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diff --git a/README.html b/README.html index e04dddd..8040784 100644 --- a/README.html +++ b/README.html
@@ -70,12 +70,12 @@
70</section> 70</section>
71<section id="technology" class="level2"> 71<section id="technology" class="level2">
72<h2>Technology</h2> 72<h2>Technology</h2>
73<p>Because this project lives online, I’ve used a fair amount of technology to get it there. First, I converted all the articles<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> present into plain text files, which are viewable <a href="src/index.html">here</a>. Then, I used John McFarlane’s venerable document preparation system <a href="http://johnmacfarlane.net/pandoc/">pandoc</a>, along with a short <a href="https://github.com/duckwork/autocento/blob/gh-pages/compile.lua">script</a>, to compile the text sources to HTML using <a href="https://github.com/duckwork/autocento/blob/gh-pages/.template.html">this template</a>. The compiled HTML is what you’re reading now.<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a></p> 73<p>Because this project lives online, I’ve used a fair amount of technology to get it there. First, I converted all the articles<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> present into plain text files, which are viewable <a href="src/common-titles.html">here</a>. Then, I used John McFarlane’s venerable document preparation system <a href="http://johnmacfarlane.net/pandoc/">pandoc</a>, along with a short <a href="https://github.com/duckwork/autocento/blob/gh-pages/compile.lua">script</a>, to compile the text sources to HTML using <a href="https://github.com/duckwork/autocento/blob/gh-pages/.template.html">this template</a>. The compiled HTML is what you’re reading now.<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a></p>
74<p>To host the project, I’m using <a href="https://github.com/">Github</a>, an online code-collaboration tool with the version control system <a href="http://www.git-scm.com/">git</a> under the hood. This enables me (and you, dear Reader!) to explore the path of revision even more, from beginning to end, based on my commits to the repository. You can view the repository and its changes and files at <a href="https://github.com/duckwork/autocento">my Github profile</a>.<a href="#fn3" class="footnoteRef" id="fnref3"><sup>3</sup></a></p> 74<p>To host the project, I’m using <a href="https://github.com/">Github</a>, an online code-collaboration tool with the version control system <a href="http://www.git-scm.com/">git</a> under the hood. This enables me (and you, dear Reader!) to explore the path of revision even more, from beginning to end, based on my commits to the repository. You can view the repository and its changes and files at <a href="https://github.com/duckwork/autocento">my Github profile</a>.<a href="#fn3" class="footnoteRef" id="fnref3"><sup>3</sup></a></p>
75</section> 75</section>
76<section id="using-this-site" class="level2"> 76<section id="using-this-site" class="level2">
77<h2>Using this site</h2> 77<h2>Using this site</h2>
78<p>All of the articles on this site are linked together hypertextually (i.e., like a webpage). This means that all you need to do to explore the creative threads linking these articles together is to start clicking links. However, if you find you’re looping around to a lot of the same articles, you can head back to the <a href="index.html">index</a> and click through the titles in order—that article contains the titles of all the other works in this project.</p> 78<p>All of the articles on this site are linked together hypertextually (i.e., like a webpage). This means that all you need to do to explore the creative threads linking these articles together is to start clicking links. However, if you find you’re looping around to a lot of the same articles, you can head back to the <a href="first-lines.html">index</a> and click through the titles in order—that article contains the titles of all the other works in this project.</p>
79<p>Alternatively, you can click the lozenge (◊) at the bottom of each page. It’ll take you to a random article in the project, thanks to <a href="https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js">this javascript</a>.</p> 79<p>Alternatively, you can click the lozenge (◊) at the bottom of each page. It’ll take you to a random article in the project, thanks to <a href="https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js">this javascript</a>.</p>
80<p>If you want to experience the earlier projects in something resembling the original orders, previous and next links are provided at the bottom of each page, next to the lozenge. Sometimes, there are more than one of each of these, or there are none, dependant on the structure of their original project.</p> 80<p>If you want to experience the earlier projects in something resembling the original orders, previous and next links are provided at the bottom of each page, next to the lozenge. Sometimes, there are more than one of each of these, or there are none, dependant on the structure of their original project.</p>
81</section> 81</section>
diff --git a/_first-lines.html b/_first-lines.html index 598dd47..1149de1 100644 --- a/_first-lines.html +++ b/_first-lines.html
@@ -36,7 +36,7 @@
36 </header> 36 </header>
37 37
38 38
39 <section class="content "></section> 39 <section class="content "><p>&amp; 386 40 70s about accent action advice along ancient anger another any anymore anything apparently around astonishing ate attached autumn away axe ball beauty because been before begin beings between bible bieber big bladder blank book born bottom branching buildings builds burn call calling care carefully case casserole cave celebrity chair challenge chance chapped charlie chefs chop chopped chopping clocks clog coffee come conjoined contents couch course cowardly craft craned created credits current dane data days dead deal deep definition dialect diary dimly dinner discover dish distance dog doing drink dropped drove drowning drunk dry dryer duckworth early earth either eleven eli emotion end enough eskimo ever exploration eyes fall feel few fifty fig finally find finds fire flagstaff floor flows fly force forgotten formal found friend frightening front fucking gamble gave gilbert girls going gone goodbye got gotten gray half handed happiness happy hardware has hatchet head heart hearts heaven hell) hello here hoggle hold hours house hymn hymnal hyperintelligent ideals idly importance important jack january justin kissed kitchen knit language larry late lava least letting lies lights lips literature lived lives long longest looking loud lovable love made makes mammals matters mcdonald minutes mirror modern more morning mountain must mysteries nameless natural neck never new nightgown no noe notebook notecard occasions occurrence okay old ones onto open opens order other our overhead page pandimensional part party peach pen penny people phase phone pillar pine place plant plastic playing poetry polish possible problem pushes quite radio rain ran rare ratio rats read real realizes really refused remembered removed replacement ribbon ride rides riding river rogue rolling ronald run sacred sapling scare screaming searching secrets seen self separate serengeti sestina set she sheen shined ship shoulder show shrugged shuffle sick side silence since singing sixteenth size sky small smoke smoked solves something somewhere song soon southern spit spittle spooky spooling stages states staying stool store story strangely street striped stuff surprise surprised swallow swans swimming swollen take talkie tangerine their then theory thin those though thoughts thread three threw through ticking times toilet told tongue tonight took toolset top traffic treatise trees truly tuesday turn twelve typed typewriters underneath universe unix unnatural us vacation vertical voice waiting walk walked walkie walter want wanted watch watched water wednesday went whenever which white who whole will wind window wish woke woman wood words works would wrapping writer writers yarn yesterday</p></section>
40 </article> 40 </article>
41 <nav> 41 <nav>
42 <a href="#" id="lozenge" title="Random page"> &loz; </a> 42 <a href="#" id="lozenge" title="Random page"> &loz; </a>
diff --git a/building.html b/building.html index a87a857..e66e7cd 100644 --- a/building.html +++ b/building.html
@@ -42,7 +42,7 @@
42 42
43 <section class="content prose"><p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p> 43 <section class="content prose"><p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p>
44<p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p> 44<p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p>
45<p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="index.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p> 45<p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="common-titles.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p>
46<p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p></section> 46<p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p></section>
47 </article> 47 </article>
48 <nav> 48 <nav>
diff --git a/common-titles.html b/common-titles.html new file mode 100644 index 0000000..ef313c2 --- /dev/null +++ b/common-titles.html
@@ -0,0 +1,72 @@
1<!DOCTYPE html>
2<!-- AUTOCENTO OF THE BREAKFAST TABLE -->
3<!-- vim: fdm=indent
4-->
5<html lang="en">
6<head>
7 <meta charset="utf-8">
8 <meta name="generator" content="pandoc">
9 <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes">
10 <meta name="author" content="Case Duckworth">
11
12 <title>Autocento of the breakfast table | Autocento of the breakfast table</title>
13 <link rel="icon" type="image/png" href="img/favico.png" />
14
15 <link rel="stylesheet" type="text/css" href="./css/common.css">
16 <script src="./js/lozenge.js" type="text/javascript"> </script>
17 <script src="./js/hylo.js" type="text/javascript"> </script>
18
19 <link rel="stylesheet" type="text/css" href="./css/verse.css">
20 <script src="./js/verse.js" type="text/javascript"> </script>
21 <link rel="stylesheet" type="text/css" href="./css/autocento.css">
22 <script src="./js/autocento.js" type="text/javascript"> </script>
23 <!--[if lt IE 9]>
24 <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script>
25 <![endif]-->
26 <!-- <script src="js/external.js"> </script> -->
27 </head>
28<body>
29
30
31 <article id="container">
32 <header>
33 <!-- title -->
34 <h1 class="title">Autocento of the breakfast table</h1>
35 <h1 class="subtitle">index of common titles</h1>
36
37 <div class="header-extra">
38
39 <!-- epigraph -->
40 <div class="epigraph">
41 <a href="README.html">Read me.</a>
42
43 </div>
44 </div>
45 </header>
46
47
48 <section class="content verse"><p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a>, <a href="about_author.html">Case Duckworth</a> (née <a href="amber-alert.html">Amber): alert</a>!</p>
49<p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.<br /><a href="collage-instrumented.html">Instrument</a> a collage.”</p>
50<p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p>
51<p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p>
52<p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>-<a href="on-genre-dimension.html">on poetry</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p>
53<p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br /><a href="i-want-to-say.html">I want to say</a> the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p>
54<p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>. This is<br />a <a href="manifesto_poetics.html">manifesto</a>.</p>
55<p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p>
56<p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p>
57<p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>,<br />some <a href="peaches.html">peaches</a>. <a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p>
58<p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p>
59<p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p>
60<p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="dollywood.html">Something about my tenure as a bear</a>. <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p>
61<p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p>
62<p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p>
63<p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p>
64<p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, <a href="walking-in-the-rain.html">walking<br />in the rain</a>, thinking about <a href="what-we-are-made-of.html">what we are made of</a>: <a href="words-meaning.html">words and meaning</a>, <a href="words-irritable-reaching.html">irritably reaching after reason</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p></section>
65 </article>
66 <nav>
67 <a href="#" id="lozenge" title="Random page"> &loz; </a>
68 </nav>
69
70
71</body>
72</html>
diff --git a/css/common.css b/css/common.css index 1156808..3212c67 100644 --- a/css/common.css +++ b/css/common.css
@@ -116,7 +116,7 @@ a:link {
116 padding-top: 1px; 116 padding-top: 1px;
117 color: inherit; 117 color: inherit;
118 text-decoration: none; 118 text-decoration: none;
119 border-bottom: 1px dotted #a1a3a1; 119 border-bottom: 1px dotted black;
120} 120}
121a:visited { 121a:visited {
122 color: inherit; 122 color: inherit;
diff --git a/css/cover.css b/css/cover.css new file mode 100644 index 0000000..2026231 --- /dev/null +++ b/css/cover.css
@@ -0,0 +1,126 @@
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2 */
3@import url(http://fonts.googleapis.com/css?family=Playfair+Display:400,700,400italic,700italic&subset=latin,latin-ext);
4/* Flexboxing {{{ */
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6 position: absolute;
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88 font-weight: 400;
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90 color: #b2d9e5;
91}
92#cover {
93 background-image: url('../img/black-streak.jpg');
94 background-position: 0 0;
95 background-size: 100% 100%;
96 background-repeat: no-repeat;
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98 background-clip: border-box;
99 background-color: black;
100}
101a {
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105li {
106 list-style: none;
107}
108.title {
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1<!DOCTYPE html> 1<!DOCTYPE html>
2<!-- AUTOCENTO OF THE BREAKFAST TABLE --> 2<html>
3<!-- vim: fdm=indent 3 <head>
4--> 4 <meta charset="utf-8">
5<html lang="en"> 5 <meta name="generator" content="pandoc">
6<head> 6 <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes">
7 <meta charset="utf-8"> 7 <meta name="author" content="Case Duckworth">
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11 8
12 <title>Autocento of the breakfast table | Autocento of the breakfast table</title> 9 <title>Autocento of the breakfast table</title>
13 <link rel="icon" type="image/png" href="img/favico.png" /> 10 <link rel="icon" type="image/png" href="img/favico.png" />
14 11
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26 <!-- <script src="js/external.js"> </script> -->
27 </head> 18 </head>
28<body> 19 <body>
29 20 <article id="cover">
30 21 <header>
31 <article id="container"> 22 <h1 class="title">Autocento of the breakfast table</h1>
32 <header> 23 <h2 class="byline">by Case Duckworth</h2>
33 <!-- title --> 24 <h3 class="lozenge"><a href="#" id="lozenge">&loz;</a></h3>
34 <h1 class="title">Autocento of the breakfast table</h1> 25 </header>
35 <h1 class="subtitle">index of first lines and common titles</h1> 26 <section class="content">
36 27 <ul>
37 <div class="header-extra"> 28 <li>Index of
38 29 <a href="first-lines.html">first lines</a> and
39 <!-- epigraph --> 30 <a href="common-titles.html">common titles</a>.
40 <div class="epigraph"> 31 </li>
41 <a href="README.html">Read me.</a> 32 <li><a href="README.html">An explanation</a>.</li>
42 33 </ul>
43 <div class="attrib">Case Duckworth</div> 34 </section>
44 </div> 35 </article>
45 </div> 36 </body>
46 </header>
47
48
49 <section class="content verse"><p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a>, <a href="about_author.html">Case Duckworth</a> (née <a href="amber-alert.html">Amber): alert</a>!</p>
50<p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.<br /><a href="collage-instrumented.html">Instrument</a> a collage.”</p>
51<p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p>
52<p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p>
53<p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>-<a href="on-genre-dimension.html">on poetry</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p>
54<p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br /><a href="i-want-to-say.html">I want to say</a> the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p>
55<p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>. This is<br />a <a href="manifesto_poetics.html">manifesto</a>.</p>
56<p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p>
57<p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p>
58<p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>,<br />some <a href="peaches.html">peaches</a>. <a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p>
59<p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p>
60<p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p>
61<p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="dollywood.html">Something about my tenure as a bear</a>. <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p>
62<p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p>
63<p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p>
64<p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p>
65<p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, <a href="walking-in-the-rain.html">walking<br />in the rain</a>, thinking about <a href="what-we-are-made-of.html">what we are made of</a>: <a href="words-meaning.html">words and meaning</a>, <a href="words-irritable-reaching.html">irritably reaching after reason</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p></section>
66 </article>
67 <nav>
68 <a href="#" id="lozenge" title="Random page"> &loz; </a>
69 </nav>
70
71
72</body>
73</html> 37</html>
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@@ -103,7 +103,7 @@ If you'd like to contact me about the state of this work or my writing in genera
103[ἅπαξ]: http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0057:entry=a%28/pac 103[ἅπαξ]: http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0057:entry=a%28/pac
104[nothing-new]: https://www.biblegateway.com/passage/?search=Ecclesiastes+1%3A9&version=NIV 104[nothing-new]: https://www.biblegateway.com/passage/?search=Ecclesiastes+1%3A9&version=NIV
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112[git]: http://www.git-scm.com/ 112[git]: http://www.git-scm.com/
113[my Github profile]: https://github.com/duckwork/autocento 113[my Github profile]: https://github.com/duckwork/autocento
114 114
115[index]: index.html 115[index]: first-lines.html
116[this javascript]: https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js 116[this javascript]: https://github.com/duckwork/autocento/blob/gh-pages/js/lozenge.js
117 117
118[published]: published.html 118[published]: published.html
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diff --git a/src/building.txt b/src/building.txt index dfc8b48..1a6066a 100644 --- a/src/building.txt +++ b/src/building.txt
@@ -45,7 +45,7 @@ The [act of memory][] is our only ART._
45[chair]: boar.html 45[chair]: boar.html
46[message to a future person]: poetry-time.html 46[message to a future person]: poetry-time.html
47[We have to try.]: plant.html 47[We have to try.]: plant.html
48[our buildings of air]: index.html 48[our buildings of air]: common-titles.html
49[photographs]: man.html 49[photographs]: man.html
50[memory]: ouroboros_memory.html 50[memory]: ouroboros_memory.html
51[act of memory]: riptide_memory.html 51[act of memory]: riptide_memory.html
diff --git a/src/index.txt b/src/common-titles.txt index 3ab11e3..a5c0120 100644 --- a/src/index.txt +++ b/src/common-titles.txt
@@ -1,12 +1,11 @@
1--- 1---
2title: Autocento of the breakfast table 2title: Autocento of the breakfast table
3subtitle: index of first lines and common titles 3subtitle: index of common titles
4genre: verse 4genre: verse
5 5
6epigraph: 6epigraph:
7 content: 'Read me.' 7 content: 'Read me.'
8 link: README.html 8 link: README.html
9 attrib: Case Duckworth
10 9
11project: 10project:
12 title: Autocento of the breakfast table 11 title: Autocento of the breakfast table
© 2022 C. Duckworth. generated by cgit. comments, issues, and patches welcome at < git at acdw dot net >.