pastors must have</span><span class="line">a round open honest face</span><span class="line">that will always be a boy’s face</span><span class="line">though its owner may rightly call himself a man</span><span class="line">near my age though I hardly call myself a man</span></p> | 39 | <p><span class="line">When he said <a href="mountain.html">Bible</a> I heard his southern accent</span><span class="line">and he had a face I expect all pastors must have</span><span class="line">a round open honest face</span><span class="line">that will always be a boy’s face</span><span class="line">though its owner may rightly call himself a man</span><span class="line">near my age though I hardly call myself a man</span></p> |
| 40 | <p><span class="line">I have seen this face before whether in life or a dream</span><span class="line">I can’t tell</span><span class="line">I might’ve seen him on the street once</span><span class="line">twice who knows and his pastor’s <a href="moon-drowning.html">moon face</a></span><span class="line">reminds me of something</span><span class="line">some distant light my life used to own</span></p> | 40 | <p><span class="line">I have seen this face before whether in life or a dream</span><span class="line">I can’t tell</span><span class="line">if I’ve seen him on the street once</span><span class="line">twice who knows and his pastor’s <a href="moon-drowning.html">moon face</a></span><span class="line">reminds me of something</span><span class="line">some distant light my life used to own</span></p> |
| 41 | <p><span class="line"><a href="in-bed.html">One night on my birthday the moon was so strong it cast shadows</a></span><span class="line">I could see to the far hill and back it was all clear to me</span></p> | 41 | <p><span class="line"><a href="in-bed.html">One night on my birthday the moon was so strong it cast shadows</a></span><span class="line">I could see to the far hill and back it was all clear to me</span></p> |
| 42 | <p><span class="line">The moon hasn’t done that in a long time</span><span class="line"><a href="moongone.html">its face has been obscured by clouds</a> for weeks</span><span class="line">and that boy on the bus his face I’ve forgotten</span><span class="line">I thought I recognized a good number of people</span><span class="line">on that bus who I didn’t know at all</span></p> | 42 | <p><span class="line">The moon hasn’t done that in a long time</span><span class="line"><a href="moongone.html">its face has been obscured by clouds</a> for weeks</span><span class="line">and that boy on the bus his face I’ve forgotten</span><span class="line">I thought I recognized a good number of people</span><span class="line">on that bus who I didn’t know at all</span></p> |
| 43 | </section> | 43 | </section> |
| diff --git a/boy_bus.txt b/boy_bus.txt index d96aca5..09a8fa5 100644 --- a/boy_bus.txt +++ b/boy_bus.txt | |||
| @@ -28,7 +28,7 @@ project: | |||
| 28 | 28 | ||
| 29 | | I have seen this face before whether in life or a dream | 29 | | I have seen this face before whether in life or a dream |
| 30 | | I can't tell | 30 | | I can't tell |
| 31 | | I might've seen him on the street once | 31 | | if I've seen him on the street once |
| 32 | | twice who knows and his pastor's [moon face][] | 32 | | twice who knows and his pastor's [moon face][] |
| 33 | | reminds me of something | 33 | | reminds me of something |
| 34 | | some distant light my life used to own | 34 | | some distant light my life used to own |
| diff --git a/boy_bus_backlinks.htm b/boy_bus_backlinks.htm index aa49851..8922f58 100644 --- a/boy_bus_backlinks.htm +++ b/boy_bus_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 40 | <li><a href="i-want-to-say.html">I want to say</a></li> | 41 | <li><a href="i-want-to-say.html">I want to say</a></li> |
| 41 | <li><a href="man.html">Man</a></li> | 42 | <li><a href="man.html">Man</a></li> |
| 42 | <li><a href="table_contents.html">Table of contents</a></li> | 43 | <li><a href="table_contents.html">Table of contents</a></li> |
| diff --git a/cold-wind.html b/cold-wind.html index 5574c5b..4ea5a49 100644 --- a/cold-wind.html +++ b/cold-wind.html | |||
| @@ -38,7 +38,7 @@ | |||
| 38 | 38 | ||
| 39 | 39 | ||
| 40 | <section class="content verse"> | 40 | <section class="content verse"> |
| 41 | <p><span class="line"><a href="january.html">Man of autumn</a>, cold wind,</span><span class="line">blow down the trees’ leaves.</span><span class="line"><a href="fire.html">Fire on the ground</a>. The sky</span><span class="line">perfect water, frost-cold,</span><span class="line">rippled only by flocks</span><span class="line"><a href="i-think-its-you.html">of black birds</a> flying, gone.</span><span class="line">Their brightness can blind</span><span class="line">an uncareful watcher, work him</span><span class="line"><a href="when-im-sorry-i.html">in a froth of hands</a>, not-wings</span><span class="line">that ache with the loss of flight.</span><span class="line">A tear is flung faithfully</span><span class="line"><a href="lappel-du-vide.html">to the ocean of air</a>, slipping in</span><span class="line">slowly, is as gone as the birds.</span></p> | 41 | <p><span class="line"><a href="january.html">Man of autumn</a>, cold wind,</span><span class="line">blow down the trees’ leaves.</span><span class="line"><a href="fire.html">Fire on the ground</a>. The sky is</span><span class="line">perfect water, frost-cold,</span><span class="line">rippled only by flocks</span><span class="line"><a href="i-think-its-you.html">of black birds</a> flying and gone.</span><span class="line">Their brightness can blind</span><span class="line">an uncareful watcher, work him</span><span class="line"><a href="when-im-sorry-i.html">in a froth of hands</a>, not-wings</span><span class="line">that ache with the loss of flight.</span><span class="line">A tear is flung faithfully</span><span class="line"><a href="lappel-du-vide.html">to the ocean of air</a>, slipping in</span><span class="line">slowly, is as gone as the birds.</span></p> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| diff --git a/cold-wind.txt b/cold-wind.txt index a21f007..432399b 100644 --- a/cold-wind.txt +++ b/cold-wind.txt | |||
| @@ -12,10 +12,10 @@ project: | |||
| 12 | 12 | ||
| 13 | | [Man of autumn][], cold wind, | 13 | | [Man of autumn][], cold wind, |
| 14 | | blow down the trees' leaves. | 14 | | blow down the trees' leaves. |
| 15 | | [Fire on the ground][]. The sky | 15 | | [Fire on the ground][]. The sky is |
| 16 | | perfect water, frost-cold, | 16 | | perfect water, frost-cold, |
| 17 | | rippled only by flocks | 17 | | rippled only by flocks |
| 18 | | [of black birds][] flying, gone. | 18 | | [of black birds][] flying and gone. |
| 19 | | Their brightness can blind | 19 | | Their brightness can blind |
| 20 | | an uncareful watcher, work him | 20 | | an uncareful watcher, work him |
| 21 | | [in a froth of hands][], not-wings | 21 | | [in a froth of hands][], not-wings |
| diff --git a/collage-instrument.html b/collage-instrument.html index 0c99e49..64bbeb7 100644 --- a/collage-instrument.html +++ b/collage-instrument.html | |||
| @@ -41,12 +41,14 @@ | |||
| 41 | <p>The secret to truly great <a href="riptide_memory.html">rolls is mayonnaise</a>. Although I have received looks of disgust at this assertion, I think the explanation is enough to expel doubt: mayonnaise includes the fat, cream and egg content rolls need to be any good, plus in mayonnaise they come premeasured and perfectly blended, which makes for incredibly easy and delicious rolls. After I explain myself, the looks of disgust usually remain.</p> | 41 | <p>The secret to truly great <a href="riptide_memory.html">rolls is mayonnaise</a>. Although I have received looks of disgust at this assertion, I think the explanation is enough to expel doubt: mayonnaise includes the fat, cream and egg content rolls need to be any good, plus in mayonnaise they come premeasured and perfectly blended, which makes for incredibly easy and delicious rolls. After I explain myself, the looks of disgust usually remain.</p> |
| 42 | <p>My mother used to make me mayonnaise rolls, and hers will always be the best. I had a teacher in college who explained xenophobia as “Mother’s cooking is best.”</p> | 42 | <p>My mother used to make me mayonnaise rolls, and hers will always be the best. I had a teacher in college who explained xenophobia as “Mother’s cooking is best.”</p> |
| 43 | <p>One of my favorite fictional theories is the <a href="http://www.voxday.blogspot.com/2015/02/mailvox-marxism-and-shoe-event-horizon.html">Shoe Event Horizon</a>, an economic truth which states that as a society progresses, shoe stores become more and more prevalent. The demand for shoes raises slowly, almost imperceptibly, causing shoe manufacturers to make more and cheaper shoes. This begins a vicious cycle during which more and more shoes are made, more and more cheaply, causing more shoes to be bought, and thus made, until finally the society reaches the Shoe Event Horizon. This is the point at which it becomes economically impossible for any stores but shoe stores to exist. After the economy collapses, the society’s people invariably turn <a href="statements-frag.html">into birds</a>, never to touch ground again.</p> | 43 | <p>One of my favorite fictional theories is the <a href="http://www.voxday.blogspot.com/2015/02/mailvox-marxism-and-shoe-event-horizon.html">Shoe Event Horizon</a>, an economic truth which states that as a society progresses, shoe stores become more and more prevalent. The demand for shoes raises slowly, almost imperceptibly, causing shoe manufacturers to make more and cheaper shoes. This begins a vicious cycle during which more and more shoes are made, more and more cheaply, causing more shoes to be bought, and thus made, until finally the society reaches the Shoe Event Horizon. This is the point at which it becomes economically impossible for any stores but shoe stores to exist. After the economy collapses, the society’s people invariably turn <a href="statements-frag.html">into birds</a>, never to touch ground again.</p> |
| 44 | <hr /> | ||
| 44 | <p><a href="http://man.cx/awk"><code>awk</code></a> is often used as a command-line stream-editing tool, but it is actually an entire interpreted language. It supports multiple variables and logical structuring, and has been the inspiration for <a href="http://www.perl.org/">Perl</a>, which has largely replaced it. It was originally written in 1977, but over the years has evolved, with multiple implementations made for different uses.</p> | 45 | <p><a href="http://man.cx/awk"><code>awk</code></a> is often used as a command-line stream-editing tool, but it is actually an entire interpreted language. It supports multiple variables and logical structuring, and has been the inspiration for <a href="http://www.perl.org/">Perl</a>, which has largely replaced it. It was originally written in 1977, but over the years has evolved, with multiple implementations made for different uses.</p> |
| 45 | <p>The best shoes I ever owned were Franco Fortinis, a brand I have yet to find anywhere else. Sometimes I wonder if I dreamed the shoes, like in stories where the protagonist buys a powerful object from a mysterious store and try to return it after it backfires in some tragic way, only to find the spot where the store stood is an empty lot, or worse, a <a href="building.html">blank brick wall</a>.</p> | 46 | <p>The best shoes I ever owned were Franco Fortinis, a brand I have yet to find anywhere else. Sometimes I wonder if I dreamed the shoes, like in stories where the protagonist buys a powerful object from a mysterious store and try to return it after it backfires in some tragic way, only to find the spot where the store stood is an empty lot, or worse, a <a href="building.html">blank brick wall</a>.</p> |
| 46 | <p>After having moved to Arizona, I fear I will forget what rain is like. I don’t think it’s sandbags falling on the body, and I believe it is cold. I think <em>Daredevil</em>, that piss of a film, has endeared itself to me forever with its depiction of rain.</p> | 47 | <p>After having moved to Arizona, I fear I will forget what rain is like. I don’t think it’s sandbags falling on the body, and I believe it is cold. I think <em>Daredevil</em>, that piss of a film, has endeared itself to me forever with its depiction of rain.</p> |
| 47 | <p>Recent studies have proven eyewitness testimony to be utterly unreliable. It turns out that memory is not a record set down on the tablet of the brain, but rather a series of impressions, emotions, and physical states that changes even with access. One of my students is having a hard time finding arguments in favor of the use of eyewitness testimony for a paper. This is how obvious the workings of memory are.</p> | 48 | <p>Recent studies have proven eyewitness testimony to be utterly unreliable. It turns out that memory is not a record set down on the tablet of the brain, but rather a series of impressions, emotions, and physical states that changes even with access. One of my students is having a hard time finding arguments in favor of the use of eyewitness testimony for a paper. This is how obvious the workings of memory are.</p> |
| 48 | <p>And yet. <a href="early.html">Without our memory we are nothing</a>. Memory is the tether to the floor of the ocean of our past, the ocean is our collective subconscious, which we float on, on the inner tube of individual perception, slathering on the suntan lotion of our prejudices, wearing the sunglasses of self-deception, all underneath the sun of technology. The seagulls of death circle slowly, calling to each other the call of their society, secret in its machinations.</p> | 49 | <p>And yet. <a href="early.html">Without our memory we are nothing</a>. Memory is the tether to the floor of the ocean of our past, the ocean is our collective subconscious, which we float on, on the inner tube of individual perception, slathering on the suntan lotion of our prejudices, wearing the sunglasses of self-deception, all underneath the sun of technology. The seagulls of death circle slowly, calling to each other the call of their society, secret in its machinations.</p> |
| 49 | <p>My father told me that once, when swimming, a rip tide pulled him far out to sea. He said it was impossible to tell until it was too late. The shore simply receded too slowly. He never told me how he made it back, but I imagine him, bearded, beached, coughing up saltwater: a new shipwrecked victim.</p> | 50 | <p>My father told me that once, when swimming, a rip tide pulled him far out to sea. He said it was impossible to tell until it was too late. The shore simply receded too slowly. He never told me how he made it back, but I imagine him, bearded, beached, coughing up saltwater: a new shipwrecked victim.</p> |
| 51 | <hr /> | ||
| 50 | <p><a href="http://man.cx/grep"><code>grep</code></a> is a basic search tool for UNIX-based systems. It has a robust syntax, though I’ve had trouble remembering the regex nuances between it, <code>sed</code>’s, and <code>perl</code>’s. There is a POSIX standard, but no one follows standards.</p> | 52 | <p><a href="http://man.cx/grep"><code>grep</code></a> is a basic search tool for UNIX-based systems. It has a robust syntax, though I’ve had trouble remembering the regex nuances between it, <code>sed</code>’s, and <code>perl</code>’s. There is a POSIX standard, but no one follows standards.</p> |
| 51 | <p>My mother loves Annie Dillard. She always talks about the praying mantis egg case scene: Dillard could never find a praying mantis egg case, until she finally saw one by accident. After that, she saw them everywhere.</p> | 53 | <p>My mother loves Annie Dillard. She always talks about the praying mantis egg case scene: Dillard could never find a praying mantis egg case, until she finally saw one by accident. After that, she saw them everywhere.</p> |
| 52 | <p>My mother showed me an egg case once. I haven’t seen one since.</p> | 54 | <p>My mother showed me an egg case once. I haven’t seen one since.</p> |
| diff --git a/collage-instrument.txt b/collage-instrument.txt index 2c5459d..d606a55 100644 --- a/collage-instrument.txt +++ b/collage-instrument.txt | |||
| @@ -30,6 +30,8 @@ This begins a vicious cycle during which more and more shoes are made, more and | |||
| 30 | This is the point at which it becomes economically impossible for any stores but shoe stores to exist. | 30 | This is the point at which it becomes economically impossible for any stores but shoe stores to exist. |
| 31 | After the economy collapses, the society's people invariably turn [into birds][], never to touch ground again. | 31 | After the economy collapses, the society's people invariably turn [into birds][], never to touch ground again. |
| 32 | 32 | ||
| 33 | *** | ||
| 34 | |||
| 33 | [`awk`][] is often used as a command-line stream-editing tool, but it is actually an entire interpreted language. | 35 | [`awk`][] is often used as a command-line stream-editing tool, but it is actually an entire interpreted language. |
| 34 | It supports multiple variables and logical structuring, and has been the inspiration for [Perl][], which has largely replaced it. | 36 | It supports multiple variables and logical structuring, and has been the inspiration for [Perl][], which has largely replaced it. |
| 35 | It was originally written in 1977, but over the years has evolved, with multiple implementations made for different uses. | 37 | It was originally written in 1977, but over the years has evolved, with multiple implementations made for different uses. |
| @@ -56,6 +58,8 @@ He said it was impossible to tell until it was too late. | |||
| 56 | The shore simply receded too slowly. | 58 | The shore simply receded too slowly. |
| 57 | He never told me how he made it back, but I imagine him, bearded, beached, coughing up saltwater: a new shipwrecked victim. | 59 | He never told me how he made it back, but I imagine him, bearded, beached, coughing up saltwater: a new shipwrecked victim. |
| 58 | 60 | ||
| 61 | *** | ||
| 62 | |||
| 59 | [`grep`][] is a basic search tool for UNIX-based systems. | 63 | [`grep`][] is a basic search tool for UNIX-based systems. |
| 60 | It has a robust syntax, though I've had trouble remembering the regex nuances between it, `sed`'s, and `perl`'s. | 64 | It has a robust syntax, though I've had trouble remembering the regex nuances between it, `sed`'s, and `perl`'s. |
| 61 | There is a POSIX standard, but no one follows standards. | 65 | There is a POSIX standard, but no one follows standards. |
| diff --git a/collage-instrument_backlinks.htm b/collage-instrument_backlinks.htm index 993e914..e8a9621 100644 --- a/collage-instrument_backlinks.htm +++ b/collage-instrument_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 40 | <li><a href="i-want-to-say.html">I want to say</a></li> | 41 | <li><a href="i-want-to-say.html">I want to say</a></li> |
| 41 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | 42 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> |
| 42 | </ul> | 43 | </ul> |
| diff --git a/common-titles.html b/common-titles.html index 89d1742..8460d27 100644 --- a/common-titles.html +++ b/common-titles.html | |||
| @@ -36,7 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content prose"> | 38 | <section class="content prose"> |
| 39 | <p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">About the author</a> <a href="about.html">Autocento of the breakfast table</a> <a href="about_author.html">About Case Duckworth</a> <a href="abstract.html">Autocento of the breakfast table</a> <a href="amber-alert.html">AMBER alert</a> <a href="and.html">And</a> <a href="angeltoabraham.html">The angel to Abraham</a> | <a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a> <a href="arspoetica.html">Ars poetica</a> <a href="art.html">Art</a> | <a href="axe.html">Axe</a> <a href="big-dipper.html">The Big Dipper</a> <a href="boar.html">The boar</a> <a href="boy_bus.html">Boy on the bus</a> <a href="building.html">Building</a> <a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html">Cereal</a> <a href="cold-wind.html">Cold wind</a> <a href="collage-instrument.html">Instrumented</a> <a href="creation-myth.html">Creation myth</a> <a href="deadman.html">Dead man</a> <a href="death-zone.html">The Death Zone</a> <a href="deathstrumpet.html">Death’s trumpet</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="epigraph.html">epigraph</a> | <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> <a href="hard-game.html">A hard game</a> <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">Hymnal</a> <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you (but it’s not)</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">In bed</a> <a href="initial-conditions.html">Initial conditions</a> <a href="january.html">January</a> <a href="joke.html">Joke</a> <a href="lappel-du-vide.html">L’appel du vide</a> <a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> <a href="last-bastion.html">Last bastion</a> <a href="last-passenger.html">Last passenger</a> <a href="leaf.html">Leaf</a> <a href="leg.html">Leg</a> <a href="likingthings.html">Liking Things</a> <a href="listen.html">Listen</a> <a href="love-as-god.html">Love as God</a> <a href="lovesong.html">Love Song</a> <a href="man.html">Man</a> <a href="manifesto_poetics.html">Manifesto of poetics</a> <a href="moon-drowning.html">The Moon is drowning</a> <a href="moongone.html">The moon is gone and in its place a mirror</a> <a href="mountain.html">The mountain</a> <a href="movingsideways.html">Moving Sideways</a> <a href="music-433.html">Something</a> <a href="no-nothing.html">No nothing</a> <a href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a> <a href="onformalpoetry.html">On formal poetry</a> <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> | <a href="planks.html">Planks</a> <a href="plant.html">Litany for a plant</a> <a href="poetry-time.html">Something</a> <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="process.html">Autocento of the breakfast table</a> <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> | <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a href="riptide_memory.html">Riptide of memory</a> <a href="ronaldmcdonald.html">Ronald McDonald</a> <a href="roughgloves.html">Rough gloves</a> <a href="sapling.html">Sapling</a> <a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> | <a href="sense-of-it.html">Sense of it</a> | <a href="serengeti.html">Serengeti</a> <a href="shed.html">Shed</a> <a href="shipwright.html">The shipwright</a> <a href="sixteenth-chapel.html">The Sixteenth Chapel</a> <a href="snow.html">Snow</a> | <a href="something-simple.html">Let’s start with something simple:</a> <a href="spittle.html">Spittle</a> <a href="squirrel.html">The squirrel</a> <a href="stagnant.html">Stagnant</a> <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">Stayed on the bus too long</a> <a href="stump.html">Stump</a> <a href="swansong-alt.html">Swansong</a> <a href="swansong.html">Swan song</a> <a href="swear.html">Swear</a> | <a href="table_contents.html">Table of contents</a> <a href="tapestry.html">Tapestry</a> <a href="telemarketer.html">Telemarketer</a> <a href="the-night-we-met.html">The night we met, I was out of my mind</a> <a href="the-sea_the-beach.html">The sea and the beach</a> | <a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a> <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a> <a href="todaniel.html">To Daniel</a> | <a href="toilet.html">Toilet</a> <a href="toothpaste.html">Toothpaste</a> <a href="treatise.html">Treatise</a> | <a href="underwear.html">Underwear</a> <a href="walking-in-the-rain.html">Walking in the rain</a> <a href="wallpaper.html">Wallpaper</a> <a href="weplayedthosegamestoo.html">We played those games too</a> <a href="what-we-are-made-of.html">What we are made of</a> <a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> <a href="window.html">Window</a> <a href="words-irritable-reaching.html">Words and their irritable reaching</a> <a href="words-meaning.html">Words and meaning</a> <a href="worse-looking-over.html">Worse looking over</a> <a href="writing.html">Writing</a> <a href="x-ray.html">X-ray</a> | <a href="yellow.html">Yellow</a></p> | 39 | <p><a href="about-the-author.html">About the author</a> <a href="about.html">Autocento of the breakfast table</a> <a href="about_author.html">About Case Duckworth</a> <a href="abstract.html">Autocento of the breakfast table</a> | <a href="amber-alert.html">AMBER alert</a> <a href="and.html">And</a> <a href="angeltoabraham.html">The angel to Abraham</a> | <a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a> <a href="arspoetica.html">Ars poetica</a> <a href="art.html">Art</a> <a href="axe.html">Axe</a> <a href="big-dipper.html">The Big Dipper</a> | <a href="boar.html">The boar</a> <a href="boy_bus.html">Boy on the bus</a> <a href="building.html">Building</a> <a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html">Cereal</a> <a href="cold-wind.html">Cold wind</a> <a href="collage-instrument.html">Instrumented</a> <a href="creation-myth.html">Creation myth</a> <a href="deadman.html">Dead man</a> <a href="death-zone.html">The Death Zone</a> <a href="deathstrumpet.html">Death’s trumpet</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="epigraph.html">epigraph</a> <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> <a href="hard-game.html">A hard game</a> <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">Hymnal</a> | <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you (but it’s not)</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">In bed</a> <a href="initial-conditions.html">Initial conditions</a> <a href="january.html">January</a> <a href="joke.html">Joke</a> <a href="lappel-du-vide.html">L’appel du vide</a> <a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> <a href="last-bastion.html">Last bastion</a> <a href="last-passenger.html">Last passenger</a> <a href="leaf.html">Leaf</a> <a href="leg.html">Leg</a> <a href="likingthings.html">Liking Things</a> <a href="listen.html">Listen</a> <a href="love-as-god.html">Love as God</a> <a href="lovesong.html">Love Song</a> <a href="man.html">Man</a> <a href="manifesto_poetics.html">Manifesto of poetics</a> <a href="moon-drowning.html">The Moon is drowning</a> <a href="moongone.html">The moon is gone and in its place a mirror</a> <a href="mountain.html">The mountain</a> <a href="movingsideways.html">Moving Sideways</a> <a href="music-433.html">Something</a> <a href="no-nothing.html">No nothing</a> <a href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a> <a href="one-hundred-lines.html">One hundred lines</a> <a href="onformalpoetry.html">On formal poetry</a> <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> | <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> <a href="planks.html">Planks</a> <a href="plant.html">Litany for a plant</a> <a href="poetry-time.html">Something</a> <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="process.html">Autocento of the breakfast table</a> <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a href="riptide_memory.html">Riptide of memory</a> | <a href="ronaldmcdonald.html">Ronald McDonald</a> | <a href="roughgloves.html">Rough gloves</a> <a href="sapling.html">Sapling</a> | <a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> <a href="sense-of-it.html">Sense of it</a> <a href="serengeti.html">Serengeti</a> | <a href="shed.html">Shed</a> <a href="shipwright.html">The shipwright</a> <a href="sixteenth-chapel.html">The Sixteenth Chapel</a> <a href="snow.html">Snow</a> | <a href="something-simple.html">Let’s start with something simple:</a> <a href="spittle.html">Spittle</a> <a href="squirrel.html">The squirrel</a> <a href="stagnant.html">Stagnant</a> <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">Stayed on the bus too long</a> <a href="stump.html">Stump</a> <a href="swansong-alt.html">Swansong</a> <a href="swansong.html">Swan song</a> <a href="swear.html">Swear</a> <a href="table_contents.html">Table of contents</a> <a href="tapestry.html">Tapestry</a> <a href="telemarketer.html">Telemarketer</a> <a href="the-night-we-met.html">The night we met, I was out of my mind</a> | <a href="the-sea_the-beach.html">The sea and the beach</a> <a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a> <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a> <a href="todaniel.html">To Daniel</a> <a href="toilet.html">Toilet</a> <a href="toothpaste.html">Toothpaste</a> <a href="treatise.html">Treatise</a> | <a href="underwear.html">Underwear</a> <a href="walking-in-the-rain.html">Walking in the rain</a> <a href="wallpaper.html">Wallpaper</a> <a href="weplayedthosegamestoo.html">We played those games too</a> <a href="what-we-are-made-of.html">What we are made of</a> <a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> <a href="window.html">Window</a> <a href="words-irritable-reaching.html">Words and their irritable reaching</a> <a href="words-meaning.html">Words and meaning</a> <a href="worse-looking-over.html">Worse looking over</a> <a href="writing.html">Writing</a> <a href="x-ray.html">X-ray</a> <a href="yellow.html">Yellow</a> <a href="trunk/common-titles.html">Autocento of the breakfast table</a> | <a href="about-the-author.html">About the author</a> <a href="about.html">Autocento of the breakfast table</a> <a href="about_author.html">About Case Duckworth</a> <a href="abstract.html">Autocento of the breakfast table</a> <a href="amber-alert.html">AMBER alert</a> <a href="and.html">And</a> <a href="angeltoabraham.html">The angel to Abraham</a> <a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a> <a href="arspoetica.html">Ars poetica</a> <a href="art.html">Art</a> <a href="axe.html">Axe</a> <a href="big-dipper.html">The Big Dipper</a> <a href="boar.html">The boar</a> <a href="boy_bus.html">Boy on the bus</a> <a href="building.html">Building</a> <a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html">Cereal</a> <a href="cold-wind.html">Cold wind</a> <a href="collage-instrument.html">Instrumented</a> <a href="creation-myth.html">Creation myth</a> <a href="deadman.html">Dead man</a> <a href="death-zone.html">The Death Zone</a> <a href="deathstrumpet.html">Death’s trumpet</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="epigraph.html">epigraph</a> <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> | <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> | <a href="hard-game.html">A hard game</a> | <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">Hymnal</a> <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you (but it’s not)</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">In bed</a> <a href="initial-conditions.html">Initial conditions</a> <a href="january.html">January</a> <a href="joke.html">Joke</a> <a href="lappel-du-vide.html">L’appel du vide</a> <a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> | <a href="last-bastion.html">Last bastion</a> <a href="last-passenger.html">Last passenger</a> <a href="leaf.html">Leaf</a> <a href="leg.html">Leg</a> <a href="likingthings.html">Liking Things</a> <a href="listen.html">Listen</a> <a href="love-as-god.html">Love as God</a> <a href="lovesong.html">Love Song</a> <a href="man.html">Man</a> <a href="manifesto_poetics.html">Manifesto of poetics</a> <a href="moon-drowning.html">The Moon is drowning</a> <a href="moongone.html">The moon is gone and in its place a mirror</a> <a href="mountain.html">The mountain</a> <a href="movingsideways.html">Moving Sideways</a> <a href="music-433.html">Something</a> <a href="no-nothing.html">No nothing</a> <a href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a> | <a href="one-hundred-lines.html">One hundred lines</a> | <a href="onformalpoetry.html">On formal poetry</a> | <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> <a href="planks.html">Planks</a> <a href="plant.html">Litany for a plant</a> <a href="poetry-time.html">Something</a> | <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="process.html">Autocento of the breakfast table</a> | <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a href="riptide_memory.html">Riptide of memory</a> <a href="ronaldmcdonald.html">Ronald McDonald</a> <a href="roughgloves.html">Rough gloves</a> <a href="sapling.html">Sapling</a> <a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> <a href="sense-of-it.html">Sense of it</a> <a href="serengeti.html">Serengeti</a> <a href="shed.html">Shed</a> <a href="shipwright.html">The shipwright</a> <a href="sixteenth-chapel.html">The Sixteenth Chapel</a> | <a href="snow.html">Snow</a> <a href="something-simple.html">Let’s start with something simple:</a> | <a href="spittle.html">Spittle</a> <a href="squirrel.html">The squirrel</a> | <a href="stagnant.html">Stagnant</a> <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">Stayed on the bus too long</a> <a href="stump.html">Stump</a> <a href="swansong-alt.html">Swansong</a> <a href="swansong.html">Swan song</a> <a href="swear.html">Swear</a> <a href="table_contents.html">Table of contents</a> <a href="tapestry.html">Tapestry</a> <a href="telemarketer.html">Telemarketer</a> <a href="the-night-we-met.html">The night we met, I was out of my mind</a> | <a href="the-sea_the-beach.html">The sea and the beach</a> <a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a> <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a> <a href="todaniel.html">To Daniel</a> <a href="toilet.html">Toilet</a> <a href="toothpaste.html">Toothpaste</a> <a href="treatise.html">Treatise</a> <a href="underwear.html">Underwear</a> <a href="walking-in-the-rain.html">Walking in the rain</a> <a href="wallpaper.html">Wallpaper</a> <a href="weplayedthosegamestoo.html">We played those games too</a> <a href="what-we-are-made-of.html">What we are made of</a> <a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> <a href="window.html">Window</a> <a href="words-irritable-reaching.html">Words and their irritable reaching</a> <a href="words-meaning.html">Words and meaning</a> <a href="worse-looking-over.html">Worse looking over</a> <a href="writing.html">Writing</a> <a href="x-ray.html">X-ray</a> <a href="yellow.html">Yellow</a></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| diff --git a/common-titles.txt b/common-titles.txt index a43a13b..66a0531 100644 --- a/common-titles.txt +++ b/common-titles.txt | |||
| @@ -15,20 +15,19 @@ project: | |||
| 15 | link: about | 15 | link: about |
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| 18 | [100 lines](100-lines.html) | ||
| 19 | [About the author](about-the-author.html) | 18 | [About the author](about-the-author.html) |
| 20 | [Autocento of the breakfast table](about.html) | 19 | [Autocento of the breakfast table](about.html) |
| 21 | [About Case Duckworth](about_author.html) | 20 | [About Case Duckworth](about_author.html) |
| 22 | [Autocento of the breakfast table](abstract.html) | 21 | [Autocento of the breakfast table](abstract.html) |
| 23 | [AMBER alert](amber-alert.html) | 22 | | [AMBER alert](amber-alert.html) |
| 24 | [And](and.html) | 23 | [And](and.html) |
| 25 | [The angel to Abraham](angeltoabraham.html) | 24 | [The angel to Abraham](angeltoabraham.html) |
| 26 | | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | 25 | | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) |
| 27 | [Ars poetica](arspoetica.html) | 26 | [Ars poetica](arspoetica.html) |
| 28 | [Art](art.html) | 27 | [Art](art.html) |
| 29 | | [Axe](axe.html) | 28 | [Axe](axe.html) |
| 30 | [The Big Dipper](big-dipper.html) | 29 | [The Big Dipper](big-dipper.html) |
| 31 | [The boar](boar.html) | 30 | | [The boar](boar.html) |
| 32 | [Boy on the bus](boy_bus.html) | 31 | [Boy on the bus](boy_bus.html) |
| 33 | [Building](building.html) | 32 | [Building](building.html) |
| 34 | [Call me](call-me-aural-pleasure.html) | 33 | [Call me](call-me-aural-pleasure.html) |
| @@ -44,7 +43,7 @@ project: | |||
| 44 | [Early](early.html) | 43 | [Early](early.html) |
| 45 | [Elegy for an alternate self](elegyforanalternateself.html) | 44 | [Elegy for an alternate self](elegyforanalternateself.html) |
| 46 | [epigraph](epigraph.html) | 45 | [epigraph](epigraph.html) |
| 47 | | [Ex machina](ex-machina.html) | 46 | [Ex machina](ex-machina.html) |
| 48 | [Exasperated](exasperated.html) | 47 | [Exasperated](exasperated.html) |
| 49 | [Father](father.html) | 48 | [Father](father.html) |
| 50 | [Feeding the raven](feedingtheraven.html) | 49 | [Feeding the raven](feedingtheraven.html) |
| @@ -57,7 +56,7 @@ project: | |||
| 57 | [How it happened](howithappened.html) | 56 | [How it happened](howithappened.html) |
| 58 | [How to read this](howtoread.html) | 57 | [How to read this](howtoread.html) |
| 59 | [Hymnal](hymnal.html) | 58 | [Hymnal](hymnal.html) |
| 60 | [I am](i-am.html) | 59 | | [I am](i-am.html) |
| 61 | [I think it's you (but it's not)](i-think-its-you.html) | 60 | [I think it's you (but it's not)](i-think-its-you.html) |
| 62 | [I want to say](i-want-to-say.html) | 61 | [I want to say](i-want-to-say.html) |
| 63 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) | 62 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) |
| @@ -86,14 +85,15 @@ project: | |||
| 86 | [Notes](notes.html) | 85 | [Notes](notes.html) |
| 87 | [Nothing is ever over](nothing-is-ever-over.html) | 86 | [Nothing is ever over](nothing-is-ever-over.html) |
| 88 | [On genre and the dimensionality of poetry](on-genre-dimension.html) | 87 | [On genre and the dimensionality of poetry](on-genre-dimension.html) |
| 88 | [One hundred lines](one-hundred-lines.html) | ||
| 89 | [On formal poetry](onformalpoetry.html) | 89 | [On formal poetry](onformalpoetry.html) |
| 90 | [Options](options.html) | 90 | [Options](options.html) |
| 91 | [Ouroboros of Memory](ouroboros_memory.html) | 91 | [Ouroboros of Memory](ouroboros_memory.html) |
| 92 | [Paul](paul.html) | 92 | | [Paul](paul.html) |
| 93 | [Peaches](peaches.html) | 93 | [Peaches](peaches.html) |
| 94 | [Philosophy](philosophy.html) | 94 | [Philosophy](philosophy.html) |
| 95 | [Phone](phone.html) | 95 | [Phone](phone.html) |
| 96 | | [Planks](planks.html) | 96 | [Planks](planks.html) |
| 97 | [Litany for a plant](plant.html) | 97 | [Litany for a plant](plant.html) |
| 98 | [Something](poetry-time.html) | 98 | [Something](poetry-time.html) |
| 99 | [Prelude](prelude.html) | 99 | [Prelude](prelude.html) |
| @@ -103,16 +103,16 @@ project: | |||
| 103 | [Punch](punch.html) | 103 | [Punch](punch.html) |
| 104 | [The purpose of dogs](purpose-dogs.html) | 104 | [The purpose of dogs](purpose-dogs.html) |
| 105 | [Question](question.html) | 105 | [Question](question.html) |
| 106 | | [A real writer](real-writer.html) | 106 | [A real writer](real-writer.html) |
| 107 | [Reports](reports.html) | 107 | [Reports](reports.html) |
| 108 | [Riptide of memory](riptide_memory.html) | 108 | [Riptide of memory](riptide_memory.html) |
| 109 | [Ronald McDonald](ronaldmcdonald.html) | 109 | | [Ronald McDonald](ronaldmcdonald.html) |
| 110 | [Rough gloves](roughgloves.html) | 110 | | [Rough gloves](roughgloves.html) |
| 111 | [Sapling](sapling.html) | 111 | [Sapling](sapling.html) |
| 112 | [Seasonal affective disorder](seasonal-affective-disorder.html) | 112 | | [Seasonal affective disorder](seasonal-affective-disorder.html) |
| 113 | | [Sense of it](sense-of-it.html) | 113 | [Sense of it](sense-of-it.html) |
| 114 | | [Serengeti](serengeti.html) | 114 | [Serengeti](serengeti.html) |
| 115 | [Shed](shed.html) | 115 | | [Shed](shed.html) |
| 116 | [The shipwright](shipwright.html) | 116 | [The shipwright](shipwright.html) |
| 117 | [The Sixteenth Chapel](sixteenth-chapel.html) | 117 | [The Sixteenth Chapel](sixteenth-chapel.html) |
| 118 | [Snow](snow.html) | 118 | [Snow](snow.html) |
| @@ -126,15 +126,15 @@ project: | |||
| 126 | [Swansong](swansong-alt.html) | 126 | [Swansong](swansong-alt.html) |
| 127 | [Swan song](swansong.html) | 127 | [Swan song](swansong.html) |
| 128 | [Swear](swear.html) | 128 | [Swear](swear.html) |
| 129 | | [Table of contents](table_contents.html) | 129 | [Table of contents](table_contents.html) |
| 130 | [Tapestry](tapestry.html) | 130 | [Tapestry](tapestry.html) |
| 131 | [Telemarketer](telemarketer.html) | 131 | [Telemarketer](telemarketer.html) |
| 132 | [The night we met, I was out of my mind](the-night-we-met.html) | 132 | [The night we met, I was out of my mind](the-night-we-met.html) |
| 133 | [The sea and the beach](the-sea_the-beach.html) | 133 | | [The sea and the beach](the-sea_the-beach.html) |
| 134 | | [The ocean overflows with camels](theoceanoverflowswithcamels.html) | 134 | [The ocean overflows with camels](theoceanoverflowswithcamels.html) |
| 135 | [Time looks up to the sky](time-looks-up-to-the-sky.html) | 135 | [Time looks up to the sky](time-looks-up-to-the-sky.html) |
| 136 | [To Daniel](todaniel.html) | 136 | [To Daniel](todaniel.html) |
| 137 | | [Toilet](toilet.html) | 137 | [Toilet](toilet.html) |
| 138 | [Toothpaste](toothpaste.html) | 138 | [Toothpaste](toothpaste.html) |
| 139 | [Treatise](treatise.html) | 139 | [Treatise](treatise.html) |
| 140 | | [Underwear](underwear.html) | 140 | | [Underwear](underwear.html) |
| @@ -149,4 +149,140 @@ project: | |||
| 149 | [Worse looking over](worse-looking-over.html) | 149 | [Worse looking over](worse-looking-over.html) |
| 150 | [Writing](writing.html) | 150 | [Writing](writing.html) |
| 151 | [X-ray](x-ray.html) | 151 | [X-ray](x-ray.html) |
| 152 | | [Yellow](yellow.html) | 152 | [Yellow](yellow.html) |
| 153 | [Autocento of the breakfast table](trunk/common-titles.html) | ||
| 154 | | [About the author](about-the-author.html) | ||
| 155 | [Autocento of the breakfast table](about.html) | ||
| 156 | [About Case Duckworth](about_author.html) | ||
| 157 | [Autocento of the breakfast table](abstract.html) | ||
| 158 | [AMBER alert](amber-alert.html) | ||
| 159 | [And](and.html) | ||
| 160 | [The angel to Abraham](angeltoabraham.html) | ||
| 161 | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | ||
| 162 | [Ars poetica](arspoetica.html) | ||
| 163 | [Art](art.html) | ||
| 164 | [Axe](axe.html) | ||
| 165 | [The Big Dipper](big-dipper.html) | ||
| 166 | [The boar](boar.html) | ||
| 167 | [Boy on the bus](boy_bus.html) | ||
| 168 | [Building](building.html) | ||
| 169 | [Call me](call-me-aural-pleasure.html) | ||
| 170 | [Cereal](cereal.html) | ||
| 171 | [Cold wind](cold-wind.html) | ||
| 172 | [Instrumented](collage-instrument.html) | ||
| 173 | [Creation myth](creation-myth.html) | ||
| 174 | [Dead man](deadman.html) | ||
| 175 | [The Death Zone](death-zone.html) | ||
| 176 | [Death's trumpet](deathstrumpet.html) | ||
| 177 | [Something](dollywood.html) | ||
| 178 | [Dream](dream.html) | ||
| 179 | [Early](early.html) | ||
| 180 | [Elegy for an alternate self](elegyforanalternateself.html) | ||
| 181 | [epigraph](epigraph.html) | ||
| 182 | [Ex machina](ex-machina.html) | ||
| 183 | [Exasperated](exasperated.html) | ||
| 184 | [Father](father.html) | ||
| 185 | [Feeding the raven](feedingtheraven.html) | ||
| 186 | [Finding the Lion](finding-the-lion.html) | ||
| 187 | [Fire](fire.html) | ||
| 188 | | [Look](found-typewriter-poem.html) | ||
| 189 | [Hands](hands.html) | ||
| 190 | | [A hard game](hard-game.html) | ||
| 191 | | [Hardware](hardware.html) | ||
| 192 | [How it happened](howithappened.html) | ||
| 193 | [How to read this](howtoread.html) | ||
| 194 | [Hymnal](hymnal.html) | ||
| 195 | [I am](i-am.html) | ||
| 196 | [I think it's you (but it's not)](i-think-its-you.html) | ||
| 197 | [I want to say](i-want-to-say.html) | ||
| 198 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) | ||
| 199 | [In bed](in-bed.html) | ||
| 200 | [Initial conditions](initial-conditions.html) | ||
| 201 | [January](january.html) | ||
| 202 | [Joke](joke.html) | ||
| 203 | [L'appel du vide](lappel-du-vide.html) | ||
| 204 | [The largest asteroid in the asteroid belt](largest-asteroid.html) | ||
| 205 | | [Last bastion](last-bastion.html) | ||
| 206 | [Last passenger](last-passenger.html) | ||
| 207 | [Leaf](leaf.html) | ||
| 208 | [Leg](leg.html) | ||
| 209 | [Liking Things](likingthings.html) | ||
| 210 | [Listen](listen.html) | ||
| 211 | [Love as God](love-as-god.html) | ||
| 212 | [Love Song](lovesong.html) | ||
| 213 | [Man](man.html) | ||
| 214 | [Manifesto of poetics](manifesto_poetics.html) | ||
| 215 | [The Moon is drowning](moon-drowning.html) | ||
| 216 | [The moon is gone and in its place a mirror](moongone.html) | ||
| 217 | [The mountain](mountain.html) | ||
| 218 | [Moving Sideways](movingsideways.html) | ||
| 219 | [Something](music-433.html) | ||
| 220 | [No nothing](no-nothing.html) | ||
| 221 | [Notes](notes.html) | ||
| 222 | [Nothing is ever over](nothing-is-ever-over.html) | ||
| 223 | [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 224 | | [One hundred lines](one-hundred-lines.html) | ||
| 225 | | [On formal poetry](onformalpoetry.html) | ||
| 226 | | [Options](options.html) | ||
| 227 | [Ouroboros of Memory](ouroboros_memory.html) | ||
| 228 | [Paul](paul.html) | ||
| 229 | [Peaches](peaches.html) | ||
| 230 | [Philosophy](philosophy.html) | ||
| 231 | [Phone](phone.html) | ||
| 232 | [Planks](planks.html) | ||
| 233 | [Litany for a plant](plant.html) | ||
| 234 | [Something](poetry-time.html) | ||
| 235 | | [Prelude](prelude.html) | ||
| 236 | [Problems](problems.html) | ||
| 237 | [Autocento of the breakfast table](process.html) | ||
| 238 | | [Proverbs](proverbs.html) | ||
| 239 | [Punch](punch.html) | ||
| 240 | [The purpose of dogs](purpose-dogs.html) | ||
| 241 | [Question](question.html) | ||
| 242 | [A real writer](real-writer.html) | ||
| 243 | [Reports](reports.html) | ||
| 244 | [Riptide of memory](riptide_memory.html) | ||
| 245 | [Ronald McDonald](ronaldmcdonald.html) | ||
| 246 | [Rough gloves](roughgloves.html) | ||
| 247 | [Sapling](sapling.html) | ||
| 248 | [Seasonal affective disorder](seasonal-affective-disorder.html) | ||
| 249 | [Sense of it](sense-of-it.html) | ||
| 250 | [Serengeti](serengeti.html) | ||
| 251 | [Shed](shed.html) | ||
| 252 | [The shipwright](shipwright.html) | ||
| 253 | [The Sixteenth Chapel](sixteenth-chapel.html) | ||
| 254 | | [Snow](snow.html) | ||
| 255 | [Let's start with something simple:](something-simple.html) | ||
| 256 | | [Spittle](spittle.html) | ||
| 257 | [The squirrel](squirrel.html) | ||
| 258 | | [Stagnant](stagnant.html) | ||
| 259 | [Statements](statements-frag.html) | ||
| 260 | [Stayed on the bus too long](stayed-on-the-bus.html) | ||
| 261 | [Stump](stump.html) | ||
| 262 | [Swansong](swansong-alt.html) | ||
| 263 | [Swan song](swansong.html) | ||
| 264 | [Swear](swear.html) | ||
| 265 | [Table of contents](table_contents.html) | ||
| 266 | [Tapestry](tapestry.html) | ||
| 267 | [Telemarketer](telemarketer.html) | ||
| 268 | [The night we met, I was out of my mind](the-night-we-met.html) | ||
| 269 | | [The sea and the beach](the-sea_the-beach.html) | ||
| 270 | [The ocean overflows with camels](theoceanoverflowswithcamels.html) | ||
| 271 | [Time looks up to the sky](time-looks-up-to-the-sky.html) | ||
| 272 | [To Daniel](todaniel.html) | ||
| 273 | [Toilet](toilet.html) | ||
| 274 | [Toothpaste](toothpaste.html) | ||
| 275 | [Treatise](treatise.html) | ||
| 276 | [Underwear](underwear.html) | ||
| 277 | [Walking in the rain](walking-in-the-rain.html) | ||
| 278 | [Wallpaper](wallpaper.html) | ||
| 279 | [We played those games too](weplayedthosegamestoo.html) | ||
| 280 | [What we are made of](what-we-are-made-of.html) | ||
| 281 | [When I'm sorry I wash dishes](when-im-sorry-i.html) | ||
| 282 | [Window](window.html) | ||
| 283 | [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 284 | [Words and meaning](words-meaning.html) | ||
| 285 | [Worse looking over](worse-looking-over.html) | ||
| 286 | [Writing](writing.html) | ||
| 287 | [X-ray](x-ray.html) | ||
| 288 | [Yellow](yellow.html) | ||
| diff --git a/creation-myth.html b/creation-myth.html index 5e8dd7a..dd28aa7 100644 --- a/creation-myth.html +++ b/creation-myth.html | |||
| @@ -38,7 +38,7 @@ | |||
| 38 | <section class="content verse"> | 38 | <section class="content verse"> |
| 39 | <p><span class="line">So two hyperintelligent pandimensional beings</span><span class="line">walk into a bar. One turns to the other and says,</span><span class="line">“Did you remember to check the end state</span><span class="line">of that simulation we were running?" The other</span><span class="line">says, “No, I thought that you did?” To which</span><span class="line">the first replies, “<a href="movingsideways.html">Oh shit</a>, we missed it.</span><span class="line">I suppose we must do all of this again. Barkeep,</span></p> | 39 | <p><span class="line">So two hyperintelligent pandimensional beings</span><span class="line">walk into a bar. One turns to the other and says,</span><span class="line">“Did you remember to check the end state</span><span class="line">of that simulation we were running?" The other</span><span class="line">says, “No, I thought that you did?” To which</span><span class="line">the first replies, “<a href="movingsideways.html">Oh shit</a>, we missed it.</span><span class="line">I suppose we must do all of this again. Barkeep,</span></p> |
| 40 | <p><span class="line">two beers please." The bartender nods in that way</span><span class="line">that bartenders do, pours the two beers,</span><span class="line">expertly, by the way, just so, and hands them</span><span class="line">to the first <a href="http://hitchhikers.wikia.com/wiki/Mice">hyperintelligent pandimensional</a> being.</span><span class="line">The second one pulls a few singles out of his</span><span class="line">wallet, places them on the bar, and the pair</span><span class="line">turn around and begin walking toward a table</span><span class="line">in the middle of the mostly-empty bar. The bar-</span><span class="line">tender picks up the money, fans it out, frowns,</span><span class="line">and calls to his patrons’ backs: “Hey, this</span><span class="line">isn’t enough!" The two turn around simultan-</span><span class="line">eously, with parity, and stare at him. A beat.</span></p> | 40 | <p><span class="line">two beers please." The bartender nods in that way</span><span class="line">that bartenders do, pours the two beers,</span><span class="line">expertly, by the way, just so, and hands them</span><span class="line">to the first <a href="http://hitchhikers.wikia.com/wiki/Mice">hyperintelligent pandimensional</a> being.</span><span class="line">The second one pulls a few singles out of his</span><span class="line">wallet, places them on the bar, and the pair</span><span class="line">turn around and begin walking toward a table</span><span class="line">in the middle of the mostly-empty bar. The bar-</span><span class="line">tender picks up the money, fans it out, frowns,</span><span class="line">and calls to his patrons’ backs: “Hey, this</span><span class="line">isn’t enough!" The two turn around simultan-</span><span class="line">eously, with parity, and stare at him. A beat.</span></p> |
| 41 | <p><span class="line">One of them, the one without the beer, breaks</span><span class="line">the silence by exclaiming, “Oh dear god, I’m</span><span class="line">sorry! I didn’t know your prices went up since</span><span class="line">last time. What do I owe you?" The bartender</span><span class="line">says, “Oh, just another <a href="100-lines.html">dollar</a>-fifty.” The being</span><span class="line">reaches in his back pocket, slides out his</span><span class="line">wallet, looks in smiling, and frowns when he sees</span><span class="line">it’s empty. He looks to the other and says,</span><span class="line">“You got a <a href="plant.html">buck</a>-fifty I can borrow?”</span></p> | 41 | <p><span class="line">One of them, the one without the beer, breaks</span><span class="line">the silence by exclaiming, “Oh dear god, I’m</span><span class="line">sorry! I didn’t know your prices went up since</span><span class="line">last time. What do I owe you?" The bartender</span><span class="line">says, “Oh, just another <a href="one-hundred-lines.html">dollar</a>-fifty.” The being</span><span class="line">reaches in his back pocket, slides out his</span><span class="line">wallet, looks in smiling, and frowns when he sees</span><span class="line">it’s empty. He looks to the other and says,</span><span class="line">“You got a <a href="plant.html">buck</a>-fifty I can borrow?”</span></p> |
| 42 | <p><span class="line">The second hyperintelligent pandimensional being</span><span class="line">considers this. He sets the beers down</span><span class="line">on the table, pulls out his own wallet, opens</span><span class="line">it, and frowns. “I’m broke too,” he says.</span></p> | 42 | <p><span class="line">The second hyperintelligent pandimensional being</span><span class="line">considers this. He sets the beers down</span><span class="line">on the table, pulls out his own wallet, opens</span><span class="line">it, and frowns. “I’m broke too,” he says.</span></p> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| diff --git a/creation-myth.txt b/creation-myth.txt index df5c4f7..901858b 100644 --- a/creation-myth.txt +++ b/creation-myth.txt | |||
| @@ -46,5 +46,5 @@ project: | |||
| 46 | 46 | ||
| 47 | [hyperintelligent pandimensional]: http://hitchhikers.wikia.com/wiki/Mice | 47 | [hyperintelligent pandimensional]: http://hitchhikers.wikia.com/wiki/Mice |
| 48 | [Oh shit]: movingsideways.html | 48 | [Oh shit]: movingsideways.html |
| 49 | [dollar]: 100-lines.html | 49 | [dollar]: one-hundred-lines.html |
| 50 | [buck]: plant.html | 50 | [buck]: plant.html |
| diff --git a/creation-myth_backlinks.htm b/creation-myth_backlinks.htm index de42e68..7a96b40 100644 --- a/creation-myth_backlinks.htm +++ b/creation-myth_backlinks.htm | |||
| @@ -38,6 +38,7 @@ | |||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="about-the-author.html">About the author</a></li> | 40 | <li><a href="about-the-author.html">About the author</a></li> |
| 41 | <li><a href="deadman.html">Dead man</a></li> | ||
| 41 | <li><a href="death-zone.html">The Death Zone</a></li> | 42 | <li><a href="death-zone.html">The Death Zone</a></li> |
| 42 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | 43 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> |
| 43 | </ul> | 44 | </ul> |
| diff --git a/deadman.html b/deadman.html index d7409c4..ae1fd52 100644 --- a/deadman.html +++ b/deadman.html | |||
| @@ -36,7 +36,23 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content verse"> | 38 | <section class="content verse"> |
| 39 | <p><span class="line">A dead man finds his way into our <a href="words-meaning.html">hearts</a></span><span class="line">simply by opening the door and walking in.</span><span class="line">He pours himself a drink, speaks aimlessly</span><span class="line">about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other.</span><span class="line">Look how <a href="moongone.html">they spin</a>, he says, it’s like the</span><span class="line">ripples atoms make as they hurl past each other</span><span class="line">in the space between their bodies.</span><span class="line">We mention the eels at the aquarium, how</span><span class="line">their bodies <a href="spittle.html">knot while mating</a>. The dead man</span><span class="line">was a boyscout once, and tied a lot of knots.</span><span class="line">His favorite was the one with the rabbit</span><span class="line">and the hole, and the rabbit going in and out</span><span class="line">and around the tree. The dead man liked it</span><span class="line">because he liked to pretend that the rabbit</span><span class="line">was running from a fox, and the rabbit</span><span class="line">always ended up safe, back in his hole.</span></p> | 39 | <p><span class="line">The dead man finds <a href="last-bastion.html">his way into our hearts</a></span><span class="line">by <a href="words-meaning.html">opening the door</a> and walking in.</span></p> |
| 40 | <p><span class="line">He pours himself <a href="ex-machina.html">a drink</a>, something like</span><span class="line">German cognac, from the mini-bar. He starts talking</span></p> | ||
| 41 | <p><span class="line">aimlessly about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other</span></p> | ||
| 42 | <p><span class="line">like <a href="x-ray.html">x-rays</a> around bones and soft tissue.</span><span class="line">The dead man can see x-rays now, he says,</span></p> | ||
| 43 | <p><span class="line">a perk of his <a href="initial-conditions.html">condition</a>.</span><span class="line">It’s not so bad, he says, though</span></p> | ||
| 44 | <p><span class="line">he stops short of saying it’s as good as</span><span class="line">being alive, an omission we can, ultimately,</span></p> | ||
| 45 | <p><span class="line">forgive. There’s <a href="creation-myth.html">a short silence</a> where nothing</span><span class="line">is said, we’re just looking at him as he looks</span></p> | ||
| 46 | <p><span class="line">at the ceiling or through it. He looks good</span><span class="line">for being dead. We mention this to him</span></p> | ||
| 47 | <p><span class="line">but he just looks embarrassed. He mentions</span><span class="line">eels he saw in the aquarium earlier, how they knot</span></p> | ||
| 48 | <p><span class="line">while mating. For hours, it’s just a huge mass</span><span class="line">of <a href="spittle.html">eel flesh, he says, undulating in the water</a>.</span></p> | ||
| 49 | <p><span class="line">We nod, waiting for what he’ll say next. He seems</span><span class="line">uncomfortable carrying the conversation, but we</span></p> | ||
| 50 | <p><span class="line">can’t think of anything either. Now it’s his turn</span><span class="line">to look at us, and <a href="moongone.html">ours to stare at the ceiling</a></span></p> | ||
| 51 | <p><span class="line">or wherever. Finally, we mention the knots we tied</span><span class="line">in Boy Scouts, especially the loop—a noose? he asks—</span></p> | ||
| 52 | <p><span class="line">but we say no, the one with the rabbit in its hole</span><span class="line">and the tree it goes around. The dead man</span></p> | ||
| 53 | <p><span class="line">knows that knot, he says, it’s a good knot. But what</span><span class="line">he really likes is the rabbit, coming out of its hole</span></p> | ||
| 54 | <p><span class="line">in the morning, eating some grass, and a fox creeping</span><span class="line">out of its hiding place and chasing the rabbit around</span></p> | ||
| 55 | <p>the tree, back into its hole, where it always ends up safe.</p> | ||
| 40 | </section> | 56 | </section> |
| 41 | </article> | 57 | </article> |
| 42 | <nav> | 58 | <nav> |
| diff --git a/deadman.txt b/deadman.txt index 9aba3dd..e324d06 100644 --- a/deadman.txt +++ b/deadman.txt | |||
| @@ -15,24 +15,61 @@ project: | |||
| 15 | link: angeltoabraham | 15 | link: angeltoabraham |
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| 18 | | A dead man finds his way into our [hearts][] | 18 | | The dead man finds [his way into our hearts][] |
| 19 | | simply by opening the door and walking in. | 19 | | by [opening the door][] and walking in. |
| 20 | | He pours himself a drink, speaks aimlessly | 20 | |
| 21 | | about hunting or some bats he saw | 21 | | He pours himself [a drink][], something like |
| 22 | | on the way over, wheeling around each other. | 22 | | German cognac, from the mini-bar. He starts talking |
| 23 | | Look how [they spin][], he says, it's like the | 23 | |
| 24 | | ripples atoms make as they hurl past each other | 24 | | aimlessly about hunting or some bats he saw |
| 25 | | in the space between their bodies. | 25 | | on the way over, wheeling around each other |
| 26 | | We mention the eels at the aquarium, how | 26 | |
| 27 | | their bodies [knot while mating][]. The dead man | 27 | | like [x-rays][] around bones and soft tissue. |
| 28 | | was a boyscout once, and tied a lot of knots. | 28 | | The dead man can see x-rays now, he says, |
| 29 | | His favorite was the one with the rabbit | 29 | |
| 30 | | and the hole, and the rabbit going in and out | 30 | | a perk of his [condition][]. |
| 31 | | and around the tree. The dead man liked it | 31 | | It's not so bad, he says, though |
| 32 | | because he liked to pretend that the rabbit | 32 | |
| 33 | | was running from a fox, and the rabbit | 33 | | he stops short of saying it's as good as |
| 34 | | always ended up safe, back in his hole. | 34 | | being alive, an omission we can, ultimately, |
| 35 | 35 | ||
| 36 | [hearts]: words-meaning.html | 36 | | forgive. There's [a short silence][] where nothing |
| 37 | [they spin]: moongone.html | 37 | | is said, we're just looking at him as he looks |
| 38 | [knot while mating]: spittle.html | 38 | |
| 39 | | at the ceiling or through it. He looks good | ||
| 40 | | for being dead. We mention this to him | ||
| 41 | |||
| 42 | | but he just looks embarrassed. He mentions | ||
| 43 | | eels he saw in the aquarium earlier, how they knot | ||
| 44 | |||
| 45 | | while mating. For hours, it's just a huge mass | ||
| 46 | | of [eel flesh, he says, undulating in the water][]. | ||
| 47 | |||
| 48 | | We nod, waiting for what he'll say next. He seems | ||
| 49 | | uncomfortable carrying the conversation, but we | ||
| 50 | |||
| 51 | | can't think of anything either. Now it's his turn | ||
| 52 | | to look at us, and [ours to stare at the ceiling][] | ||
| 53 | |||
| 54 | | or wherever. Finally, we mention the knots we tied | ||
| 55 | | in Boy Scouts, especially the loop---a noose? he asks--- | ||
| 56 | |||
| 57 | | but we say no, the one with the rabbit in its hole | ||
| 58 | | and the tree it goes around. The dead man | ||
| 59 | |||
| 60 | | knows that knot, he says, it's a good knot. But what | ||
| 61 | | he really likes is the rabbit, coming out of its hole | ||
| 62 | |||
| 63 | | in the morning, eating some grass, and a fox creeping | ||
| 64 | | out of its hiding place and chasing the rabbit around | ||
| 65 | |||
| 66 | | the tree, back into its hole, where it always ends up safe. | ||
| 67 | |||
| 68 | [his way into our hearts]: last-bastion.html | ||
| 69 | [opening the door]: words-meaning.html | ||
| 70 | [a drink]: ex-machina.html | ||
| 71 | [x-rays]: x-ray.html | ||
| 72 | [condition]: initial-conditions.html | ||
| 73 | [a short silence]: creation-myth.html | ||
| 74 | [eel flesh, he says, undulating in the water]: spittle.html | ||
| 75 | [ours to stare at the ceiling]: moongone.html | ||
| diff --git a/deathstrumpet.html b/deathstrumpet.html index 91fb3fa..f9f4ec2 100644 --- a/deathstrumpet.html +++ b/deathstrumpet.html | |||
| @@ -33,7 +33,7 @@ | |||
| 33 | 33 | ||
| 34 | <!-- epigraph --> | 34 | <!-- epigraph --> |
| 35 | <div class="epigraph"> | 35 | <div class="epigraph"> |
| 36 | <p>So Death plays his little <a href="apollo11.html">fucking</a> trumpet. So what, says the boy.</p> | 36 | <a href="http://michaelduke.org/2014/07/20/larry-levis-boy-in-video-arcade/"><p>So Death plays his little fucking trumpet. So what, says the boy.</p></a> |
| 37 | 37 | ||
| 38 | <div class="attrib">Larry Levis</div> | 38 | <div class="attrib">Larry Levis</div> |
| 39 | </div> | 39 | </div> |
| @@ -42,11 +42,11 @@ | |||
| 42 | 42 | ||
| 43 | 43 | ||
| 44 | <section class="content verse"> | 44 | <section class="content verse"> |
| 45 | <p><span class="line">He didn’t have any polish so he spit-shined the whole thing,</span><span class="line">top to bottom. It gleamed like maybe a tomato on the vine</span><span class="line">begging to be picked and thrown on some caprese. Death loved caprese.</span></p> | 45 | <p><span class="line">He didn’t have any polish so he spit-shined the whole thing</span><span class="line">until it gleamed like a <a href="wallpaper.html">tomato on the vine</a> that was begging</span><span class="line">to be picked and thrown on some caprese. Death loved caprese.</span></p> |
| 46 | <p><span class="line">He stood up and put the horn to his lips, imagining</span><span class="line">it was a woman he loved. He blushed as he realized</span><span class="line">it was a terrible metaphor.</span><span class="line">He practiced for six hours a day—what else to do?</span></p> | 46 | <p><span class="line">He stood up to put the horn to his lips, trying to imagine</span><span class="line">it was a woman he loved. He blushed as he realized how bad</span><span class="line"><a href="leaf.html">the metaphor was</a>. He practiced anyway for six hours a day</span><span class="line">in front of the mirror—what else to do with all the time?</span></p> |
| 47 | <p><span class="line">Death looks at <a href="moongone.html">himself in the mirror</a> as he plays.</span><span class="line">The trumpet is suspended in midair. Damn vampire rules.</span><span class="line">Death is always worried he might have missed a spot shaving</span><span class="line">but he’ll never know unless a stranger is polite enough.</span><span class="line">Not that he ever goes out or meets anyone.</span></p> | 47 | <p><span class="line">Death looked at <a href="moongone.html">himself in the mirror</a> as he played, the trumpet</span><span class="line">suspended in midair. <em>Damn vampire rules</em>, he thought.</span><span class="line">He was always worried he might have <a href="january.html">missed a spot</a> while shaving</span><span class="line">but he’d never know unless a stranger—he had no friends—</span><span class="line">was kind enough. Not that he goes out anyway or meets people.</span></p> |
| 48 | <p><span class="line">He wakes up late these days. Stays in bed later.</span><span class="line">He thinks he might be depressed. The caprese has gotten soggy</span><span class="line">since he made it, maybe three days ago or maybe just two.</span><span class="line">The sun streams through his kitchen blinds like smoke.</span><span class="line">He decides to go to the arcade. When he gets there,</span></p> | 48 | <p><span class="line">He started waking up late, staying in bed later.</span><span class="line">He started thinking he was depressed. He never did eat</span><span class="line">that caprese, and it started getting soggy, green spots</span><span class="line">spreading on the mozzarella like bedsores. The sun</span><span class="line">filtered through the <a href="what-we-are-made-of.html">kitchen blinds like smoke</a>. He had</span><span class="line">to get out of the house. He decided to go to the arcade.</span></p> |
| 49 | <p><span class="line">there’s only a <a href="angeltoabraham.html">little boy</a> with dead eyes. So far so good.</span><span class="line">He’s playing a first-person shooter. Death walks past him</span><span class="line">and watches out of the corner of his eye. The kid’s good.</span><span class="line">Death wants to congratulate him. His trumpet is in his hand.</span></p> | 49 | <p><span class="line">When he got there, it was empty except for a boy</span><span class="line"><a href="big-dipper.html">with dead eyes</a>. So far so good, Death thought.</span><span class="line">He was playing a first-person shooter, something violent.</span><span class="line">Death walked past him and watched out of the corner</span><span class="line">of his eye. The kid was good. Death decided</span><span class="line">to congratulate him. He had his trumpet in his hand.</span></p> |
| 50 | </section> | 50 | </section> |
| 51 | </article> | 51 | </article> |
| 52 | <nav> | 52 | <nav> |
| diff --git a/deathstrumpet.txt b/deathstrumpet.txt index 44b898e..4628dd2 100644 --- a/deathstrumpet.txt +++ b/deathstrumpet.txt | |||
| @@ -13,36 +13,44 @@ project: | |||
| 13 | 13 | ||
| 14 | epigraph: | 14 | epigraph: |
| 15 | content: | | 15 | content: | |
| 16 | So Death plays his little [fucking](apollo11.html) trumpet. | 16 | So Death plays his little fucking trumpet. |
| 17 | So what, says the boy. | 17 | So what, says the boy. |
| 18 | attrib: Larry Levis | 18 | attrib: Larry Levis |
| 19 | link: "http://michaelduke.org/2014/07/20/larry-levis-boy-in-video-arcade/" | ||
| 19 | ... | 20 | ... |
| 20 | 21 | ||
| 21 | | He didn't have any polish so he spit-shined the whole thing, | 22 | | He didn't have any polish so he spit-shined the whole thing |
| 22 | | top to bottom. It gleamed like maybe a tomato on the vine | 23 | | until it gleamed like a [tomato on the vine][] that was begging |
| 23 | | begging to be picked and thrown on some caprese. Death loved caprese. | 24 | | to be picked and thrown on some caprese. Death loved caprese. |
| 24 | 25 | ||
| 25 | | He stood up and put the horn to his lips, imagining | 26 | | He stood up to put the horn to his lips, trying to imagine |
| 26 | | it was a woman he loved. He blushed as he realized | 27 | | it was a woman he loved. He blushed as he realized how bad |
| 27 | | it was a terrible metaphor. | 28 | | [the metaphor was][]. He practiced anyway for six hours a day |
| 28 | | He practiced for six hours a day---what else to do? | 29 | | in front of the mirror---what else to do with all the time? |
| 29 | 30 | ||
| 30 | | Death looks at [himself in the mirror][moongone] as he plays. | 31 | | Death looked at [himself in the mirror][] as he played, the trumpet |
| 31 | | The trumpet is suspended in midair. Damn vampire rules. | 32 | | suspended in midair. _Damn vampire rules_, he thought. |
| 32 | | Death is always worried he might have missed a spot shaving | 33 | | He was always worried he might have [missed a spot][] while shaving |
| 33 | | but he'll never know unless a stranger is polite enough. | 34 | | but he'd never know unless a stranger---he had no friends--- |
| 34 | | Not that he ever goes out or meets anyone. | 35 | | was kind enough. Not that he goes out anyway or meets people. |
| 35 | 36 | ||
| 36 | | He wakes up late these days. Stays in bed later. | 37 | | He started waking up late, staying in bed later. |
| 37 | | He thinks he might be depressed. The caprese has gotten soggy | 38 | | He started thinking he was depressed. He never did eat |
| 38 | | since he made it, maybe three days ago or maybe just two. | 39 | | that caprese, and it started getting soggy, green spots |
| 39 | | The sun streams through his kitchen blinds like smoke. | 40 | | spreading on the mozzarella like bedsores. The sun |
| 40 | | He decides to go to the arcade. When he gets there, | 41 | | filtered through the [kitchen blinds like smoke][]. He had |
| 41 | 42 | | to get out of the house. He decided to go to the arcade. | |
| 42 | | there's only a [little boy][] with dead eyes. So far so good. | 43 | |
| 43 | | He's playing a first-person shooter. Death walks past him | 44 | | When he got there, it was empty except for a boy |
| 44 | | and watches out of the corner of his eye. The kid's good. | 45 | | [with dead eyes][]. So far so good, Death thought. |
| 45 | | Death wants to congratulate him. His trumpet is in his hand. | 46 | | He was playing a first-person shooter, something violent. |
| 46 | 47 | | Death walked past him and watched out of the corner | |
| 47 | [moongone]: moongone.html | 48 | | of his eye. The kid was good. Death decided |
| 48 | [little boy]: angeltoabraham.html | 49 | | to congratulate him. He had his trumpet in his hand. |
| 50 | |||
| 51 | [himself in the mirror]: moongone.html | ||
| 52 | [with dead eyes]: big-dipper.html | ||
| 53 | [tomato on the vine]: wallpaper.html | ||
| 54 | [the metaphor was]: leaf.html | ||
| 55 | [missed a spot]: january.html | ||
| 56 | [kitchen blinds like smoke]: what-we-are-made-of.html | ||
| diff --git a/elegyforanalternateself.html b/elegyforanalternateself.html index 695a0b0..a268c15 100644 --- a/elegyforanalternateself.html +++ b/elegyforanalternateself.html | |||
| @@ -36,8 +36,8 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content verse"> | 38 | <section class="content verse"> |
| 39 | <p><span class="line">Say there are no words. Say that we are conjoined</span><span class="line">from birth, or better still, say we are myself.</span><span class="line">—But I still talk to myself, I build my world</span><span class="line">through language, so if we say there are <a href="hymnal.html">no words</a></span><span class="line">this is not enough. Say we are instead some animal,</span><span class="line">or better yet, <a href="plant.html">a plant</a>, or a flagellum motoring</span><span class="line">aimlessly around. (Say that humans are the only things</span><span class="line">that reason. Say that we’re the <a href="movingsideways.html">only things that worry</a>.)</span></p> | 39 | <p><span class="line">Say there are no words. Say that we are conjoined</span><span class="line">from birth, or better still, say we are myself.</span><span class="line">—But I still talk to myself, I <a href="i-am.html">build my world</a></span><span class="line">through language, so if we say there are <a href="hymnal.html">no words</a></span><span class="line">this is not enough. Say we are instead some animal,</span><span class="line">or better yet, <a href="plant.html">a plant</a>, or a flagellum motoring</span><span class="line">aimlessly around. (Say that humans are the only things</span><span class="line">that reason. Say that we’re the <a href="movingsideways.html">only things that worry</a>.)</span></p> |
| 40 | <p><span class="line">Say that I am separate. To say there’s everything else</span><span class="line">and then there’s me is wrong. Each thing is separate:</span><span class="line"><a href="i-wanted-to-tell-you-something.html">there is no whole in the world</a>. Say this is both good</span><span class="line">and bad, or rather, say there is no good or bad but only</span><span class="line">being, more and more of it always added, none taken out</span><span class="line">though it can be forgotten. Say that forgetting</span><span class="line">is a function of our remembering. (Say that humans only</span><span class="line"><a href="swansong-alt.html">worry about separation</a>. Say that only humans feel it.)</span></p> | 40 | <p><span class="line">Say that I am separate. To say there’s everything else</span><span class="line">and then there’s me is wrong. Each thing is separate:</span><span class="line"><a href="i-wanted-to-tell-you-something.html">there is no whole in the world</a>. Say this is both good</span><span class="line">and bad, or rather, say there is no good or bad but only</span><span class="line">being, <a href="no-nothing.html">more and more of it always added</a>, none taken out</span><span class="line">though it can be forgotten. Say that forgetting</span><span class="line">is a <a href="collage-instrument.html">function of our remembering</a>. (Say that humans only</span><span class="line"><a href="swansong-alt.html">worry about separation</a>. Say that only humans feel it.)</span></p> |
| 41 | </section> | 41 | </section> |
| 42 | </article> | 42 | </article> |
| 43 | <nav> | 43 | <nav> |
| diff --git a/elegyforanalternateself.txt b/elegyforanalternateself.txt index ae6f614..16447f7 100644 --- a/elegyforanalternateself.txt +++ b/elegyforanalternateself.txt | |||
| @@ -10,7 +10,7 @@ project: | |||
| 10 | 10 | ||
| 11 | | Say there are no words. Say that we are conjoined | 11 | | Say there are no words. Say that we are conjoined |
| 12 | | from birth, or better still, say we are myself. | 12 | | from birth, or better still, say we are myself. |
| 13 | | ---But I still talk to myself, I build my world | 13 | | ---But I still talk to myself, I [build my world][] |
| 14 | | through language, so if we say there are [no words][] | 14 | | through language, so if we say there are [no words][] |
| 15 | | this is not enough. Say we are instead some animal, | 15 | | this is not enough. Say we are instead some animal, |
| 16 | | or better yet, [a plant][], or a flagellum motoring | 16 | | or better yet, [a plant][], or a flagellum motoring |
| @@ -21,9 +21,9 @@ project: | |||
| 21 | | and then there's me is wrong. Each thing is separate: | 21 | | and then there's me is wrong. Each thing is separate: |
| 22 | | [there is no whole in the world][]. Say this is both good | 22 | | [there is no whole in the world][]. Say this is both good |
| 23 | | and bad, or rather, say there is no good or bad but only | 23 | | and bad, or rather, say there is no good or bad but only |
| 24 | | being, more and more of it always added, none taken out | 24 | | being, [more and more of it always added][], none taken out |
| 25 | | though it can be forgotten. Say that forgetting | 25 | | though it can be forgotten. Say that forgetting |
| 26 | | is a function of our remembering. (Say that humans only | 26 | | is a [function of our remembering][]. (Say that humans only |
| 27 | | [worry about separation][]. Say that only humans feel it.) | 27 | | [worry about separation][]. Say that only humans feel it.) |
| 28 | 28 | ||
| 29 | [no words]: hymnal.html | 29 | [no words]: hymnal.html |
| @@ -31,3 +31,6 @@ project: | |||
| 31 | [only things that worry]: movingsideways.html | 31 | [only things that worry]: movingsideways.html |
| 32 | [there is no whole in the world]: i-wanted-to-tell-you-something.html | 32 | [there is no whole in the world]: i-wanted-to-tell-you-something.html |
| 33 | [worry about separation]: swansong-alt.html | 33 | [worry about separation]: swansong-alt.html |
| 34 | [build my world]: i-am.html | ||
| 35 | [more and more of it always added]: no-nothing.html | ||
| 36 | [function of our remembering]: collage-instrument.html | ||
| diff --git a/epigraph.html b/epigraph.html index 6737e12..91de065 100644 --- a/epigraph.html +++ b/epigraph.html | |||
| @@ -36,7 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content prose"> | 38 | <section class="content prose"> |
| 39 | <p>I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of <a href="spittle.html">other lovers</a> and queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to <a href="deathstrumpet.html">death</a>, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.</p> | 39 | <p>I saw my life branching out before me like the <a href="peaches.html">green fig tree</a> in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of <a href="spittle.html">other lovers</a> and queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to <a href="deathstrumpet.html">death</a>, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.</p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| diff --git a/epigraph.txt b/epigraph.txt index 4a2312c..5a74134 100644 --- a/epigraph.txt +++ b/epigraph.txt | |||
| @@ -16,7 +16,7 @@ project: | |||
| 16 | link: deathstrumpet | 16 | link: deathstrumpet |
| 17 | ... | 17 | ... |
| 18 | 18 | ||
| 19 | I saw my life branching out before me like the green fig tree in the story. | 19 | I saw my life branching out before me like the [green fig tree][] in the story. |
| 20 | From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. | 20 | From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. |
| 21 | One fig was a husband and a happy home and children, | 21 | One fig was a husband and a happy home and children, |
| 22 | and another fig was a famous poet and another fig was a brilliant professor, | 22 | and another fig was a famous poet and another fig was a brilliant professor, |
| @@ -29,3 +29,4 @@ I wanted each and every one of them, but choosing one meant losing all the rest, | |||
| 29 | 29 | ||
| 30 | [other lovers]: spittle.html | 30 | [other lovers]: spittle.html |
| 31 | [death]: deathstrumpet.html | 31 | [death]: deathstrumpet.html |
| 32 | [green fig tree]: peaches.html | ||
| diff --git a/ex-machina_backlinks.htm b/ex-machina_backlinks.htm index bd30535..1c5ab99 100644 --- a/ex-machina_backlinks.htm +++ b/ex-machina_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deadman.html">Dead man</a></li> | ||
| 40 | <li><a href="hands.html">Hands</a></li> | 41 | <li><a href="hands.html">Hands</a></li> |
| 41 | <li><a href="lovesong.html">Love Song</a></li> | 42 | <li><a href="lovesong.html">Love Song</a></li> |
| 42 | </ul> | 43 | </ul> |
| diff --git a/fire_backlinks.htm b/fire_backlinks.htm index 7fe255c..2637205 100644 --- a/fire_backlinks.htm +++ b/fire_backlinks.htm | |||
| @@ -37,10 +37,10 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="cold-wind.html">Cold wind</a></li> | 40 | <li><a href="cold-wind.html">Cold wind</a></li> |
| 42 | <li><a href="early.html">Early</a></li> | 41 | <li><a href="early.html">Early</a></li> |
| 43 | <li><a href="hard-game.html">A hard game</a></li> | 42 | <li><a href="hard-game.html">A hard game</a></li> |
| 43 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 44 | <li><a href="plant.html">Litany for a plant</a></li> | 44 | <li><a href="plant.html">Litany for a plant</a></li> |
| 45 | <li><a href="snow.html">Snow</a></li> | 45 | <li><a href="snow.html">Snow</a></li> |
| 46 | <li><a href="swansong-alt.html">Swansong</a></li> | 46 | <li><a href="swansong-alt.html">Swansong</a></li> |
| diff --git a/first-lines.html b/first-lines.html index 805a8a9..7a29ddc 100644 --- a/first-lines.html +++ b/first-lines.html | |||
| @@ -36,7 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content prose"> | 38 | <section class="content prose"> |
| 39 | <p><a href="100-lines.html">Whenever you call me friend</a> <a href="about-the-author.html">He was born on a few separate occasions <em>green traffic lights at night</em></a> <a href="about.html"><em>Autocento of the breakfast table</em> is a hypertextual exploration of the workings of revision across time.</a> <a href="about_author.html">Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.</a> <a href="abstract.html"><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="amber-alert.html">Lost things have a way of staying lost.</a> <a href="and.html">And you were there at the start of it all</a> <a href="angeltoabraham.html">Abraham, Abraham, you are old and cannot hear:</a> <a href="apollo11.html">So it’s the fucking moon. Big deal. As if</a> <a href="arspoetica.html">What is poetry?</a> <a href="art.html">Paul was writing in his diary about art.</a> <a href="axe.html">Paul took his axe and went out into the woods to chop trees.</a> <a href="big-dipper.html">After searching for days or even months</a> <a href="boar.html">Now the ticking clocks scare me.</a> <a href="boy_bus.html">When he said Bible I heard his southern accent</a> <a href="building.html">_ART and CRAFT are only the inside and outside of the same building.</a> <a href="call-me-aural-pleasure.html">Like <em>40</em> as I challenge anyone to come too!</a> <a href="cereal.html">He woke up after eleven and didn’t go outside all day, not even to his Writing Shack.</a> <a href="cold-wind.html">Man of autumn, cold wind,</a> <a href="collage-instrument.html"><code>tr</code> has been a part of the Unix toolset since the late 70s.</a> <a href="creation-myth.html">So two hyperintelligent pandimensional beings</a> <a href="deadman.html">A dead man finds his way into our hearts</a> <a href="death-zone.html">When I think of death I think</a> <a href="deathstrumpet.html">He didn’t have any polish so he spit-shined the whole thing,</a> <a href="dollywood.html">I turned off the TV as soon as the end credits began.</a> <a href="dream.html">It had gotten cold.</a> <a href="early.html"><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother watched TV and smoked.</a> <a href="elegyforanalternateself.html">Say there are no words. Say that we are conjoined</a> <a href="epigraph.html">I saw my life branching out before me like the green fig tree in the story.</a> <a href="ex-machina.html">Bottom of the drink: they had</a> <a href="exasperated.html">I didn’t write this sestina yesterday.</a> <a href="father.html">“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed.</a> <a href="feedingtheraven.html">You never can tell just when Charlie Sheen will enter your life.</a> <a href="finding-the-lion.html">Tonight, as I look up, the stars</a> <a href="fire.html">His mother ran out of the house in her nightgown.</a> <a href="found-typewriter-poem.html">Look, I say—look here—</a> <a href="hands.html">He looked down at his hands idly while he was typing.</a> <a href="hard-game.html">You think building Hoggle’s a hard game?</a> <a href="hardware.html">His mother drove him to the Hardware Store on a Tuesday.</a> <a href="howithappened.html">I was away on vacation when I heard—</a> <a href="howtoread.html">This book is an exploration of life, of all possible lives that could be lived.</a> <a href="hymnal.html"><em>It’s all jokes</em> Paul wrote in what he was now calling his Hymnal.</a> <a href="i-am.html">I am a great pillar of white smoke.</a> <a href="i-think-its-you.html">I thought I saw you walking</a> <a href="i-want-to-say.html">I want to say I take it all back</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something in order to</a> <a href="in-bed.html">I hear the rats run</a> <a href="initial-conditions.html">There is a theory which states the Universe</a> <a href="january.html">January.</a> <a href="joke.html">He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook.</a> <a href="lappel-du-vide.html">Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.</a> <a href="largest-asteroid.html">What secrets does it hold?</a> <a href="last-bastion.html">Dimly remembered celebrity chefs shuffle</a> <a href="last-passenger.html">Memory works strangely, spooling its thread</a> <a href="leaf.html">He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.</a> <a href="leg.html">His first chair was a stool.</a> <a href="likingthings.html">The definition of happiness is <em>doing stuff that you really like</em>.</a> <a href="listen.html">If you swallow hard enough</a> <a href="love-as-god.html">God is love, they say, but there is</a> <a href="lovesong.html">Walking along in the dark is a good way to begin a song.</a> <a href="man.html"><em>THIS MAN REFUSED TO OPEN HIS EYES</em></a> <a href="manifesto_poetics.html">What is a poem?</a> <a href="moon-drowning.html">The moon is drowning the stars it pushes them</a> <a href="moongone.html">The moon is gone and in its place a mirror.</a> <a href="mountain.html">The other side of this mountain</a> <a href="movingsideways.html">A dog moving sideways is sick; a man moving sideways is drunk.</a> <a href="music-433.html">Silence lies underneath us all in the same way</a> <a href="no-nothing.html">While swimming in the river</a> <a href="notes.html">Paul began typing on notecards.</a> <a href="nothing-is-ever-over.html">Nothing is ever over; nothing</a> <a href="on-genre-dimension.html">How does one describe a poem?</a> <a href="onformalpoetry.html">I think that I could write formal poems</a> <a href="options.html">What did he do when he was in the woods?</a> <a href="ouroboros_memory.html">He said at the beginning, “It’s like rolling yarn into a too-small ball.</a> <a href="paul.html">CONTENTS OF THE SHED</a> <a href="peaches.html">“My anger is like a peach,” he said.</a> <a href="philosophy.html">Importance is important.</a> <a href="phone.html">“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s.</a> <a href="planks.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="plant.html">I need a plant. I need a thing</a> <a href="poetry-time.html">I’m writing this now because I have to.</a> <a href="prelude.html">Of course, there is a God.</a> <a href="problems.html">The problem with people is this: we cannot be happy.</a> <a href="process.html"><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="proverbs.html">Nothing matters; everything is sacred.</a> <a href="punch.html">When he finally got back to work he was surprised they threw him a party.</a> <a href="purpose-dogs.html">Okay, so as we said in the Prelude, there either is or isn’t a God.</a> <a href="question.html">“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work.</a> <a href="real-writer.html">Sometimes I feel as though I am not a real writer.</a> <a href="reports.html">“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.</a> <a href="riptide_memory.html">Inside of my memory, the poem is another memory.</a> <a href="ronaldmcdonald.html">When Ronald McDonald takes off his striped shirt,</a> <a href="roughgloves.html">I lost my hands & knit replacement ones</a> <a href="sapling.html">He chopped down a sapling pine tree and looked at his watch.</a> <a href="seasonal-affective-disorder.html">On your desk I set a tangerine:</a> <a href="sense-of-it.html">I only write poems on the bus anymore.</a> <a href="serengeti.html">The self is a serengeti</a> <a href="shed.html">“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV.</a> <a href="shipwright.html">He builds a ship as if it were the last thing</a> <a href="sixteenth-chapel.html">If Justin Bieber isn’t going for the sixteenth</a> <a href="snow.html"><em>I don’t care if they burn</em> he wrote on his last blank notecard.</a> <a href="something-simple.html">in mammals the ratio between bladder size</a> <a href="spittle.html">My body is attached to your body by a thin spittle of thought.</a> <a href="squirrel.html">He is so full in himself:</a> <a href="stagnant.html">“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work.</a> <a href="statements-frag.html">“Can one truly describe an emotion?” Eli asked me over the walkie-talkie.</a> <a href="stayed-on-the-bus.html">It was a gamble</a> <a href="stump.html">He walked into the woods for the first time in months.</a> <a href="swansong-alt.html">This poem is dry like chapped lips.</a> <a href="swansong.html">Swans fly overhead singing goodbye</a> <a href="swear.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a> <a href="table_contents.html">4. The look she gave me 4. Half-hours in heaven are three times</a> <a href="tapestry.html">_Apparently typewriters need ribbon.</a> <a href="telemarketer.html">It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.</a> <a href="the-night-we-met.html">My head is full of fire, my tongue swollen,</a> <a href="the-sea_the-beach.html">Waiting for a reading to start</a> <a href="theoceanoverflowswithcamels.html">We found your shirt deep in the dark water,</a> <a href="time-looks-up-to-the-sky.html">I wish I’d kissed you when I had the chance.</a> <a href="todaniel.html">There are more modern ideals of beauty</a> <a href="toilet.html">Paul only did his reading on the toilet.</a> <a href="toothpaste.html">He couldn’t find a shirt to go to work in.</a> <a href="treatise.html">TREATISE ON LITERATURE AS “SPOOKY</a> <a href="underwear.html">He dropped the penny in the dryer, turned it on, and turned around.</a> <a href="walking-in-the-rain.html">I can walk through the rain, that rare occurrence</a> <a href="wallpaper.html">He didn’t go back into the shed for a long time.</a> <a href="weplayedthosegamestoo.html">I saw two Eskimo girls playing a game</a> <a href="what-we-are-made-of.html">There is a cave just outside of Flagstaff made from ancient lava flows.</a> <a href="when-im-sorry-i.html">Your casserole dish takes the longest:</a> <a href="window.html"><em><strong>HYMN 386: JOKES</strong></em></a> <a href="words-irritable-reaching.html">Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.</a> <a href="words-meaning.html">“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.”</a> <a href="worse-looking-over.html">The radio is screaming the man</a> <a href="writing.html">He sat down at his writing desk and removed his new pen from its plastic wrapping.</a> <a href="x-ray.html">While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out.</a> <a href="yellow.html">He would enter data at work for fifty minutes and then go on break.</a></p> | 39 | <p><a href="about-the-author.html">He was born on a few separate occasions <em>green traffic lights at night</em></a> <a href="about.html"><em>Autocento of the breakfast table</em> is a hypertextual exploration of the workings of revision across time.</a> <a href="about_author.html">Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.</a> <a href="abstract.html"><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="amber-alert.html">Lost things have a way of staying lost.</a> <a href="and.html">And you were there at the start of it all</a> <a href="angeltoabraham.html">Abraham, Abraham, you are old and cannot hear:</a> <a href="apollo11.html">So it’s the fucking moon. Big deal. As if</a> <a href="arspoetica.html">What is poetry?</a> <a href="art.html">Paul was writing in his diary about art.</a> <a href="axe.html">Paul took his axe and went out into the woods to chop trees.</a> <a href="big-dipper.html">After searching for days or even months</a> <a href="boar.html">Now the ticking clocks scare me.</a> <a href="boy_bus.html">When he said Bible I heard his southern accent</a> <a href="building.html">_ART and CRAFT are only the inside and outside of the same building.</a> <a href="call-me-aural-pleasure.html">Like <em>40</em> as I challenge anyone to come too!</a> <a href="cereal.html">He woke up after eleven and didn’t go outside all day, not even to his Writing Shack.</a> <a href="cold-wind.html">Man of autumn, cold wind,</a> <a href="collage-instrument.html"><code>tr</code> has been a part of the Unix toolset since the late 70s.</a> <a href="creation-myth.html">So two hyperintelligent pandimensional beings</a> <a href="deadman.html">The dead man finds his way into our hearts</a> <a href="death-zone.html">When I think of death I think</a> <a href="deathstrumpet.html">He didn’t have any polish so he spit-shined the whole thing</a> <a href="dollywood.html">I turned off the TV as soon as the end credits began.</a> <a href="dream.html">It had gotten cold.</a> <a href="early.html"><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother watched TV and smoked.</a> <a href="elegyforanalternateself.html">Say there are no words. Say that we are conjoined</a> <a href="epigraph.html">I saw my life branching out before me like the green fig tree in the story.</a> <a href="ex-machina.html">Bottom of the drink: they had</a> <a href="exasperated.html">I didn’t write this sestina yesterday.</a> <a href="father.html">“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed.</a> <a href="feedingtheraven.html">You never can tell just when Charlie Sheen will enter your life.</a> <a href="finding-the-lion.html">Tonight, as I look up, the stars</a> <a href="fire.html">His mother ran out of the house in her nightgown.</a> <a href="found-typewriter-poem.html">Look, I say—look here—</a> <a href="hands.html">He looked down at his hands idly while he was typing.</a> <a href="hard-game.html">You think building Hoggle’s a hard game?</a> <a href="hardware.html">His mother drove him to the Hardware Store on a Tuesday.</a> <a href="howithappened.html">I was away on vacation when I heard—</a> <a href="howtoread.html">This book is an exploration of life, of all possible lives that could be lived.</a> <a href="hymnal.html"><em>It’s all jokes</em> Paul wrote in what he was now calling his Hymnal.</a> <a href="i-am.html">I am a great pillar of white smoke.</a> <a href="i-think-its-you.html">I thought I saw you walking</a> <a href="i-want-to-say.html">I want to say I take it all back</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something in order to</a> <a href="in-bed.html">I hear the rats run</a> <a href="initial-conditions.html">There is a theory which states the Universe</a> <a href="january.html">January.</a> <a href="joke.html">He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook.</a> <a href="lappel-du-vide.html">Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.</a> <a href="largest-asteroid.html">What secrets does it hold?</a> <a href="last-bastion.html">Dimly remembered celebrity chefs shuffle</a> <a href="last-passenger.html">Memory works strangely, spooling its thread</a> <a href="leaf.html">He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.</a> <a href="leg.html">His first chair was a stool.</a> <a href="likingthings.html">The definition of happiness is <em>doing stuff that you really like</em>.</a> <a href="listen.html">If you swallow hard enough</a> <a href="love-as-god.html">God is love, they say, but there is</a> <a href="lovesong.html">Walking along in the dark is a good way to begin a song.</a> <a href="man.html"><em>THIS MAN REFUSED TO OPEN HIS EYES</em></a> <a href="manifesto_poetics.html">What is a poem?</a> <a href="moon-drowning.html">The moon is drowning the stars it pushes them</a> <a href="moongone.html">The moon is gone and in its place a mirror.</a> <a href="mountain.html">The other side of this mountain</a> <a href="movingsideways.html">A dog moving sideways is sick; a man moving sideways is drunk.</a> <a href="music-433.html">Silence lies underneath us all in the same way</a> <a href="no-nothing.html">While swimming in the river</a> <a href="notes.html">Paul began typing on notecards.</a> <a href="nothing-is-ever-over.html">Nothing is ever over; nothing</a> <a href="on-genre-dimension.html">How does one describe a poem?</a> <a href="one-hundred-lines.html">Whenever you call me friend</a> <a href="onformalpoetry.html">I think that I could write formal poems</a> <a href="options.html">What did he do when he was in the woods?</a> <a href="ouroboros_memory.html">He said at the beginning, “It’s like rolling yarn into a too-small ball.</a> <a href="paul.html">CONTENTS OF THE SHED</a> <a href="peaches.html">“My anger is like a peach,” he said.</a> <a href="philosophy.html">Importance is important.</a> <a href="phone.html">“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s.</a> <a href="planks.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="plant.html">I need a plant. I need a thing</a> <a href="poetry-time.html">I’m writing this now because I have to.</a> <a href="prelude.html">Of course, there is a God.</a> <a href="problems.html">The problem with people is this: we cannot be happy.</a> <a href="process.html"><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="proverbs.html">Nothing matters; everything is sacred.</a> <a href="punch.html">When he finally got back to work he was surprised they threw him a party.</a> <a href="purpose-dogs.html">Okay, so as we said in the Prelude, there either is or isn’t a God.</a> <a href="question.html">“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work.</a> <a href="real-writer.html">Sometimes I feel as though I am not a real writer.</a> <a href="reports.html">“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.</a> <a href="riptide_memory.html">Inside of my memory, the poem is another memory.</a> <a href="ronaldmcdonald.html">When Ronald McDonald takes off his striped shirt,</a> <a href="roughgloves.html">I lost my hands & knit replacement ones</a> <a href="sapling.html">He chopped down a sapling pine tree and looked at his watch.</a> <a href="seasonal-affective-disorder.html">On your desk I set a tangerine:</a> <a href="sense-of-it.html">I only write poems on the bus anymore.</a> <a href="serengeti.html">The self is a serengeti</a> <a href="shed.html">“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV.</a> <a href="shipwright.html">He builds a ship as if it were the last thing</a> <a href="sixteenth-chapel.html">If Justin Bieber isn’t going for the sixteenth</a> <a href="snow.html"><em>I don’t care if they burn</em> he wrote on his last blank notecard.</a> <a href="something-simple.html">in mammals the ratio between bladder size</a> <a href="spittle.html">My body is attached to your body by a thin spittle of thought.</a> <a href="squirrel.html">He is so full in himself:</a> <a href="stagnant.html">“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work.</a> <a href="statements-frag.html">“Can one truly describe an emotion?” Eli asked me over the walkie-talkie.</a> <a href="stayed-on-the-bus.html">It was a gamble</a> <a href="stump.html">He walked into the woods for the first time in months.</a> <a href="swansong-alt.html">This poem is dry like chapped lips.</a> <a href="swansong.html">Swans fly overhead singing goodbye</a> <a href="swear.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a> <a href="table_contents.html">4. The look she gave me 4. Half-hours in heaven are three times</a> <a href="tapestry.html">_Apparently typewriters need ribbon.</a> <a href="telemarketer.html">It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.</a> <a href="the-night-we-met.html">My head is full of fire, my tongue swollen,</a> <a href="the-sea_the-beach.html">Waiting for a reading to start</a> <a href="theoceanoverflowswithcamels.html">We found your shirt deep in the dark water,</a> <a href="time-looks-up-to-the-sky.html">I wish I’d kissed you when I had the chance.</a> <a href="todaniel.html">There are more modern ideals of beauty</a> <a href="toilet.html">Paul only did his reading on the toilet.</a> <a href="toothpaste.html">He couldn’t find a shirt to go to work in.</a> <a href="treatise.html">TREATISE ON LITERATURE AS “SPOOKY</a> <a href="underwear.html">He dropped the penny in the dryer, turned it on, and turned around.</a> <a href="walking-in-the-rain.html">I can walk through the rain, that rare occurrence</a> <a href="wallpaper.html">He didn’t go back into the shed for a long time.</a> <a href="weplayedthosegamestoo.html">I saw two Eskimo girls playing a game</a> <a href="what-we-are-made-of.html">There is a cave just outside of Flagstaff made from ancient lava flows.</a> <a href="when-im-sorry-i.html">Your casserole dish takes the longest:</a> <a href="window.html"><em><strong>HYMN 386: JOKES</strong></em></a> <a href="words-irritable-reaching.html">Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.</a> <a href="words-meaning.html">“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.”</a> <a href="worse-looking-over.html">The radio is screaming the man</a> <a href="writing.html">He sat down at his writing desk and removed his new pen from its plastic wrapping.</a> <a href="x-ray.html">While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out.</a> <a href="yellow.html">He would enter data at work for fifty minutes and then go on break.</a> <a href="trunk/first-lines.html"></a></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| diff --git a/first-lines.txt b/first-lines.txt index c24b9a7..ec6f01c 100644 --- a/first-lines.txt +++ b/first-lines.txt | |||
| @@ -15,7 +15,6 @@ project: | |||
| 15 | link: common-titles | 15 | link: common-titles |
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| 18 | [Whenever you call me friend](100-lines.html) | ||
| 19 | [He was born on a few separate occasions _green traffic lights at night_](about-the-author.html) | 18 | [He was born on a few separate occasions _green traffic lights at night_](about-the-author.html) |
| 20 | [_Autocento of the breakfast table_ is a hypertextual exploration of the workings of revision across time.](about.html) | 19 | [_Autocento of the breakfast table_ is a hypertextual exploration of the workings of revision across time.](about.html) |
| 21 | [Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.](about_author.html) | 20 | [Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.](about_author.html) |
| @@ -36,9 +35,9 @@ project: | |||
| 36 | [Man of autumn, cold wind,](cold-wind.html) | 35 | [Man of autumn, cold wind,](cold-wind.html) |
| 37 | [`tr` has been a part of the Unix toolset since the late 70s.](collage-instrument.html) | 36 | [`tr` has been a part of the Unix toolset since the late 70s.](collage-instrument.html) |
| 38 | [So two hyperintelligent pandimensional beings](creation-myth.html) | 37 | [So two hyperintelligent pandimensional beings](creation-myth.html) |
| 39 | [A dead man finds his way into our hearts](deadman.html) | 38 | [The dead man finds his way into our hearts](deadman.html) |
| 40 | [When I think of death I think](death-zone.html) | 39 | [When I think of death I think](death-zone.html) |
| 41 | [He didn't have any polish so he spit-shined the whole thing,](deathstrumpet.html) | 40 | [He didn't have any polish so he spit-shined the whole thing](deathstrumpet.html) |
| 42 | [I turned off the TV as soon as the end credits began.](dollywood.html) | 41 | [I turned off the TV as soon as the end credits began.](dollywood.html) |
| 43 | [It had gotten cold.](dream.html) | 42 | [It had gotten cold.](dream.html) |
| 44 | [_YOU CANNOT DISCOVER ART ART MUST BE CREATED_ he sat on the couch at home while his mother watched TV and smoked.](early.html) | 43 | [_YOU CANNOT DISCOVER ART ART MUST BE CREATED_ he sat on the couch at home while his mother watched TV and smoked.](early.html) |
| @@ -86,6 +85,7 @@ project: | |||
| 86 | [Paul began typing on notecards.](notes.html) | 85 | [Paul began typing on notecards.](notes.html) |
| 87 | [Nothing is ever over; nothing](nothing-is-ever-over.html) | 86 | [Nothing is ever over; nothing](nothing-is-ever-over.html) |
| 88 | [How does one describe a poem?](on-genre-dimension.html) | 87 | [How does one describe a poem?](on-genre-dimension.html) |
| 88 | [Whenever you call me friend](one-hundred-lines.html) | ||
| 89 | [I think that I could write formal poems](onformalpoetry.html) | 89 | [I think that I could write formal poems](onformalpoetry.html) |
| 90 | [What did he do when he was in the woods?](options.html) | 90 | [What did he do when he was in the woods?](options.html) |
| 91 | [He said at the beginning, "It's like rolling yarn into a too-small ball.](ouroboros_memory.html) | 91 | [He said at the beginning, "It's like rolling yarn into a too-small ball.](ouroboros_memory.html) |
| @@ -126,7 +126,7 @@ project: | |||
| 126 | [This poem is dry like chapped lips.](swansong-alt.html) | 126 | [This poem is dry like chapped lips.](swansong-alt.html) |
| 127 | [Swans fly overhead singing goodbye](swansong.html) | 127 | [Swans fly overhead singing goodbye](swansong.html) |
| 128 | [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME](swear.html) | 128 | [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME](swear.html) |
| 129 | [4. The look she gave me 4. Half-hours in heaven are three times](table_contents.html) | 129 | [ 4. The look she gave me 4. Half-hours in heaven are three times](table_contents.html) |
| 130 | [_Apparently typewriters need ribbon.](tapestry.html) | 130 | [_Apparently typewriters need ribbon.](tapestry.html) |
| 131 | [It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.](telemarketer.html) | 131 | [It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.](telemarketer.html) |
| 132 | [My head is full of fire, my tongue swollen,](the-night-we-met.html) | 132 | [My head is full of fire, my tongue swollen,](the-night-we-met.html) |
| @@ -150,3 +150,4 @@ project: | |||
| 150 | [He sat down at his writing desk and removed his new pen from its plastic wrapping.](writing.html) | 150 | [He sat down at his writing desk and removed his new pen from its plastic wrapping.](writing.html) |
| 151 | [While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he'd never heard before cried out.](x-ray.html) | 151 | [While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he'd never heard before cried out.](x-ray.html) |
| 152 | [He would enter data at work for fifty minutes and then go on break.](yellow.html) | 152 | [He would enter data at work for fifty minutes and then go on break.](yellow.html) |
| 153 | [](trunk/first-lines.html) | ||
| diff --git a/hapax.html b/hapax.html deleted file mode 100644 index 0a20553..0000000 --- a/hapax.html +++ /dev/null | |||
| @@ -1,57 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
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| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
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| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
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| 21 | <![endif]--> | ||
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| 23 | <body id="hapax" class="meta"> | ||
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| 26 | <article class="container"> | ||
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| 29 | <h1 class="title">Autocento of the breakfast table</h1> | ||
| 30 | <h1 class="subtitle">hapax legomena</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content prose"> | ||
| 39 | <p><a href="todaniel.html">’05</a> <a href="ouroboros_memory.html">’do</a> <a href="art.html">’i</a> <a href="ouroboros_memory.html">’none</a> <a href="telemarketer.html">’r</a> <a href="sapling.html">’the</a> <a href="punch.html">’there</a> <a href="sapling.html">‘they’</a> <a href="early.html">’this</a> <a href="poetry-time.html">0</a> <a href="table_contents.html">1</a> <a href="100-lines.html">100</a> <a href="dollywood.html">19</a> <a href="on-genre-dimension.html">1970s</a> <a href="collage-instrument.html">1977</a> <a href="about-the-author.html">1994</a> <a href="about_author.html">1997</a> <a href="dollywood.html">20</a> <a href="howtoread.html">2000</a> <a href="todaniel.html">2006</a> <a href="man.html">203</a> <a href="man.html">22</a> <a href="man.html">28</a> <a href="paul.html">2x</a> <a href="dollywood.html">30</a> <a href="dollywood.html">32</a> <a href="music-433.html">33</a> <a href="call-me-aural-pleasure.html">4/10</a> <a 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<a href="collage-instrument.html">technology</a> <a href="hands.html">teenager</a> <a href="movingsideways.html">teenagers</a> <a href="telemarketer.html">telemarketer</a> <a href="telemarketer.html">telemarketing</a> <a href="real-writer.html">television</a> <a href="creation-myth.html">tender</a> <a href="on-genre-dimension.html">tends</a> <a href="planks.html">tentative</a> <a href="poetry-time.html">tenuous</a> <a href="dollywood.html">tenure</a> <a href="likingthings.html">term</a> <a href="telemarketer.html">terminates</a> <a href="ex-machina.html">termination</a> <a href="angeltoabraham.html">test</a> <a href="collage-instrument.html">tether</a> <a href="words-meaning.html">tethered</a> <a href="last-bastion.html">tex</a> <a href="reports.html">thanks</a> <a href="last-passenger.html">thaw</a> <a href="manifesto_poetics.html">thematic</a> <a href="manifesto_poetics.html">thematic/emotional/personal</a> <a href="collage-instrument.html">theories</a> <a href="x-ray.html">therapy</a> <a href="love-as-god.html">therefore</a> <a href="apollo11.html">theses</a> <a href="lappel-du-vide.html">they’d</a> <a href="shipwright.html">thick</a> <a href="in-bed.html">thickens</a> <a href="roughgloves.html">thigh</a> <a href="deathstrumpet.html">thinks</a> <a href="riptide_memory.html">thirst</a> <a href="arspoetica.html">thoroughly</a> <a href="words-irritable-reaching.html">thou</a> <a href="plant.html">thousands</a> <a href="about_author.html">threat</a> <a href="toilet.html">three-dimensional</a> <a href="dollywood.html">three-fingered</a> <a href="statements-frag.html">three-message</a> <a href="last-passenger.html">throats</a> <a href="and.html">throng</a> <a href="x-ray.html">thud</a> <a href="writing.html">thumb</a> <a href="purpose-dogs.html">thumbed</a> <a href="dollywood.html">thumbing</a> <a href="100-lines.html">thumping</a> <a href="snow.html">thundercloud</a> <a href="feedingtheraven.html">thursday</a> <a href="words-irritable-reaching.html">thuya</a> <a href="spittle.html">tidal</a> <a href="manifesto_poetics.html">ties</a> <a href="what-we-are-made-of.html">tiger</a> <a href="manifesto_poetics.html">tighten</a> <a href="time-looks-up-to-the-sky.html">tightens</a> <a href="i-wanted-to-tell-you-something.html">til</a> <a href="paul.html">tiller</a> <a href="man.html">tilted</a> <a href="dollywood.html">tim</a> <a href="dollywood.html">timber</a> <a href="shipwright.html">timbers</a> <a href="phone.html">tin</a> <a href="howtoread.html">tinker</a> <a href="phone.html">tinny</a> <a href="epigraph.html">tip</a> <a href="man.html">titled</a> <a href="todaniel.html">titles</a> <a href="last-passenger.html">toes</a> <a href="sixteenth-chapel.html">toil</a> <a href="what-we-are-made-of.html">toilet-water</a> <a href="table_contents.html">toll</a> <a href="proverbs.html">tom</a> <a href="fire.html">tone</a> <a href="plant.html">tongues</a> <a href="planks.html">too-hot</a> <a href="ouroboros_memory.html">too-small</a> <a href="collage-instrument.html">toolset</a> <a href="peaches.html">tooth</a> <a href="art.html">topic</a> <a href="stump.html">torn</a> <a href="nothing-is-ever-over.html">torturous</a> <a href="manifesto_poetics.html">totals</a> <a href="dollywood.html">tourist</a> <a href="telemarketer.html">tourists</a> <a href="writing.html">towels</a> <a href="hardware.html">towering</a> <a href="boar.html">towers</a> <a href="man.html">town</a> <a href="proverbs.html">tracked</a> <a href="on-genre-dimension.html">traditional</a> <a href="collage-instrument.html">tragic</a> <a href="call-me-aural-pleasure.html">train</a> <a href="ex-machina.html">trains</a> <a href="hymnal.html">trait</a> <a href="manifesto_poetics.html">transacted</a> <a href="manifesto_poetics.html">transaction</a> <a href="what-we-are-made-of.html">transferring</a> <a href="collage-instrument.html">translate</a> <a href="collage-instrument.html">transliterate</a> <a href="manifesto_poetics.html">transmit</a> <a href="moon-drowning.html">trap</a> <a href="ex-machina.html">trash</a> <a href="reports.html">trashcan</a> <a href="words-meaning.html">trauma</a> <a href="largest-asteroid.html">travel</a> <a href="table_contents.html">traveler</a> <a href="likingthings.html">treat</a> <a href="toilet.html">treatise</a> <a href="cold-wind.html">trees’</a> <a href="death-zone.html">trellis</a> <a href="lappel-du-vide.html">trench</a> <a href="what-we-are-made-of.html">triangle</a> <a href="about_author.html">trichinosis</a> <a href="peaches.html">trigger</a> <a href="words-irritable-reaching.html">triggering</a> <a href="i-want-to-say.html">trip</a> <a href="i-want-to-say.html">trips</a> <a href="arspoetica.html">tropical</a> <a href="dollywood.html">trotted</a> <a href="the-sea_the-beach.html">troubles</a> <a href="peaches.html">trousers</a> <a href="hardware.html">tuesday</a> <a href="weplayedthosegamestoo.html">tundra</a> <a href="movingsideways.html">tune-up</a> <a href="yellow.html">tupperware</a> <a href="exasperated.html">twenty-two</a> <a href="stump.html">twilight</a> <a href="weplayedthosegamestoo.html">twins</a> <a href="telemarketer.html">twirling</a> <a href="toilet.html">two-dimensional</a> <a href="telemarketer.html">uh</a> <a href="words-meaning.html">ultimate</a> <a href="telemarketer.html">um</a> <a href="telemarketer.html">unaccustomed</a> <a href="what-we-are-made-of.html">unacknowledged</a> <a href="telemarketer.html">unadorned</a> <a href="love-as-god.html">unanswerable</a> <a href="cold-wind.html">uncareful</a> <a href="on-genre-dimension.html">uncomfortable</a> <a href="phone.html">uncomortably</a> <a href="serengeti.html">uncovering</a> <a href="the-sea_the-beach.html">under-the-skin</a> <a href="dollywood.html">underarmour</a> <a href="plant.html">underground</a> <a href="about_author.html">underprivileged</a> <a href="reports.html">understandably</a> <a href="dollywood.html">unease</a> <a href="leg.html">uneven</a> <a href="initial-conditions.html">unfold</a> <a href="plant.html">unfurling</a> <a href="peaches.html">unharmed</a> <a href="toothpaste.html">unidentifiable</a> <a href="fire.html">uniform</a> <a href="manifesto_poetics.html">universal</a> <a href="howtoread.html">universality</a> <a href="collage-instrument.html">unix</a> <a href="collage-instrument.html">unix-based</a> <a href="nothing-is-ever-over.html">unmade</a> <a href="howtoread.html">unpack</a> <a href="collage-instrument.html">unreliable</a> <a href="howtoread.html">unsatisfying</a> <a href="howtoread.html">unsayable</a> <a href="ouroboros_memory.html">unsolvable</a> <a href="dollywood.html">unzipped</a> <a href="sapling.html">upholstery</a> <a href="about-the-author.html">ups</a> <a href="i-want-to-say.html">upstate</a> <a href="what-we-are-made-of.html">urban</a> <a href="something-simple.html">urethra</a> <a href="telemarketer.html">urge</a> <a href="time-looks-up-to-the-sky.html">urn</a> <a href="words-irritable-reaching.html">utterance</a> <a href="collage-instrument.html">utterly</a> <a href="in-bed.html">v</a> <a href="howithappened.html">vacation</a> <a href="moongone.html">vaguely</a> <a href="call-me-aural-pleasure.html">valhalla</a> <a href="mountain.html">valley</a> <a href="plant.html">valleys</a> <a href="on-genre-dimension.html">value</a> <a href="words-irritable-reaching.html">valve</a> <a href="deathstrumpet.html">vampire</a> <a href="window.html">vanishes</a> <a href="collage-instrument.html">variables</a> <a href="plant.html">venom</a> <a href="largest-asteroid.html">veranda</a> <a href="proverbs.html">verses</a> <a href="punch.html">versions</a> <a href="telemarketer.html">vertical</a> <a href="call-me-aural-pleasure.html">verulam</a> <a href="toothpaste.html">vest</a> <a href="spittle.html">vestigial</a> <a href="likingthings.html">vet</a> <a href="in-bed.html">vi</a> <a href="collage-instrument.html">vicious</a> <a href="moongone.html">viewed</a> <a href="moongone.html">viewer’s</a> <a href="in-bed.html">vii</a> <a href="in-bed.html">viii</a> <a href="deathstrumpet.html">vine</a> <a href="toothpaste.html">vinegar</a> <a href="toothpaste.html">visible</a> <a href="on-genre-dimension.html">visual</a> <a href="words-meaning.html">vitro</a> <a href="weplayedthosegamestoo.html">vocal</a> <a href="sapling.html">vocation</a> <a href="movingsideways.html">vogue</a> <a href="weplayedthosegamestoo.html">voicebox</a> <a href="about_author.html">voiced</a> <a href="on-genre-dimension.html">volume</a> <a href="howtoread.html">voluminous</a> <a href="howtoread.html">vonnegut</a> <a href="call-me-aural-pleasure.html">vote</a> <a href="proverbs.html">wagging</a> <a href="no-nothing.html">wailful</a> <a href="dollywood.html">waists</a> <a href="window.html">waits</a> <a href="100-lines.html">waking</a> <a href="about-the-author.html">walgreen’s</a> <a href="swansong.html">walkers</a> <a href="movingsideways.html">wandered</a> <a href="table_contents.html">wandering</a> <a href="call-me-aural-pleasure.html">wanna</a> <a href="plant.html">warbling</a> <a href="january.html">ward</a> <a href="cereal.html">warm-cold</a> <a href="no-nothing.html">warmer</a> <a href="no-nothing.html">warmth</a> <a href="telemarketer.html">warning</a> <a href="what-we-are-made-of.html">warthog</a> <a href="sixteenth-chapel.html">wary</a> <a href="cereal.html">washer</a> <a href="last-bastion.html">waste</a> <a href="worse-looking-over.html">wasted</a> <a href="shed.html">wasting</a> <a href="hard-game.html">wastrel’s</a> <a href="cold-wind.html">watcher</a> <a href="deathstrumpet.html">watches</a> <a href="plant.html">waterlike</a> <a href="howithappened.html">waters</a> <a href="spittle.html">watery-eyed</a> <a href="dollywood.html">waved</a> <a href="window.html">wavered</a> <a href="lappel-du-vide.html">waving</a> <a href="initial-conditions.html">weak</a> <a href="plant.html">weary</a> <a href="likingthings.html">weave</a> <a href="exasperated.html">weaving</a> <a href="on-genre-dimension.html">web</a> <a href="lappel-du-vide.html">wednesday</a> <a href="peaches.html">weed</a> <a href="reports.html">weekend</a> <a href="ronaldmcdonald.html">weekends</a> <a href="about_author.html">welker</a> <a href="feedingtheraven.html">welling</a> <a href="plant.html">wetly</a> <a href="last-passenger.html">wetness</a> <a href="what-we-are-made-of.html">what-do-we-do-now</a> <a href="deadman.html">wheeling</a> <a href="last-bastion.html">wheels</a> <a href="dollywood.html">when’s</a> <a href="100-lines.html">whenever</a> <a href="axe.html">wherever</a> <a href="man.html">whichever</a> <a href="table_contents.html">whinny</a> <a href="plant.html">whisper</a> <a href="time-looks-up-to-the-sky.html">whispered</a> <a href="largest-asteroid.html">whistfully</a> <a href="stagnant.html">whistle</a> <a href="what-we-are-made-of.html">whiteness</a> <a href="howtoread.html">whitman</a> <a href="howtoread.html">whitman-esque</a> <a href="leg.html">whittle</a> <a href="leg.html">whittled</a> <a href="exasperated.html">who’d</a> <a href="angeltoabraham.html">whom</a> <a href="what-we-are-made-of.html">wicker</a> <a href="plant.html">widening</a> <a href="dollywood.html">widgets</a> <a href="100-lines.html">wild</a> <a href="sense-of-it.html">willed</a> <a href="hardware.html">william</a> <a href="words-irritable-reaching.html">willows</a> <a href="likingthings.html">win</a> <a href="words-irritable-reaching.html">wind’s</a> <a href="plant.html">windblown</a> <a href="last-bastion.html">windows</a> <a href="call-me-aural-pleasure.html">wine</a> <a href="seasonal-affective-disorder.html">winter-returned</a> <a href="roughgloves.html">winters</a> <a href="about-the-author.html">wintery</a> <a href="words-irritable-reaching.html">wire</a> <a href="manifesto_poetics.html">wireframe</a> <a href="exasperated.html">wishful</a> <a href="dollywood.html">wisps</a> <a href="statements-frag.html">withdrew</a> <a href="leg.html">wobbly</a> <a href="problems.html">women’s</a> <a href="epigraph.html">wonderful</a> <a href="paul.html">wooden</a> <a href="wallpaper.html">woodgrain</a> <a href="roughgloves.html">wool</a> <a href="on-genre-dimension.html">word-picture</a> <a href="peaches.html">worked</a> <a href="telemarketer.html">workers</a> <a href="plant.html">worldmaking</a> <a href="howtoread.html">worlds</a> <a href="plant.html">wormilled</a> <a href="plant.html">worms</a> <a href="movingsideways.html">worry</a> <a href="i-am.html">worship</a> <a href="on-genre-dimension.html">worth</a> <a href="i-am.html">wound</a> <a href="plant.html">wounds</a> <a href="riptide_memory.html">woven</a> <a href="statements-frag.html">wrap-up</a> <a href="paul.html">wrench</a> <a href="100-lines.html">wrestling</a> <a href="about-the-author.html">wriggled</a> <a href="epigraph.html">wrinkle</a> <a href="nothing-is-ever-over.html">wrists</a> <a href="words-irritable-reaching.html">writers</a> <a href="peaches.html">writers’</a> <a href="x-ray.html">x-ray</a> <a href="x-ray.html">x-rays</a> <a href="collage-instrument.html">xenophobia</a> <a href="the-sea_the-beach.html">yawn</a> <a href="what-we-are-made-of.html">yawns</a> <a href="call-me-aural-pleasure.html">yeah</a> <a href="sixteenth-chapel.html">year-old</a> <a href="100-lines.html">yearning</a> <a href="howtoread.html">yearnings</a> <a href="poetry-time.html">yearns</a> <a href="manifesto_poetics.html">yeats</a> <a href="dollywood.html">yell</a> <a href="joke.html">yelling</a> <a href="plant.html">yellowshot</a> <a href="on-genre-dimension.html">yes-or-no</a> <a href="exasperated.html">yesterday</a> <a href="moongone.html">yields</a> <a href="100-lines.html">yoke</a> <a href="last-passenger.html">yoked</a> <a href="what-we-are-made-of.html">yolks</a> <a href="plant.html">youngnesses</a> <a href="sixteenth-chapel.html">youth</a> <a href="sixteenth-chapel.html">youthful</a> <a href="dollywood.html">zipped</a> <a href="dollywood.html">zipper</a> <a href="death-zone.html">zone</a> <a href="shed.html">zoom</a> <a href="last-passenger.html">zoos</a></p> | ||
| 40 | </section> | ||
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | |||
| 44 | <!-- ANCHORS --> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="hapax_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">∝</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | </nav> | ||
| 54 | |||
| 55 | |||
| 56 | </body> | ||
| 57 | </html> | ||
| diff --git a/hapax.txt b/hapax.txt index 19d609e..f1d327d 100644 --- a/hapax.txt +++ b/hapax.txt | |||
| @@ -26,7 +26,6 @@ project: | |||
| 26 | [//autocento](process.html) | 26 | [//autocento](process.html) |
| 27 | [0](poetry-time.html) | 27 | [0](poetry-time.html) |
| 28 | [1](table_contents.html) | 28 | [1](table_contents.html) |
| 29 | [100](100-lines.html) | ||
| 30 | [19](dollywood.html) | 29 | [19](dollywood.html) |
| 31 | [1970s](on-genre-dimension.html) | 30 | [1970s](on-genre-dimension.html) |
| 32 | [1977](collage-instrument.html) | 31 | [1977](collage-instrument.html) |
| @@ -59,6 +58,7 @@ project: | |||
| 59 | [absent-mindedly](statements-frag.html) | 58 | [absent-mindedly](statements-frag.html) |
| 60 | [absolute](words-meaning.html) | 59 | [absolute](words-meaning.html) |
| 61 | [absolution](i-want-to-say.html) | 60 | [absolution](i-want-to-say.html) |
| 61 | [abstract](abstract.html) | ||
| 62 | [accent](boy_bus.html) | 62 | [accent](boy_bus.html) |
| 63 | [accentuated](man.html) | 63 | [accentuated](man.html) |
| 64 | [accept](death-zone.html) | 64 | [accept](death-zone.html) |
| @@ -107,7 +107,6 @@ project: | |||
| 107 | [alight](last-passenger.html) | 107 | [alight](last-passenger.html) |
| 108 | [alights](table_contents.html) | 108 | [alights](table_contents.html) |
| 109 | [alike](father.html) | 109 | [alike](father.html) |
| 110 | [alive](building.html) | ||
| 111 | [allen](table_contents.html) | 110 | [allen](table_contents.html) |
| 112 | [allowing](dollywood.html) | 111 | [allowing](dollywood.html) |
| 113 | [aloof](dollywood.html) | 112 | [aloof](dollywood.html) |
| @@ -158,7 +157,7 @@ project: | |||
| 158 | [arson](fire.html) | 157 | [arson](fire.html) |
| 159 | [articlesi](about.html) | 158 | [articlesi](about.html) |
| 160 | [artist's](abstract.html) | 159 | [artist's](abstract.html) |
| 161 | [ascribe](apollo11.html) | 160 | [ascribing](apollo11.html) |
| 162 | [ashbark](plant.html) | 161 | [ashbark](plant.html) |
| 163 | [asleep](riptide_memory.html) | 162 | [asleep](riptide_memory.html) |
| 164 | [aspect](about.html) | 163 | [aspect](about.html) |
| @@ -177,7 +176,6 @@ project: | |||
| 177 | [atlanta's](peaches.html) | 176 | [atlanta's](peaches.html) |
| 178 | [atmosphere](dollywood.html) | 177 | [atmosphere](dollywood.html) |
| 179 | [atom](howtoread.html) | 178 | [atom](howtoread.html) |
| 180 | [atoms](deadman.html) | ||
| 181 | [attached](spittle.html) | 179 | [attached](spittle.html) |
| 182 | [attack](what-we-are-made-of.html) | 180 | [attack](what-we-are-made-of.html) |
| 183 | [attempted](movingsideways.html) | 181 | [attempted](movingsideways.html) |
| @@ -192,9 +190,10 @@ project: | |||
| 192 | [autograph](dollywood.html) | 190 | [autograph](dollywood.html) |
| 193 | [automobile](movingsideways.html) | 191 | [automobile](movingsideways.html) |
| 194 | [average](movingsideways.html) | 192 | [average](movingsideways.html) |
| 193 | [averted](apollo11.html) | ||
| 195 | [avoiding](dollywood.html) | 194 | [avoiding](dollywood.html) |
| 196 | [aw](call-me-aural-pleasure.html) | 195 | [aw](call-me-aural-pleasure.html) |
| 197 | [awake](100-lines.html) | 196 | [awake](one-hundred-lines.html) |
| 198 | [awful](likingthings.html) | 197 | [awful](likingthings.html) |
| 199 | [awk](collage-instrument.html) | 198 | [awk](collage-instrument.html) |
| 200 | [axis](window.html) | 199 | [axis](window.html) |
| @@ -209,7 +208,7 @@ project: | |||
| 209 | [backpacks](dollywood.html) | 208 | [backpacks](dollywood.html) |
| 210 | [backstage](death-zone.html) | 209 | [backstage](death-zone.html) |
| 211 | [badgers](purpose-dogs.html) | 210 | [badgers](purpose-dogs.html) |
| 212 | [bahamas](100-lines.html) | 211 | [bahamas](one-hundred-lines.html) |
| 213 | [baked-in](when-im-sorry-i.html) | 212 | [baked-in](when-im-sorry-i.html) |
| 214 | [baking](death-zone.html) | 213 | [baking](death-zone.html) |
| 215 | [ballads](on-genre-dimension.html) | 214 | [ballads](on-genre-dimension.html) |
| @@ -241,11 +240,12 @@ project: | |||
| 241 | [bear](dollywood.html) | 240 | [bear](dollywood.html) |
| 242 | [bearded](collage-instrument.html) | 241 | [bearded](collage-instrument.html) |
| 243 | [bearing](telemarketer.html) | 242 | [bearing](telemarketer.html) |
| 244 | [beavers](100-lines.html) | 243 | [beavers](one-hundred-lines.html) |
| 245 | [beckoned](epigraph.html) | 244 | [beckoned](epigraph.html) |
| 246 | [beckons](in-bed.html) | 245 | [beckons](in-bed.html) |
| 247 | [bede](man.html) | 246 | [bede](man.html) |
| 248 | [bedside](feedingtheraven.html) | 247 | [bedside](feedingtheraven.html) |
| 248 | [bedsores](deathstrumpet.html) | ||
| 249 | [beer](creation-myth.html) | 249 | [beer](creation-myth.html) |
| 250 | [beetles](in-bed.html) | 250 | [beetles](in-bed.html) |
| 251 | [beggar](time-looks-up-to-the-sky.html) | 251 | [beggar](time-looks-up-to-the-sky.html) |
| @@ -255,12 +255,12 @@ project: | |||
| 255 | [belie](in-bed.html) | 255 | [belie](in-bed.html) |
| 256 | [believable](music-433.html) | 256 | [believable](music-433.html) |
| 257 | [believes](moongone.html) | 257 | [believes](moongone.html) |
| 258 | [bellowing](100-lines.html) | 258 | [bellowing](one-hundred-lines.html) |
| 259 | [bemused](man.html) | 259 | [bemused](man.html) |
| 260 | [ben](call-me-aural-pleasure.html) | 260 | [ben](call-me-aural-pleasure.html) |
| 261 | [bend](time-looks-up-to-the-sky.html) | 261 | [bend](time-looks-up-to-the-sky.html) |
| 262 | [berth](100-lines.html) | 262 | [berth](one-hundred-lines.html) |
| 263 | [beside](100-lines.html) | 263 | [beside](one-hundred-lines.html) |
| 264 | [betray](spittle.html) | 264 | [betray](spittle.html) |
| 265 | [betrays](nothing-is-ever-over.html) | 265 | [betrays](nothing-is-ever-over.html) |
| 266 | [biebs](sixteenth-chapel.html) | 266 | [biebs](sixteenth-chapel.html) |
| @@ -281,6 +281,7 @@ project: | |||
| 281 | [blade](statements-frag.html) | 281 | [blade](statements-frag.html) |
| 282 | [blame](howithappened.html) | 282 | [blame](howithappened.html) |
| 283 | [blamed](dollywood.html) | 283 | [blamed](dollywood.html) |
| 284 | [blankly](apollo11.html) | ||
| 284 | [bleating](angeltoabraham.html) | 285 | [bleating](angeltoabraham.html) |
| 285 | [bleed](initial-conditions.html) | 286 | [bleed](initial-conditions.html) |
| 286 | [blemish](weplayedthosegamestoo.html) | 287 | [blemish](weplayedthosegamestoo.html) |
| @@ -301,6 +302,7 @@ project: | |||
| 301 | [bold](hymnal.html) | 302 | [bold](hymnal.html) |
| 302 | [bolts](words-irritable-reaching.html) | 303 | [bolts](words-irritable-reaching.html) |
| 303 | [bone](problems.html) | 304 | [bone](problems.html) |
| 305 | [bones](deadman.html) | ||
| 304 | [bonfire](options.html) | 306 | [bonfire](options.html) |
| 305 | [bookended](manifesto_poetics.html) | 307 | [bookended](manifesto_poetics.html) |
| 306 | [bookstores](dollywood.html) | 308 | [bookstores](dollywood.html) |
| @@ -322,14 +324,11 @@ project: | |||
| 322 | [bowl](punch.html) | 324 | [bowl](punch.html) |
| 323 | [bowler](likingthings.html) | 325 | [bowler](likingthings.html) |
| 324 | [bowls](cereal.html) | 326 | [bowls](cereal.html) |
| 325 | [boy](deathstrumpet.html) | ||
| 326 | [boy's](boy_bus.html) | 327 | [boy's](boy_bus.html) |
| 327 | [boyscout](deadman.html) | ||
| 328 | [branchcrotch](plant.html) | 328 | [branchcrotch](plant.html) |
| 329 | [branched](plant.html) | 329 | [branched](plant.html) |
| 330 | [branching](epigraph.html) | 330 | [branching](epigraph.html) |
| 331 | [braying](100-lines.html) | 331 | [braying](one-hundred-lines.html) |
| 332 | [breakdown](apollo11.html) | ||
| 333 | [breakroom](yellow.html) | 332 | [breakroom](yellow.html) |
| 334 | [breast](i-wanted-to-tell-you-something.html) | 333 | [breast](i-wanted-to-tell-you-something.html) |
| 335 | [breastbone](theoceanoverflowswithcamels.html) | 334 | [breastbone](theoceanoverflowswithcamels.html) |
| @@ -465,7 +464,6 @@ project: | |||
| 465 | [chapped](swansong-alt.html) | 464 | [chapped](swansong-alt.html) |
| 466 | [charge](plant.html) | 465 | [charge](plant.html) |
| 467 | [charlie](dollywood.html) | 466 | [charlie](dollywood.html) |
| 468 | [chasing](lovesong.html) | ||
| 469 | [chasm](what-we-are-made-of.html) | 467 | [chasm](what-we-are-made-of.html) |
| 470 | [chats](telemarketer.html) | 468 | [chats](telemarketer.html) |
| 471 | [chatting](telemarketer.html) | 469 | [chatting](telemarketer.html) |
| @@ -525,7 +523,7 @@ project: | |||
| 525 | [clog](leaf.html) | 523 | [clog](leaf.html) |
| 526 | [closet](ronaldmcdonald.html) | 524 | [closet](ronaldmcdonald.html) |
| 527 | [clothesline](theoceanoverflowswithcamels.html) | 525 | [clothesline](theoceanoverflowswithcamels.html) |
| 528 | [clouded](100-lines.html) | 526 | [clouded](one-hundred-lines.html) |
| 529 | [clown's](window.html) | 527 | [clown's](window.html) |
| 530 | [clue](problems.html) | 528 | [clue](problems.html) |
| 531 | [clutched](stump.html) | 529 | [clutched](stump.html) |
| @@ -534,7 +532,8 @@ project: | |||
| 534 | [cocky](call-me-aural-pleasure.html) | 532 | [cocky](call-me-aural-pleasure.html) |
| 535 | [code](problems.html) | 533 | [code](problems.html) |
| 536 | [code-collaboration](about.html) | 534 | [code-collaboration](about.html) |
| 537 | [coffins](100-lines.html) | 535 | [coffins](one-hundred-lines.html) |
| 536 | [cognac](deadman.html) | ||
| 538 | [cola](lovesong.html) | 537 | [cola](lovesong.html) |
| 539 | [colbert](dollywood.html) | 538 | [colbert](dollywood.html) |
| 540 | [coldened](plant.html) | 539 | [coldened](plant.html) |
| @@ -591,6 +590,7 @@ project: | |||
| 591 | [conciousness](spittle.html) | 590 | [conciousness](spittle.html) |
| 592 | [concrete](sixteenth-chapel.html) | 591 | [concrete](sixteenth-chapel.html) |
| 593 | [condemned](boar.html) | 592 | [condemned](boar.html) |
| 593 | [condition](deadman.html) | ||
| 594 | [confectioner's-sugar](punch.html) | 594 | [confectioner's-sugar](punch.html) |
| 595 | [confessed](peaches.html) | 595 | [confessed](peaches.html) |
| 596 | [confessional](snow.html) | 596 | [confessional](snow.html) |
| @@ -614,7 +614,6 @@ project: | |||
| 614 | [contorting](peaches.html) | 614 | [contorting](peaches.html) |
| 615 | [contract](ex-machina.html) | 615 | [contract](ex-machina.html) |
| 616 | [contraposition](no-nothing.html) | 616 | [contraposition](no-nothing.html) |
| 617 | [conversation](table_contents.html) | ||
| 618 | [conversations](mountain.html) | 617 | [conversations](mountain.html) |
| 619 | [converted](about.html) | 618 | [converted](about.html) |
| 620 | [converter](writing.html) | 619 | [converter](writing.html) |
| @@ -677,7 +676,6 @@ project: | |||
| 677 | [creatures](lappel-du-vide.html) | 676 | [creatures](lappel-du-vide.html) |
| 678 | [credits](dollywood.html) | 677 | [credits](dollywood.html) |
| 679 | [creeks](dollywood.html) | 678 | [creeks](dollywood.html) |
| 680 | [creeping](howithappened.html) | ||
| 681 | [creepy](what-we-are-made-of.html) | 679 | [creepy](what-we-are-made-of.html) |
| 682 | [crevice](plant.html) | 680 | [crevice](plant.html) |
| 683 | [crew](epigraph.html) | 681 | [crew](epigraph.html) |
| @@ -686,12 +684,11 @@ project: | |||
| 686 | [crime-ridden](arspoetica.html) | 684 | [crime-ridden](arspoetica.html) |
| 687 | [criminal](lovesong.html) | 685 | [criminal](lovesong.html) |
| 688 | [criminals](lovesong.html) | 686 | [criminals](lovesong.html) |
| 689 | [crippled](apollo11.html) | ||
| 690 | [criteria](on-genre-dimension.html) | 687 | [criteria](on-genre-dimension.html) |
| 691 | [croaks](i-think-its-you.html) | 688 | [croaks](i-think-its-you.html) |
| 692 | [crocodiles](100-lines.html) | 689 | [crocodiles](one-hundred-lines.html) |
| 693 | [cross-references](howtoread.html) | 690 | [cross-references](howtoread.html) |
| 694 | [crossword](100-lines.html) | 691 | [crossword](one-hundred-lines.html) |
| 695 | [crosswords](what-we-are-made-of.html) | 692 | [crosswords](what-we-are-made-of.html) |
| 696 | [crotch](epigraph.html) | 693 | [crotch](epigraph.html) |
| 697 | [crouch](serengeti.html) | 694 | [crouch](serengeti.html) |
| @@ -699,7 +696,7 @@ project: | |||
| 699 | [crown](death-zone.html) | 696 | [crown](death-zone.html) |
| 700 | [cruel](i-wanted-to-tell-you-something.html) | 697 | [cruel](i-wanted-to-tell-you-something.html) |
| 701 | [crumble](riptide_memory.html) | 698 | [crumble](riptide_memory.html) |
| 702 | [crumpet](100-lines.html) | 699 | [crumpet](one-hundred-lines.html) |
| 703 | [crunch](plant.html) | 700 | [crunch](plant.html) |
| 704 | [crushed](what-we-are-made-of.html) | 701 | [crushed](what-we-are-made-of.html) |
| 705 | [crust](when-im-sorry-i.html) | 702 | [crust](when-im-sorry-i.html) |
| @@ -711,7 +708,7 @@ project: | |||
| 711 | [culminates](manifesto_poetics.html) | 708 | [culminates](manifesto_poetics.html) |
| 712 | [curled](cereal.html) | 709 | [curled](cereal.html) |
| 713 | [currently](howtoread.html) | 710 | [currently](howtoread.html) |
| 714 | [curtains](100-lines.html) | 711 | [curtains](one-hundred-lines.html) |
| 715 | [customer's](telemarketer.html) | 712 | [customer's](telemarketer.html) |
| 716 | [cycle](collage-instrument.html) | 713 | [cycle](collage-instrument.html) |
| 717 | [cyclical](words-meaning.html) | 714 | [cyclical](words-meaning.html) |
| @@ -721,7 +718,6 @@ project: | |||
| 721 | [daniel](todaniel.html) | 718 | [daniel](todaniel.html) |
| 722 | [dappled](dollywood.html) | 719 | [dappled](dollywood.html) |
| 723 | [dapplegray](plant.html) | 720 | [dapplegray](plant.html) |
| 724 | [dare](apollo11.html) | ||
| 725 | [daredevil](collage-instrument.html) | 721 | [daredevil](collage-instrument.html) |
| 726 | [daring](finding-the-lion.html) | 722 | [daring](finding-the-lion.html) |
| 727 | [darkly](ronaldmcdonald.html) | 723 | [darkly](ronaldmcdonald.html) |
| @@ -739,7 +735,6 @@ project: | |||
| 739 | [decency](howithappened.html) | 735 | [decency](howithappened.html) |
| 740 | [decent](exasperated.html) | 736 | [decent](exasperated.html) |
| 741 | [decide](epigraph.html) | 737 | [decide](epigraph.html) |
| 742 | [decides](deathstrumpet.html) | ||
| 743 | [declaration](statements-frag.html) | 738 | [declaration](statements-frag.html) |
| 744 | [decompress](arspoetica.html) | 739 | [decompress](arspoetica.html) |
| 745 | [dedicated](window.html) | 740 | [dedicated](window.html) |
| @@ -756,7 +751,7 @@ project: | |||
| 756 | [demand](collage-instrument.html) | 751 | [demand](collage-instrument.html) |
| 757 | [demanded](movingsideways.html) | 752 | [demanded](movingsideways.html) |
| 758 | [demolished](building.html) | 753 | [demolished](building.html) |
| 759 | [demon](100-lines.html) | 754 | [demon](one-hundred-lines.html) |
| 760 | [dependant](about.html) | 755 | [dependant](about.html) |
| 761 | [depicted](on-genre-dimension.html) | 756 | [depicted](on-genre-dimension.html) |
| 762 | [depiction](collage-instrument.html) | 757 | [depiction](collage-instrument.html) |
| @@ -833,12 +828,13 @@ project: | |||
| 833 | [docx](about.html) | 828 | [docx](about.html) |
| 834 | [doe-eyed](last-bastion.html) | 829 | [doe-eyed](last-bastion.html) |
| 835 | [dog's](feedingtheraven.html) | 830 | [dog's](feedingtheraven.html) |
| 831 | [doggedly](apollo11.html) | ||
| 836 | [doggy](likingthings.html) | 832 | [doggy](likingthings.html) |
| 837 | [dollar-fifty](creation-myth.html) | 833 | [dollar-fifty](creation-myth.html) |
| 838 | [dominoes](underwear.html) | 834 | [dominoes](underwear.html) |
| 839 | [don](about_author.html) | 835 | [don](about_author.html) |
| 840 | [donate](likingthings.html) | 836 | [donate](likingthings.html) |
| 841 | [donut](100-lines.html) | 837 | [donut](one-hundred-lines.html) |
| 842 | [doors](death-zone.html) | 838 | [doors](death-zone.html) |
| 843 | [doppelgangers](snow.html) | 839 | [doppelgangers](snow.html) |
| 844 | [dotted](apollo11.html) | 840 | [dotted](apollo11.html) |
| @@ -896,13 +892,14 @@ project: | |||
| 896 | [editor](epigraph.html) | 892 | [editor](epigraph.html) |
| 897 | [edo](about_author.html) | 893 | [edo](about_author.html) |
| 898 | [ee](epigraph.html) | 894 | [ee](epigraph.html) |
| 895 | [eel](deadman.html) | ||
| 899 | [effect](howtoread.html) | 896 | [effect](howtoread.html) |
| 900 | [efficiently](manifesto_poetics.html) | 897 | [efficiently](manifesto_poetics.html) |
| 901 | [effort](exasperated.html) | 898 | [effort](exasperated.html) |
| 902 | [ego](howtoread.html) | 899 | [ego](howtoread.html) |
| 903 | [egyptian](words-irritable-reaching.html) | 900 | [egyptian](words-irritable-reaching.html) |
| 904 | [eight-fold](i-wanted-to-tell-you-something.html) | 901 | [eight-fold](i-wanted-to-tell-you-something.html) |
| 905 | [eighty-four](apollo11.html) | 902 | [eighty](apollo11.html) |
| 906 | [elaboration](todaniel.html) | 903 | [elaboration](todaniel.html) |
| 907 | [electricity](cereal.html) | 904 | [electricity](cereal.html) |
| 908 | [elegies](about.html) | 905 | [elegies](about.html) |
| @@ -914,16 +911,17 @@ project: | |||
| 914 | [eleven](cereal.html) | 911 | [eleven](cereal.html) |
| 915 | [em](telemarketer.html) | 912 | [em](telemarketer.html) |
| 916 | [email](about.html) | 913 | [email](about.html) |
| 914 | [embarrassed](deadman.html) | ||
| 917 | [embarrassment](statements-frag.html) | 915 | [embarrassment](statements-frag.html) |
| 918 | [embodiment](ex-machina.html) | 916 | [embodiment](ex-machina.html) |
| 919 | [emotional/heart-based](manifesto_poetics.html) | 917 | [emotional/heart-based](manifesto_poetics.html) |
| 920 | [empire](last-bastion.html) | 918 | [empire](last-bastion.html) |
| 921 | [employ](exasperated.html) | 919 | [employ](exasperated.html) |
| 922 | [emptiness](found-typewriter-poem.html) | ||
| 923 | [enables](about.html) | 920 | [enables](about.html) |
| 924 | [encased](i-am.html) | 921 | [encased](i-am.html) |
| 925 | [end-rhymes](on-genre-dimension.html) | 922 | [end-rhymes](on-genre-dimension.html) |
| 926 | [endeared](collage-instrument.html) | 923 | [endeared](collage-instrument.html) |
| 924 | [ended](last-bastion.html) | ||
| 927 | [enemy](about_author.html) | 925 | [enemy](about_author.html) |
| 928 | [engagement](seasonal-affective-disorder.html) | 926 | [engagement](seasonal-affective-disorder.html) |
| 929 | [enliven](plant.html) | 927 | [enliven](plant.html) |
| @@ -947,7 +945,7 @@ project: | |||
| 947 | [eraser](building.html) | 945 | [eraser](building.html) |
| 948 | [erases](words-irritable-reaching.html) | 946 | [erases](words-irritable-reaching.html) |
| 949 | [errant](death-zone.html) | 947 | [errant](death-zone.html) |
| 950 | [escape](apollo11.html) | 948 | [escapes](apollo11.html) |
| 951 | [ess](telemarketer.html) | 949 | [ess](telemarketer.html) |
| 952 | [essays](on-genre-dimension.html) | 950 | [essays](on-genre-dimension.html) |
| 953 | [estimate](father.html) | 951 | [estimate](father.html) |
| @@ -1049,12 +1047,11 @@ project: | |||
| 1049 | [file](about.html) | 1047 | [file](about.html) |
| 1050 | [filled](writing.html) | 1048 | [filled](writing.html) |
| 1051 | [filling](on-genre-dimension.html) | 1049 | [filling](on-genre-dimension.html) |
| 1052 | [filtered](plant.html) | ||
| 1053 | [filtering](lappel-du-vide.html) | 1050 | [filtering](lappel-du-vide.html) |
| 1054 | [final](problems.html) | 1051 | [final](problems.html) |
| 1055 | [finger-loops](ouroboros_memory.html) | 1052 | [finger-loops](ouroboros_memory.html) |
| 1056 | [finish](exasperated.html) | 1053 | [finish](exasperated.html) |
| 1057 | [finisher](100-lines.html) | 1054 | [finisher](one-hundred-lines.html) |
| 1058 | [finite](howtoread.html) | 1055 | [finite](howtoread.html) |
| 1059 | [fins](lappel-du-vide.html) | 1056 | [fins](lappel-du-vide.html) |
| 1060 | [firestarter](about_author.html) | 1057 | [firestarter](about_author.html) |
| @@ -1075,7 +1072,6 @@ project: | |||
| 1075 | [flatten](leg.html) | 1072 | [flatten](leg.html) |
| 1076 | [flea](spittle.html) | 1073 | [flea](spittle.html) |
| 1077 | [fleeting](moon-drowning.html) | 1074 | [fleeting](moon-drowning.html) |
| 1078 | [flesh](plant.html) | ||
| 1079 | [fleshy](spittle.html) | 1075 | [fleshy](spittle.html) |
| 1080 | [flex](last-passenger.html) | 1076 | [flex](last-passenger.html) |
| 1081 | [flicked](dollywood.html) | 1077 | [flicked](dollywood.html) |
| @@ -1104,9 +1100,10 @@ project: | |||
| 1104 | [forcefully](statements-frag.html) | 1100 | [forcefully](statements-frag.html) |
| 1105 | [forces](arspoetica.html) | 1101 | [forces](arspoetica.html) |
| 1106 | [forestroads](plant.html) | 1102 | [forestroads](plant.html) |
| 1107 | [forests](100-lines.html) | 1103 | [forests](one-hundred-lines.html) |
| 1108 | [forgetful](lappel-du-vide.html) | 1104 | [forgetful](lappel-du-vide.html) |
| 1109 | [forgetting](elegyforanalternateself.html) | 1105 | [forgetting](elegyforanalternateself.html) |
| 1106 | [forgive](deadman.html) | ||
| 1110 | [forgot](peaches.html) | 1107 | [forgot](peaches.html) |
| 1111 | [forlorn](ex-machina.html) | 1108 | [forlorn](ex-machina.html) |
| 1112 | [formal](howtoread.html) | 1109 | [formal](howtoread.html) |
| @@ -1184,6 +1181,7 @@ project: | |||
| 1184 | [gently](lappel-du-vide.html) | 1181 | [gently](lappel-du-vide.html) |
| 1185 | [genuine](dollywood.html) | 1182 | [genuine](dollywood.html) |
| 1186 | [germ](found-typewriter-poem.html) | 1183 | [germ](found-typewriter-poem.html) |
| 1184 | [german](deadman.html) | ||
| 1187 | [ghazal's](hard-game.html) | 1185 | [ghazal's](hard-game.html) |
| 1188 | [ghosts](howtoread.html) | 1186 | [ghosts](howtoread.html) |
| 1189 | [gilbert](words-meaning.html) | 1187 | [gilbert](words-meaning.html) |
| @@ -1196,6 +1194,7 @@ project: | |||
| 1196 | [git](about.html) | 1194 | [git](about.html) |
| 1197 | [glance](options.html) | 1195 | [glance](options.html) |
| 1198 | [glancing](time-looks-up-to-the-sky.html) | 1196 | [glancing](time-looks-up-to-the-sky.html) |
| 1197 | [glare](apollo11.html) | ||
| 1199 | [gleamed](deathstrumpet.html) | 1198 | [gleamed](deathstrumpet.html) |
| 1200 | [glib](i-wanted-to-tell-you-something.html) | 1199 | [glib](i-wanted-to-tell-you-something.html) |
| 1201 | [global](swear.html) | 1200 | [global](swear.html) |
| @@ -1212,10 +1211,11 @@ project: | |||
| 1212 | [goddamn](likingthings.html) | 1211 | [goddamn](likingthings.html) |
| 1213 | [goddess](ex-machina.html) | 1212 | [goddess](ex-machina.html) |
| 1214 | [goldheaded](plant.html) | 1213 | [goldheaded](plant.html) |
| 1215 | [goodness](100-lines.html) | 1214 | [goodness](one-hundred-lines.html) |
| 1216 | [goofy](statements-frag.html) | 1215 | [goofy](statements-frag.html) |
| 1217 | [gossips](finding-the-lion.html) | 1216 | [gossips](finding-the-lion.html) |
| 1218 | [gotta](call-me-aural-pleasure.html) | 1217 | [gotta](call-me-aural-pleasure.html) |
| 1218 | [gotten](dream.html) | ||
| 1219 | [grab](squirrel.html) | 1219 | [grab](squirrel.html) |
| 1220 | [grammar](manifesto_poetics.html) | 1220 | [grammar](manifesto_poetics.html) |
| 1221 | [grand](words-irritable-reaching.html) | 1221 | [grand](words-irritable-reaching.html) |
| @@ -1230,7 +1230,7 @@ project: | |||
| 1230 | [greek](tapestry.html) | 1230 | [greek](tapestry.html) |
| 1231 | [grep](collage-instrument.html) | 1231 | [grep](collage-instrument.html) |
| 1232 | [grilled](wallpaper.html) | 1232 | [grilled](wallpaper.html) |
| 1233 | [grinch](100-lines.html) | 1233 | [grinch](one-hundred-lines.html) |
| 1234 | [grinned](toothpaste.html) | 1234 | [grinned](toothpaste.html) |
| 1235 | [grins](in-bed.html) | 1235 | [grins](in-bed.html) |
| 1236 | [gritty](telemarketer.html) | 1236 | [gritty](telemarketer.html) |
| @@ -1247,7 +1247,6 @@ project: | |||
| 1247 | [guide](dollywood.html) | 1247 | [guide](dollywood.html) |
| 1248 | [gut](i-wanted-to-tell-you-something.html) | 1248 | [gut](i-wanted-to-tell-you-something.html) |
| 1249 | [guys](dollywood.html) | 1249 | [guys](dollywood.html) |
| 1250 | [gyroscope](apollo11.html) | ||
| 1251 | [hairier](on-genre-dimension.html) | 1250 | [hairier](on-genre-dimension.html) |
| 1252 | [half-empty](feedingtheraven.html) | 1251 | [half-empty](feedingtheraven.html) |
| 1253 | [half-gallon](feedingtheraven.html) | 1252 | [half-gallon](feedingtheraven.html) |
| @@ -1344,14 +1343,13 @@ project: | |||
| 1344 | [how'd](hardware.html) | 1343 | [how'd](hardware.html) |
| 1345 | [html5](process.html) | 1344 | [html5](process.html) |
| 1346 | [http](process.html) | 1345 | [http](process.html) |
| 1347 | [huge](words-irritable-reaching.html) | ||
| 1348 | [hugging](dollywood.html) | 1346 | [hugging](dollywood.html) |
| 1349 | [huh](call-me-aural-pleasure.html) | 1347 | [huh](call-me-aural-pleasure.html) |
| 1350 | [human-formed](philosophy.html) | 1348 | [human-formed](philosophy.html) |
| 1351 | [humming](what-we-are-made-of.html) | 1349 | [humming](what-we-are-made-of.html) |
| 1352 | [hums](weplayedthosegamestoo.html) | 1350 | [hums](weplayedthosegamestoo.html) |
| 1351 | [hunk](apollo11.html) | ||
| 1353 | [hunt](early.html) | 1352 | [hunt](early.html) |
| 1354 | [hurl](deadman.html) | ||
| 1355 | [hurried](what-we-are-made-of.html) | 1353 | [hurried](what-we-are-made-of.html) |
| 1356 | [husks](last-bastion.html) | 1354 | [husks](last-bastion.html) |
| 1357 | [hyperfiction](on-genre-dimension.html) | 1355 | [hyperfiction](on-genre-dimension.html) |
| @@ -1359,7 +1357,6 @@ project: | |||
| 1359 | [hypertextual](about.html) | 1357 | [hypertextual](about.html) |
| 1360 | [hypertextually](about.html) | 1358 | [hypertextually](about.html) |
| 1361 | [hypothesis](purpose-dogs.html) | 1359 | [hypothesis](purpose-dogs.html) |
| 1362 | [i's](apollo11.html) | ||
| 1363 | [ice-skater](likingthings.html) | 1360 | [ice-skater](likingthings.html) |
| 1364 | [icicle](about.html) | 1361 | [icicle](about.html) |
| 1365 | [id](dollywood.html) | 1362 | [id](dollywood.html) |
| @@ -1372,6 +1369,7 @@ project: | |||
| 1372 | [image](words-irritable-reaching.html) | 1369 | [image](words-irritable-reaching.html) |
| 1373 | [imagery](words-irritable-reaching.html) | 1370 | [imagery](words-irritable-reaching.html) |
| 1374 | [imagination](poetry-time.html) | 1371 | [imagination](poetry-time.html) |
| 1372 | [imagining](ouroboros_memory.html) | ||
| 1375 | [imdb](todaniel.html) | 1373 | [imdb](todaniel.html) |
| 1376 | [immaculately](proverbs.html) | 1374 | [immaculately](proverbs.html) |
| 1377 | [immediately](telemarketer.html) | 1375 | [immediately](telemarketer.html) |
| @@ -1473,7 +1471,7 @@ project: | |||
| 1473 | [jeweleyed](plant.html) | 1471 | [jeweleyed](plant.html) |
| 1474 | [joey](largest-asteroid.html) | 1472 | [joey](largest-asteroid.html) |
| 1475 | [jogged](peaches.html) | 1473 | [jogged](peaches.html) |
| 1476 | [join](100-lines.html) | 1474 | [join](one-hundred-lines.html) |
| 1477 | [jon](call-me-aural-pleasure.html) | 1475 | [jon](call-me-aural-pleasure.html) |
| 1478 | [judgement](on-genre-dimension.html) | 1476 | [judgement](on-genre-dimension.html) |
| 1479 | [judges](movingsideways.html) | 1477 | [judges](movingsideways.html) |
| @@ -1501,18 +1499,19 @@ project: | |||
| 1501 | [khaki](peaches.html) | 1499 | [khaki](peaches.html) |
| 1502 | [kick](ronaldmcdonald.html) | 1500 | [kick](ronaldmcdonald.html) |
| 1503 | [kicks](ronaldmcdonald.html) | 1501 | [kicks](ronaldmcdonald.html) |
| 1504 | [kid's](deathstrumpet.html) | ||
| 1505 | [kill](angeltoabraham.html) | 1502 | [kill](angeltoabraham.html) |
| 1506 | [killed](dollywood.html) | 1503 | [killed](dollywood.html) |
| 1507 | [kindling](reports.html) | 1504 | [kindling](reports.html) |
| 1508 | [knee](in-bed.html) | 1505 | [knee](in-bed.html) |
| 1509 | [knees](100-lines.html) | 1506 | [knees](one-hundred-lines.html) |
| 1510 | [knelt](feedingtheraven.html) | 1507 | [knelt](feedingtheraven.html) |
| 1511 | [knife](angeltoabraham.html) | 1508 | [knife](angeltoabraham.html) |
| 1512 | [knitting](onformalpoetry.html) | 1509 | [knitting](onformalpoetry.html) |
| 1513 | [knob](initial-conditions.html) | 1510 | [knob](initial-conditions.html) |
| 1514 | [knock](feedingtheraven.html) | 1511 | [knock](feedingtheraven.html) |
| 1515 | [knocker](plant.html) | 1512 | [knocker](plant.html) |
| 1513 | [knocking](january.html) | ||
| 1514 | [knot](plant.html) | ||
| 1516 | [knowable](philosophy.html) | 1515 | [knowable](philosophy.html) |
| 1517 | [knowingly](movingsideways.html) | 1516 | [knowingly](movingsideways.html) |
| 1518 | [knowledge](howtoread.html) | 1517 | [knowledge](howtoread.html) |
| @@ -1546,7 +1545,7 @@ project: | |||
| 1546 | [lather](process.html) | 1545 | [lather](process.html) |
| 1547 | [latin](about.html) | 1546 | [latin](about.html) |
| 1548 | [laughed](phone.html) | 1547 | [laughed](phone.html) |
| 1549 | [laughter](100-lines.html) | 1548 | [laughter](one-hundred-lines.html) |
| 1550 | [launches](largest-asteroid.html) | 1549 | [launches](largest-asteroid.html) |
| 1551 | [lava](what-we-are-made-of.html) | 1550 | [lava](what-we-are-made-of.html) |
| 1552 | [lawnmower](paul.html) | 1551 | [lawnmower](paul.html) |
| @@ -1579,13 +1578,14 @@ project: | |||
| 1579 | [levels](problems.html) | 1578 | [levels](problems.html) |
| 1580 | [lever](dollywood.html) | 1579 | [lever](dollywood.html) |
| 1581 | [lick](plant.html) | 1580 | [lick](plant.html) |
| 1582 | [lie](100-lines.html) | 1581 | [lie](one-hundred-lines.html) |
| 1583 | [lies](what-we-are-made-of.html) | 1582 | [lies](what-we-are-made-of.html) |
| 1584 | [life-as-lived](words-irritable-reaching.html) | 1583 | [life-as-lived](words-irritable-reaching.html) |
| 1585 | [lifetime](howtoread.html) | 1584 | [lifetime](howtoread.html) |
| 1586 | [lifetimes](howtoread.html) | 1585 | [lifetimes](howtoread.html) |
| 1587 | [lift](punch.html) | 1586 | [lift](punch.html) |
| 1588 | [lightweight](process.html) | 1587 | [lightweight](process.html) |
| 1588 | [likes](deadman.html) | ||
| 1589 | [liking](likingthings.html) | 1589 | [liking](likingthings.html) |
| 1590 | [limbaugh](call-me-aural-pleasure.html) | 1590 | [limbaugh](call-me-aural-pleasure.html) |
| 1591 | [limiting](words-meaning.html) | 1591 | [limiting](words-meaning.html) |
| @@ -1619,6 +1619,7 @@ project: | |||
| 1619 | [longing](love-as-god.html) | 1619 | [longing](love-as-god.html) |
| 1620 | [longish](leg.html) | 1620 | [longish](leg.html) |
| 1621 | [looms](likingthings.html) | 1621 | [looms](likingthings.html) |
| 1622 | [loop](deadman.html) | ||
| 1622 | [looping](about.html) | 1623 | [looping](about.html) |
| 1623 | [loopy](wallpaper.html) | 1624 | [loopy](wallpaper.html) |
| 1624 | [lot's](i-am.html) | 1625 | [lot's](i-am.html) |
| @@ -1672,7 +1673,6 @@ project: | |||
| 1672 | [mary](statements-frag.html) | 1673 | [mary](statements-frag.html) |
| 1673 | [mascots](dollywood.html) | 1674 | [mascots](dollywood.html) |
| 1674 | [mash-up](about.html) | 1675 | [mash-up](about.html) |
| 1675 | [mass](statements-frag.html) | ||
| 1676 | [massful](plant.html) | 1676 | [massful](plant.html) |
| 1677 | [master's](abstract.html) | 1677 | [master's](abstract.html) |
| 1678 | [masturbation](in-bed.html) | 1678 | [masturbation](in-bed.html) |
| @@ -1701,7 +1701,9 @@ project: | |||
| 1701 | [memento](howtoread.html) | 1701 | [memento](howtoread.html) |
| 1702 | [memory's](riptide_memory.html) | 1702 | [memory's](riptide_memory.html) |
| 1703 | [mental](swear.html) | 1703 | [mental](swear.html) |
| 1704 | [mention](philosophy.html) | ||
| 1704 | [mentioned](treatise.html) | 1705 | [mentioned](treatise.html) |
| 1706 | [mentions](deadman.html) | ||
| 1705 | [mercury](the-sea_the-beach.html) | 1707 | [mercury](the-sea_the-beach.html) |
| 1706 | [merrily](stayed-on-the-bus.html) | 1708 | [merrily](stayed-on-the-bus.html) |
| 1707 | [merseinne](howtoread.html) | 1709 | [merseinne](howtoread.html) |
| @@ -1721,6 +1723,7 @@ project: | |||
| 1721 | [minded](roughgloves.html) | 1723 | [minded](roughgloves.html) |
| 1722 | [mindful](movingsideways.html) | 1724 | [mindful](movingsideways.html) |
| 1723 | [minds](movingsideways.html) | 1725 | [minds](movingsideways.html) |
| 1726 | [mini-bar](deadman.html) | ||
| 1724 | [mini-drama](telemarketer.html) | 1727 | [mini-drama](telemarketer.html) |
| 1725 | [mini-wheats](dollywood.html) | 1728 | [mini-wheats](dollywood.html) |
| 1726 | [minimum](phone.html) | 1729 | [minimum](phone.html) |
| @@ -1732,7 +1735,6 @@ project: | |||
| 1732 | [misplaced](ouroboros_memory.html) | 1735 | [misplaced](ouroboros_memory.html) |
| 1733 | [misses](theoceanoverflowswithcamels.html) | 1736 | [misses](theoceanoverflowswithcamels.html) |
| 1734 | [mission](january.html) | 1737 | [mission](january.html) |
| 1735 | [mistake](sixteenth-chapel.html) | ||
| 1736 | [mistaken](philosophy.html) | 1738 | [mistaken](philosophy.html) |
| 1737 | [mister](table_contents.html) | 1739 | [mister](table_contents.html) |
| 1738 | [misty](love-as-god.html) | 1740 | [misty](love-as-god.html) |
| @@ -1763,13 +1765,14 @@ project: | |||
| 1763 | [motion](on-genre-dimension.html) | 1765 | [motion](on-genre-dimension.html) |
| 1764 | [motoring](elegyforanalternateself.html) | 1766 | [motoring](elegyforanalternateself.html) |
| 1765 | [motto](table_contents.html) | 1767 | [motto](table_contents.html) |
| 1766 | [mount](100-lines.html) | 1768 | [mount](one-hundred-lines.html) |
| 1767 | [mountainous](telemarketer.html) | 1769 | [mountainous](telemarketer.html) |
| 1768 | [mounted](dollywood.html) | 1770 | [mounted](dollywood.html) |
| 1769 | [mourning](plant.html) | 1771 | [mourning](plant.html) |
| 1770 | [mouse](moongone.html) | 1772 | [mouse](moongone.html) |
| 1771 | [movies](peaches.html) | 1773 | [movies](peaches.html) |
| 1772 | [movings](movingsideways.html) | 1774 | [movings](movingsideways.html) |
| 1775 | [mozzarella](deathstrumpet.html) | ||
| 1773 | [mr](dollywood.html) | 1776 | [mr](dollywood.html) |
| 1774 | [mr/mrs](telemarketer.html) | 1777 | [mr/mrs](telemarketer.html) |
| 1775 | [mrs](writing.html) | 1778 | [mrs](writing.html) |
| @@ -1789,7 +1792,6 @@ project: | |||
| 1789 | [myriad](arspoetica.html) | 1792 | [myriad](arspoetica.html) |
| 1790 | [myth](creation-myth.html) | 1793 | [myth](creation-myth.html) |
| 1791 | [nagging](the-sea_the-beach.html) | 1794 | [nagging](the-sea_the-beach.html) |
| 1792 | [nailed](apollo11.html) | ||
| 1793 | [namesake](last-passenger.html) | 1795 | [namesake](last-passenger.html) |
| 1794 | [nanowrimo](exasperated.html) | 1796 | [nanowrimo](exasperated.html) |
| 1795 | [narrowed](shed.html) | 1797 | [narrowed](shed.html) |
| @@ -1804,7 +1806,7 @@ project: | |||
| 1804 | [needing](plant.html) | 1806 | [needing](plant.html) |
| 1805 | [negation](i-want-to-say.html) | 1807 | [negation](i-want-to-say.html) |
| 1806 | [negative](words-irritable-reaching.html) | 1808 | [negative](words-irritable-reaching.html) |
| 1807 | [negatives](100-lines.html) | 1809 | [negatives](one-hundred-lines.html) |
| 1808 | [neglected](art.html) | 1810 | [neglected](art.html) |
| 1809 | [neighbor's](in-bed.html) | 1811 | [neighbor's](in-bed.html) |
| 1810 | [neither](arspoetica.html) | 1812 | [neither](arspoetica.html) |
| @@ -1819,16 +1821,18 @@ project: | |||
| 1819 | [nib](writing.html) | 1821 | [nib](writing.html) |
| 1820 | [nightgown](fire.html) | 1822 | [nightgown](fire.html) |
| 1821 | [nightly](big-dipper.html) | 1823 | [nightly](big-dipper.html) |
| 1822 | [nightmares](100-lines.html) | 1824 | [nightmares](one-hundred-lines.html) |
| 1823 | [nights](january.html) | 1825 | [nights](january.html) |
| 1824 | [ninety-eight](apollo11.html) | 1826 | [ninety-eight](apollo11.html) |
| 1825 | [nirvana](proverbs.html) | 1827 | [nirvana](proverbs.html) |
| 1826 | [noble](exasperated.html) | 1828 | [noble](exasperated.html) |
| 1829 | [nod](deadman.html) | ||
| 1827 | [non-disappointment](underwear.html) | 1830 | [non-disappointment](underwear.html) |
| 1828 | [non-important](prelude.html) | 1831 | [non-important](prelude.html) |
| 1829 | [non-stop](hymnal.html) | 1832 | [non-stop](hymnal.html) |
| 1830 | [nonexistent](finding-the-lion.html) | 1833 | [nonexistent](finding-the-lion.html) |
| 1831 | [noon](no-nothing.html) | 1834 | [noon](no-nothing.html) |
| 1835 | [noose](deadman.html) | ||
| 1832 | [northern](about.html) | 1836 | [northern](about.html) |
| 1833 | [nose](statements-frag.html) | 1837 | [nose](statements-frag.html) |
| 1834 | [nostril](spittle.html) | 1838 | [nostril](spittle.html) |
| @@ -1848,7 +1852,7 @@ project: | |||
| 1848 | [nuances](collage-instrument.html) | 1852 | [nuances](collage-instrument.html) |
| 1849 | [nuclear](initial-conditions.html) | 1853 | [nuclear](initial-conditions.html) |
| 1850 | [nurses](feedingtheraven.html) | 1854 | [nurses](feedingtheraven.html) |
| 1851 | [nuzzles](apollo11.html) | 1855 | [nuzzling](apollo11.html) |
| 1852 | [o](words-irritable-reaching.html) | 1856 | [o](words-irritable-reaching.html) |
| 1853 | [o'clock](ouroboros_memory.html) | 1857 | [o'clock](ouroboros_memory.html) |
| 1854 | [oblivion](sense-of-it.html) | 1858 | [oblivion](sense-of-it.html) |
| @@ -1874,10 +1878,11 @@ project: | |||
| 1874 | [official](dollywood.html) | 1878 | [official](dollywood.html) |
| 1875 | [oil](ex-machina.html) | 1879 | [oil](ex-machina.html) |
| 1876 | [olds](likingthings.html) | 1880 | [olds](likingthings.html) |
| 1881 | [omission](deadman.html) | ||
| 1877 | [one's](ouroboros_memory.html) | 1882 | [one's](ouroboros_memory.html) |
| 1878 | [one-of-a-kind](purpose-dogs.html) | 1883 | [one-of-a-kind](purpose-dogs.html) |
| 1879 | [one-set-of-footprints-in-the-sand](love-as-god.html) | 1884 | [one-set-of-footprints-in-the-sand](love-as-god.html) |
| 1880 | [ones'](100-lines.html) | 1885 | [ones'](one-hundred-lines.html) |
| 1881 | [online](on-genre-dimension.html) | 1886 | [online](on-genre-dimension.html) |
| 1882 | [open-mouthed](what-we-are-made-of.html) | 1887 | [open-mouthed](what-we-are-made-of.html) |
| 1883 | [opportunities](howtoread.html) | 1888 | [opportunities](howtoread.html) |
| @@ -1893,14 +1898,16 @@ project: | |||
| 1893 | [origin](writing.html) | 1898 | [origin](writing.html) |
| 1894 | [originality](about.html) | 1899 | [originality](about.html) |
| 1895 | [origins](no-nothing.html) | 1900 | [origins](no-nothing.html) |
| 1896 | [orion](100-lines.html) | 1901 | [orion](one-hundred-lines.html) |
| 1897 | [ostentatious](sixteenth-chapel.html) | 1902 | [ostentatious](sixteenth-chapel.html) |
| 1898 | [other's'](weplayedthosegamestoo.html) | 1903 | [other's'](weplayedthosegamestoo.html) |
| 1899 | [others'](on-genre-dimension.html) | 1904 | [others'](on-genre-dimension.html) |
| 1900 | [ouroboros](ouroboros_memory.html) | 1905 | [ouroboros](ouroboros_memory.html) |
| 1906 | [ours](deadman.html) | ||
| 1901 | [out-of-state](dollywood.html) | 1907 | [out-of-state](dollywood.html) |
| 1902 | [outfit](dollywood.html) | 1908 | [outfit](dollywood.html) |
| 1903 | [outputs](on-genre-dimension.html) | 1909 | [outputs](on-genre-dimension.html) |
| 1910 | [outstretched](apollo11.html) | ||
| 1904 | [outta](proverbs.html) | 1911 | [outta](proverbs.html) |
| 1905 | [over-expansive](words-meaning.html) | 1912 | [over-expansive](words-meaning.html) |
| 1906 | [overalls](dollywood.html) | 1913 | [overalls](dollywood.html) |
| @@ -1911,7 +1918,7 @@ project: | |||
| 1911 | [owe](creation-myth.html) | 1918 | [owe](creation-myth.html) |
| 1912 | [owned](collage-instrument.html) | 1919 | [owned](collage-instrument.html) |
| 1913 | [owner](boy_bus.html) | 1920 | [owner](boy_bus.html) |
| 1914 | [ox](100-lines.html) | 1921 | [ox](one-hundred-lines.html) |
| 1915 | [pace](howtoread.html) | 1922 | [pace](howtoread.html) |
| 1916 | [package](reports.html) | 1923 | [package](reports.html) |
| 1917 | [packed](howtoread.html) | 1924 | [packed](howtoread.html) |
| @@ -1977,6 +1984,7 @@ project: | |||
| 1977 | [percolating](plant.html) | 1984 | [percolating](plant.html) |
| 1978 | [perfected](todaniel.html) | 1985 | [perfected](todaniel.html) |
| 1979 | [period](howtoread.html) | 1986 | [period](howtoread.html) |
| 1987 | [perk](deadman.html) | ||
| 1980 | [perl](collage-instrument.html) | 1988 | [perl](collage-instrument.html) |
| 1981 | [perl's](collage-instrument.html) | 1989 | [perl's](collage-instrument.html) |
| 1982 | [personally](manifesto_poetics.html) | 1990 | [personally](manifesto_poetics.html) |
| @@ -1999,6 +2007,7 @@ project: | |||
| 1999 | [pickle](underwear.html) | 2007 | [pickle](underwear.html) |
| 2000 | [picture's](man.html) | 2008 | [picture's](man.html) |
| 2001 | [pictured](about-the-author.html) | 2009 | [pictured](about-the-author.html) |
| 2010 | [piece](leaf.html) | ||
| 2002 | [pierce](finding-the-lion.html) | 2011 | [pierce](finding-the-lion.html) |
| 2003 | [pigeon](apollo11.html) | 2012 | [pigeon](apollo11.html) |
| 2004 | [pigs](boar.html) | 2013 | [pigs](boar.html) |
| @@ -2007,7 +2016,7 @@ project: | |||
| 2007 | [pilgrim](howtoread.html) | 2016 | [pilgrim](howtoread.html) |
| 2008 | [pilgrims](swansong.html) | 2017 | [pilgrims](swansong.html) |
| 2009 | [pillar](i-am.html) | 2018 | [pillar](i-am.html) |
| 2010 | [pillow](100-lines.html) | 2019 | [pillow](one-hundred-lines.html) |
| 2011 | [pills](theoceanoverflowswithcamels.html) | 2020 | [pills](theoceanoverflowswithcamels.html) |
| 2012 | [pillsbury](what-we-are-made-of.html) | 2021 | [pillsbury](what-we-are-made-of.html) |
| 2013 | [pincers](the-sea_the-beach.html) | 2022 | [pincers](the-sea_the-beach.html) |
| @@ -2034,16 +2043,14 @@ project: | |||
| 2034 | [plate-glass](shipwright.html) | 2043 | [plate-glass](shipwright.html) |
| 2035 | [plath](epigraph.html) | 2044 | [plath](epigraph.html) |
| 2036 | [plausible](purpose-dogs.html) | 2045 | [plausible](purpose-dogs.html) |
| 2037 | [played](cereal.html) | ||
| 2038 | [plays](deathstrumpet.html) | ||
| 2039 | [pleasure](call-me-aural-pleasure.html) | 2046 | [pleasure](call-me-aural-pleasure.html) |
| 2040 | [plexus](i-want-to-say.html) | 2047 | [plexus](i-want-to-say.html) |
| 2041 | [plight](ronaldmcdonald.html) | 2048 | [plight](ronaldmcdonald.html) |
| 2042 | [plod](likingthings.html) | 2049 | [plod](likingthings.html) |
| 2043 | [plopped](epigraph.html) | 2050 | [plopped](epigraph.html) |
| 2044 | [plowing](100-lines.html) | 2051 | [plowing](one-hundred-lines.html) |
| 2045 | [plumbing](nothing-is-ever-over.html) | 2052 | [plumbing](nothing-is-ever-over.html) |
| 2046 | [plums](100-lines.html) | 2053 | [plums](one-hundred-lines.html) |
| 2047 | [plus](collage-instrument.html) | 2054 | [plus](collage-instrument.html) |
| 2048 | [plyboard](yellow.html) | 2055 | [plyboard](yellow.html) |
| 2049 | [plywood](telemarketer.html) | 2056 | [plywood](telemarketer.html) |
| @@ -2053,7 +2060,7 @@ project: | |||
| 2053 | [poetic](on-genre-dimension.html) | 2060 | [poetic](on-genre-dimension.html) |
| 2054 | [poetica](arspoetica.html) | 2061 | [poetica](arspoetica.html) |
| 2055 | [poetics](manifesto_poetics.html) | 2062 | [poetics](manifesto_poetics.html) |
| 2056 | [pointing](100-lines.html) | 2063 | [pointing](one-hundred-lines.html) |
| 2057 | [poison](statements-frag.html) | 2064 | [poison](statements-frag.html) |
| 2058 | [poked](what-we-are-made-of.html) | 2065 | [poked](what-we-are-made-of.html) |
| 2059 | [poking](feedingtheraven.html) | 2066 | [poking](feedingtheraven.html) |
| @@ -2107,6 +2114,7 @@ project: | |||
| 2107 | [prescription](x-ray.html) | 2114 | [prescription](x-ray.html) |
| 2108 | [presentation](process.html) | 2115 | [presentation](process.html) |
| 2109 | [pressure-release](words-irritable-reaching.html) | 2116 | [pressure-release](words-irritable-reaching.html) |
| 2117 | [pretend](walking-in-the-rain.html) | ||
| 2110 | [pretended](early.html) | 2118 | [pretended](early.html) |
| 2111 | [pretending](underwear.html) | 2119 | [pretending](underwear.html) |
| 2112 | [prevalent](collage-instrument.html) | 2120 | [prevalent](collage-instrument.html) |
| @@ -2183,9 +2191,9 @@ project: | |||
| 2183 | [race](i-am.html) | 2191 | [race](i-am.html) |
| 2184 | [races](table_contents.html) | 2192 | [races](table_contents.html) |
| 2185 | [radiate](axe.html) | 2193 | [radiate](axe.html) |
| 2186 | [rags](100-lines.html) | 2194 | [rags](one-hundred-lines.html) |
| 2187 | [railroad](howtoread.html) | 2195 | [railroad](howtoread.html) |
| 2188 | [rainbow](100-lines.html) | 2196 | [rainbow](one-hundred-lines.html) |
| 2189 | [rainfall](what-we-are-made-of.html) | 2197 | [rainfall](what-we-are-made-of.html) |
| 2190 | [rains](riptide_memory.html) | 2198 | [rains](riptide_memory.html) |
| 2191 | [ram](angeltoabraham.html) | 2199 | [ram](angeltoabraham.html) |
| @@ -2295,7 +2303,7 @@ project: | |||
| 2295 | [resplendent](hardware.html) | 2303 | [resplendent](hardware.html) |
| 2296 | [responded](what-we-are-made-of.html) | 2304 | [responded](what-we-are-made-of.html) |
| 2297 | [restate](ouroboros_memory.html) | 2305 | [restate](ouroboros_memory.html) |
| 2298 | [restless](100-lines.html) | 2306 | [restless](one-hundred-lines.html) |
| 2299 | [resume](exasperated.html) | 2307 | [resume](exasperated.html) |
| 2300 | [retain](ronaldmcdonald.html) | 2308 | [retain](ronaldmcdonald.html) |
| 2301 | [retribution](ex-machina.html) | 2309 | [retribution](ex-machina.html) |
| @@ -2319,17 +2327,18 @@ project: | |||
| 2319 | [ridges](hardware.html) | 2327 | [ridges](hardware.html) |
| 2320 | [right-side-out](dollywood.html) | 2328 | [right-side-out](dollywood.html) |
| 2321 | [rightly](boy_bus.html) | 2329 | [rightly](boy_bus.html) |
| 2322 | [rightness](100-lines.html) | 2330 | [rightness](one-hundred-lines.html) |
| 2323 | [rigid](manifesto_poetics.html) | 2331 | [rigid](manifesto_poetics.html) |
| 2324 | [ring](seasonal-affective-disorder.html) | 2332 | [ring](seasonal-affective-disorder.html) |
| 2325 | [rings](plant.html) | 2333 | [rings](plant.html) |
| 2326 | [rinse](process.html) | 2334 | [rinse](process.html) |
| 2327 | [ripe](words-irritable-reaching.html) | 2335 | [ripe](words-irritable-reaching.html) |
| 2328 | [rippled](cold-wind.html) | 2336 | [rippled](cold-wind.html) |
| 2337 | [ripples](in-bed.html) | ||
| 2329 | [riptide](father.html) | 2338 | [riptide](father.html) |
| 2330 | [rise](stump.html) | 2339 | [rise](stump.html) |
| 2331 | [rises](joke.html) | 2340 | [rises](joke.html) |
| 2332 | [riverdams](100-lines.html) | 2341 | [riverdams](one-hundred-lines.html) |
| 2333 | [rj](call-me-aural-pleasure.html) | 2342 | [rj](call-me-aural-pleasure.html) |
| 2334 | [road](i-think-its-you.html) | 2343 | [road](i-think-its-you.html) |
| 2335 | [roads](plant.html) | 2344 | [roads](plant.html) |
| @@ -2364,6 +2373,7 @@ project: | |||
| 2364 | [rumor](big-dipper.html) | 2373 | [rumor](big-dipper.html) |
| 2365 | [runner](peaches.html) | 2374 | [runner](peaches.html) |
| 2366 | [rural](dollywood.html) | 2375 | [rural](dollywood.html) |
| 2376 | [s](apollo11.html) | ||
| 2367 | [sagging](dollywood.html) | 2377 | [sagging](dollywood.html) |
| 2368 | [sail](shipwright.html) | 2378 | [sail](shipwright.html) |
| 2369 | [sailed](shipwright.html) | 2379 | [sailed](shipwright.html) |
| @@ -2391,6 +2401,7 @@ project: | |||
| 2391 | [schools](plant.html) | 2401 | [schools](plant.html) |
| 2392 | [scientists](treatise.html) | 2402 | [scientists](treatise.html) |
| 2393 | [scope](love-as-god.html) | 2403 | [scope](love-as-god.html) |
| 2404 | [scouts](deadman.html) | ||
| 2394 | [scowled](hymnal.html) | 2405 | [scowled](hymnal.html) |
| 2395 | [scrambled](about.html) | 2406 | [scrambled](about.html) |
| 2396 | [scraping](when-im-sorry-i.html) | 2407 | [scraping](when-im-sorry-i.html) |
| @@ -2476,7 +2487,7 @@ project: | |||
| 2476 | [shoreline's](riptide_memory.html) | 2487 | [shoreline's](riptide_memory.html) |
| 2477 | [short-shorts](on-genre-dimension.html) | 2488 | [short-shorts](on-genre-dimension.html) |
| 2478 | [shorthand](on-genre-dimension.html) | 2489 | [shorthand](on-genre-dimension.html) |
| 2479 | [shot](100-lines.html) | 2490 | [shot](one-hundred-lines.html) |
| 2480 | [shouldered](axe.html) | 2491 | [shouldered](axe.html) |
| 2481 | [shower](dollywood.html) | 2492 | [shower](dollywood.html) |
| 2482 | [shower's](initial-conditions.html) | 2493 | [shower's](initial-conditions.html) |
| @@ -2500,7 +2511,7 @@ project: | |||
| 2500 | [silent](music-433.html) | 2511 | [silent](music-433.html) |
| 2501 | [silhouetted](dollywood.html) | 2512 | [silhouetted](dollywood.html) |
| 2502 | [silkworm](roughgloves.html) | 2513 | [silkworm](roughgloves.html) |
| 2503 | [silver](100-lines.html) | 2514 | [silver](one-hundred-lines.html) |
| 2504 | [simile](peaches.html) | 2515 | [simile](peaches.html) |
| 2505 | [simulation](creation-myth.html) | 2516 | [simulation](creation-myth.html) |
| 2506 | [simultan](creation-myth.html) | 2517 | [simultan](creation-myth.html) |
| @@ -2509,6 +2520,7 @@ project: | |||
| 2509 | [singed](peaches.html) | 2520 | [singed](peaches.html) |
| 2510 | [singer](plant.html) | 2521 | [singer](plant.html) |
| 2511 | [singles](creation-myth.html) | 2522 | [singles](creation-myth.html) |
| 2523 | [sings](shipwright.html) | ||
| 2512 | [sinister](peaches.html) | 2524 | [sinister](peaches.html) |
| 2513 | [sins](i-want-to-say.html) | 2525 | [sins](i-want-to-say.html) |
| 2514 | [sipped](planks.html) | 2526 | [sipped](planks.html) |
| @@ -2529,7 +2541,6 @@ project: | |||
| 2529 | [skinny](call-me-aural-pleasure.html) | 2541 | [skinny](call-me-aural-pleasure.html) |
| 2530 | [skins](dollywood.html) | 2542 | [skins](dollywood.html) |
| 2531 | [skip](problems.html) | 2543 | [skip](problems.html) |
| 2532 | [sky's](apollo11.html) | ||
| 2533 | [slabs](words-irritable-reaching.html) | 2544 | [slabs](words-irritable-reaching.html) |
| 2534 | [slammed](theoceanoverflowswithcamels.html) | 2545 | [slammed](theoceanoverflowswithcamels.html) |
| 2535 | [slamming](stagnant.html) | 2546 | [slamming](stagnant.html) |
| @@ -2597,6 +2608,7 @@ project: | |||
| 2597 | [sparkle](big-dipper.html) | 2608 | [sparkle](big-dipper.html) |
| 2598 | [speaker](howtoread.html) | 2609 | [speaker](howtoread.html) |
| 2599 | [speaker/writer/communicator](manifesto_poetics.html) | 2610 | [speaker/writer/communicator](manifesto_poetics.html) |
| 2611 | [speaks](howtoread.html) | ||
| 2600 | [specific](howtoread.html) | 2612 | [specific](howtoread.html) |
| 2601 | [specifically](poetry-time.html) | 2613 | [specifically](poetry-time.html) |
| 2602 | [specificity](words-irritable-reaching.html) | 2614 | [specificity](words-irritable-reaching.html) |
| @@ -2608,20 +2620,19 @@ project: | |||
| 2608 | [spend](initial-conditions.html) | 2620 | [spend](initial-conditions.html) |
| 2609 | [spends](howtoread.html) | 2621 | [spends](howtoread.html) |
| 2610 | [sperm](likingthings.html) | 2622 | [sperm](likingthings.html) |
| 2611 | [sphere](100-lines.html) | 2623 | [sphere](one-hundred-lines.html) |
| 2612 | [spider](poetry-time.html) | 2624 | [spider](poetry-time.html) |
| 2613 | [spiders'](roughgloves.html) | 2625 | [spiders'](roughgloves.html) |
| 2614 | [spill](lovesong.html) | 2626 | [spill](lovesong.html) |
| 2615 | [spilled](wallpaper.html) | 2627 | [spilled](wallpaper.html) |
| 2616 | [spin](deadman.html) | ||
| 2617 | [spins](moongone.html) | 2628 | [spins](moongone.html) |
| 2618 | [spit-shined](deathstrumpet.html) | 2629 | [spit-shined](deathstrumpet.html) |
| 2619 | [split](initial-conditions.html) | 2630 | [split](initial-conditions.html) |
| 2620 | [spooling](last-passenger.html) | 2631 | [spooling](last-passenger.html) |
| 2621 | [spoon](punch.html) | 2632 | [spoon](punch.html) |
| 2633 | [spots](deathstrumpet.html) | ||
| 2622 | [spray](peaches.html) | 2634 | [spray](peaches.html) |
| 2623 | [spread](cereal.html) | 2635 | [spread](cereal.html) |
| 2624 | [spreading](about_author.html) | ||
| 2625 | [springs](plant.html) | 2636 | [springs](plant.html) |
| 2626 | [sprouting](plant.html) | 2637 | [sprouting](plant.html) |
| 2627 | [square](howtoread.html) | 2638 | [square](howtoread.html) |
| @@ -2643,7 +2654,7 @@ project: | |||
| 2643 | [starblind](plant.html) | 2654 | [starblind](plant.html) |
| 2644 | [stares](stagnant.html) | 2655 | [stares](stagnant.html) |
| 2645 | [stark](about.html) | 2656 | [stark](about.html) |
| 2646 | [starlight](100-lines.html) | 2657 | [starlight](one-hundred-lines.html) |
| 2647 | [starvation](last-bastion.html) | 2658 | [starvation](last-bastion.html) |
| 2648 | [starving](epigraph.html) | 2659 | [starving](epigraph.html) |
| 2649 | [statement](abstract.html) | 2660 | [statement](abstract.html) |
| @@ -2658,6 +2669,8 @@ project: | |||
| 2658 | [steeped](on-genre-dimension.html) | 2669 | [steeped](on-genre-dimension.html) |
| 2659 | [stem](plant.html) | 2670 | [stem](plant.html) |
| 2660 | [stemmed](howtoread.html) | 2671 | [stemmed](howtoread.html) |
| 2672 | [stepped](no-nothing.html) | ||
| 2673 | [stepping](apollo11.html) | ||
| 2661 | [steven](collage-instrument.html) | 2674 | [steven](collage-instrument.html) |
| 2662 | [stewart](dollywood.html) | 2675 | [stewart](dollywood.html) |
| 2663 | [sticks](yellow.html) | 2676 | [sticks](yellow.html) |
| @@ -2671,7 +2684,6 @@ project: | |||
| 2671 | [stones](serengeti.html) | 2684 | [stones](serengeti.html) |
| 2672 | [stool](hardware.html) | 2685 | [stool](hardware.html) |
| 2673 | [stoppard](proverbs.html) | 2686 | [stoppard](proverbs.html) |
| 2674 | [stops](shipwright.html) | ||
| 2675 | [stores](peaches.html) | 2687 | [stores](peaches.html) |
| 2676 | [stories](collage-instrument.html) | 2688 | [stories](collage-instrument.html) |
| 2677 | [storm](serengeti.html) | 2689 | [storm](serengeti.html) |
| @@ -2684,7 +2696,6 @@ project: | |||
| 2684 | [stray](dollywood.html) | 2696 | [stray](dollywood.html) |
| 2685 | [streaks](statements-frag.html) | 2697 | [streaks](statements-frag.html) |
| 2686 | [stream-editing](collage-instrument.html) | 2698 | [stream-editing](collage-instrument.html) |
| 2687 | [streams](deathstrumpet.html) | ||
| 2688 | [streetlamps](finding-the-lion.html) | 2699 | [streetlamps](finding-the-lion.html) |
| 2689 | [streetlights](finding-the-lion.html) | 2700 | [streetlights](finding-the-lion.html) |
| 2690 | [streets](peaches.html) | 2701 | [streets](peaches.html) |
| @@ -2704,7 +2715,6 @@ project: | |||
| 2704 | [structured](poetry-time.html) | 2715 | [structured](poetry-time.html) |
| 2705 | [structuring](collage-instrument.html) | 2716 | [structuring](collage-instrument.html) |
| 2706 | [stubbed](dollywood.html) | 2717 | [stubbed](dollywood.html) |
| 2707 | [stuck](ronaldmcdonald.html) | ||
| 2708 | [students](collage-instrument.html) | 2718 | [students](collage-instrument.html) |
| 2709 | [studies](collage-instrument.html) | 2719 | [studies](collage-instrument.html) |
| 2710 | [stupid](purpose-dogs.html) | 2720 | [stupid](purpose-dogs.html) |
| @@ -2826,7 +2836,6 @@ project: | |||
| 2826 | [thick](shipwright.html) | 2836 | [thick](shipwright.html) |
| 2827 | [thickens](in-bed.html) | 2837 | [thickens](in-bed.html) |
| 2828 | [thigh](roughgloves.html) | 2838 | [thigh](roughgloves.html) |
| 2829 | [thinks](deathstrumpet.html) | ||
| 2830 | [thirst](riptide_memory.html) | 2839 | [thirst](riptide_memory.html) |
| 2831 | [thoroughly](arspoetica.html) | 2840 | [thoroughly](arspoetica.html) |
| 2832 | [thou](words-irritable-reaching.html) | 2841 | [thou](words-irritable-reaching.html) |
| @@ -2841,7 +2850,7 @@ project: | |||
| 2841 | [thumb](writing.html) | 2850 | [thumb](writing.html) |
| 2842 | [thumbed](purpose-dogs.html) | 2851 | [thumbed](purpose-dogs.html) |
| 2843 | [thumbing](dollywood.html) | 2852 | [thumbing](dollywood.html) |
| 2844 | [thumping](100-lines.html) | 2853 | [thumping](one-hundred-lines.html) |
| 2845 | [thundercloud](snow.html) | 2854 | [thundercloud](snow.html) |
| 2846 | [thursday](feedingtheraven.html) | 2855 | [thursday](feedingtheraven.html) |
| 2847 | [thuya](words-irritable-reaching.html) | 2856 | [thuya](words-irritable-reaching.html) |
| @@ -2860,6 +2869,7 @@ project: | |||
| 2860 | [tinker](howtoread.html) | 2869 | [tinker](howtoread.html) |
| 2861 | [tinny](phone.html) | 2870 | [tinny](phone.html) |
| 2862 | [tip](epigraph.html) | 2871 | [tip](epigraph.html) |
| 2872 | [tissue](deadman.html) | ||
| 2863 | [titled](man.html) | 2873 | [titled](man.html) |
| 2864 | [to-dos](about.html) | 2874 | [to-dos](about.html) |
| 2865 | [toes](last-passenger.html) | 2875 | [toes](last-passenger.html) |
| @@ -2936,7 +2946,6 @@ project: | |||
| 2936 | [unadorned](telemarketer.html) | 2946 | [unadorned](telemarketer.html) |
| 2937 | [unanswerable](love-as-god.html) | 2947 | [unanswerable](love-as-god.html) |
| 2938 | [uncareful](cold-wind.html) | 2948 | [uncareful](cold-wind.html) |
| 2939 | [uncomfortable](on-genre-dimension.html) | ||
| 2940 | [uncomortably](phone.html) | 2949 | [uncomortably](phone.html) |
| 2941 | [uncovering](serengeti.html) | 2950 | [uncovering](serengeti.html) |
| 2942 | [under-the-skin](the-sea_the-beach.html) | 2951 | [under-the-skin](the-sea_the-beach.html) |
| @@ -2944,6 +2953,7 @@ project: | |||
| 2944 | [underground](plant.html) | 2953 | [underground](plant.html) |
| 2945 | [underprivileged](about_author.html) | 2954 | [underprivileged](about_author.html) |
| 2946 | [understandably](reports.html) | 2955 | [understandably](reports.html) |
| 2956 | [undulating](deadman.html) | ||
| 2947 | [unease](dollywood.html) | 2957 | [unease](dollywood.html) |
| 2948 | [uneven](leg.html) | 2958 | [uneven](leg.html) |
| 2949 | [unfold](initial-conditions.html) | 2959 | [unfold](initial-conditions.html) |
| @@ -3005,6 +3015,7 @@ project: | |||
| 3005 | [viii](in-bed.html) | 3015 | [viii](in-bed.html) |
| 3006 | [vine](deathstrumpet.html) | 3016 | [vine](deathstrumpet.html) |
| 3007 | [vinegar](toothpaste.html) | 3017 | [vinegar](toothpaste.html) |
| 3018 | [violent](deathstrumpet.html) | ||
| 3008 | [visible](toothpaste.html) | 3019 | [visible](toothpaste.html) |
| 3009 | [visual](on-genre-dimension.html) | 3020 | [visual](on-genre-dimension.html) |
| 3010 | [vitro](words-meaning.html) | 3021 | [vitro](words-meaning.html) |
| @@ -3022,7 +3033,7 @@ project: | |||
| 3022 | [waists](dollywood.html) | 3033 | [waists](dollywood.html) |
| 3023 | [waiter](howtoread.html) | 3034 | [waiter](howtoread.html) |
| 3024 | [waits](window.html) | 3035 | [waits](window.html) |
| 3025 | [waking](100-lines.html) | 3036 | [wakes](nothing-is-ever-over.html) |
| 3026 | [walgreen's](about-the-author.html) | 3037 | [walgreen's](about-the-author.html) |
| 3027 | [walkers](swansong.html) | 3038 | [walkers](swansong.html) |
| 3028 | [wandered](movingsideways.html) | 3039 | [wandered](movingsideways.html) |
| @@ -3042,7 +3053,6 @@ project: | |||
| 3042 | [wasting](shed.html) | 3053 | [wasting](shed.html) |
| 3043 | [wastrel's](hard-game.html) | 3054 | [wastrel's](hard-game.html) |
| 3044 | [watcher](cold-wind.html) | 3055 | [watcher](cold-wind.html) |
| 3045 | [watches](deathstrumpet.html) | ||
| 3046 | [waterlike](plant.html) | 3056 | [waterlike](plant.html) |
| 3047 | [waters](howithappened.html) | 3057 | [waters](howithappened.html) |
| 3048 | [watery-eyed](spittle.html) | 3058 | [watery-eyed](spittle.html) |
| @@ -3066,8 +3076,7 @@ project: | |||
| 3066 | [wheeling](deadman.html) | 3076 | [wheeling](deadman.html) |
| 3067 | [wheels](last-bastion.html) | 3077 | [wheels](last-bastion.html) |
| 3068 | [when's](dollywood.html) | 3078 | [when's](dollywood.html) |
| 3069 | [whenever](100-lines.html) | 3079 | [whenever](one-hundred-lines.html) |
| 3070 | [wherever](axe.html) | ||
| 3071 | [whichever](man.html) | 3080 | [whichever](man.html) |
| 3072 | [whinny](table_contents.html) | 3081 | [whinny](table_contents.html) |
| 3073 | [whisper](plant.html) | 3082 | [whisper](plant.html) |
| @@ -3084,7 +3093,7 @@ project: | |||
| 3084 | [widening](plant.html) | 3093 | [widening](plant.html) |
| 3085 | [wider](abstract.html) | 3094 | [wider](abstract.html) |
| 3086 | [widgets](dollywood.html) | 3095 | [widgets](dollywood.html) |
| 3087 | [wild](100-lines.html) | 3096 | [wild](one-hundred-lines.html) |
| 3088 | [willed](sense-of-it.html) | 3097 | [willed](sense-of-it.html) |
| 3089 | [william](hardware.html) | 3098 | [william](hardware.html) |
| 3090 | [willows](words-irritable-reaching.html) | 3099 | [willows](words-irritable-reaching.html) |
| @@ -3123,7 +3132,7 @@ project: | |||
| 3123 | [woven](riptide_memory.html) | 3132 | [woven](riptide_memory.html) |
| 3124 | [wrap-up](statements-frag.html) | 3133 | [wrap-up](statements-frag.html) |
| 3125 | [wrench](paul.html) | 3134 | [wrench](paul.html) |
| 3126 | [wrestling](100-lines.html) | 3135 | [wrestling](one-hundred-lines.html) |
| 3127 | [wriggled](about-the-author.html) | 3136 | [wriggled](about-the-author.html) |
| 3128 | [wrinkle](epigraph.html) | 3137 | [wrinkle](epigraph.html) |
| 3129 | [wrists](nothing-is-ever-over.html) | 3138 | [wrists](nothing-is-ever-over.html) |
| @@ -3136,7 +3145,7 @@ project: | |||
| 3136 | [yawns](what-we-are-made-of.html) | 3145 | [yawns](what-we-are-made-of.html) |
| 3137 | [yeah](call-me-aural-pleasure.html) | 3146 | [yeah](call-me-aural-pleasure.html) |
| 3138 | [year-old](sixteenth-chapel.html) | 3147 | [year-old](sixteenth-chapel.html) |
| 3139 | [yearning](100-lines.html) | 3148 | [yearning](one-hundred-lines.html) |
| 3140 | [yearnings](howtoread.html) | 3149 | [yearnings](howtoread.html) |
| 3141 | [yearns](poetry-time.html) | 3150 | [yearns](poetry-time.html) |
| 3142 | [yeats](manifesto_poetics.html) | 3151 | [yeats](manifesto_poetics.html) |
| @@ -3146,7 +3155,7 @@ project: | |||
| 3146 | [yes-or-no](on-genre-dimension.html) | 3155 | [yes-or-no](on-genre-dimension.html) |
| 3147 | [yesterday](exasperated.html) | 3156 | [yesterday](exasperated.html) |
| 3148 | [yields](moongone.html) | 3157 | [yields](moongone.html) |
| 3149 | [yoke](100-lines.html) | 3158 | [yoke](one-hundred-lines.html) |
| 3150 | [yoked](last-passenger.html) | 3159 | [yoked](last-passenger.html) |
| 3151 | [yolks](what-we-are-made-of.html) | 3160 | [yolks](what-we-are-made-of.html) |
| 3152 | [youngnesses](plant.html) | 3161 | [youngnesses](plant.html) |
| diff --git a/howtoread_backlinks.htm b/howtoread_backlinks.htm index 699e03d..1e43f1d 100644 --- a/howtoread_backlinks.htm +++ b/howtoread_backlinks.htm | |||
| @@ -37,9 +37,9 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="initial-conditions.html">Initial conditions</a></li> | 40 | <li><a href="initial-conditions.html">Initial conditions</a></li> |
| 42 | <li><a href="no-nothing.html">No nothing</a></li> | 41 | <li><a href="no-nothing.html">No nothing</a></li> |
| 42 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 43 | <li><a href="planks.html">Planks</a></li> | 43 | <li><a href="planks.html">Planks</a></li> |
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | 44 | <li><a href="table_contents.html">Table of contents</a></li> |
| 45 | <li><a href="treatise.html">Treatise</a></li> | 45 | <li><a href="treatise.html">Treatise</a></li> |
| diff --git a/i-am_backlinks.htm b/i-am_backlinks.htm index 9391fd2..e4f1d6f 100644 --- a/i-am_backlinks.htm +++ b/i-am_backlinks.htm | |||
| @@ -39,6 +39,7 @@ | |||
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="angeltoabraham.html">The angel to Abraham</a></li> | 40 | <li><a href="angeltoabraham.html">The angel to Abraham</a></li> |
| 41 | <li><a href="boar.html">The boar</a></li> | 41 | <li><a href="boar.html">The boar</a></li> |
| 42 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 42 | <li><a href="philosophy.html">Philosophy</a></li> | 43 | <li><a href="philosophy.html">Philosophy</a></li> |
| 43 | <li><a href="real-writer.html">A real writer</a></li> | 44 | <li><a href="real-writer.html">A real writer</a></li> |
| 44 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | 45 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> |
| diff --git a/i-think-its-you_backlinks.htm b/i-think-its-you_backlinks.htm index bc4252d..2708ee3 100644 --- a/i-think-its-you_backlinks.htm +++ b/i-think-its-you_backlinks.htm | |||
| @@ -37,7 +37,8 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="cold-wind.html">Cold wind</a> i-think-its-you.html</li> | 40 | <li><a href="cold-wind.html">Cold wind</a></li> |
| 41 | <li><a href="i-think-its-you.html">I think it’s you (but it’s not)</a></li> | ||
| 41 | <li><a href="leg.html">Leg</a></li> | 42 | <li><a href="leg.html">Leg</a></li> |
| 42 | <li><a href="no-nothing.html">No nothing</a></li> | 43 | <li><a href="no-nothing.html">No nothing</a></li> |
| 43 | <li><a href="table_contents.html">Table of contents</a></li> | 44 | <li><a href="table_contents.html">Table of contents</a></li> |
| diff --git a/i-wanted-to-tell-you-something_backlinks.htm b/i-wanted-to-tell-you-something_backlinks.htm index 81e2faa..573cf24 100644 --- a/i-wanted-to-tell-you-something_backlinks.htm +++ b/i-wanted-to-tell-you-something_backlinks.htm | |||
| @@ -37,10 +37,10 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="death-zone.html">The Death Zone</a></li> | 40 | <li><a href="death-zone.html">The Death Zone</a></li> |
| 42 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | 41 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> |
| 43 | <li><a href="love-as-god.html">Love as God</a></li> | 42 | <li><a href="love-as-god.html">Love as God</a></li> |
| 43 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 44 | </ul> | 44 | </ul> |
| 45 | </section> | 45 | </section> |
| 46 | </article> | 46 | </article> |
| diff --git a/in-bed_backlinks.htm b/in-bed_backlinks.htm index e79c11e..7c18906 100644 --- a/in-bed_backlinks.htm +++ b/in-bed_backlinks.htm | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="about-the-author.html">About the author</a></li> | 40 | <li><a href="about-the-author.html">About the author</a></li> |
| 42 | <li><a href="boy_bus.html">Boy on the bus</a></li> | 41 | <li><a href="boy_bus.html">Boy on the bus</a></li> |
| 43 | <li><a href="dollywood.html">Something</a></li> | 42 | <li><a href="dollywood.html">Something</a></li> |
| @@ -47,6 +46,7 @@ | |||
| 47 | <li><a href="no-nothing.html">No nothing</a></li> | 46 | <li><a href="no-nothing.html">No nothing</a></li> |
| 48 | <li><a href="notes.html">Notes</a></li> | 47 | <li><a href="notes.html">Notes</a></li> |
| 49 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | 48 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> |
| 49 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 50 | <li><a href="planks.html">Planks</a></li> | 50 | <li><a href="planks.html">Planks</a></li> |
| 51 | <li><a href="plant.html">Litany for a plant</a></li> | 51 | <li><a href="plant.html">Litany for a plant</a></li> |
| 52 | <li><a href="real-writer.html">A real writer</a></li> | 52 | <li><a href="real-writer.html">A real writer</a></li> |
| diff --git a/index-txt.html b/index-txt.html deleted file mode 100644 index bb9ba7a..0000000 --- a/index-txt.html +++ /dev/null | |||
| @@ -1,152 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <html lang="en"> | ||
| 3 | <head> | ||
| 4 | <meta charset="utf-8"> | ||
| 5 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 6 | <meta name="author" content="Case Duckworth"> | ||
| 7 | |||
| 8 | <title>Text source index | Autocento of the breakfast table</title> | ||
| 9 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 10 | |||
| 11 | <link rel="stylesheet" type="text/css" href="style.css" /> | ||
| 12 | |||
| 13 | <!--[if lt IE 9]> | ||
| 14 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 15 | <![endif]--> | ||
| 16 | </head> | ||
| 17 | <body> | ||
| 18 | <article id="container"> | ||
| 19 | <section class="content prose"> | ||
| 20 | <p>This is a list of the source files used in compiling | ||
| 21 | <em>Autocento of the breakfast table</em> by Case Duckworth. | ||
| 22 | </p> | ||
| 23 | <ul> | ||
| 24 | <li><a href="100-lines.txt">100-lines.txt</a></li> | ||
| 25 | <li><a href="about-the-author.txt">about-the-author.txt</a></li> | ||
| 26 | <li><a href="amber-alert.txt">amber-alert.txt</a></li> | ||
| 27 | <li><a href="and.txt">and.txt</a></li> | ||
| 28 | <li><a href="angeltoabraham.txt">angeltoabraham.txt</a></li> | ||
| 29 | <li><a href="apollo11.txt">apollo11.txt</a></li> | ||
| 30 | <li><a href="arspoetica.txt">arspoetica.txt</a></li> | ||
| 31 | <li><a href="art.txt">art.txt</a></li> | ||
| 32 | <li><a href="axe.txt">axe.txt</a></li> | ||
| 33 | <li><a href="big-dipper.txt">big-dipper.txt</a></li> | ||
| 34 | <li><a href="boar.txt">boar.txt</a></li> | ||
| 35 | <li><a href="boy_bus.txt">boy_bus.txt</a></li> | ||
| 36 | <li><a href="building.txt">building.txt</a></li> | ||
| 37 | <li><a href="call-me-aural-pleasure.txt">call-me-aural-pleasure.txt</a></li> | ||
| 38 | <li><a href="cereal.txt">cereal.txt</a></li> | ||
| 39 | <li><a href="cold-wind.txt">cold-wind.txt</a></li> | ||
| 40 | <li><a href="creation-myth.txt">creation-myth.txt</a></li> | ||
| 41 | <li><a href="deadman.txt">deadman.txt</a></li> | ||
| 42 | <li><a href="death-zone.txt">death-zone.txt</a></li> | ||
| 43 | <li><a href="deathstrumpet.txt">deathstrumpet.txt</a></li> | ||
| 44 | <li><a href="dream.txt">dream.txt</a></li> | ||
| 45 | <li><a href="early.txt">early.txt</a></li> | ||
| 46 | <li><a href="elegyforanalternateself.txt">elegyforanalternateself.txt</a></li> | ||
| 47 | <li><a href="epigraph.txt">epigraph.txt</a></li> | ||
| 48 | <li><a href="ex-machina.txt">ex-machina.txt</a></li> | ||
| 49 | <li><a href="exasperated.txt">exasperated.txt</a></li> | ||
| 50 | <li><a href="father.txt">father.txt</a></li> | ||
| 51 | <li><a href="feedingtheraven.txt">feedingtheraven.txt</a></li> | ||
| 52 | <li><a href="finding-the-lion.txt">finding-the-lion.txt</a></li> | ||
| 53 | <li><a href="fire.txt">fire.txt</a></li> | ||
| 54 | <li><a href="found-typewriter-poem.txt">found-typewriter-poem.txt</a></li> | ||
| 55 | <li><a href="hands.txt">hands.txt</a></li> | ||
| 56 | <li><a href="hard-game.txt">hard-game.txt</a></li> | ||
| 57 | <li><a href="hardware.txt">hardware.txt</a></li> | ||
| 58 | <li><a href="howithappened.txt">howithappened.txt</a></li> | ||
| 59 | <li><a href="howtoread.txt">howtoread.txt</a></li> | ||
| 60 | <li><a href="hymnal.txt">hymnal.txt</a></li> | ||
| 61 | <li><a href="i-am.txt">i-am.txt</a></li> | ||
| 62 | <li><a href="i-think-its-you.txt">i-think-its-you.txt</a></li> | ||
| 63 | <li><a href="i-wanted-to-tell-you-something.txt">i-wanted-to-tell-you-something.txt</a></li> | ||
| 64 | <li><a href="in-bed.txt">in-bed.txt</a></li> | ||
| 65 | <li><a href="index.html">index.html</a></li> | ||
| 66 | <li><a href="index.txt">index.txt</a></li> | ||
| 67 | <li><a href="initial-conditions.txt">initial-conditions.txt</a></li> | ||
| 68 | <li><a href="january.txt">january.txt</a></li> | ||
| 69 | <li><a href="joke.txt">joke.txt</a></li> | ||
| 70 | <li><a href="lappel-du-vide.txt">lappel-du-vide.txt</a></li> | ||
| 71 | <li><a href="largest-asteroid.txt">largest-asteroid.txt</a></li> | ||
| 72 | <li><a href="last-bastion.txt">last-bastion.txt</a></li> | ||
| 73 | <li><a href="last-passenger.txt">last-passenger.txt</a></li> | ||
| 74 | <li><a href="leaf.txt">leaf.txt</a></li> | ||
| 75 | <li><a href="leg.txt">leg.txt</a></li> | ||
| 76 | <li><a href="likingthings.txt">likingthings.txt</a></li> | ||
| 77 | <li><a href="listen.txt">listen.txt</a></li> | ||
| 78 | <li><a href="love-as-god.txt">love-as-god.txt</a></li> | ||
| 79 | <li><a href="lovesong.txt">lovesong.txt</a></li> | ||
| 80 | <li><a href="man.txt">man.txt</a></li> | ||
| 81 | <li><a href="moon-drowning.txt">moon-drowning.txt</a></li> | ||
| 82 | <li><a href="moongone.txt">moongone.txt</a></li> | ||
| 83 | <li><a href="mountain.txt">mountain.txt</a></li> | ||
| 84 | <li><a href="movingsideways.txt">movingsideways.txt</a></li> | ||
| 85 | <li><a href="music-433.txt">music-433.txt</a></li> | ||
| 86 | <li><a href="no-nothing.txt">no-nothing.txt</a></li> | ||
| 87 | <li><a href="notes.txt">notes.txt</a></li> | ||
| 88 | <li><a href="nothing-is-ever-over.txt">nothing-is-ever-over.txt</a></li> | ||
| 89 | <li><a href="onformalpoetry.txt">onformalpoetry.txt</a></li> | ||
| 90 | <li><a href="options.txt">options.txt</a></li> | ||
| 91 | <li><a href="ouroboros_memory.txt">ouroboros_memory.txt</a></li> | ||
| 92 | <li><a href="paul.txt">paul.txt</a></li> | ||
| 93 | <li><a href="philosophy.txt">philosophy.txt</a></li> | ||
| 94 | <li><a href="phone.txt">phone.txt</a></li> | ||
| 95 | <li><a href="planks.txt">planks.txt</a></li> | ||
| 96 | <li><a href="plant.txt">plant.txt</a></li> | ||
| 97 | <li><a href="poetry-time.txt">poetry-time.txt</a></li> | ||
| 98 | <li><a href="prelude.txt">prelude.txt</a></li> | ||
| 99 | <li><a href="problems.txt">problems.txt</a></li> | ||
| 100 | <li><a href="proverbs.txt">proverbs.txt</a></li> | ||
| 101 | <li><a href="punch.txt">punch.txt</a></li> | ||
| 102 | <li><a href="purpose-dogs.txt">purpose-dogs.txt</a></li> | ||
| 103 | <li><a href="question.txt">question.txt</a></li> | ||
| 104 | <li><a href="real-writer.txt">real-writer.txt</a></li> | ||
| 105 | <li><a href="reports.txt">reports.txt</a></li> | ||
| 106 | <li><a href="riptide_memory.txt">riptide_memory.txt</a></li> | ||
| 107 | <li><a href="ronaldmcdonald.txt">ronaldmcdonald.txt</a></li> | ||
| 108 | <li><a href="roughgloves.txt">roughgloves.txt</a></li> | ||
| 109 | <li><a href="sapling.txt">sapling.txt</a></li> | ||
| 110 | <li><a href="seasonal-affective-disorder.txt">seasonal-affective-disorder.txt</a></li> | ||
| 111 | <li><a href="sense-of-it.txt">sense-of-it.txt</a></li> | ||
| 112 | <li><a href="serengeti.txt">serengeti.txt</a></li> | ||
| 113 | <li><a href="shed.txt">shed.txt</a></li> | ||
| 114 | <li><a href="shipwright.txt">shipwright.txt</a></li> | ||
| 115 | <li><a href="sixteenth-chapel.txt">sixteenth-chapel.txt</a></li> | ||
| 116 | <li><a href="snow.txt">snow.txt</a></li> | ||
| 117 | <li><a href="something-simple.txt">something-simple.txt</a></li> | ||
| 118 | <li><a href="spittle.txt">spittle.txt</a></li> | ||
| 119 | <li><a href="squirrel.txt">squirrel.txt</a></li> | ||
| 120 | <li><a href="stagnant.txt">stagnant.txt</a></li> | ||
| 121 | <li><a href="statements-frag.txt">statements-frag.txt</a></li> | ||
| 122 | <li><a href="stayed-on-the-bus.txt">stayed-on-the-bus.txt</a></li> | ||
| 123 | <li><a href="stump.txt">stump.txt</a></li> | ||
| 124 | <li><a href="swansong-alt.txt">swansong-alt.txt</a></li> | ||
| 125 | <li><a href="swansong.txt">swansong.txt</a></li> | ||
| 126 | <li><a href="swear.txt">swear.txt</a></li> | ||
| 127 | <li><a href="table_contents.txt">table_contents.txt</a></li> | ||
| 128 | <li><a href="tapestry.txt">tapestry.txt</a></li> | ||
| 129 | <li><a href="telemarketer.txt">telemarketer.txt</a></li> | ||
| 130 | <li><a href="the-night-we-met.txt">the-night-we-met.txt</a></li> | ||
| 131 | <li><a href="the-sea_the-beach.txt">the-sea_the-beach.txt</a></li> | ||
| 132 | <li><a href="theoceanoverflowswithcamels.txt">theoceanoverflowswithcamels.txt</a></li> | ||
| 133 | <li><a href="time-looks-up-to-the-sky.txt">time-looks-up-to-the-sky.txt</a></li> | ||
| 134 | <li><a href="todaniel.txt">todaniel.txt</a></li> | ||
| 135 | <li><a href="toilet.txt">toilet.txt</a></li> | ||
| 136 | <li><a href="toothpaste.txt">toothpaste.txt</a></li> | ||
| 137 | <li><a href="treatise.txt">treatise.txt</a></li> | ||
| 138 | <li><a href="underwear.txt">underwear.txt</a></li> | ||
| 139 | <li><a href="wallpaper.txt">wallpaper.txt</a></li> | ||
| 140 | <li><a href="weplayedthosegamestoo.txt">weplayedthosegamestoo.txt</a></li> | ||
| 141 | <li><a href="when-im-sorry-i.txt">when-im-sorry-i.txt</a></li> | ||
| 142 | <li><a href="window.txt">window.txt</a></li> | ||
| 143 | <li><a href="words-meaning.txt">words-meaning.txt</a></li> | ||
| 144 | <li><a href="worse-looking-over.txt">worse-looking-over.txt</a></li> | ||
| 145 | <li><a href="writing.txt">writing.txt</a></li> | ||
| 146 | <li><a href="x-ray.txt">x-ray.txt</a></li> | ||
| 147 | <li><a href="yellow.txt">yellow.txt</a></li> | ||
| 148 | </ul> | ||
| 149 | </section> | ||
| 150 | </article> | ||
| 151 | </body> | ||
| 152 | </html> | ||
| diff --git a/index.html b/index.html index 447f422..a507833 100644 --- a/index.html +++ b/index.html | |||
| @@ -34,7 +34,11 @@ | |||
| 34 | <h2 class="byline">by | 34 | <h2 class="byline">by |
| 35 | <a href="#" id="about">Case Duckworth</a> | 35 | <a href="#" id="about">Case Duckworth</a> |
| 36 | </h2> | 36 | </h2> |
| 37 | <h3 class="lozenge"><a href="#" id="lozenge">◊</a></h3> | 37 | <h3 class="anchors"> |
| 38 | <a href="_toc.html" title="Table of Contents">φ</a> | ||
| 39 | <a href="#">◊</a> | ||
| 40 | <a href="#" id="lozenge">ξ</a> | ||
| 41 | </h3> | ||
| 38 | </header> | 42 | </header> |
| 39 | <section class="content"> | 43 | <section class="content"> |
| 40 | <ul> | 44 | <ul> |
| diff --git a/initial-conditions.html b/initial-conditions.html index b876952..286ffa1 100644 --- a/initial-conditions.html +++ b/initial-conditions.html | |||
| @@ -37,7 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content verse"> | 38 | <section class="content verse"> |
| 39 | <p><span class="line">There is a theory which states the Universe</span><span class="line">if it began with the same initial conditions</span><span class="line">( <a href="the-sea_the-beach.html">same gravity</a> same strong weak nuclear force same</span><span class="line">size and shape ) would unfold in exactly</span><span class="line">the way it has : with the same planets <a href="big-dipper.html">orbiting suns</a></span><span class="line">same people making same mistakes : like this morning</span></p> | 39 | <p><span class="line">There is a theory which states the Universe</span><span class="line">if it began with the same initial conditions</span><span class="line">( <a href="the-sea_the-beach.html">same gravity</a> same strong weak nuclear force same</span><span class="line">size and shape ) would unfold in exactly</span><span class="line">the way it has : with the same planets <a href="big-dipper.html">orbiting suns</a></span><span class="line">same people making same mistakes : like this morning</span></p> |
| 40 | <p><span class="line">( It’s actually past two but I will call it <a href="plant.html">morning</a> )</span><span class="line">while turning on the shower : I as the Universe</span><span class="line">intended ( although I was expecting the heat of suns )</span><span class="line"><a href="100-lines.html">had the ice of inner space</a> : those pre existing conditions</span><span class="line">before the Big Bang : the shower was almost exactly</span><span class="line">freezing for a split second : every day it’s the same :</span></p> | 40 | <p><span class="line">( It’s actually past two but I will call it <a href="plant.html">morning</a> )</span><span class="line">while turning on the shower : I as the Universe</span><span class="line">intended ( although I was expecting the heat of suns )</span><span class="line"><a href="one-hundred-lines.html">had the ice of inner space</a> : those pre existing conditions</span><span class="line">before the Big Bang : the shower was almost exactly</span><span class="line">freezing for a split second : every day it’s the same :</span></p> |
| 41 | <p><span class="line"><a href="hard-game.html">I turn on the tap</a> hop in pull the knob have the same</span><span class="line">moment of utter panic then pain then a relaxing morning</span><span class="line">shower where I spend between five to ten ( I’m not sure exactly )</span><span class="line">minutes : I have good thoughts : <a href="howtoread.html">this poem about the Universe</a></span><span class="line">for example : I had the idea while I was conditioning</span><span class="line">my hair : it came to me like accidentally looking at the sun :</span></p> | 41 | <p><span class="line"><a href="hard-game.html">I turn on the tap</a> hop in pull the knob have the same</span><span class="line">moment of utter panic then pain then a relaxing morning</span><span class="line">shower where I spend between five to ten ( I’m not sure exactly )</span><span class="line">minutes : I have good thoughts : <a href="howtoread.html">this poem about the Universe</a></span><span class="line">for example : I had the idea while I was conditioning</span><span class="line">my hair : it came to me like accidentally looking at the sun :</span></p> |
| 42 | <p><span class="line">the pain and the wonder that something as large as suns</span><span class="line">could appear so small and yet so hot all at the same</span><span class="line">time : so hot in the summer we require air conditioning</span><span class="line">( although now in the winter it’s cold in the morning )</span><span class="line">and I can’t wait to hop in the shower that tiny universe</span><span class="line">of water and steam and soap and <a href="ouroboros_memory.html">body</a> : that and only that exactly</span></p> | 42 | <p><span class="line">the pain and the wonder that something as large as suns</span><span class="line">could appear so small and yet so hot all at the same</span><span class="line">time : so hot in the summer we require air conditioning</span><span class="line">( although now in the winter it’s cold in the morning )</span><span class="line">and I can’t wait to hop in the shower that tiny universe</span><span class="line">of water and steam and soap and <a href="ouroboros_memory.html">body</a> : that and only that exactly</span></p> |
| 43 | <p><span class="line">or rather exclusively ( it’s hard to get the words exactly</span><span class="line">right : the meanings bleed into each other like the sun’s</span><span class="line">shadows on pavement ) ready for me to <a href="dream.html">dream</a> another universe</span><span class="line">into it on top of it again and again until they all look the same :</span><span class="line">I can’t tell whether it’s my morning or the shower’s morning</span><span class="line">or where I put the conditioner or what the initial conditions</span></p> | 43 | <p><span class="line">or rather exclusively ( it’s hard to get the words exactly</span><span class="line">right : the meanings bleed into each other like the sun’s</span><span class="line">shadows on pavement ) ready for me to <a href="dream.html">dream</a> another universe</span><span class="line">into it on top of it again and again until they all look the same :</span><span class="line">I can’t tell whether it’s my morning or the shower’s morning</span><span class="line">or where I put the conditioner or what the initial conditions</span></p> |
| diff --git a/initial-conditions.txt b/initial-conditions.txt index 603f1e2..3249c3d 100644 --- a/initial-conditions.txt +++ b/initial-conditions.txt | |||
| @@ -68,7 +68,7 @@ project: | |||
| 68 | [same gravity]: the-sea_the-beach.html | 68 | [same gravity]: the-sea_the-beach.html |
| 69 | [orbiting suns]: big-dipper.html | 69 | [orbiting suns]: big-dipper.html |
| 70 | [morning]: plant.html | 70 | [morning]: plant.html |
| 71 | [had the ice of inner space]: 100-lines.html | 71 | [had the ice of inner space]: one-hundred-lines.html |
| 72 | [I turn on the tap]: hard-game.html | 72 | [I turn on the tap]: hard-game.html |
| 73 | [this poem about the Universe]: howtoread.html | 73 | [this poem about the Universe]: howtoread.html |
| 74 | [body]: ouroboros_memory.html | 74 | [body]: ouroboros_memory.html |
| diff --git a/initial-conditions_backlinks.htm b/initial-conditions_backlinks.htm index 619206c..887f517 100644 --- a/initial-conditions_backlinks.htm +++ b/initial-conditions_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deadman.html">Dead man</a></li> | ||
| 40 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | 41 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> |
| 41 | <li><a href="table_contents.html">Table of contents</a></li> | 42 | <li><a href="table_contents.html">Table of contents</a></li> |
| 42 | </ul> | 43 | </ul> |
| diff --git a/island.htm b/island.htm index 9ca2165..f6f56dd 100644 --- a/island.htm +++ b/island.htm | |||
| @@ -46,12 +46,10 @@ | |||
| 46 | <li><a href="notes.html">Notes</a></li> | 46 | <li><a href="notes.html">Notes</a></li> |
| 47 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> | 47 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> |
| 48 | <li><a href="paul.html">Paul</a></li> | 48 | <li><a href="paul.html">Paul</a></li> |
| 49 | <li><a href="peaches.html">Peaches</a></li> | ||
| 50 | <li><a href="punch.html">Punch</a></li> | 49 | <li><a href="punch.html">Punch</a></li> |
| 51 | <li><a href="sapling.html">Sapling</a></li> | 50 | <li><a href="sapling.html">Sapling</a></li> |
| 52 | <li><a href="toothpaste.html">Toothpaste</a></li> | 51 | <li><a href="toothpaste.html">Toothpaste</a></li> |
| 53 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | 52 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> |
| 54 | <li><a href="what-we-are-made-of.html">What we are made of</a></li> | ||
| 55 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> | 53 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> |
| 56 | <li><a href="writing.html">Writing</a></li> | 54 | <li><a href="writing.html">Writing</a></li> |
| 57 | <li><a href="yellow.html">Yellow</a></li> | 55 | <li><a href="yellow.html">Yellow</a></li> |
| diff --git a/island.html b/island.html new file mode 100644 index 0000000..f6f56dd --- /dev/null +++ b/island.html | |||
| @@ -0,0 +1,73 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Islands | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Islands</h1> | ||
| 30 | |||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about_author.html">About Case Duckworth</a></li> | ||
| 41 | <li><a href="abstract.html">Autocento of the breakfast table</a></li> | ||
| 42 | <li><a href="dollywood.html">Something</a></li> | ||
| 43 | <li><a href="hardware.html">Hardware</a></li> | ||
| 44 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 45 | <li><a href="manifesto_poetics.html">Manifesto of poetics</a></li> | ||
| 46 | <li><a href="notes.html">Notes</a></li> | ||
| 47 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> | ||
| 48 | <li><a href="paul.html">Paul</a></li> | ||
| 49 | <li><a href="punch.html">Punch</a></li> | ||
| 50 | <li><a href="sapling.html">Sapling</a></li> | ||
| 51 | <li><a href="toothpaste.html">Toothpaste</a></li> | ||
| 52 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 53 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> | ||
| 54 | <li><a href="writing.html">Writing</a></li> | ||
| 55 | <li><a href="yellow.html">Yellow</a></li> | ||
| 56 | </ul> | ||
| 57 | </section> | ||
| 58 | </article> | ||
| 59 | <nav> | ||
| 60 | <div class="anchors"> | ||
| 61 | <a href="_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 62 | φ | ||
| 63 | </a> | ||
| 64 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 65 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 66 | </div> | ||
| 67 | |||
| 68 | |||
| 69 | </nav> | ||
| 70 | |||
| 71 | |||
| 72 | </body> | ||
| 73 | </html> | ||
| diff --git a/island.txt b/island.txt new file mode 100644 index 0000000..85d47b6 --- /dev/null +++ b/island.txt | |||
| @@ -0,0 +1,25 @@ | |||
| 1 | --- | ||
| 2 | title: Islands | ||
| 3 | genre: list | ||
| 4 | |||
| 5 | project: | ||
| 6 | title: About autocento | ||
| 7 | class: meta | ||
| 8 | ... | ||
| 9 | |||
| 10 | - [About Case Duckworth](about_author.html) | ||
| 11 | - [Autocento of the breakfast table](abstract.html) | ||
| 12 | - [Something](dollywood.html) | ||
| 13 | - [Hardware](hardware.html) | ||
| 14 | - [I want to say](i-want-to-say.html) | ||
| 15 | - [Manifesto of poetics](manifesto_poetics.html) | ||
| 16 | - [Notes](notes.html) | ||
| 17 | - [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 18 | - [Paul](paul.html) | ||
| 19 | - [Punch](punch.html) | ||
| 20 | - [Sapling](sapling.html) | ||
| 21 | - [Toothpaste](toothpaste.html) | ||
| 22 | - [Walking in the rain](walking-in-the-rain.html) | ||
| 23 | - [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 24 | - [Writing](writing.html) | ||
| 25 | - [Yellow](yellow.html) | ||
| diff --git a/january_backlinks.htm b/january_backlinks.htm index f84a3d8..1650ab4 100644 --- a/january_backlinks.htm +++ b/january_backlinks.htm | |||
| @@ -39,6 +39,7 @@ | |||
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="axe.html">Axe</a></li> | 40 | <li><a href="axe.html">Axe</a></li> |
| 41 | <li><a href="cold-wind.html">Cold wind</a></li> | 41 | <li><a href="cold-wind.html">Cold wind</a></li> |
| 42 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 42 | <li><a href="prelude.html">Prelude</a></li> | 43 | <li><a href="prelude.html">Prelude</a></li> |
| 43 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> | 44 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> |
| 44 | </ul> | 45 | </ul> |
| diff --git a/last-bastion_backlinks.htm b/last-bastion_backlinks.htm index 40fe3e2..e9ae545 100644 --- a/last-bastion_backlinks.htm +++ b/last-bastion_backlinks.htm | |||
| @@ -39,6 +39,7 @@ | |||
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="about-the-author.html">About the author</a></li> | 40 | <li><a href="about-the-author.html">About the author</a></li> |
| 41 | <li><a href="axe.html">Axe</a></li> | 41 | <li><a href="axe.html">Axe</a></li> |
| 42 | <li><a href="deadman.html">Dead man</a></li> | ||
| 42 | <li><a href="in-bed.html">In bed</a></li> | 43 | <li><a href="in-bed.html">In bed</a></li> |
| 43 | <li><a href="leaf.html">Leaf</a></li> | 44 | <li><a href="leaf.html">Leaf</a></li> |
| 44 | <li><a href="phone.html">Phone</a></li> | 45 | <li><a href="phone.html">Phone</a></li> |
| diff --git a/last-passenger_backlinks.htm b/last-passenger_backlinks.htm index 31ae822..0d5d644 100644 --- a/last-passenger_backlinks.htm +++ b/last-passenger_backlinks.htm | |||
| @@ -37,11 +37,12 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="about-the-author.html">About the author</a></li> | 40 | <li><a href="about-the-author.html">About the author</a></li> |
| 42 | <li><a href="and.html">And</a></li> | 41 | <li><a href="and.html">And</a></li> |
| 42 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 43 | <li><a href="cereal.html">Cereal</a></li> | 43 | <li><a href="cereal.html">Cereal</a></li> |
| 44 | <li><a href="leaf.html">Leaf</a></li> | 44 | <li><a href="leaf.html">Leaf</a></li> |
| 45 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 45 | <li><a href="planks.html">Planks</a></li> | 46 | <li><a href="planks.html">Planks</a></li> |
| 46 | <li><a href="poetry-time.html">Something</a></li> | 47 | <li><a href="poetry-time.html">Something</a></li> |
| 47 | <li><a href="sapling.html">Sapling</a></li> | 48 | <li><a href="sapling.html">Sapling</a></li> |
| diff --git a/leaf_backlinks.htm b/leaf_backlinks.htm index 193667b..678f5bb 100644 --- a/leaf_backlinks.htm +++ b/leaf_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 40 | <li><a href="real-writer.html">A real writer</a></li> | 41 | <li><a href="real-writer.html">A real writer</a></li> |
| 41 | </ul> | 42 | </ul> |
| 42 | </section> | 43 | </section> |
| diff --git a/lovesong_backlinks.htm b/lovesong_backlinks.htm index 37a4fdb..c4962e6 100644 --- a/lovesong_backlinks.htm +++ b/lovesong_backlinks.htm | |||
| @@ -37,8 +37,8 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="i-want-to-say.html">I want to say</a></li> | 40 | <li><a href="i-want-to-say.html">I want to say</a></li> |
| 41 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 42 | <li><a href="proverbs.html">Proverbs</a></li> | 42 | <li><a href="proverbs.html">Proverbs</a></li> |
| 43 | <li><a href="spittle.html">Spittle</a></li> | 43 | <li><a href="spittle.html">Spittle</a></li> |
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | 44 | <li><a href="table_contents.html">Table of contents</a></li> |
| diff --git a/makefile b/makefile index 86439e1..1c1bc7a 100644 --- a/makefile +++ b/makefile | |||
| @@ -57,9 +57,15 @@ commonTitlesTxt = common-titles.txt | |||
| 57 | commonTitlesOut = common-titles.html | 57 | commonTitlesOut = common-titles.html |
| 58 | commonTitler = $(trunk)/common-titles.sh | 58 | commonTitler = $(trunk)/common-titles.sh |
| 59 | commonTitlesHead = $(trunk)/common-titles.head | 59 | commonTitlesHead = $(trunk)/common-titles.head |
| 60 | |||
| 61 | tocTxt = _toc.txt | ||
| 62 | tocHtml = _toc.html | ||
| 63 | tocer = $(trunk)/toc.sh | ||
| 64 | tocHead = $(trunk)/toc.head | ||
| 65 | tocInc = $(hapaxOut) $(islandTxt) $(firstLinesTxt) $(commonTitlesTxt) $(txts) | ||
| 60 | # }}} | 66 | # }}} |
| 61 | # PHONY {{{ | 67 | # PHONY {{{ |
| 62 | .PHONY: all clean distclean again meta | 68 | .PHONY: all clean distclean again remake meta |
| 63 | all: meta \ | 69 | all: meta \ |
| 64 | $(htmlPre) $(htmls) $(lozengeOut)\ | 70 | $(htmlPre) $(htmls) $(lozengeOut)\ |
| 65 | $(backHtms) $(islandHtm) | 71 | $(backHtms) $(islandHtm) |
| @@ -72,14 +78,15 @@ clean: | |||
| 72 | -rm -f *.tmp trunk/*.tmp | 78 | -rm -f *.tmp trunk/*.tmp |
| 73 | 79 | ||
| 74 | distclean: clean | 80 | distclean: clean |
| 75 | -rm -f $(hapaxPre) $(htmlPre) | 81 | -rm -f $(hapaxPre) $(htmlPre) hapax.html |
| 76 | -rm -f $(hapaxOut) $(firstLinesOut) $(commonTitlesOut) | 82 | -rm -f $(hapaxOut) $(firstLinesOut) $(commonTitlesOut) |
| 77 | -rm -f $(backHtms) | 83 | -rm -f $(backHtms) |
| 78 | -rm -f $(htmls) | 84 | -rm -f $(htmls) |
| 79 | 85 | ||
| 80 | again: clean all | 86 | again: clean all |
| 87 | remake: distclean all | ||
| 81 | 88 | ||
| 82 | meta: $(hapaxOut) $(firstLinesOut) $(commonTitlesOut) | 89 | meta: $(hapaxOut) $(firstLinesOut) $(commonTitlesOut) $(tocHtml) |
| 83 | # }}} | 90 | # }}} |
| 84 | # HTML {{{ | 91 | # HTML {{{ |
| 85 | $(htmlPre): $(htmlPreSrc) | 92 | $(htmlPre): $(htmlPreSrc) |
| @@ -93,7 +100,7 @@ $(lozengeOut): $(htmls) | |||
| 93 | # }}} | 100 | # }}} |
| 94 | # BACKLINKS {{{ | 101 | # BACKLINKS {{{ |
| 95 | %.back: %.html $(backHead) | 102 | %.back: %.html $(backHead) |
| 96 | @bash $(backlinker) $< $@ $(backHead) $(islandHead) $(txts) | 103 | @bash $(backlinker) $< $@ $(backHead) $(txts) |
| 97 | 104 | ||
| 98 | %_backlinks.htm: %.back $(backHtmTemplate) | 105 | %_backlinks.htm: %.back $(backHtmTemplate) |
| 99 | pandoc $< -t html5 $(backPandocOptions) -o $@ | 106 | pandoc $< -t html5 $(backPandocOptions) -o $@ |
| @@ -101,14 +108,19 @@ $(lozengeOut): $(htmls) | |||
| 101 | $(islandTxt): $(backTxts) | 108 | $(islandTxt): $(backTxts) |
| 102 | 109 | ||
| 103 | $(islandHtm): $(islandTxt) $(islandHead) $(backHtms) | 110 | $(islandHtm): $(islandTxt) $(islandHead) $(backHtms) |
| 104 | pandoc $< -t html5 $(htmlPandocOptions) -o $@ | 111 | pandoc $(islandHead) $< -t html5 $(htmlPandocOptions) -o $@ |
| 105 | rm -f $(islandTxt) | 112 | |
| 113 | $(tocTxt): $(tocInc) | $(tocead) $(tocer) | ||
| 114 | @bash $(tocer) $(tocTxt) $(tocInc) | ||
| 115 | |||
| 116 | $(tocHtml): $(tocTxt) $(tocHead) | ||
| 117 | pandoc $(tocHead) $< -t html5 $(htmlPandocOptions) -o $@ | ||
| 106 | # }}} | 118 | # }}} |
| 107 | # HAPAX {{{ | 119 | # HAPAX {{{ |
| 108 | $(hapaxPre): $(hapaxPreSrc) | 120 | $(hapaxPre): $(hapaxPreSrc) |
| 109 | ghc --make $(hapaxPreSrc) | 121 | ghc --make $(hapaxPreSrc) |
| 110 | 122 | ||
| 111 | %.hapax: %.txt $(hapaxPre) $(hapaxLinker) $(hapaxHead) | 123 | %.hapax: %.txt $(hapaxPre) $(hapaxLinker) |
| 112 | pandoc $< -t $(hapaxer) $(hapaxPandocOptions) -o $@ | 124 | pandoc $< -t $(hapaxer) $(hapaxPandocOptions) -o $@ |
| 113 | 125 | ||
| 114 | $(hapaxOut): $(hapaxs) | 126 | $(hapaxOut): $(hapaxs) |
| diff --git a/moon-drowning_backlinks.htm b/moon-drowning_backlinks.htm index 52b6df5..7ab650e 100644 --- a/moon-drowning_backlinks.htm +++ b/moon-drowning_backlinks.htm | |||
| @@ -37,9 +37,9 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="boy_bus.html">Boy on the bus</a></li> | 40 | <li><a href="boy_bus.html">Boy on the bus</a></li> |
| 42 | <li><a href="in-bed.html">In bed</a></li> | 41 | <li><a href="in-bed.html">In bed</a></li> |
| 42 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 43 | <li><a href="something-simple.html">“Let’s start with something simple:”</a></li> | 43 | <li><a href="something-simple.html">“Let’s start with something simple:”</a></li> |
| 44 | <li><a href="statements-frag.html">Statements</a></li> | 44 | <li><a href="statements-frag.html">Statements</a></li> |
| 45 | <li><a href="table_contents.html">Table of contents</a></li> | 45 | <li><a href="table_contents.html">Table of contents</a></li> |
| diff --git a/mountain_backlinks.htm b/mountain_backlinks.htm index f752e57..af5843b 100644 --- a/mountain_backlinks.htm +++ b/mountain_backlinks.htm | |||
| @@ -37,12 +37,12 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="boar.html">The boar</a></li> | 40 | <li><a href="boar.html">The boar</a></li> |
| 42 | <li><a href="boy_bus.html">Boy on the bus</a></li> | 41 | <li><a href="boy_bus.html">Boy on the bus</a></li> |
| 43 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | 42 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> |
| 44 | <li><a href="howtoread.html">How to read this</a></li> | 43 | <li><a href="howtoread.html">How to read this</a></li> |
| 45 | <li><a href="in-bed.html">In bed</a></li> | 44 | <li><a href="in-bed.html">In bed</a></li> |
| 45 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 46 | <li><a href="squirrel.html">The squirrel</a></li> | 46 | <li><a href="squirrel.html">The squirrel</a></li> |
| 47 | <li><a href="table_contents.html">Table of contents</a></li> | 47 | <li><a href="table_contents.html">Table of contents</a></li> |
| 48 | <li><a href="telemarketer.html">Telemarketer</a></li> | 48 | <li><a href="telemarketer.html">Telemarketer</a></li> |
| diff --git a/music-433_backlinks.htm b/music-433_backlinks.htm index e6eac47..036911e 100644 --- a/music-433_backlinks.htm +++ b/music-433_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 40 | <li><a href="art.html">Art</a></li> | 41 | <li><a href="art.html">Art</a></li> |
| 41 | <li><a href="dream.html">Dream</a></li> | 42 | <li><a href="dream.html">Dream</a></li> |
| 42 | <li><a href="last-bastion.html">Last bastion</a></li> | 43 | <li><a href="last-bastion.html">Last bastion</a></li> |
| diff --git a/no-nothing_backlinks.htm b/no-nothing_backlinks.htm index ad8e473..1ff5007 100644 --- a/no-nothing_backlinks.htm +++ b/no-nothing_backlinks.htm | |||
| @@ -37,12 +37,13 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="big-dipper.html">The Big Dipper</a></li> | 40 | <li><a href="big-dipper.html">The Big Dipper</a></li> |
| 41 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 42 | <li><a href="ex-machina.html">Ex machina</a></li> | 42 | <li><a href="ex-machina.html">Ex machina</a></li> |
| 43 | <li><a href="found-typewriter-poem.html">Look</a></li> | 43 | <li><a href="found-typewriter-poem.html">Look</a></li> |
| 44 | <li><a href="i-want-to-say.html">I want to say</a></li> | 44 | <li><a href="i-want-to-say.html">I want to say</a></li> |
| 45 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | 45 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> |
| 46 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 46 | <li><a href="plant.html">Litany for a plant</a></li> | 47 | <li><a href="plant.html">Litany for a plant</a></li> |
| 47 | <li><a href="real-writer.html">A real writer</a></li> | 48 | <li><a href="real-writer.html">A real writer</a></li> |
| 48 | <li><a href="swansong-alt.html">Swansong</a></li> | 49 | <li><a href="swansong-alt.html">Swansong</a></li> |
| diff --git a/100-lines.html b/one-hundred-lines.html index e4eb622..6091ead 100644 --- a/100-lines.html +++ b/one-hundred-lines.html | |||
| @@ -9,7 +9,7 @@ | |||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>100 lines | Autocento of the breakfast table</title> | 12 | <title>One hundred lines | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="_style.css"> |
| @@ -20,13 +20,13 @@ | |||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="100-lines" class="autocento"> | 23 | <body id="one-hundred-lines" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">100 lines</h1> | 29 | <h1 class="title">One hundred lines</h1> |
| 30 | 30 | ||
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| @@ -41,7 +41,7 @@ | |||
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="100-lines_backlinks.htm" id="back-link" title="Links to this page"> | 44 | <a href="one-hundred-lines_backlinks.htm" id="back-link" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> |
| diff --git a/100-lines.txt b/one-hundred-lines.txt index e16a5aa..aeae437 100644 --- a/100-lines.txt +++ b/one-hundred-lines.txt | |||
| @@ -1,6 +1,6 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: 100 lines | 2 | title: One hundred lines |
| 3 | id: 100-lines | 3 | id: one-hundred-lines |
| 4 | genre: verse | 4 | genre: verse |
| 5 | 5 | ||
| 6 | project: | 6 | project: |
| diff --git a/100-lines_backlinks.htm b/one-hundred-lines_backlinks.htm index 5bd370e..4e2f73a 100644 --- a/100-lines_backlinks.htm +++ b/one-hundred-lines_backlinks.htm | |||
| @@ -9,7 +9,7 @@ | |||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>100 lines | Autocento of the breakfast table</title> | 12 | <title>One hundred lines | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="_style.css"> |
| @@ -20,13 +20,13 @@ | |||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="100-lines" class="meta"> | 23 | <body id="one-hundred-lines" class="meta"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">100 lines</h1> | 29 | <h1 class="title">One hundred lines</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">back-links</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| @@ -50,7 +50,7 @@ | |||
| 50 | </article> | 50 | </article> |
| 51 | <nav> | 51 | <nav> |
| 52 | <div class="anchors"> | 52 | <div class="anchors"> |
| 53 | <a href="100-lines.html" id="back-link" title="Back to article"> | 53 | <a href="one-hundred-lines.html" id="back-link" title="Back to article"> |
| 54 | φ | 54 | φ |
| 55 | </a> | 55 | </a> |
| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> |
| diff --git a/peaches_backlinks.htm b/peaches_backlinks.htm index 80c6d74..bc58d9b 100644 --- a/peaches_backlinks.htm +++ b/peaches_backlinks.htm | |||
| @@ -36,7 +36,9 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <ul> |
| 40 | <li><a href="epigraph.html">epigraph</a></li> | ||
| 41 | </ul> | ||
| 40 | </section> | 42 | </section> |
| 41 | </article> | 43 | </article> |
| 42 | <nav> | 44 | <nav> |
| diff --git a/plant.html b/plant.html index 1fbb3e4..6d7a62b 100644 --- a/plant.html +++ b/plant.html | |||
| @@ -37,7 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content verse"> | 38 | <section class="content verse"> |
| 39 | <p><span class="line">I need a plant. I need a thing</span><span class="line">to take care of. I need</span><span class="line">a little green brownspotted</span><span class="line"><a href="building.html">blackdirt</a> growing</span><span class="line">quietness. I need a sunlit</span><span class="line">dawn knowing my name filtered</span><span class="line">through a <a href="window.html">thin green window</a>.</span><span class="line">I need chlorophyll</span><span class="line">working its <a href="cereal.html">magic</a> on beams of</span><span class="line">grassmade early morning dewdrop</span><span class="line">sweetmaking green. I need</span><span class="line">the dark earth sucking water</span><span class="line">from a black crevice</span><span class="line">its black magic churning</span><span class="line">wormilled rockturned starblind</span><span class="line">darkness and cold into</span><span class="line"><a href="https://samofthetenthousandthings.wordpress.com/2012/09/08/charles-wright-reads-james-wright-the-journey-audio-poem/">the opposite of dust</a>. I need the heat</span><span class="line">to blind me. I need the dumb making</span><span class="line">to charge my coldened blood. I need</span><span class="line">the dropturned leaves to turn again</span><span class="line">their <a href="no-nothing.html">faces to the windblown sun</a>.</span><span class="line">I need millions of tiny years</span><span class="line">summed up and burning out some unknown</span><span class="line">new growth into the air. I need four</span><span class="line">hundred feet of dark red gnarled wood</span><span class="line">and needles glistening wetly on goldheaded</span><span class="line">branches hoisting themselves</span><span class="line">to the sky. I need ten strong men</span><span class="line">to fail to bring you down. Old one</span><span class="line">I need the peace that comes with knowing</span><span class="line">something sacred holds still</span><span class="line">in the world. I need your green tongues</span><span class="line"><a href="fire.html">of flame to lick at old wounds</a></span><span class="line">stitching us together away from ourselves.</span><span class="line">I need your brownbranching grasp</span><span class="line">to keep me from drifting off</span><span class="line">into <a href="in-bed.html">unknowing terrible sleep</a>. I need</span><span class="line"><a href="ouroboros_memory.html">to know the snake</a> hanging</span><span class="line">from your branches. I need to watch</span><span class="line">the dropping of flesh massful</span><span class="line">onto the ground from a height. I need</span><span class="line">the gnawer at your root to strike</span><span class="line">a vein to quicken old brown stone</span><span class="line">to movement. I need jeweleyed venom</span><span class="line">barking new greennesses into the bark.</span><span class="line">I need a knocker of dark secrets hidden</span><span class="line">in the dark bark hiding a smallstone</span><span class="line">smoldering pearl in the knot. I need</span><span class="line">that <a href="roughgloves.html">pearl held out in a hand</a> like an offering.</span><span class="line">I need the hand to be a plant’s hand.</span></p> | 39 | <p><span class="line">I need a plant. I need a thing</span><span class="line">to take care of. I need</span><span class="line">a little green brownspotted</span><span class="line"><a href="building.html">blackdirt</a> growing</span><span class="line">quietness. I need a sunlit</span><span class="line">dawn knowing my name filtered</span><span class="line">through a <a href="window.html">thin green window</a>.</span><span class="line">I need chlorophyll</span><span class="line">working its <a href="cereal.html">magic</a> on beams of</span><span class="line">grassmade early morning dewdrop</span><span class="line">sweetmaking green. I need</span><span class="line">the dark earth sucking water</span><span class="line">from a black crevice</span><span class="line">its black magic churning</span><span class="line">wormilled rockturned starblind</span><span class="line">darkness and cold into</span><span class="line"><a href="https://samofthetenthousandthings.wordpress.com/2012/09/08/charles-wright-reads-james-wright-the-journey-audio-poem/">the opposite of dust</a>. I need the heat</span><span class="line">to blind me. I need the dumb making</span><span class="line">to charge my coldened blood. I need</span><span class="line">the dropturned leaves to turn again</span><span class="line">their <a href="no-nothing.html">faces to the windblown sun</a>.</span><span class="line">I need millions of tiny years</span><span class="line">summed up and burning out some unknown</span><span class="line">new growth into the air. I need four</span><span class="line">hundred feet of dark red gnarled wood</span><span class="line">and needles glistening wetly on goldheaded</span><span class="line">branches hoisting themselves</span><span class="line">to the sky. I need ten strong men</span><span class="line">to fail to bring you down. Old one</span><span class="line">I need the peace that comes with knowing</span><span class="line">something sacred holds still</span><span class="line">in the world. I need your green tongues</span><span class="line"><a href="fire.html">of flame to lick at old wounds</a></span><span class="line">stitching us together away from ourselves.</span><span class="line">I need your brownbranching grasp</span><span class="line">to keep me from drifting off</span><span class="line">into <a href="in-bed.html">unknowing terrible sleep</a>. I need</span><span class="line"><a href="ouroboros_memory.html">to know the snake</a> hanging</span><span class="line">from your branches. I need to watch</span><span class="line">the dropping of flesh massful</span><span class="line">onto the ground from a height. I need</span><span class="line">the gnawer at your root to strike</span><span class="line">a vein to quicken old brown stone</span><span class="line">to movement. I need jeweleyed venom</span><span class="line">barking new greennesses into the bark.</span><span class="line">I need a knocker of dark secrets hidden</span><span class="line">in the dark bark hiding a smallstone</span><span class="line">smoldering pearl in the knot. I need</span><span class="line">that <a href="roughgloves.html">pearl held out in a hand</a> like an offering.</span><span class="line">I need the hand to be a plant’s hand.</span></p> |
| 40 | <p><span class="line">I need a plant. I need a growing</span><span class="line">growler <a href="feedingtheraven.html">groaning</a> toward heat and air.</span><span class="line">I need a green thin stem surprisingly strong</span><span class="line">holding up the weight of a plain</span><span class="line">of fallow <a href="the-sea_the-beach.html">greennesses of creases and caresses</a></span><span class="line">of tiny worldmaking hardworking grandeur.</span><span class="line">I need a singer of life crying</span><span class="line">forward into old roads covered over</span><span class="line">by dead trees. I need the rasping of root</span><span class="line">in dirt. I need the unfurling of fiddleheads</span><span class="line">to sing forth a new symphony. I need</span><span class="line">fruits swelling large for the harvest.</span><span class="line">I need yellow light shining through white bark.</span><span class="line">I need juicecrush flowing waterlike</span><span class="line">through valleys percolating up</span><span class="line">through the ground. I need springs bubbling sap</span><span class="line">into cabins of wood fought for by labor.</span><span class="line">I need snow on the ground with shoots</span><span class="line">dotting the melting patches. I need two</span><span class="line">leaves on a thin stalk shivering</span><span class="line">in <a href="finding-the-lion.html">moonlight</a>. I need robinsong warbling</span><span class="line">over the heads of small seeds sprouting</span><span class="line">to enliven their growth. I need rings</span><span class="line">of woody material widening to push</span><span class="line">the ground out of their way. I need</span><span class="line">new greennesses pushing out from</span><span class="line">the brown dark bark gnarled. I</span><span class="line">need the robin to build its songfilled</span><span class="line">nest in a <a href="epigraph.html">branchcrotch</a>. I need</span><span class="line">the fecundity of fungi on the branches.</span><span class="line">I need quiet of the sunlight shooting</span><span class="line">through thousands of branched leaves</span><span class="line">quivering. <a href="apollo11.html">I need whisper at dawn.</a></span><span class="line">I need burrows underground foxholes.</span><span class="line">I need duff layers eaten through</span><span class="line">by worms. I need brooks murmuring</span><span class="line">through crooks of roots. I need small</span><span class="line"><a href="proverbs.html">fish swimming</a> in their schools at</span><span class="line">midnight. I need oldnesses giving way</span><span class="line"><a href="about-the-author.html">to youngnesses giving way to oldnesses</a>.</span><span class="line">I need dapplegray yellowshot ashbark.</span><span class="line">I need the crunch of dead leaves underfoot.</span><span class="line">I need <a href="100-lines.html">snowquiet deadbranch</a> mourning.</span><span class="line">I need those <a href="http://www.wrensworld.com/purpmount.htm">purple mountains majesty</a>.</span><span class="line">I need a walk between trees in the dark.</span><span class="line">I need that moment when stopping to rest</span><span class="line">it suddenly seems that all the weary</span><span class="line"><a href="http://www.bartleby.com/119/1.html">forestroads</a> in all their meandering come</span><span class="line"><a href="riptide_memory.html">to rest their heads</a> at my astonished</span><span class="line">feet, none of them needing more than me.</span></p> | 40 | <p><span class="line">I need a plant. I need a growing</span><span class="line">growler <a href="feedingtheraven.html">groaning</a> toward heat and air.</span><span class="line">I need a green thin stem surprisingly strong</span><span class="line">holding up the weight of a plain</span><span class="line">of fallow <a href="the-sea_the-beach.html">greennesses of creases and caresses</a></span><span class="line">of tiny worldmaking hardworking grandeur.</span><span class="line">I need a singer of life crying</span><span class="line">forward into old roads covered over</span><span class="line">by dead trees. I need the rasping of root</span><span class="line">in dirt. I need the unfurling of fiddleheads</span><span class="line">to sing forth a new symphony. I need</span><span class="line">fruits swelling large for the harvest.</span><span class="line">I need yellow light shining through white bark.</span><span class="line">I need juicecrush flowing waterlike</span><span class="line">through valleys percolating up</span><span class="line">through the ground. I need springs bubbling sap</span><span class="line">into cabins of wood fought for by labor.</span><span class="line">I need snow on the ground with shoots</span><span class="line">dotting the melting patches. I need two</span><span class="line">leaves on a thin stalk shivering</span><span class="line">in <a href="finding-the-lion.html">moonlight</a>. I need robinsong warbling</span><span class="line">over the heads of small seeds sprouting</span><span class="line">to enliven their growth. I need rings</span><span class="line">of woody material widening to push</span><span class="line">the ground out of their way. I need</span><span class="line">new greennesses pushing out from</span><span class="line">the brown dark bark gnarled. I</span><span class="line">need the robin to build its songfilled</span><span class="line">nest in a <a href="epigraph.html">branchcrotch</a>. I need</span><span class="line">the fecundity of fungi on the branches.</span><span class="line">I need quiet of the sunlight shooting</span><span class="line">through thousands of branched leaves</span><span class="line">quivering. <a href="apollo11.html">I need whisper at dawn.</a></span><span class="line">I need burrows underground foxholes.</span><span class="line">I need duff layers eaten through</span><span class="line">by worms. I need brooks murmuring</span><span class="line">through crooks of roots. I need small</span><span class="line"><a href="proverbs.html">fish swimming</a> in their schools at</span><span class="line">midnight. I need oldnesses giving way</span><span class="line"><a href="about-the-author.html">to youngnesses giving way to oldnesses</a>.</span><span class="line">I need dapplegray yellowshot ashbark.</span><span class="line">I need the crunch of dead leaves underfoot.</span><span class="line">I need <a href="one-hundred-lines.html">snowquiet deadbranch</a> mourning.</span><span class="line">I need those <a href="http://www.wrensworld.com/purpmount.htm">purple mountains majesty</a>.</span><span class="line">I need a walk between trees in the dark.</span><span class="line">I need that moment when stopping to rest</span><span class="line">it suddenly seems that all the weary</span><span class="line"><a href="http://www.bartleby.com/119/1.html">forestroads</a> in all their meandering come</span><span class="line"><a href="riptide_memory.html">to rest their heads</a> at my astonished</span><span class="line">feet, none of them needing more than me.</span></p> |
| 41 | </section> | 41 | </section> |
| 42 | </article> | 42 | </article> |
| 43 | <nav> | 43 | <nav> |
| diff --git a/plant.txt b/plant.txt index 87c8b19..1f4b453 100644 --- a/plant.txt +++ b/plant.txt | |||
| @@ -116,7 +116,7 @@ project: | |||
| 116 | [to rest their heads]: riptide_memory.html | 116 | [to rest their heads]: riptide_memory.html |
| 117 | [forestroads]: http://www.bartleby.com/119/1.html | 117 | [forestroads]: http://www.bartleby.com/119/1.html |
| 118 | [purple mountains majesty]: http://www.wrensworld.com/purpmount.htm | 118 | [purple mountains majesty]: http://www.wrensworld.com/purpmount.htm |
| 119 | [snowquiet deadbranch]: 100-lines.html | 119 | [snowquiet deadbranch]: one-hundred-lines.html |
| 120 | [to youngnesses giving way to oldnesses]: about-the-author.html | 120 | [to youngnesses giving way to oldnesses]: about-the-author.html |
| 121 | [fish swimming]: proverbs.html | 121 | [fish swimming]: proverbs.html |
| 122 | [I need whisper at dawn.]: apollo11.html | 122 | [I need whisper at dawn.]: apollo11.html |
| diff --git a/plant_backlinks.htm b/plant_backlinks.htm index ccacdd7..c1362c7 100644 --- a/plant_backlinks.htm +++ b/plant_backlinks.htm | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="building.html">Building</a></li> | 40 | <li><a href="building.html">Building</a></li> |
| 42 | <li><a href="creation-myth.html">Creation myth</a></li> | 41 | <li><a href="creation-myth.html">Creation myth</a></li> |
| 43 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | 42 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> |
| @@ -47,6 +46,7 @@ | |||
| 47 | <li><a href="in-bed.html">In bed</a></li> | 46 | <li><a href="in-bed.html">In bed</a></li> |
| 48 | <li><a href="initial-conditions.html">Initial conditions</a></li> | 47 | <li><a href="initial-conditions.html">Initial conditions</a></li> |
| 49 | <li><a href="listen.html">Listen</a></li> | 48 | <li><a href="listen.html">Listen</a></li> |
| 49 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 50 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | 50 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> |
| 51 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> | 51 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> |
| 52 | </ul> | 52 | </ul> |
| diff --git a/poetry-time_backlinks.htm b/poetry-time_backlinks.htm index ada0068..19672ba 100644 --- a/poetry-time_backlinks.htm +++ b/poetry-time_backlinks.htm | |||
| @@ -37,10 +37,10 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="building.html">Building</a></li> | 40 | <li><a href="building.html">Building</a></li> |
| 42 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | 41 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> |
| 43 | <li><a href="lovesong.html">Love Song</a></li> | 42 | <li><a href="lovesong.html">Love Song</a></li> |
| 43 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 44 | <li><a href="roughgloves.html">Rough gloves</a></li> | 44 | <li><a href="roughgloves.html">Rough gloves</a></li> |
| 45 | <li><a href="swansong-alt.html">Swansong</a></li> | 45 | <li><a href="swansong-alt.html">Swansong</a></li> |
| 46 | <li><a href="table_contents.html">Table of contents</a></li> | 46 | <li><a href="table_contents.html">Table of contents</a></li> |
| diff --git a/proverbs_backlinks.htm b/proverbs_backlinks.htm index a14414b..530cbf1 100644 --- a/proverbs_backlinks.htm +++ b/proverbs_backlinks.htm | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 41 | <li><a href="plant.html">Litany for a plant</a></li> | 40 | <li><a href="plant.html">Litany for a plant</a></li> |
| 42 | </ul> | 41 | </ul> |
| 43 | </section> | 42 | </section> |
| diff --git a/punch.html b/punch.html index 28f7eef..cbf9486 100644 --- a/punch.html +++ b/punch.html | |||
| @@ -36,7 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content prose"> | 38 | <section class="content prose"> |
| 39 | <p>When he finally got back to work he was surprised they threw him a party. <em><strong>WELCOME BACK PAUL!</strong></em> was written on a big banner across the back wall. Someone had ordered a confectioner’s-sugar cake with <a href="big-dipper.html">frosting flowers</a> on the corners. It said the same thing as the banner. “Welcome back, Paul” said Jill as he was at the punch bowl. The cup was on the table as he ladled punch in with his right hand. His left was wrapped in <a href="100-lines.html">gauze</a>.</p> | 39 | <p>When he finally got back to work he was surprised they threw him a party. <em><strong>WELCOME BACK PAUL!</strong></em> was written on a big banner across the back wall. Someone had ordered a confectioner’s-sugar cake with <a href="big-dipper.html">frosting flowers</a> on the corners. It said the same thing as the banner. “Welcome back, Paul” said Jill as he was at the punch bowl. The cup was on the table as he ladled punch in with his right hand. His left was wrapped in <a href="one-hundred-lines.html">gauze</a>.</p> |
| 40 | <p>“Let me help you with that” said Jill. Paul had a strange feeling this had happened before. She took the ladle and their hands touched. She picked the cup up in her right hand and used her left to lift the spoon. “You know” she said “we were worried about you. When Jerry heard about your hand he said ‘There goes one of our best data entry men.’” “I still can’t really move my left hand” said Paul. “That’s alright you can take your time with the entry.” “I’m sorry.”</p> | 40 | <p>“Let me help you with that” said Jill. Paul had a strange feeling this had happened before. She took the ladle and their hands touched. She picked the cup up in her right hand and used her left to lift the spoon. “You know” she said “we were worried about you. When Jerry heard about your hand he said ‘There goes one of our best data entry men.’” “I still can’t really move my left hand” said Paul. “That’s alright you can take your time with the entry.” “I’m sorry.”</p> |
| 41 | <p>“Sorry for what” she looked at his eyes. He imagined her seeing <a href="hands.html">fisheye</a> versions of herself in them. “I don’t know” he said because it was true. “It’s alright anyway” she said and placed the full punch cup in his right hand.</p> | 41 | <p>“Sorry for what” she looked at his eyes. He imagined her seeing <a href="hands.html">fisheye</a> versions of herself in them. “I don’t know” he said because it was true. “It’s alright anyway” she said and placed the full punch cup in his right hand.</p> |
| 42 | </section> | 42 | </section> |
| diff --git a/punch.txt b/punch.txt index 46f9451..23aac5c 100644 --- a/punch.txt +++ b/punch.txt | |||
| @@ -44,4 +44,4 @@ He imagined her seeing [fisheye][] versions of herself in them. | |||
| 44 | 44 | ||
| 45 | [fisheye]: hands.html | 45 | [fisheye]: hands.html |
| 46 | [frosting flowers]: big-dipper.html | 46 | [frosting flowers]: big-dipper.html |
| 47 | [gauze]: 100-lines.html | 47 | [gauze]: one-hundred-lines.html |
| diff --git a/riptide_memory.html b/riptide_memory.html index 4ef2134..9488412 100644 --- a/riptide_memory.html +++ b/riptide_memory.html | |||
| @@ -40,7 +40,7 @@ | |||
| 40 | <p><span class="line">In Arizona, I thought I would forget the rain,</span><span class="line">forget its sound on a roof like a hard wind, forget</span><span class="line">its smell like a far away ocean. Luckily for me</span><span class="line">it rains here. Luckily, because I forget too easily.</span></p> | 40 | <p><span class="line">In Arizona, I thought I would forget the rain,</span><span class="line">forget its sound on a roof like a hard wind, forget</span><span class="line">its smell like a far away ocean. Luckily for me</span><span class="line">it rains here. Luckily, because I forget too easily.</span></p> |
| 41 | <p><span class="line">In a dream, <a href="father.html">my father is caught by a riptide</a> off-shore.</span><span class="line">He’s pulled far out, far enough that the shoreline’s</span><span class="line">a line in his <a href="ouroboros_memory.html">memory</a> on the horizon. I can see him</span><span class="line">swimming, hand over hand, pulling his small weight</span></p> | 41 | <p><span class="line">In a dream, <a href="father.html">my father is caught by a riptide</a> off-shore.</span><span class="line">He’s pulled far out, far enough that the shoreline’s</span><span class="line">a line in his <a href="ouroboros_memory.html">memory</a> on the horizon. I can see him</span><span class="line">swimming, hand over hand, pulling his small weight</span></p> |
| 42 | <p><span class="line">back to land. I see him as <a href="shipwright.html">another shipwreck</a> victim,</span><span class="line">coughing sand and seawater, beard woven with seaweed.</span><span class="line">I see him lying there a long time. I see all this</span><span class="line">as he tells me the story, years later, the riptide</span></p> | 42 | <p><span class="line">back to land. I see him as <a href="shipwright.html">another shipwreck</a> victim,</span><span class="line">coughing sand and seawater, beard woven with seaweed.</span><span class="line">I see him lying there a long time. I see all this</span><span class="line">as he tells me the story, years later, the riptide</span></p> |
| 43 | <p><span class="line">only a <a href="100-lines.html">ghost</a> in his memory, I only a child falling</span><span class="line">asleep. My mother’s making mayonnaise rolls</span><span class="line">in the kitchen, a recipe I’ll send for years later,</span><span class="line">in Arizona, in the monsoon season, when my thirst</span></p> | 43 | <p><span class="line">only a <a href="one-hundred-lines.html">ghost</a> in his memory, I only a child falling</span><span class="line">asleep. My mother’s making mayonnaise rolls</span><span class="line">in the kitchen, a recipe I’ll send for years later,</span><span class="line">in Arizona, in the monsoon season, when my thirst</span></p> |
| 44 | <p><span class="line">pulls me back home, my memory’s lonesome twinkle</span><span class="line">like <a href="finding-the-lion.html">stars above the mountains</a>. I’ll send for it</span><span class="line">and try to make them, but in the thin air they’ll</span><span class="line">crumble into dust like desert air, like a memory.</span></p> | 44 | <p><span class="line">pulls me back home, my memory’s lonesome twinkle</span><span class="line">like <a href="finding-the-lion.html">stars above the mountains</a>. I’ll send for it</span><span class="line">and try to make them, but in the thin air they’ll</span><span class="line">crumble into dust like desert air, like a memory.</span></p> |
| 45 | </section> | 45 | </section> |
| 46 | </article> | 46 | </article> |
| diff --git a/riptide_memory.txt b/riptide_memory.txt index 7dfb75f..9b99514 100644 --- a/riptide_memory.txt +++ b/riptide_memory.txt | |||
| @@ -53,5 +53,5 @@ project: | |||
| 53 | [my father is caught by a riptide]: father.html | 53 | [my father is caught by a riptide]: father.html |
| 54 | [memory]: ouroboros_memory.html | 54 | [memory]: ouroboros_memory.html |
| 55 | [another shipwreck]: shipwright.html | 55 | [another shipwreck]: shipwright.html |
| 56 | [ghost]: 100-lines.html | 56 | [ghost]: one-hundred-lines.html |
| 57 | [stars above the mountains]: finding-the-lion.html | 57 | [stars above the mountains]: finding-the-lion.html |
| diff --git a/snow.html b/snow.html index 42f3715..01eb54d 100644 --- a/snow.html +++ b/snow.html | |||
| @@ -39,7 +39,7 @@ | |||
| 39 | <p><em><a href="fire.html">I don’t care if they burn</a></em> he wrote on his last blank notecard. He’d have to go to the Office Supply Store tomorrow after work.</p> | 39 | <p><em><a href="fire.html">I don’t care if they burn</a></em> he wrote on his last blank notecard. He’d have to go to the Office Supply Store tomorrow after work.</p> |
| 40 | <p>He looked at what he’d written. He’d been thinking about this for a while, felt the frustration build slowly like a <a href="serengeti.html">thundercloud</a> in the back of his mind. He thought he should write something else on the card, but everything he thought of seemed too confessional or too real compromising. <a href="lappel-du-vide.html">He didn’t want anyone, not even the notecards, to know what he was thinking.</a> He decided to try for more of an interview with the paper.</p> | 40 | <p>He looked at what he’d written. He’d been thinking about this for a while, felt the frustration build slowly like a <a href="serengeti.html">thundercloud</a> in the back of his mind. He thought he should write something else on the card, but everything he thought of seemed too confessional or too real compromising. <a href="lappel-du-vide.html">He didn’t want anyone, not even the notecards, to know what he was thinking.</a> He decided to try for more of an interview with the paper.</p> |
| 41 | <p><em>Why?</em> asked the notecard. <em>Because there is nothing important on any of them</em> he wrote back. <em>What do you mean? You have some good stuff in that top drawer there.</em> He looked in the top drawer. It was stuffed full of notecards in no organization. He could see bits and pieces of thoughts like leaves crunched underfoot in autumn. <em>It will take so much organization</em> he wrote.</p> | 41 | <p><em>Why?</em> asked the notecard. <em>Because there is nothing important on any of them</em> he wrote back. <em>What do you mean? You have some good stuff in that top drawer there.</em> He looked in the top drawer. It was stuffed full of notecards in no organization. He could see bits and pieces of thoughts like leaves crunched underfoot in autumn. <em>It will take so much organization</em> he wrote.</p> |
| 42 | <p><em>Why is organization important? Remember the trees, <a href="axe.html">how they formed rows</a> without trying. No matter how the ideas fall, they make something. <a href="100-lines.html">The snow</a> <a href="weplayedthosegamestoo.html">does that too</a></em> he wrote. <em>It doesn’t try to make anything but it does.</em></p> | 42 | <p><em>Why is organization important? Remember the trees, <a href="axe.html">how they formed rows</a> without trying. No matter how the ideas fall, they make something. <a href="one-hundred-lines.html">The snow</a> <a href="weplayedthosegamestoo.html">does that too</a></em> he wrote. <em>It doesn’t try to make anything but it does.</em></p> |
| 43 | <p><em>No the snow is different</em> the notecard was annoyed. <em>The snow is a blank canvas that humans build into shapes or doppelgangers. It makes nothing on its own.</em></p> | 43 | <p><em>No the snow is different</em> the notecard was annoyed. <em>The snow is a blank canvas that humans build into shapes or doppelgangers. It makes nothing on its own.</em></p> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| diff --git a/snow.txt b/snow.txt index 20e2c8d..925cdac 100644 --- a/snow.txt +++ b/snow.txt | |||
| @@ -51,5 +51,5 @@ It makes nothing on its own._ | |||
| 51 | [thundercloud]: serengeti.html | 51 | [thundercloud]: serengeti.html |
| 52 | [thinking]: lappel-du-vide.html | 52 | [thinking]: lappel-du-vide.html |
| 53 | [how they formed rows]: axe.html | 53 | [how they formed rows]: axe.html |
| 54 | [The snow]: 100-lines.html | 54 | [The snow]: one-hundred-lines.html |
| 55 | [does that too]: weplayedthosegamestoo.html | 55 | [does that too]: weplayedthosegamestoo.html |
| diff --git a/table_contents.html b/table_contents.html index e07fefb..a96f765 100644 --- a/table_contents.html +++ b/table_contents.html | |||
| @@ -43,81 +43,119 @@ | |||
| 43 | <section class="content table"> | 43 | <section class="content table"> |
| 44 | <table> | 44 | <table> |
| 45 | <colgroup> | 45 | <colgroup> |
| 46 | <col style="width: 53%" /> | 46 | <col style="width: 4%" /> |
| 47 | <col style="width: 46%" /> | 47 | <col style="width: 48%" /> |
| 48 | <col style="width: 4%" /> | ||
| 49 | <col style="width: 42%" /> | ||
| 48 | </colgroup> | 50 | </colgroup> |
| 49 | <tbody> | 51 | <tbody> |
| 50 | <tr class="odd"> | 52 | <tr class="odd"> |
| 51 | <td style="text-align: left;">4. <a href="ouroboros_memory.html">The look she gave me</a></td> | 53 | <td style="text-align: right;">4.</td> |
| 52 | <td style="text-align: left;">4. Half-hours in heaven are three times <a href="telemarketer.html">that in hell</a></td> | 54 | <td style="text-align: left;"><a href="ouroboros_memory.html">The look she gave me</a></td> |
| 55 | <td style="text-align: right;">4.</td> | ||
| 56 | <td style="text-align: left;">Half-hours in heaven are three times <a href="telemarketer.html">that in hell</a></td> | ||
| 53 | </tr> | 57 | </tr> |
| 54 | <tr class="even"> | 58 | <tr class="even"> |
| 55 | <td style="text-align: left;">5. <a href="lappel-du-vide.html">Not out of anger</a></td> | 59 | <td style="text-align: right;">5.</td> |
| 56 | <td style="text-align: left;">5. <a href="no-nothing.html">Pay the toll</a>, mister, or nothing can get done</td> | 60 | <td style="text-align: left;"><a href="lappel-du-vide.html">Not out of anger</a></td> |
| 61 | <td style="text-align: right;">5.</td> | ||
| 62 | <td style="text-align: left;"><a href="no-nothing.html">Pay the toll</a>, mister, or nothing can get done</td> | ||
| 57 | </tr> | 63 | </tr> |
| 58 | <tr class="odd"> | 64 | <tr class="odd"> |
| 59 | <td style="text-align: left;">6. <a href="boy_bus.html">A desire to understand</a></td> | 65 | <td style="text-align: right;">6.</td> |
| 60 | <td style="text-align: left;">6. <a href="howithappened.html">Misattributed</a></td> | 66 | <td style="text-align: left;"><a href="boy_bus.html">A desire to understand</a></td> |
| 67 | <td style="text-align: right;">6.</td> | ||
| 68 | <td style="text-align: left;"><a href="howithappened.html">Misattributed</a></td> | ||
| 61 | </tr> | 69 | </tr> |
| 62 | <tr class="even"> | 70 | <tr class="even"> |
| 63 | <td style="text-align: left;">7. <a href="i-think-its-you.html">Seven syllables amble</a></td> | 71 | <td style="text-align: right;">7.</td> |
| 64 | <td style="text-align: left;">7. <a href="howtoread.html">Disassociated</a></td> | 72 | <td style="text-align: left;"><a href="i-think-its-you.html">Seven syllables amble</a></td> |
| 73 | <td style="text-align: right;">7.</td> | ||
| 74 | <td style="text-align: left;"><a href="howtoread.html">Disassociated</a></td> | ||
| 65 | </tr> | 75 | </tr> |
| 66 | <tr class="odd"> | 76 | <tr class="odd"> |
| 67 | <td style="text-align: left;">8. <a href="initial-conditions.html">To drink at the pond</a></td> | 77 | <td style="text-align: right;">8.</td> |
| 68 | <td style="text-align: left;">8. <a href="cereal.html">Advice from a cereal box</a></td> | 78 | <td style="text-align: left;"><a href="initial-conditions.html">To drink at the pond</a></td> |
| 79 | <td style="text-align: right;">8.</td> | ||
| 80 | <td style="text-align: left;"><a href="cereal.html">Advice from a cereal box</a></td> | ||
| 69 | </tr> | 81 | </tr> |
| 70 | <tr class="even"> | 82 | <tr class="even"> |
| 71 | <td style="text-align: left;">9. <a href="love-as-god.html">Two fall in and drown</a></td> | 83 | <td style="text-align: right;">9.</td> |
| 72 | <td style="text-align: left;">9. <a href="call-me-aural-pleasure.html">The challenges of</a> a modern life</td> | 84 | <td style="text-align: left;"><a href="love-as-god.html">Two fall in and drown</a></td> |
| 85 | <td style="text-align: right;">9.</td> | ||
| 86 | <td style="text-align: left;"><a href="call-me-aural-pleasure.html">The challenges of</a> a modern life</td> | ||
| 73 | </tr> | 87 | </tr> |
| 74 | <tr class="odd"> | 88 | <tr class="odd"> |
| 75 | <td style="text-align: left;">10. <a href="worse-looking-over.html">Odd-numbered ponies</a></td> | 89 | <td style="text-align: right;">10.</td> |
| 76 | <td style="text-align: left;">10. Probability and the American <a href="in-bed.html">Dream</a></td> | 90 | <td style="text-align: left;"><a href="worse-looking-over.html">Odd-numbered ponies</a></td> |
| 91 | <td style="text-align: right;">10.</td> | ||
| 92 | <td style="text-align: left;">Probability and the American <a href="in-bed.html">Dream</a></td> | ||
| 77 | </tr> | 93 | </tr> |
| 78 | <tr class="even"> | 94 | <tr class="even"> |
| 79 | <td style="text-align: left;">11. <a href="sixteenth-chapel.html">Buck and Whinny in the moonlight</a></td> | 95 | <td style="text-align: right;">11.</td> |
| 80 | <td style="text-align: left;">11. <a href="deadman.html">Two friends throw dice</a></td> | 96 | <td style="text-align: left;"><a href="sixteenth-chapel.html">Buck and Whinny in the moonlight</a></td> |
| 97 | <td style="text-align: right;">11.</td> | ||
| 98 | <td style="text-align: left;"><a href="deadman.html">Two friends throw dice</a></td> | ||
| 81 | </tr> | 99 | </tr> |
| 82 | <tr class="odd"> | 100 | <tr class="odd"> |
| 83 | <td style="text-align: left;">12. <a href="last-bastion.html">To die tomorrow</a></td> | 101 | <td style="text-align: right;">12.</td> |
| 84 | <td style="text-align: left;">12. <a href="seasonal-affective-disorder.html">Fears of death</a></td> | 102 | <td style="text-align: left;"><a href="last-bastion.html">To die tomorrow</a></td> |
| 103 | <td style="text-align: right;">12.</td> | ||
| 104 | <td style="text-align: left;"><a href="seasonal-affective-disorder.html">Fears of death</a></td> | ||
| 85 | </tr> | 105 | </tr> |
| 86 | <tr class="even"> | 106 | <tr class="even"> |
| 87 | <td style="text-align: left;">13. <a href="amber-alert.html">To be everywhere</a></td> | 107 | <td style="text-align: right;">13.</td> |
| 88 | <td style="text-align: left;">13. The <a href="boar.html">solipsist talks to God</a></td> | 108 | <td style="text-align: left;"><a href="amber-alert.html">To be everywhere</a></td> |
| 109 | <td style="text-align: right;">13.</td> | ||
| 110 | <td style="text-align: left;">The <a href="boar.html">solipsist talks to God</a></td> | ||
| 89 | </tr> | 111 | </tr> |
| 90 | <tr class="odd"> | 112 | <tr class="odd"> |
| 91 | <td style="text-align: left;">14. <a href="exasperated.html">All at one time: my motto</a></td> | 113 | <td style="text-align: right;">14.</td> |
| 92 | <td style="text-align: left;">14. <a href="phone.html">A phone conversation</a> following receipt of an ill-timed love letter</td> | 114 | <td style="text-align: left;"><a href="exasperated.html">All at one time: my motto</a></td> |
| 115 | <td style="text-align: right;">14.</td> | ||
| 116 | <td style="text-align: left;"><a href="phone.html">A phone conversation</a> following receipt of an ill-timed love letter</td> | ||
| 93 | </tr> | 117 | </tr> |
| 94 | <tr class="even"> | 118 | <tr class="even"> |
| 95 | <td style="text-align: left;">15. <a href="death-zone.html">Of a perfect world</a></td> | 119 | <td style="text-align: right;">15.</td> |
| 96 | <td style="text-align: left;">15. Woody Allen at <a href="100-lines.html">the horse races</a></td> | 120 | <td style="text-align: left;"><a href="death-zone.html">Of a perfect world</a></td> |
| 121 | <td style="text-align: right;">15.</td> | ||
| 122 | <td style="text-align: left;">Woody Allen at <a href="one-hundred-lines.html">the horse races</a></td> | ||
| 97 | </tr> | 123 | </tr> |
| 98 | <tr class="odd"> | 124 | <tr class="odd"> |
| 99 | <td style="text-align: left;">16. <a href="big-dipper.html">This morning the sun</a></td> | 125 | <td style="text-align: right;">16.</td> |
| 100 | <td style="text-align: left;">16. Whether you say <a href="big-dipper.html">good morning</a> or good night</td> | 126 | <td style="text-align: left;"><a href="big-dipper.html">This morning the sun</a></td> |
| 127 | <td style="text-align: right;">16.</td> | ||
| 128 | <td style="text-align: left;">Whether you say <a href="big-dipper.html">good morning</a> or good night</td> | ||
| 101 | </tr> | 129 | </tr> |
| 102 | <tr class="even"> | 130 | <tr class="even"> |
| 103 | <td style="text-align: left;">17. <a href="poetry-time.html">Wandering through the window</a></td> | 131 | <td style="text-align: right;">17.</td> |
| 104 | <td style="text-align: left;">17. A traveler <a href="mountain.html">waiting on the mountain</a></td> | 132 | <td style="text-align: left;"><a href="poetry-time.html">Wandering through the window</a></td> |
| 133 | <td style="text-align: right;">17.</td> | ||
| 134 | <td style="text-align: left;">A traveler <a href="mountain.html">waiting on the mountain</a></td> | ||
| 105 | </tr> | 135 | </tr> |
| 106 | <tr class="odd"> | 136 | <tr class="odd"> |
| 107 | <td style="text-align: left;">18. <a href="moon-drowning.html">Alights on my shoulder</a></td> | 137 | <td style="text-align: right;">18.</td> |
| 108 | <td style="text-align: left;">18. The impenetrable object falls in <a href="lovesong.html">love</a></td> | 138 | <td style="text-align: left;"><a href="moon-drowning.html">Alights on my shoulder</a></td> |
| 139 | <td style="text-align: right;">18.</td> | ||
| 140 | <td style="text-align: left;">The impenetrable object falls in <a href="lovesong.html">love</a></td> | ||
| 109 | </tr> | 141 | </tr> |
| 110 | <tr class="even"> | 142 | <tr class="even"> |
| 143 | <td style="text-align: right;"></td> | ||
| 111 | <td style="text-align: left;"></td> | 144 | <td style="text-align: left;"></td> |
| 112 | <td style="text-align: left;">1. <a href="music-433.html">Liquid messenger</a></td> | 145 | <td style="text-align: right;">1.</td> |
| 146 | <td style="text-align: left;"><a href="music-433.html">Liquid messenger</a></td> | ||
| 113 | </tr> | 147 | </tr> |
| 114 | <tr class="odd"> | 148 | <tr class="odd"> |
| 149 | <td style="text-align: right;"></td> | ||
| 115 | <td style="text-align: left;"></td> | 150 | <td style="text-align: left;"></td> |
| 116 | <td style="text-align: left;">2. <a href="riptide_memory.html">After a gate closes, dogs bark</a></td> | 151 | <td style="text-align: right;">2.</td> |
| 152 | <td style="text-align: left;"><a href="riptide_memory.html">After a gate closes, dogs bark</a></td> | ||
| 117 | </tr> | 153 | </tr> |
| 118 | <tr class="even"> | 154 | <tr class="even"> |
| 155 | <td style="text-align: right;"></td> | ||
| 119 | <td style="text-align: left;"></td> | 156 | <td style="text-align: left;"></td> |
| 120 | <td style="text-align: left;">3. <a href="about-the-author.html">Finding old men at dusk</a></td> | 157 | <td style="text-align: right;">3.</td> |
| 158 | <td style="text-align: left;"><a href="about-the-author.html">Finding old men at dusk</a></td> | ||
| 121 | </tr> | 159 | </tr> |
| 122 | </tbody> | 160 | </tbody> |
| 123 | </table> | 161 | </table> |
| diff --git a/table_contents.txt b/table_contents.txt index d628d0e..d3f133d 100644 --- a/table_contents.txt +++ b/table_contents.txt | |||
| @@ -18,49 +18,50 @@ project: | |||
| 18 | link: big-dipper | 18 | link: big-dipper |
| 19 | ... | 19 | ... |
| 20 | 20 | ||
| 21 | ------------------------------------------- --------------------------------------- | 21 | --- ---------------------------------------- --- ------------------------------------ |
| 22 | 4. [The look she gave me][] 4. Half-hours in heaven are three times | 22 | 4. [The look she gave me][] 4. Half-hours in heaven are three times |
| 23 | [that in hell][] | 23 | [that in hell][] |
| 24 | 24 | ||
| 25 | 5. [Not out of anger][] 5. [Pay the toll][], mister, or nothing can | 25 | 5. [Not out of anger][] 5. [Pay the toll][], mister, or nothing |
| 26 | get done | 26 | can get done |
| 27 | 27 | ||
| 28 | 6. [A desire to understand][] 6. [Misattributed][] | 28 | 6. [A desire to understand][] 6. [Misattributed][] |
| 29 | 29 | ||
| 30 | 7. [Seven syllables amble][] 7. [Disassociated][] | 30 | 7. [Seven syllables amble][] 7. [Disassociated][] |
| 31 | 31 | ||
| 32 | 8. [To drink at the pond][] 8. [Advice from a cereal box][] | 32 | 8. [To drink at the pond][] 8. [Advice from a cereal box][] |
| 33 | 33 | ||
| 34 | 9. [Two fall in and drown][] 9. [The challenges of][] a modern life | 34 | 9. [Two fall in and drown][] 9. [The challenges of][] a modern life |
| 35 | 35 | ||
| 36 | 10. [Odd-numbered ponies][] 10. Probability and the American [Dream][] | 36 | 10. [Odd-numbered ponies][] 10. Probability and the American |
| 37 | [Dream][] | ||
| 37 | 38 | ||
| 38 | 11. [Buck and Whinny in the moonlight][] 11. [Two friends throw dice][] | 39 | 11. [Buck and Whinny in the moonlight][] 11. [Two friends throw dice][] |
| 39 | 40 | ||
| 40 | 12. [To die tomorrow][] 12. [Fears of death][] | 41 | 12. [To die tomorrow][] 12. [Fears of death][] |
| 41 | 42 | ||
| 42 | 13. [To be everywhere][] 13. The [solipsist talks to God][] | 43 | 13. [To be everywhere][] 13. The [solipsist talks to God][] |
| 43 | 44 | ||
| 44 | 14. [All at one time: my motto][] 14. [A phone conversation][] following | 45 | 14. [All at one time: my motto][] 14. [A phone conversation][] following |
| 45 | receipt of an ill-timed love letter | 46 | receipt of an ill-timed love letter |
| 46 | 47 | ||
| 47 | 15. [Of a perfect world][] 15. Woody Allen at [the horse races][] | 48 | 15. [Of a perfect world][] 15. Woody Allen at [the horse races][] |
| 48 | 49 | ||
| 49 | 16. [This morning the sun][] 16. Whether you say [good morning][] or | 50 | 16. [This morning the sun][] 16. Whether you say [good morning][] or |
| 50 | good night | 51 | good night |
| 51 | 52 | ||
| 52 | 17. [Wandering through the window][] 17. A traveler [waiting on the mountain][] | 53 | 17. [Wandering through the window][] 17. A traveler [waiting on the mountain][] |
| 53 | 54 | ||
| 54 | 18. [Alights on my shoulder][] 18. The impenetrable object falls in | 55 | 18. [Alights on my shoulder][] 18. The impenetrable object falls in |
| 55 | [love][] | 56 | [love][] |
| 56 | 57 | ||
| 57 | 1. [Liquid messenger][] | 58 | 1. [Liquid messenger][] |
| 58 | 59 | ||
| 59 | 2. [After a gate closes, dogs bark][] | 60 | 2. [After a gate closes, dogs bark][] |
| 60 | 61 | ||
| 61 | 3. [Finding old men at dusk][] | 62 | 3. [Finding old men at dusk][] |
| 62 | 63 | ||
| 63 | ------------------------------------------- --------------------------------------- | 64 | --- --------------------------------------- ---- ----------------------------------- |
| 64 | 65 | ||
| 65 | [The look she gave me]: ouroboros_memory.html | 66 | [The look she gave me]: ouroboros_memory.html |
| 66 | [Not out of anger]: lappel-du-vide.html | 67 | [Not out of anger]: lappel-du-vide.html |
| @@ -91,7 +92,7 @@ project: | |||
| 91 | [Two friends throw dice]: deadman.html | 92 | [Two friends throw dice]: deadman.html |
| 92 | [Fears of death]: seasonal-affective-disorder.html | 93 | [Fears of death]: seasonal-affective-disorder.html |
| 93 | [solipsist talks to God]: boar.html | 94 | [solipsist talks to God]: boar.html |
| 94 | [the horse races]: 100-lines.html | 95 | [the horse races]: one-hundred-lines.html |
| 95 | [good morning]: big-dipper.html | 96 | [good morning]: big-dipper.html |
| 96 | [waiting on the mountain]: mountain.html | 97 | [waiting on the mountain]: mountain.html |
| 97 | [love]: lovesong.html | 98 | [love]: lovesong.html |
| diff --git a/table_contents_backlinks.htm b/table_contents_backlinks.htm index b8afd12..90af218 100644 --- a/table_contents_backlinks.htm +++ b/table_contents_backlinks.htm | |||
| @@ -37,9 +37,9 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="about.html">Autocento of the breakfast table</a></li> | 40 | <li><a href="about.html">Autocento of the breakfast table</a></li> |
| 42 | <li><a href="ex-machina.html">Ex machina</a></li> | 41 | <li><a href="ex-machina.html">Ex machina</a></li> |
| 42 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| diff --git a/the-night-we-met.html b/the-night-we-met.html index 075a55c..20f27a1 100644 --- a/the-night-we-met.html +++ b/the-night-we-met.html | |||
| @@ -39,7 +39,7 @@ | |||
| 39 | <p><span class="line">My head is <a href="found-typewriter-poem.html">full of fire</a>, my tongue swollen,</span><span class="line">pregnant with all the things I should’ve said</span><span class="line">but didn’t. Last night, we met each other</span><span class="line">in the dark, remember? You told me time was</span></p> | 39 | <p><span class="line">My head is <a href="found-typewriter-poem.html">full of fire</a>, my tongue swollen,</span><span class="line">pregnant with all the things I should’ve said</span><span class="line">but didn’t. Last night, we met each other</span><span class="line">in the dark, remember? You told me time was</span></p> |
| 40 | <p><span class="line">pregnant with all things. I should’ve said</span><span class="line">something, to draw you out from your place</span><span class="line">in the dark. Remember, you told me time was</span><span class="line">only an illusion, <a href="riptide_memory.html">and memory was</a> only</span></p> | 40 | <p><span class="line">pregnant with all things. I should’ve said</span><span class="line">something, to draw you out from your place</span><span class="line">in the dark. Remember, you told me time was</span><span class="line">only an illusion, <a href="riptide_memory.html">and memory was</a> only</span></p> |
| 41 | <p><span class="line">something to draw. You, out from your place,</span><span class="line">I out from mine, that night, I believed in you.</span><span class="line">Only illusion and memory were one, lying</span><span class="line"><a href="early.html">down on your couch</a>, through the night you drew</span></p> | 41 | <p><span class="line">something to draw. You, out from your place,</span><span class="line">I out from mine, that night, I believed in you.</span><span class="line">Only illusion and memory were one, lying</span><span class="line"><a href="early.html">down on your couch</a>, through the night you drew</span></p> |
| 42 | <p><span class="line">me out from mine. That night, I believed in you</span><span class="line">when you told me you loved me. I lay</span><span class="line">down on your couch. Through the night, you drew</span><span class="line">a picture of our <a href="100-lines.html">future together</a>.</span></p> | 42 | <p><span class="line">me out from mine. That night, I believed in you</span><span class="line">when you told me you loved me. I lay</span><span class="line">down on your couch. Through the night, you drew</span><span class="line">a picture of our <a href="one-hundred-lines.html">future together</a>.</span></p> |
| 43 | <p><span class="line">When you told me you loved me, I lied</span><span class="line"><a href="apollo11.html">in the dark</a>. Remember, you told me time was</span><span class="line"><a href="last-passenger.html">a picture of our future</a> together.</span><span class="line">My head is full of fire, <a href="plant.html">my tongue swollen</a>.</span></p> | 43 | <p><span class="line">When you told me you loved me, I lied</span><span class="line"><a href="apollo11.html">in the dark</a>. Remember, you told me time was</span><span class="line"><a href="last-passenger.html">a picture of our future</a> together.</span><span class="line">My head is full of fire, <a href="plant.html">my tongue swollen</a>.</span></p> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| diff --git a/the-night-we-met.txt b/the-night-we-met.txt index 4ec1975..aca2a30 100644 --- a/the-night-we-met.txt +++ b/the-night-we-met.txt | |||
| @@ -37,7 +37,7 @@ project: | |||
| 37 | [my tongue swollen]: plant.html | 37 | [my tongue swollen]: plant.html |
| 38 | [a picture of our future]: last-passenger.html | 38 | [a picture of our future]: last-passenger.html |
| 39 | [in the dark]: apollo11.html | 39 | [in the dark]: apollo11.html |
| 40 | [future together]: 100-lines.html | 40 | [future together]: one-hundred-lines.html |
| 41 | [down on your couch]: early.html | 41 | [down on your couch]: early.html |
| 42 | [and memory was]: riptide_memory.html | 42 | [and memory was]: riptide_memory.html |
| 43 | [full of fire]: found-typewriter-poem.html | 43 | [full of fire]: found-typewriter-poem.html |
| diff --git a/theoceanoverflowswithcamels_backlinks.htm b/theoceanoverflowswithcamels_backlinks.htm index ef60404..d505ff2 100644 --- a/theoceanoverflowswithcamels_backlinks.htm +++ b/theoceanoverflowswithcamels_backlinks.htm | |||
| @@ -37,9 +37,9 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="100-lines.html">100 lines</a></li> | ||
| 41 | <li><a href="in-bed.html">In bed</a></li> | 40 | <li><a href="in-bed.html">In bed</a></li> |
| 42 | <li><a href="likingthings.html">Liking Things</a></li> | 41 | <li><a href="likingthings.html">Liking Things</a></li> |
| 42 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 43 | <li><a href="ronaldmcdonald.html">Ronald McDonald</a></li> | 43 | <li><a href="ronaldmcdonald.html">Ronald McDonald</a></li> |
| 44 | <li><a href="shipwright.html">The shipwright</a></li> | 44 | <li><a href="shipwright.html">The shipwright</a></li> |
| 45 | <li><a href="stayed-on-the-bus.html">Stayed on the bus too long</a></li> | 45 | <li><a href="stayed-on-the-bus.html">Stayed on the bus too long</a></li> |
| diff --git a/trunk/Sacrifice_of_Isaac-Caravaggio.jpg b/trunk/Sacrifice_of_Isaac-Caravaggio.jpg new file mode 100644 index 0000000..e7e34c6 --- /dev/null +++ b/trunk/Sacrifice_of_Isaac-Caravaggio.jpg | |||
| Binary files differ | |||
| diff --git a/trunk/backlink.sh b/trunk/backlink.sh index c9740d9..f6feb7d 100644 --- a/trunk/backlink.sh +++ b/trunk/backlink.sh | |||
| @@ -4,13 +4,9 @@ | |||
| 4 | searchQuery="$1"; # .html file to backlink | 4 | searchQuery="$1"; # .html file to backlink |
| 5 | outFile="$2"; # .back file to create | 5 | outFile="$2"; # .back file to create |
| 6 | headerFile="$3"; # header information file | 6 | headerFile="$3"; # header information file |
| 7 | islandHead="$4"; | 7 | shift 3; |
| 8 | shift 4; | ||
| 9 | glob="$@"; # where to search for backlinks | 8 | glob="$@"; # where to search for backlinks |
| 10 | 9 | ||
| 11 | islandLink="island" | ||
| 12 | [[ ! -f ${islandLink}.txt ]] && cat "$islandHead" > ${islandLink}.txt; | ||
| 13 | |||
| 14 | # Find backlinkers | 10 | # Find backlinkers |
| 15 | echo -n "Back-linking \"$searchQuery\"" | 11 | echo -n "Back-linking \"$searchQuery\"" |
| 16 | cat "$headerFile" > "$outFile"; | 12 | cat "$headerFile" > "$outFile"; |
| diff --git a/trunk/common-titles.sh b/trunk/common-titles.sh index df6158d..bae8a10 100644 --- a/trunk/common-titles.sh +++ b/trunk/common-titles.sh | |||
| @@ -1,12 +1,10 @@ | |||
| 1 | #!/bin/bash | 1 | #!/bin/bash |
| 2 | 2 | ||
| 3 | outFile="$1"; | 3 | outFile="$1"; |
| 4 | header="$2"; | 4 | shift 1; |
| 5 | shift 2; | ||
| 6 | glob="$@"; | 5 | glob="$@"; |
| 7 | 6 | ||
| 8 | echo -n "Compiling ${outFile}"; | 7 | echo -n "Compiling ${outFile}"; |
| 9 | cat "$header" > $outFile; | ||
| 10 | 8 | ||
| 11 | for file in $glob; do | 9 | for file in $glob; do |
| 12 | # Copy title to $outFile & link | 10 | # Copy title to $outFile & link |
| diff --git a/trunk/first-lines.sh b/trunk/first-lines.sh index fb06026..1378a82 100644 --- a/trunk/first-lines.sh +++ b/trunk/first-lines.sh | |||
| @@ -1,8 +1,7 @@ | |||
| 1 | #!/bin/bash | 1 | #!/bin/bash |
| 2 | 2 | ||
| 3 | outFile="$1"; | 3 | outFile="$1"; |
| 4 | header="$2"; | 4 | shift 1; |
| 5 | shift 2; | ||
| 6 | glob="$@"; | 5 | glob="$@"; |
| 7 | 6 | ||
| 8 | firstLineOf() { # $1 = file | 7 | firstLineOf() { # $1 = file |
| @@ -18,7 +17,6 @@ firstLineOf() { # $1 = file | |||
| 18 | } | 17 | } |
| 19 | 18 | ||
| 20 | echo -n "Compiling ${outFile}" | 19 | echo -n "Compiling ${outFile}" |
| 21 | cat "$header" > $outFile | ||
| 22 | 20 | ||
| 23 | for file in $glob; do | 21 | for file in $glob; do |
| 24 | # Copy first line to $outFile & link | 22 | # Copy first line to $outFile & link |
| diff --git a/trunk/lozenge.js b/trunk/lozenge.js index 171e251..62fcfd0 100644 --- a/trunk/lozenge.js +++ b/trunk/lozenge.js | |||
| @@ -6,7 +6,7 @@ | |||
| 6 | function _lozenge() { | 6 | function _lozenge() { |
| 7 | var lozenge = document.getElementById('lozenge'); | 7 | var lozenge = document.getElementById('lozenge'); |
| 8 | // array with all files {{{ | 8 | // array with all files {{{ |
| 9 | var files=["100-lines.html","about-the-author.html","about.html","about_author.html","abstract.html","amber-alert.html","and.html","angeltoabraham.html","apollo11.html","arspoetica.html","art.html","axe.html","big-dipper.html","boar.html","boy_bus.html","building.html","call-me-aural-pleasure.html","cereal.html","cold-wind.html","collage-instrument.html","creation-myth.html","deadman.html","death-zone.html","deathstrumpet.html","dollywood.html","dream.html","early.html","elegyforanalternateself.html","epigraph.html","ex-machina.html","exasperated.html","father.html","feedingtheraven.html","finding-the-lion.html","fire.html","found-typewriter-poem.html","hands.html","hard-game.html","hardware.html","howithappened.html","howtoread.html","hymnal.html","i-am.html","i-think-its-you.html","i-want-to-say.html","i-wanted-to-tell-you-something.html","in-bed.html","initial-conditions.html","january.html","joke.html","lappel-du-vide.html","largest-asteroid.html","last-bastion.html","last-passenger.html","leaf.html","leg.html","likingthings.html","listen.html","love-as-god.html","lovesong.html","man.html","manifesto_poetics.html","moon-drowning.html","moongone.html","mountain.html","movingsideways.html","music-433.html","no-nothing.html","notes.html","nothing-is-ever-over.html","on-genre-dimension.html","onformalpoetry.html","options.html","ouroboros_memory.html","paul.html","peaches.html","philosophy.html","phone.html","planks.html","plant.html","poetry-time.html","prelude.html","problems.html","process.html","proverbs.html","punch.html","purpose-dogs.html","question.html","real-writer.html","reports.html","riptide_memory.html","ronaldmcdonald.html","roughgloves.html","sapling.html","seasonal-affective-disorder.html","sense-of-it.html","serengeti.html","shed.html","shipwright.html","sixteenth-chapel.html","snow.html","something-simple.html","spittle.html","squirrel.html","stagnant.html","statements-frag.html","stayed-on-the-bus.html","stump.html","swansong-alt.html","swansong.html","swear.html","table_contents.html","tapestry.html","telemarketer.html","the-night-we-met.html","the-sea_the-beach.html","theoceanoverflowswithcamels.html","time-looks-up-to-the-sky.html","todaniel.html","toilet.html","toothpaste.html","treatise.html","underwear.html","walking-in-the-rain.html","wallpaper.html","weplayedthosegamestoo.html","what-we-are-made-of.html","when-im-sorry-i.html","window.html","words-irritable-reaching.html","words-meaning.html","worse-looking-over.html","writing.html","x-ray.html","yellow.html"] | 9 | var 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|
| 10 | // }}} | 10 | // }}} |
| 11 | 11 | ||
| 12 | var index = Math.floor(Math.random() * files.length); | 12 | var index = Math.floor(Math.random() * files.length); |
| diff --git a/trunk/toc.head b/trunk/toc.head new file mode 100644 index 0000000..29cb69e --- /dev/null +++ b/trunk/toc.head | |||
| @@ -0,0 +1,11 @@ | |||
| 1 | --- | ||
| 2 | title: Autocento of the breakfast table | ||
| 3 | id: toc | ||
| 4 | subtitle: table of contents | ||
| 5 | genre: list | ||
| 6 | |||
| 7 | project: | ||
| 8 | title: About autocento | ||
| 9 | class: meta | ||
| 10 | ... | ||
| 11 | |||
| diff --git a/trunk/toc.sh b/trunk/toc.sh new file mode 100644 index 0000000..fe440cb --- /dev/null +++ b/trunk/toc.sh | |||
| @@ -0,0 +1,26 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | |||
| 3 | outFile="$1"; | ||
| 4 | shift 1; | ||
| 5 | glob="$@"; | ||
| 6 | |||
| 7 | echo -n "Compiling $outFile" | ||
| 8 | |||
| 9 | for file in $glob; do | ||
| 10 | title=$(grep '^title: ' $file | cut -d' ' -f2-); | ||
| 11 | subtitle=$(grep '^subtitle: ' $file | cut -d' ' -f2-); | ||
| 12 | htmlFile="${file%.txt}.html" | ||
| 13 | # if [[ "$title" == "Autocento of the breakfast table" ]]; then | ||
| 14 | # echo "#. [$subtitle]($htmlFile)" >> "$outFile"; | ||
| 15 | # else | ||
| 16 | # echo "#. [$title]($htmlFile)" >> "$outFile"; | ||
| 17 | # fi | ||
| 18 | if [[ -n "$subtitle" ]]; then | ||
| 19 | echo "#. [$title: $subtitle]($htmlFile)" >> "$outFile" | ||
| 20 | else | ||
| 21 | echo "#. [$title]($htmlFile)" >> "$outFile"; | ||
| 22 | fi | ||
| 23 | echo -n "." | ||
| 24 | done | ||
| 25 | |||
| 26 | echo "Done." | ||
| diff --git a/trunk/versify.exe b/trunk/versify.exe index cf9809c..d479c80 100644 --- a/trunk/versify.exe +++ b/trunk/versify.exe | |||
| Binary files differ | |||
| diff --git a/wallpaper_backlinks.htm b/wallpaper_backlinks.htm index 0d614d9..030fb82 100644 --- a/wallpaper_backlinks.htm +++ b/wallpaper_backlinks.htm | |||
| @@ -37,6 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 40 | <li><a href="statements-frag.html">Statements</a></li> | 41 | <li><a href="statements-frag.html">Statements</a></li> |
| 41 | </ul> | 42 | </ul> |
| 42 | </section> | 43 | </section> |
| diff --git a/what-we-are-made-of_backlinks.htm b/what-we-are-made-of_backlinks.htm index 2afbcb5..626d06e 100644 --- a/what-we-are-made-of_backlinks.htm +++ b/what-we-are-made-of_backlinks.htm | |||
| @@ -36,7 +36,9 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 41 | </ul> | ||
| 40 | </section> | 42 | </section> |
| 41 | </article> | 43 | </article> |
| 42 | <nav> | 44 | <nav> |
| diff --git a/wip/angeltoabraham.txt b/wip/angeltoabraham.txt new file mode 100644 index 0000000..ab1f17e --- /dev/null +++ b/wip/angeltoabraham.txt | |||
| @@ -0,0 +1,13 @@ | |||
| 1 | Abraham, Abraham, you are old and cannot hear | ||
| 2 | my small voice under the creaking of your grief. | ||
| 3 | Your eyes are dim and connot see the ram | ||
| 4 | as it creates itself from the bush, fashioning | ||
| 5 | its horns from brambles, its wool from leaves, | ||
| 6 | its hooves from the rock of the mountain. | ||
| 7 | |||
| 8 | Your hand is shaky, but it is sure to its goal. | ||
| 9 | The knife is blunt but not blunt enough. | ||
| 10 | |||
| 11 | I am here to stay your hand, to blunt | ||
| 12 | the knife, to bring the ram out from itself | ||
| 13 | so that it can realize its purpose | ||
| diff --git a/wip/ars-words-meaning__.txt b/wip/ars-words-meaning__.txt new file mode 100644 index 0000000..27177d0 --- /dev/null +++ b/wip/ars-words-meaning__.txt | |||
| @@ -0,0 +1,9 @@ | |||
| 1 | _How astonishing it is that language can almost mean, | ||
| 2 | but frightening that it does not quite._ | ||
| 3 | _A word is elegy to what it signifies._ | ||
| 4 | |||
| 5 | The world is somewhat large and unwieldy. | ||
| 6 | This is something I think we can all agree on. | ||
| 7 | And although we may be unwieldy, knocking around semi-anonymously between our work and our families, between eating and sleeping, between the bigness that surrounds us on both sides like a tall hedge wall, we are by no means large. | ||
| 8 | This is something else we can agree on, if we're honest with ourselves. | ||
| 9 | |||
| diff --git a/wip/big-dipper.txt b/wip/big-dipper.txt new file mode 100644 index 0000000..095e665 --- /dev/null +++ b/wip/big-dipper.txt | |||
| @@ -0,0 +1,16 @@ | |||
| 1 | I didn't see it for days, or even months. | ||
| 2 | I lost track after a while how long it was. | ||
| 3 | Then one night, there it was, reclining | ||
| 4 | on the mountains as if they were a couch. | ||
| 5 | _I missed you_, I said, but it didn't hear | ||
| 6 | or it pretended not to, I don't know which. | ||
| 7 | I thought it was looking right at me, but | ||
| 8 | it could've been staring over my shoulder | ||
| 9 | at something glinting. I guess I have to try | ||
| 10 | harder, try something different. I'm going | ||
| 11 | to sing to it, bring it flowers every night, | ||
| 12 | something white to brighten up my hands. | ||
| 13 | |||
| 14 | Years later, when I've won it back, when | ||
| 15 | it shows itself to me without asking, I'll | ||
| 16 | |||
| diff --git a/wip/deathstrumpet.txt b/wip/deathstrumpet.txt index e7edd43..ab901ff 100644 --- a/wip/deathstrumpet.txt +++ b/wip/deathstrumpet.txt | |||
| @@ -1,9 +1,35 @@ | |||
| 1 | He didn't have any polish so he spit-shined the whole thing | 1 | | He didn't have any polish so he spit-shined the whole thing |
| 2 | until it gleamed like a tomato on the vine that was begging | 2 | | until it gleamed like a [tomato on the vine][] that was begging |
| 3 | to be picked and thrown on some caprese. Death loved caprese. | 3 | | to be picked and thrown on some caprese. Death loved caprese. |
| 4 | 4 | ||
| 5 | He stood up to put the horn to his lips, trying to imagine | 5 | | He stood up to put the horn to his lips, trying to imagine |
| 6 | it was a woman he loved. He blushed as he realized how bad | 6 | | it was a woman he loved. He blushed as he realized how bad |
| 7 | the metaphor was. He practiced anyway for six hours a day | 7 | | [the metaphor was][]. He practiced anyway for six hours a day |
| 8 | in front of the mirror---what else was there to do with time | 8 | | in front of the mirror---what else to do with all the time? |
| 9 | that stretched like the mozzarella on Death's caprese? | 9 | |
| 10 | | Death looked at [himself in the mirror][] as he played, the trumpet | ||
| 11 | | suspended in midair. _Damn vampire rules_, he thought. | ||
| 12 | | He was always worried he might have [missed a spot][] while shaving | ||
| 13 | | but he'd never know unless a stranger---he had no friends--- | ||
| 14 | | was kind enough. Not that he goes out anyway or meets people. | ||
| 15 | |||
| 16 | | He started waking up late, staying in bed later. | ||
| 17 | | He started thinking he was depressed. He never did eat | ||
| 18 | | that caprese, and it started getting soggy, green spots | ||
| 19 | | spreading on the mozzarella like bedsores. The sun | ||
| 20 | | filtered through the [kitchen blinds like smoke][]. He had | ||
| 21 | | to get out of the house. He decided to go to the arcade. | ||
| 22 | |||
| 23 | | When he got there, it was empty except for a boy | ||
| 24 | | [with dead eyes][]. So far so good, Death thought. | ||
| 25 | | He was playing a first-person shooter, something violent. | ||
| 26 | | Death walked past him and watched out of the corner | ||
| 27 | | of his eye. The kid was good. Death decided | ||
| 28 | | to congratulate him. He had his trumpet in his hand. | ||
| 29 | |||
| 30 | [himself in the mirror]: moongone.html | ||
| 31 | [with dead eyes]: big-dipper.html | ||
| 32 | [tomato on the vine]: wallpaper.html | ||
| 33 | [the metaphor was]: leaf.html | ||
| 34 | [missed a spot]: january.html | ||
| 35 | [kitchen blinds like smoke]: what-we-are-made-of.html | ||
| diff --git a/wip/i-am2.txt b/wip/i-am2.txt new file mode 100644 index 0000000..0a8ae81 --- /dev/null +++ b/wip/i-am2.txt | |||
| @@ -0,0 +1,11 @@ | |||
| 1 | I am a great pillar of white smoke. | ||
| 2 | I am Lot's nameless wife encased in salt. | ||
| 3 | |||
| 4 | I am the wound on Christ's wrist groaning | ||
| 5 | under the repeated weight of a hammer. | ||
| 6 | |||
| 7 | I am the nail in the wound that points | ||
| 8 | toward heaven. I am the nail that holds | ||
| 9 | |||
| 10 | his kingdom together around my cold | ||
| 11 | thin body. | ||
| diff --git a/wip/makefile b/wip/makefile new file mode 100644 index 0000000..1a93669 --- /dev/null +++ b/wip/makefile | |||
| @@ -0,0 +1,5 @@ | |||
| 1 | stuff = i-am | ||
| 2 | grump = $(patsubst %,%*,$(stuff)) | ||
| 3 | |||
| 4 | test: | ||
| 5 | @echo $(grump) | ||
| diff --git a/x-ray_backlinks.htm b/x-ray_backlinks.htm index 396d5ab..8b4c373 100644 --- a/x-ray_backlinks.htm +++ b/x-ray_backlinks.htm | |||
| @@ -38,6 +38,7 @@ | |||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="call-me-aural-pleasure.html">Call me</a></li> | 40 | <li><a href="call-me-aural-pleasure.html">Call me</a></li> |
| 41 | <li><a href="deadman.html">Dead man</a></li> | ||
| 41 | <li><a href="fire.html">Fire</a></li> | 42 | <li><a href="fire.html">Fire</a></li> |
| 42 | </ul> | 43 | </ul> |
| 43 | </section> | 44 | </section> |
