diff options
| -rw-r--r-- | on-genre-dimension.txt | 4 |
1 files changed, 2 insertions, 2 deletions
| diff --git a/on-genre-dimension.txt b/on-genre-dimension.txt index e7dfaac..65d305d 100644 --- a/on-genre-dimension.txt +++ b/on-genre-dimension.txt | |||
| @@ -44,7 +44,7 @@ It's able to meditate on a subject, or expand on it lyrically, exploring the emo | |||
| 44 | Through repitition of sounds, the poem builds meaning through resonance and rhyming, something that's harder to do in prose. | 44 | Through repitition of sounds, the poem builds meaning through resonance and rhyming, something that's harder to do in prose. |
| 45 | Take, for example, the first lines of "[The Love Song of J. Alfred Prufrock][]:" | 45 | Take, for example, the first lines of "[The Love Song of J. Alfred Prufrock][]:" |
| 46 | 46 | ||
| 47 | > LET us go then, you and I, \ | 47 | > Let us go then, you and I, \ |
| 48 | > When the evening is spread out against the sky \ | 48 | > When the evening is spread out against the sky \ |
| 49 | > Like a patient etherized upon a table; \ | 49 | > Like a patient etherized upon a table; \ |
| 50 | > Let us go, through certain half-deserted streets, \ | 50 | > Let us go, through certain half-deserted streets, \ |
| @@ -59,7 +59,7 @@ Take, for example, the first lines of "[The Love Song of J. Alfred Prufrock][]:" | |||
| 59 | 59 | ||
| 60 | And here it is again, without line breaks: | 60 | And here it is again, without line breaks: |
| 61 | 61 | ||
| 62 | > LET us go then, you and I, | 62 | > Let us go then, you and I, |
| 63 | > when the evening is spread out against the sky | 63 | > when the evening is spread out against the sky |
| 64 | > like a patient etherized upon a table; | 64 | > like a patient etherized upon a table; |
| 65 | > let us go, through certain half-deserted streets, | 65 | > let us go, through certain half-deserted streets, |