diff options
-rw-r--r-- | index.html | 16 | ||||
-rw-r--r-- | src/index.txt | 27 |
2 files changed, 26 insertions, 17 deletions
diff --git a/index.html b/index.html index 8eb81ba..8d20cab 100644 --- a/index.html +++ b/index.html | |||
@@ -46,23 +46,23 @@ | |||
46 | </header> | 46 | </header> |
47 | 47 | ||
48 | 48 | ||
49 | <section class="content verse"><p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a> <a href="amber-alert.html">(Amber): alert</a>!</p> | 49 | <section class="content verse"><p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a>, <a href="about_author.html">Case Duckworth</a> (née <a href="amber-alert.html">Amber): alert</a>!</p> |
50 | <p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.”</p> | 50 | <p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.<br /><a href="collage-instrumented">Instrument</a> a collage.”</p> |
51 | <p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p> | 51 | <p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p> |
52 | <p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p> | 52 | <p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p> |
53 | <p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p> | 53 | <p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>-<a href="on-genre-dimension.html">on poetry</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p> |
54 | <p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br />the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p> | 54 | <p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br /><a href="i-want-to-say.html">I want to say</a> the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p> |
55 | <p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>.</p> | 55 | <p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>. This is<br />a <a href="manifesto_poetics.html">manifesto</a>.</p> |
56 | <p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p> | 56 | <p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p> |
57 | <p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p> | 57 | <p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p> |
58 | <p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>.<br /><a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p> | 58 | <p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>,<br />some <a href="peaches.html">peaches</a>. <a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p> |
59 | <p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p> | 59 | <p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p> |
60 | <p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p> | 60 | <p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p> |
61 | <p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p> | 61 | <p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="dollywood.html">Something about my tenure as a bear</a>. <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p> |
62 | <p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p> | 62 | <p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p> |
63 | <p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p> | 63 | <p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p> |
64 | <p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p> | 64 | <p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p> |
65 | <p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, thinking<br />about <a href="words-meaning.html">words and meaning</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p></section> | 65 | <p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, <a href="walking-in-the-rain">walking<br />in the rain</a>, thinking about <a href="what-we-are-made-of.html">what we are made of</a>: <a href="words-meaning.html">words and meaning</a>, <a href="words-irritable-reaching.html">irritably reaching after reason</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p></section> |
66 | </article> | 66 | </article> |
67 | <nav> | 67 | <nav> |
68 | <a href="#" id="lozenge" title="Random page"> ◊ </a> | 68 | <a href="#" id="lozenge" title="Random page"> ◊ </a> |
diff --git a/src/index.txt b/src/index.txt index 49ce18b..9870f71 100644 --- a/src/index.txt +++ b/src/index.txt | |||
@@ -14,8 +14,9 @@ project: | |||
14 | ... | 14 | ... |
15 | 15 | ||
16 | [100 lines](100-lines.html) | 16 | [100 lines](100-lines.html) |
17 | [about the author](about-the-author.html) | 17 | [about the author](about-the-author.html), |
18 | [(Amber): alert](amber-alert.html)! | 18 | [Case Duckworth](about_author.html) (née |
19 | [Amber): alert](amber-alert.html)! | ||
19 | 20 | ||
20 | [And](and.html) | 21 | [And](and.html) |
21 | [the angel, to Abraham](angeltoabraham.html), | 22 | [the angel, to Abraham](angeltoabraham.html), |
@@ -30,7 +31,8 @@ The [boy on the bus](boy_bus.html) is | |||
30 | [building](building.html). \ | 31 | [building](building.html). \ |
31 | [Call me](call-me-aural-pleasure.html) | 32 | [Call me](call-me-aural-pleasure.html) |
32 | [_Cereal_](cereal.html) or | 33 | [_Cereal_](cereal.html) or |
33 | [_Cold Wind_](cold-wind.html)." | 34 | [_Cold Wind_](cold-wind.html). \ |
35 | [Instrument](collage-instrumented) a collage." | ||
34 | 36 | ||
35 | [Creation myth](creation-myth.html): | 37 | [Creation myth](creation-myth.html): |
36 | [dead man](deadman.html) = | 38 | [dead man](deadman.html) = |
@@ -49,7 +51,7 @@ the raven](feedingtheraven.html), | |||
49 | setting a [fire](fire.html). | 51 | setting a [fire](fire.html). |
50 | 52 | ||
51 | [Look](found-typewriter-poem.html): | 53 | [Look](found-typewriter-poem.html): |
52 | [hands](hands.html)! \ | 54 | [hands](hands.html)-[on poetry](on-genre-dimension.html)! \ |
53 | [A hard game](hard-game.html): | 55 | [A hard game](hard-game.html): |
54 | [hardware](hardware.html). \ | 56 | [hardware](hardware.html). \ |
55 | ([How it happened](howithappened.html)?) \ | 57 | ([How it happened](howithappened.html)?) \ |
@@ -61,6 +63,7 @@ you (but it’s not)](i-think-its-you.html)." | |||
61 | 63 | ||
62 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) | 64 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) |
63 | [in bed](in-bed.html)--- \ | 65 | [in bed](in-bed.html)--- \ |
66 | [I want to say](i-want-to-say.html) | ||
64 | the [initial conditions](initial-conditions.html) | 67 | the [initial conditions](initial-conditions.html) |
65 | of [January](january.html)'s | 68 | of [January](january.html)'s |
66 | [joke](joke.html) are | 69 | [joke](joke.html) are |
@@ -75,7 +78,8 @@ the [last passenger](last-passenger.html) | |||
75 | [Listen](listen.html): | 78 | [Listen](listen.html): |
76 | [love as God](love-as-god.html) loves, better \ | 79 | [love as God](love-as-god.html) loves, better \ |
77 | than a [love song](lovesong.html), | 80 | than a [love song](lovesong.html), |
78 | [man](man.html). | 81 | [man](man.html). This is \ |
82 | a [manifesto](manifesto_poetics.html). | ||
79 | 83 | ||
80 | [The moon is drowning](moon-drowning.html). | 84 | [The moon is drowning](moon-drowning.html). |
81 | [The moon is gone, \ | 85 | [The moon is gone, \ |
@@ -100,7 +104,8 @@ A [litany for a plant](plant.html). | |||
100 | of poetry and time](poetry-time.html): | 104 | of poetry and time](poetry-time.html): |
101 | [prelude](prelude.html), | 105 | [prelude](prelude.html), |
102 | [problems](problems.html), | 106 | [problems](problems.html), |
103 | [proverbs](proverbs.html). \ | 107 | [proverbs](proverbs.html), \ |
108 | some [peaches](peaches.html). | ||
104 | [Punch](punch.html) | 109 | [Punch](punch.html) |
105 | is [the purpose of dogs](purpose-dogs.html). | 110 | is [the purpose of dogs](purpose-dogs.html). |
106 | 111 | ||
@@ -125,6 +130,7 @@ builds | |||
125 | [spittle](spittle.html) on | 130 | [spittle](spittle.html) on |
126 | [the squirrel](squirrel.html) sitting | 131 | [the squirrel](squirrel.html) sitting |
127 | [stagnant](stagnant.html). \ | 132 | [stagnant](stagnant.html). \ |
133 | [Something about my tenure as a bear](dollywood.html). | ||
128 | [Statements](statements-frag.html) | 134 | [Statements](statements-frag.html) |
129 | [stayed on the bus too long](stayed-on-the-bus.html). | 135 | [stayed on the bus too long](stayed-on-the-bus.html). |
130 | 136 | ||
@@ -153,9 +159,12 @@ a [treatise](treatise.html) on | |||
153 | [We played those games too](weplayedthosegamestoo.html). | 159 | [We played those games too](weplayedthosegamestoo.html). |
154 | 160 | ||
155 | [When I’m sorry I wash dishes](when-im-sorry-i.html) in | 161 | [When I’m sorry I wash dishes](when-im-sorry-i.html) in |
156 | the [window](window.html), thinking \ | 162 | the [window](window.html), [walking \ |
157 | about | 163 | in the rain](walking-in-the-rain), |
158 | [words and meaning](words-meaning.html). | 164 | thinking about |
165 | [what we are made of](what-we-are-made-of.html): | ||
166 | [words and meaning](words-meaning.html), | ||
167 | [irritably reaching after reason](words-irritable-reaching.html). | ||
159 | I feel [worse, \ | 168 | I feel [worse, \ |
160 | looking over](worse-looking-over.html) at you, | 169 | looking over](worse-looking-over.html) at you, |
161 | than when I'm [writing](writing.html) \ | 170 | than when I'm [writing](writing.html) \ |