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| -rw-r--r-- | _template.html | 124 | ||||
| -rw-r--r-- | _toc.html | 196 | ||||
| -rw-r--r-- | _toc.txt | 280 | ||||
| -rw-r--r-- | about-the-author.html | 188 | ||||
| -rw-r--r-- | about-the-author_backlinks.htm | 65 | ||||
| -rw-r--r-- | about.html | 196 | ||||
| -rw-r--r-- | about_author.html | 96 | ||||
| -rw-r--r-- | abstract.html | 106 | ||||
| -rw-r--r-- | abstract_backlinks.htm | 56 | ||||
| -rw-r--r-- | amber-alert.html | 134 | ||||
| -rw-r--r-- | and.html | 122 | ||||
| -rw-r--r-- | angeltoabraham.html | 114 | ||||
| -rw-r--r-- | angeltoabraham_backlinks.htm | 60 | ||||
| -rw-r--r-- | apollo11.html | 97 | ||||
| -rw-r--r-- | apollo11_backlinks.htm | 62 | ||||
| -rw-r--r-- | appendix/common-titles.txt | 152 | ||||
| -rw-r--r-- | appendix/first-lines.txt (renamed from first-lines.txt) | 13 | ||||
| -rw-r--r-- | appendix/hapax.txt (renamed from hapax.txt) | 340 | ||||
| -rw-r--r-- | appendix/islands.txt | 30 | ||||
| -rw-r--r-- | appendix/toc.txt | 141 | ||||
| -rw-r--r-- | arspoetica.html | 98 | ||||
| -rw-r--r-- | arspoetica_backlinks.htm | 60 | ||||
| -rw-r--r-- | art.html | 96 | ||||
| -rw-r--r-- | axe.html | 114 | ||||
| -rw-r--r-- | axe_backlinks.htm | 61 | ||||
| -rw-r--r-- | backlinks/about-the-author.html | 66 | ||||
| -rw-r--r-- | backlinks/about.html (renamed from and_backlinks.htm) | 26 | ||||
| -rw-r--r-- | backlinks/about_author.html (renamed from about_author_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/abstract.html (renamed from call-me-aural-pleasure_backlinks.htm) | 26 | ||||
| -rw-r--r-- | backlinks/amber-alert.html (renamed from amber-alert_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/and.html | 60 | ||||
| -rw-r--r-- | backlinks/angeltoabraham.html | 60 | ||||
| -rw-r--r-- | backlinks/apollo11.html | 62 | ||||
| -rw-r--r-- | backlinks/arspoetica.html | 61 | ||||
| -rw-r--r-- | backlinks/art.html (renamed from art_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/axe.html | 61 | ||||
| -rw-r--r-- | backlinks/big-dipper.html | 63 | ||||
| -rw-r--r-- | backlinks/boar.html | 65 | ||||
| -rw-r--r-- | backlinks/boy_bus.html | 61 | ||||
| -rw-r--r-- | backlinks/building.html | 62 | ||||
| -rw-r--r-- | backlinks/call-me-aural-pleasure.html | 59 | ||||
| -rw-r--r-- | backlinks/cereal.html | 61 | ||||
| -rw-r--r-- | backlinks/cold-wind.html | 65 | ||||
| -rw-r--r-- | backlinks/collage-instrument.html | 60 | ||||
| -rw-r--r-- | backlinks/creation-myth.html | 62 | ||||
| -rw-r--r-- | backlinks/deadman.html (renamed from deadman_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/death-zone.html | 64 | ||||
| -rw-r--r-- | backlinks/deathstrumpet.html | 67 | ||||
| -rw-r--r-- | backlinks/dollywood.html (renamed from about_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/dream.html (renamed from dream_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/early.html (renamed from early_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/elegyforanalternateself.html | 63 | ||||
| -rw-r--r-- | backlinks/epigraph.html | 60 | ||||
| -rw-r--r-- | backlinks/ex-machina.html (renamed from ex-machina_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/exasperated.html | 60 | ||||
| -rw-r--r-- | backlinks/father.html (renamed from father_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/feedingtheraven.html | 64 | ||||
| -rw-r--r-- | backlinks/finding-the-lion.html | 64 | ||||
| -rw-r--r-- | backlinks/fire.html | 64 | ||||
| -rw-r--r-- | backlinks/found-typewriter-poem.html | 60 | ||||
| -rw-r--r-- | backlinks/hands.html (renamed from hands_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/hard-game.html | 60 | ||||
| -rw-r--r-- | backlinks/hardware.html (renamed from hardware_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/howithappened.html | 63 | ||||
| -rw-r--r-- | backlinks/howtoread.html | 64 | ||||
| -rw-r--r-- | backlinks/hymnal.html (renamed from hymnal_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/i-am.html | 64 | ||||
| -rw-r--r-- | backlinks/i-think-its-you.html | 62 | ||||
| -rw-r--r-- | backlinks/i-want-to-say.html (renamed from i-want-to-say_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/i-wanted-to-tell-you-something.html | 61 | ||||
| -rw-r--r-- | backlinks/in-bed.html | 75 | ||||
| -rw-r--r-- | backlinks/initial-conditions.html | 60 | ||||
| -rw-r--r-- | backlinks/january.html | 62 | ||||
| -rw-r--r-- | backlinks/joke.html (renamed from joke_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/lappel-du-vide.html | 64 | ||||
| -rw-r--r-- | backlinks/largest-asteroid.html (renamed from largest-asteroid_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/last-bastion.html | 65 | ||||
| -rw-r--r-- | backlinks/last-passenger.html | 69 | ||||
| -rw-r--r-- | backlinks/leaf.html (renamed from leaf_backlinks.htm) | 23 | ||||
| -rw-r--r-- | backlinks/leg.html (renamed from leg_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/likingthings.html | 59 | ||||
| -rw-r--r-- | backlinks/listen.html (renamed from listen_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/love-as-god.html | 62 | ||||
| -rw-r--r-- | backlinks/lovesong.html | 64 | ||||
| -rw-r--r-- | backlinks/man.html | 62 | ||||
| -rw-r--r-- | backlinks/manifesto_poetics.html (renamed from hard-game_backlinks.htm) | 26 | ||||
| -rw-r--r-- | backlinks/moon-drowning.html | 65 | ||||
| -rw-r--r-- | backlinks/moongone.html | 64 | ||||
| -rw-r--r-- | backlinks/mountain.html | 67 | ||||
| -rw-r--r-- | backlinks/movingsideways.html | 62 | ||||
| -rw-r--r-- | backlinks/music-433.html | 66 | ||||
| -rw-r--r-- | backlinks/no-nothing.html | 71 | ||||
| -rw-r--r-- | backlinks/notes.html (renamed from notes_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/nothing-is-ever-over.html | 61 | ||||
| -rw-r--r-- | backlinks/on-genre-dimension.html (renamed from on-genre-dimension_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/one-hundred-lines.html | 66 | ||||
| -rw-r--r-- | backlinks/onformalpoetry.html (renamed from onformalpoetry_backlinks.htm) | 21 | ||||
| -rw-r--r-- | backlinks/options.html (renamed from options_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/ouroboros_memory.html | 67 | ||||
| -rw-r--r-- | backlinks/paul.html (renamed from paul_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/peaches.html (renamed from peaches_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/philosophy.html (renamed from philosophy_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/phone.html (renamed from phone_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/planks.html (renamed from planks_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/plant.html | 69 | ||||
| -rw-r--r-- | backlinks/poetry-time.html | 65 | ||||
| -rw-r--r-- | backlinks/prelude.html | 61 | ||||
| -rw-r--r-- | backlinks/problems.html (renamed from problems_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/process.html | 59 | ||||
| -rw-r--r-- | backlinks/proverbs.html (renamed from proverbs_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/punch.html (renamed from punch_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/purpose-dogs.html (renamed from purpose-dogs_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/question.html (renamed from question_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/real-writer.html | 65 | ||||
| -rw-r--r-- | backlinks/reports.html (renamed from reports_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/riptide_memory.html | 72 | ||||
| -rw-r--r-- | backlinks/ronaldmcdonald.html | 61 | ||||
| -rw-r--r-- | backlinks/roughgloves.html | 68 | ||||
| -rw-r--r-- | backlinks/sapling.html (renamed from sapling_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/seasonal-affective-disorder.html | 63 | ||||
| -rw-r--r-- | backlinks/sense-of-it.html | 63 | ||||
| -rw-r--r-- | backlinks/serengeti.html | 63 | ||||
| -rw-r--r-- | backlinks/shed.html (renamed from shed_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/shipwright.html | 60 | ||||
| -rw-r--r-- | backlinks/sixteenth-chapel.html | 61 | ||||
| -rw-r--r-- | backlinks/snow.html (renamed from snow_backlinks.htm) | 21 | ||||
| -rw-r--r-- | backlinks/something-simple.html | 59 | ||||
| -rw-r--r-- | backlinks/spittle.html | 64 | ||||
| -rw-r--r-- | backlinks/squirrel.html (renamed from squirrel_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/stagnant.html (renamed from stagnant_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/statements-frag.html | 64 | ||||
| -rw-r--r-- | backlinks/stayed-on-the-bus.html (renamed from stayed-on-the-bus_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/stump.html (renamed from stump_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/swansong-alt.html | 62 | ||||
| -rw-r--r-- | backlinks/swansong.html (renamed from swansong_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/swear.html (renamed from swear_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/table_contents.html | 60 | ||||
| -rw-r--r-- | backlinks/tapestry.html (renamed from tapestry_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/telemarketer.html | 65 | ||||
| -rw-r--r-- | backlinks/the-night-we-met.html | 61 | ||||
| -rw-r--r-- | backlinks/the-sea_the-beach.html | 63 | ||||
| -rw-r--r-- | backlinks/theoceanoverflowswithcamels.html | 64 | ||||
| -rw-r--r-- | backlinks/time-looks-up-to-the-sky.html (renamed from time-looks-up-to-the-sky_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/todaniel.html (renamed from todaniel_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/toilet.html | 59 | ||||
| -rw-r--r-- | backlinks/toothpaste.html (renamed from toothpaste_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/treatise.html (renamed from treatise_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/underwear.html (renamed from underwear_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/walking-in-the-rain.html (renamed from walking-in-the-rain_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/wallpaper.html (renamed from wallpaper_backlinks.htm) | 22 | ||||
| -rw-r--r-- | backlinks/weplayedthosegamestoo.html | 62 | ||||
| -rw-r--r-- | backlinks/what-we-are-made-of.html (renamed from what-we-are-made-of_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/when-im-sorry-i.html | 61 | ||||
| -rw-r--r-- | backlinks/window.html | 61 | ||||
| -rw-r--r-- | backlinks/words-irritable-reaching.html (renamed from words-irritable-reaching_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/words-meaning.html | 64 | ||||
| -rw-r--r-- | backlinks/worse-looking-over.html (renamed from worse-looking-over_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/writing.html (renamed from writing_backlinks.htm) | 20 | ||||
| -rw-r--r-- | backlinks/x-ray.html (renamed from x-ray_backlinks.htm) | 24 | ||||
| -rw-r--r-- | backlinks/yellow.html (renamed from yellow_backlinks.htm) | 22 | ||||
| -rw-r--r-- | big-dipper.html | 112 | ||||
| -rw-r--r-- | big-dipper_backlinks.htm | 63 | ||||
| -rw-r--r-- | boar.html | 100 | ||||
| -rw-r--r-- | boar_backlinks.htm | 65 | ||||
| -rw-r--r-- | boy_bus.html | 114 | ||||
| -rw-r--r-- | boy_bus_backlinks.htm | 61 | ||||
| -rw-r--r-- | building.html | 114 | ||||
| -rw-r--r-- | building_backlinks.htm | 61 | ||||
| -rw-r--r-- | call-me-aural-pleasure.html | 96 | ||||
| -rw-r--r-- | cereal.html | 114 | ||||
| -rw-r--r-- | cereal_backlinks.htm | 61 | ||||
| -rw-r--r-- | cold-wind.html | 96 | ||||
| -rw-r--r-- | cold-wind_backlinks.htm | 65 | ||||
| -rw-r--r-- | collage-instrument.html | 108 | ||||
| -rw-r--r-- | collage-instrument_backlinks.htm | 60 | ||||
| -rw-r--r-- | common-titles.html | 108 | ||||
| -rw-r--r-- | common-titles.txt | 288 | ||||
| -rw-r--r-- | creation-myth.html | 98 | ||||
| -rw-r--r-- | creation-myth_backlinks.htm | 61 | ||||
| -rw-r--r-- | deadman.html | 124 | ||||
| -rw-r--r-- | death-zone.html | 148 | ||||
| -rw-r--r-- | death-zone_backlinks.htm | 64 | ||||
| -rw-r--r-- | deathstrumpet.html | 104 | ||||
| -rw-r--r-- | deathstrumpet_backlinks.htm | 67 | ||||
| -rw-r--r-- | dollywood.html | 114 | ||||
| -rw-r--r-- | dollywood_backlinks.htm | 56 | ||||
| -rw-r--r-- | dream.html | 116 | ||||
| -rw-r--r-- | early.html | 116 | ||||
| -rw-r--r-- | elegyforanalternateself.html | 94 | ||||
| -rw-r--r-- | elegyforanalternateself_backlinks.htm | 62 | ||||
| -rw-r--r-- | epigraph.html | 104 | ||||
| -rw-r--r-- | epigraph_backlinks.htm | 60 | ||||
| -rw-r--r-- | ex-machina.html | 102 | ||||
| -rw-r--r-- | exasperated.html | 120 | ||||
| -rw-r--r-- | exasperated_backlinks.htm | 60 | ||||
| -rw-r--r-- | father.html | 114 | ||||
| -rw-r--r-- | feedingtheraven.html | 98 | ||||
| -rw-r--r-- | feedingtheraven_backlinks.htm | 64 | ||||
| -rw-r--r-- | finding-the-lion.html | 102 | ||||
| -rw-r--r-- | finding-the-lion_backlinks.htm | 64 | ||||
| -rw-r--r-- | fire.html | 102 | ||||
| -rw-r--r-- | fire_backlinks.htm | 64 | ||||
| -rw-r--r-- | first-lines.html | 108 | ||||
| -rw-r--r-- | found-typewriter-poem.html | 106 | ||||
| -rw-r--r-- | found-typewriter-poem_backlinks.htm | 60 | ||||
| -rw-r--r-- | hands.html | 118 | ||||
| -rw-r--r-- | hapax.html | 57 | ||||
| -rw-r--r-- | hard-game.html | 106 | ||||
| -rw-r--r-- | hardware.html | 114 | ||||
| -rw-r--r-- | howithappened.html | 94 | ||||
| -rw-r--r-- | howithappened_backlinks.htm | 63 | ||||
| -rw-r--r-- | howtoread.html | 116 | ||||
| -rw-r--r-- | howtoread_backlinks.htm | 63 | ||||
| -rw-r--r-- | hymnal.html | 120 | ||||
| -rw-r--r-- | i-am.html | 94 | ||||
| -rw-r--r-- | i-am_backlinks.htm | 64 | ||||
| -rw-r--r-- | i-think-its-you.html | 120 | ||||
| -rw-r--r-- | i-think-its-you_backlinks.htm | 62 | ||||
| -rw-r--r-- | i-want-to-say.html | 96 | ||||
| -rw-r--r-- | i-wanted-to-tell-you-something.html | 104 | ||||
| -rw-r--r-- | i-wanted-to-tell-you-something_backlinks.htm | 61 | ||||
| -rw-r--r-- | in-bed.html | 182 | ||||
| -rw-r--r-- | in-bed_backlinks.htm | 74 | ||||
| -rw-r--r-- | index.html | 10 | ||||
| -rw-r--r-- | initial-conditions.html | 120 | ||||
| -rw-r--r-- | initial-conditions_backlinks.htm | 60 | ||||
| -rw-r--r-- | island.htm | 73 | ||||
| -rw-r--r-- | island.html | 73 | ||||
| -rw-r--r-- | island.txt | 25 | ||||
| -rw-r--r-- | islands.html | 76 | ||||
| -rw-r--r-- | january.html | 104 | ||||
| -rw-r--r-- | january_backlinks.htm | 62 | ||||
| -rw-r--r-- | joke.html | 116 | ||||
| -rw-r--r-- | lappel-du-vide.html | 144 | ||||
| -rw-r--r-- | lappel-du-vide_backlinks.htm | 64 | ||||
| -rw-r--r-- | largest-asteroid.html | 92 | ||||
| -rw-r--r-- | last-bastion.html | 114 | ||||
| -rw-r--r-- | last-bastion_backlinks.htm | 65 | ||||
| -rw-r--r-- | last-passenger.html | 96 | ||||
| -rw-r--r-- | last-passenger_backlinks.htm | 68 | ||||
| -rw-r--r-- | leaf.html | 112 | ||||
| -rw-r--r-- | leg.html | 140 | ||||
| -rw-r--r-- | likingthings.html | 104 | ||||
| -rw-r--r-- | likingthings_backlinks.htm | 59 | ||||
| -rw-r--r-- | listen.html | 94 | ||||
| -rw-r--r-- | love-as-god.html | 120 | ||||
| -rw-r--r-- | love-as-god_backlinks.htm | 62 | ||||
| -rw-r--r-- | lovesong.html | 100 | ||||
| -rw-r--r-- | lovesong_backlinks.htm | 64 | ||||
| -rw-r--r-- | makefile | 267 | ||||
| -rw-r--r-- | man.html | 132 | ||||
| -rw-r--r-- | man_backlinks.htm | 62 | ||||
| -rw-r--r-- | manifesto_poetics.html | 104 | ||||
| -rw-r--r-- | manifesto_poetics_backlinks.htm | 56 | ||||
| -rw-r--r-- | moon-drowning.html | 114 | ||||
| -rw-r--r-- | moon-drowning_backlinks.htm | 65 | ||||
| -rw-r--r-- | moongone.html | 108 | ||||
| -rw-r--r-- | moongone_backlinks.htm | 64 | ||||
| -rw-r--r-- | mountain.html | 98 | ||||
| -rw-r--r-- | mountain_backlinks.htm | 66 | ||||
| -rw-r--r-- | movingsideways.html | 112 | ||||
| -rw-r--r-- | movingsideways_backlinks.htm | 62 | ||||
| -rw-r--r-- | music-433.html | 122 | ||||
| -rw-r--r-- | music-433_backlinks.htm | 65 | ||||
| -rw-r--r-- | no-nothing.html | 94 | ||||
| -rw-r--r-- | no-nothing_backlinks.htm | 70 | ||||
| -rw-r--r-- | notes.html | 116 | ||||
| -rw-r--r-- | nothing-is-ever-over.html | 92 | ||||
| -rw-r--r-- | nothing-is-ever-over_backlinks.htm | 61 | ||||
| -rw-r--r-- | on-genre-dimension.html | 82 | ||||
| -rw-r--r-- | one-hundred-lines.html | 92 | ||||
| -rw-r--r-- | one-hundred-lines_backlinks.htm | 65 | ||||
| -rw-r--r-- | onformalpoetry.html | 94 | ||||
| -rw-r--r-- | options.html | 112 | ||||
| -rw-r--r-- | ouroboros_memory.html | 132 | ||||
| -rw-r--r-- | ouroboros_memory_backlinks.htm | 67 | ||||
| -rw-r--r-- | paul.html | 168 | ||||
| -rw-r--r-- | peaches.html | 104 | ||||
| -rw-r--r-- | philosophy.html | 96 | ||||
| -rw-r--r-- | phone.html | 114 | ||||
| -rw-r--r-- | planks.html | 118 | ||||
| -rw-r--r-- | plant.html | 96 | ||||
| -rw-r--r-- | plant_backlinks.htm | 69 | ||||
| -rw-r--r-- | poetry-time.html | 120 | ||||
| -rw-r--r-- | poetry-time_backlinks.htm | 64 | ||||
| -rw-r--r-- | prelude.html | 100 | ||||
| -rw-r--r-- | prelude_backlinks.htm | 61 | ||||
| -rw-r--r-- | problems.html | 116 | ||||
| -rw-r--r-- | process.html | 192 | ||||
| -rw-r--r-- | process_backlinks.htm | 58 | ||||
| -rw-r--r-- | proverbs.html | 106 | ||||
| -rw-r--r-- | punch.html | 112 | ||||
| -rw-r--r-- | purpose-dogs.html | 96 | ||||
| -rw-r--r-- | question.html | 114 | ||||
| -rw-r--r-- | real-writer.html | 92 | ||||
| -rw-r--r-- | real-writer_backlinks.htm | 65 | ||||
| -rw-r--r-- | reports.html | 122 | ||||
| -rw-r--r-- | riptide_memory.html | 118 | ||||
| -rw-r--r-- | riptide_memory_backlinks.htm | 71 | ||||
| -rw-r--r-- | ronaldmcdonald.html | 106 | ||||
| -rw-r--r-- | ronaldmcdonald_backlinks.htm | 61 | ||||
| -rw-r--r-- | roughgloves.html | 94 | ||||
| -rw-r--r-- | roughgloves_backlinks.htm | 68 | ||||
| -rw-r--r-- | sapling.html | 112 | ||||
| -rw-r--r-- | scripts/compile.sh | 85 | ||||
| -rw-r--r-- | scripts/delink.hs | 8 | ||||
| -rw-r--r-- | scripts/forceascii.hs (renamed from trunk/forceascii.hs) | 0 | ||||
| -rw-r--r-- | scripts/hapax.lua (renamed from trunk/hapax.lua) | 1 | ||||
| -rw-r--r-- | scripts/hylo.js (renamed from trunk/hylo.js) | 0 | ||||
| -rw-r--r-- | scripts/randomize.js (renamed from trunk/lozenge.js) | 19 | ||||
| -rw-r--r-- | scripts/versify.hs (renamed from trunk/versify.hs) | 0 | ||||
| -rw-r--r-- | seasonal-affective-disorder.html | 104 | ||||
| -rw-r--r-- | seasonal-affective-disorder_backlinks.htm | 63 | ||||
| -rw-r--r-- | sense-of-it.html | 98 | ||||
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528 files changed, 14479 insertions, 14923 deletions
| diff --git a/_template.html b/_template.html deleted file mode 100644 index f67da05..0000000 --- a/_template.html +++ /dev/null | |||
| @@ -1,124 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>$title$ | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | $for(header-includes)$ | ||
| 23 | $headerincludes$ | ||
| 24 | $endfor$ | ||
| 25 | </head> | ||
| 26 | <body id="$id$"$if(project.class)$ class="$project.class$"$endif$> | ||
| 27 | $for(include-before)$ $include-before$ $endfor$ | ||
| 28 | |||
| 29 | <article class="container"> | ||
| 30 | <header> | ||
| 31 | <!-- title --> | ||
| 32 | $if(title)$<h1 class="title">$title$</h1>$endif$ | ||
| 33 | $if(subtitle)$<h1 class="subtitle">$subtitle$</h1>$endif$ | ||
| 34 | |||
| 35 | <div class="header-extra"> | ||
| 36 | $if(dedication)$ | ||
| 37 | <!-- dedication --> | ||
| 38 | <div class="dedication">$dedication$</div> | ||
| 39 | $endif$ | ||
| 40 | |||
| 41 | $if(epigraph.content)$ | ||
| 42 | <!-- epigraph --> | ||
| 43 | <div class="epigraph"> | ||
| 44 | $if(epigraph.link)$ | ||
| 45 | <a href="$epigraph.link$">$epigraph.content$</a> | ||
| 46 | $else$ | ||
| 47 | $epigraph.content$ | ||
| 48 | $endif$ | ||
| 49 | |||
| 50 | $if(epigraph.attrib)$ | ||
| 51 | <div class="attrib">$epigraph.attrib$</div> | ||
| 52 | $endif$ | ||
| 53 | </div> | ||
| 54 | $endif$ | ||
| 55 | </div> | ||
| 56 | </header> | ||
| 57 | |||
| 58 | $if(ekphrastic.image)$ | ||
| 59 | <div class="ekphrastic"> | ||
| 60 | $if(ekphrastic.link)$ | ||
| 61 | <a href="$ekphrastic.link$"> | ||
| 62 | <img src="trunk/$ekphrastic.image$" | ||
| 63 | $if(ekphrastic.title)$ | ||
| 64 | title="$ekphrastic.title$" | ||
| 65 | $endif$ | ||
| 66 | $if(ekphrastic.alt)$ | ||
| 67 | alt="$ekphrastic.alt$" | ||
| 68 | $else$ | ||
| 69 | alt="$ekphrastic.title$" | ||
| 70 | $endif$ | ||
| 71 | $if(ekphrastic.class)$ | ||
| 72 | class="$ekphrastic.class$" | ||
| 73 | $endif$ | ||
| 74 | /> | ||
| 75 | </a> | ||
| 76 | $else$ | ||
| 77 | <img src="trunk/$ekphrastic.image$" | ||
| 78 | $if(ekphrastic.title)$ | ||
| 79 | title="$ekphrastic.title$" | ||
| 80 | $endif$ | ||
| 81 | $if(ekphrastic.alt)$ | ||
| 82 | alt="$ekphrastic.alt$" | ||
| 83 | $else$ | ||
| 84 | alt="$ekphrastic.title$" | ||
| 85 | $endif$ | ||
| 86 | $if(ekphrastic.class)$ | ||
| 87 | class="$ekphrastic.class$" | ||
| 88 | $endif$ | ||
| 89 | /> | ||
| 90 | $endif$ | ||
| 91 | </div> | ||
| 92 | $endif$ | ||
| 93 | |||
| 94 | <section class="content $genre$"> | ||
| 95 | $body$ | ||
| 96 | </section> | ||
| 97 | </article> | ||
| 98 | <nav> | ||
| 99 | <div class="anchors"> | ||
| 100 | <a href="$id$_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 101 | φ | ||
| 102 | </a> | ||
| 103 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 104 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 105 | </div> | ||
| 106 | |||
| 107 | $for(project.prev)$ | ||
| 108 | <a class="prevlink" href="$project.prev.link$.html" | ||
| 109 | title="Previous article$if(project.title)$ in $project.title$$endif$"> | ||
| 110 | $project.prev.title$ | ||
| 111 | </a> | ||
| 112 | $endfor$ | ||
| 113 | |||
| 114 | $for(project.next)$ | ||
| 115 | <a class="nextlink" href="$project.next.link$.html" | ||
| 116 | title="Next article$if(project.title)$ in $project.title$$endif$"> | ||
| 117 | $project.next.title$ | ||
| 118 | </a> | ||
| 119 | $endfor$ | ||
| 120 | </nav> | ||
| 121 | |||
| 122 | $for(include-after)$ $include-after$ $endfor$ | ||
| 123 | </body> | ||
| 124 | </html> | ||
| diff --git a/_toc.html b/_toc.html deleted file mode 100644 index 6af4378..0000000 --- a/_toc.html +++ /dev/null | |||
| @@ -1,196 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="toc" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | ||
| 30 | <h1 class="subtitle">table of contents</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ol> | ||
| 40 | <li><a href="hapax.html">Autocento of the breakfast table: hapax legomena</a></li> | ||
| 41 | <li><a href="island.html">Islands</a></li> | ||
| 42 | <li><a href="first-lines.html">Autocento of the breakfast table: index of first lines</a></li> | ||
| 43 | <li><a href="common-titles.html">Autocento of the breakfast table: index of common titles</a></li> | ||
| 44 | <li><a href="about-the-author.html">About the author: (not pictured)</a></li> | ||
| 45 | <li><a href="about.html">Autocento of the breakfast table: about this site</a></li> | ||
| 46 | <li><a href="about_author.html">About Case Duckworth</a></li> | ||
| 47 | <li><a href="abstract.html">Autocento of the breakfast table: abstract</a></li> | ||
| 48 | <li><a href="amber-alert.html">AMBER alert</a></li> | ||
| 49 | <li><a href="and.html">And</a></li> | ||
| 50 | <li><a href="angeltoabraham.html">The angel to Abraham</a></li> | ||
| 51 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 52 | <li><a href="arspoetica.html">Ars poetica</a></li> | ||
| 53 | <li><a href="art.html">Art</a></li> | ||
| 54 | <li><a href="axe.html">Axe</a></li> | ||
| 55 | <li><a href="big-dipper.html">The Big Dipper</a></li> | ||
| 56 | <li><a href="boar.html">The boar</a></li> | ||
| 57 | <li><a href="boy_bus.html">Boy on the bus</a></li> | ||
| 58 | <li><a href="building.html">Building</a></li> | ||
| 59 | <li><a href="call-me-aural-pleasure.html">Call me: aural pleasure</a></li> | ||
| 60 | <li><a href="cereal.html">Cereal</a></li> | ||
| 61 | <li><a href="cold-wind.html">Cold wind</a></li> | ||
| 62 | <li><a href="collage-instrument.html">Instrumented: a collage</a></li> | ||
| 63 | <li><a href="creation-myth.html">Creation myth</a></li> | ||
| 64 | <li><a href="deadman.html">Dead man</a></li> | ||
| 65 | <li><a href="death-zone.html">The Death Zone</a></li> | ||
| 66 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 67 | <li><a href="dollywood.html">Something: about my tenure as a bear</a></li> | ||
| 68 | <li><a href="dream.html">Dream</a></li> | ||
| 69 | <li><a href="early.html">Early</a></li> | ||
| 70 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 71 | <li><a href="epigraph.html">epigraph: “– Sylvia Plath”</a></li> | ||
| 72 | <li><a href="ex-machina.html">Ex machina</a></li> | ||
| 73 | <li><a href="exasperated.html">Exasperated</a></li> | ||
| 74 | <li><a href="father.html">Father</a></li> | ||
| 75 | <li><a href="feedingtheraven.html">Feeding the raven</a></li> | ||
| 76 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
| 77 | <li><a href="fire.html">Fire</a></li> | ||
| 78 | <li><a href="found-typewriter-poem.html">Look: a found typewriter poem</a></li> | ||
| 79 | <li><a href="hands.html">Hands</a></li> | ||
| 80 | <li><a href="hard-game.html">A hard game</a></li> | ||
| 81 | <li><a href="hardware.html">Hardware</a></li> | ||
| 82 | <li><a href="howithappened.html">How it happened</a></li> | ||
| 83 | <li><a href="howtoread.html">How to read this</a></li> | ||
| 84 | <li><a href="hymnal.html">Hymnal</a></li> | ||
| 85 | <li><a href="i-am.html">I am</a></li> | ||
| 86 | <li><a href="i-think-its-you.html">I think it’s you (but it’s not)</a></li> | ||
| 87 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 88 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
| 89 | <li><a href="in-bed.html">In bed</a></li> | ||
| 90 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 91 | <li><a href="january.html">January</a></li> | ||
| 92 | <li><a href="joke.html">Joke</a></li> | ||
| 93 | <li><a href="lappel-du-vide.html">L’appel du vide</a></li> | ||
| 94 | <li><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a></li> | ||
| 95 | <li><a href="last-bastion.html">Last bastion</a></li> | ||
| 96 | <li><a href="last-passenger.html">Last passenger</a></li> | ||
| 97 | <li><a href="leaf.html">Leaf</a></li> | ||
| 98 | <li><a href="leg.html">Leg</a></li> | ||
| 99 | <li><a href="likingthings.html">Liking Things</a></li> | ||
| 100 | <li><a href="listen.html">Listen</a></li> | ||
| 101 | <li><a href="love-as-god.html">Love as God</a></li> | ||
| 102 | <li><a href="lovesong.html">Love Song</a></li> | ||
| 103 | <li><a href="man.html">Man</a></li> | ||
| 104 | <li><a href="manifesto_poetics.html">Manifesto of poetics</a></li> | ||
| 105 | <li><a href="moon-drowning.html">The Moon is drowning</a></li> | ||
| 106 | <li><a href="moongone.html">The moon is gone and in its place a mirror</a></li> | ||
| 107 | <li><a href="mountain.html">The mountain</a></li> | ||
| 108 | <li><a href="movingsideways.html">Moving Sideways</a></li> | ||
| 109 | <li><a href="music-433.html">Something: ‘about all music being performances of <em>4′33″</em> in places where other bands happen to be playing’</a></li> | ||
| 110 | <li><a href="no-nothing.html">No nothing</a></li> | ||
| 111 | <li><a href="notes.html">Notes</a></li> | ||
| 112 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | ||
| 113 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> | ||
| 114 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 115 | <li><a href="onformalpoetry.html">On formal poetry</a></li> | ||
| 116 | <li><a href="options.html">Options</a></li> | ||
| 117 | <li><a href="ouroboros_memory.html">Ouroboros of Memory</a></li> | ||
| 118 | <li><a href="paul.html">Paul</a></li> | ||
| 119 | <li><a href="peaches.html">Peaches</a></li> | ||
| 120 | <li><a href="philosophy.html">Philosophy</a></li> | ||
| 121 | <li><a href="phone.html">Phone</a></li> | ||
| 122 | <li><a href="planks.html">Planks</a></li> | ||
| 123 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 124 | <li><a href="poetry-time.html">Something: about the nature of poetry and time</a></li> | ||
| 125 | <li><a href="prelude.html">Prelude</a></li> | ||
| 126 | <li><a href="problems.html">Problems</a></li> | ||
| 127 | <li><a href="process.html">Autocento of the breakfast table: process narrative</a></li> | ||
| 128 | <li><a href="proverbs.html">Proverbs</a></li> | ||
| 129 | <li><a href="punch.html">Punch</a></li> | ||
| 130 | <li><a href="purpose-dogs.html">The purpose of dogs</a></li> | ||
| 131 | <li><a href="question.html">Question</a></li> | ||
| 132 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 133 | <li><a href="reports.html">Reports</a></li> | ||
| 134 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | ||
| 135 | <li><a href="ronaldmcdonald.html">Ronald McDonald</a></li> | ||
| 136 | <li><a href="roughgloves.html">Rough gloves</a></li> | ||
| 137 | <li><a href="sapling.html">Sapling</a></li> | ||
| 138 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> | ||
| 139 | <li><a href="sense-of-it.html">Sense of it</a></li> | ||
| 140 | <li><a href="serengeti.html">Serengeti</a></li> | ||
| 141 | <li><a href="shed.html">Shed</a></li> | ||
| 142 | <li><a href="shipwright.html">The shipwright</a></li> | ||
| 143 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 144 | <li><a href="snow.html">Snow</a></li> | ||
| 145 | <li><a href="something-simple.html">“Let’s start with something simple:”</a></li> | ||
| 146 | <li><a href="spittle.html">Spittle</a></li> | ||
| 147 | <li><a href="squirrel.html">The squirrel</a></li> | ||
| 148 | <li><a href="stagnant.html">Stagnant</a></li> | ||
| 149 | <li><a href="statements-frag.html">Statements: a fragment</a></li> | ||
| 150 | <li><a href="stayed-on-the-bus.html">Stayed on the bus too long</a></li> | ||
| 151 | <li><a href="stump.html">Stump</a></li> | ||
| 152 | <li><a href="swansong-alt.html">Swansong: alternate version</a></li> | ||
| 153 | <li><a href="swansong.html">Swan song</a></li> | ||
| 154 | <li><a href="swear.html">Swear</a></li> | ||
| 155 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 156 | <li><a href="tapestry.html">Tapestry</a></li> | ||
| 157 | <li><a href="telemarketer.html">Telemarketer</a></li> | ||
| 158 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind: or lying in the dark</a></li> | ||
| 159 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> | ||
| 160 | <li><a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a></li> | ||
| 161 | <li><a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a></li> | ||
| 162 | <li><a href="todaniel.html">To Daniel: an elaboration of a previous comment</a></li> | ||
| 163 | <li><a href="toilet.html">Toilet</a></li> | ||
| 164 | <li><a href="toothpaste.html">Toothpaste</a></li> | ||
| 165 | <li><a href="treatise.html">Treatise</a></li> | ||
| 166 | <li><a href="underwear.html">Underwear</a></li> | ||
| 167 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 168 | <li><a href="wallpaper.html">Wallpaper</a></li> | ||
| 169 | <li><a href="weplayedthosegamestoo.html">We played those games too</a></li> | ||
| 170 | <li><a href="what-we-are-made-of.html">What we are made of</a></li> | ||
| 171 | <li><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a></li> | ||
| 172 | <li><a href="window.html">Window</a></li> | ||
| 173 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> | ||
| 174 | <li><a href="words-meaning.html">Words and meaning</a></li> | ||
| 175 | <li><a href="worse-looking-over.html">Worse looking over</a></li> | ||
| 176 | <li><a href="writing.html">Writing</a></li> | ||
| 177 | <li><a href="x-ray.html">X-ray</a></li> | ||
| 178 | <li><a href="yellow.html">Yellow</a></li> | ||
| 179 | </ol> | ||
| 180 | </section> | ||
| 181 | </article> | ||
| 182 | <nav> | ||
| 183 | <div class="anchors"> | ||
| 184 | <a href="toc_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 185 | φ | ||
| 186 | </a> | ||
| 187 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 188 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 189 | </div> | ||
| 190 | |||
| 191 | |||
| 192 | </nav> | ||
| 193 | |||
| 194 | |||
| 195 | </body> | ||
| 196 | </html> | ||
| diff --git a/_toc.txt b/_toc.txt deleted file mode 100644 index 75ce703..0000000 --- a/_toc.txt +++ /dev/null | |||
| @@ -1,280 +0,0 @@ | |||
| 1 | #. [Autocento of the breakfast table: hapax legomena](hapax.html) | ||
| 2 | #. [Islands](island.html) | ||
| 3 | #. [Autocento of the breakfast table: index of first lines](first-lines.html) | ||
| 4 | #. [Autocento of the breakfast table: index of common titles](common-titles.html) | ||
| 5 | #. [About the author: (not pictured)](about-the-author.html) | ||
| 6 | #. [Autocento of the breakfast table: about this site](about.html) | ||
| 7 | #. [About Case Duckworth](about_author.html) | ||
| 8 | #. [Autocento of the breakfast table: abstract](abstract.html) | ||
| 9 | #. [AMBER alert](amber-alert.html) | ||
| 10 | #. [And](and.html) | ||
| 11 | #. [The angel to Abraham](angeltoabraham.html) | ||
| 12 | #. [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | ||
| 13 | #. [Ars poetica](arspoetica.html) | ||
| 14 | #. [Art](art.html) | ||
| 15 | #. [Axe](axe.html) | ||
| 16 | #. [The Big Dipper](big-dipper.html) | ||
| 17 | #. [The boar](boar.html) | ||
| 18 | #. [Boy on the bus](boy_bus.html) | ||
| 19 | #. [Building](building.html) | ||
| 20 | #. [Call me: aural pleasure](call-me-aural-pleasure.html) | ||
| 21 | #. [Cereal](cereal.html) | ||
| 22 | #. [Cold wind](cold-wind.html) | ||
| 23 | #. [Instrumented: a collage](collage-instrument.html) | ||
| 24 | #. [Creation myth](creation-myth.html) | ||
| 25 | #. [Dead man](deadman.html) | ||
| 26 | #. [The Death Zone](death-zone.html) | ||
| 27 | #. ["Death's trumpet"](deathstrumpet.html) | ||
| 28 | #. [Something: about my tenure as a bear](dollywood.html) | ||
| 29 | #. [Dream](dream.html) | ||
| 30 | #. [Early](early.html) | ||
| 31 | #. [Elegy for an alternate self](elegyforanalternateself.html) | ||
| 32 | #. [epigraph: "– Sylvia Plath"](epigraph.html) | ||
| 33 | #. [Ex machina](ex-machina.html) | ||
| 34 | #. [Exasperated](exasperated.html) | ||
| 35 | #. [Father](father.html) | ||
| 36 | #. [Feeding the raven](feedingtheraven.html) | ||
| 37 | #. [Finding the Lion](finding-the-lion.html) | ||
| 38 | #. [Fire](fire.html) | ||
| 39 | #. [Look: a found typewriter poem](found-typewriter-poem.html) | ||
| 40 | #. [Hands](hands.html) | ||
| 41 | #. [A hard game](hard-game.html) | ||
| 42 | #. [Hardware](hardware.html) | ||
| 43 | #. [How it happened](howithappened.html) | ||
| 44 | #. [How to read this](howtoread.html) | ||
| 45 | #. [Hymnal](hymnal.html) | ||
| 46 | #. [I am](i-am.html) | ||
| 47 | #. [I think it's you (but it's not)](i-think-its-you.html) | ||
| 48 | #. [I want to say](i-want-to-say.html) | ||
| 49 | #. [I wanted to tell you something](i-wanted-to-tell-you-something.html) | ||
| 50 | #. [In bed](in-bed.html) | ||
| 51 | #. [Initial conditions](initial-conditions.html) | ||
| 52 | #. [January](january.html) | ||
| 53 | #. [Joke](joke.html) | ||
| 54 | #. [L'appel du vide](lappel-du-vide.html) | ||
| 55 | #. [The largest asteroid in the asteroid belt](largest-asteroid.html) | ||
| 56 | #. [Last bastion](last-bastion.html) | ||
| 57 | #. [Last passenger](last-passenger.html) | ||
| 58 | #. [Leaf](leaf.html) | ||
| 59 | #. [Leg](leg.html) | ||
| 60 | #. [Liking Things](likingthings.html) | ||
| 61 | #. [Listen](listen.html) | ||
| 62 | #. [Love as God](love-as-god.html) | ||
| 63 | #. [Love Song](lovesong.html) | ||
| 64 | #. [Man](man.html) | ||
| 65 | #. [Manifesto of poetics](manifesto_poetics.html) | ||
| 66 | #. [The Moon is drowning](moon-drowning.html) | ||
| 67 | #. [The moon is gone and in its place a mirror](moongone.html) | ||
| 68 | #. [The mountain](mountain.html) | ||
| 69 | #. [Moving Sideways](movingsideways.html) | ||
| 70 | #. [Something: 'about all music being performances of _4′33″_ in places where other bands happen to be playing'](music-433.html) | ||
| 71 | #. [No nothing](no-nothing.html) | ||
| 72 | #. [Notes](notes.html) | ||
| 73 | #. [Nothing is ever over](nothing-is-ever-over.html) | ||
| 74 | #. [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 75 | #. [One hundred lines](one-hundred-lines.html) | ||
| 76 | #. [On formal poetry](onformalpoetry.html) | ||
| 77 | #. [Options](options.html) | ||
| 78 | #. [Ouroboros of Memory](ouroboros_memory.html) | ||
| 79 | #. [Paul](paul.html) | ||
| 80 | #. [Peaches](peaches.html) | ||
| 81 | #. [Philosophy](philosophy.html) | ||
| 82 | #. [Phone](phone.html) | ||
| 83 | #. [Planks](planks.html) | ||
| 84 | #. [Litany for a plant](plant.html) | ||
| 85 | #. [Something: about the nature of poetry and time](poetry-time.html) | ||
| 86 | #. [Prelude](prelude.html) | ||
| 87 | #. [Problems](problems.html) | ||
| 88 | #. [Autocento of the breakfast table: process narrative](process.html) | ||
| 89 | #. [Proverbs](proverbs.html) | ||
| 90 | #. [Punch](punch.html) | ||
| 91 | #. [The purpose of dogs](purpose-dogs.html) | ||
| 92 | #. [Question](question.html) | ||
| 93 | #. [A real writer](real-writer.html) | ||
| 94 | #. [Reports](reports.html) | ||
| 95 | #. [Riptide of memory](riptide_memory.html) | ||
| 96 | #. [Ronald McDonald](ronaldmcdonald.html) | ||
| 97 | #. [Rough gloves](roughgloves.html) | ||
| 98 | #. [Sapling](sapling.html) | ||
| 99 | #. [Seasonal affective disorder](seasonal-affective-disorder.html) | ||
| 100 | #. [Sense of it](sense-of-it.html) | ||
| 101 | #. [Serengeti](serengeti.html) | ||
| 102 | #. [Shed](shed.html) | ||
| 103 | #. [The shipwright](shipwright.html) | ||
| 104 | #. [The Sixteenth Chapel](sixteenth-chapel.html) | ||
| 105 | #. [Snow](snow.html) | ||
| 106 | #. ["Let's start with something simple:"](something-simple.html) | ||
| 107 | #. [Spittle](spittle.html) | ||
| 108 | #. [The squirrel](squirrel.html) | ||
| 109 | #. [Stagnant](stagnant.html) | ||
| 110 | #. [Statements: a fragment](statements-frag.html) | ||
| 111 | #. [Stayed on the bus too long](stayed-on-the-bus.html) | ||
| 112 | #. [Stump](stump.html) | ||
| 113 | #. [Swansong: alternate version](swansong-alt.html) | ||
| 114 | #. [Swan song](swansong.html) | ||
| 115 | #. [Swear](swear.html) | ||
| 116 | #. [Table of contents](table_contents.html) | ||
| 117 | #. [Tapestry](tapestry.html) | ||
| 118 | #. [Telemarketer](telemarketer.html) | ||
| 119 | #. [The night we met, I was out of my mind: or lying in the dark](the-night-we-met.html) | ||
| 120 | #. [The sea and the beach](the-sea_the-beach.html) | ||
| 121 | #. [The ocean overflows with camels](theoceanoverflowswithcamels.html) | ||
| 122 | #. [Time looks up to the sky](time-looks-up-to-the-sky.html) | ||
| 123 | #. [To Daniel: an elaboration of a previous comment](todaniel.html) | ||
| 124 | #. [Toilet](toilet.html) | ||
| 125 | #. [Toothpaste](toothpaste.html) | ||
| 126 | #. [Treatise](treatise.html) | ||
| 127 | #. [Underwear](underwear.html) | ||
| 128 | #. [Walking in the rain](walking-in-the-rain.html) | ||
| 129 | #. [Wallpaper](wallpaper.html) | ||
| 130 | #. [We played those games too](weplayedthosegamestoo.html) | ||
| 131 | #. [What we are made of](what-we-are-made-of.html) | ||
| 132 | #. [When I'm sorry I wash dishes](when-im-sorry-i.html) | ||
| 133 | #. [Window](window.html) | ||
| 134 | #. [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 135 | #. [Words and meaning](words-meaning.html) | ||
| 136 | #. [Worse looking over](worse-looking-over.html) | ||
| 137 | #. [Writing](writing.html) | ||
| 138 | #. [X-ray](x-ray.html) | ||
| 139 | #. [Yellow](yellow.html) | ||
| 140 | #. [](hapax.html) | ||
| 141 | #. [Islands](island.html) | ||
| 142 | #. [](first-lines.html) | ||
| 143 | #. [](common-titles.html) | ||
| 144 | #. [](_.html) | ||
| 145 | #. [](_toc.html) | ||
| 146 | #. [About the author: (not pictured)](about-the-author.html) | ||
| 147 | #. [Autocento of the breakfast table: about this site](about.html) | ||
| 148 | #. [About Case Duckworth](about_author.html) | ||
| 149 | #. [Autocento of the breakfast table: abstract](abstract.html) | ||
| 150 | #. [AMBER alert](amber-alert.html) | ||
| 151 | #. [And](and.html) | ||
| 152 | #. [The angel to Abraham](angeltoabraham.html) | ||
| 153 | #. [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | ||
| 154 | #. [Ars poetica](arspoetica.html) | ||
| 155 | #. [Art](art.html) | ||
| 156 | #. [Axe](axe.html) | ||
| 157 | #. [The Big Dipper](big-dipper.html) | ||
| 158 | #. [The boar](boar.html) | ||
| 159 | #. [Boy on the bus](boy_bus.html) | ||
| 160 | #. [Building](building.html) | ||
| 161 | #. [Call me: aural pleasure](call-me-aural-pleasure.html) | ||
| 162 | #. [Cereal](cereal.html) | ||
| 163 | #. [Cold wind](cold-wind.html) | ||
| 164 | #. [Instrumented: a collage](collage-instrument.html) | ||
| 165 | #. [Creation myth](creation-myth.html) | ||
| 166 | #. [Dead man](deadman.html) | ||
| 167 | #. [The Death Zone](death-zone.html) | ||
| 168 | #. ["Death's trumpet"](deathstrumpet.html) | ||
| 169 | #. [Something: about my tenure as a bear](dollywood.html) | ||
| 170 | #. [Dream](dream.html) | ||
| 171 | #. [Early](early.html) | ||
| 172 | #. [Elegy for an alternate self](elegyforanalternateself.html) | ||
| 173 | #. [epigraph: "– Sylvia Plath"](epigraph.html) | ||
| 174 | #. [Ex machina](ex-machina.html) | ||
| 175 | #. [Exasperated](exasperated.html) | ||
| 176 | #. [Father](father.html) | ||
| 177 | #. [Feeding the raven](feedingtheraven.html) | ||
| 178 | #. [Finding the Lion](finding-the-lion.html) | ||
| 179 | #. [Fire](fire.html) | ||
| 180 | #. [Look: a found typewriter poem](found-typewriter-poem.html) | ||
| 181 | #. [Hands](hands.html) | ||
| 182 | #. [A hard game](hard-game.html) | ||
| 183 | #. [Hardware](hardware.html) | ||
| 184 | #. [How it happened](howithappened.html) | ||
| 185 | #. [How to read this](howtoread.html) | ||
| 186 | #. [Hymnal](hymnal.html) | ||
| 187 | #. [I am](i-am.html) | ||
| 188 | #. [I think it's you (but it's not)](i-think-its-you.html) | ||
| 189 | #. [I want to say](i-want-to-say.html) | ||
| 190 | #. [I wanted to tell you something](i-wanted-to-tell-you-something.html) | ||
| 191 | #. [In bed](in-bed.html) | ||
| 192 | #. [Initial conditions](initial-conditions.html) | ||
| 193 | #. [January](january.html) | ||
| 194 | #. [Joke](joke.html) | ||
| 195 | #. [L'appel du vide](lappel-du-vide.html) | ||
| 196 | #. [The largest asteroid in the asteroid belt](largest-asteroid.html) | ||
| 197 | #. [Last bastion](last-bastion.html) | ||
| 198 | #. [Last passenger](last-passenger.html) | ||
| 199 | #. [Leaf](leaf.html) | ||
| 200 | #. [Leg](leg.html) | ||
| 201 | #. [Liking Things](likingthings.html) | ||
| 202 | #. [Listen](listen.html) | ||
| 203 | #. [Love as God](love-as-god.html) | ||
| 204 | #. [Love Song](lovesong.html) | ||
| 205 | #. [Man](man.html) | ||
| 206 | #. [Manifesto of poetics](manifesto_poetics.html) | ||
| 207 | #. [The Moon is drowning](moon-drowning.html) | ||
| 208 | #. [The moon is gone and in its place a mirror](moongone.html) | ||
| 209 | #. [The mountain](mountain.html) | ||
| 210 | #. [Moving Sideways](movingsideways.html) | ||
| 211 | #. [Something: 'about all music being performances of _4′33″_ in places where other bands happen to be playing'](music-433.html) | ||
| 212 | #. [No nothing](no-nothing.html) | ||
| 213 | #. [Notes](notes.html) | ||
| 214 | #. [Nothing is ever over](nothing-is-ever-over.html) | ||
| 215 | #. [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 216 | #. [One hundred lines](one-hundred-lines.html) | ||
| 217 | #. [On formal poetry](onformalpoetry.html) | ||
| 218 | #. [Options](options.html) | ||
| 219 | #. [Ouroboros of Memory](ouroboros_memory.html) | ||
| 220 | #. [Paul](paul.html) | ||
| 221 | #. [Peaches](peaches.html) | ||
| 222 | #. [Philosophy](philosophy.html) | ||
| 223 | #. [Phone](phone.html) | ||
| 224 | #. [Planks](planks.html) | ||
| 225 | #. [Litany for a plant](plant.html) | ||
| 226 | #. [Something: about the nature of poetry and time](poetry-time.html) | ||
| 227 | #. [Prelude](prelude.html) | ||
| 228 | #. [Problems](problems.html) | ||
| 229 | #. [Autocento of the breakfast table: process narrative](process.html) | ||
| 230 | #. [Proverbs](proverbs.html) | ||
| 231 | #. [Punch](punch.html) | ||
| 232 | #. [The purpose of dogs](purpose-dogs.html) | ||
| 233 | #. [Question](question.html) | ||
| 234 | #. [A real writer](real-writer.html) | ||
| 235 | #. [Reports](reports.html) | ||
| 236 | #. [Riptide of memory](riptide_memory.html) | ||
| 237 | #. [Ronald McDonald](ronaldmcdonald.html) | ||
| 238 | #. [Rough gloves](roughgloves.html) | ||
| 239 | #. [Sapling](sapling.html) | ||
| 240 | #. [Seasonal affective disorder](seasonal-affective-disorder.html) | ||
| 241 | #. [Sense of it](sense-of-it.html) | ||
| 242 | #. [Serengeti](serengeti.html) | ||
| 243 | #. [Shed](shed.html) | ||
| 244 | #. [The shipwright](shipwright.html) | ||
| 245 | #. [The Sixteenth Chapel](sixteenth-chapel.html) | ||
| 246 | #. [Snow](snow.html) | ||
| 247 | #. ["Let's start with something simple:"](something-simple.html) | ||
| 248 | #. [Spittle](spittle.html) | ||
| 249 | #. [The squirrel](squirrel.html) | ||
| 250 | #. [Stagnant](stagnant.html) | ||
| 251 | #. [Statements: a fragment](statements-frag.html) | ||
| 252 | #. [Stayed on the bus too long](stayed-on-the-bus.html) | ||
| 253 | #. [Stump](stump.html) | ||
| 254 | #. [Swansong: alternate version](swansong-alt.html) | ||
| 255 | #. [Swan song](swansong.html) | ||
| 256 | #. [Swear](swear.html) | ||
| 257 | #. [Table of contents](table_contents.html) | ||
| 258 | #. [Tapestry](tapestry.html) | ||
| 259 | #. [Telemarketer](telemarketer.html) | ||
| 260 | #. [The night we met, I was out of my mind: or lying in the dark](the-night-we-met.html) | ||
| 261 | #. [The sea and the beach](the-sea_the-beach.html) | ||
| 262 | #. [The ocean overflows with camels](theoceanoverflowswithcamels.html) | ||
| 263 | #. [Time looks up to the sky](time-looks-up-to-the-sky.html) | ||
| 264 | #. [To Daniel: an elaboration of a previous comment](todaniel.html) | ||
| 265 | #. [Toilet](toilet.html) | ||
| 266 | #. [Toothpaste](toothpaste.html) | ||
| 267 | #. [Treatise](treatise.html) | ||
| 268 | #. [Underwear](underwear.html) | ||
| 269 | #. [Walking in the rain](walking-in-the-rain.html) | ||
| 270 | #. [Wallpaper](wallpaper.html) | ||
| 271 | #. [We played those games too](weplayedthosegamestoo.html) | ||
| 272 | #. [What we are made of](what-we-are-made-of.html) | ||
| 273 | #. [When I'm sorry I wash dishes](when-im-sorry-i.html) | ||
| 274 | #. [Window](window.html) | ||
| 275 | #. [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 276 | #. [Words and meaning](words-meaning.html) | ||
| 277 | #. [Worse looking over](worse-looking-over.html) | ||
| 278 | #. [Writing](writing.html) | ||
| 279 | #. [X-ray](x-ray.html) | ||
| 280 | #. [Yellow](yellow.html) | ||
| diff --git a/about-the-author.html b/about-the-author.html index fca1d22..e60185c 100644 --- a/about-the-author.html +++ b/about-the-author.html | |||
| @@ -4,109 +4,107 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>About the author | Autocento of the breakfast table</title> | 12 | <title>About the author | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="about-the-author" class="stark"> | 23 | <body id="about-the-author" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">About the author</h1> | 28 | <h1 class="title">About the author</h1> |
| 30 | <h1 class="subtitle">(not pictured)</h1> | 29 | <h1 class="subtitle">(not pictured)</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | The body that surrounds him is his, but his insides are not. | ||
| 37 | |||
| 38 | </div> | ||
| 39 | </div> | ||
| 40 | </header> | ||
| 41 | 32 | ||
| 42 | 33 | <!-- epigraph --> | |
| 43 | <section class="content table"> | 34 | <div class="epigraph"> |
| 44 | <table> | 35 | The body that surrounds him is his, but his insides are not. |
| 45 | <colgroup> | ||
| 46 | <col style="width: 44%" /> | ||
| 47 | <col style="width: 55%" /> | ||
| 48 | </colgroup> | ||
| 49 | <tbody> | ||
| 50 | <tr class="odd"> | ||
| 51 | <td style="text-align: left;"><a href="sixteenth-chapel.html">He was born</a> on a few separate occasions</td> | ||
| 52 | <td style="text-align: right;"><em><a href="stayed-on-the-bus.html">green traffic lights</a> at night</em></td> | ||
| 53 | </tr> | ||
| 54 | <tr class="even"> | ||
| 55 | <td style="text-align: left;">There was the day of his conception<br />a wintery affair saved for those involved</td> | ||
| 56 | <td style="text-align: right;"><em><a href="options.html">a TV in front of a dumpster</a></em></td> | ||
| 57 | </tr> | ||
| 58 | <tr class="odd"> | ||
| 59 | <td style="text-align: left;">The day he wriggled forth<br />from the dark tunnel of nothing<br /><a href="death-zone.html">his mother’s womb</a></td> | ||
| 60 | <td style="text-align: right;"><em>surprise photo of you at Walgreen’s</em></td> | ||
| 61 | </tr> | ||
| 62 | <tr class="even"> | ||
| 63 | <td style="text-align: left;">The founding of his little city<br />deep inside by the small builders<br />alien as they were and still<br />somehow intimately familiar</td> | ||
| 64 | <td style="text-align: right;"><em>a <a href="in-bed.html">pink dress in the alley</a> behind your house</em></td> | ||
| 65 | </tr> | ||
| 66 | <tr class="odd"> | ||
| 67 | <td style="text-align: left;">Like any city it had its ups<br />and downs the fever of 1994<br />was especially devastating<br />but they were a hardy folk<br />not much given to flight</td> | ||
| 68 | <td style="text-align: right;"><em>me buying a Reese’s peanut butter cup for a child</em><br /><em>[whose family couldn’t afford it]</em><br /><em><a href="last-bastion.html">in front of me in line at Safeway</a></em></td> | ||
| 69 | </tr> | ||
| 70 | <tr class="even"> | ||
| 71 | <td style="text-align: left;">As all things must pass the<br />little city began slowly to decay<br />the <a href="creation-myth.html">old ones claimed the young</a><br />had no respect for culture anymore</td> | ||
| 72 | <td style="text-align: right;"><em>trees at night their skeletons</em><br /><em>revealed by a camera flash</em></td> | ||
| 73 | </tr> | ||
| 74 | <tr class="odd"> | ||
| 75 | <td style="text-align: left;">They began to die off slowly<br />more quickly than being born<br />the end was coming closer</td> | ||
| 76 | <td style="text-align: right;"><em><a href="the-sea_the-beach.html">two earthworms on pavement after a rain</a></em></td> | ||
| 77 | </tr> | ||
| 78 | <tr class="even"> | ||
| 79 | <td style="text-align: left;">As the <a href="last-passenger.html">last breath</a> was made<br />the last accounts closed in the city</td> | ||
| 80 | <td style="text-align: right;"><em>keys tacked to a sign in Buffalo Park</em></td> | ||
| 81 | </tr> | ||
| 82 | <tr class="odd"> | ||
| 83 | <td style="text-align: left;">It was given over to other builders</td> | ||
| 84 | <td style="text-align: right;"><em>man flipping a <a href="deadman.html">four-wheeler</a> and walking it off</em></td> | ||
| 85 | </tr> | ||
| 86 | </tbody> | ||
| 87 | </table> | ||
| 88 | </section> | ||
| 89 | </article> | ||
| 90 | <nav> | ||
| 91 | <div class="anchors"> | ||
| 92 | <a href="about-the-author_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 93 | φ | ||
| 94 | </a> | ||
| 95 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 96 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 97 | </div> | ||
| 98 | 36 | ||
| 99 | <a class="prevlink" href="music-433.html" | 37 | </div> |
| 100 | title="Previous article in Stark Raving"> | 38 | </div> |
| 101 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | 39 | </header> |
| 102 | </a> | 40 | |
| 103 | <a class="prevlink" href="riptide_memory.html" | 41 | |
| 104 | title="Previous article in Stark Raving"> | 42 | <section class="content table"> |
| 105 | Riptide of memory | 43 | <table> |
| 106 | </a> | 44 | <colgroup> |
| 107 | 45 | <col style="width: 44%" /> | |
| 108 | </nav> | 46 | <col style="width: 55%" /> |
| 47 | </colgroup> | ||
| 48 | <tbody> | ||
| 49 | <tr class="odd"> | ||
| 50 | <td style="text-align: left;"><a href="sixteenth-chapel.html">He was born</a> on a few separate occasions</td> | ||
| 51 | <td style="text-align: right;"><em><a href="stayed-on-the-bus.html">green traffic lights</a> at night</em></td> | ||
| 52 | </tr> | ||
| 53 | <tr class="even"> | ||
| 54 | <td style="text-align: left;">There was the day of his conception<br />a wintery affair saved for those involved</td> | ||
| 55 | <td style="text-align: right;"><em><a href="options.html">a TV in front of a dumpster</a></em></td> | ||
| 56 | </tr> | ||
| 57 | <tr class="odd"> | ||
| 58 | <td style="text-align: left;">The day he wriggled forth<br />from the dark tunnel of nothing<br /><a href="death-zone.html">his mother’s womb</a></td> | ||
| 59 | <td style="text-align: right;"><em>surprise photo of you at Walgreen’s</em></td> | ||
| 60 | </tr> | ||
| 61 | <tr class="even"> | ||
| 62 | <td style="text-align: left;">The founding of his little city<br />deep inside by the small builders<br />alien as they were and still<br />somehow intimately familiar</td> | ||
| 63 | <td style="text-align: right;"><em>a <a href="in-bed.html">pink dress in the alley</a> behind your house</em></td> | ||
| 64 | </tr> | ||
| 65 | <tr class="odd"> | ||
| 66 | <td style="text-align: left;">Like any city it had its ups<br />and downs the fever of 1994<br />was especially devastating<br />but they were a hardy folk<br />not much given to flight</td> | ||
| 67 | <td style="text-align: right;"><em>me buying a Reese’s peanut butter cup for a child</em><br /><em>[whose family couldn’t afford it]</em><br /><em><a href="last-bastion.html">in front of me in line at Safeway</a></em></td> | ||
| 68 | </tr> | ||
| 69 | <tr class="even"> | ||
| 70 | <td style="text-align: left;">As all things must pass the<br />little city began slowly to decay<br />the <a href="creation-myth.html">old ones claimed the young</a><br />had no respect for culture anymore</td> | ||
| 71 | <td style="text-align: right;"><em>trees at night their skeletons</em><br /><em>revealed by a camera flash</em></td> | ||
| 72 | </tr> | ||
| 73 | <tr class="odd"> | ||
| 74 | <td style="text-align: left;">They began to die off slowly<br />more quickly than being born<br />the end was coming closer</td> | ||
| 75 | <td style="text-align: right;"><em><a href="the-sea_the-beach.html">two earthworms on pavement after a rain</a></em></td> | ||
| 76 | </tr> | ||
| 77 | <tr class="even"> | ||
| 78 | <td style="text-align: left;">As the <a href="last-passenger.html">last breath</a> was made<br />the last accounts closed in the city</td> | ||
| 79 | <td style="text-align: right;"><em>keys tacked to a sign in Buffalo Park</em></td> | ||
| 80 | </tr> | ||
| 81 | <tr class="odd"> | ||
| 82 | <td style="text-align: left;">It was given over to other builders</td> | ||
| 83 | <td style="text-align: right;"><em>man flipping a <a href="deadman.html">four-wheeler</a> and walking it off</em></td> | ||
| 84 | </tr> | ||
| 85 | </tbody> | ||
| 86 | </table> | ||
| 87 | </section> | ||
| 88 | </article> | ||
| 89 | <nav> | ||
| 90 | <div class="anchors"> | ||
| 91 | <a href="backlinks/about-the-author.html" id="backlinks" title="Links to this page"> | ||
| 92 | φ | ||
| 93 | </a> | ||
| 94 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 95 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 96 | </div> | ||
| 97 | |||
| 98 | <a class="prevlink" href="music-433.html" | ||
| 99 | title="Previous article in Stark Raving"> | ||
| 100 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | ||
| 101 | </a> | ||
| 102 | <a class="prevlink" href="riptide_memory.html" | ||
| 103 | title="Previous article in Stark Raving"> | ||
| 104 | Riptide of memory | ||
| 105 | </a> | ||
| 106 | |||
| 107 | </nav> | ||
| 109 | 108 | ||
| 110 | |||
| 111 | </body> | 109 | </body> |
| 112 | </html> | 110 | </html> |
| diff --git a/about-the-author_backlinks.htm b/about-the-author_backlinks.htm deleted file mode 100644 index 07502f7..0000000 --- a/about-the-author_backlinks.htm +++ /dev/null | |||
| @@ -1,65 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
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| 8 | <meta name="generator" content="pandoc"> | ||
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| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>About the author | Autocento of the breakfast table</title> | ||
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| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
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| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
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| 21 | <![endif]--> | ||
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| 24 | |||
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| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">About the author</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="death-zone.html">The Death Zone</a></li> | ||
| 41 | <li><a href="man.html">Man</a></li> | ||
| 42 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 43 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 44 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 45 | <li><a href="swansong-alt.html">Swansong</a></li> | ||
| 46 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 47 | <li><a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="about-the-author.html" id="back-link" title="Back to article"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 57 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/about.html b/about.html index e7c2100..17e90e2 100644 --- a/about.html +++ b/about.html | |||
| @@ -4,36 +4,37 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="about"> | 23 | <body id="about"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | 28 | <h1 class="title">Autocento of the breakfast table</h1> |
| 30 | <h1 class="subtitle">about this site</h1> | 29 | <h1 class="subtitle">about this site</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 33 | <<<<<<< HEAD | ||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | ======= | ||
| 37 | 38 | ||
| 38 | <section class="content prose"> | 39 | <section class="content prose"> |
| 39 | <section id="introduction" class="level2"> | 40 | <section id="introduction" class="level2"> |
| @@ -177,10 +178,153 @@ | |||
| 177 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 178 | <a href="index.html" id="cover-link" title="To cover">◊</a> |
| 178 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 179 | <a href="#" id="lozenge" title="ERROR">ξ</a> |
| 179 | </div> | 180 | </div> |
| 181 | >>>>>>> 6c4402ed86e4370bac94613fe8a295e3c4829ed5 | ||
| 180 | 182 | ||
| 181 | 183 | <section class="content prose"> | |
| 182 | </nav> | 184 | <section id="introduction" class="level2"> |
| 185 | <h2>Introduction</h2> | ||
| 186 | <p><em>Autocento <a href="http://www.ibiblio.org/eldritch/owh/abt.html">of the breakfast table</a></em> is a hypertextual exploration of the workings of revision across time. Somebody<sup>[<a href="https://en.wikipedia.org/wiki/Wikipedia:Citing_sources#Dealing_with_unsourced_material">citation needed</a>]</sup> once said that every relationship we have is part of the same relationship; the same is true of authorship. As we write, as we continue writing across our lives, patterns thread themselves through our work: images, certain phrases, preoccupations. This project attempts to make those threads more apparent, using the technology of hypertext and the opposing ideas of the <em>hapax legomenon</em> and the <em>cento</em>, held in tension with each other.</p> | ||
| 187 | <p>I’m also an MFA candidate at <a href="http://nau.edu/CAL/English/Degrees-Programs/Graduate/MFA/">Northern Arizona University</a>. This is my thesis. Let me tell you about it.</p> | ||
| 188 | <section id="hapax-legomenon-or-you-are-special" class="level3"> | ||
| 189 | <h3><a href="hapax.html">Hapax</a> legomenon, or <em>You are special</em></h3> | ||
| 190 | <p><em>Hapax legomenon</em> (<a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0057:entry=a%28/pac">ἅπαξ</a> λεγόμενον) is Greek for “something said only once.” It comes from the field of corpus linguistics, where it causes problems for translators of ancient texts. Because it only happens once in its corpus, a <em>hapax legmonenon</em> is an enigma: there’s only one context to guess its meaning from. This means that many <em>hapax legomena</em> remain untranslated, as in Mayan tablets, or are questionably translated, as in the Bible.</p> | ||
| 191 | <p>Given the way we use language every day, treading over the same words and thoughts in a way that is nonetheless comforting, and given the fact that a <em>hapax legomenon</em> is, by its definition, the rarest word in the place it appears, you might think that <em>hapax legomena</em>, as phenomena, are rare. You’d be wrong. In the Brown Corpus of American English Text, which comprises some fifty thousand words, <a href="https://en.wikipedia.org/wiki/Hapax_legomenon#cite_note-6">about half are <em>hapax legomena</em></a>. In most large corpora, in fact, between forty and sixty per cent of the words occur only once, and another ten to fifteen per cent occur only twice, a fact that I imagine causes translators all sorts of <a href="one-hundred-lines.html">grief</a>.</p> | ||
| 192 | <p>This seeming paradox is reminiscent of another in biology, as summed up by this infographic I keep seeing around the Internet<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a>: <img src="https://i.imgur.com/Dub8k.png" alt="Really. I see it everywhere." /></p> | ||
| 193 | <p>Apparently, the chances of you, dear Reader, being born is <a href="music-433.html">something</a> like one in 10<sup>2,685,000</sup>. The chances of me <a href="about-the-author.html">being born</a> is <a href="poetry-time.html">something</a> like one in 10<sup>2,685,000</sup>. The chances of the guy you stood behind in line <a href="yellow.html">for your coffee</a> this morning? His chance of being born was <a href="dollywood.html">something</a> like one in 10<sup>2,685,000</sup>. The thing is, a number like one in 10<sup>2,685,000</sup> stops meaning so much when we take the number of times such a “rare” event occurs. There are about seven billion (or <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><semantics><mrow><mn>7</mn><mo>×</mo><msup><mn>10</mn><mn>9</mn></msup></mrow><annotation encoding="application/x-tex">7 \times 10^{9}</annotation></semantics></math>) people on Earth—and all of them have that same small chance of one in 10<sup>2,685,000</sup> of being born. And they all were.</p> | ||
| 194 | <p>It stops seeming so special after thinking about it.</p> | ||
| 195 | </section> | ||
| 196 | <section id="cento-or-just-like-everyone-else" class="level3"> | ||
| 197 | <h3><em>Cento</em>, or <em>just like everyone else</em></h3> | ||
| 198 | <p><em>Cento</em> is Latin, stolen from the Greek κέντρόνη, which means “patchwork garment.” A <em>cento</em> is a poem composed completely from parts of other poems, a mash-up that makes up for its lack of originality in utterance with a novelty in arrangement.</p> | ||
| 199 | <p>If we apply the <em>cento</em> to biology, we can win back some of that uniqueness, we can resolve some of that paradox of the <em>hapax legomenon</em>. Sure, <a href="https://www.biblegateway.com/passage/?search=Ecclesiastes+1%3A9&version=NIV">nothing is new under the sun</a>, but it can be made new if we say it differently, or if we put it next to something it hasn’t met before. We can become hosts to the parties of our lives, and rub elbows with the same tired celebrities everyone’s rubbed elbows with, but make it different. Because <em>we</em> put the <a href="call-me-aural-pleasure.html">tables on roller skates</a>. Because <em>we</em> told <a href="creation-myth.html">the joke</a> this time with a Rabbi. Because <em>we</em> are special <a href="snow.html">snowflakes</a>, and it doesn’t matter that there’s more of us than there is sand on the beaches at Normandy. Because <em>we</em> are still all different somehow.</p> | ||
| 200 | </section> | ||
| 201 | <section id="on-n-grams" class="level3"> | ||
| 202 | <h3>On <em>n</em>-grams</h3> | ||
| 203 | <p>What we have so far: - A <em>hapax legomenon</em> technically refers only to <em>one word</em> in a corpus. - A <em>cento</em> technically refers to a poem with <em>whole phrases</em> taken from others, patchwork-style.</p> | ||
| 204 | <p>These concepts get more interesting as we play with their scopes. To do that, we need to take a look at the <em>n</em>-gram.</p> | ||
| 205 | <p>In linguistics and computational probability, an <em>n</em>-gram is a <a href="https://en.wikipedia.org/wiki/N-gram">contiguous system of <em>n</em> items from a given sequence of text or speech</a>. By looking at <em>n</em>-grams, linguists can look at deeper trends in language than with single words alone<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a>. <em>N</em>-grams are also incredibly useful in natural language processing—for example, they’re how your phone can guess what you’re going to <a href="mountain.html">text your mom</a> next<a href="#fn3" class="footnoteRef" id="fnref3"><sup>3</sup></a>. They’re also the key to fully reconciling the <em>hapax legomenon</em> and the <em>cento</em>.</p> | ||
| 206 | <p>If the definition of <em>hapax legomena</em> is expanded to include <em>n</em>-grams of arbitrary lengths, including full utterances, complete poems, or the <a href="http://shakespeare.mit.edu/">collected works of, say, Shakespeare</a>, then we can say that all writing is a <em>hapax legomenon</em>, because no one else has said the <a href="http://www.thisdayinquotes.com/2011/07/poetry-best-words-in-best-order.html">same words in the same order</a>. In short, everything written or in existence is individual. Everything is differentiated. Everything is an <a href="island.html">island</a>.</p> | ||
| 207 | <p>If the definition of what comprises a <em>cento</em> is minimized to individual trigrams, bigrams, or even unigrams (individual words), or even parts of words, we arrive again at Solomon’s lament: that no writing is original; that every utterance has, in some <a href="howtoread.html">scrambled</a> way at least, been uttered before. To put it another way, <a href="no-nothing.html">nothing</a> is individual. We’re stranded <a href="riptide_memory.html">afloat on an ocean</a> of language we did nothing to create, and the best we can hope to accomplish is to find some combination of flotsam and jetsam that hasn’t been put together too many times before.</p> | ||
| 208 | <p>This project, <em>Autocento of the breakfast table</em>, works within the tension caused by <em>hapax legomena</em> and <em>centi</em>, between the first and last half of the statement <em>we are all unique, just like everyone else</em>.</p> | ||
| 209 | </section> | ||
| 210 | </section> | ||
| 211 | <section id="process" class="level2"> | ||
| 212 | <h2>Process</h2> | ||
| 213 | <p>In compiling this text, I’ve pulled from a few different projects:</p> | ||
| 214 | <ul> | ||
| 215 | <li><a href="elegyforanalternateself.html">Elegies for alternate selves</a></li> | ||
| 216 | <li><a href="prelude.html">The book of Hezekiah</a></li> | ||
| 217 | <li><a href="table_contents.html">Stark raving</a></li> | ||
| 218 | <li><a href="art.html">Buildings out of air</a></li> | ||
| 219 | </ul> | ||
| 220 | <p>as well as <a href="last-passenger.html">new poems</a>, written quite recently. As I’ve compiled them into this project, I’ve linked them together based on common images or language, disregarding the order of their compositions. What I hope to have accomplished with this hypertext is an approximation of my self as it’s evolved, but <a href="https://www.youtube.com/watch?v=oJjcF2DmFFY">all at one time</a>. Ultimately, <em>Autocento of the breakfast table</em> is a <a href="building.html">long-exposure photograph</a> of my mind.</p> | ||
| 221 | <section id="a-note-on-terminology" class="level3"> | ||
| 222 | <h3>A note on terminology</h3> | ||
| 223 | <p><em>Autocento of the breakfast table</em> comprises work of multiple genres, including prose, verse, tables, lists, and hybrid forms. Because of this, and because of my own personal hang-ups with terms like <a href="on-genre-dimension.html"><em>poem</em></a> applying to works that aren’t verse (and even some that are<a href="#fn4" class="footnoteRef" id="fnref4"><sup>4</sup></a>), <em>piece</em> applying to anything, really (it’s just annoying, in my opinion—a piece of what?), I’ve needed to find another word to refer to all the <em>stuff</em> in this project. While the terms “literary object” and “intertext,” à la Kristeva et al., more fully describe the things I’ve been writing and linking in this text, I’m worried that these terms are either too long or too esoteric for me to refer to them consistently when talking about my work. I believe I’ve found a solution in the term <em>page</em>, as in a page or <a href="leaf.html">leaf</a> of a book, or a page on a website. After all, the term <em>page</em> is accurate as it refers to the objects herein–each one is a page—and it’s short and unassuming. But it’s probably pretty pretentious, too.</p> | ||
| 224 | </section> | ||
| 225 | <section id="the-inevitable-creep-of-technology" class="level3"> | ||
| 226 | <h3>The inevitable creep of technology</h3> | ||
| 227 | <p>Because this project lives online (welcome to the Internet!), I’ve used a fair amount of technology to get it there.</p> | ||
| 228 | <p>First, I typed all of the objects present into a human-readable markup format called <a href="http://daringfireball.net/projects/markdown/">Markdown</a> by John Gruber, using a plain-text editor called <a href="http://www.vim.org">Vim</a>.<a href="#fn5" class="footnoteRef" id="fnref5"><sup>5</sup></a> Markdown is a plain-text format that uses unobtrusive mark-up to signal semantic meaning around a text. A text written with markup can then be passed to a compiler, such as John Gruber’s <code>Markdown.pl</code> script, to turn it into functioning HTML for viewing in a browser.</p> | ||
| 229 | <p>As an example, here’s the previous paragraph as I typed it:</p> | ||
| 230 | <pre class="sourceCode markdown"><code class="sourceCode markdown">First, I typed all of the objects present into a human-readable markup format | ||
| 231 | called <span class="ot">[Markdown][] </span>by John Gruber, using a plain-text editor called <span class="ot">[Vim][]</span>. | ||
| 232 | <span class="ot">[^5]</span> Markdown is a plain-text format that uses unobtrusive mark-up to signal | ||
| 233 | semantic meaning around a text. A text written with markup can then be passed | ||
| 234 | to a compiler, such as John Gruber's original Markdown.pl script, to turn it | ||
| 235 | into functioning HTML for viewing in a browser. | ||
| 236 | |||
| 237 | <span class="ot">[Markdown]: http://daringfireball.net/projects/markdown/</span> | ||
| 238 | <span class="ot">[Vim]: http://www.vim.org</span> | ||
| 239 | |||
| 240 | <span class="ot">[^5]</span>: I could've used any text editor for the composition step, including | ||
| 241 | <span class="bn"> Notepad, but I personally like Vim for its extensibility, composability,</span> | ||
| 242 | <span class="bn"> and honestly its colorschemes.</span></code></pre> | ||
| 243 | <p>And here it is as a compiled HTML file:</p> | ||
| 244 | <pre class="sourceCode html"><code class="sourceCode html"><span class="kw"><p></span> | ||
| 245 | First, I typed all of the objects present into a human-readable markup format | ||
| 246 | called <span class="kw"><a</span><span class="ot"> href=</span><span class="st">"http://daringfireball.net/projects/markdown/"</span><span class="kw">></span>Markdown<span class="kw"></a></span> | ||
| 247 | by John Gruber, using a plain-text editor called <span class="kw"><a</span><span class="ot"> href=</span><span class="st">"http://www.vim.org"</span><span class="kw">></span> | ||
| 248 | Vim<span class="kw"></a></span>. <span class="kw"><a</span><span class="ot"> href=</span><span class="st">"#fn1"</span><span class="ot"> class=</span><span class="st">"footnoteRef"</span><span class="ot"> id=</span><span class="st">"fnref1"</span><span class="kw">></span> <span class="kw"><sup></span>1<span class="kw"></sup></a></span> | ||
| 249 | Markdown is a plain-text format that uses unobtrusive mark-up to signal | ||
| 250 | semantic meaning around a text. A text written with markup can then be passed | ||
| 251 | to a compiler, such as John Gruber's original Markdown.pl script, to turn it | ||
| 252 | into functioning HTML for viewing in a browser. | ||
| 253 | <span class="kw"></p></span> | ||
| 254 | |||
| 255 | <span class="kw"><section</span><span class="ot"> class=</span><span class="st">"footnotes"</span><span class="kw">></span> | ||
| 256 | <span class="kw"><hr</span> <span class="kw">/></span> | ||
| 257 | <span class="kw"><ol></span> | ||
| 258 | <span class="kw"><li</span><span class="ot"> id=</span><span class="st">"fn1"</span><span class="kw">></span> | ||
| 259 | <span class="kw"><p></span> | ||
| 260 | I could've used any text editor for the composition step, including | ||
| 261 | Notepad, but I personally like Vim for its extensibility, composability, | ||
| 262 | and honestly its colorschemes. | ||
| 263 | <span class="kw"><a</span><span class="ot"> href=</span><span class="st">"#fnref1"</span><span class="kw">></span>↩<span class="kw"></a></span> | ||
| 264 | <span class="kw"></p></span> | ||
| 265 | <span class="kw"></li></span> | ||
| 266 | <span class="kw"></ol></span> | ||
| 267 | <span class="kw"></section></span></code></pre> | ||
| 268 | <p>For these files, I opted to use John McFarlane’s <a href="http://johnmcfarlane.net/pandoc/">pandoc</a> over the original <code>Markdown.pl</code> compiler, because it’s more consistent with edge cases in formatting, and because it can compile the Markdown source into a wide variety of different formats, including DOCX, ODT, PDF, HTML, and others. I use an <a href="https://github.com/duckwork/autocento/blob/gh-pages/template.html">HTML template</a> for <code>pandoc</code> to correctly typeset each object in the web browser. The compiled HTML pages are what you’re reading now.</p> | ||
| 269 | <p>Since typing <code>pandoc [file].txt -t html5 --template=_template.html --filter=trunk/versify.exe --smart --mathml --section-divs -o [file].html</code> over 130 times is highly tedious, I’ve written a <a href="https://www.gnu.org/software/make/">GNU</a> <a href="https://github.com/duckwork/autocento/blob/gh-pages/makefile">Makefile</a> that automates the process. In addition to compiling the HTML files for this project, the Makefile also compiles each page’s backlinks (accessible through the φ link at the bottom of each page), and the indexes of <a href="first-lines.html">first lines</a>, <a href="common-titles.html">common titles</a>, and <a href="hapx.html"><em>hapax legomena</em></a> of this project.</p> | ||
| 270 | <p>Finally, this project needs to enter the realm of the Internet. To do this, I use <a href="https://github.com">Github</a>, an online code-collaboration tool that uses the version-control system <a href="http://www.git-scm.com">git</a> under the hood. <code>git</code> was originally written to keep track of the source code of the <a href="http://www.linux.org">Linux</a> kernel.<a href="#fn6" class="footnoteRef" id="fnref6"><sup>6</sup></a> I use it to keep track of the revisions of the text files in <em>Autocento of the breakfast table</em>, which means that you, dear Reader, can explore the path of my revision even more deeply by viewing the <a href="https://github.com/duckwork/autocento">Github repository</a> for this project online.</p> | ||
| 271 | <p>For more information on the process I took while compiling <em>Autocento of the breakfast table</em>, see my <a href="process.html">Process</a> page.</p> | ||
| 272 | </section> | ||
| 273 | <section id="motivation" class="level3"> | ||
| 274 | <h3>Motivation</h3> | ||
| 275 | <p>Although <code>git</code> and the other tools I use were developed or are mostly used by programmers, engineers, or other kinds of scientists, they’re useful in creative writing as well for a few different reasons:</p> | ||
| 276 | <ol type="1"> | ||
| 277 | <li><strong>Facilitation of revision.</strong> By using a VCS like <code>git</code> and plain text files, I can revise a poem (for example, “<a href="and.html">And</a>”) and keep both the current version and a <a href="https://github.com/duckwork/autocento/commit/61baf210a9d0d4fffcd82751ba3419dd2feb349d#diff-8814290de165531212020a537e341e44">much older one</a>. This lets me hold onto every idea I’ve had, and “throw things away” without <em>actually</em> throwing them away. They’re still there, somewhere, in the source tree.</li> | ||
| 278 | <li><strong>Future proofness.</strong> By using a simple text editor to write out my files instead of a proprietary word processor, I’ve ensured that no matter what may happen to the stocks of Microsoft, Apple, or Google in the following hundred years, my words will stay accessible and editable. Also, I don’t know how to insert links in Word.</li> | ||
| 279 | <li><strong>Philosophy of intellectual property.</strong> I use open-source, or libre, tools like <code>vim</code>, <code>pandoc</code>, and <code>make</code> because information should be free. This is also the reason why I’m releasing <em>Autocento of the breakfast table</em> under a Creative Commons <a href="license.html">license</a>.</li> | ||
| 280 | </ol> | ||
| 281 | </section> | ||
| 282 | </section> | ||
| 283 | <section id="autocento-of-the-breakfast-table-and-you" class="level2"> | ||
| 284 | <h2><em>Autocento of the breakfast table</em> and you</h2> | ||
| 285 | <section id="using-this-site" class="level3"> | ||
| 286 | <h3>Using this site</h3> | ||
| 287 | <p>Since all of the objects in this project are linked, you can begin from, say, <a href="in-bed.html">here</a> and follow the links through everything. But if you find yourself lost as in a funhouse maze, looping around and around to the same stupid <a href="dollywood.html">fountain</a> at the entrance, here are a few tips:</p> | ||
| 288 | <ul> | ||
| 289 | <li>The ξ link at the bottom of each page leads to a random article.</li> | ||
| 290 | <li>The φ link at the bottom of each page leads to its back-link page, which lists the titles of pages that link back to the page you were just on.</li> | ||
| 291 | <li>Finally, if you’re really desperate, the ◊ link sends you back to the <a href="index.html">cover page</a>, where you can start over. The cover page links you to the <a href="_toc.html">table of contents</a>, as well as the indexes of <a href="first-lines.html">first lines</a>, <a href="common-titles.html">common titles</a>, and <a href="hapax.html"><em>hapax legomena</em></a>.</li> | ||
| 292 | </ul> | ||
| 293 | </section> | ||
| 294 | <section id="contact-me" class="level3"> | ||
| 295 | <h3>Contact me</h3> | ||
| 296 | <p>If you’d like to contact me about the state of this work, its history, or its future; or about my writing in general, email me at <script type="text/javascript"> | ||
| 297 | <!-- | ||
| 298 | h='gmail.com';a='@';n='case.duckworth+autocento';e=n+a+h; | ||
| 299 | document.write('<a h'+'ref'+'="ma'+'ilto'+':'+e+'" clas'+'s="em' + 'ail">'+'case dot duckworth plus autocento at gmail dot com'+'<\/'+'a'+'>'); | ||
| 300 | // --> | ||
| 301 | </script><noscript>case dot duckworth plus autocento at gmail dot com (case.duckworth+autocento at gmail dot com)</noscript>.</p> | ||
| 302 | </section> | ||
| 303 | </section> | ||
| 304 | <section class="footnotes"> | ||
| 305 | <hr /> | ||
| 306 | <ol> | ||
| 307 | <li id="fn1"><p>Which apparently, though not really surprisingly given the nature of the Internet, has its roots in <a href="http://blogs.law.harvard.edu/abinazir/2011/06/15/what-are-chances-you-would-be-born/">this</a> blog post.<a href="#fnref1">↩</a></p></li> | ||
| 308 | <li id="fn2"><p>For more fun with <em>n</em>-grams, I recommend the curious reader to point their browsers to the <a href="https://books.google.com/ngrams/graph?content=technically+refers&case_insensitive=on&year_start=1600&year_end=2008&corpus=15&smoothing=3&share=&direct_url=t4%3B%2Ctechnically%20refers%3B%2Cc0%3B%2Cs0%3B%3Btechnically%20refers%3B%2Cc0%3B%3BTechnically%20refers%3B%2Cc0">Google Ngram Viewer</a>, which searches “lots of books” from most of history that matters.<a href="#fnref2">↩</a></p></li> | ||
| 309 | <li id="fn3"><p>For fun, try only typing with the suggested words for a while. At least for me, they start repeating “I’ll be a bar of the new York NY and I can be a bar of the new York NY and I can.”<a href="#fnref3">↩</a></p></li> | ||
| 310 | <li id="fn4"><p>For more discussion of this subject, see “<a href="arspoetica.html">Ars poetica</a>,” “<a href="howtoread.html">How to read this</a>,” “<a href="manifesto_poetics.html">A manifesto of poetics</a>,” “<a href="onformalpoetry.html">On formal poetry</a>,” and <a href="statements-frag.html#declaration-of-poetry">The third section</a> of “Statements: a fragment.”<a href="#fnref4">↩</a></p></li> | ||
| 311 | <li id="fn5"><p>I could’ve used any text editor for the composition step, including Notepad, but I personally like Vim for its extensibility, composability, and honestly its colorschemes.<a href="#fnref5">↩</a></p></li> | ||
| 312 | <li id="fn6"><p>As it happens, the week I’m writing this (6 April 2015) is <code>git</code>’s tenth anniversary. The folks at Atlassian have made an <a href="https://www.atlassian.com/git/articles/10-years-of-git/">interactive timeline</a> for the occasion, and Linux.com has an interesting <a href="http://www.linux.com/news/featured-blogs/185-jennifer-cloer/821541-10-years-of-git-an-interview-with-git-creator-linus-torvalds">interview with Linus Torvalds</a>, <code>git</code>’s creator.<a href="#fnref6">↩</a></p></li> | ||
| 313 | </ol> | ||
| 314 | </section> | ||
| 315 | </section> | ||
| 316 | </article> | ||
| 317 | <nav> | ||
| 318 | <div class="anchors"> | ||
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| 322 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 323 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
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| @@ -4,55 +4,53 @@ | |||
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| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">About Case Duckworth</h1> |
| 29 | <h1 class="title">About Case Duckworth</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content prose"> | |
| 38 | <section class="content prose"> | 38 | <p>Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV. Maybe you’ve seen him while watching commercials for Pine-Sol or Orange-Glo cleaners. These products dress as monsters to lure only the right kind of venture capitalist, but Duckworth believes in the right of all <a href="love-as-god.html">venture capitalists</a> to invest in products they believe in. His mortal enemy is the evil Old Man Jenkins, who believes that the only venture capitalists that should be allowed to invests are from the Meddling Kids gang of Edo.</p> |
| 39 | <p>Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV. Maybe you’ve seen him while watching commercials for Pine-Sol or Orange-Glo cleaners. These products dress as monsters to lure only the right kind of venture capitalist, but Duckworth believes in the right of all <a href="love-as-god.html">venture capitalists</a> to invest in products they believe in. His mortal enemy is the evil Old Man Jenkins, who believes that the only venture capitalists that should be allowed to invests are from the Meddling Kids gang of Edo.</p> | 39 | <p>When not being a Great Dane, Duckworth is a Christmas ham, spreading good cheer and pork products to underprivileged gangs of venture capitalists in winter. He keeps them warm with his questionable farming practices and threat of Trichinosis, as well as with his own brand of firestarter called Duckworth Stax. He usually steals his Stax from dog food factories, making him a modern Robin Hood in addition to a Great Dane and Christmas Ham.</p> |
| 40 | <p>When not being a Great Dane, Duckworth is a Christmas ham, spreading good cheer and pork products to underprivileged gangs of venture capitalists in winter. He keeps them warm with his questionable farming practices and threat of Trichinosis, as well as with his own brand of firestarter called Duckworth Stax. He usually steals his Stax from dog food factories, making him a modern Robin Hood in addition to a Great Dane and Christmas Ham.</p> | 40 | <p>Case Duckworth truly is a jack-of-all-trades. The only thing missing from his repertoire is the ability to begin a word with anything but an “R” sound, although given the fact he is a dog, it’s remarkable he can speak at all. Duckworth was voiced by <a href="http://www.behindthevoiceactors.com/Don-Messick/">Don Messick</a> until his death in 1997, when <a href="http://www.behindthevoiceactors.com/Frank-Welker/">Frank Welker</a> took over, to the dismay of fans everywhere.</p> |
| 41 | <p>Case Duckworth truly is a jack-of-all-trades. The only thing missing from his repertoire is the ability to begin a word with anything but an “R” sound, although given the fact he is a dog, it’s remarkable he can speak at all. Duckworth was voiced by <a href="http://www.behindthevoiceactors.com/Don-Messick/">Don Messick</a> until his death in 1997, when <a href="http://www.behindthevoiceactors.com/Frank-Welker/">Frank Welker</a> took over, to the dismay of fans everywhere.</p> | 41 | </section> |
| 42 | </section> | 42 | </article> |
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| 46 | <a href="about_author_backlinks.htm" id="back-link" title="Links to this page"> | 46 | φ |
| 47 | φ | 47 | </a> |
| 48 | </a> | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | </div> |
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| diff --git a/abstract.html b/abstract.html index eaef8fb..52fc0c3 100644 --- a/abstract.html +++ b/abstract.html | |||
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| 23 | <body id="abstract" class="meta"> | 23 | <body id="abstract" class="front-matter"> |
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| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | 28 | <h1 class="title">Autocento of the breakfast table</h1> |
| 30 | <h1 class="subtitle">abstract</h1> | 29 | <h1 class="subtitle">abstract</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 37 | 33 | </div> | |
| 38 | <section class="content prose"> | 34 | </header> |
| 39 | <section id="brief-description" class="level2"> | ||
| 40 | <h2>Brief Description</h2> | ||
| 41 | <p><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. I’ve compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. To make this easier than collating everything by hand, I’ve relied on a process that leverages open-source technologies to publish my work onto a web platform.</p> | ||
| 42 | </section> | ||
| 43 | <section id="things-to-notice" class="level2"> | ||
| 44 | <h2>Things to notice</h2> | ||
| 45 | <p>Take a look around the site. See how it’s navigable: there are links within each article to other articles and to the wider web, mapping common images, themes, or inspirations; there’s also navigation links at the bottom of each page:</p> | ||
| 46 | <ul> | ||
| 47 | <li>The <strong>φ</strong> shows you the backlinks to each page.</li> | ||
| 48 | <li>The <strong>◊</strong> takes you back to the cover of the project, to start over.</li> | ||
| 49 | <li>The <strong>ξ</strong> takes you to a random article in the project.</li> | ||
| 50 | <li>Some pages also have <em>previous</em> and <em>next</em> links. These take you to other articles in their original project-order. It’s another way to navigate the page.</li> | ||
| 51 | </ul> | ||
| 52 | <p>Check out my <a href="process.html">process narrative</a> for the technical details of putting this site together, or see my <a href="about.html">about page</a> for an artist’s statement.</p> | ||
| 53 | </section> | ||
| 54 | </section> | ||
| 55 | </article> | ||
| 56 | <nav> | ||
| 57 | <div class="anchors"> | ||
| 58 | <a href="abstract_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 59 | φ | ||
| 60 | </a> | ||
| 61 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 62 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 63 | </div> | ||
| 64 | 35 | ||
| 65 | |||
| 66 | </nav> | ||
| 67 | 36 | ||
| 68 | 37 | <section class="content prose"> | |
| 38 | <section id="brief-description" class="level2"> | ||
| 39 | <h2>Brief Description</h2> | ||
| 40 | <p><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. I’ve compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. To make this easier than collating everything by hand, I’ve relied on a process that leverages open-source technologies to publish my work onto a web platform.</p> | ||
| 41 | </section> | ||
| 42 | <section id="things-to-notice" class="level2"> | ||
| 43 | <h2>Things to notice</h2> | ||
| 44 | <p>Take a look around the site. See how it’s navigable: there are links within each article to other articles and to the wider web, mapping common images, themes, or inspirations; there’s also navigation links at the bottom of each page:</p> | ||
| 45 | <ul> | ||
| 46 | <li>The <strong>φ</strong> shows you the backlinks to each page.</li> | ||
| 47 | <li>The <strong>◊</strong> takes you back to the cover of the project, to start over.</li> | ||
| 48 | <li>The <strong>ξ</strong> takes you to a random article in the project.</li> | ||
| 49 | <li>Some pages also have <em>previous</em> and <em>next</em> links. These take you to other articles in their original project-order. It’s another way to navigate the page.</li> | ||
| 50 | </ul> | ||
| 51 | <p>Check out my <a href="process.html">process narrative</a> for the technical details of putting this site together, or see my <a href="about.html">about page</a> for an artist’s statement.</p> | ||
| 52 | </section> | ||
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="backlinks/abstract.html" id="backlinks" title="Links to this page"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 61 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | |||
| 64 | |||
| 65 | </nav> | ||
| 66 | |||
| 69 | </body> | 67 | </body> |
| 70 | </html> | 68 | </html> |
| diff --git a/abstract_backlinks.htm b/abstract_backlinks.htm deleted file mode 100644 index f6bbd22..0000000 --- a/abstract_backlinks.htm +++ /dev/null | |||
| @@ -1,56 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
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| 29 | <h1 class="title">Autocento of the breakfast table</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <p><a href=".htm"><em>island</em></a>.</p> | ||
| 40 | </section> | ||
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| 45 | φ | ||
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| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
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| 53 | |||
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| diff --git a/amber-alert.html b/amber-alert.html index c2197dc..cfea666 100644 --- a/amber-alert.html +++ b/amber-alert.html | |||
| @@ -4,82 +4,80 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>AMBER alert | Autocento of the breakfast table</title> | 12 | <title>AMBER alert | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="amber-alert" class="stark"> | 23 | <body id="amber-alert" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">AMBER alert</h1> | 28 | <h1 class="title">AMBER alert</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://www.boston.com/bostonglobe/ideas/articles/2008/07/20/abducted/?page=full">Apparently it does nothing.</a> | ||
| 37 | |||
| 38 | </div> | ||
| 39 | </div> | ||
| 40 | </header> | ||
| 41 | 30 | ||
| 42 | <div class="ekphrastic"> | 31 | <div class="header-extra"> |
| 43 | <a href="https://en.wikipedia.org/wiki/AMBER_alert"> | ||
| 44 | <img src="trunk/amber.jpg" | ||
| 45 | title="Amber Hagerman" | ||
| 46 | alt="Amber Hagerman" | ||
| 47 | /> | ||
| 48 | </a> | ||
| 49 | </div> | ||
| 50 | |||
| 51 | <section class="content prose"> | ||
| 52 | <p><a href="lappel-du-vide">Lost things</a> have a way of <a href="http://www.poetryfoundation.org/poem/176996">staying lost</a>. They have to want to be found—is that why we tack up signs, hang socks from hooks in the park, have a box for what’s been lost but now is found? Maybe the lost <em>want</em> to be found but we’re looking in the wrong places. Maybe we speak the wrong language, the language of the found, to call to them. Maybe we should <a href="statements-frag.html">try another door</a>.</p> | ||
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="amber-alert_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 61 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | 32 | ||
| 64 | <a class="prevlink" href="last-bastion.html" | 33 | <!-- epigraph --> |
| 65 | title="Previous article in Stark Raving"> | 34 | <div class="epigraph"> |
| 66 | Last bastion | 35 | <a href="http://www.boston.com/bostonglobe/ideas/articles/2008/07/20/abducted/?page=full">Apparently it does nothing.</a> |
| 67 | </a> | 36 | |
| 68 | <a class="prevlink" href="poetry-time.html" | 37 | </div> |
| 69 | title="Previous article in Stark Raving"> | 38 | </div> |
| 70 | Something about the nature of poetry and time | 39 | </header> |
| 71 | </a> | 40 | |
| 72 | 41 | <div class="ekphrastic"> | |
| 73 | <a class="nextlink" href="exasperated.html" | 42 | <a href="https://en.wikipedia.org/wiki/AMBER_alert"> |
| 74 | title="Next article in Stark Raving"> | 43 | <img src="trunk/amber.jpg" |
| 75 | Exasperated | 44 | title="Amber Hagerman" |
| 76 | </a> | 45 | alt="Amber Hagerman" |
| 77 | <a class="nextlink" href="death-zone.html" | 46 | /> |
| 78 | title="Next article in Stark Raving"> | 47 | </a> |
| 79 | The Death Zone | 48 | </div> |
| 80 | </a> | 49 | |
| 81 | </nav> | 50 | <section class="content prose"> |
| 51 | <p><a href="lappel-du-vide">Lost things</a> have a way of <a href="http://www.poetryfoundation.org/poem/176996">staying lost</a>. They have to want to be found—is that why we tack up signs, hang socks from hooks in the park, have a box for what’s been lost but now is found? Maybe the lost <em>want</em> to be found but we’re looking in the wrong places. Maybe we speak the wrong language, the language of the found, to call to them. Maybe we should <a href="statements-frag.html">try another door</a>.</p> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="backlinks/amber-alert.html" id="backlinks" title="Links to this page"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 60 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | |||
| 63 | <a class="prevlink" href="last-bastion.html" | ||
| 64 | title="Previous article in Stark Raving"> | ||
| 65 | Last bastion | ||
| 66 | </a> | ||
| 67 | <a class="prevlink" href="poetry-time.html" | ||
| 68 | title="Previous article in Stark Raving"> | ||
| 69 | Something about the nature of poetry and time | ||
| 70 | </a> | ||
| 71 | |||
| 72 | <a class="nextlink" href="exasperated.html" | ||
| 73 | title="Next article in Stark Raving"> | ||
| 74 | Exasperated | ||
| 75 | </a> | ||
| 76 | <a class="nextlink" href="death-zone.html" | ||
| 77 | title="Next article in Stark Raving"> | ||
| 78 | The Death Zone | ||
| 79 | </a> | ||
| 80 | </nav> | ||
| 82 | 81 | ||
| 83 | |||
| 84 | </body> | 82 | </body> |
| 85 | </html> | 83 | </html> |
| diff --git a/and.html b/and.html index b7d7c11..1ec9af0 100644 --- a/and.html +++ b/and.html | |||
| @@ -4,76 +4,74 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>And | Autocento of the breakfast table</title> | 12 | <title>And | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id=""> | 23 | <body id="and" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">And</h1> | 28 | <h1 class="title">And</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | 30 | |
| 33 | 31 | <div class="header-extra"> | |
| 34 | <!-- epigraph --> | 32 | |
| 35 | <div class="epigraph"> | 33 | <!-- epigraph --> |
| 36 | <a href="http://www.theguardian.com/lifeandstyle/2011/oct/28/margaret-atwood-q-a"><p>“What is your favorite word?”</p> | 34 | <div class="epigraph"> |
| 35 | <a href="http://www.theguardian.com/lifeandstyle/2011/oct/28/margaret-atwood-q-a"><p>“What is your favorite word?”</p> | ||
| 37 | <p>“And. It is so hopeful.”</p></a> | 36 | <p>“And. It is so hopeful.”</p></a> |
| 38 | |||
| 39 | <div class="attrib">Margaret Atwood</div> | ||
| 40 | </div> | ||
| 41 | </div> | ||
| 42 | </header> | ||
| 43 | 37 | ||
| 44 | 38 | <div class="attrib">Margaret Atwood</div> | |
| 45 | <section class="content verse"> | 39 | </div> |
| 46 | <p><span class="line">And you were there at the start of it all</span><span class="line">and you were there at the end bitter as a <a href="last-passenger.html">nail</a></span></p> | 40 | </div> |
| 47 | <p><span class="line">and you folded your <a href="cold-wind.html">hands like little doves</a></span><span class="line">that flew away like an afterthought</span></p> | 41 | </header> |
| 48 | <p><span class="line">when you turned to me and the window light</span><span class="line">on your face when you told me and I did not</span></p> | 42 | |
| 49 | <p><span class="line">recognize you in the throng of those who</span><span class="line">are not you and I asked <a href="boar.html">are we in a church</a></span></p> | 43 | |
| 50 | <p><span class="line">and you answered with the look on your face</span><span class="line">like birds <a href="roughgloves.html">caught in a snare</a> like on a voice</span></p> | 44 | <section class="content verse"> |
| 51 | <p><span class="line">and I think it might have been my voice</span><span class="line">and I could not do but look away my head</span></p> | 45 | <p><span class="line">And you were there at the start of it all</span><span class="line">and you were there at the end bitter as a <a href="last-passenger.html">nail</a></span></p> |
| 52 | <p><span class="line">was not my head anymore or hold my thoughts</span><span class="line">I never did get an answer from you but from</span></p> | 46 | <p><span class="line">and you folded your <a href="cold-wind.html">hands like little doves</a></span><span class="line">that flew away like an afterthought</span></p> |
| 53 | <p><span class="line">the <a href="worse-looking-over.html">man on the radio</a> murmuring all night</span><span class="line">and I couldn’t understand him so far away</span></p> | 47 | <p><span class="line">when you turned to me and the window light</span><span class="line">on your face when you told me and I did not</span></p> |
| 54 | <p><span class="line">and I could tell I was missing something important</span><span class="line">and you nodded to yourself at something he said</span></p> | 48 | <p><span class="line">recognize you in the throng of those who</span><span class="line">are not you and I asked <a href="boar.html">are we in a church</a></span></p> |
| 55 | </section> | 49 | <p><span class="line">and you answered with the look on your face</span><span class="line">like birds <a href="roughgloves.html">caught in a snare</a> like on a voice</span></p> |
| 56 | </article> | 50 | <p><span class="line">and I think it might have been my voice</span><span class="line">and I could not do but look away my head</span></p> |
| 57 | <nav> | 51 | <p><span class="line">was not my head anymore or hold my thoughts</span><span class="line">I never did get an answer from you but from</span></p> |
| 58 | <div class="anchors"> | 52 | <p><span class="line">the <a href="worse-looking-over.html">man on the radio</a> murmuring all night</span><span class="line">and I couldn’t understand him so far away</span></p> |
| 59 | <a href="_backlinks.htm" id="back-link" title="Links to this page"> | 53 | <p><span class="line">and I could tell I was missing something important</span><span class="line">and you nodded to yourself at something he said</span></p> |
| 60 | φ | 54 | </section> |
| 61 | </a> | 55 | </article> |
| 62 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 56 | <nav> |
| 63 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 57 | <div class="anchors"> |
| 64 | </div> | 58 | <a href="backlinks/and.html" id="backlinks" title="Links to this page"> |
| 59 | φ | ||
| 60 | </a> | ||
| 61 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 62 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 63 | </div> | ||
| 64 | |||
| 65 | <a class="prevlink" href="howtoread.html" | ||
| 66 | title="Previous article in Elegies for alternate selves"> | ||
| 67 | How to read this | ||
| 68 | </a> | ||
| 65 | 69 | ||
| 66 | <a class="prevlink" href="howtoread.html" | 70 | <a class="nextlink" href="words-meaning.html" |
| 67 | title="Previous article in Elegies for alternate selves"> | 71 | title="Next article in Elegies for alternate selves"> |
| 68 | How to read this | 72 | Words and meaning |
| 69 | </a> | 73 | </a> |
| 70 | 74 | </nav> | |
| 71 | <a class="nextlink" href="words-meaning.html" | ||
| 72 | title="Next article in Elegies for alternate selves"> | ||
| 73 | Words and meaning | ||
| 74 | </a> | ||
| 75 | </nav> | ||
| 76 | 75 | ||
| 77 | |||
| 78 | </body> | 76 | </body> |
| 79 | </html> | 77 | </html> |
| diff --git a/angeltoabraham.html b/angeltoabraham.html index df86a19..f670306 100644 --- a/angeltoabraham.html +++ b/angeltoabraham.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The angel to Abraham | Autocento of the breakfast table</title> | 12 | <title>The angel to Abraham | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="angeltoabraham" class="elegies"> | 23 | <body id="angeltoabraham" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The angel to Abraham</h1> | 28 | <h1 class="title">The angel to Abraham</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | <div class="ekphrastic"> | 31 | <div class="header-extra"> |
| 38 | <a href="https://en.wikipedia.org/wiki/Abraham#/media/File:Sacrifice_of_Isaac-Caravaggio_%28Uffizi%29.jpg"> | ||
| 39 | <img src="trunk/Sacrifice_of_Isaac-Caravaggio.jpg" | ||
| 40 | title="Abraham, Abraham!" | ||
| 41 | alt="Abraham, Abraham!" | ||
| 42 | /> | ||
| 43 | </a> | ||
| 44 | </div> | ||
| 45 | |||
| 46 | <section class="content verse"> | ||
| 47 | <p><span class="line">Abraham, Abraham, you are old and cannot hear:</span><span class="line">what if you miss my small voice amongst the creaking</span><span class="line">of your own grief, kill your son unknowing</span><span class="line">of what he will be, and commit Israel to nothing?</span></p> | ||
| 48 | <p><span class="line">Abraham, you must know or hope that <a href="boar.html">God</a></span><span class="line">will not allow your son to die; you must know</span><span class="line">that this is a test, but then why</span><span class="line">are you so bent on Isaac’s destruction?</span><span class="line">Look at your eyes; there is more than fear</span><span class="line">there. I see in your eyes desperation,</span><span class="line">a manic passion to do right by your God</span><span class="line">whom you are not able to see or know.</span></p> | ||
| 49 | <p><span class="line">Am I too late? I <a href="i-am.html">will try</a> to stay</span><span class="line">your old hands, the knife clenched</span><span class="line">within them, intent on ending life.</span></p> | ||
| 50 | <p><span class="line">Will you hear my small voice amongst the creaking,</span><span class="line">or will it be the chance bleating of a passing ram?</span></p> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="angeltoabraham_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 59 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | 32 | ||
| 62 | <a class="prevlink" href="deadman.html" | 33 | </div> |
| 63 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 64 | Dead man | 35 | |
| 65 | </a> | 36 | <div class="ekphrastic"> |
| 66 | 37 | <a href="https://en.wikipedia.org/wiki/Abraham#/media/File:Sacrifice_of_Isaac-Caravaggio_%28Uffizi%29.jpg"> | |
| 67 | <a class="nextlink" href="feedingtheraven.html" | 38 | <img src="trunk/Sacrifice_of_Isaac-Caravaggio.jpg" |
| 68 | title="Next article in Elegies for alternate selves"> | 39 | title="Abraham, Abraham!" |
| 69 | Feeding the raven | 40 | alt="Abraham, Abraham!" |
| 70 | </a> | 41 | /> |
| 71 | </nav> | 42 | </a> |
| 43 | </div> | ||
| 44 | |||
| 45 | <section class="content verse"> | ||
| 46 | <p><span class="line">Abraham, Abraham, you are old and cannot hear:</span><span class="line">what if you miss my small voice amongst the creaking</span><span class="line">of your own grief, kill your son unknowing</span><span class="line">of what he will be, and commit Israel to nothing?</span></p> | ||
| 47 | <p><span class="line">Abraham, you must know or hope that <a href="boar.html">God</a></span><span class="line">will not allow your son to die; you must know</span><span class="line">that this is a test, but then why</span><span class="line">are you so bent on Isaac’s destruction?</span><span class="line">Look at your eyes; there is more than fear</span><span class="line">there. I see in your eyes desperation,</span><span class="line">a manic passion to do right by your God</span><span class="line">whom you are not able to see or know.</span></p> | ||
| 48 | <p><span class="line">Am I too late? I <a href="i-am.html">will try</a> to stay</span><span class="line">your old hands, the knife clenched</span><span class="line">within them, intent on ending life.</span></p> | ||
| 49 | <p><span class="line">Will you hear my small voice amongst the creaking,</span><span class="line">or will it be the chance bleating of a passing ram?</span></p> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="backlinks/angeltoabraham.html" id="backlinks" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 58 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | |||
| 61 | <a class="prevlink" href="deadman.html" | ||
| 62 | title="Previous article in Elegies for alternate selves"> | ||
| 63 | Dead man | ||
| 64 | </a> | ||
| 65 | |||
| 66 | <a class="nextlink" href="feedingtheraven.html" | ||
| 67 | title="Next article in Elegies for alternate selves"> | ||
| 68 | Feeding the raven | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/angeltoabraham_backlinks.htm b/angeltoabraham_backlinks.htm deleted file mode 100644 index 25d601f..0000000 --- a/angeltoabraham_backlinks.htm +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The angel to Abraham | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="angeltoabraham" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The angel to Abraham</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | ||
| 41 | <li><a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a></li> | ||
| 42 | <li><a href="underwear.html">Underwear</a></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="angeltoabraham.html" id="back-link" title="Back to article"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/apollo11.html b/apollo11.html index f8eb1b2..d537d68 100644 --- a/apollo11.html +++ b/apollo11.html | |||
| @@ -4,36 +4,33 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>On seeing the panorama of the Apollo 11 landing site | Autocento of the breakfast table</title> | 12 | <title>On seeing the panorama of the Apollo 11 landing site | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="apollo11" class="elegies"> | 23 | <body id="apollo11" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">On seeing the panorama of the Apollo 11 landing site</h1> | 28 | <h1 class="title">On seeing the panorama of the Apollo 11 landing site</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 31 | <<<<<<< HEAD | ||
| 32 | <div class="header-extra"> | ||
| 33 | ======= | ||
| 37 | <div class="ekphrastic"> | 34 | <div class="ekphrastic"> |
| 38 | <a href="http://apod.nasa.gov/apod/ap141220.html"> | 35 | <a href="http://apod.nasa.gov/apod/ap141220.html"> |
| 39 | <img src="trunk/panorama-apollo11.jpg" | 36 | <img src="trunk/panorama-apollo11.jpg" |
| @@ -62,18 +59,50 @@ | |||
| 62 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 59 | <a href="index.html" id="cover-link" title="To cover">◊</a> |
| 63 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 60 | <a href="#" id="lozenge" title="ERROR">ξ</a> |
| 64 | </div> | 61 | </div> |
| 62 | >>>>>>> 6c4402ed86e4370bac94613fe8a295e3c4829ed5 | ||
| 65 | 63 | ||
| 66 | <a class="prevlink" href="and.html" | 64 | </div> |
| 67 | title="Previous article in Elegies for alternate selves"> | 65 | </header> |
| 68 | And | 66 | |
| 69 | </a> | 67 | <div class="ekphrastic"> |
| 70 | 68 | <a href="http://apod.nasa.gov/apod/ap141220.html"> | |
| 71 | <a class="nextlink" href="arspoetica.html" | 69 | <img src="trunk/panorama-apollo11.jpg" |
| 72 | title="Next article in Elegies for alternate selves"> | 70 | title="Big deal." |
| 73 | Ars poetica | 71 | alt="Big deal." |
| 74 | </a> | 72 | /> |
| 75 | </nav> | 73 | </a> |
| 74 | </div> | ||
| 75 | |||
| 76 | <section class="content verse"> | ||
| 77 | <p><span class="line">So it’s the <a href="deathstrumpet.html">fucking moon</a>. Big deal. As if</span><span class="line">you haven’t seen it before, tacked to the sky</span><span class="line">like a <a href="roughgloves.html">rotten hunk of meat</a>, a maudlin love</span></p> | ||
| 78 | <p><span class="line">letter (the _i_s dotted with hearts) hung</span><span class="line">on the sky like ninety-eight theses.</span><span class="line">Don’t stare at it like it means anything.</span></p> | ||
| 79 | <p><span class="line">Walk past it quickly, eyes averted.</span><span class="line">Don’t give it the chance to collect meaning</span><span class="line">from your <a href="last-passenger.html">outstretched hand like a pigeon</a>.</span></p> | ||
| 80 | <p><span class="line">Ascribing it a will, calling it fickle, or</span><span class="line">thinking it has any say or even an opinion</span><span class="line">of your affairs is a mistake: it’s separated</span></p> | ||
| 81 | <p><span class="line">from you by three hundred eighty thousand miles</span><span class="line">of emptiness, staring at you blankly like a child</span><span class="line">or your reflection when you found your love broken</span></p> | ||
| 82 | <p><span class="line">in the dark, when time fell apart, broke down,</span><span class="line">started following you around everywhere, <a href="boy_bus.html">moonfaced</a>,</span><span class="line">doggedly asking where you’re going, like you know.</span></p> | ||
| 83 | <p><span class="line">Don’t try side stepping time, either: it’s only</span><span class="line">a river you’re stuck in, <a href="music-433.html">carrying you</a> under the glare</span><span class="line">of the moon nuzzling closer, cooing in your ear</span></p> | ||
| 84 | <p>like a dove that escapes into the empty sky at dawn.</p> | ||
| 85 | </section> | ||
| 86 | </article> | ||
| 87 | <nav> | ||
| 88 | <div class="anchors"> | ||
| 89 | <a href="backlinks/apollo11.html" id="backlinks" title="Links to this page"> | ||
| 90 | φ | ||
| 91 | </a> | ||
| 92 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 93 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 94 | </div> | ||
| 95 | |||
| 96 | <a class="prevlink" href="and.html" | ||
| 97 | title="Previous article in Elegies for alternate selves"> | ||
| 98 | And | ||
| 99 | </a> | ||
| 100 | |||
| 101 | <a class="nextlink" href="arspoetica.html" | ||
| 102 | title="Next article in Elegies for alternate selves"> | ||
| 103 | Ars poetica | ||
| 104 | </a> | ||
| 105 | </nav> | ||
| 76 | 106 | ||
| 77 | |||
| 78 | </body> | 107 | </body> |
| 79 | </html> | 108 | </html> |
| diff --git a/apollo11_backlinks.htm b/apollo11_backlinks.htm deleted file mode 100644 index a01db63..0000000 --- a/apollo11_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>On seeing the panorama of the Apollo 11 landing site | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="apollo11" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">On seeing the panorama of the Apollo 11 landing site</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="moongone.html">The moon is gone and in its place a mirror</a></li> | ||
| 41 | <li><a href="mountain.html">The mountain</a></li> | ||
| 42 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 43 | <li><a href="shipwright.html">The shipwright</a></li> | ||
| 44 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="apollo11.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/appendix/common-titles.txt b/appendix/common-titles.txt new file mode 100644 index 0000000..2ab15d6 --- /dev/null +++ b/appendix/common-titles.txt | |||
| @@ -0,0 +1,152 @@ | |||
| 1 | --- | ||
| 2 | title: Appendix C | ||
| 3 | subtitle: index of common titles | ||
| 4 | id: common-titles | ||
| 5 | genre: prose | ||
| 6 | |||
| 7 | project: | ||
| 8 | title: Appendices | ||
| 9 | class: appendices | ||
| 10 | next: | ||
| 11 | - title: Index of first lines | ||
| 12 | link: first-lines | ||
| 13 | prev: | ||
| 14 | - title: Index of islands | ||
| 15 | link: islands | ||
| 16 | ... | ||
| 17 | |||
| 18 | [About the author](about-the-author.html) | ||
| 19 | [Autocento of the breakfast table](about.html) | ||
| 20 | [About Case Duckworth](about_author.html) | ||
| 21 | [Autocento of the breakfast table](abstract.html) | ||
| 22 | [AMBER alert](amber-alert.html) | ||
| 23 | [And](and.html) | ||
| 24 | [The angel to Abraham](angeltoabraham.html) | ||
| 25 | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | ||
| 26 | [Ars poetica](arspoetica.html) | ||
| 27 | [Art](art.html) | ||
| 28 | [Axe](axe.html) | ||
| 29 | [The Big Dipper](big-dipper.html) | ||
| 30 | [The boar](boar.html) | ||
| 31 | [Boy on the bus](boy_bus.html) | ||
| 32 | [Building](building.html) | ||
| 33 | [Call me](call-me-aural-pleasure.html) | ||
| 34 | [Cereal](cereal.html) | ||
| 35 | [Cold wind](cold-wind.html) | ||
| 36 | [Instrumented](collage-instrument.html) | ||
| 37 | [Creation myth](creation-myth.html) | ||
| 38 | [Dead man](deadman.html) | ||
| 39 | [The Death Zone](death-zone.html) | ||
| 40 | ["Death's trumpet"](deathstrumpet.html) | ||
| 41 | [Something](dollywood.html) | ||
| 42 | [Dream](dream.html) | ||
| 43 | [Early](early.html) | ||
| 44 | [Elegy for an alternate self](elegyforanalternateself.html) | ||
| 45 | [epigraph](epigraph.html) | ||
| 46 | [Ex machina](ex-machina.html) | ||
| 47 | [Exasperated](exasperated.html) | ||
| 48 | [Father](father.html) | ||
| 49 | [Feeding the raven](feedingtheraven.html) | ||
| 50 | [Finding the Lion](finding-the-lion.html) | ||
| 51 | [Fire](fire.html) | ||
| 52 | [Look](found-typewriter-poem.html) | ||
| 53 | [Hands](hands.html) | ||
| 54 | [A hard game](hard-game.html) | ||
| 55 | [Hardware](hardware.html) | ||
| 56 | [How it happened](howithappened.html) | ||
| 57 | [How to read this](howtoread.html) | ||
| 58 | [Hymnal](hymnal.html) | ||
| 59 | [I am](i-am.html) | ||
| 60 | [I think it's you](i-think-its-you.html) | ||
| 61 | [I want to say](i-want-to-say.html) | ||
| 62 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) | ||
| 63 | [In bed](in-bed.html) | ||
| 64 | [Initial conditions](initial-conditions.html) | ||
| 65 | [January](january.html) | ||
| 66 | [Joke](joke.html) | ||
| 67 | [L'appel du vide](lappel-du-vide.html) | ||
| 68 | [The largest asteroid in the asteroid belt](largest-asteroid.html) | ||
| 69 | [Last bastion](last-bastion.html) | ||
| 70 | [Last passenger](last-passenger.html) | ||
| 71 | [Leaf](leaf.html) | ||
| 72 | [Leg](leg.html) | ||
| 73 | [Liking Things](likingthings.html) | ||
| 74 | [Listen](listen.html) | ||
| 75 | [Love as God](love-as-god.html) | ||
| 76 | [Love Song](lovesong.html) | ||
| 77 | [Man](man.html) | ||
| 78 | [Manifesto of poetics](manifesto_poetics.html) | ||
| 79 | [The Moon is drowning](moon-drowning.html) | ||
| 80 | [The moon is gone and in its place a mirror](moongone.html) | ||
| 81 | [The mountain](mountain.html) | ||
| 82 | [Moving Sideways](movingsideways.html) | ||
| 83 | [Something](music-433.html) | ||
| 84 | [No nothing](no-nothing.html) | ||
| 85 | [Notes](notes.html) | ||
| 86 | [Nothing is ever over](nothing-is-ever-over.html) | ||
| 87 | [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 88 | [One hundred lines](one-hundred-lines.html) | ||
| 89 | [On formal poetry](onformalpoetry.html) | ||
| 90 | [Options](options.html) | ||
| 91 | [Ouroboros of Memory](ouroboros_memory.html) | ||
| 92 | [Paul](paul.html) | ||
| 93 | [Peaches](peaches.html) | ||
| 94 | [Philosophy](philosophy.html) | ||
| 95 | [Phone](phone.html) | ||
| 96 | [Planks](planks.html) | ||
| 97 | [Litany](plant.html) | ||
| 98 | [Something](poetry-time.html) | ||
| 99 | [Prelude](prelude.html) | ||
| 100 | [Problems](problems.html) | ||
| 101 | [Autocento of the breakfast table](process.html) | ||
| 102 | [Proverbs](proverbs.html) | ||
| 103 | [Punch](punch.html) | ||
| 104 | [The purpose of dogs](purpose-dogs.html) | ||
| 105 | [Question](question.html) | ||
| 106 | [A real writer](real-writer.html) | ||
| 107 | [Reports](reports.html) | ||
| 108 | [Riptide of memory](riptide_memory.html) | ||
| 109 | [Ronald McDonald](ronaldmcdonald.html) | ||
| 110 | [Rough gloves](roughgloves.html) | ||
| 111 | [Sapling](sapling.html) | ||
| 112 | [Seasonal affective disorder](seasonal-affective-disorder.html) | ||
| 113 | [Sense of it](sense-of-it.html) | ||
| 114 | [Serengeti](serengeti.html) | ||
| 115 | [Shed](shed.html) | ||
| 116 | [The shipwright](shipwright.html) | ||
| 117 | [The Sixteenth Chapel](sixteenth-chapel.html) | ||
| 118 | [Snow](snow.html) | ||
| 119 | ["Let's start with something simple:"](something-simple.html) | ||
| 120 | [Spittle](spittle.html) | ||
| 121 | [The squirrel](squirrel.html) | ||
| 122 | [Stagnant](stagnant.html) | ||
| 123 | [Statements](statements-frag.html) | ||
| 124 | [Stayed on the bus too long](stayed-on-the-bus.html) | ||
| 125 | [Stump](stump.html) | ||
| 126 | [Swansong](swansong-alt.html) | ||
| 127 | [Swan song](swansong.html) | ||
| 128 | [Swear](swear.html) | ||
| 129 | [Table of contents](table_contents.html) | ||
| 130 | [Tapestry](tapestry.html) | ||
| 131 | [Telemarketer](telemarketer.html) | ||
| 132 | [The night we met, I was out of my mind](the-night-we-met.html) | ||
| 133 | [The sea and the beach](the-sea_the-beach.html) | ||
| 134 | [The ocean overflows with camels](theoceanoverflowswithcamels.html) | ||
| 135 | [Time looks up to the sky](time-looks-up-to-the-sky.html) | ||
| 136 | [To Daniel](todaniel.html) | ||
| 137 | [Toilet](toilet.html) | ||
| 138 | [Toothpaste](toothpaste.html) | ||
| 139 | [Treatise](treatise.html) | ||
| 140 | [Underwear](underwear.html) | ||
| 141 | [Walking in the rain](walking-in-the-rain.html) | ||
| 142 | [Wallpaper](wallpaper.html) | ||
| 143 | [We played those games too](weplayedthosegamestoo.html) | ||
| 144 | [What we are made of](what-we-are-made-of.html) | ||
| 145 | [When I'm sorry I wash dishes](when-im-sorry-i.html) | ||
| 146 | [Window](window.html) | ||
| 147 | [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 148 | [Words and meaning](words-meaning.html) | ||
| 149 | [Worse looking over](worse-looking-over.html) | ||
| 150 | [Writing](writing.html) | ||
| 151 | [X-ray](x-ray.html) | ||
| 152 | [Yellow](yellow.html) | ||
| diff --git a/first-lines.txt b/appendix/first-lines.txt index ec6f01c..e7468a3 100644 --- a/first-lines.txt +++ b/appendix/first-lines.txt | |||
| @@ -1,15 +1,15 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: Autocento of the breakfast table | 2 | title: Appendix F |
| 3 | id: first-lines | ||
| 4 | subtitle: index of first lines | 3 | subtitle: index of first lines |
| 4 | id: first-lines | ||
| 5 | genre: prose | 5 | genre: prose |
| 6 | 6 | ||
| 7 | project: | 7 | project: |
| 8 | title: About Autocento | 8 | title: Appendices |
| 9 | class: meta | 9 | class: appendices |
| 10 | next: | 10 | next: |
| 11 | - title: About _Autocento_ | 11 | - title: Index of hapax legomena |
| 12 | link: about | 12 | link: hapax |
| 13 | prev: | 13 | prev: |
| 14 | - title: Index of common titles | 14 | - title: Index of common titles |
| 15 | link: common-titles | 15 | link: common-titles |
| @@ -150,4 +150,3 @@ project: | |||
| 150 | [He sat down at his writing desk and removed his new pen from its plastic wrapping.](writing.html) | 150 | [He sat down at his writing desk and removed his new pen from its plastic wrapping.](writing.html) |
| 151 | [While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he'd never heard before cried out.](x-ray.html) | 151 | [While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he'd never heard before cried out.](x-ray.html) |
| 152 | [He would enter data at work for fifty minutes and then go on break.](yellow.html) | 152 | [He would enter data at work for fifty minutes and then go on break.](yellow.html) |
| 153 | [](trunk/first-lines.html) | ||
| diff --git a/hapax.txt b/appendix/hapax.txt index f1d327d..0c6e2ce 100644 --- a/hapax.txt +++ b/appendix/hapax.txt | |||
| @@ -1,31 +1,23 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: Autocento of the breakfast table | 2 | title: Appendix H |
| 3 | subtitle: index of hapax legomena | ||
| 3 | id: hapax | 4 | id: hapax |
| 4 | subtitle: hapax legomena | ||
| 5 | genre: prose | 5 | genre: prose |
| 6 | 6 | ||
| 7 | project: | 7 | project: |
| 8 | title: About autocento | 8 | title: Appendices |
| 9 | class: meta | 9 | class: appendices |
| 10 | next: | ||
| 11 | - title: Index of islands | ||
| 12 | link: islands | ||
| 13 | prev: | ||
| 14 | - title: Index of first lines | ||
| 15 | link: first-lines | ||
| 10 | ... | 16 | ... |
| 11 | 17 | ||
| 12 | ['05](todaniel.html) | ||
| 13 | ['do](ouroboros_memory.html) | ||
| 14 | ['i](art.html) | ||
| 15 | ['none](ouroboros_memory.html) | ||
| 16 | ['r](telemarketer.html) | ||
| 17 | ['the](sapling.html) | ||
| 18 | ['there](punch.html) | ||
| 19 | ['they'](sapling.html) | ||
| 20 | ['this](early.html) | ||
| 21 | [-a](process.html) | ||
| 22 | [-f](process.html) | ||
| 23 | [-m](process.html) | ||
| 24 | [-o](process.html) | ||
| 25 | [-t](process.html) | ||
| 26 | [//autocento](process.html) | ||
| 27 | [0](poetry-time.html) | 18 | [0](poetry-time.html) |
| 28 | [1](table_contents.html) | 19 | [10](about.html) |
| 20 | [130](about.html) | ||
| 29 | [19](dollywood.html) | 21 | [19](dollywood.html) |
| 30 | [1970s](on-genre-dimension.html) | 22 | [1970s](on-genre-dimension.html) |
| 31 | [1977](collage-instrument.html) | 23 | [1977](collage-instrument.html) |
| @@ -47,9 +39,12 @@ project: | |||
| 47 | [50](dollywood.html) | 39 | [50](dollywood.html) |
| 48 | [55](dollywood.html) | 40 | [55](dollywood.html) |
| 49 | [58](dollywood.html) | 41 | [58](dollywood.html) |
| 42 | [6](about.html) | ||
| 43 | [7](about.html) | ||
| 50 | [70s](collage-instrument.html) | 44 | [70s](collage-instrument.html) |
| 51 | [8](dollywood.html) | 45 | [8](dollywood.html) |
| 52 | [80s](on-genre-dimension.html) | 46 | [80s](on-genre-dimension.html) |
| 47 | [9](about.html) | ||
| 53 | [a-z](collage-instrument.html) | 48 | [a-z](collage-instrument.html) |
| 54 | [abandoned](something-simple.html) | 49 | [abandoned](something-simple.html) |
| 55 | [abel](howithappened.html) | 50 | [abel](howithappened.html) |
| @@ -62,9 +57,12 @@ project: | |||
| 62 | [accent](boy_bus.html) | 57 | [accent](boy_bus.html) |
| 63 | [accentuated](man.html) | 58 | [accentuated](man.html) |
| 64 | [accept](death-zone.html) | 59 | [accept](death-zone.html) |
| 60 | [accomplish](about.html) | ||
| 61 | [accomplished](about.html) | ||
| 65 | [account](movingsideways.html) | 62 | [account](movingsideways.html) |
| 66 | [accounting](lappel-du-vide.html) | 63 | [accounting](lappel-du-vide.html) |
| 67 | [accounts](about-the-author.html) | 64 | [accounts](about-the-author.html) |
| 65 | [accurate](about.html) | ||
| 68 | [accurately](telemarketer.html) | 66 | [accurately](telemarketer.html) |
| 69 | [ache](cold-wind.html) | 67 | [ache](cold-wind.html) |
| 70 | [aching](nothing-is-ever-over.html) | 68 | [aching](nothing-is-ever-over.html) |
| @@ -74,7 +72,6 @@ project: | |||
| 74 | [adage](on-genre-dimension.html) | 72 | [adage](on-genre-dimension.html) |
| 75 | [adam](todaniel.html) | 73 | [adam](todaniel.html) |
| 76 | [adapting](howtoread.html) | 74 | [adapting](howtoread.html) |
| 77 | [addition](about_author.html) | ||
| 78 | [additionally](on-genre-dimension.html) | 75 | [additionally](on-genre-dimension.html) |
| 79 | [additive](howtoread.html) | 76 | [additive](howtoread.html) |
| 80 | [adjust](lappel-du-vide.html) | 77 | [adjust](lappel-du-vide.html) |
| @@ -84,9 +81,9 @@ project: | |||
| 84 | [admits](words-irritable-reaching.html) | 81 | [admits](words-irritable-reaching.html) |
| 85 | [advantages](building.html) | 82 | [advantages](building.html) |
| 86 | [advertisements](manifesto_poetics.html) | 83 | [advertisements](manifesto_poetics.html) |
| 87 | [aesthetic](about.html) | ||
| 88 | [affairs](apollo11.html) | 84 | [affairs](apollo11.html) |
| 89 | [afford](about-the-author.html) | 85 | [afford](about-the-author.html) |
| 86 | [afloat](about.html) | ||
| 90 | [africa](epigraph.html) | 87 | [africa](epigraph.html) |
| 91 | [afterbend](call-me-aural-pleasure.html) | 88 | [afterbend](call-me-aural-pleasure.html) |
| 92 | [afterbirth](call-me-aural-pleasure.html) | 89 | [afterbirth](call-me-aural-pleasure.html) |
| @@ -99,6 +96,7 @@ project: | |||
| 99 | [aimed](largest-asteroid.html) | 96 | [aimed](largest-asteroid.html) |
| 100 | [aisle](ronaldmcdonald.html) | 97 | [aisle](ronaldmcdonald.html) |
| 101 | [akin](on-genre-dimension.html) | 98 | [akin](on-genre-dimension.html) |
| 99 | [al](about.html) | ||
| 102 | [alarm](dollywood.html) | 100 | [alarm](dollywood.html) |
| 103 | [alberto](howtoread.html) | 101 | [alberto](howtoread.html) |
| 104 | [alcoholic](problems.html) | 102 | [alcoholic](problems.html) |
| @@ -109,26 +107,27 @@ project: | |||
| 109 | [alike](father.html) | 107 | [alike](father.html) |
| 110 | [allen](table_contents.html) | 108 | [allen](table_contents.html) |
| 111 | [allowing](dollywood.html) | 109 | [allowing](dollywood.html) |
| 110 | [alonefor](about.html) | ||
| 112 | [aloof](dollywood.html) | 111 | [aloof](dollywood.html) |
| 113 | [alpha](collage-instrument.html) | 112 | [alpha](collage-instrument.html) |
| 114 | [alright](telemarketer.html) | 113 | [alright](telemarketer.html) |
| 115 | [alt](swansong.html) | 114 | [alt](swansong.html) |
| 116 | [alternatively](about.html) | ||
| 117 | [amazing](epigraph.html) | 115 | [amazing](epigraph.html) |
| 118 | [amble](table_contents.html) | 116 | [amble](table_contents.html) |
| 119 | [america](epigraph.html) | 117 | [america](epigraph.html) |
| 120 | [american](table_contents.html) | ||
| 121 | [amicable](statements-frag.html) | 118 | [amicable](statements-frag.html) |
| 122 | [amongst](finding-the-lion.html) | 119 | [amongst](finding-the-lion.html) |
| 120 | [amount](about.html) | ||
| 123 | [analogue](words-meaning.html) | 121 | [analogue](words-meaning.html) |
| 124 | [analytic](words-meaning.html) | 122 | [analytic](words-meaning.html) |
| 125 | [ancient](what-we-are-made-of.html) | ||
| 126 | [anemones](lappel-du-vide.html) | 123 | [anemones](lappel-du-vide.html) |
| 127 | [animal](elegyforanalternateself.html) | 124 | [animal](elegyforanalternateself.html) |
| 128 | [ankle](statements-frag.html) | 125 | [ankle](statements-frag.html) |
| 126 | [anniversary](about.html) | ||
| 129 | [annoy](x-ray.html) | 127 | [annoy](x-ray.html) |
| 130 | [annoyances](the-sea_the-beach.html) | 128 | [annoyances](the-sea_the-beach.html) |
| 131 | [annoyed](snow.html) | 129 | [annoyed](snow.html) |
| 130 | [annoying](about.html) | ||
| 132 | [ant](seasonal-affective-disorder.html) | 131 | [ant](seasonal-affective-disorder.html) |
| 133 | [anticipation](window.html) | 132 | [anticipation](window.html) |
| 134 | [any-sized](on-genre-dimension.html) | 133 | [any-sized](on-genre-dimension.html) |
| @@ -138,29 +137,30 @@ project: | |||
| 138 | [apology](statements-frag.html) | 137 | [apology](statements-frag.html) |
| 139 | [appear](initial-conditions.html) | 138 | [appear](initial-conditions.html) |
| 140 | [appeared](i-want-to-say.html) | 139 | [appeared](i-want-to-say.html) |
| 141 | [appears](treatise.html) | 140 | [apple](about.html) |
| 142 | [applied](words-irritable-reaching.html) | 141 | [applied](words-irritable-reaching.html) |
| 142 | [apply](about.html) | ||
| 143 | [appointment](underwear.html) | 143 | [appointment](underwear.html) |
| 144 | [appreciate](likingthings.html) | 144 | [appreciate](likingthings.html) |
| 145 | [approximation](about.html) | ||
| 146 | [april](about.html) | ||
| 145 | [aquarium](deadman.html) | 147 | [aquarium](deadman.html) |
| 146 | [arabic](dream.html) | 148 | [arabic](dream.html) |
| 147 | [arbitrary](words-meaning.html) | ||
| 148 | [arcade](deathstrumpet.html) | 149 | [arcade](deathstrumpet.html) |
| 149 | [archers](words-irritable-reaching.html) | 150 | [archers](words-irritable-reaching.html) |
| 151 | [arefor](about.html) | ||
| 150 | [argument](january.html) | 152 | [argument](january.html) |
| 151 | [arguments](call-me-aural-pleasure.html) | 153 | [arguments](call-me-aural-pleasure.html) |
| 152 | [arises](philosophy.html) | 154 | [arises](philosophy.html) |
| 153 | [ark](howithappened.html) | 155 | [ark](howithappened.html) |
| 154 | [arm](dollywood.html) | 156 | [arm](dollywood.html) |
| 157 | [arrive](about.html) | ||
| 155 | [arrow](onformalpoetry.html) | 158 | [arrow](onformalpoetry.html) |
| 156 | [ars](arspoetica.html) | ||
| 157 | [arson](fire.html) | 159 | [arson](fire.html) |
| 158 | [articlesi](about.html) | ||
| 159 | [artist's](abstract.html) | 160 | [artist's](abstract.html) |
| 160 | [ascribing](apollo11.html) | 161 | [ascribing](apollo11.html) |
| 161 | [ashbark](plant.html) | 162 | [ashbark](plant.html) |
| 162 | [asleep](riptide_memory.html) | 163 | [asleep](riptide_memory.html) |
| 163 | [aspect](about.html) | ||
| 164 | [aspects](on-genre-dimension.html) | 164 | [aspects](on-genre-dimension.html) |
| 165 | [aspiration](building.html) | 165 | [aspiration](building.html) |
| 166 | [ass](peaches.html) | 166 | [ass](peaches.html) |
| @@ -174,6 +174,7 @@ project: | |||
| 174 | [asylums](yellow.html) | 174 | [asylums](yellow.html) |
| 175 | [atlanta](peaches.html) | 175 | [atlanta](peaches.html) |
| 176 | [atlanta's](peaches.html) | 176 | [atlanta's](peaches.html) |
| 177 | [atlassian](about.html) | ||
| 177 | [atmosphere](dollywood.html) | 178 | [atmosphere](dollywood.html) |
| 178 | [atom](howtoread.html) | 179 | [atom](howtoread.html) |
| 179 | [attached](spittle.html) | 180 | [attached](spittle.html) |
| @@ -185,9 +186,9 @@ project: | |||
| 185 | [audience](last-bastion.html) | 186 | [audience](last-bastion.html) |
| 186 | [aunt](seasonal-affective-disorder.html) | 187 | [aunt](seasonal-affective-disorder.html) |
| 187 | [aural](call-me-aural-pleasure.html) | 188 | [aural](call-me-aural-pleasure.html) |
| 188 | [authors'](about.html) | ||
| 189 | [authorship](about.html) | 189 | [authorship](about.html) |
| 190 | [autograph](dollywood.html) | 190 | [autograph](dollywood.html) |
| 191 | [automates](about.html) | ||
| 191 | [automobile](movingsideways.html) | 192 | [automobile](movingsideways.html) |
| 192 | [average](movingsideways.html) | 193 | [average](movingsideways.html) |
| 193 | [averted](apollo11.html) | 194 | [averted](apollo11.html) |
| @@ -199,12 +200,10 @@ project: | |||
| 199 | [axis](window.html) | 200 | [axis](window.html) |
| 200 | [babel](howithappened.html) | 201 | [babel](howithappened.html) |
| 201 | [babies](ouroboros_memory.html) | 202 | [babies](ouroboros_memory.html) |
| 202 | [back-link](process.html) | ||
| 203 | [back-to-front](howtoread.html) | 203 | [back-to-front](howtoread.html) |
| 204 | [backdrop](movingsideways.html) | 204 | [backdrop](movingsideways.html) |
| 205 | [backfires](collage-instrument.html) | 205 | [backfires](collage-instrument.html) |
| 206 | [backgrounded](what-we-are-made-of.html) | 206 | [backgrounded](what-we-are-made-of.html) |
| 207 | [backlinks](abstract.html) | ||
| 208 | [backpacks](dollywood.html) | 207 | [backpacks](dollywood.html) |
| 209 | [backstage](death-zone.html) | 208 | [backstage](death-zone.html) |
| 210 | [badgers](purpose-dogs.html) | 209 | [badgers](purpose-dogs.html) |
| @@ -235,6 +234,7 @@ project: | |||
| 235 | [bawls](i-wanted-to-tell-you-something.html) | 234 | [bawls](i-wanted-to-tell-you-something.html) |
| 236 | [beach's](the-sea_the-beach.html) | 235 | [beach's](the-sea_the-beach.html) |
| 237 | [beached](collage-instrument.html) | 236 | [beached](collage-instrument.html) |
| 237 | [beaches](about.html) | ||
| 238 | [beam](largest-asteroid.html) | 238 | [beam](largest-asteroid.html) |
| 239 | [beams](plant.html) | 239 | [beams](plant.html) |
| 240 | [bear](dollywood.html) | 240 | [bear](dollywood.html) |
| @@ -265,6 +265,8 @@ project: | |||
| 265 | [betrays](nothing-is-ever-over.html) | 265 | [betrays](nothing-is-ever-over.html) |
| 266 | [biebs](sixteenth-chapel.html) | 266 | [biebs](sixteenth-chapel.html) |
| 267 | [biggest](likingthings.html) | 267 | [biggest](likingthings.html) |
| 268 | [bigrams](about.html) | ||
| 269 | [billion](about.html) | ||
| 268 | [binoculars](problems.html) | 270 | [binoculars](problems.html) |
| 269 | [biological](howtoread.html) | 271 | [biological](howtoread.html) |
| 270 | [birth](elegyforanalternateself.html) | 272 | [birth](elegyforanalternateself.html) |
| @@ -290,6 +292,7 @@ project: | |||
| 290 | [blink](last-passenger.html) | 292 | [blink](last-passenger.html) |
| 291 | [blister](seasonal-affective-disorder.html) | 293 | [blister](seasonal-affective-disorder.html) |
| 292 | [blocks](moongone.html) | 294 | [blocks](moongone.html) |
| 295 | [blog](about.html) | ||
| 293 | [bloomed](theoceanoverflowswithcamels.html) | 296 | [bloomed](theoceanoverflowswithcamels.html) |
| 294 | [blown](last-bastion.html) | 297 | [blown](last-bastion.html) |
| 295 | [blubber](weplayedthosegamestoo.html) | 298 | [blubber](weplayedthosegamestoo.html) |
| @@ -350,6 +353,7 @@ project: | |||
| 350 | [brothel](hard-game.html) | 353 | [brothel](hard-game.html) |
| 351 | [brownbranching](plant.html) | 354 | [brownbranching](plant.html) |
| 352 | [brownspotted](plant.html) | 355 | [brownspotted](plant.html) |
| 356 | [browsers](about.html) | ||
| 353 | [bruises](theoceanoverflowswithcamels.html) | 357 | [bruises](theoceanoverflowswithcamels.html) |
| 354 | [brush](dollywood.html) | 358 | [brush](dollywood.html) |
| 355 | [brushed](dollywood.html) | 359 | [brushed](dollywood.html) |
| @@ -426,7 +430,6 @@ project: | |||
| 426 | [carry](collage-instrument.html) | 430 | [carry](collage-instrument.html) |
| 427 | [cart](yellow.html) | 431 | [cart](yellow.html) |
| 428 | [cartoons](cereal.html) | 432 | [cartoons](cereal.html) |
| 429 | [cases](last-bastion.html) | ||
| 430 | [casket](death-zone.html) | 433 | [casket](death-zone.html) |
| 431 | [casserole](when-im-sorry-i.html) | 434 | [casserole](when-im-sorry-i.html) |
| 432 | [cat](proverbs.html) | 435 | [cat](proverbs.html) |
| @@ -442,8 +445,10 @@ project: | |||
| 442 | [cease](i-want-to-say.html) | 445 | [cease](i-want-to-say.html) |
| 443 | [ceased](no-nothing.html) | 446 | [ceased](no-nothing.html) |
| 444 | [celebrate](call-me-aural-pleasure.html) | 447 | [celebrate](call-me-aural-pleasure.html) |
| 448 | [celebrities](about.html) | ||
| 445 | [cemetery](seasonal-affective-disorder.html) | 449 | [cemetery](seasonal-affective-disorder.html) |
| 446 | [census](howtoread.html) | 450 | [census](howtoread.html) |
| 451 | [centi](about.html) | ||
| 447 | [century](sixteenth-chapel.html) | 452 | [century](sixteenth-chapel.html) |
| 448 | [cept](no-nothing.html) | 453 | [cept](no-nothing.html) |
| 449 | [cereal](table_contents.html) | 454 | [cereal](table_contents.html) |
| @@ -484,6 +489,7 @@ project: | |||
| 484 | [choices](options.html) | 489 | [choices](options.html) |
| 485 | [choir](boar.html) | 490 | [choir](boar.html) |
| 486 | [choking](nothing-is-ever-over.html) | 491 | [choking](nothing-is-ever-over.html) |
| 492 | [choose](epigraph.html) | ||
| 487 | [choose-your-own-adventure](on-genre-dimension.html) | 493 | [choose-your-own-adventure](on-genre-dimension.html) |
| 488 | [choosing](epigraph.html) | 494 | [choosing](epigraph.html) |
| 489 | [chopping](x-ray.html) | 495 | [chopping](x-ray.html) |
| @@ -492,7 +498,6 @@ project: | |||
| 492 | [christian](dollywood.html) | 498 | [christian](dollywood.html) |
| 493 | [chuckled](axe.html) | 499 | [chuckled](axe.html) |
| 494 | [chuckling](what-we-are-made-of.html) | 500 | [chuckling](what-we-are-made-of.html) |
| 495 | [chunk](about.html) | ||
| 496 | [church-steeple](mountain.html) | 501 | [church-steeple](mountain.html) |
| 497 | [churning](plant.html) | 502 | [churning](plant.html) |
| 498 | [cigarettes](swear.html) | 503 | [cigarettes](swear.html) |
| @@ -516,7 +521,6 @@ project: | |||
| 516 | [cleaners](about_author.html) | 521 | [cleaners](about_author.html) |
| 517 | [cleft](nothing-is-ever-over.html) | 522 | [cleft](nothing-is-ever-over.html) |
| 518 | [clenched](angeltoabraham.html) | 523 | [clenched](angeltoabraham.html) |
| 519 | [clicking](about.html) | ||
| 520 | [client's](telemarketer.html) | 524 | [client's](telemarketer.html) |
| 521 | [cliff](swansong-alt.html) | 525 | [cliff](swansong-alt.html) |
| 522 | [climbed](purpose-dogs.html) | 526 | [climbed](purpose-dogs.html) |
| @@ -530,7 +534,6 @@ project: | |||
| 530 | [coat](window.html) | 534 | [coat](window.html) |
| 531 | [cock](nothing-is-ever-over.html) | 535 | [cock](nothing-is-ever-over.html) |
| 532 | [cocky](call-me-aural-pleasure.html) | 536 | [cocky](call-me-aural-pleasure.html) |
| 533 | [code](problems.html) | ||
| 534 | [code-collaboration](about.html) | 537 | [code-collaboration](about.html) |
| 535 | [coffins](one-hundred-lines.html) | 538 | [coffins](one-hundred-lines.html) |
| 536 | [cognac](deadman.html) | 539 | [cognac](deadman.html) |
| @@ -542,6 +545,7 @@ project: | |||
| 542 | [collage](collage-instrument.html) | 545 | [collage](collage-instrument.html) |
| 543 | [collapses](collage-instrument.html) | 546 | [collapses](collage-instrument.html) |
| 544 | [collarbone](roughgloves.html) | 547 | [collarbone](roughgloves.html) |
| 548 | [collected](about.html) | ||
| 545 | [collectible](purpose-dogs.html) | 549 | [collectible](purpose-dogs.html) |
| 546 | [collective](collage-instrument.html) | 550 | [collective](collage-instrument.html) |
| 547 | [college](collage-instrument.html) | 551 | [college](collage-instrument.html) |
| @@ -553,12 +557,15 @@ project: | |||
| 553 | [comely](todaniel.html) | 557 | [comely](todaniel.html) |
| 554 | [comfortable](worse-looking-over.html) | 558 | [comfortable](worse-looking-over.html) |
| 555 | [comfortably](dollywood.html) | 559 | [comfortably](dollywood.html) |
| 560 | [comforting](about.html) | ||
| 556 | [comforts](what-we-are-made-of.html) | 561 | [comforts](what-we-are-made-of.html) |
| 557 | [command-line](collage-instrument.html) | 562 | [command-line](collage-instrument.html) |
| 558 | [comment](todaniel.html) | 563 | [comment](todaniel.html) |
| 559 | [commentators](howtoread.html) | 564 | [commentators](howtoread.html) |
| 560 | [commercials](about_author.html) | 565 | [commercials](about_author.html) |
| 566 | [commits](process.html) | ||
| 561 | [committed](man.html) | 567 | [committed](man.html) |
| 568 | [commons](about.html) | ||
| 562 | [communicably](on-genre-dimension.html) | 569 | [communicably](on-genre-dimension.html) |
| 563 | [communicate](howtoread.html) | 570 | [communicate](howtoread.html) |
| 564 | [communicates](on-genre-dimension.html) | 571 | [communicates](on-genre-dimension.html) |
| @@ -567,7 +574,8 @@ project: | |||
| 567 | [comparable](treatise.html) | 574 | [comparable](treatise.html) |
| 568 | [compare](big-dipper.html) | 575 | [compare](big-dipper.html) |
| 569 | [compartmentalizes](words-meaning.html) | 576 | [compartmentalizes](words-meaning.html) |
| 570 | [compiling](about.html) | 577 | [compile](about.html) |
| 578 | [compiles](about.html) | ||
| 571 | [complain](telemarketer.html) | 579 | [complain](telemarketer.html) |
| 572 | [complaining](exasperated.html) | 580 | [complaining](exasperated.html) |
| 573 | [complexities](howtoread.html) | 581 | [complexities](howtoread.html) |
| @@ -575,14 +583,17 @@ project: | |||
| 575 | [compose](what-we-are-made-of.html) | 583 | [compose](what-we-are-made-of.html) |
| 576 | [composed](about.html) | 584 | [composed](about.html) |
| 577 | [composing](wallpaper.html) | 585 | [composing](wallpaper.html) |
| 586 | [compositions](about.html) | ||
| 578 | [compresses](arspoetica.html) | 587 | [compresses](arspoetica.html) |
| 579 | [comprising](initial-conditions.html) | 588 | [comprising](initial-conditions.html) |
| 580 | [compromise](statements-frag.html) | 589 | [compromise](statements-frag.html) |
| 581 | [compromising](snow.html) | 590 | [compromising](snow.html) |
| 591 | [computational](about.html) | ||
| 582 | [computers](reports.html) | 592 | [computers](reports.html) |
| 583 | [con](no-nothing.html) | 593 | [con](no-nothing.html) |
| 584 | [concentrate](words-meaning.html) | 594 | [concentrate](words-meaning.html) |
| 585 | [conception](about-the-author.html) | 595 | [conception](about-the-author.html) |
| 596 | [concepts](about.html) | ||
| 586 | [conceptually](on-genre-dimension.html) | 597 | [conceptually](on-genre-dimension.html) |
| 587 | [concerned](howtoread.html) | 598 | [concerned](howtoread.html) |
| 588 | [concession](dollywood.html) | 599 | [concession](dollywood.html) |
| @@ -599,6 +610,8 @@ project: | |||
| 599 | [connections](on-genre-dimension.html) | 610 | [connections](on-genre-dimension.html) |
| 600 | [considers](creation-myth.html) | 611 | [considers](creation-myth.html) |
| 601 | [consisted](peaches.html) | 612 | [consisted](peaches.html) |
| 613 | [consistent](about.html) | ||
| 614 | [consistently](about.html) | ||
| 602 | [consists](manifesto_poetics.html) | 615 | [consists](manifesto_poetics.html) |
| 603 | [constantin](epigraph.html) | 616 | [constantin](epigraph.html) |
| 604 | [constantly](words-meaning.html) | 617 | [constantly](words-meaning.html) |
| @@ -606,8 +619,11 @@ project: | |||
| 606 | [consumable](arspoetica.html) | 619 | [consumable](arspoetica.html) |
| 607 | [consumed](ouroboros_memory.html) | 620 | [consumed](ouroboros_memory.html) |
| 608 | [contain](art.html) | 621 | [contain](art.html) |
| 622 | [contains](howtoread.html) | ||
| 609 | [contempt](arspoetica.html) | 623 | [contempt](arspoetica.html) |
| 610 | [contemptibly](arspoetica.html) | 624 | [contemptibly](arspoetica.html) |
| 625 | [context](about.html) | ||
| 626 | [contiguous](about.html) | ||
| 611 | [continued](fire.html) | 627 | [continued](fire.html) |
| 612 | [continues](shipwright.html) | 628 | [continues](shipwright.html) |
| 613 | [continuity](words-meaning.html) | 629 | [continuity](words-meaning.html) |
| @@ -615,7 +631,6 @@ project: | |||
| 615 | [contract](ex-machina.html) | 631 | [contract](ex-machina.html) |
| 616 | [contraposition](no-nothing.html) | 632 | [contraposition](no-nothing.html) |
| 617 | [conversations](mountain.html) | 633 | [conversations](mountain.html) |
| 618 | [converted](about.html) | ||
| 619 | [converter](writing.html) | 634 | [converter](writing.html) |
| 620 | [cooked](when-im-sorry-i.html) | 635 | [cooked](when-im-sorry-i.html) |
| 621 | [cooking](collage-instrument.html) | 636 | [cooking](collage-instrument.html) |
| @@ -626,9 +641,10 @@ project: | |||
| 626 | [copulation](howtoread.html) | 641 | [copulation](howtoread.html) |
| 627 | [coronas](theoceanoverflowswithcamels.html) | 642 | [coronas](theoceanoverflowswithcamels.html) |
| 628 | [coroner's](father.html) | 643 | [coroner's](father.html) |
| 629 | [corpus](about.html) | 644 | [corpora](about.html) |
| 630 | [correct](manifesto_poetics.html) | 645 | [correct](manifesto_poetics.html) |
| 631 | [correcting](telemarketer.html) | 646 | [correcting](telemarketer.html) |
| 647 | [correctly](about.html) | ||
| 632 | [correspondence](manifesto_poetics.html) | 648 | [correspondence](manifesto_poetics.html) |
| 633 | [cosmology](manifesto_poetics.html) | 649 | [cosmology](manifesto_poetics.html) |
| 634 | [cost](howtoread.html) | 650 | [cost](howtoread.html) |
| @@ -673,9 +689,11 @@ project: | |||
| 673 | [creamer](yellow.html) | 689 | [creamer](yellow.html) |
| 674 | [creases](plant.html) | 690 | [creases](plant.html) |
| 675 | [creativity's](hard-game.html) | 691 | [creativity's](hard-game.html) |
| 692 | [creator](about.html) | ||
| 676 | [creatures](lappel-du-vide.html) | 693 | [creatures](lappel-du-vide.html) |
| 677 | [credits](dollywood.html) | 694 | [credits](dollywood.html) |
| 678 | [creeks](dollywood.html) | 695 | [creeks](dollywood.html) |
| 696 | [creep](about.html) | ||
| 679 | [creepy](what-we-are-made-of.html) | 697 | [creepy](what-we-are-made-of.html) |
| 680 | [crevice](plant.html) | 698 | [crevice](plant.html) |
| 681 | [crew](epigraph.html) | 699 | [crew](epigraph.html) |
| @@ -706,6 +724,7 @@ project: | |||
| 706 | [cubicled](telemarketer.html) | 724 | [cubicled](telemarketer.html) |
| 707 | [cubicles](telemarketer.html) | 725 | [cubicles](telemarketer.html) |
| 708 | [culminates](manifesto_poetics.html) | 726 | [culminates](manifesto_poetics.html) |
| 727 | [curious](about.html) | ||
| 709 | [curled](cereal.html) | 728 | [curled](cereal.html) |
| 710 | [currently](howtoread.html) | 729 | [currently](howtoread.html) |
| 711 | [curtains](one-hundred-lines.html) | 730 | [curtains](one-hundred-lines.html) |
| @@ -739,7 +758,6 @@ project: | |||
| 739 | [decompress](arspoetica.html) | 758 | [decompress](arspoetica.html) |
| 740 | [dedicated](window.html) | 759 | [dedicated](window.html) |
| 741 | [deepened](dollywood.html) | 760 | [deepened](dollywood.html) |
| 742 | [deeper](lappel-du-vide.html) | ||
| 743 | [defeat](when-im-sorry-i.html) | 761 | [defeat](when-im-sorry-i.html) |
| 744 | [define](love-as-god.html) | 762 | [define](love-as-god.html) |
| 745 | [defining](words-meaning.html) | 763 | [defining](words-meaning.html) |
| @@ -752,11 +770,8 @@ project: | |||
| 752 | [demanded](movingsideways.html) | 770 | [demanded](movingsideways.html) |
| 753 | [demolished](building.html) | 771 | [demolished](building.html) |
| 754 | [demon](one-hundred-lines.html) | 772 | [demon](one-hundred-lines.html) |
| 755 | [dependant](about.html) | ||
| 756 | [depicted](on-genre-dimension.html) | 773 | [depicted](on-genre-dimension.html) |
| 757 | [depiction](collage-instrument.html) | 774 | [depiction](collage-instrument.html) |
| 758 | [derivation](about.html) | ||
| 759 | [describe](walking-in-the-rain.html) | ||
| 760 | [described](last-bastion.html) | 775 | [described](last-bastion.html) |
| 761 | [describes](on-genre-dimension.html) | 776 | [describes](on-genre-dimension.html) |
| 762 | [deserve](when-im-sorry-i.html) | 777 | [deserve](when-im-sorry-i.html) |
| @@ -764,6 +779,7 @@ project: | |||
| 764 | [designation](on-genre-dimension.html) | 779 | [designation](on-genre-dimension.html) |
| 765 | [desired](building.html) | 780 | [desired](building.html) |
| 766 | [desktop](telemarketer.html) | 781 | [desktop](telemarketer.html) |
| 782 | [desperate](about.html) | ||
| 767 | [destroy](i-am.html) | 783 | [destroy](i-am.html) |
| 768 | [destroyed](when-im-sorry-i.html) | 784 | [destroyed](when-im-sorry-i.html) |
| 769 | [destruction](angeltoabraham.html) | 785 | [destruction](angeltoabraham.html) |
| @@ -781,7 +797,6 @@ project: | |||
| 781 | [diary](art.html) | 797 | [diary](art.html) |
| 782 | [dice](table_contents.html) | 798 | [dice](table_contents.html) |
| 783 | [differentiated](about.html) | 799 | [differentiated](about.html) |
| 784 | [differently](words-meaning.html) | ||
| 785 | [difficult](notes.html) | 800 | [difficult](notes.html) |
| 786 | [dig](movingsideways.html) | 801 | [dig](movingsideways.html) |
| 787 | [dillard](howtoread.html) | 802 | [dillard](howtoread.html) |
| @@ -815,6 +830,7 @@ project: | |||
| 815 | [dismember](options.html) | 830 | [dismember](options.html) |
| 816 | [disproving](words-irritable-reaching.html) | 831 | [disproving](words-irritable-reaching.html) |
| 817 | [disregard](howtoread.html) | 832 | [disregard](howtoread.html) |
| 833 | [disregarding](about.html) | ||
| 818 | [distant](boy_bus.html) | 834 | [distant](boy_bus.html) |
| 819 | [distinct](howtoread.html) | 835 | [distinct](howtoread.html) |
| 820 | [distinctions](on-genre-dimension.html) | 836 | [distinctions](on-genre-dimension.html) |
| @@ -823,7 +839,6 @@ project: | |||
| 823 | [diversions](on-genre-dimension.html) | 839 | [diversions](on-genre-dimension.html) |
| 824 | [divine](ex-machina.html) | 840 | [divine](ex-machina.html) |
| 825 | [doctor's](dollywood.html) | 841 | [doctor's](dollywood.html) |
| 826 | [document](about.html) | ||
| 827 | [documents](process.html) | 842 | [documents](process.html) |
| 828 | [docx](about.html) | 843 | [docx](about.html) |
| 829 | [doe-eyed](last-bastion.html) | 844 | [doe-eyed](last-bastion.html) |
| @@ -846,7 +861,6 @@ project: | |||
| 846 | [dove](apollo11.html) | 861 | [dove](apollo11.html) |
| 847 | [doves](and.html) | 862 | [doves](and.html) |
| 848 | [downs](about-the-author.html) | 863 | [downs](about-the-author.html) |
| 849 | [draft](about.html) | ||
| 850 | [dragged](ex-machina.html) | 864 | [dragged](ex-machina.html) |
| 851 | [dragons](likingthings.html) | 865 | [dragons](likingthings.html) |
| 852 | [dreamed](collage-instrument.html) | 866 | [dreamed](collage-instrument.html) |
| @@ -869,7 +883,6 @@ project: | |||
| 869 | [dryer](cereal.html) | 883 | [dryer](cereal.html) |
| 870 | [duality](words-meaning.html) | 884 | [duality](words-meaning.html) |
| 871 | [dub](likingthings.html) | 885 | [dub](likingthings.html) |
| 872 | [duckworth](process.html) | ||
| 873 | [ducts](what-we-are-made-of.html) | 886 | [ducts](what-we-are-made-of.html) |
| 874 | [dude](call-me-aural-pleasure.html) | 887 | [dude](call-me-aural-pleasure.html) |
| 875 | [due](moongone.html) | 888 | [due](moongone.html) |
| @@ -881,7 +894,6 @@ project: | |||
| 881 | [dungeons](likingthings.html) | 894 | [dungeons](likingthings.html) |
| 882 | [dusk](table_contents.html) | 895 | [dusk](table_contents.html) |
| 883 | [dwelling](on-genre-dimension.html) | 896 | [dwelling](on-genre-dimension.html) |
| 884 | [e](about.html) | ||
| 885 | [earthworms](about-the-author.html) | 897 | [earthworms](about-the-author.html) |
| 886 | [eaten](plant.html) | 898 | [eaten](plant.html) |
| 887 | [eclipse](in-bed.html) | 899 | [eclipse](in-bed.html) |
| @@ -889,6 +901,7 @@ project: | |||
| 889 | [economically](collage-instrument.html) | 901 | [economically](collage-instrument.html) |
| 890 | [ecstatic](likingthings.html) | 902 | [ecstatic](likingthings.html) |
| 891 | [eden](peaches.html) | 903 | [eden](peaches.html) |
| 904 | [editable](about.html) | ||
| 892 | [editor](epigraph.html) | 905 | [editor](epigraph.html) |
| 893 | [edo](about_author.html) | 906 | [edo](about_author.html) |
| 894 | [ee](epigraph.html) | 907 | [ee](epigraph.html) |
| @@ -917,14 +930,17 @@ project: | |||
| 917 | [emotional/heart-based](manifesto_poetics.html) | 930 | [emotional/heart-based](manifesto_poetics.html) |
| 918 | [empire](last-bastion.html) | 931 | [empire](last-bastion.html) |
| 919 | [employ](exasperated.html) | 932 | [employ](exasperated.html) |
| 920 | [enables](about.html) | ||
| 921 | [encased](i-am.html) | 933 | [encased](i-am.html) |
| 922 | [end-rhymes](on-genre-dimension.html) | 934 | [end-rhymes](on-genre-dimension.html) |
| 923 | [endeared](collage-instrument.html) | 935 | [endeared](collage-instrument.html) |
| 924 | [ended](last-bastion.html) | 936 | [ended](last-bastion.html) |
| 925 | [enemy](about_author.html) | 937 | [enemy](about_author.html) |
| 926 | [engagement](seasonal-affective-disorder.html) | 938 | [engagement](seasonal-affective-disorder.html) |
| 939 | [engineers](about.html) | ||
| 940 | [english](about.html) | ||
| 941 | [enigma](about.html) | ||
| 927 | [enliven](plant.html) | 942 | [enliven](plant.html) |
| 943 | [ensured](about.html) | ||
| 928 | [entanglement](toilet.html) | 944 | [entanglement](toilet.html) |
| 929 | [enterprises](toilet.html) | 945 | [enterprises](toilet.html) |
| 930 | [enters](howtoread.html) | 946 | [enters](howtoread.html) |
| @@ -932,6 +948,7 @@ project: | |||
| 932 | [entirety](on-genre-dimension.html) | 948 | [entirety](on-genre-dimension.html) |
| 933 | [entities](manifesto_poetics.html) | 949 | [entities](manifesto_poetics.html) |
| 934 | [entity](words-meaning.html) | 950 | [entity](words-meaning.html) |
| 951 | [entrance](about.html) | ||
| 935 | [entry](phone.html) | 952 | [entry](phone.html) |
| 936 | [entry-level](phone.html) | 953 | [entry-level](phone.html) |
| 937 | [entwined](poetry-time.html) | 954 | [entwined](poetry-time.html) |
| @@ -946,19 +963,17 @@ project: | |||
| 946 | [erases](words-irritable-reaching.html) | 963 | [erases](words-irritable-reaching.html) |
| 947 | [errant](death-zone.html) | 964 | [errant](death-zone.html) |
| 948 | [escapes](apollo11.html) | 965 | [escapes](apollo11.html) |
| 966 | [esoteric](about.html) | ||
| 949 | [ess](telemarketer.html) | 967 | [ess](telemarketer.html) |
| 950 | [essays](on-genre-dimension.html) | 968 | [essays](on-genre-dimension.html) |
| 951 | [estimate](father.html) | 969 | [estimate](father.html) |
| 952 | [et](on-genre-dimension.html) | ||
| 953 | [ethiopian](words-irritable-reaching.html) | 970 | [ethiopian](words-irritable-reaching.html) |
| 954 | [etymology](about.html) | ||
| 955 | [europe](epigraph.html) | 971 | [europe](epigraph.html) |
| 956 | [evaporate](dollywood.html) | 972 | [evaporate](dollywood.html) |
| 957 | [eve](largest-asteroid.html) | 973 | [eve](largest-asteroid.html) |
| 958 | [evening](big-dipper.html) | 974 | [evening](big-dipper.html) |
| 975 | [event](about.html) | ||
| 959 | [evergreen](what-we-are-made-of.html) | 976 | [evergreen](what-we-are-made-of.html) |
| 960 | [everyone's](ronaldmcdonald.html) | ||
| 961 | [evolved](collage-instrument.html) | ||
| 962 | [ex](ex-machina.html) | 977 | [ex](ex-machina.html) |
| 963 | [exacerbates](ouroboros_memory.html) | 978 | [exacerbates](ouroboros_memory.html) |
| 964 | [examined](what-we-are-made-of.html) | 979 | [examined](what-we-are-made-of.html) |
| @@ -967,6 +982,7 @@ project: | |||
| 967 | [exciting](last-bastion.html) | 982 | [exciting](last-bastion.html) |
| 968 | [exclaiming](creation-myth.html) | 983 | [exclaiming](creation-myth.html) |
| 969 | [excused](feedingtheraven.html) | 984 | [excused](feedingtheraven.html) |
| 985 | [exe](about.html) | ||
| 970 | [exegesis](words-meaning.html) | 986 | [exegesis](words-meaning.html) |
| 971 | [exercise](i-wanted-to-tell-you-something.html) | 987 | [exercise](i-wanted-to-tell-you-something.html) |
| 972 | [exhausted](father.html) | 988 | [exhausted](father.html) |
| @@ -983,6 +999,7 @@ project: | |||
| 983 | [expertly](creation-myth.html) | 999 | [expertly](creation-myth.html) |
| 984 | [explained](collage-instrument.html) | 1000 | [explained](collage-instrument.html) |
| 985 | [explains](toilet.html) | 1001 | [explains](toilet.html) |
| 1002 | [explore](about.html) | ||
| 986 | [expressed](telemarketer.html) | 1003 | [expressed](telemarketer.html) |
| 987 | [expression](last-bastion.html) | 1004 | [expression](last-bastion.html) |
| 988 | [extend](process.html) | 1005 | [extend](process.html) |
| @@ -997,6 +1014,7 @@ project: | |||
| 997 | [facebook](call-me-aural-pleasure.html) | 1014 | [facebook](call-me-aural-pleasure.html) |
| 998 | [facepaint](ronaldmcdonald.html) | 1015 | [facepaint](ronaldmcdonald.html) |
| 999 | [facial](last-bastion.html) | 1016 | [facial](last-bastion.html) |
| 1017 | [facilitation](about.html) | ||
| 1000 | [factor](philosophy.html) | 1018 | [factor](philosophy.html) |
| 1001 | [factories](about_author.html) | 1019 | [factories](about_author.html) |
| 1002 | [factory](dollywood.html) | 1020 | [factory](dollywood.html) |
| @@ -1004,7 +1022,7 @@ project: | |||
| 1004 | [factual/logical/brain-based](manifesto_poetics.html) | 1022 | [factual/logical/brain-based](manifesto_poetics.html) |
| 1005 | [fade](likingthings.html) | 1023 | [fade](likingthings.html) |
| 1006 | [fails](howtoread.html) | 1024 | [fails](howtoread.html) |
| 1007 | [fair](manifesto_poetics.html) | 1025 | [fairly](axe.html) |
| 1008 | [faithfully](cold-wind.html) | 1026 | [faithfully](cold-wind.html) |
| 1009 | [fallibility](philosophy.html) | 1027 | [fallibility](philosophy.html) |
| 1010 | [fallow](plant.html) | 1028 | [fallow](plant.html) |
| @@ -1044,9 +1062,9 @@ project: | |||
| 1044 | [fighting](what-we-are-made-of.html) | 1062 | [fighting](what-we-are-made-of.html) |
| 1045 | [figment](poetry-time.html) | 1063 | [figment](poetry-time.html) |
| 1046 | [figurine](purpose-dogs.html) | 1064 | [figurine](purpose-dogs.html) |
| 1047 | [file](about.html) | ||
| 1048 | [filled](writing.html) | 1065 | [filled](writing.html) |
| 1049 | [filling](on-genre-dimension.html) | 1066 | [filling](on-genre-dimension.html) |
| 1067 | [filter](about.html) | ||
| 1050 | [filtering](lappel-du-vide.html) | 1068 | [filtering](lappel-du-vide.html) |
| 1051 | [final](problems.html) | 1069 | [final](problems.html) |
| 1052 | [finger-loops](ouroboros_memory.html) | 1070 | [finger-loops](ouroboros_memory.html) |
| @@ -1078,9 +1096,11 @@ project: | |||
| 1078 | [flies](joke.html) | 1096 | [flies](joke.html) |
| 1079 | [flip](howtoread.html) | 1097 | [flip](howtoread.html) |
| 1080 | [flipping](about-the-author.html) | 1098 | [flipping](about-the-author.html) |
| 1099 | [float](collage-instrument.html) | ||
| 1081 | [flocks](cold-wind.html) | 1100 | [flocks](cold-wind.html) |
| 1082 | [flopping](proverbs.html) | 1101 | [flopping](proverbs.html) |
| 1083 | [flops](proverbs.html) | 1102 | [flops](proverbs.html) |
| 1103 | [flotsam](about.html) | ||
| 1084 | [flowed](theoceanoverflowswithcamels.html) | 1104 | [flowed](theoceanoverflowswithcamels.html) |
| 1085 | [flower](proverbs.html) | 1105 | [flower](proverbs.html) |
| 1086 | [flung](cold-wind.html) | 1106 | [flung](cold-wind.html) |
| @@ -1089,12 +1109,14 @@ project: | |||
| 1089 | [foam](moon-drowning.html) | 1109 | [foam](moon-drowning.html) |
| 1090 | [fold](i-wanted-to-tell-you-something.html) | 1110 | [fold](i-wanted-to-tell-you-something.html) |
| 1091 | [folded](and.html) | 1111 | [folded](and.html) |
| 1092 | [folks](dollywood.html) | 1112 | [folk](about-the-author.html) |
| 1093 | [fondly](poetry-time.html) | 1113 | [fondly](poetry-time.html) |
| 1094 | [food](about_author.html) | 1114 | [food](about_author.html) |
| 1095 | [fool](love-as-god.html) | 1115 | [fool](love-as-god.html) |
| 1096 | [fooling](problems.html) | 1116 | [fooling](problems.html) |
| 1097 | [footnote](problems.html) | 1117 | [footnote](problems.html) |
| 1118 | [footnoteref](about.html) | ||
| 1119 | [footnotes](about.html) | ||
| 1098 | [footprints](art.html) | 1120 | [footprints](art.html) |
| 1099 | [footrest](dollywood.html) | 1121 | [footrest](dollywood.html) |
| 1100 | [forcefully](statements-frag.html) | 1122 | [forcefully](statements-frag.html) |
| @@ -1106,13 +1128,12 @@ project: | |||
| 1106 | [forgive](deadman.html) | 1128 | [forgive](deadman.html) |
| 1107 | [forgot](peaches.html) | 1129 | [forgot](peaches.html) |
| 1108 | [forlorn](ex-machina.html) | 1130 | [forlorn](ex-machina.html) |
| 1109 | [formal](howtoread.html) | ||
| 1110 | [format](process.html) | 1131 | [format](process.html) |
| 1111 | [formation](swansong.html) | 1132 | [formation](swansong.html) |
| 1133 | [formatting](about.html) | ||
| 1112 | [formula](howtoread.html) | 1134 | [formula](howtoread.html) |
| 1113 | [fortinis](collage-instrument.html) | 1135 | [fortinis](collage-instrument.html) |
| 1114 | [fortress](howtoread.html) | 1136 | [fortress](howtoread.html) |
| 1115 | [forty](leg.html) | ||
| 1116 | [fossil](howtoread.html) | 1137 | [fossil](howtoread.html) |
| 1117 | [fought](plant.html) | 1138 | [fought](plant.html) |
| 1118 | [founding](about-the-author.html) | 1139 | [founding](about-the-author.html) |
| @@ -1122,7 +1143,6 @@ project: | |||
| 1122 | [fozzie](hard-game.html) | 1143 | [fozzie](hard-game.html) |
| 1123 | [fractal-dimensionality](on-genre-dimension.html) | 1144 | [fractal-dimensionality](on-genre-dimension.html) |
| 1124 | [fragile](words-irritable-reaching.html) | 1145 | [fragile](words-irritable-reaching.html) |
| 1125 | [fragments](about.html) | ||
| 1126 | [fragrance](call-me-aural-pleasure.html) | 1146 | [fragrance](call-me-aural-pleasure.html) |
| 1127 | [frail](lappel-du-vide.html) | 1147 | [frail](lappel-du-vide.html) |
| 1128 | [francis](call-me-aural-pleasure.html) | 1148 | [francis](call-me-aural-pleasure.html) |
| @@ -1130,6 +1150,7 @@ project: | |||
| 1130 | [frank](about_author.html) | 1150 | [frank](about_author.html) |
| 1131 | [franksgiving](call-me-aural-pleasure.html) | 1151 | [franksgiving](call-me-aural-pleasure.html) |
| 1132 | [frayed](stump.html) | 1152 | [frayed](stump.html) |
| 1153 | [free](about.html) | ||
| 1133 | [freestones](peaches.html) | 1154 | [freestones](peaches.html) |
| 1134 | [freezing](initial-conditions.html) | 1155 | [freezing](initial-conditions.html) |
| 1135 | [french](ronaldmcdonald.html) | 1156 | [french](ronaldmcdonald.html) |
| @@ -1149,10 +1170,12 @@ project: | |||
| 1149 | [ftw](call-me-aural-pleasure.html) | 1170 | [ftw](call-me-aural-pleasure.html) |
| 1150 | [fulfill](purpose-dogs.html) | 1171 | [fulfill](purpose-dogs.html) |
| 1151 | [full-throated](last-passenger.html) | 1172 | [full-throated](last-passenger.html) |
| 1173 | [fully](on-genre-dimension.html) | ||
| 1152 | [functionality](process.html) | 1174 | [functionality](process.html) |
| 1153 | [fundamental](on-genre-dimension.html) | 1175 | [fundamental](on-genre-dimension.html) |
| 1154 | [fundamentally-different](on-genre-dimension.html) | 1176 | [fundamentally-different](on-genre-dimension.html) |
| 1155 | [fungi](plant.html) | 1177 | [fungi](plant.html) |
| 1178 | [funhouse](about.html) | ||
| 1156 | [further](telemarketer.html) | 1179 | [further](telemarketer.html) |
| 1157 | [furthers](words-irritable-reaching.html) | 1180 | [furthers](words-irritable-reaching.html) |
| 1158 | [futility](telemarketer.html) | 1181 | [futility](telemarketer.html) |
| @@ -1175,9 +1198,7 @@ project: | |||
| 1175 | [generate](process.html) | 1198 | [generate](process.html) |
| 1176 | [generated](words-irritable-reaching.html) | 1199 | [generated](words-irritable-reaching.html) |
| 1177 | [generations](building.html) | 1200 | [generations](building.html) |
| 1178 | [genesis](about.html) | ||
| 1179 | [genetics](howtoread.html) | 1201 | [genetics](howtoread.html) |
| 1180 | [genres](on-genre-dimension.html) | ||
| 1181 | [gently](lappel-du-vide.html) | 1202 | [gently](lappel-du-vide.html) |
| 1182 | [genuine](dollywood.html) | 1203 | [genuine](dollywood.html) |
| 1183 | [germ](found-typewriter-poem.html) | 1204 | [germ](found-typewriter-poem.html) |
| @@ -1191,7 +1212,6 @@ project: | |||
| 1191 | [gina](lappel-du-vide.html) | 1212 | [gina](lappel-du-vide.html) |
| 1192 | [giraffes](words-irritable-reaching.html) | 1213 | [giraffes](words-irritable-reaching.html) |
| 1193 | [girlfriend](peaches.html) | 1214 | [girlfriend](peaches.html) |
| 1194 | [git](about.html) | ||
| 1195 | [glance](options.html) | 1215 | [glance](options.html) |
| 1196 | [glancing](time-looks-up-to-the-sky.html) | 1216 | [glancing](time-looks-up-to-the-sky.html) |
| 1197 | [glare](apollo11.html) | 1217 | [glare](apollo11.html) |
| @@ -1201,9 +1221,9 @@ project: | |||
| 1201 | [gloves](ronaldmcdonald.html) | 1221 | [gloves](ronaldmcdonald.html) |
| 1202 | [glowing](what-we-are-made-of.html) | 1222 | [glowing](what-we-are-made-of.html) |
| 1203 | [gluing](dollywood.html) | 1223 | [gluing](dollywood.html) |
| 1224 | [gmail](about.html) | ||
| 1204 | [gnashing](no-nothing.html) | 1225 | [gnashing](no-nothing.html) |
| 1205 | [gnawer](plant.html) | 1226 | [gnawer](plant.html) |
| 1206 | [gnu](process.html) | ||
| 1207 | [goad](what-we-are-made-of.html) | 1227 | [goad](what-we-are-made-of.html) |
| 1208 | [goats](words-irritable-reaching.html) | 1228 | [goats](words-irritable-reaching.html) |
| 1209 | [god-lover](love-as-god.html) | 1229 | [god-lover](love-as-god.html) |
| @@ -1246,6 +1266,7 @@ project: | |||
| 1246 | [guessed](statements-frag.html) | 1266 | [guessed](statements-frag.html) |
| 1247 | [guide](dollywood.html) | 1267 | [guide](dollywood.html) |
| 1248 | [gut](i-wanted-to-tell-you-something.html) | 1268 | [gut](i-wanted-to-tell-you-something.html) |
| 1269 | [guy](about.html) | ||
| 1249 | [guys](dollywood.html) | 1270 | [guys](dollywood.html) |
| 1250 | [hairier](on-genre-dimension.html) | 1271 | [hairier](on-genre-dimension.html) |
| 1251 | [half-empty](feedingtheraven.html) | 1272 | [half-empty](feedingtheraven.html) |
| @@ -1264,6 +1285,7 @@ project: | |||
| 1264 | [handle](dollywood.html) | 1285 | [handle](dollywood.html) |
| 1265 | [handwritten](reports.html) | 1286 | [handwritten](reports.html) |
| 1266 | [hang](amber-alert.html) | 1287 | [hang](amber-alert.html) |
| 1288 | [hang-ups](about.html) | ||
| 1267 | [hangs](ronaldmcdonald.html) | 1289 | [hangs](ronaldmcdonald.html) |
| 1268 | [hapax](process.html) | 1290 | [hapax](process.html) |
| 1269 | [haphazardly](manifesto_poetics.html) | 1291 | [haphazardly](manifesto_poetics.html) |
| @@ -1293,8 +1315,8 @@ project: | |||
| 1293 | [heraclitus](howtoread.html) | 1315 | [heraclitus](howtoread.html) |
| 1294 | [herculean](exasperated.html) | 1316 | [herculean](exasperated.html) |
| 1295 | [here'](early.html) | 1317 | [here'](early.html) |
| 1318 | [here's](about.html) | ||
| 1296 | [hereby](problems.html) | 1319 | [hereby](problems.html) |
| 1297 | [herein](howtoread.html) | ||
| 1298 | [heretofore](purpose-dogs.html) | 1320 | [heretofore](purpose-dogs.html) |
| 1299 | [hers](collage-instrument.html) | 1321 | [hers](collage-instrument.html) |
| 1300 | [hey](creation-myth.html) | 1322 | [hey](creation-myth.html) |
| @@ -1304,6 +1326,7 @@ project: | |||
| 1304 | [hiding-place](finding-the-lion.html) | 1326 | [hiding-place](finding-the-lion.html) |
| 1305 | [hierarchy](dollywood.html) | 1327 | [hierarchy](dollywood.html) |
| 1306 | [higher](on-genre-dimension.html) | 1328 | [higher](on-genre-dimension.html) |
| 1329 | [highly](about.html) | ||
| 1307 | [highway](seasonal-affective-disorder.html) | 1330 | [highway](seasonal-affective-disorder.html) |
| 1308 | [highways](last-bastion.html) | 1331 | [highways](last-bastion.html) |
| 1309 | [hijack](call-me-aural-pleasure.html) | 1332 | [hijack](call-me-aural-pleasure.html) |
| @@ -1338,10 +1361,11 @@ project: | |||
| 1338 | [horror](in-bed.html) | 1361 | [horror](in-bed.html) |
| 1339 | [horse](table_contents.html) | 1362 | [horse](table_contents.html) |
| 1340 | [hose](hard-game.html) | 1363 | [hose](hard-game.html) |
| 1364 | [host](sixteenth-chapel.html) | ||
| 1365 | [hosts](about.html) | ||
| 1341 | [hotel](what-we-are-made-of.html) | 1366 | [hotel](what-we-are-made-of.html) |
| 1342 | [hovering](time-looks-up-to-the-sky.html) | 1367 | [hovering](time-looks-up-to-the-sky.html) |
| 1343 | [how'd](hardware.html) | 1368 | [hr](about.html) |
| 1344 | [html5](process.html) | ||
| 1345 | [http](process.html) | 1369 | [http](process.html) |
| 1346 | [hugging](dollywood.html) | 1370 | [hugging](dollywood.html) |
| 1347 | [huh](call-me-aural-pleasure.html) | 1371 | [huh](call-me-aural-pleasure.html) |
| @@ -1352,13 +1376,11 @@ project: | |||
| 1352 | [hunt](early.html) | 1376 | [hunt](early.html) |
| 1353 | [hurried](what-we-are-made-of.html) | 1377 | [hurried](what-we-are-made-of.html) |
| 1354 | [husks](last-bastion.html) | 1378 | [husks](last-bastion.html) |
| 1379 | [hybrid](about.html) | ||
| 1355 | [hyperfiction](on-genre-dimension.html) | 1380 | [hyperfiction](on-genre-dimension.html) |
| 1356 | [hypertext](about.html) | ||
| 1357 | [hypertextual](about.html) | 1381 | [hypertextual](about.html) |
| 1358 | [hypertextually](about.html) | ||
| 1359 | [hypothesis](purpose-dogs.html) | 1382 | [hypothesis](purpose-dogs.html) |
| 1360 | [ice-skater](likingthings.html) | 1383 | [ice-skater](likingthings.html) |
| 1361 | [icicle](about.html) | ||
| 1362 | [id](dollywood.html) | 1384 | [id](dollywood.html) |
| 1363 | [ideal](words-irritable-reaching.html) | 1385 | [ideal](words-irritable-reaching.html) |
| 1364 | [ideals](todaniel.html) | 1386 | [ideals](todaniel.html) |
| @@ -1388,6 +1410,7 @@ project: | |||
| 1388 | [incarnation](ex-machina.html) | 1410 | [incarnation](ex-machina.html) |
| 1389 | [incidences](collage-instrument.html) | 1411 | [incidences](collage-instrument.html) |
| 1390 | [incidentally](likingthings.html) | 1412 | [incidentally](likingthings.html) |
| 1413 | [included](onformalpoetry.html) | ||
| 1391 | [includes](collage-instrument.html) | 1414 | [includes](collage-instrument.html) |
| 1392 | [including](dollywood.html) | 1415 | [including](dollywood.html) |
| 1393 | [inclusive](onformalpoetry.html) | 1416 | [inclusive](onformalpoetry.html) |
| @@ -1396,15 +1419,14 @@ project: | |||
| 1396 | [increasingly](real-writer.html) | 1419 | [increasingly](real-writer.html) |
| 1397 | [independent](peaches.html) | 1420 | [independent](peaches.html) |
| 1398 | [indescribable](dollywood.html) | 1421 | [indescribable](dollywood.html) |
| 1399 | [index](about.html) | ||
| 1400 | [indicating](dollywood.html) | 1422 | [indicating](dollywood.html) |
| 1401 | [individually-numbered](purpose-dogs.html) | 1423 | [individually-numbered](purpose-dogs.html) |
| 1402 | [inevitable](words-meaning.html) | ||
| 1403 | [inexorable](squirrel.html) | 1424 | [inexorable](squirrel.html) |
| 1404 | [infinity](words-meaning.html) | 1425 | [infinity](words-meaning.html) |
| 1405 | [inflatable](dollywood.html) | 1426 | [inflatable](dollywood.html) |
| 1406 | [inflate](dollywood.html) | 1427 | [inflate](dollywood.html) |
| 1407 | [influenced](howtoread.html) | 1428 | [influenced](howtoread.html) |
| 1429 | [infographic](about.html) | ||
| 1408 | [ingots](words-irritable-reaching.html) | 1430 | [ingots](words-irritable-reaching.html) |
| 1409 | [inhaled](leaf.html) | 1431 | [inhaled](leaf.html) |
| 1410 | [inherently](on-genre-dimension.html) | 1432 | [inherently](on-genre-dimension.html) |
| @@ -1415,26 +1437,28 @@ project: | |||
| 1415 | [insane](stagnant.html) | 1437 | [insane](stagnant.html) |
| 1416 | [insecurities](movingsideways.html) | 1438 | [insecurities](movingsideways.html) |
| 1417 | [insecurity](howtoread.html) | 1439 | [insecurity](howtoread.html) |
| 1418 | [insert](howtoread.html) | ||
| 1419 | [inside-out](dollywood.html) | 1440 | [inside-out](dollywood.html) |
| 1420 | [insist](problems.html) | 1441 | [insist](problems.html) |
| 1421 | [insists](when-im-sorry-i.html) | 1442 | [insists](when-im-sorry-i.html) |
| 1422 | [inspirations](abstract.html) | 1443 | [inspirations](abstract.html) |
| 1423 | [instrumented](collage-instrument.html) | 1444 | [instrumented](collage-instrument.html) |
| 1424 | [insults](joke.html) | 1445 | [insults](joke.html) |
| 1446 | [intellectual](about.html) | ||
| 1425 | [intended](initial-conditions.html) | 1447 | [intended](initial-conditions.html) |
| 1426 | [intense](arspoetica.html) | 1448 | [intense](arspoetica.html) |
| 1427 | [intent](angeltoabraham.html) | 1449 | [intent](angeltoabraham.html) |
| 1428 | [intentional](on-genre-dimension.html) | 1450 | [intentional](on-genre-dimension.html) |
| 1429 | [interactions](arspoetica.html) | 1451 | [interactions](arspoetica.html) |
| 1452 | [interactive](about.html) | ||
| 1430 | [interest](telemarketer.html) | 1453 | [interest](telemarketer.html) |
| 1431 | [interested](real-writer.html) | 1454 | [interested](real-writer.html) |
| 1432 | [interior](dollywood.html) | 1455 | [interior](dollywood.html) |
| 1456 | [internetwhich](about.html) | ||
| 1433 | [interpreted](collage-instrument.html) | 1457 | [interpreted](collage-instrument.html) |
| 1434 | [interrelate](on-genre-dimension.html) | 1458 | [interrelate](on-genre-dimension.html) |
| 1435 | [interstate](peaches.html) | 1459 | [interstate](peaches.html) |
| 1460 | [intertext](about.html) | ||
| 1436 | [intervals](early.html) | 1461 | [intervals](early.html) |
| 1437 | [interview](snow.html) | ||
| 1438 | [intimately](about-the-author.html) | 1462 | [intimately](about-the-author.html) |
| 1439 | [introduction](about.html) | 1463 | [introduction](about.html) |
| 1440 | [intuition](telemarketer.html) | 1464 | [intuition](telemarketer.html) |
| @@ -1451,14 +1475,13 @@ project: | |||
| 1451 | [isaac's](angeltoabraham.html) | 1475 | [isaac's](angeltoabraham.html) |
| 1452 | [israel](angeltoabraham.html) | 1476 | [israel](angeltoabraham.html) |
| 1453 | [issue](hymnal.html) | 1477 | [issue](hymnal.html) |
| 1454 | [issues](about.html) | 1478 | [items](about.html) |
| 1455 | [iv](in-bed.html) | 1479 | [iv](in-bed.html) |
| 1456 | [ix](in-bed.html) | 1480 | [ix](in-bed.html) |
| 1457 | [jack-of-all-trades](about_author.html) | 1481 | [jack-of-all-trades](about_author.html) |
| 1458 | [jackson](purpose-dogs.html) | 1482 | [jackson](purpose-dogs.html) |
| 1459 | [japanese](feedingtheraven.html) | 1483 | [japanese](feedingtheraven.html) |
| 1460 | [jar](underwear.html) | 1484 | [jar](underwear.html) |
| 1461 | [javascript](about.html) | ||
| 1462 | [jay](leaf.html) | 1485 | [jay](leaf.html) |
| 1463 | [jeans](call-me-aural-pleasure.html) | 1486 | [jeans](call-me-aural-pleasure.html) |
| 1464 | [jenkins](about_author.html) | 1487 | [jenkins](about_author.html) |
| @@ -1467,10 +1490,12 @@ project: | |||
| 1467 | [jerry](punch.html) | 1490 | [jerry](punch.html) |
| 1468 | [jerry's](call-me-aural-pleasure.html) | 1491 | [jerry's](call-me-aural-pleasure.html) |
| 1469 | [jessica](todaniel.html) | 1492 | [jessica](todaniel.html) |
| 1493 | [jetsam](about.html) | ||
| 1470 | [jewel](largest-asteroid.html) | 1494 | [jewel](largest-asteroid.html) |
| 1471 | [jeweleyed](plant.html) | 1495 | [jeweleyed](plant.html) |
| 1472 | [joey](largest-asteroid.html) | 1496 | [joey](largest-asteroid.html) |
| 1473 | [jogged](peaches.html) | 1497 | [jogged](peaches.html) |
| 1498 | [john](music-433.html) | ||
| 1474 | [join](one-hundred-lines.html) | 1499 | [join](one-hundred-lines.html) |
| 1475 | [jon](call-me-aural-pleasure.html) | 1500 | [jon](call-me-aural-pleasure.html) |
| 1476 | [judgement](on-genre-dimension.html) | 1501 | [judgement](on-genre-dimension.html) |
| @@ -1495,7 +1520,9 @@ project: | |||
| 1495 | [justifies](movingsideways.html) | 1520 | [justifies](movingsideways.html) |
| 1496 | [justin](sixteenth-chapel.html) | 1521 | [justin](sixteenth-chapel.html) |
| 1497 | [keats's](time-looks-up-to-the-sky.html) | 1522 | [keats's](time-looks-up-to-the-sky.html) |
| 1523 | [kernel](about.html) | ||
| 1498 | [kerosene](paul.html) | 1524 | [kerosene](paul.html) |
| 1525 | [key](about.html) | ||
| 1499 | [khaki](peaches.html) | 1526 | [khaki](peaches.html) |
| 1500 | [kick](ronaldmcdonald.html) | 1527 | [kick](ronaldmcdonald.html) |
| 1501 | [kicks](ronaldmcdonald.html) | 1528 | [kicks](ronaldmcdonald.html) |
| @@ -1516,6 +1543,7 @@ project: | |||
| 1516 | [knowingly](movingsideways.html) | 1543 | [knowingly](movingsideways.html) |
| 1517 | [knowledge](howtoread.html) | 1544 | [knowledge](howtoread.html) |
| 1518 | [kong](purpose-dogs.html) | 1545 | [kong](purpose-dogs.html) |
| 1546 | [kristeva](about.html) | ||
| 1519 | [kudzu](dollywood.html) | 1547 | [kudzu](dollywood.html) |
| 1520 | [l](sapling.html) | 1548 | [l](sapling.html) |
| 1521 | [la](about.html) | 1549 | [la](about.html) |
| @@ -1529,6 +1557,7 @@ project: | |||
| 1529 | [lake](theoceanoverflowswithcamels.html) | 1557 | [lake](theoceanoverflowswithcamels.html) |
| 1530 | [lambs'](roughgloves.html) | 1558 | [lambs'](roughgloves.html) |
| 1531 | [lame](call-me-aural-pleasure.html) | 1559 | [lame](call-me-aural-pleasure.html) |
| 1560 | [lament](about.html) | ||
| 1532 | [lamented](on-genre-dimension.html) | 1561 | [lamented](on-genre-dimension.html) |
| 1533 | [lamp](weplayedthosegamestoo.html) | 1562 | [lamp](weplayedthosegamestoo.html) |
| 1534 | [lampoons](words-irritable-reaching.html) | 1563 | [lampoons](words-irritable-reaching.html) |
| @@ -1553,7 +1582,6 @@ project: | |||
| 1553 | [laying](purpose-dogs.html) | 1582 | [laying](purpose-dogs.html) |
| 1554 | [lazily](big-dipper.html) | 1583 | [lazily](big-dipper.html) |
| 1555 | [leading](words-irritable-reaching.html) | 1584 | [leading](words-irritable-reaching.html) |
| 1556 | [leaf](words-meaning.html) | ||
| 1557 | [leaking](death-zone.html) | 1585 | [leaking](death-zone.html) |
| 1558 | [leaned](sapling.html) | 1586 | [leaned](sapling.html) |
| 1559 | [leans](joke.html) | 1587 | [leans](joke.html) |
| @@ -1565,10 +1593,11 @@ project: | |||
| 1565 | [leering](ronaldmcdonald.html) | 1593 | [leering](ronaldmcdonald.html) |
| 1566 | [legend](what-we-are-made-of.html) | 1594 | [legend](what-we-are-made-of.html) |
| 1567 | [legends](music-433.html) | 1595 | [legends](music-433.html) |
| 1568 | [legomena](about.html) | 1596 | [legmonenon](about.html) |
| 1569 | [legomenon](process.html) | 1597 | [legomenon](process.html) |
| 1570 | [legs](i-think-its-you.html) | 1598 | [legs](i-think-its-you.html) |
| 1571 | [legunitas](words-meaning.html) | 1599 | [legunitas](words-meaning.html) |
| 1600 | [lengths](about.html) | ||
| 1572 | [lent](collage-instrument.html) | 1601 | [lent](collage-instrument.html) |
| 1573 | [lessons](howithappened.html) | 1602 | [lessons](howithappened.html) |
| 1574 | [letters](notes.html) | 1603 | [letters](notes.html) |
| @@ -1577,6 +1606,9 @@ project: | |||
| 1577 | [levelly](feedingtheraven.html) | 1606 | [levelly](feedingtheraven.html) |
| 1578 | [levels](problems.html) | 1607 | [levels](problems.html) |
| 1579 | [lever](dollywood.html) | 1608 | [lever](dollywood.html) |
| 1609 | [li](about.html) | ||
| 1610 | [libre](about.html) | ||
| 1611 | [license](about.html) | ||
| 1580 | [lick](plant.html) | 1612 | [lick](plant.html) |
| 1581 | [lie](one-hundred-lines.html) | 1613 | [lie](one-hundred-lines.html) |
| 1582 | [lies](what-we-are-made-of.html) | 1614 | [lies](what-we-are-made-of.html) |
| @@ -1591,15 +1623,18 @@ project: | |||
| 1591 | [limiting](words-meaning.html) | 1623 | [limiting](words-meaning.html) |
| 1592 | [linear](on-genre-dimension.html) | 1624 | [linear](on-genre-dimension.html) |
| 1593 | [linguistic](words-meaning.html) | 1625 | [linguistic](words-meaning.html) |
| 1594 | [linguistics](about.html) | 1626 | [linguists](about.html) |
| 1595 | [link](process.html) | 1627 | [link](process.html) |
| 1596 | [linking](about.html) | 1628 | [linking](about.html) |
| 1597 | [linoleum](in-bed.html) | 1629 | [linoleum](in-bed.html) |
| 1630 | [linus](about.html) | ||
| 1598 | [lion's](finding-the-lion.html) | 1631 | [lion's](finding-the-lion.html) |
| 1599 | [lip](building.html) | 1632 | [lip](building.html) |
| 1633 | [list](paul.html) | ||
| 1600 | [listeners](window.html) | 1634 | [listeners](window.html) |
| 1601 | [lists](notes.html) | 1635 | [lists](notes.html) |
| 1602 | [litany](plant.html) | 1636 | [litany](plant.html) |
| 1637 | [literary](about.html) | ||
| 1603 | [littered](howtoread.html) | 1638 | [littered](howtoread.html) |
| 1604 | [lived](dollywood.html) | 1639 | [lived](dollywood.html) |
| 1605 | [living-room](real-writer.html) | 1640 | [living-room](real-writer.html) |
| @@ -1614,6 +1649,7 @@ project: | |||
| 1614 | [loneliness](problems.html) | 1649 | [loneliness](problems.html) |
| 1615 | [lonely](something-simple.html) | 1650 | [lonely](something-simple.html) |
| 1616 | [lonesome](riptide_memory.html) | 1651 | [lonesome](riptide_memory.html) |
| 1652 | [long-exposure](about.html) | ||
| 1617 | [long-fibered](words-irritable-reaching.html) | 1653 | [long-fibered](words-irritable-reaching.html) |
| 1618 | [longest](when-im-sorry-i.html) | 1654 | [longest](when-im-sorry-i.html) |
| 1619 | [longing](love-as-god.html) | 1655 | [longing](love-as-god.html) |
| @@ -1624,6 +1660,7 @@ project: | |||
| 1624 | [loopy](wallpaper.html) | 1660 | [loopy](wallpaper.html) |
| 1625 | [lot's](i-am.html) | 1661 | [lot's](i-am.html) |
| 1626 | [lotion](collage-instrument.html) | 1662 | [lotion](collage-instrument.html) |
| 1663 | [lots](about.html) | ||
| 1627 | [louder](shipwright.html) | 1664 | [louder](shipwright.html) |
| 1628 | [lousy](ouroboros_memory.html) | 1665 | [lousy](ouroboros_memory.html) |
| 1629 | [lovable](about_author.html) | 1666 | [lovable](about_author.html) |
| @@ -1646,7 +1683,6 @@ project: | |||
| 1646 | [magazines](howtoread.html) | 1683 | [magazines](howtoread.html) |
| 1647 | [majesty](plant.html) | 1684 | [majesty](plant.html) |
| 1648 | [major](fire.html) | 1685 | [major](fire.html) |
| 1649 | [makefile](about.html) | ||
| 1650 | [maker](yellow.html) | 1686 | [maker](yellow.html) |
| 1651 | [mammals](something-simple.html) | 1687 | [mammals](something-simple.html) |
| 1652 | [management](dollywood.html) | 1688 | [management](dollywood.html) |
| @@ -1654,7 +1690,6 @@ project: | |||
| 1654 | [managing](feedingtheraven.html) | 1690 | [managing](feedingtheraven.html) |
| 1655 | [mane](finding-the-lion.html) | 1691 | [mane](finding-the-lion.html) |
| 1656 | [manic](angeltoabraham.html) | 1692 | [manic](angeltoabraham.html) |
| 1657 | [manifesto](manifesto_poetics.html) | ||
| 1658 | [manipulation](on-genre-dimension.html) | 1693 | [manipulation](on-genre-dimension.html) |
| 1659 | [manner](howtoread.html) | 1694 | [manner](howtoread.html) |
| 1660 | [manufacturers](collage-instrument.html) | 1695 | [manufacturers](collage-instrument.html) |
| @@ -1678,14 +1713,15 @@ project: | |||
| 1678 | [masturbation](in-bed.html) | 1713 | [masturbation](in-bed.html) |
| 1679 | [mates](poetry-time.html) | 1714 | [mates](poetry-time.html) |
| 1680 | [mathematical](howtoread.html) | 1715 | [mathematical](howtoread.html) |
| 1681 | [matters](sixteenth-chapel.html) | 1716 | [mathml](about.html) |
| 1682 | [maudlin](apollo11.html) | 1717 | [maudlin](apollo11.html) |
| 1683 | [maurie](what-we-are-made-of.html) | 1718 | [maurie](what-we-are-made-of.html) |
| 1684 | [maw](roughgloves.html) | 1719 | [maw](roughgloves.html) |
| 1720 | [mayan](about.html) | ||
| 1685 | [maybe2](love-as-god.html) | 1721 | [maybe2](love-as-god.html) |
| 1722 | [maze](about.html) | ||
| 1686 | [mcfarlane's](about.html) | 1723 | [mcfarlane's](about.html) |
| 1687 | [mcnugget](onformalpoetry.html) | 1724 | [mcnugget](onformalpoetry.html) |
| 1688 | [md](about.html) | ||
| 1689 | [meacham](call-me-aural-pleasure.html) | 1725 | [meacham](call-me-aural-pleasure.html) |
| 1690 | [meandering](plant.html) | 1726 | [meandering](plant.html) |
| 1691 | [meaningful](words-meaning.html) | 1727 | [meaningful](words-meaning.html) |
| @@ -1712,6 +1748,7 @@ project: | |||
| 1712 | [metaphors](peaches.html) | 1748 | [metaphors](peaches.html) |
| 1713 | [mfa](about.html) | 1749 | [mfa](about.html) |
| 1714 | [michelangelo](sixteenth-chapel.html) | 1750 | [michelangelo](sixteenth-chapel.html) |
| 1751 | [microsoft](about.html) | ||
| 1715 | [midair](deathstrumpet.html) | 1752 | [midair](deathstrumpet.html) |
| 1716 | [middle](creation-myth.html) | 1753 | [middle](creation-myth.html) |
| 1717 | [midway](dollywood.html) | 1754 | [midway](dollywood.html) |
| @@ -1726,6 +1763,7 @@ project: | |||
| 1726 | [mini-bar](deadman.html) | 1763 | [mini-bar](deadman.html) |
| 1727 | [mini-drama](telemarketer.html) | 1764 | [mini-drama](telemarketer.html) |
| 1728 | [mini-wheats](dollywood.html) | 1765 | [mini-wheats](dollywood.html) |
| 1766 | [minimized](about.html) | ||
| 1729 | [minimum](phone.html) | 1767 | [minimum](phone.html) |
| 1730 | [minute](hardware.html) | 1768 | [minute](hardware.html) |
| 1731 | [mirage](walking-in-the-rain.html) | 1769 | [mirage](walking-in-the-rain.html) |
| @@ -1763,6 +1801,7 @@ project: | |||
| 1763 | [mostly-empty](creation-myth.html) | 1801 | [mostly-empty](creation-myth.html) |
| 1764 | [motes](i-am.html) | 1802 | [motes](i-am.html) |
| 1765 | [motion](on-genre-dimension.html) | 1803 | [motion](on-genre-dimension.html) |
| 1804 | [motivation](about.html) | ||
| 1766 | [motoring](elegyforanalternateself.html) | 1805 | [motoring](elegyforanalternateself.html) |
| 1767 | [motto](table_contents.html) | 1806 | [motto](table_contents.html) |
| 1768 | [mount](one-hundred-lines.html) | 1807 | [mount](one-hundred-lines.html) |
| @@ -1791,11 +1830,12 @@ project: | |||
| 1791 | [mutter](seasonal-affective-disorder.html) | 1830 | [mutter](seasonal-affective-disorder.html) |
| 1792 | [myriad](arspoetica.html) | 1831 | [myriad](arspoetica.html) |
| 1793 | [myth](creation-myth.html) | 1832 | [myth](creation-myth.html) |
| 1833 | [n](about.html) | ||
| 1794 | [nagging](the-sea_the-beach.html) | 1834 | [nagging](the-sea_the-beach.html) |
| 1835 | [namely](on-genre-dimension.html) | ||
| 1795 | [namesake](last-passenger.html) | 1836 | [namesake](last-passenger.html) |
| 1796 | [nanowrimo](exasperated.html) | 1837 | [nanowrimo](exasperated.html) |
| 1797 | [narrowed](shed.html) | 1838 | [narrowed](shed.html) |
| 1798 | [nature](poetry-time.html) | ||
| 1799 | [navigable](abstract.html) | 1839 | [navigable](abstract.html) |
| 1800 | [navigate](abstract.html) | 1840 | [navigate](abstract.html) |
| 1801 | [navigation](abstract.html) | 1841 | [navigation](abstract.html) |
| @@ -1804,6 +1844,7 @@ project: | |||
| 1804 | [neck](telemarketer.html) | 1844 | [neck](telemarketer.html) |
| 1805 | [necks](last-passenger.html) | 1845 | [necks](last-passenger.html) |
| 1806 | [needing](plant.html) | 1846 | [needing](plant.html) |
| 1847 | [needs](about.html) | ||
| 1807 | [negation](i-want-to-say.html) | 1848 | [negation](i-want-to-say.html) |
| 1808 | [negative](words-irritable-reaching.html) | 1849 | [negative](words-irritable-reaching.html) |
| 1809 | [negatives](one-hundred-lines.html) | 1850 | [negatives](one-hundred-lines.html) |
| @@ -1817,7 +1858,9 @@ project: | |||
| 1817 | [never-spoken](what-we-are-made-of.html) | 1858 | [never-spoken](what-we-are-made-of.html) |
| 1818 | [neverending](howtoread.html) | 1859 | [neverending](howtoread.html) |
| 1819 | [nevertheless](on-genre-dimension.html) | 1860 | [nevertheless](on-genre-dimension.html) |
| 1861 | [nextfor](about.html) | ||
| 1820 | [nezzer](dollywood.html) | 1862 | [nezzer](dollywood.html) |
| 1863 | [ngram](about.html) | ||
| 1821 | [nib](writing.html) | 1864 | [nib](writing.html) |
| 1822 | [nightgown](fire.html) | 1865 | [nightgown](fire.html) |
| 1823 | [nightly](big-dipper.html) | 1866 | [nightly](big-dipper.html) |
| @@ -1830,9 +1873,11 @@ project: | |||
| 1830 | [non-disappointment](underwear.html) | 1873 | [non-disappointment](underwear.html) |
| 1831 | [non-important](prelude.html) | 1874 | [non-important](prelude.html) |
| 1832 | [non-stop](hymnal.html) | 1875 | [non-stop](hymnal.html) |
| 1876 | [nonetheless](about.html) | ||
| 1833 | [nonexistent](finding-the-lion.html) | 1877 | [nonexistent](finding-the-lion.html) |
| 1834 | [noon](no-nothing.html) | 1878 | [noon](no-nothing.html) |
| 1835 | [noose](deadman.html) | 1879 | [noose](deadman.html) |
| 1880 | [normandy](about.html) | ||
| 1836 | [northern](about.html) | 1881 | [northern](about.html) |
| 1837 | [nose](statements-frag.html) | 1882 | [nose](statements-frag.html) |
| 1838 | [nostril](spittle.html) | 1883 | [nostril](spittle.html) |
| @@ -1853,7 +1898,6 @@ project: | |||
| 1853 | [nuclear](initial-conditions.html) | 1898 | [nuclear](initial-conditions.html) |
| 1854 | [nurses](feedingtheraven.html) | 1899 | [nurses](feedingtheraven.html) |
| 1855 | [nuzzling](apollo11.html) | 1900 | [nuzzling](apollo11.html) |
| 1856 | [o](words-irritable-reaching.html) | ||
| 1857 | [o'clock](ouroboros_memory.html) | 1901 | [o'clock](ouroboros_memory.html) |
| 1858 | [oblivion](sense-of-it.html) | 1902 | [oblivion](sense-of-it.html) |
| 1859 | [oblivious](proverbs.html) | 1903 | [oblivious](proverbs.html) |
| @@ -1862,10 +1906,13 @@ project: | |||
| 1862 | [obsessive](on-genre-dimension.html) | 1906 | [obsessive](on-genre-dimension.html) |
| 1863 | [obstructs](howtoread.html) | 1907 | [obstructs](howtoread.html) |
| 1864 | [obtain](collage-instrument.html) | 1908 | [obtain](collage-instrument.html) |
| 1909 | [occasion](about.html) | ||
| 1865 | [occasions](about-the-author.html) | 1910 | [occasions](about-the-author.html) |
| 1866 | [occupied](yellow.html) | 1911 | [occupied](yellow.html) |
| 1912 | [occur](sixteenth-chapel.html) | ||
| 1867 | [occurrence](walking-in-the-rain.html) | 1913 | [occurrence](walking-in-the-rain.html) |
| 1868 | [occurring](ouroboros_memory.html) | 1914 | [occurring](ouroboros_memory.html) |
| 1915 | [occurs](about.html) | ||
| 1869 | [odd-numbered](table_contents.html) | 1916 | [odd-numbered](table_contents.html) |
| 1870 | [ode](tapestry.html) | 1917 | [ode](tapestry.html) |
| 1871 | [odes](howtoread.html) | 1918 | [odes](howtoread.html) |
| @@ -1877,6 +1924,8 @@ project: | |||
| 1877 | [offering](plant.html) | 1924 | [offering](plant.html) |
| 1878 | [official](dollywood.html) | 1925 | [official](dollywood.html) |
| 1879 | [oil](ex-machina.html) | 1926 | [oil](ex-machina.html) |
| 1927 | [ol](about.html) | ||
| 1928 | [older](about.html) | ||
| 1880 | [olds](likingthings.html) | 1929 | [olds](likingthings.html) |
| 1881 | [omission](deadman.html) | 1930 | [omission](deadman.html) |
| 1882 | [one's](ouroboros_memory.html) | 1931 | [one's](ouroboros_memory.html) |
| @@ -1887,6 +1936,8 @@ project: | |||
| 1887 | [open-mouthed](what-we-are-made-of.html) | 1936 | [open-mouthed](what-we-are-made-of.html) |
| 1888 | [opportunities](howtoread.html) | 1937 | [opportunities](howtoread.html) |
| 1889 | [opposed](howtoread.html) | 1938 | [opposed](howtoread.html) |
| 1939 | [opposing](about.html) | ||
| 1940 | [opted](about.html) | ||
| 1890 | [optics](moongone.html) | 1941 | [optics](moongone.html) |
| 1891 | [options](collage-instrument.html) | 1942 | [options](collage-instrument.html) |
| 1892 | [opulent](last-bastion.html) | 1943 | [opulent](last-bastion.html) |
| @@ -1894,7 +1945,6 @@ project: | |||
| 1894 | [oranges](statements-frag.html) | 1945 | [oranges](statements-frag.html) |
| 1895 | [orbiting](initial-conditions.html) | 1946 | [orbiting](initial-conditions.html) |
| 1896 | [orchid](arspoetica.html) | 1947 | [orchid](arspoetica.html) |
| 1897 | [orders](about.html) | ||
| 1898 | [origin](writing.html) | 1948 | [origin](writing.html) |
| 1899 | [originality](about.html) | 1949 | [originality](about.html) |
| 1900 | [origins](no-nothing.html) | 1950 | [origins](no-nothing.html) |
| @@ -1923,6 +1973,7 @@ project: | |||
| 1923 | [package](reports.html) | 1973 | [package](reports.html) |
| 1924 | [packed](howtoread.html) | 1974 | [packed](howtoread.html) |
| 1925 | [padawan](todaniel.html) | 1975 | [padawan](todaniel.html) |
| 1976 | [page's](about.html) | ||
| 1926 | [painfully](dollywood.html) | 1977 | [painfully](dollywood.html) |
| 1927 | [paint](yellow.html) | 1978 | [paint](yellow.html) |
| 1928 | [pairs](collage-instrument.html) | 1979 | [pairs](collage-instrument.html) |
| @@ -1932,7 +1983,6 @@ project: | |||
| 1932 | [panic](initial-conditions.html) | 1983 | [panic](initial-conditions.html) |
| 1933 | [panorama](apollo11.html) | 1984 | [panorama](apollo11.html) |
| 1934 | [paradox](toothpaste.html) | 1985 | [paradox](toothpaste.html) |
| 1935 | [paragraph](window.html) | ||
| 1936 | [paranoia](on-genre-dimension.html) | 1986 | [paranoia](on-genre-dimension.html) |
| 1937 | [paraphrase](howtoread.html) | 1987 | [paraphrase](howtoread.html) |
| 1938 | [parceled](howtoread.html) | 1988 | [parceled](howtoread.html) |
| @@ -1941,6 +1991,7 @@ project: | |||
| 1941 | [parking](hardware.html) | 1991 | [parking](hardware.html) |
| 1942 | [participate](real-writer.html) | 1992 | [participate](real-writer.html) |
| 1943 | [particulars](telemarketer.html) | 1993 | [particulars](telemarketer.html) |
| 1994 | [parties](about.html) | ||
| 1944 | [partitioned](dollywood.html) | 1995 | [partitioned](dollywood.html) |
| 1945 | [parts](arspoetica.html) | 1996 | [parts](arspoetica.html) |
| 1946 | [passion](angeltoabraham.html) | 1997 | [passion](angeltoabraham.html) |
| @@ -1949,6 +2000,7 @@ project: | |||
| 1949 | [pastors](boy_bus.html) | 2000 | [pastors](boy_bus.html) |
| 1950 | [patches](plant.html) | 2001 | [patches](plant.html) |
| 1951 | [patchwork](about.html) | 2002 | [patchwork](about.html) |
| 2003 | [patchwork-style](about.html) | ||
| 1952 | [pathology](movingsideways.html) | 2004 | [pathology](movingsideways.html) |
| 1953 | [patient](telemarketer.html) | 2005 | [patient](telemarketer.html) |
| 1954 | [patrons'](creation-myth.html) | 2006 | [patrons'](creation-myth.html) |
| @@ -1995,6 +2047,7 @@ project: | |||
| 1995 | [pew](mountain.html) | 2047 | [pew](mountain.html) |
| 1996 | [pg](dream.html) | 2048 | [pg](dream.html) |
| 1997 | [phase](lappel-du-vide.html) | 2049 | [phase](lappel-du-vide.html) |
| 2050 | [phenomena](about.html) | ||
| 1998 | [philosophers](words-irritable-reaching.html) | 2051 | [philosophers](words-irritable-reaching.html) |
| 1999 | [philosophical](philosophy.html) | 2052 | [philosophical](philosophy.html) |
| 2000 | [phineas](call-me-aural-pleasure.html) | 2053 | [phineas](call-me-aural-pleasure.html) |
| @@ -2051,15 +2104,12 @@ project: | |||
| 2051 | [plowing](one-hundred-lines.html) | 2104 | [plowing](one-hundred-lines.html) |
| 2052 | [plumbing](nothing-is-ever-over.html) | 2105 | [plumbing](nothing-is-ever-over.html) |
| 2053 | [plums](one-hundred-lines.html) | 2106 | [plums](one-hundred-lines.html) |
| 2054 | [plus](collage-instrument.html) | ||
| 2055 | [plyboard](yellow.html) | 2107 | [plyboard](yellow.html) |
| 2056 | [plywood](telemarketer.html) | 2108 | [plywood](telemarketer.html) |
| 2057 | [pockets](death-zone.html) | 2109 | [pockets](death-zone.html) |
| 2058 | [poem's](when-im-sorry-i.html) | 2110 | [poem's](when-im-sorry-i.html) |
| 2059 | [poet/writer](manifesto_poetics.html) | 2111 | [poet/writer](manifesto_poetics.html) |
| 2060 | [poetic](on-genre-dimension.html) | 2112 | [poetic](on-genre-dimension.html) |
| 2061 | [poetica](arspoetica.html) | ||
| 2062 | [poetics](manifesto_poetics.html) | ||
| 2063 | [pointing](one-hundred-lines.html) | 2113 | [pointing](one-hundred-lines.html) |
| 2064 | [poison](statements-frag.html) | 2114 | [poison](statements-frag.html) |
| 2065 | [poked](what-we-are-made-of.html) | 2115 | [poked](what-we-are-made-of.html) |
| @@ -2086,7 +2136,6 @@ project: | |||
| 2086 | [possibilities](howtoread.html) | 2136 | [possibilities](howtoread.html) |
| 2087 | [possibility](squirrel.html) | 2137 | [possibility](squirrel.html) |
| 2088 | [possum](problems.html) | 2138 | [possum](problems.html) |
| 2089 | [post](dollywood.html) | ||
| 2090 | [postage](howtoread.html) | 2139 | [postage](howtoread.html) |
| 2091 | [posterity](death-zone.html) | 2140 | [posterity](death-zone.html) |
| 2092 | [potential](telemarketer.html) | 2141 | [potential](telemarketer.html) |
| @@ -2109,7 +2158,6 @@ project: | |||
| 2109 | [prenatal](ouroboros_memory.html) | 2158 | [prenatal](ouroboros_memory.html) |
| 2110 | [preoccupation](sixteenth-chapel.html) | 2159 | [preoccupation](sixteenth-chapel.html) |
| 2111 | [preoccupations](about.html) | 2160 | [preoccupations](about.html) |
| 2112 | [preparation](about.html) | ||
| 2113 | [prepositions](onformalpoetry.html) | 2161 | [prepositions](onformalpoetry.html) |
| 2114 | [prescription](x-ray.html) | 2162 | [prescription](x-ray.html) |
| 2115 | [presentation](process.html) | 2163 | [presentation](process.html) |
| @@ -2125,40 +2173,42 @@ project: | |||
| 2125 | [primes](howtoread.html) | 2173 | [primes](howtoread.html) |
| 2126 | [prince](time-looks-up-to-the-sky.html) | 2174 | [prince](time-looks-up-to-the-sky.html) |
| 2127 | [princess](death-zone.html) | 2175 | [princess](death-zone.html) |
| 2128 | [printable](about.html) | ||
| 2129 | [privately](ex-machina.html) | 2176 | [privately](ex-machina.html) |
| 2130 | [probabilistic](real-writer.html) | 2177 | [probabilistic](real-writer.html) |
| 2131 | [probability](table_contents.html) | 2178 | [processing](about.html) |
| 2179 | [processor](about.html) | ||
| 2132 | [produce](call-me-aural-pleasure.html) | 2180 | [produce](call-me-aural-pleasure.html) |
| 2133 | [produced](last-bastion.html) | 2181 | [produced](last-bastion.html) |
| 2134 | [production](initial-conditions.html) | 2182 | [production](initial-conditions.html) |
| 2135 | [products](philosophy.html) | 2183 | [products](philosophy.html) |
| 2136 | [professor](epigraph.html) | 2184 | [professor](epigraph.html) |
| 2137 | [profile](about.html) | ||
| 2138 | [program](process.html) | 2185 | [program](process.html) |
| 2139 | [programmatically](process.html) | 2186 | [programmatically](process.html) |
| 2140 | [progress](about.html) | 2187 | [programmers](about.html) |
| 2141 | [progresses](collage-instrument.html) | 2188 | [progresses](collage-instrument.html) |
| 2142 | [progression](on-genre-dimension.html) | 2189 | [progression](on-genre-dimension.html) |
| 2143 | [project](process.html) | 2190 | [project](process.html) |
| 2144 | [project-order](abstract.html) | 2191 | [project-order](abstract.html) |
| 2145 | [projecting](movingsideways.html) | 2192 | [projecting](movingsideways.html) |
| 2146 | [projects](process.html) | ||
| 2147 | [prom](movingsideways.html) | 2193 | [prom](movingsideways.html) |
| 2194 | [proofness](about.html) | ||
| 2148 | [proper](writing.html) | 2195 | [proper](writing.html) |
| 2196 | [property](about.html) | ||
| 2149 | [prophecy-slash-advice](movingsideways.html) | 2197 | [prophecy-slash-advice](movingsideways.html) |
| 2150 | [propose](love-as-god.html) | 2198 | [propose](love-as-god.html) |
| 2151 | [prose](manifesto_poetics.html) | 2199 | [proprietary](about.html) |
| 2152 | [prospective](on-genre-dimension.html) | 2200 | [prospective](on-genre-dimension.html) |
| 2153 | [protagonist](collage-instrument.html) | 2201 | [protagonist](collage-instrument.html) |
| 2154 | [protective](sapling.html) | 2202 | [protective](sapling.html) |
| 2155 | [proven](collage-instrument.html) | 2203 | [proven](collage-instrument.html) |
| 2156 | [proverbs](proverbs.html) | 2204 | [proverbs](proverbs.html) |
| 2157 | [proves](proverbs.html) | 2205 | [proves](proverbs.html) |
| 2206 | [provided](manifesto_poetics.html) | ||
| 2158 | [prufrock](on-genre-dimension.html) | 2207 | [prufrock](on-genre-dimension.html) |
| 2159 | [prybar](paul.html) | 2208 | [prybar](paul.html) |
| 2160 | [pseudonyms](howtoread.html) | 2209 | [pseudonyms](howtoread.html) |
| 2161 | [psych](january.html) | 2210 | [psych](january.html) |
| 2211 | [published](man.html) | ||
| 2162 | [puffy](statements-frag.html) | 2212 | [puffy](statements-frag.html) |
| 2163 | [pulls](riptide_memory.html) | 2213 | [pulls](riptide_memory.html) |
| 2164 | [pun](movingsideways.html) | 2214 | [pun](movingsideways.html) |
| @@ -2180,6 +2230,7 @@ project: | |||
| 2180 | [queer](epigraph.html) | 2230 | [queer](epigraph.html) |
| 2181 | [querulous](words-irritable-reaching.html) | 2231 | [querulous](words-irritable-reaching.html) |
| 2182 | [questionable](about_author.html) | 2232 | [questionable](about_author.html) |
| 2233 | [questionably](about.html) | ||
| 2183 | [quick](collage-instrument.html) | 2234 | [quick](collage-instrument.html) |
| 2184 | [quicken](plant.html) | 2235 | [quicken](plant.html) |
| 2185 | [quickness](lappel-du-vide.html) | 2236 | [quickness](lappel-du-vide.html) |
| @@ -2188,6 +2239,7 @@ project: | |||
| 2188 | [quitting](options.html) | 2239 | [quitting](options.html) |
| 2189 | [quivering](plant.html) | 2240 | [quivering](plant.html) |
| 2190 | [r](about_author.html) | 2241 | [r](about_author.html) |
| 2242 | [rabbi](about.html) | ||
| 2191 | [race](i-am.html) | 2243 | [race](i-am.html) |
| 2192 | [races](table_contents.html) | 2244 | [races](table_contents.html) |
| 2193 | [radiate](axe.html) | 2245 | [radiate](axe.html) |
| @@ -2200,6 +2252,7 @@ project: | |||
| 2200 | [rampage](dollywood.html) | 2252 | [rampage](dollywood.html) |
| 2201 | [randomness](fire.html) | 2253 | [randomness](fire.html) |
| 2202 | [ranges](collage-instrument.html) | 2254 | [ranges](collage-instrument.html) |
| 2255 | [rarest](about.html) | ||
| 2203 | [rasping](plant.html) | 2256 | [rasping](plant.html) |
| 2204 | [ratio](something-simple.html) | 2257 | [ratio](something-simple.html) |
| 2205 | [rats](last-bastion.html) | 2258 | [rats](last-bastion.html) |
| @@ -2212,13 +2265,12 @@ project: | |||
| 2212 | [reaching-out](building.html) | 2265 | [reaching-out](building.html) |
| 2213 | [reader/listener/consumer](manifesto_poetics.html) | 2266 | [reader/listener/consumer](manifesto_poetics.html) |
| 2214 | [readjust](notes.html) | 2267 | [readjust](notes.html) |
| 2215 | [readme](about.html) | ||
| 2216 | [reads](treatise.html) | 2268 | [reads](treatise.html) |
| 2217 | [realer](toilet.html) | 2269 | [realer](toilet.html) |
| 2218 | [realizable](what-we-are-made-of.html) | 2270 | [realizable](what-we-are-made-of.html) |
| 2219 | [realization](sapling.html) | 2271 | [realization](sapling.html) |
| 2272 | [realm](about.html) | ||
| 2220 | [reasoned](call-me-aural-pleasure.html) | 2273 | [reasoned](call-me-aural-pleasure.html) |
| 2221 | [reasons](movingsideways.html) | ||
| 2222 | [reasons/instructions](manifesto_poetics.html) | 2274 | [reasons/instructions](manifesto_poetics.html) |
| 2223 | [receded](collage-instrument.html) | 2275 | [receded](collage-instrument.html) |
| 2224 | [receding](serengeti.html) | 2276 | [receding](serengeti.html) |
| @@ -2234,7 +2286,7 @@ project: | |||
| 2234 | [reclining](big-dipper.html) | 2286 | [reclining](big-dipper.html) |
| 2235 | [recognize](and.html) | 2287 | [recognize](and.html) |
| 2236 | [recoils](big-dipper.html) | 2288 | [recoils](big-dipper.html) |
| 2237 | [recommend](leg.html) | 2289 | [reconciling](about.html) |
| 2238 | [reconsidered](planks.html) | 2290 | [reconsidered](planks.html) |
| 2239 | [recording](swear.html) | 2291 | [recording](swear.html) |
| 2240 | [records](words-irritable-reaching.html) | 2292 | [records](words-irritable-reaching.html) |
| @@ -2245,8 +2297,6 @@ project: | |||
| 2245 | [reeling](toilet.html) | 2297 | [reeling](toilet.html) |
| 2246 | [reese's](about-the-author.html) | 2298 | [reese's](about-the-author.html) |
| 2247 | [referenced](problems.html) | 2299 | [referenced](problems.html) |
| 2248 | [refers](about.html) | ||
| 2249 | [reflect](about.html) | ||
| 2250 | [reflecting](phone.html) | 2300 | [reflecting](phone.html) |
| 2251 | [regex](collage-instrument.html) | 2301 | [regex](collage-instrument.html) |
| 2252 | [regular](notes.html) | 2302 | [regular](notes.html) |
| @@ -2256,8 +2306,8 @@ project: | |||
| 2256 | [relax](toothpaste.html) | 2306 | [relax](toothpaste.html) |
| 2257 | [relaxed](dollywood.html) | 2307 | [relaxed](dollywood.html) |
| 2258 | [relaxing](initial-conditions.html) | 2308 | [relaxing](initial-conditions.html) |
| 2309 | [releasing](about.html) | ||
| 2259 | [relic](seasonal-affective-disorder.html) | 2310 | [relic](seasonal-affective-disorder.html) |
| 2260 | [remain](collage-instrument.html) | ||
| 2261 | [remark](words-irritable-reaching.html) | 2311 | [remark](words-irritable-reaching.html) |
| 2262 | [remarkable](about_author.html) | 2312 | [remarkable](about_author.html) |
| 2263 | [remarks](words-irritable-reaching.html) | 2313 | [remarks](words-irritable-reaching.html) |
| @@ -2265,6 +2315,7 @@ project: | |||
| 2265 | [reminded](seasonal-affective-disorder.html) | 2315 | [reminded](seasonal-affective-disorder.html) |
| 2266 | [reminding](likingthings.html) | 2316 | [reminding](likingthings.html) |
| 2267 | [reminds](boy_bus.html) | 2317 | [reminds](boy_bus.html) |
| 2318 | [reminiscent](about.html) | ||
| 2268 | [remix](art.html) | 2319 | [remix](art.html) |
| 2269 | [remnants](feedingtheraven.html) | 2320 | [remnants](feedingtheraven.html) |
| 2270 | [remote](process.html) | 2321 | [remote](process.html) |
| @@ -2274,7 +2325,6 @@ project: | |||
| 2274 | [rental](peaches.html) | 2325 | [rental](peaches.html) |
| 2275 | [reordering](manifesto_poetics.html) | 2326 | [reordering](manifesto_poetics.html) |
| 2276 | [rep](telemarketer.html) | 2327 | [rep](telemarketer.html) |
| 2277 | [repeating](what-we-are-made-of.html) | ||
| 2278 | [repertoire](about_author.html) | 2328 | [repertoire](about_author.html) |
| 2279 | [repitition](on-genre-dimension.html) | 2329 | [repitition](on-genre-dimension.html) |
| 2280 | [replaced](collage-instrument.html) | 2330 | [replaced](collage-instrument.html) |
| @@ -2282,8 +2332,8 @@ project: | |||
| 2282 | [replaces](collage-instrument.html) | 2332 | [replaces](collage-instrument.html) |
| 2283 | [replacing](reports.html) | 2333 | [replacing](reports.html) |
| 2284 | [replies](creation-myth.html) | 2334 | [replies](creation-myth.html) |
| 2335 | [repo](process.html) | ||
| 2285 | [report](telemarketer.html) | 2336 | [report](telemarketer.html) |
| 2286 | [repository](process.html) | ||
| 2287 | [representative's](telemarketer.html) | 2337 | [representative's](telemarketer.html) |
| 2288 | [represented](telemarketer.html) | 2338 | [represented](telemarketer.html) |
| 2289 | [represents](proverbs.html) | 2339 | [represents](proverbs.html) |
| @@ -2291,8 +2341,10 @@ project: | |||
| 2291 | [requesting](telemarketer.html) | 2341 | [requesting](telemarketer.html) |
| 2292 | [resemblance](i-think-its-you.html) | 2342 | [resemblance](i-think-its-you.html) |
| 2293 | [resembles](words-irritable-reaching.html) | 2343 | [resembles](words-irritable-reaching.html) |
| 2344 | [resembling](largest-asteroid.html) | ||
| 2294 | [resist](on-genre-dimension.html) | 2345 | [resist](on-genre-dimension.html) |
| 2295 | [resistant](howtoread.html) | 2346 | [resistant](howtoread.html) |
| 2347 | [resolve](about.html) | ||
| 2296 | [resonance](on-genre-dimension.html) | 2348 | [resonance](on-genre-dimension.html) |
| 2297 | [resonances](on-genre-dimension.html) | 2349 | [resonances](on-genre-dimension.html) |
| 2298 | [resonate](howtoread.html) | 2350 | [resonate](howtoread.html) |
| @@ -2311,9 +2363,8 @@ project: | |||
| 2311 | [returning](no-nothing.html) | 2363 | [returning](no-nothing.html) |
| 2312 | [revealed](about-the-author.html) | 2364 | [revealed](about-the-author.html) |
| 2313 | [revenging](exasperated.html) | 2365 | [revenging](exasperated.html) |
| 2314 | [revise](process.html) | ||
| 2315 | [revising](process.html) | 2366 | [revising](process.html) |
| 2316 | [revolves](about.html) | 2367 | [revisions](about.html) |
| 2317 | [reward](last-bastion.html) | 2368 | [reward](last-bastion.html) |
| 2318 | [rewrote](manifesto_poetics.html) | 2369 | [rewrote](manifesto_poetics.html) |
| 2319 | [rhyming](on-genre-dimension.html) | 2370 | [rhyming](on-genre-dimension.html) |
| @@ -2354,10 +2405,10 @@ project: | |||
| 2354 | [rogue](lappel-du-vide.html) | 2405 | [rogue](lappel-du-vide.html) |
| 2355 | [role](words-meaning.html) | 2406 | [role](words-meaning.html) |
| 2356 | [roll](i-want-to-say.html) | 2407 | [roll](i-want-to-say.html) |
| 2408 | [roller](about.html) | ||
| 2357 | [rollercoaster](call-me-aural-pleasure.html) | 2409 | [rollercoaster](call-me-aural-pleasure.html) |
| 2358 | [rolls](riptide_memory.html) | 2410 | [rolls](riptide_memory.html) |
| 2359 | [roof](riptide_memory.html) | 2411 | [roof](riptide_memory.html) |
| 2360 | [root](about.html) | ||
| 2361 | [rooting](boar.html) | 2412 | [rooting](boar.html) |
| 2362 | [rosebushes](proverbs.html) | 2413 | [rosebushes](proverbs.html) |
| 2363 | [rotation](dollywood.html) | 2414 | [rotation](dollywood.html) |
| @@ -2366,7 +2417,7 @@ project: | |||
| 2366 | [rotting](options.html) | 2417 | [rotting](options.html) |
| 2367 | [rough](planks.html) | 2418 | [rough](planks.html) |
| 2368 | [row](i-wanted-to-tell-you-something.html) | 2419 | [row](i-wanted-to-tell-you-something.html) |
| 2369 | [rub](hard-game.html) | 2420 | [rubbed](about.html) |
| 2370 | [rugby](proverbs.html) | 2421 | [rugby](proverbs.html) |
| 2371 | [ruins](words-irritable-reaching.html) | 2422 | [ruins](words-irritable-reaching.html) |
| 2372 | [rule](dollywood.html) | 2423 | [rule](dollywood.html) |
| @@ -2399,8 +2450,8 @@ project: | |||
| 2399 | [schedule](dollywood.html) | 2450 | [schedule](dollywood.html) |
| 2400 | [scheduled](dollywood.html) | 2451 | [scheduled](dollywood.html) |
| 2401 | [schools](plant.html) | 2452 | [schools](plant.html) |
| 2402 | [scientists](treatise.html) | ||
| 2403 | [scope](love-as-god.html) | 2453 | [scope](love-as-god.html) |
| 2454 | [scopes](about.html) | ||
| 2404 | [scouts](deadman.html) | 2455 | [scouts](deadman.html) |
| 2405 | [scowled](hymnal.html) | 2456 | [scowled](hymnal.html) |
| 2406 | [scrambled](about.html) | 2457 | [scrambled](about.html) |
| @@ -2415,12 +2466,14 @@ project: | |||
| 2415 | [search](collage-instrument.html) | 2466 | [search](collage-instrument.html) |
| 2416 | [search-and-replace](collage-instrument.html) | 2467 | [search-and-replace](collage-instrument.html) |
| 2417 | [searched](sapling.html) | 2468 | [searched](sapling.html) |
| 2469 | [searches](about.html) | ||
| 2418 | [searching](big-dipper.html) | 2470 | [searching](big-dipper.html) |
| 2419 | [seasoning](january.html) | 2471 | [seasoning](january.html) |
| 2420 | [seasons](january.html) | 2472 | [seasons](january.html) |
| 2421 | [seat](stagnant.html) | 2473 | [seat](stagnant.html) |
| 2422 | [second-to-last](stayed-on-the-bus.html) | 2474 | [second-to-last](stayed-on-the-bus.html) |
| 2423 | [section](man.html) | 2475 | [section](man.html) |
| 2476 | [section-divs](about.html) | ||
| 2424 | [security](dollywood.html) | 2477 | [security](dollywood.html) |
| 2425 | [sed](collage-instrument.html) | 2478 | [sed](collage-instrument.html) |
| 2426 | [sed's](collage-instrument.html) | 2479 | [sed's](collage-instrument.html) |
| @@ -2439,12 +2492,12 @@ project: | |||
| 2439 | [self-soothing](leaf.html) | 2492 | [self-soothing](leaf.html) |
| 2440 | [semblance](dollywood.html) | 2493 | [semblance](dollywood.html) |
| 2441 | [send](telemarketer.html) | 2494 | [send](telemarketer.html) |
| 2495 | [sends](about.html) | ||
| 2442 | [senile](roughgloves.html) | 2496 | [senile](roughgloves.html) |
| 2443 | [senselessness](arspoetica.html) | 2497 | [senselessness](arspoetica.html) |
| 2444 | [sensibilities](notes.html) | 2498 | [sensibilities](notes.html) |
| 2445 | [sentence](on-genre-dimension.html) | 2499 | [sentence](on-genre-dimension.html) |
| 2446 | [separation](elegyforanalternateself.html) | 2500 | [separation](elegyforanalternateself.html) |
| 2447 | [sequence](on-genre-dimension.html) | ||
| 2448 | [serene](worse-looking-over.html) | 2501 | [serene](worse-looking-over.html) |
| 2449 | [sermon](boar.html) | 2502 | [sermon](boar.html) |
| 2450 | [served](dollywood.html) | 2503 | [served](dollywood.html) |
| @@ -2453,11 +2506,9 @@ project: | |||
| 2453 | [sessions](dollywood.html) | 2506 | [sessions](dollywood.html) |
| 2454 | [sestina's](exasperated.html) | 2507 | [sestina's](exasperated.html) |
| 2455 | [setting](wallpaper.html) | 2508 | [setting](wallpaper.html) |
| 2456 | [seven](table_contents.html) | ||
| 2457 | [sexually](statements-frag.html) | 2509 | [sexually](statements-frag.html) |
| 2458 | [shades](on-genre-dimension.html) | 2510 | [shades](on-genre-dimension.html) |
| 2459 | [shadow](window.html) | 2511 | [shadow](window.html) |
| 2460 | [shakespeare](words-irritable-reaching.html) | ||
| 2461 | [shallow](problems.html) | 2512 | [shallow](problems.html) |
| 2462 | [shame](finding-the-lion.html) | 2513 | [shame](finding-the-lion.html) |
| 2463 | [shapes](snow.html) | 2514 | [shapes](snow.html) |
| @@ -2465,7 +2516,6 @@ project: | |||
| 2465 | [sharply](statements-frag.html) | 2516 | [sharply](statements-frag.html) |
| 2466 | [shatter](shipwright.html) | 2517 | [shatter](shipwright.html) |
| 2467 | [shaving](deathstrumpet.html) | 2518 | [shaving](deathstrumpet.html) |
| 2468 | [she'd](lappel-du-vide.html) | ||
| 2469 | [sheen](feedingtheraven.html) | 2519 | [sheen](feedingtheraven.html) |
| 2470 | [sheets](hardware.html) | 2520 | [sheets](hardware.html) |
| 2471 | [shift](howtoread.html) | 2521 | [shift](howtoread.html) |
| @@ -2531,8 +2581,8 @@ project: | |||
| 2531 | [sits](joke.html) | 2581 | [sits](joke.html) |
| 2532 | [situation](lappel-du-vide.html) | 2582 | [situation](lappel-du-vide.html) |
| 2533 | [six-foot-long](howtoread.html) | 2583 | [six-foot-long](howtoread.html) |
| 2534 | [sixty](howtoread.html) | ||
| 2535 | [sizzle's](hard-game.html) | 2584 | [sizzle's](hard-game.html) |
| 2585 | [skates](about.html) | ||
| 2536 | [skeletons](about-the-author.html) | 2586 | [skeletons](about-the-author.html) |
| 2537 | [skies](ex-machina.html) | 2587 | [skies](ex-machina.html) |
| 2538 | [skill](exasperated.html) | 2588 | [skill](exasperated.html) |
| @@ -2561,6 +2611,7 @@ project: | |||
| 2561 | [smallest](howtoread.html) | 2611 | [smallest](howtoread.html) |
| 2562 | [smallness](movingsideways.html) | 2612 | [smallness](movingsideways.html) |
| 2563 | [smallstone](plant.html) | 2613 | [smallstone](plant.html) |
| 2614 | [smart](about.html) | ||
| 2564 | [smell](riptide_memory.html) | 2615 | [smell](riptide_memory.html) |
| 2565 | [smiles](ronaldmcdonald.html) | 2616 | [smiles](ronaldmcdonald.html) |
| 2566 | [smoldering](plant.html) | 2617 | [smoldering](plant.html) |
| @@ -2572,6 +2623,7 @@ project: | |||
| 2572 | [sneering](what-we-are-made-of.html) | 2623 | [sneering](what-we-are-made-of.html) |
| 2573 | [sniffing](problems.html) | 2624 | [sniffing](problems.html) |
| 2574 | [sniffling](feedingtheraven.html) | 2625 | [sniffling](feedingtheraven.html) |
| 2626 | [snowflakes](about.html) | ||
| 2575 | [snowquiet](plant.html) | 2627 | [snowquiet](plant.html) |
| 2576 | [soap](initial-conditions.html) | 2628 | [soap](initial-conditions.html) |
| 2577 | [soars](mountain.html) | 2629 | [soars](mountain.html) |
| @@ -2585,6 +2637,9 @@ project: | |||
| 2585 | [soggy](deathstrumpet.html) | 2637 | [soggy](deathstrumpet.html) |
| 2586 | [solar](i-want-to-say.html) | 2638 | [solar](i-want-to-say.html) |
| 2587 | [solipsist](table_contents.html) | 2639 | [solipsist](table_contents.html) |
| 2640 | [solomon](axe.html) | ||
| 2641 | [solomon's](about.html) | ||
| 2642 | [solution](about.html) | ||
| 2588 | [solve](ouroboros_memory.html) | 2643 | [solve](ouroboros_memory.html) |
| 2589 | [solves](about_author.html) | 2644 | [solves](about_author.html) |
| 2590 | [somebody](about.html) | 2645 | [somebody](about.html) |
| @@ -2597,11 +2652,9 @@ project: | |||
| 2597 | [song's](sense-of-it.html) | 2652 | [song's](sense-of-it.html) |
| 2598 | [songfilled](plant.html) | 2653 | [songfilled](plant.html) |
| 2599 | [soooo](call-me-aural-pleasure.html) | 2654 | [soooo](call-me-aural-pleasure.html) |
| 2600 | [sorts](on-genre-dimension.html) | ||
| 2601 | [soul](poetry-time.html) | 2655 | [soul](poetry-time.html) |
| 2602 | [sounded](i-think-its-you.html) | 2656 | [sounded](i-think-its-you.html) |
| 2603 | [sounding](something-simple.html) | 2657 | [sounding](something-simple.html) |
| 2604 | [sources](about.html) | ||
| 2605 | [southern](boy_bus.html) | 2658 | [southern](boy_bus.html) |
| 2606 | [spaghetti](peaches.html) | 2659 | [spaghetti](peaches.html) |
| 2607 | [spare](likingthings.html) | 2660 | [spare](likingthings.html) |
| @@ -2614,7 +2667,6 @@ project: | |||
| 2614 | [specificity](words-irritable-reaching.html) | 2667 | [specificity](words-irritable-reaching.html) |
| 2615 | [speculate](lappel-du-vide.html) | 2668 | [speculate](lappel-du-vide.html) |
| 2616 | [speculations](lappel-du-vide.html) | 2669 | [speculations](lappel-du-vide.html) |
| 2617 | [speech](statements-frag.html) | ||
| 2618 | [speeches](manifesto_poetics.html) | 2670 | [speeches](manifesto_poetics.html) |
| 2619 | [speed](words-meaning.html) | 2671 | [speed](words-meaning.html) |
| 2620 | [spend](initial-conditions.html) | 2672 | [spend](initial-conditions.html) |
| @@ -2649,7 +2701,6 @@ project: | |||
| 2649 | [stamp](howtoread.html) | 2701 | [stamp](howtoread.html) |
| 2650 | [standard](collage-instrument.html) | 2702 | [standard](collage-instrument.html) |
| 2651 | [standards](collage-instrument.html) | 2703 | [standards](collage-instrument.html) |
| 2652 | [stanzas](about.html) | ||
| 2653 | [star](big-dipper.html) | 2704 | [star](big-dipper.html) |
| 2654 | [starblind](plant.html) | 2705 | [starblind](plant.html) |
| 2655 | [stares](stagnant.html) | 2706 | [stares](stagnant.html) |
| @@ -2657,8 +2708,6 @@ project: | |||
| 2657 | [starlight](one-hundred-lines.html) | 2708 | [starlight](one-hundred-lines.html) |
| 2658 | [starvation](last-bastion.html) | 2709 | [starvation](last-bastion.html) |
| 2659 | [starving](epigraph.html) | 2710 | [starving](epigraph.html) |
| 2660 | [statement](abstract.html) | ||
| 2661 | [statements](statements-frag.html) | ||
| 2662 | [station](what-we-are-made-of.html) | 2711 | [station](what-we-are-made-of.html) |
| 2663 | [status](process.html) | 2712 | [status](process.html) |
| 2664 | [statuses](call-me-aural-pleasure.html) | 2713 | [statuses](call-me-aural-pleasure.html) |
| @@ -2680,14 +2729,13 @@ project: | |||
| 2680 | [stitches](onformalpoetry.html) | 2729 | [stitches](onformalpoetry.html) |
| 2681 | [stocked](yellow.html) | 2730 | [stocked](yellow.html) |
| 2682 | [stockingsit](problems.html) | 2731 | [stockingsit](problems.html) |
| 2683 | [stolen](yellow.html) | 2732 | [stocks](about.html) |
| 2684 | [stones](serengeti.html) | 2733 | [stones](serengeti.html) |
| 2685 | [stool](hardware.html) | 2734 | [stool](hardware.html) |
| 2686 | [stoppard](proverbs.html) | 2735 | [stoppard](proverbs.html) |
| 2687 | [stores](peaches.html) | 2736 | [stores](peaches.html) |
| 2688 | [stories](collage-instrument.html) | 2737 | [stories](collage-instrument.html) |
| 2689 | [storm](serengeti.html) | 2738 | [storm](serengeti.html) |
| 2690 | [stranded](real-writer.html) | ||
| 2691 | [strangely](last-passenger.html) | 2739 | [strangely](last-passenger.html) |
| 2692 | [stranger](deathstrumpet.html) | 2740 | [stranger](deathstrumpet.html) |
| 2693 | [strapped](howtoread.html) | 2741 | [strapped](howtoread.html) |
| @@ -2711,13 +2759,11 @@ project: | |||
| 2711 | [strokes](dollywood.html) | 2759 | [strokes](dollywood.html) |
| 2712 | [strolled](hardware.html) | 2760 | [strolled](hardware.html) |
| 2713 | [strolls](time-looks-up-to-the-sky.html) | 2761 | [strolls](time-looks-up-to-the-sky.html) |
| 2714 | [structure](about.html) | ||
| 2715 | [structured](poetry-time.html) | 2762 | [structured](poetry-time.html) |
| 2716 | [structuring](collage-instrument.html) | 2763 | [structuring](collage-instrument.html) |
| 2717 | [stubbed](dollywood.html) | 2764 | [stubbed](dollywood.html) |
| 2718 | [students](collage-instrument.html) | 2765 | [students](collage-instrument.html) |
| 2719 | [studies](collage-instrument.html) | 2766 | [studies](collage-instrument.html) |
| 2720 | [stupid](purpose-dogs.html) | ||
| 2721 | [style](manifesto_poetics.html) | 2767 | [style](manifesto_poetics.html) |
| 2722 | [stylesheet](process.html) | 2768 | [stylesheet](process.html) |
| 2723 | [subconscious](collage-instrument.html) | 2769 | [subconscious](collage-instrument.html) |
| @@ -2736,14 +2782,15 @@ project: | |||
| 2736 | [sue](ex-machina.html) | 2782 | [sue](ex-machina.html) |
| 2737 | [suffering](worse-looking-over.html) | 2783 | [suffering](worse-looking-over.html) |
| 2738 | [sufficient](collage-instrument.html) | 2784 | [sufficient](collage-instrument.html) |
| 2785 | [suggested](about.html) | ||
| 2739 | [suits](dollywood.html) | 2786 | [suits](dollywood.html) |
| 2740 | [sumerian](words-irritable-reaching.html) | 2787 | [sumerian](words-irritable-reaching.html) |
| 2741 | [summed](plant.html) | ||
| 2742 | [sun's](initial-conditions.html) | 2788 | [sun's](initial-conditions.html) |
| 2743 | [sunlit](plant.html) | 2789 | [sunlit](plant.html) |
| 2744 | [sunning](real-writer.html) | 2790 | [sunning](real-writer.html) |
| 2745 | [sunshine](walking-in-the-rain.html) | 2791 | [sunshine](walking-in-the-rain.html) |
| 2746 | [suntan](collage-instrument.html) | 2792 | [suntan](collage-instrument.html) |
| 2793 | [sup](about.html) | ||
| 2747 | [supervisor](telemarketer.html) | 2794 | [supervisor](telemarketer.html) |
| 2748 | [supported](love-as-god.html) | 2795 | [supported](love-as-god.html) |
| 2749 | [supports](process.html) | 2796 | [supports](process.html) |
| @@ -2779,7 +2826,6 @@ project: | |||
| 2779 | [t-shirt](dollywood.html) | 2826 | [t-shirt](dollywood.html) |
| 2780 | [tablespoons](question.html) | 2827 | [tablespoons](question.html) |
| 2781 | [tablet](collage-instrument.html) | 2828 | [tablet](collage-instrument.html) |
| 2782 | [tablets](words-irritable-reaching.html) | ||
| 2783 | [taboo](what-we-are-made-of.html) | 2829 | [taboo](what-we-are-made-of.html) |
| 2784 | [tacked-up](telemarketer.html) | 2830 | [tacked-up](telemarketer.html) |
| 2785 | [tailbone](leg.html) | 2831 | [tailbone](leg.html) |
| @@ -2801,29 +2847,28 @@ project: | |||
| 2801 | [tautology](words-meaning.html) | 2847 | [tautology](words-meaning.html) |
| 2802 | [tax](january.html) | 2848 | [tax](january.html) |
| 2803 | [technical](abstract.html) | 2849 | [technical](abstract.html) |
| 2804 | [technological](about.html) | ||
| 2805 | [technology](collage-instrument.html) | 2850 | [technology](collage-instrument.html) |
| 2806 | [tedious](process.html) | ||
| 2807 | [teenager](hands.html) | 2851 | [teenager](hands.html) |
| 2808 | [teenagers](movingsideways.html) | 2852 | [teenagers](movingsideways.html) |
| 2809 | [telemarketer](telemarketer.html) | 2853 | [telemarketer](telemarketer.html) |
| 2810 | [telemarketing](telemarketer.html) | 2854 | [telemarketing](telemarketer.html) |
| 2811 | [television](real-writer.html) | 2855 | [television](real-writer.html) |
| 2812 | [template](about.html) | ||
| 2813 | [tender](creation-myth.html) | 2856 | [tender](creation-myth.html) |
| 2814 | [tends](on-genre-dimension.html) | 2857 | [tends](on-genre-dimension.html) |
| 2815 | [tension](about.html) | ||
| 2816 | [tentative](planks.html) | 2858 | [tentative](planks.html) |
| 2859 | [tenth](about.html) | ||
| 2817 | [tenuous](poetry-time.html) | 2860 | [tenuous](poetry-time.html) |
| 2818 | [tenure](dollywood.html) | 2861 | [tenure](dollywood.html) |
| 2819 | [term](likingthings.html) | 2862 | [term](likingthings.html) |
| 2820 | [terminates](telemarketer.html) | 2863 | [terminates](telemarketer.html) |
| 2821 | [termination](ex-machina.html) | 2864 | [termination](ex-machina.html) |
| 2865 | [terminology](about.html) | ||
| 2822 | [test](angeltoabraham.html) | 2866 | [test](angeltoabraham.html) |
| 2823 | [tether](collage-instrument.html) | 2867 | [tether](collage-instrument.html) |
| 2824 | [tethered](words-meaning.html) | 2868 | [tethered](words-meaning.html) |
| 2825 | [tex](last-bastion.html) | 2869 | [tex](last-bastion.html) |
| 2826 | [texts](about.html) | 2870 | [texts](about.html) |
| 2871 | [thanks](reports.html) | ||
| 2827 | [thaw](last-passenger.html) | 2872 | [thaw](last-passenger.html) |
| 2828 | [thematic](manifesto_poetics.html) | 2873 | [thematic](manifesto_poetics.html) |
| 2829 | [thematic/emotional/personal](manifesto_poetics.html) | 2874 | [thematic/emotional/personal](manifesto_poetics.html) |
| @@ -2832,7 +2877,6 @@ project: | |||
| 2832 | [therapy](x-ray.html) | 2877 | [therapy](x-ray.html) |
| 2833 | [therefore](love-as-god.html) | 2878 | [therefore](love-as-god.html) |
| 2834 | [theses](apollo11.html) | 2879 | [theses](apollo11.html) |
| 2835 | [they'd](lappel-du-vide.html) | ||
| 2836 | [thick](shipwright.html) | 2880 | [thick](shipwright.html) |
| 2837 | [thickens](in-bed.html) | 2881 | [thickens](in-bed.html) |
| 2838 | [thigh](roughgloves.html) | 2882 | [thigh](roughgloves.html) |
| @@ -2846,6 +2890,7 @@ project: | |||
| 2846 | [three-message](statements-frag.html) | 2890 | [three-message](statements-frag.html) |
| 2847 | [throats](last-passenger.html) | 2891 | [throats](last-passenger.html) |
| 2848 | [throng](and.html) | 2892 | [throng](and.html) |
| 2893 | [throwing](about.html) | ||
| 2849 | [thud](x-ray.html) | 2894 | [thud](x-ray.html) |
| 2850 | [thumb](writing.html) | 2895 | [thumb](writing.html) |
| 2851 | [thumbed](purpose-dogs.html) | 2896 | [thumbed](purpose-dogs.html) |
| @@ -2865,13 +2910,14 @@ project: | |||
| 2865 | [tim](dollywood.html) | 2910 | [tim](dollywood.html) |
| 2866 | [timber](dollywood.html) | 2911 | [timber](dollywood.html) |
| 2867 | [timbers](shipwright.html) | 2912 | [timbers](shipwright.html) |
| 2913 | [timeline](about.html) | ||
| 2868 | [tin](phone.html) | 2914 | [tin](phone.html) |
| 2869 | [tinker](howtoread.html) | 2915 | [tinker](howtoread.html) |
| 2870 | [tinny](phone.html) | 2916 | [tinny](phone.html) |
| 2871 | [tip](epigraph.html) | 2917 | [tip](epigraph.html) |
| 2918 | [tips](about.html) | ||
| 2872 | [tissue](deadman.html) | 2919 | [tissue](deadman.html) |
| 2873 | [titled](man.html) | 2920 | [titled](man.html) |
| 2874 | [to-dos](about.html) | ||
| 2875 | [toes](last-passenger.html) | 2921 | [toes](last-passenger.html) |
| 2876 | [toil](sixteenth-chapel.html) | 2922 | [toil](sixteenth-chapel.html) |
| 2877 | [toilet-water](what-we-are-made-of.html) | 2923 | [toilet-water](what-we-are-made-of.html) |
| @@ -2887,6 +2933,7 @@ project: | |||
| 2887 | [topic](art.html) | 2933 | [topic](art.html) |
| 2888 | [torn](stump.html) | 2934 | [torn](stump.html) |
| 2889 | [torturous](nothing-is-ever-over.html) | 2935 | [torturous](nothing-is-ever-over.html) |
| 2936 | [torvalds](about.html) | ||
| 2890 | [totals](manifesto_poetics.html) | 2937 | [totals](manifesto_poetics.html) |
| 2891 | [tourist](dollywood.html) | 2938 | [tourist](dollywood.html) |
| 2892 | [tourists](telemarketer.html) | 2939 | [tourists](telemarketer.html) |
| @@ -2905,6 +2952,7 @@ project: | |||
| 2905 | [transaction](manifesto_poetics.html) | 2952 | [transaction](manifesto_poetics.html) |
| 2906 | [transferring](what-we-are-made-of.html) | 2953 | [transferring](what-we-are-made-of.html) |
| 2907 | [translate](collage-instrument.html) | 2954 | [translate](collage-instrument.html) |
| 2955 | [translated](about.html) | ||
| 2908 | [transliterate](collage-instrument.html) | 2956 | [transliterate](collage-instrument.html) |
| 2909 | [transmit](manifesto_poetics.html) | 2957 | [transmit](manifesto_poetics.html) |
| 2910 | [trap](moon-drowning.html) | 2958 | [trap](moon-drowning.html) |
| @@ -2913,22 +2961,25 @@ project: | |||
| 2913 | [trauma](words-meaning.html) | 2961 | [trauma](words-meaning.html) |
| 2914 | [travel](largest-asteroid.html) | 2962 | [travel](largest-asteroid.html) |
| 2915 | [traveler](table_contents.html) | 2963 | [traveler](table_contents.html) |
| 2964 | [treading](about.html) | ||
| 2916 | [treat](likingthings.html) | 2965 | [treat](likingthings.html) |
| 2917 | [treatise](toilet.html) | 2966 | [treatise](toilet.html) |
| 2918 | [trees'](cold-wind.html) | 2967 | [trees'](cold-wind.html) |
| 2919 | [treicle](about.html) | ||
| 2920 | [trellis](death-zone.html) | 2968 | [trellis](death-zone.html) |
| 2921 | [trench](lappel-du-vide.html) | 2969 | [trench](lappel-du-vide.html) |
| 2970 | [trends](about.html) | ||
| 2922 | [triangle](what-we-are-made-of.html) | 2971 | [triangle](what-we-are-made-of.html) |
| 2923 | [trichinosis](about_author.html) | 2972 | [trichinosis](about_author.html) |
| 2924 | [trigger](peaches.html) | 2973 | [trigger](peaches.html) |
| 2925 | [triggering](words-irritable-reaching.html) | 2974 | [triggering](words-irritable-reaching.html) |
| 2975 | [trigrams](about.html) | ||
| 2926 | [trip](i-want-to-say.html) | 2976 | [trip](i-want-to-say.html) |
| 2927 | [trips](i-want-to-say.html) | 2977 | [trips](i-want-to-say.html) |
| 2928 | [tropical](arspoetica.html) | 2978 | [tropical](arspoetica.html) |
| 2929 | [trotted](dollywood.html) | 2979 | [trotted](dollywood.html) |
| 2930 | [troubles](the-sea_the-beach.html) | 2980 | [troubles](the-sea_the-beach.html) |
| 2931 | [trousers](peaches.html) | 2981 | [trousers](peaches.html) |
| 2982 | [trunk/versify](about.html) | ||
| 2932 | [tuesday](hardware.html) | 2983 | [tuesday](hardware.html) |
| 2933 | [tundra](weplayedthosegamestoo.html) | 2984 | [tundra](weplayedthosegamestoo.html) |
| 2934 | [tune-up](movingsideways.html) | 2985 | [tune-up](movingsideways.html) |
| @@ -2938,6 +2989,8 @@ project: | |||
| 2938 | [twins](weplayedthosegamestoo.html) | 2989 | [twins](weplayedthosegamestoo.html) |
| 2939 | [twirling](telemarketer.html) | 2990 | [twirling](telemarketer.html) |
| 2940 | [two-dimensional](toilet.html) | 2991 | [two-dimensional](toilet.html) |
| 2992 | [txt](about.html) | ||
| 2993 | [typeset](about.html) | ||
| 2941 | [uh](telemarketer.html) | 2994 | [uh](telemarketer.html) |
| 2942 | [ultimate](words-meaning.html) | 2995 | [ultimate](words-meaning.html) |
| 2943 | [um](telemarketer.html) | 2996 | [um](telemarketer.html) |
| @@ -2945,6 +2998,7 @@ project: | |||
| 2945 | [unacknowledged](what-we-are-made-of.html) | 2998 | [unacknowledged](what-we-are-made-of.html) |
| 2946 | [unadorned](telemarketer.html) | 2999 | [unadorned](telemarketer.html) |
| 2947 | [unanswerable](love-as-god.html) | 3000 | [unanswerable](love-as-god.html) |
| 3001 | [unassuming](about.html) | ||
| 2948 | [uncareful](cold-wind.html) | 3002 | [uncareful](cold-wind.html) |
| 2949 | [uncomortably](phone.html) | 3003 | [uncomortably](phone.html) |
| 2950 | [uncovering](serengeti.html) | 3004 | [uncovering](serengeti.html) |
| @@ -2961,6 +3015,9 @@ project: | |||
| 2961 | [unharmed](peaches.html) | 3015 | [unharmed](peaches.html) |
| 2962 | [unidentifiable](toothpaste.html) | 3016 | [unidentifiable](toothpaste.html) |
| 2963 | [uniform](fire.html) | 3017 | [uniform](fire.html) |
| 3018 | [unigrams](about.html) | ||
| 3019 | [unique](about.html) | ||
| 3020 | [uniqueness](about.html) | ||
| 2964 | [universal](manifesto_poetics.html) | 3021 | [universal](manifesto_poetics.html) |
| 2965 | [universality](howtoread.html) | 3022 | [universality](howtoread.html) |
| 2966 | [university](about.html) | 3023 | [university](about.html) |
| @@ -2972,6 +3029,7 @@ project: | |||
| 2972 | [unsatisfying](howtoread.html) | 3029 | [unsatisfying](howtoread.html) |
| 2973 | [unsayable](howtoread.html) | 3030 | [unsayable](howtoread.html) |
| 2974 | [unsolvable](ouroboros_memory.html) | 3031 | [unsolvable](ouroboros_memory.html) |
| 3032 | [untranslated](about.html) | ||
| 2975 | [unzipped](dollywood.html) | 3033 | [unzipped](dollywood.html) |
| 2976 | [updater](process.html) | 3034 | [updater](process.html) |
| 2977 | [upholstery](sapling.html) | 3035 | [upholstery](sapling.html) |
| @@ -2982,11 +3040,11 @@ project: | |||
| 2982 | [urge](telemarketer.html) | 3040 | [urge](telemarketer.html) |
| 2983 | [urn](time-looks-up-to-the-sky.html) | 3041 | [urn](time-looks-up-to-the-sky.html) |
| 2984 | [utterance](words-irritable-reaching.html) | 3042 | [utterance](words-irritable-reaching.html) |
| 3043 | [utterances](about.html) | ||
| 2985 | [uttered](about.html) | 3044 | [uttered](about.html) |
| 2986 | [utterly](collage-instrument.html) | 3045 | [utterly](collage-instrument.html) |
| 2987 | [v](in-bed.html) | 3046 | [v](in-bed.html) |
| 2988 | [vacation](howithappened.html) | 3047 | [vacation](howithappened.html) |
| 2989 | [vague](about.html) | ||
| 2990 | [vaguely](moongone.html) | 3048 | [vaguely](moongone.html) |
| 2991 | [valhalla](call-me-aural-pleasure.html) | 3049 | [valhalla](call-me-aural-pleasure.html) |
| 2992 | [valley](mountain.html) | 3050 | [valley](mountain.html) |
| @@ -2996,10 +3054,12 @@ project: | |||
| 2996 | [vampire](deathstrumpet.html) | 3054 | [vampire](deathstrumpet.html) |
| 2997 | [vanishes](window.html) | 3055 | [vanishes](window.html) |
| 2998 | [variables](collage-instrument.html) | 3056 | [variables](collage-instrument.html) |
| 2999 | [venerable](about.html) | 3057 | [variety](about.html) |
| 3058 | [vcs](about.html) | ||
| 3000 | [venom](plant.html) | 3059 | [venom](plant.html) |
| 3001 | [veranda](largest-asteroid.html) | 3060 | [veranda](largest-asteroid.html) |
| 3002 | [verses](proverbs.html) | 3061 | [verses](proverbs.html) |
| 3062 | [version-control](about.html) | ||
| 3003 | [versions](punch.html) | 3063 | [versions](punch.html) |
| 3004 | [vertical](telemarketer.html) | 3064 | [vertical](telemarketer.html) |
| 3005 | [verulam](call-me-aural-pleasure.html) | 3065 | [verulam](call-me-aural-pleasure.html) |
| @@ -3008,7 +3068,6 @@ project: | |||
| 3008 | [vet](likingthings.html) | 3068 | [vet](likingthings.html) |
| 3009 | [vi](in-bed.html) | 3069 | [vi](in-bed.html) |
| 3010 | [vicious](collage-instrument.html) | 3070 | [vicious](collage-instrument.html) |
| 3011 | [viewable](about.html) | ||
| 3012 | [viewed](moongone.html) | 3071 | [viewed](moongone.html) |
| 3013 | [viewer's](moongone.html) | 3072 | [viewer's](moongone.html) |
| 3014 | [vii](in-bed.html) | 3073 | [vii](in-bed.html) |
| @@ -3063,11 +3122,12 @@ project: | |||
| 3063 | [weary](plant.html) | 3122 | [weary](plant.html) |
| 3064 | [weave](likingthings.html) | 3123 | [weave](likingthings.html) |
| 3065 | [weaving](exasperated.html) | 3124 | [weaving](exasperated.html) |
| 3066 | [webpage](about.html) | 3125 | [website](about.html) |
| 3067 | [wednesday](lappel-du-vide.html) | 3126 | [wednesday](lappel-du-vide.html) |
| 3068 | [weed](peaches.html) | 3127 | [weed](peaches.html) |
| 3069 | [weekend](reports.html) | 3128 | [weekend](reports.html) |
| 3070 | [weekends](ronaldmcdonald.html) | 3129 | [weekends](ronaldmcdonald.html) |
| 3130 | [welcome](about.html) | ||
| 3071 | [welker](about_author.html) | 3131 | [welker](about_author.html) |
| 3072 | [welling](feedingtheraven.html) | 3132 | [welling](feedingtheraven.html) |
| 3073 | [wetly](plant.html) | 3133 | [wetly](plant.html) |
| @@ -3088,7 +3148,6 @@ project: | |||
| 3088 | [whitman-esque](howtoread.html) | 3148 | [whitman-esque](howtoread.html) |
| 3089 | [whittle](leg.html) | 3149 | [whittle](leg.html) |
| 3090 | [whittled](leg.html) | 3150 | [whittled](leg.html) |
| 3091 | [who'd](exasperated.html) | ||
| 3092 | [wicker](what-we-are-made-of.html) | 3151 | [wicker](what-we-are-made-of.html) |
| 3093 | [widening](plant.html) | 3152 | [widening](plant.html) |
| 3094 | [wider](abstract.html) | 3153 | [wider](abstract.html) |
| @@ -3097,7 +3156,6 @@ project: | |||
| 3097 | [willed](sense-of-it.html) | 3156 | [willed](sense-of-it.html) |
| 3098 | [william](hardware.html) | 3157 | [william](hardware.html) |
| 3099 | [willows](words-irritable-reaching.html) | 3158 | [willows](words-irritable-reaching.html) |
| 3100 | [win](likingthings.html) | ||
| 3101 | [wind's](words-irritable-reaching.html) | 3159 | [wind's](words-irritable-reaching.html) |
| 3102 | [windblown](plant.html) | 3160 | [windblown](plant.html) |
| 3103 | [windows](last-bastion.html) | 3161 | [windows](last-bastion.html) |
| diff --git a/appendix/islands.txt b/appendix/islands.txt new file mode 100644 index 0000000..452b776 --- /dev/null +++ b/appendix/islands.txt | |||
| @@ -0,0 +1,30 @@ | |||
| 1 | --- | ||
| 2 | title: Appendix I | ||
| 3 | subtitle: islands | ||
| 4 | id: islands | ||
| 5 | genre: list | ||
| 6 | |||
| 7 | project: | ||
| 8 | title: Appendices | ||
| 9 | class: appendices | ||
| 10 | next: | ||
| 11 | - title: Index of common titles | ||
| 12 | link: common-titles | ||
| 13 | prev: | ||
| 14 | - title: Index of hapax legomena | ||
| 15 | link: hapax | ||
| 16 | ... | ||
| 17 | |||
| 18 | - ["About the author"](about_author.html) | ||
| 19 | - ["_abstract_"](abstract.html) | ||
| 20 | - ["Hardware"](hardware.html) | ||
| 21 | - ["I want to say"](i-want-to-say.html) | ||
| 22 | - ["Notes"](notes.html) | ||
| 23 | - ["Paul"](paul.html) | ||
| 24 | - ["Punch"](punch.html) | ||
| 25 | - ["Sapling"](sapling.html) | ||
| 26 | - ["Shed"](shed.html) | ||
| 27 | - ["Toothpaste"](toothpaste.html) | ||
| 28 | - ["Walking in the rain"](walking-in-the-rain.html) | ||
| 29 | - ["Words and their irritable reaching"](words-irritable-reaching.html) | ||
| 30 | - ["Writing"](writing.html) | ||
| diff --git a/appendix/toc.txt b/appendix/toc.txt new file mode 100644 index 0000000..43ed091 --- /dev/null +++ b/appendix/toc.txt | |||
| @@ -0,0 +1,141 @@ | |||
| 1 | --- | ||
| 2 | title: Table of contents | ||
| 3 | id: toc | ||
| 4 | genre: list | ||
| 5 | ... | ||
| 6 | |||
| 7 | #. ["About the author (not pictured)"](about-the-author.html) | ||
| 8 | #. ["_about Autocento_"](about.html) | ||
| 9 | #. ["About the author"](about_author.html) | ||
| 10 | #. ["_abstract_"](abstract.html) | ||
| 11 | #. ["AMBER alert"](amber-alert.html) | ||
| 12 | #. ["And"](and.html) | ||
| 13 | #. ["The angel to Abraham"](angeltoabraham.html) | ||
| 14 | #. ["On seeing the panorama of the Apollo 11 landing site"](apollo11.html) | ||
| 15 | #. ["Ars poetica"](arspoetica.html) | ||
| 16 | #. ["Art"](art.html) | ||
| 17 | #. ["Axe"](axe.html) | ||
| 18 | #. ["The big dipper"](big-dipper.html) | ||
| 19 | #. ["The boar"](boar.html) | ||
| 20 | #. ["Boy on the bus"](boy_bus.html) | ||
| 21 | #. ["Building"](building.html) | ||
| 22 | #. ["Call me aural pleasure"](call-me-aural-pleasure.html) | ||
| 23 | #. ["Cereal"](cereal.html) | ||
| 24 | #. ["Cold wind"](cold-wind.html) | ||
| 25 | #. ["Instrumented: a collage"](collage-instrument.html) | ||
| 26 | #. ["Creation myth"](creation-myth.html) | ||
| 27 | #. ["Dead man"](deadman.html) | ||
| 28 | #. ["The death zone"](death-zone.html) | ||
| 29 | #. ["Death's trumpet"](deathstrumpet.html) | ||
| 30 | #. ["Something about my tenure as a bear"](dollywood.html) | ||
| 31 | #. ["Dream"](dream.html) | ||
| 32 | #. ["Early"](early.html) | ||
| 33 | #. ["Elegy for an alternate self"](elegyforanalternateself.html) | ||
| 34 | #. ["_epigraph_"](epigraph.html) | ||
| 35 | #. ["Ex machina"](ex-machina.html) | ||
| 36 | #. ["Exasperated"](exasperated.html) | ||
| 37 | #. ["Father"](father.html) | ||
| 38 | #. ["Feeding the raven"](feedingtheraven.html) | ||
| 39 | #. ["Finding the lion"](finding-the-lion.html) | ||
| 40 | #. ["Fire"](fire.html) | ||
| 41 | #. ["Look: a found typewriter poem"](found-typewriter-poem.html) | ||
| 42 | #. ["Hands"](hands.html) | ||
| 43 | #. ["A hard game"](hard-game.html) | ||
| 44 | #. ["Hardware"](hardware.html) | ||
| 45 | #. ["How it happened"](howithappened.html) | ||
| 46 | #. ["How to read this"](howtoread.html) | ||
| 47 | #. ["Hymnal"](hymnal.html) | ||
| 48 | #. ["I am"](i-am.html) | ||
| 49 | #. ["I think it's you (but it's not)"](i-think-its-you.html) | ||
| 50 | #. ["I want to say"](i-want-to-say.html) | ||
| 51 | #. ["I wanted to tell you something"](i-wanted-to-tell-you-something.html) | ||
| 52 | #. ["In bed"](in-bed.html) | ||
| 53 | #. ["Initial conditions"](initial-conditions.html) | ||
| 54 | #. ["January"](january.html) | ||
| 55 | #. ["Joke"](joke.html) | ||
| 56 | #. ["L'appel du vide"](lappel-du-vide.html) | ||
| 57 | #. ["The largest asteroid in the asteroid belt"](largest-asteroid.html) | ||
| 58 | #. ["Last bastion"](last-bastion.html) | ||
| 59 | #. ["Last passenger"](last-passenger.html) | ||
| 60 | #. ["Leaf"](leaf.html) | ||
| 61 | #. ["Leg"](leg.html) | ||
| 62 | #. ["Liking things"](likingthings.html) | ||
| 63 | #. ["Listen"](listen.html) | ||
| 64 | #. ["Love as god"](love-as-god.html) | ||
| 65 | #. ["Love song"](lovesong.html) | ||
| 66 | #. ["Man"](man.html) | ||
| 67 | #. ["A manifesto of poetics"](manifesto_poetics.html) | ||
| 68 | #. ["The moon is drowning"](moon-drowning.html) | ||
| 69 | #. ["The moon is gone and in its place a mirror"](moongone.html) | ||
| 70 | #. ["The mountain"](mountain.html) | ||
| 71 | #. ["Moving sideways"](movingsideways.html) | ||
| 72 | #. ["Something about all music being performances of _4′33″_ in places where other bands happen to be playing"](music-433.html) | ||
| 73 | #. ["No nothing"](no-nothing.html) | ||
| 74 | #. ["Notes"](notes.html) | ||
| 75 | #. ["Nothing is ever over"](nothing-is-ever-over.html) | ||
| 76 | #. ["On genre and the dimensionality of poetry"](on-genre-dimension.html) | ||
| 77 | #. ["100 lines"](one-hundred-lines.html) | ||
| 78 | #. ["On formal poetry"](onformalpoetry.html) | ||
| 79 | #. ["Options"](options.html) | ||
| 80 | #. ["Ouroboros of memory"](ouroboros_memory.html) | ||
| 81 | #. ["Paul"](paul.html) | ||
| 82 | #. ["Peaches"](peaches.html) | ||
| 83 | #. ["Philosophy"](philosophy.html) | ||
| 84 | #. ["Phone"](phone.html) | ||
| 85 | #. ["Planks"](planks.html) | ||
| 86 | #. ["Litany for a plant"](plant.html) | ||
| 87 | #. ["Something about the nature of poetry and time"](poetry-time.html) | ||
| 88 | #. ["Prelude"](prelude.html) | ||
| 89 | #. ["Problems"](problems.html) | ||
| 90 | #. ["Process narrative"](process.html) | ||
| 91 | #. ["Proverbs"](proverbs.html) | ||
| 92 | #. ["Punch"](punch.html) | ||
| 93 | #. ["The purpose of dogs"](purpose-dogs.html) | ||
| 94 | #. ["Question"](question.html) | ||
| 95 | #. ["A real writer"](real-writer.html) | ||
| 96 | #. ["Reports"](reports.html) | ||
| 97 | #. ["Riptide of memory"](riptide_memory.html) | ||
| 98 | #. ["Ronald McDonald"](ronaldmcdonald.html) | ||
| 99 | #. ["Rough gloves"](roughgloves.html) | ||
| 100 | #. ["Sapling"](sapling.html) | ||
| 101 | #. ["Seasonal affective disorder"](seasonal-affective-disorder.html) | ||
| 102 | #. ["Sense of it"](sense-of-it.html) | ||
| 103 | #. ["Serengeti"](serengeti.html) | ||
| 104 | #. ["Shed"](shed.html) | ||
| 105 | #. ["Shipwright"](shipwright.html) | ||
| 106 | #. ["The sixteenth chapel"](sixteenth-chapel.html) | ||
| 107 | #. ["Snow"](snow.html) | ||
| 108 | #. ["Something simple"](something-simple.html) | ||
| 109 | #. ["Spittle"](spittle.html) | ||
| 110 | #. ["The squirrel"](squirrel.html) | ||
| 111 | #. ["Stagnant"](stagnant.html) | ||
| 112 | #. ["Statements"](statements-frag.html) | ||
| 113 | #. ["Stayed on the bus too long"](stayed-on-the-bus.html) | ||
| 114 | #. ["Stump"](stump.html) | ||
| 115 | #. ["Swan song (alternate)"](swansong-alt.html) | ||
| 116 | #. ["Swan song"](swansong.html) | ||
| 117 | #. ["Swear"](swear.html) | ||
| 118 | #. ["A table of contents"](table_contents.html) | ||
| 119 | #. ["Tapestry"](tapestry.html) | ||
| 120 | #. ["Telemarketer"](telemarketer.html) | ||
| 121 | #. ["The night we met, I was out of my mind"](the-night-we-met.html) | ||
| 122 | #. ["The sea and the beach"](the-sea_the-beach.html) | ||
| 123 | #. ["The ocean overflows with camels"](theoceanoverflowswithcamels.html) | ||
| 124 | #. ["Time looks up to the sky"](time-looks-up-to-the-sky.html) | ||
| 125 | #. ["To Daniel"](todaniel.html) | ||
| 126 | #. ["Toilet"](toilet.html) | ||
| 127 | #. ["Toothpaste"](toothpaste.html) | ||
| 128 | #. ["Treatise"](treatise.html) | ||
| 129 | #. ["Underwear"](underwear.html) | ||
| 130 | #. ["Walking in the rain"](walking-in-the-rain.html) | ||
| 131 | #. ["Wallpaper"](wallpaper.html) | ||
| 132 | #. ["We played those games too"](weplayedthosegamestoo.html) | ||
| 133 | #. ["What we are made of"](what-we-are-made-of.html) | ||
| 134 | #. ["Whem I'm sorry I wash dishes"](when-im-sorry-i.html) | ||
| 135 | #. ["Window"](window.html) | ||
| 136 | #. ["Words and their irritable reaching"](words-irritable-reaching.html) | ||
| 137 | #. ["Words and meaning"](words-meaning.html) | ||
| 138 | #. ["Worse looking over"](worse-looking-over.html) | ||
| 139 | #. ["Writing"](writing.html) | ||
| 140 | #. ["X-ray"](x-ray.html) | ||
| 141 | #. ["Yellow"](yellow.html) | ||
| diff --git a/arspoetica.html b/arspoetica.html index 0ad8498..eabde95 100644 --- a/arspoetica.html +++ b/arspoetica.html | |||
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| 29 | <h1 class="title">Ars poetica</h1> | 28 | <h1 class="title">Ars poetica</h1> |
| 30 | |||
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| 33 | |||
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| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>What is poetry? <a href="words-meaning.html">Poetry is.</a> Inasmuch as life is, so is poetry. Here is the problem: life is very big and complex. Human beings are neither. We are small, simple beings that don’t want to know all of the myriad interactions happening all around us, within us, as a part of us, all the hours of every day. We much prefer knowing only that which is just in front of our faces, staring us back with a look of utter contempt. This is why many people are depressed.</p> | ||
| 40 | <p>Poetry is an attempt made by some to open up our field of view, to maybe check on something else that isn’t staring us in the face so contemptibly. Maybe something else is smiling at us, we think. So we write poetry to force ourselves to look away from the <a href="moongone.html">mirror</a> of our existence to see something else.</p> | ||
| 41 | <p>This is generally painful. To make it less painful, poetry compresses reality a lot to make it more consumable. It takes life, that seawater, and boils it down and boils it down until only the salt remains, the important parts that we can focus on and make some sense of the senselessness of life. Poetry is life bouillon, and to thoroughly enjoy a poem we must put that bouillon back into the seawater of life and make a delicious soup out of it. To make this soup, to decompress the poem into an emotion or life, requires a lot of brainpower. A good reader will have this brainpower. A good poem will not require it.</p> | ||
| 42 | <p>What this means is: a poem should be self-extracting. It should be a rare vanilla in the bottle, waiting only for someone to open it and sniff it and suddenly there they are, in the orchid that vanilla came from, in the tropical land where it grew next to its brothers and sister vanilla plants. They feel the pain of having their children taken from them. A good poem leaves a feeling of loss and of intense beauty. The reader does nothing to achieve this—they are merely the receptacle of the feeling that the poem forces onto them. In a way, poetry is a crime. But it is the most beautiful crime on this crime-ridden earth.</p> | ||
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| 56 | On seeing the panorama of the Apollo 11 landing site | 35 | |
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| 58 | 37 | <section class="content prose"> | |
| 59 | <a class="nextlink" href="theoceanoverflowswithcamels.html" | 38 | <p>What is poetry? <a href="words-meaning.html">Poetry is.</a> Inasmuch as life is, so is poetry. Here is the problem: life is very big and complex. Human beings are neither. We are small, simple beings that don’t want to know all of the myriad interactions happening all around us, within us, as a part of us, all the hours of every day. We much prefer knowing only that which is just in front of our faces, staring us back with a look of utter contempt. This is why many people are depressed.</p> |
| 60 | title="Next article in Elegies for alternate selves"> | 39 | <p>Poetry is an attempt made by some to open up our field of view, to maybe check on something else that isn’t staring us in the face so contemptibly. Maybe something else is smiling at us, we think. So we write poetry to force ourselves to look away from the <a href="moongone.html">mirror</a> of our existence to see something else.</p> |
| 61 | The ocean overflows with camels | 40 | <p>This is generally painful. To make it less painful, poetry compresses reality a lot to make it more consumable. It takes life, that seawater, and boils it down and boils it down until only the salt remains, the important parts that we can focus on and make some sense of the senselessness of life. Poetry is life bouillon, and to thoroughly enjoy a poem we must put that bouillon back into the seawater of life and make a delicious soup out of it. To make this soup, to decompress the poem into an emotion or life, requires a lot of brainpower. A good reader will have this brainpower. A good poem will not require it.</p> |
| 62 | </a> | 41 | <p>What this means is: a poem should be self-extracting. It should be a rare vanilla in the bottle, waiting only for someone to open it and sniff it and suddenly there they are, in the orchid that vanilla came from, in the tropical land where it grew next to its brothers and sister vanilla plants. They feel the pain of having their children taken from them. A good poem leaves a feeling of loss and of intense beauty. The reader does nothing to achieve this—they are merely the receptacle of the feeling that the poem forces onto them. In a way, poetry is a crime. But it is the most beautiful crime on this crime-ridden earth.</p> |
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| diff --git a/art.html b/art.html index 58f2f9b..48f2c6c 100644 --- a/art.html +++ b/art.html | |||
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| 37 | 31 | <div class="header-extra"> | |
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| 39 | <p>Paul was writing in his diary about art.</p> | ||
| 40 | <p><em><a href="ouroboros_memory.html">This is my brain</a></em> he wrote. <em>This is my brain and all it contains. <a href="TODO_BIBLE_LINK">‘I contain multitudes’ said Legion.</a> I think it was Legion.</em> The big heading he had written at the top of the page (<em>ART</em> it read, but only when looking at it from his point of view) sat cold and alone, neglected in the <a href="sense-of-it.html">white space</a> surrounding it. He noticed this presently (but not after he had written a little more about multitudes), paused, frowned, and began to write again.</p> | ||
| 41 | <p><em>ART stands alone at the top of a blank page</em> he wrote. <em>It follows <del>itself in circles</del> its own footprints in a circle around its own name. It leads nowhere but is present everywhere. <del>It contains</del> It contains multitudes. Every painting ever made is a painting of every other painting. Every song is a remix, a <a href="music-433.html">cover version</a>.</em> He crossed out the part about songs for getting off topic. He made a note to himself in the margin—<em>Music is not ART.</em></p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="art_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
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| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | 33 | </div> | |
| 54 | <a class="nextlink" href="hymnal.html" | 34 | </header> |
| 55 | title="Next article in Buildings out of air: Paul in the Woods"> | 35 | |
| 56 | Hymnal | 36 | |
| 57 | </a> | 37 | <section class="content prose"> |
| 58 | <a class="nextlink" href="axe.html" | 38 | <p>Paul was writing in his diary about art.</p> |
| 59 | title="Next article in Buildings out of air: Paul in the Woods"> | 39 | <p><em><a href="ouroboros_memory.html">This is my brain</a></em> he wrote. <em>This is my brain and all it contains. <a href="TODO_BIBLE_LINK">‘I contain multitudes’ said Legion.</a> I think it was Legion.</em> The big heading he had written at the top of the page (<em>ART</em> it read, but only when looking at it from his point of view) sat cold and alone, neglected in the <a href="sense-of-it.html">white space</a> surrounding it. He noticed this presently (but not after he had written a little more about multitudes), paused, frowned, and began to write again.</p> |
| 60 | Axe | 40 | <p><em>ART stands alone at the top of a blank page</em> he wrote. <em>It follows <del>itself in circles</del> its own footprints in a circle around its own name. It leads nowhere but is present everywhere. <del>It contains</del> It contains multitudes. Every painting ever made is a painting of every other painting. Every song is a remix, a <a href="music-433.html">cover version</a>.</em> He crossed out the part about songs for getting off topic. He made a note to himself in the margin—<em>Music is not ART.</em></p> |
| 61 | </a> | 41 | </section> |
| 62 | </nav> | 42 | </article> |
| 43 | <nav> | ||
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| 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 50 | </div> | ||
| 51 | |||
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| 54 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Hymnal | ||
| 56 | </a> | ||
| 57 | <a class="nextlink" href="axe.html" | ||
| 58 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Axe | ||
| 60 | </a> | ||
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| 63 | 62 | ||
| 64 | |||
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| 66 | </html> | 64 | </html> |
| diff --git a/axe.html b/axe.html index fccde80..77acb75 100644 --- a/axe.html +++ b/axe.html | |||
| @@ -4,72 +4,70 @@ | |||
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| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>Paul took his axe and went out into the woods to chop trees. Or rather he went into the trees to chop wood. He wasn’t sure. Either way it helped him think. Last time he’d gone out, he’d had an idea for a shoe-insert company he could start called “Paul’s Bunyons.” He chuckled to himself as he shouldered his axe and went into the forest.</p> | ||
| 40 | <p>Deep into the woods he admired the organization of the trees. “They grow wherever they fall” he said “but still none is too close to another.” He sounded like Solomon to himself. <a href="riptide_memory.html">He imagined he had a beard.</a></p> | ||
| 41 | <p>He walked for a long time in the shadows of the forest, in its coolness. It sounded like snow had fallen but it was still <a href="january.html">October</a>. The first time the trees seemed to radiate out from him in straight lines he stopped and turned around four times. After he walked on he noticed it happened fairly often.</p> | ||
| 42 | <p>Still, after he felled his first tree that day he realized they grew from the epicenter of his axe. He paused in the <a href="last-bastion.html">small dark sound</a> of the forest quiet.</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
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| 56 | Dream | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="art.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>Paul took his axe and went out into the woods to chop trees. Or rather he went into the trees to chop wood. He wasn’t sure. Either way it helped him think. Last time he’d gone out, he’d had an idea for a shoe-insert company he could start called “Paul’s Bunyons.” He chuckled to himself as he shouldered his axe and went into the forest.</p> |
| 60 | Art | 39 | <p>Deep into the woods he admired the organization of the trees. “They grow wherever they fall” he said “but still none is too close to another.” He sounded like Solomon to himself. <a href="riptide_memory.html">He imagined he had a beard.</a></p> |
| 61 | </a> | 40 | <p>He walked for a long time in the shadows of the forest, in its coolness. It sounded like snow had fallen but it was still <a href="january.html">October</a>. The first time the trees seemed to radiate out from him in straight lines he stopped and turned around four times. After he walked on he noticed it happened fairly often.</p> |
| 62 | 41 | <p>Still, after he felled his first tree that day he realized they grew from the epicenter of his axe. He paused in the <a href="last-bastion.html">small dark sound</a> of the forest quiet.</p> | |
| 63 | <a class="nextlink" href="leaf.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Leaf | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="building.html" | 46 | <a href="backlinks/axe.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Building | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="dream.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Dream | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="art.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Art | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="leaf.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Leaf | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="building.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Building | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/axe_backlinks.htm b/axe_backlinks.htm deleted file mode 100644 index c6973a2..0000000 --- a/axe_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Axe | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="axe" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Axe</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
| 41 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | ||
| 42 | <li><a href="peaches.html">Peaches</a></li> | ||
| 43 | <li><a href="snow.html">Snow</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="axe.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/about-the-author.html b/backlinks/about-the-author.html new file mode 100644 index 0000000..4c97398 --- /dev/null +++ b/backlinks/about-the-author.html | |||
| @@ -0,0 +1,66 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>About the author (not pictured) | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="about-the-author-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">About the author (not pictured)</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../death-zone.html">The Death Zone</a><span class="daisy"><a href="death-zone.html">φ</a></span></li> | ||
| 42 | <li><a href="../man.html">Man</a><span class="daisy"><a href="man.html">φ</a></span></li> | ||
| 43 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 44 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 45 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 46 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> | ||
| 47 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 48 | <li><a href="../time-looks-up-to-the-sky.html">Time looks up to the sky</a><span class="daisy"><a href="time-looks-up-to-the-sky.html">φ</a></span></li> | ||
| 49 | </ul> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="../about-the-author.html" id="backlinks" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 58 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | |||
| 61 | |||
| 62 | </nav> | ||
| 63 | |||
| 64 | |||
| 65 | </body> | ||
| 66 | </html> | ||
| diff --git a/and_backlinks.htm b/backlinks/about.html index 98a974f..12ace3b 100644 --- a/and_backlinks.htm +++ b/backlinks/about.html | |||
| @@ -9,25 +9,25 @@ | |||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>And | Autocento of the breakfast table</title> | 12 | <title><em>about Autocento</em> | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="" class="meta"> | 23 | <body id="about-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">And</h1> | 29 | <h1 class="title"><em>about Autocento</em></h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="about.html">Autocento of the breakfast table</a></li> | 40 | <li><a href="../abstract.html">Autocento of the breakfast table</a><span class="daisy"><a href="abstract.html">φ</a></span></li> |
| 41 | <li><a href="mountain.html">The mountain</a></li> | ||
| 42 | <li><a href="weplayedthosegamestoo.html">We played those games too</a></li> | ||
| 43 | </ul> | 41 | </ul> |
| 44 | </section> | 42 | </section> |
| 45 | </article> | 43 | </article> |
| 46 | <nav> | 44 | <nav> |
| 47 | <div class="anchors"> | 45 | <div class="anchors"> |
| 48 | <a href=".html" id="back-link" title="Back to article"> | 46 | <a href="../about.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 47 | φ |
| 50 | </a> | 48 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 51 | </div> |
| 54 | 52 | ||
| 55 | 53 | ||
| diff --git a/about_author_backlinks.htm b/backlinks/about_author.html index 733ab28..fa84255 100644 --- a/about_author_backlinks.htm +++ b/backlinks/about_author.html | |||
| @@ -9,25 +9,25 @@ | |||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>About Case Duckworth | Autocento of the breakfast table</title> | 12 | <title>About the author | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="about_author" class="meta"> | 23 | <body id="about_author-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">About Case Duckworth</h1> | 29 | <h1 class="title">About the author</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="about_author.html" id="back-link" title="Back to article"> | 44 | <a href="../about_author.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/call-me-aural-pleasure_backlinks.htm b/backlinks/abstract.html index 43dd670..057f322 100644 --- a/call-me-aural-pleasure_backlinks.htm +++ b/backlinks/abstract.html | |||
| @@ -9,25 +9,25 @@ | |||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Call me | Autocento of the breakfast table</title> | 12 | <title><em>abstract</em> | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="call-me-aural-pleasure" class="meta"> | 23 | <body id="abstract-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Call me</h1> | 29 | <h1 class="title"><em>abstract</em></h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,18 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 41 | </ul> | ||
| 42 | </section> | 40 | </section> |
| 43 | </article> | 41 | </article> |
| 44 | <nav> | 42 | <nav> |
| 45 | <div class="anchors"> | 43 | <div class="anchors"> |
| 46 | <a href="call-me-aural-pleasure.html" id="back-link" title="Back to article"> | 44 | <a href="../abstract.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 45 | φ |
| 48 | </a> | 46 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 49 | </div> |
| 52 | 50 | ||
| 53 | 51 | ||
| diff --git a/amber-alert_backlinks.htm b/backlinks/amber-alert.html index 15e1ff4..7120565 100644 --- a/amber-alert_backlinks.htm +++ b/backlinks/amber-alert.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>AMBER alert | Autocento of the breakfast table</title> | 12 | <title>AMBER alert | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="amber-alert" class="meta"> | 23 | <body id="amber-alert-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">AMBER alert</h1> | 29 | <h1 class="title">AMBER alert</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="no-nothing.html">No nothing</a></li> | 40 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> |
| 41 | <li><a href="table_contents.html">Table of contents</a></li> | 41 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="amber-alert.html" id="back-link" title="Back to article"> | 47 | <a href="../amber-alert.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/and.html b/backlinks/and.html new file mode 100644 index 0000000..6093db3 --- /dev/null +++ b/backlinks/and.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>And | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="and-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">And</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../mountain.html">The mountain</a><span class="daisy"><a href="mountain.html">φ</a></span></li> | ||
| 42 | <li><a href="../weplayedthosegamestoo.html">We played those games too</a><span class="daisy"><a href="weplayedthosegamestoo.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../and.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/backlinks/angeltoabraham.html b/backlinks/angeltoabraham.html new file mode 100644 index 0000000..72f5ec9 --- /dev/null +++ b/backlinks/angeltoabraham.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The angel to Abraham | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="angeltoabraham-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The angel to Abraham</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../riptide_memory.html">Riptide of memory</a><span class="daisy"><a href="riptide_memory.html">φ</a></span></li> | ||
| 41 | <li><a href="../theoceanoverflowswithcamels.html">The ocean overflows with camels</a><span class="daisy"><a href="theoceanoverflowswithcamels.html">φ</a></span></li> | ||
| 42 | <li><a href="../underwear.html">Underwear</a><span class="daisy"><a href="underwear.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../angeltoabraham.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/backlinks/apollo11.html b/backlinks/apollo11.html new file mode 100644 index 0000000..958c484 --- /dev/null +++ b/backlinks/apollo11.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>On seeing the panorama of the Apollo 11 landing site | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="apollo11-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">On seeing the panorama of the Apollo 11 landing site</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../moongone.html">The moon is gone and in its place a mirror</a><span class="daisy"><a href="moongone.html">φ</a></span></li> | ||
| 41 | <li><a href="../mountain.html">The mountain</a><span class="daisy"><a href="mountain.html">φ</a></span></li> | ||
| 42 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 43 | <li><a href="../shipwright.html">The shipwright</a><span class="daisy"><a href="shipwright.html">φ</a></span></li> | ||
| 44 | <li><a href="../the-night-we-met.html">The night we met, I was out of my mind</a><span class="daisy"><a href="the-night-we-met.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../apollo11.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/backlinks/arspoetica.html b/backlinks/arspoetica.html new file mode 100644 index 0000000..e62bdb0 --- /dev/null +++ b/backlinks/arspoetica.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Ars poetica | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="arspoetica-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Ars poetica</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> | ||
| 42 | <li><a href="../telemarketer.html">Telemarketer</a><span class="daisy"><a href="telemarketer.html">φ</a></span></li> | ||
| 43 | <li><a href="../words-meaning.html">Words and meaning</a><span class="daisy"><a href="words-meaning.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../arspoetica.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/art_backlinks.htm b/backlinks/art.html index af0d1e9..e82d722 100644 --- a/art_backlinks.htm +++ b/backlinks/art.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Art | Autocento of the breakfast table</title> | 12 | <title>Art | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="art" class="meta"> | 23 | <body id="art-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Art</h1> | 29 | <h1 class="title">Art</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="about.html">Autocento of the breakfast table</a></li> | 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> |
| 41 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> | 41 | <li><a href="../words-irritable-reaching.html">Words and their irritable reaching</a><span class="daisy"><a href="words-irritable-reaching.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="art.html" id="back-link" title="Back to article"> | 47 | <a href="../art.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/axe.html b/backlinks/axe.html new file mode 100644 index 0000000..d4dc527 --- /dev/null +++ b/backlinks/axe.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Axe | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="axe-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Axe</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> | ||
| 41 | <li><a href="../nothing-is-ever-over.html">Nothing is ever over</a><span class="daisy"><a href="nothing-is-ever-over.html">φ</a></span></li> | ||
| 42 | <li><a href="../peaches.html">Peaches</a><span class="daisy"><a href="peaches.html">φ</a></span></li> | ||
| 43 | <li><a href="../snow.html">Snow</a><span class="daisy"><a href="snow.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../axe.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/big-dipper.html b/backlinks/big-dipper.html new file mode 100644 index 0000000..dff8ac6 --- /dev/null +++ b/backlinks/big-dipper.html | |||
| @@ -0,0 +1,63 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The big dipper | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="big-dipper-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The big dipper</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> | ||
| 41 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 42 | <li><a href="../joke.html">Joke</a><span class="daisy"><a href="joke.html">φ</a></span></li> | ||
| 43 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> | ||
| 44 | <li><a href="../punch.html">Punch</a><span class="daisy"><a href="punch.html">φ</a></span></li> | ||
| 45 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="../big-dipper.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/backlinks/boar.html b/backlinks/boar.html new file mode 100644 index 0000000..846f745 --- /dev/null +++ b/backlinks/boar.html | |||
| @@ -0,0 +1,65 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The boar | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="boar-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The boar</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../and.html">And</a><span class="daisy"><a href="and.html">φ</a></span></li> | ||
| 41 | <li><a href="../angeltoabraham.html">The angel to Abraham</a><span class="daisy"><a href="angeltoabraham.html">φ</a></span></li> | ||
| 42 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | ||
| 43 | <li><a href="../feedingtheraven.html">Feeding the raven</a><span class="daisy"><a href="feedingtheraven.html">φ</a></span></li> | ||
| 44 | <li><a href="../hands.html">Hands</a><span class="daisy"><a href="hands.html">φ</a></span></li> | ||
| 45 | <li><a href="../leg.html">Leg</a><span class="daisy"><a href="leg.html">φ</a></span></li> | ||
| 46 | <li><a href="../prelude.html">Prelude</a><span class="daisy"><a href="prelude.html">φ</a></span></li> | ||
| 47 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="../boar.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/backlinks/boy_bus.html b/backlinks/boy_bus.html new file mode 100644 index 0000000..81ba78f --- /dev/null +++ b/backlinks/boy_bus.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Boy on the bus | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="boy_bus-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Boy on the bus</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | ||
| 41 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 42 | <li><a href="../man.html">Man</a><span class="daisy"><a href="man.html">φ</a></span></li> | ||
| 43 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../boy_bus.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/building.html b/backlinks/building.html new file mode 100644 index 0000000..9bc3123 --- /dev/null +++ b/backlinks/building.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Building | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="building-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Building</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | ||
| 42 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 43 | <li><a href="../prelude.html">Prelude</a><span class="daisy"><a href="prelude.html">φ</a></span></li> | ||
| 44 | <li><a href="../seasonal-affective-disorder.html">Seasonal affective disorder</a><span class="daisy"><a href="seasonal-affective-disorder.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../building.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/backlinks/call-me-aural-pleasure.html b/backlinks/call-me-aural-pleasure.html new file mode 100644 index 0000000..1c297cf --- /dev/null +++ b/backlinks/call-me-aural-pleasure.html | |||
| @@ -0,0 +1,59 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Call me aural pleasure | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="call-me-aural-pleasure-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Call me aural pleasure</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="../call-me-aural-pleasure.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/backlinks/cereal.html b/backlinks/cereal.html new file mode 100644 index 0000000..2eb1052 --- /dev/null +++ b/backlinks/cereal.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Cereal | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="cereal-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Cereal</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../love-as-god.html">Love as God</a><span class="daisy"><a href="love-as-god.html">φ</a></span></li> | ||
| 41 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 42 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 43 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../cereal.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/cold-wind.html b/backlinks/cold-wind.html new file mode 100644 index 0000000..dc0281c --- /dev/null +++ b/backlinks/cold-wind.html | |||
| @@ -0,0 +1,65 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Cold wind | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="cold-wind-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Cold wind</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../and.html">And</a><span class="daisy"><a href="and.html">φ</a></span></li> | ||
| 41 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | ||
| 42 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> | ||
| 43 | <li><a href="../last-passenger.html">Last passenger</a><span class="daisy"><a href="last-passenger.html">φ</a></span></li> | ||
| 44 | <li><a href="../sense-of-it.html">Sense of it</a><span class="daisy"><a href="sense-of-it.html">φ</a></span></li> | ||
| 45 | <li><a href="../stagnant.html">Stagnant</a><span class="daisy"><a href="stagnant.html">φ</a></span></li> | ||
| 46 | <li><a href="../the-sea_the-beach.html">The sea and the beach</a><span class="daisy"><a href="the-sea_the-beach.html">φ</a></span></li> | ||
| 47 | <li><a href="../walking-in-the-rain.html">Walking in the rain</a><span class="daisy"><a href="walking-in-the-rain.html">φ</a></span></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="../cold-wind.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/backlinks/collage-instrument.html b/backlinks/collage-instrument.html new file mode 100644 index 0000000..375572c --- /dev/null +++ b/backlinks/collage-instrument.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Instrumented: a collage | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="collage-instrument-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Instrumented: a collage</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | ||
| 41 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 42 | <li><a href="../walking-in-the-rain.html">Walking in the rain</a><span class="daisy"><a href="walking-in-the-rain.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../collage-instrument.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/backlinks/creation-myth.html b/backlinks/creation-myth.html new file mode 100644 index 0000000..85a2420 --- /dev/null +++ b/backlinks/creation-myth.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Creation myth | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="creation-myth-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Creation myth</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 42 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | ||
| 43 | <li><a href="../death-zone.html">The Death Zone</a><span class="daisy"><a href="death-zone.html">φ</a></span></li> | ||
| 44 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../creation-myth.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/deadman_backlinks.htm b/backlinks/deadman.html index d5f8d34..d04c2bf 100644 --- a/deadman_backlinks.htm +++ b/backlinks/deadman.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Dead man | Autocento of the breakfast table</title> | 12 | <title>Dead man | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="deadman" class="meta"> | 23 | <body id="deadman-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Dead man</h1> | 29 | <h1 class="title">Dead man</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="about-the-author.html">About the author</a></li> | 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> |
| 41 | <li><a href="table_contents.html">Table of contents</a></li> | 41 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="deadman.html" id="back-link" title="Back to article"> | 47 | <a href="../deadman.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/death-zone.html b/backlinks/death-zone.html new file mode 100644 index 0000000..1207445 --- /dev/null +++ b/backlinks/death-zone.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The death zone | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="death-zone-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The death zone</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../exasperated.html">Exasperated</a><span class="daisy"><a href="exasperated.html">φ</a></span></li> | ||
| 42 | <li><a href="../love-as-god.html">Love as God</a><span class="daisy"><a href="love-as-god.html">φ</a></span></li> | ||
| 43 | <li><a href="../seasonal-affective-disorder.html">Seasonal affective disorder</a><span class="daisy"><a href="seasonal-affective-disorder.html">φ</a></span></li> | ||
| 44 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 45 | <li><a href="../stump.html">Stump</a><span class="daisy"><a href="stump.html">φ</a></span></li> | ||
| 46 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../death-zone.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/deathstrumpet.html b/backlinks/deathstrumpet.html new file mode 100644 index 0000000..ef39086 --- /dev/null +++ b/backlinks/deathstrumpet.html | |||
| @@ -0,0 +1,67 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Death’s trumpet | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="deathstrumpet-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Death’s trumpet</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | ||
| 41 | <li><a href="../epigraph.html">epigraph</a><span class="daisy"><a href="epigraph.html">φ</a></span></li> | ||
| 42 | <li><a href="../exasperated.html">Exasperated</a><span class="daisy"><a href="exasperated.html">φ</a></span></li> | ||
| 43 | <li><a href="../hands.html">Hands</a><span class="daisy"><a href="hands.html">φ</a></span></li> | ||
| 44 | <li><a href="../i-am.html">I am</a><span class="daisy"><a href="i-am.html">φ</a></span></li> | ||
| 45 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 46 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 47 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 48 | <li><a href="../swansong.html">Swan song</a><span class="daisy"><a href="swansong.html">φ</a></span></li> | ||
| 49 | <li><a href="../todaniel.html">To Daniel</a><span class="daisy"><a href="todaniel.html">φ</a></span></li> | ||
| 50 | </ul> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="../deathstrumpet.html" id="backlinks" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 59 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | |||
| 63 | </nav> | ||
| 64 | |||
| 65 | |||
| 66 | </body> | ||
| 67 | </html> | ||
| diff --git a/about_backlinks.htm b/backlinks/dollywood.html index 6e6070a..4a7a67f 100644 --- a/about_backlinks.htm +++ b/backlinks/dollywood.html | |||
| @@ -9,25 +9,25 @@ | |||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | 12 | <title>Something about my tenure as a bear | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="about" class="meta"> | 23 | <body id="dollywood-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | 29 | <h1 class="title">Something about my tenure as a bear</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="abstract.html">Autocento of the breakfast table</a></li> | 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="about.html" id="back-link" title="Back to article"> | 46 | <a href="../dollywood.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/dream_backlinks.htm b/backlinks/dream.html index cf75d9c..c2c4b85 100644 --- a/dream_backlinks.htm +++ b/backlinks/dream.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Dream | Autocento of the breakfast table</title> | 12 | <title>Dream | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="dream" class="meta"> | 23 | <body id="dream-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Dream</h1> | 29 | <h1 class="title">Dream</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="initial-conditions.html">Initial conditions</a></li> | 40 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="dream.html" id="back-link" title="Back to article"> | 46 | <a href="../dream.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/early_backlinks.htm b/backlinks/early.html index fba17a0..371c643 100644 --- a/early_backlinks.htm +++ b/backlinks/early.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Early | Autocento of the breakfast table</title> | 12 | <title>Early | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="early" class="meta"> | 23 | <body id="early-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Early</h1> | 29 | <h1 class="title">Early</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="collage-instrument.html">Instrumented</a></li> | 40 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> |
| 41 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | 41 | <li><a href="../the-night-we-met.html">The night we met, I was out of my mind</a><span class="daisy"><a href="the-night-we-met.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="early.html" id="back-link" title="Back to article"> | 47 | <a href="../early.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/elegyforanalternateself.html b/backlinks/elegyforanalternateself.html new file mode 100644 index 0000000..d3a5220 --- /dev/null +++ b/backlinks/elegyforanalternateself.html | |||
| @@ -0,0 +1,63 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Elegy for an alternate self | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="elegyforanalternateself-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Elegy for an alternate self</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 42 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> | ||
| 43 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> | ||
| 44 | <li><a href="../when-im-sorry-i.html">When I’m sorry I wash dishes</a><span class="daisy"><a href="when-im-sorry-i.html">φ</a></span></li> | ||
| 45 | <li><a href="../window.html">Window</a><span class="daisy"><a href="window.html">φ</a></span></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="../elegyforanalternateself.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/backlinks/epigraph.html b/backlinks/epigraph.html new file mode 100644 index 0000000..d5e8f4a --- /dev/null +++ b/backlinks/epigraph.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title><em>epigraph</em> | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="epigraph-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title"><em>epigraph</em></h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../love-as-god.html">Love as God</a><span class="daisy"><a href="love-as-god.html">φ</a></span></li> | ||
| 41 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 42 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../epigraph.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/ex-machina_backlinks.htm b/backlinks/ex-machina.html index 1c5ab99..9847d48 100644 --- a/ex-machina_backlinks.htm +++ b/backlinks/ex-machina.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Ex machina | Autocento of the breakfast table</title> | 12 | <title>Ex machina | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="ex-machina" class="meta"> | 23 | <body id="ex-machina-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Ex machina</h1> | 29 | <h1 class="title">Ex machina</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deadman.html">Dead man</a></li> | 40 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> |
| 41 | <li><a href="hands.html">Hands</a></li> | 41 | <li><a href="../hands.html">Hands</a><span class="daisy"><a href="hands.html">φ</a></span></li> |
| 42 | <li><a href="lovesong.html">Love Song</a></li> | 42 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="ex-machina.html" id="back-link" title="Back to article"> | 48 | <a href="../ex-machina.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/backlinks/exasperated.html b/backlinks/exasperated.html new file mode 100644 index 0000000..b781eaa --- /dev/null +++ b/backlinks/exasperated.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Exasperated | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="exasperated-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Exasperated</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> | ||
| 41 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 42 | <li><a href="../underwear.html">Underwear</a><span class="daisy"><a href="underwear.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../exasperated.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/father_backlinks.htm b/backlinks/father.html index ecaa58d..6d5adc3 100644 --- a/father_backlinks.htm +++ b/backlinks/father.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Father | Autocento of the breakfast table</title> | 12 | <title>Father | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="father" class="meta"> | 23 | <body id="father-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Father</h1> | 29 | <h1 class="title">Father</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="no-nothing.html">No nothing</a></li> | 40 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> |
| 41 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | 41 | <li><a href="../riptide_memory.html">Riptide of memory</a><span class="daisy"><a href="riptide_memory.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="father.html" id="back-link" title="Back to article"> | 47 | <a href="../father.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/feedingtheraven.html b/backlinks/feedingtheraven.html new file mode 100644 index 0000000..91838ac --- /dev/null +++ b/backlinks/feedingtheraven.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Feeding the raven | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="feedingtheraven-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Feeding the raven</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> | ||
| 41 | <li><a href="../i-think-its-you.html">I think it’s you</a><span class="daisy"><a href="i-think-its-you.html">φ</a></span></li> | ||
| 42 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 43 | <li><a href="../problems.html">Problems</a><span class="daisy"><a href="problems.html">φ</a></span></li> | ||
| 44 | <li><a href="../purpose-dogs.html">The purpose of dogs</a><span class="daisy"><a href="purpose-dogs.html">φ</a></span></li> | ||
| 45 | <li><a href="../roughgloves.html">Rough gloves</a><span class="daisy"><a href="roughgloves.html">φ</a></span></li> | ||
| 46 | <li><a href="../yellow.html">Yellow</a><span class="daisy"><a href="yellow.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../feedingtheraven.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/finding-the-lion.html b/backlinks/finding-the-lion.html new file mode 100644 index 0000000..0b12ebb --- /dev/null +++ b/backlinks/finding-the-lion.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Finding the lion | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="finding-the-lion-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Finding the lion</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../big-dipper.html">The Big Dipper</a><span class="daisy"><a href="big-dipper.html">φ</a></span></li> | ||
| 41 | <li><a href="../hard-game.html">A hard game</a><span class="daisy"><a href="hard-game.html">φ</a></span></li> | ||
| 42 | <li><a href="../options.html">Options</a><span class="daisy"><a href="options.html">φ</a></span></li> | ||
| 43 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 44 | <li><a href="../riptide_memory.html">Riptide of memory</a><span class="daisy"><a href="riptide_memory.html">φ</a></span></li> | ||
| 45 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> | ||
| 46 | <li><a href="../swear.html">Swear</a><span class="daisy"><a href="swear.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../finding-the-lion.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/fire.html b/backlinks/fire.html new file mode 100644 index 0000000..cf239d6 --- /dev/null +++ b/backlinks/fire.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Fire | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="fire-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Fire</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../cold-wind.html">Cold wind</a><span class="daisy"><a href="cold-wind.html">φ</a></span></li> | ||
| 41 | <li><a href="../early.html">Early</a><span class="daisy"><a href="early.html">φ</a></span></li> | ||
| 42 | <li><a href="../hard-game.html">A hard game</a><span class="daisy"><a href="hard-game.html">φ</a></span></li> | ||
| 43 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 44 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 45 | <li><a href="../snow.html">Snow</a><span class="daisy"><a href="snow.html">φ</a></span></li> | ||
| 46 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../fire.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/found-typewriter-poem.html b/backlinks/found-typewriter-poem.html new file mode 100644 index 0000000..5b7ce73 --- /dev/null +++ b/backlinks/found-typewriter-poem.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Look: a found typewriter poem | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="found-typewriter-poem-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Look: a found typewriter poem</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> | ||
| 41 | <li><a href="../the-night-we-met.html">The night we met, I was out of my mind</a><span class="daisy"><a href="the-night-we-met.html">φ</a></span></li> | ||
| 42 | <li><a href="../underwear.html">Underwear</a><span class="daisy"><a href="underwear.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../found-typewriter-poem.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/hands_backlinks.htm b/backlinks/hands.html index 27ce244..6925a7b 100644 --- a/hands_backlinks.htm +++ b/backlinks/hands.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Hands | Autocento of the breakfast table</title> | 12 | <title>Hands | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="hands" class="meta"> | 23 | <body id="hands-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Hands</h1> | 29 | <h1 class="title">Hands</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="lovesong.html">Love Song</a></li> | 40 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> |
| 41 | <li><a href="punch.html">Punch</a></li> | 41 | <li><a href="../punch.html">Punch</a><span class="daisy"><a href="punch.html">φ</a></span></li> |
| 42 | <li><a href="stagnant.html">Stagnant</a></li> | 42 | <li><a href="../stagnant.html">Stagnant</a><span class="daisy"><a href="stagnant.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="hands.html" id="back-link" title="Back to article"> | 48 | <a href="../hands.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/backlinks/hard-game.html b/backlinks/hard-game.html new file mode 100644 index 0000000..f8fa65d --- /dev/null +++ b/backlinks/hard-game.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>A hard game | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="hard-game-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">A hard game</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../fire.html">Fire</a><span class="daisy"><a href="fire.html">φ</a></span></li> | ||
| 41 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 42 | <li><a href="../stayed-on-the-bus.html">Stayed on the bus too long</a><span class="daisy"><a href="stayed-on-the-bus.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../hard-game.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/hardware_backlinks.htm b/backlinks/hardware.html index d78c631..3485e62 100644 --- a/hardware_backlinks.htm +++ b/backlinks/hardware.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Hardware | Autocento of the breakfast table</title> | 12 | <title>Hardware | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="hardware" class="meta"> | 23 | <body id="hardware-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Hardware</h1> | 29 | <h1 class="title">Hardware</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="hardware.html" id="back-link" title="Back to article"> | 44 | <a href="../hardware.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/backlinks/howithappened.html b/backlinks/howithappened.html new file mode 100644 index 0000000..cf7dc4c --- /dev/null +++ b/backlinks/howithappened.html | |||
| @@ -0,0 +1,63 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>How it happened | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="howithappened-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">How it happened</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../i-am.html">I am</a><span class="daisy"><a href="i-am.html">φ</a></span></li> | ||
| 41 | <li><a href="../paul.html">Paul</a><span class="daisy"><a href="paul.html">φ</a></span></li> | ||
| 42 | <li><a href="../spittle.html">Spittle</a><span class="daisy"><a href="spittle.html">φ</a></span></li> | ||
| 43 | <li><a href="../swansong.html">Swan song</a><span class="daisy"><a href="swansong.html">φ</a></span></li> | ||
| 44 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 45 | <li><a href="../time-looks-up-to-the-sky.html">Time looks up to the sky</a><span class="daisy"><a href="time-looks-up-to-the-sky.html">φ</a></span></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="../howithappened.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/backlinks/howtoread.html b/backlinks/howtoread.html new file mode 100644 index 0000000..8713384 --- /dev/null +++ b/backlinks/howtoread.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>How to read this | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="howtoread-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">How to read this</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 42 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> | ||
| 43 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 44 | <li><a href="../planks.html">Planks</a><span class="daisy"><a href="planks.html">φ</a></span></li> | ||
| 45 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 46 | <li><a href="../treatise.html">Treatise</a><span class="daisy"><a href="treatise.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../howtoread.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/hymnal_backlinks.htm b/backlinks/hymnal.html index 9b04c0b..c48687e 100644 --- a/hymnal_backlinks.htm +++ b/backlinks/hymnal.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Hymnal | Autocento of the breakfast table</title> | 12 | <title>Hymnal | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="hymnal" class="meta"> | 23 | <body id="hymnal-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Hymnal</h1> | 29 | <h1 class="title">Hymnal</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="dollywood.html">Something</a></li> | 40 | <li><a href="../dollywood.html">Something</a><span class="daisy"><a href="dollywood.html">φ</a></span></li> |
| 41 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | 41 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> |
| 42 | <li><a href="window.html">Window</a></li> | 42 | <li><a href="../window.html">Window</a><span class="daisy"><a href="window.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="hymnal.html" id="back-link" title="Back to article"> | 48 | <a href="../hymnal.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/backlinks/i-am.html b/backlinks/i-am.html new file mode 100644 index 0000000..d6bc4ca --- /dev/null +++ b/backlinks/i-am.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>I am | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="i-am-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">I am</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../angeltoabraham.html">The angel to Abraham</a><span class="daisy"><a href="angeltoabraham.html">φ</a></span></li> | ||
| 41 | <li><a href="../boar.html">The boar</a><span class="daisy"><a href="boar.html">φ</a></span></li> | ||
| 42 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | ||
| 43 | <li><a href="../philosophy.html">Philosophy</a><span class="daisy"><a href="philosophy.html">φ</a></span></li> | ||
| 44 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 45 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 46 | <li><a href="../words-meaning.html">Words and meaning</a><span class="daisy"><a href="words-meaning.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../i-am.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/i-think-its-you.html b/backlinks/i-think-its-you.html new file mode 100644 index 0000000..7006e9f --- /dev/null +++ b/backlinks/i-think-its-you.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>I think it’s you (but it’s not) | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="i-think-its-you-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">I think it’s you (but it’s not)</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../cold-wind.html">Cold wind</a><span class="daisy"><a href="cold-wind.html">φ</a></span></li> | ||
| 41 | <li><a href="../i-think-its-you.html">I think it’s you</a><span class="daisy"><a href="i-think-its-you.html">φ</a></span></li> | ||
| 42 | <li><a href="../leg.html">Leg</a><span class="daisy"><a href="leg.html">φ</a></span></li> | ||
| 43 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> | ||
| 44 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../i-think-its-you.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/i-want-to-say_backlinks.htm b/backlinks/i-want-to-say.html index a52145e..354613b 100644 --- a/i-want-to-say_backlinks.htm +++ b/backlinks/i-want-to-say.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>I want to say | Autocento of the breakfast table</title> | 12 | <title>I want to say | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="i-want-to-say" class="meta"> | 23 | <body id="i-want-to-say-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">I want to say</h1> | 29 | <h1 class="title">I want to say</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="i-want-to-say.html" id="back-link" title="Back to article"> | 44 | <a href="../i-want-to-say.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/backlinks/i-wanted-to-tell-you-something.html b/backlinks/i-wanted-to-tell-you-something.html new file mode 100644 index 0000000..fa01ca0 --- /dev/null +++ b/backlinks/i-wanted-to-tell-you-something.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>I wanted to tell you something | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="i-wanted-to-tell-you-something-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">I wanted to tell you something</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../death-zone.html">The Death Zone</a><span class="daisy"><a href="death-zone.html">φ</a></span></li> | ||
| 41 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | ||
| 42 | <li><a href="../love-as-god.html">Love as God</a><span class="daisy"><a href="love-as-god.html">φ</a></span></li> | ||
| 43 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../i-wanted-to-tell-you-something.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/in-bed.html b/backlinks/in-bed.html new file mode 100644 index 0000000..438354c --- /dev/null +++ b/backlinks/in-bed.html | |||
| @@ -0,0 +1,75 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>In bed | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="in-bed-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">In bed</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 42 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> | ||
| 43 | <li><a href="../dollywood.html">Something</a><span class="daisy"><a href="dollywood.html">φ</a></span></li> | ||
| 44 | <li><a href="../dream.html">Dream</a><span class="daisy"><a href="dream.html">φ</a></span></li> | ||
| 45 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 46 | <li><a href="../last-bastion.html">Last bastion</a><span class="daisy"><a href="last-bastion.html">φ</a></span></li> | ||
| 47 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> | ||
| 48 | <li><a href="../notes.html">Notes</a><span class="daisy"><a href="notes.html">φ</a></span></li> | ||
| 49 | <li><a href="../nothing-is-ever-over.html">Nothing is ever over</a><span class="daisy"><a href="nothing-is-ever-over.html">φ</a></span></li> | ||
| 50 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 51 | <li><a href="../planks.html">Planks</a><span class="daisy"><a href="planks.html">φ</a></span></li> | ||
| 52 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 53 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 54 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 55 | <li><a href="../tapestry.html">Tapestry</a><span class="daisy"><a href="tapestry.html">φ</a></span></li> | ||
| 56 | <li><a href="../wallpaper.html">Wallpaper</a><span class="daisy"><a href="wallpaper.html">φ</a></span></li> | ||
| 57 | <li><a href="../worse-looking-over.html">Worse looking over</a><span class="daisy"><a href="worse-looking-over.html">φ</a></span></li> | ||
| 58 | </ul> | ||
| 59 | </section> | ||
| 60 | </article> | ||
| 61 | <nav> | ||
| 62 | <div class="anchors"> | ||
| 63 | <a href="../in-bed.html" id="backlinks" title="Links to this page"> | ||
| 64 | φ | ||
| 65 | </a> | ||
| 66 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 67 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 68 | </div> | ||
| 69 | |||
| 70 | |||
| 71 | </nav> | ||
| 72 | |||
| 73 | |||
| 74 | </body> | ||
| 75 | </html> | ||
| diff --git a/backlinks/initial-conditions.html b/backlinks/initial-conditions.html new file mode 100644 index 0000000..4ddba1c --- /dev/null +++ b/backlinks/initial-conditions.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Initial conditions | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="initial-conditions-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Initial conditions</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | ||
| 41 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> | ||
| 42 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../initial-conditions.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/backlinks/january.html b/backlinks/january.html new file mode 100644 index 0000000..422c330 --- /dev/null +++ b/backlinks/january.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>January | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="january-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">January</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../axe.html">Axe</a><span class="daisy"><a href="axe.html">φ</a></span></li> | ||
| 41 | <li><a href="../cold-wind.html">Cold wind</a><span class="daisy"><a href="cold-wind.html">φ</a></span></li> | ||
| 42 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> | ||
| 43 | <li><a href="../prelude.html">Prelude</a><span class="daisy"><a href="prelude.html">φ</a></span></li> | ||
| 44 | <li><a href="../seasonal-affective-disorder.html">Seasonal affective disorder</a><span class="daisy"><a href="seasonal-affective-disorder.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../january.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/joke_backlinks.htm b/backlinks/joke.html index ce0fbc9..8ec79cd 100644 --- a/joke_backlinks.htm +++ b/backlinks/joke.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Joke | Autocento of the breakfast table</title> | 12 | <title>Joke | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="joke" class="meta"> | 23 | <body id="joke-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Joke</h1> | 29 | <h1 class="title">Joke</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="hymnal.html">Hymnal</a></li> | 40 | <li><a href="../hymnal.html">Hymnal</a><span class="daisy"><a href="hymnal.html">φ</a></span></li> |
| 41 | <li><a href="ouroboros_memory.html">Ouroboros of Memory</a></li> | 41 | <li><a href="../ouroboros_memory.html">Ouroboros of Memory</a><span class="daisy"><a href="ouroboros_memory.html">φ</a></span></li> |
| 42 | <li><a href="window.html">Window</a></li> | 42 | <li><a href="../window.html">Window</a><span class="daisy"><a href="window.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="joke.html" id="back-link" title="Back to article"> | 48 | <a href="../joke.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/backlinks/lappel-du-vide.html b/backlinks/lappel-du-vide.html new file mode 100644 index 0000000..9e58b43 --- /dev/null +++ b/backlinks/lappel-du-vide.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title><strong>TITLE</strong> | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="lappel-du-vide-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title"><strong>TITLE</strong></h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../cold-wind.html">Cold wind</a><span class="daisy"><a href="cold-wind.html">φ</a></span></li> | ||
| 41 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | ||
| 42 | <li><a href="../snow.html">Snow</a><span class="daisy"><a href="snow.html">φ</a></span></li> | ||
| 43 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> | ||
| 44 | <li><a href="../stayed-on-the-bus.html">Stayed on the bus too long</a><span class="daisy"><a href="stayed-on-the-bus.html">φ</a></span></li> | ||
| 45 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 46 | <li><a href="../what-we-are-made-of.html">What we are made of</a><span class="daisy"><a href="what-we-are-made-of.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../lappel-du-vide.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/largest-asteroid_backlinks.htm b/backlinks/largest-asteroid.html index f450b0c..4a72853 100644 --- a/largest-asteroid_backlinks.htm +++ b/backlinks/largest-asteroid.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The largest asteroid in the asteroid belt | Autocento of the breakfast table</title> | 12 | <title>The largest asteroid in the asteroid belt | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="largest-asteroid" class="meta"> | 23 | <body id="largest-asteroid-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">The largest asteroid in the asteroid belt</h1> | 29 | <h1 class="title">The largest asteroid in the asteroid belt</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="love-as-god.html">Love as God</a></li> | 40 | <li><a href="../love-as-god.html">Love as God</a><span class="daisy"><a href="love-as-god.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="largest-asteroid.html" id="back-link" title="Back to article"> | 46 | <a href="../largest-asteroid.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/backlinks/last-bastion.html b/backlinks/last-bastion.html new file mode 100644 index 0000000..18f8417 --- /dev/null +++ b/backlinks/last-bastion.html | |||
| @@ -0,0 +1,65 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Last bastion | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="last-bastion-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Last bastion</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../axe.html">Axe</a><span class="daisy"><a href="axe.html">φ</a></span></li> | ||
| 42 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | ||
| 43 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 44 | <li><a href="../leaf.html">Leaf</a><span class="daisy"><a href="leaf.html">φ</a></span></li> | ||
| 45 | <li><a href="../phone.html">Phone</a><span class="daisy"><a href="phone.html">φ</a></span></li> | ||
| 46 | <li><a href="../seasonal-affective-disorder.html">Seasonal affective disorder</a><span class="daisy"><a href="seasonal-affective-disorder.html">φ</a></span></li> | ||
| 47 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="../last-bastion.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/backlinks/last-passenger.html b/backlinks/last-passenger.html new file mode 100644 index 0000000..3c20580 --- /dev/null +++ b/backlinks/last-passenger.html | |||
| @@ -0,0 +1,69 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Last passenger | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="last-passenger-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Last passenger</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 42 | <li><a href="../and.html">And</a><span class="daisy"><a href="and.html">φ</a></span></li> | ||
| 43 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | ||
| 44 | <li><a href="../cereal.html">Cereal</a><span class="daisy"><a href="cereal.html">φ</a></span></li> | ||
| 45 | <li><a href="../leaf.html">Leaf</a><span class="daisy"><a href="leaf.html">φ</a></span></li> | ||
| 46 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 47 | <li><a href="../planks.html">Planks</a><span class="daisy"><a href="planks.html">φ</a></span></li> | ||
| 48 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> | ||
| 49 | <li><a href="../sapling.html">Sapling</a><span class="daisy"><a href="sapling.html">φ</a></span></li> | ||
| 50 | <li><a href="../the-night-we-met.html">The night we met, I was out of my mind</a><span class="daisy"><a href="the-night-we-met.html">φ</a></span></li> | ||
| 51 | <li><a href="../worse-looking-over.html">Worse looking over</a><span class="daisy"><a href="worse-looking-over.html">φ</a></span></li> | ||
| 52 | </ul> | ||
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="../last-passenger.html" id="backlinks" title="Links to this page"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 61 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | |||
| 64 | |||
| 65 | </nav> | ||
| 66 | |||
| 67 | |||
| 68 | </body> | ||
| 69 | </html> | ||
| diff --git a/leaf_backlinks.htm b/backlinks/leaf.html index 678f5bb..61b00ce 100644 --- a/leaf_backlinks.htm +++ b/backlinks/leaf.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Leaf | Autocento of the breakfast table</title> | 12 | <title>Leaf | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="leaf" class="meta"> | 23 | <body id="leaf-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Leaf</h1> | 29 | <h1 class="title">Leaf</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> |
| 41 | <li><a href="real-writer.html">A real writer</a></li> | 41 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> |
| 42 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 42 | </ul> | 43 | </ul> |
| 43 | </section> | 44 | </section> |
| 44 | </article> | 45 | </article> |
| 45 | <nav> | 46 | <nav> |
| 46 | <div class="anchors"> | 47 | <div class="anchors"> |
| 47 | <a href="leaf.html" id="back-link" title="Back to article"> | 48 | <a href="../leaf.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 49 | φ |
| 49 | </a> | 50 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 53 | </div> |
| 53 | 54 | ||
| 54 | 55 | ||
| diff --git a/leg_backlinks.htm b/backlinks/leg.html index f9b099b..079bb41 100644 --- a/leg_backlinks.htm +++ b/backlinks/leg.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Leg | Autocento of the breakfast table</title> | 12 | <title>Leg | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="leg" class="meta"> | 23 | <body id="leg-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Leg</h1> | 29 | <h1 class="title">Leg</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="collage-instrument.html">Instrumented</a></li> | 40 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="leg.html" id="back-link" title="Back to article"> | 46 | <a href="../leg.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/backlinks/likingthings.html b/backlinks/likingthings.html new file mode 100644 index 0000000..f0135ac --- /dev/null +++ b/backlinks/likingthings.html | |||
| @@ -0,0 +1,59 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Liking things | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="likingthings-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Liking things</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../tapestry.html">Tapestry</a><span class="daisy"><a href="tapestry.html">φ</a></span></li> | ||
| 41 | <li><a href="../words-meaning.html">Words and meaning</a><span class="daisy"><a href="words-meaning.html">φ</a></span></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="../likingthings.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/listen_backlinks.htm b/backlinks/listen.html index 457977e..6a1ab07 100644 --- a/listen_backlinks.htm +++ b/backlinks/listen.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Listen | Autocento of the breakfast table</title> | 12 | <title>Listen | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="listen" class="meta"> | 23 | <body id="listen-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Listen</h1> | 29 | <h1 class="title">Listen</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="joke.html">Joke</a></li> | 40 | <li><a href="../joke.html">Joke</a><span class="daisy"><a href="joke.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="listen.html" id="back-link" title="Back to article"> | 46 | <a href="../listen.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/backlinks/love-as-god.html b/backlinks/love-as-god.html new file mode 100644 index 0000000..2248c23 --- /dev/null +++ b/backlinks/love-as-god.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Love as god | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="love-as-god-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Love as god</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about_author.html">About Case Duckworth</a><span class="daisy"><a href="about_author.html">φ</a></span></li> | ||
| 41 | <li><a href="../hardware.html">Hardware</a><span class="daisy"><a href="hardware.html">φ</a></span></li> | ||
| 42 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> | ||
| 43 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 44 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../love-as-god.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/backlinks/lovesong.html b/backlinks/lovesong.html new file mode 100644 index 0000000..fc2bcf0 --- /dev/null +++ b/backlinks/lovesong.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Love song | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="lovesong-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Love song</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 41 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 42 | <li><a href="../proverbs.html">Proverbs</a><span class="daisy"><a href="proverbs.html">φ</a></span></li> | ||
| 43 | <li><a href="../spittle.html">Spittle</a><span class="daisy"><a href="spittle.html">φ</a></span></li> | ||
| 44 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 45 | <li><a href="../theoceanoverflowswithcamels.html">The ocean overflows with camels</a><span class="daisy"><a href="theoceanoverflowswithcamels.html">φ</a></span></li> | ||
| 46 | <li><a href="../walking-in-the-rain.html">Walking in the rain</a><span class="daisy"><a href="walking-in-the-rain.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../lovesong.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/man.html b/backlinks/man.html new file mode 100644 index 0000000..402971e --- /dev/null +++ b/backlinks/man.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Man | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="man-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Man</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | ||
| 42 | <li><a href="../hands.html">Hands</a><span class="daisy"><a href="hands.html">φ</a></span></li> | ||
| 43 | <li><a href="../largest-asteroid.html">The largest asteroid in the asteroid belt</a><span class="daisy"><a href="largest-asteroid.html">φ</a></span></li> | ||
| 44 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../man.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/hard-game_backlinks.htm b/backlinks/manifesto_poetics.html index 679746c..e72a059 100644 --- a/hard-game_backlinks.htm +++ b/backlinks/manifesto_poetics.html | |||
| @@ -9,25 +9,25 @@ | |||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>A hard game | Autocento of the breakfast table</title> | 12 | <title>A manifesto of poetics | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="hard-game" class="meta"> | 23 | <body id="manifesto_poetics-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">A hard game</h1> | 29 | <h1 class="title">A manifesto of poetics</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="fire.html">Fire</a></li> | 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> |
| 41 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 42 | <li><a href="stayed-on-the-bus.html">Stayed on the bus too long</a></li> | ||
| 43 | </ul> | 41 | </ul> |
| 44 | </section> | 42 | </section> |
| 45 | </article> | 43 | </article> |
| 46 | <nav> | 44 | <nav> |
| 47 | <div class="anchors"> | 45 | <div class="anchors"> |
| 48 | <a href="hard-game.html" id="back-link" title="Back to article"> | 46 | <a href="../manifesto_poetics.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 47 | φ |
| 50 | </a> | 48 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 51 | </div> |
| 54 | 52 | ||
| 55 | 53 | ||
| diff --git a/backlinks/moon-drowning.html b/backlinks/moon-drowning.html new file mode 100644 index 0000000..a9b0ce8 --- /dev/null +++ b/backlinks/moon-drowning.html | |||
| @@ -0,0 +1,65 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The moon is drowning | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="moon-drowning-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The moon is drowning</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> | ||
| 41 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 42 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 43 | <li><a href="../something-simple.html">“Let’s start with something simple:”</a><span class="daisy"><a href="something-simple.html">φ</a></span></li> | ||
| 44 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> | ||
| 45 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 46 | <li><a href="../window.html">Window</a><span class="daisy"><a href="window.html">φ</a></span></li> | ||
| 47 | <li><a href="../worse-looking-over.html">Worse looking over</a><span class="daisy"><a href="worse-looking-over.html">φ</a></span></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="../moon-drowning.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/backlinks/moongone.html b/backlinks/moongone.html new file mode 100644 index 0000000..14a1e13 --- /dev/null +++ b/backlinks/moongone.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The moon is gone and in its place a mirror | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="moongone-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The moon is gone and in its place a mirror</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../arspoetica.html">Ars poetica</a><span class="daisy"><a href="arspoetica.html">φ</a></span></li> | ||
| 41 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> | ||
| 42 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | ||
| 43 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> | ||
| 44 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> | ||
| 45 | <li><a href="../moon-drowning.html">The Moon is drowning</a><span class="daisy"><a href="moon-drowning.html">φ</a></span></li> | ||
| 46 | <li><a href="../swansong.html">Swan song</a><span class="daisy"><a href="swansong.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../moongone.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/mountain.html b/backlinks/mountain.html new file mode 100644 index 0000000..9e96990 --- /dev/null +++ b/backlinks/mountain.html | |||
| @@ -0,0 +1,67 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The mountain | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="mountain-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The mountain</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../boar.html">The boar</a><span class="daisy"><a href="boar.html">φ</a></span></li> | ||
| 42 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> | ||
| 43 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> | ||
| 44 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> | ||
| 45 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 46 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 47 | <li><a href="../squirrel.html">The squirrel</a><span class="daisy"><a href="squirrel.html">φ</a></span></li> | ||
| 48 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 49 | <li><a href="../telemarketer.html">Telemarketer</a><span class="daisy"><a href="telemarketer.html">φ</a></span></li> | ||
| 50 | </ul> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="../mountain.html" id="backlinks" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 59 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | |||
| 63 | </nav> | ||
| 64 | |||
| 65 | |||
| 66 | </body> | ||
| 67 | </html> | ||
| diff --git a/backlinks/movingsideways.html b/backlinks/movingsideways.html new file mode 100644 index 0000000..8ff7050 --- /dev/null +++ b/backlinks/movingsideways.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Moving sideways | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="movingsideways-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Moving sideways</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../creation-myth.html">Creation myth</a><span class="daisy"><a href="creation-myth.html">φ</a></span></li> | ||
| 41 | <li><a href="../early.html">Early</a><span class="daisy"><a href="early.html">φ</a></span></li> | ||
| 42 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | ||
| 43 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 44 | <li><a href="../squirrel.html">The squirrel</a><span class="daisy"><a href="squirrel.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../movingsideways.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/backlinks/music-433.html b/backlinks/music-433.html new file mode 100644 index 0000000..c2c5379 --- /dev/null +++ b/backlinks/music-433.html | |||
| @@ -0,0 +1,66 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Something about all music being performances of _4__TITLE__prime;33__TITLE_<em>Prime;</em> in places where other bands happen to be playing | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="music-433-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Something about all music being performances of _4__TITLE__prime;33__TITLE_<em>Prime;</em> in places where other bands happen to be playing</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | ||
| 42 | <li><a href="../art.html">Art</a><span class="daisy"><a href="art.html">φ</a></span></li> | ||
| 43 | <li><a href="../dream.html">Dream</a><span class="daisy"><a href="dream.html">φ</a></span></li> | ||
| 44 | <li><a href="../last-bastion.html">Last bastion</a><span class="daisy"><a href="last-bastion.html">φ</a></span></li> | ||
| 45 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> | ||
| 46 | <li><a href="../stump.html">Stump</a><span class="daisy"><a href="stump.html">φ</a></span></li> | ||
| 47 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 48 | <li><a href="../what-we-are-made-of.html">What we are made of</a><span class="daisy"><a href="what-we-are-made-of.html">φ</a></span></li> | ||
| 49 | </ul> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="../music-433.html" id="backlinks" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 58 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | |||
| 61 | |||
| 62 | </nav> | ||
| 63 | |||
| 64 | |||
| 65 | </body> | ||
| 66 | </html> | ||
| diff --git a/backlinks/no-nothing.html b/backlinks/no-nothing.html new file mode 100644 index 0000000..d2d8f1a --- /dev/null +++ b/backlinks/no-nothing.html | |||
| @@ -0,0 +1,71 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>No nothing | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="no-nothing-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">No nothing</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../big-dipper.html">The Big Dipper</a><span class="daisy"><a href="big-dipper.html">φ</a></span></li> | ||
| 42 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | ||
| 43 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> | ||
| 44 | <li><a href="../found-typewriter-poem.html">Look</a><span class="daisy"><a href="found-typewriter-poem.html">φ</a></span></li> | ||
| 45 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 46 | <li><a href="../nothing-is-ever-over.html">Nothing is ever over</a><span class="daisy"><a href="nothing-is-ever-over.html">φ</a></span></li> | ||
| 47 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 48 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 49 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 50 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> | ||
| 51 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 52 | <li><a href="../toothpaste.html">Toothpaste</a><span class="daisy"><a href="toothpaste.html">φ</a></span></li> | ||
| 53 | <li><a href="../walking-in-the-rain.html">Walking in the rain</a><span class="daisy"><a href="walking-in-the-rain.html">φ</a></span></li> | ||
| 54 | </ul> | ||
| 55 | </section> | ||
| 56 | </article> | ||
| 57 | <nav> | ||
| 58 | <div class="anchors"> | ||
| 59 | <a href="../no-nothing.html" id="backlinks" title="Links to this page"> | ||
| 60 | φ | ||
| 61 | </a> | ||
| 62 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 63 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 64 | </div> | ||
| 65 | |||
| 66 | |||
| 67 | </nav> | ||
| 68 | |||
| 69 | |||
| 70 | </body> | ||
| 71 | </html> | ||
| diff --git a/notes_backlinks.htm b/backlinks/notes.html index 631ff95..6ce25cb 100644 --- a/notes_backlinks.htm +++ b/backlinks/notes.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Notes | Autocento of the breakfast table</title> | 12 | <title>Notes | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="notes" class="meta"> | 23 | <body id="notes-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Notes</h1> | 29 | <h1 class="title">Notes</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="notes.html" id="back-link" title="Back to article"> | 44 | <a href="../notes.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/backlinks/nothing-is-ever-over.html b/backlinks/nothing-is-ever-over.html new file mode 100644 index 0000000..a4bb1f2 --- /dev/null +++ b/backlinks/nothing-is-ever-over.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Nothing is ever over | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="nothing-is-ever-over-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Nothing is ever over</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../i-think-its-you.html">I think it’s you</a><span class="daisy"><a href="i-think-its-you.html">φ</a></span></li> | ||
| 41 | <li><a href="../music-433.html">Something</a><span class="daisy"><a href="music-433.html">φ</a></span></li> | ||
| 42 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 43 | <li><a href="../worse-looking-over.html">Worse looking over</a><span class="daisy"><a href="worse-looking-over.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../nothing-is-ever-over.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/on-genre-dimension_backlinks.htm b/backlinks/on-genre-dimension.html index 1b1abec..292914e 100644 --- a/on-genre-dimension_backlinks.htm +++ b/backlinks/on-genre-dimension.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>On genre and the dimensionality of poetry | Autocento of the breakfast table</title> | 12 | <title>On genre and the dimensionality of poetry | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="on-genre-dimension" class="meta"> | 23 | <body id="on-genre-dimension-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">On genre and the dimensionality of poetry</h1> | 29 | <h1 class="title">On genre and the dimensionality of poetry</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,18 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 40 | </section> | 42 | </section> |
| 41 | </article> | 43 | </article> |
| 42 | <nav> | 44 | <nav> |
| 43 | <div class="anchors"> | 45 | <div class="anchors"> |
| 44 | <a href="on-genre-dimension.html" id="back-link" title="Back to article"> | 46 | <a href="../on-genre-dimension.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 47 | φ |
| 46 | </a> | 48 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 51 | </div> |
| 50 | 52 | ||
| 51 | 53 | ||
| diff --git a/backlinks/one-hundred-lines.html b/backlinks/one-hundred-lines.html new file mode 100644 index 0000000..745f33b --- /dev/null +++ b/backlinks/one-hundred-lines.html | |||
| @@ -0,0 +1,66 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>100 lines | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="one-hundred-lines-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">100 lines</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../creation-myth.html">Creation myth</a><span class="daisy"><a href="creation-myth.html">φ</a></span></li> | ||
| 42 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 43 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 44 | <li><a href="../punch.html">Punch</a><span class="daisy"><a href="punch.html">φ</a></span></li> | ||
| 45 | <li><a href="../riptide_memory.html">Riptide of memory</a><span class="daisy"><a href="riptide_memory.html">φ</a></span></li> | ||
| 46 | <li><a href="../snow.html">Snow</a><span class="daisy"><a href="snow.html">φ</a></span></li> | ||
| 47 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 48 | <li><a href="../the-night-we-met.html">The night we met, I was out of my mind</a><span class="daisy"><a href="the-night-we-met.html">φ</a></span></li> | ||
| 49 | </ul> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="../one-hundred-lines.html" id="backlinks" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 58 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | |||
| 61 | |||
| 62 | </nav> | ||
| 63 | |||
| 64 | |||
| 65 | </body> | ||
| 66 | </html> | ||
| diff --git a/onformalpoetry_backlinks.htm b/backlinks/onformalpoetry.html index 97a2bd7..8226a7a 100644 --- a/onformalpoetry_backlinks.htm +++ b/backlinks/onformalpoetry.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>On formal poetry | Autocento of the breakfast table</title> | 12 | <title>On formal poetry | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="onformalpoetry" class="meta"> | 23 | <body id="onformalpoetry-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">On formal poetry</h1> | 29 | <h1 class="title">On formal poetry</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="serengeti.html">Serengeti</a></li> | 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> |
| 41 | <li><a href="../serengeti.html">Serengeti</a><span class="daisy"><a href="serengeti.html">φ</a></span></li> | ||
| 41 | </ul> | 42 | </ul> |
| 42 | </section> | 43 | </section> |
| 43 | </article> | 44 | </article> |
| 44 | <nav> | 45 | <nav> |
| 45 | <div class="anchors"> | 46 | <div class="anchors"> |
| 46 | <a href="onformalpoetry.html" id="back-link" title="Back to article"> | 47 | <a href="../onformalpoetry.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 48 | φ |
| 48 | </a> | 49 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 52 | </div> |
| 52 | 53 | ||
| 53 | 54 | ||
| diff --git a/options_backlinks.htm b/backlinks/options.html index 1f92b61..59bacff 100644 --- a/options_backlinks.htm +++ b/backlinks/options.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Options | Autocento of the breakfast table</title> | 12 | <title>Options | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="options" class="meta"> | 23 | <body id="options-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Options</h1> | 29 | <h1 class="title">Options</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="about-the-author.html">About the author</a></li> | 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> |
| 41 | <li><a href="in-bed.html">In bed</a></li> | 41 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> |
| 42 | <li><a href="sapling.html">Sapling</a></li> | 42 | <li><a href="../sapling.html">Sapling</a><span class="daisy"><a href="sapling.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="options.html" id="back-link" title="Back to article"> | 48 | <a href="../options.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/backlinks/ouroboros_memory.html b/backlinks/ouroboros_memory.html new file mode 100644 index 0000000..ccb5167 --- /dev/null +++ b/backlinks/ouroboros_memory.html | |||
| @@ -0,0 +1,67 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Ouroboros of memory | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="ouroboros_memory-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Ouroboros of memory</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../art.html">Art</a><span class="daisy"><a href="art.html">φ</a></span></li> | ||
| 41 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | ||
| 42 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> | ||
| 43 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 44 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 45 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 46 | <li><a href="../riptide_memory.html">Riptide of memory</a><span class="daisy"><a href="riptide_memory.html">φ</a></span></li> | ||
| 47 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 48 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 49 | <li><a href="../tapestry.html">Tapestry</a><span class="daisy"><a href="tapestry.html">φ</a></span></li> | ||
| 50 | </ul> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="../ouroboros_memory.html" id="backlinks" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 59 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | |||
| 63 | </nav> | ||
| 64 | |||
| 65 | |||
| 66 | </body> | ||
| 67 | </html> | ||
| diff --git a/paul_backlinks.htm b/backlinks/paul.html index e6e72e7..40d0857 100644 --- a/paul_backlinks.htm +++ b/backlinks/paul.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Paul | Autocento of the breakfast table</title> | 12 | <title>Paul | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="paul" class="meta"> | 23 | <body id="paul-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Paul</h1> | 29 | <h1 class="title">Paul</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="paul.html" id="back-link" title="Back to article"> | 44 | <a href="../paul.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/peaches_backlinks.htm b/backlinks/peaches.html index bc58d9b..77996d7 100644 --- a/peaches_backlinks.htm +++ b/backlinks/peaches.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Peaches | Autocento of the breakfast table</title> | 12 | <title>Peaches | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="peaches" class="meta"> | 23 | <body id="peaches-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Peaches</h1> | 29 | <h1 class="title">Peaches</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="epigraph.html">epigraph</a></li> | 40 | <li><a href="../epigraph.html">epigraph</a><span class="daisy"><a href="epigraph.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="peaches.html" id="back-link" title="Back to article"> | 46 | <a href="../peaches.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/philosophy_backlinks.htm b/backlinks/philosophy.html index 3c4e002..43aacee 100644 --- a/philosophy_backlinks.htm +++ b/backlinks/philosophy.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Philosophy | Autocento of the breakfast table</title> | 12 | <title>Philosophy | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="philosophy" class="meta"> | 23 | <body id="philosophy-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Philosophy</h1> | 29 | <h1 class="title">Philosophy</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="howtoread.html">How to read this</a></li> | 40 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> |
| 41 | <li><a href="movingsideways.html">Moving Sideways</a></li> | 41 | <li><a href="../movingsideways.html">Moving Sideways</a><span class="daisy"><a href="movingsideways.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="philosophy.html" id="back-link" title="Back to article"> | 47 | <a href="../philosophy.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/phone_backlinks.htm b/backlinks/phone.html index 9e05580..4da182c 100644 --- a/phone_backlinks.htm +++ b/backlinks/phone.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Phone | Autocento of the breakfast table</title> | 12 | <title>Phone | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="phone" class="meta"> | 23 | <body id="phone-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Phone</h1> | 29 | <h1 class="title">Phone</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="music-433.html">Something</a></li> | 40 | <li><a href="../music-433.html">Something</a><span class="daisy"><a href="music-433.html">φ</a></span></li> |
| 41 | <li><a href="table_contents.html">Table of contents</a></li> | 41 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> |
| 42 | <li><a href="underwear.html">Underwear</a></li> | 42 | <li><a href="../underwear.html">Underwear</a><span class="daisy"><a href="underwear.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="phone.html" id="back-link" title="Back to article"> | 48 | <a href="../phone.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/planks_backlinks.htm b/backlinks/planks.html index bde8ba1..f0016c3 100644 --- a/planks_backlinks.htm +++ b/backlinks/planks.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Planks | Autocento of the breakfast table</title> | 12 | <title>Planks | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="planks" class="meta"> | 23 | <body id="planks-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Planks</h1> | 29 | <h1 class="title">Planks</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="found-typewriter-poem.html">Look</a></li> | 40 | <li><a href="../found-typewriter-poem.html">Look</a><span class="daisy"><a href="found-typewriter-poem.html">φ</a></span></li> |
| 41 | <li><a href="swear.html">Swear</a></li> | 41 | <li><a href="../swear.html">Swear</a><span class="daisy"><a href="swear.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="planks.html" id="back-link" title="Back to article"> | 47 | <a href="../planks.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/plant.html b/backlinks/plant.html new file mode 100644 index 0000000..39af07e --- /dev/null +++ b/backlinks/plant.html | |||
| @@ -0,0 +1,69 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Litany for a plant | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="plant-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Litany for a plant</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | ||
| 41 | <li><a href="../creation-myth.html">Creation myth</a><span class="daisy"><a href="creation-myth.html">φ</a></span></li> | ||
| 42 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | ||
| 43 | <li><a href="../found-typewriter-poem.html">Look</a><span class="daisy"><a href="found-typewriter-poem.html">φ</a></span></li> | ||
| 44 | <li><a href="../i-am.html">I am</a><span class="daisy"><a href="i-am.html">φ</a></span></li> | ||
| 45 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 46 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 47 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 48 | <li><a href="../listen.html">Listen</a><span class="daisy"><a href="listen.html">φ</a></span></li> | ||
| 49 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 50 | <li><a href="../the-night-we-met.html">The night we met, I was out of my mind</a><span class="daisy"><a href="the-night-we-met.html">φ</a></span></li> | ||
| 51 | <li><a href="../the-sea_the-beach.html">The sea and the beach</a><span class="daisy"><a href="the-sea_the-beach.html">φ</a></span></li> | ||
| 52 | </ul> | ||
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="../plant.html" id="backlinks" title="Links to this page"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 61 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | |||
| 64 | |||
| 65 | </nav> | ||
| 66 | |||
| 67 | |||
| 68 | </body> | ||
| 69 | </html> | ||
| diff --git a/backlinks/poetry-time.html b/backlinks/poetry-time.html new file mode 100644 index 0000000..b65bdc1 --- /dev/null +++ b/backlinks/poetry-time.html | |||
| @@ -0,0 +1,65 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Something about the nature of poetry and time | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="poetry-time-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Something about the nature of poetry and time</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | ||
| 42 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> | ||
| 43 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> | ||
| 44 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 45 | <li><a href="../roughgloves.html">Rough gloves</a><span class="daisy"><a href="roughgloves.html">φ</a></span></li> | ||
| 46 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> | ||
| 47 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="../poetry-time.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/backlinks/prelude.html b/backlinks/prelude.html new file mode 100644 index 0000000..4c3be83 --- /dev/null +++ b/backlinks/prelude.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Prelude | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="prelude-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Prelude</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> | ||
| 42 | <li><a href="../manifesto_poetics.html">Manifesto of poetics</a><span class="daisy"><a href="manifesto_poetics.html">φ</a></span></li> | ||
| 43 | <li><a href="../purpose-dogs.html">The purpose of dogs</a><span class="daisy"><a href="purpose-dogs.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../prelude.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/problems_backlinks.htm b/backlinks/problems.html index bd66a62..09c86fe 100644 --- a/problems_backlinks.htm +++ b/backlinks/problems.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Problems | Autocento of the breakfast table</title> | 12 | <title>Problems | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="problems" class="meta"> | 23 | <body id="problems-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Problems</h1> | 29 | <h1 class="title">Problems</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="howithappened.html">How it happened</a></li> | 40 | <li><a href="../howithappened.html">How it happened</a><span class="daisy"><a href="howithappened.html">φ</a></span></li> |
| 41 | <li><a href="toothpaste.html">Toothpaste</a></li> | 41 | <li><a href="../toothpaste.html">Toothpaste</a><span class="daisy"><a href="toothpaste.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="problems.html" id="back-link" title="Back to article"> | 47 | <a href="../problems.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/process.html b/backlinks/process.html new file mode 100644 index 0000000..ccd68f7 --- /dev/null +++ b/backlinks/process.html | |||
| @@ -0,0 +1,59 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Process narrative | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="process-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Process narrative</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../abstract.html">Autocento of the breakfast table</a><span class="daisy"><a href="abstract.html">φ</a></span></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="../process.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/proverbs_backlinks.htm b/backlinks/proverbs.html index 530cbf1..c031030 100644 --- a/proverbs_backlinks.htm +++ b/backlinks/proverbs.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Proverbs | Autocento of the breakfast table</title> | 12 | <title>Proverbs | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="proverbs" class="meta"> | 23 | <body id="proverbs-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Proverbs</h1> | 29 | <h1 class="title">Proverbs</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="plant.html">Litany for a plant</a></li> | 40 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="proverbs.html" id="back-link" title="Back to article"> | 46 | <a href="../proverbs.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/punch_backlinks.htm b/backlinks/punch.html index f154d93..28955a1 100644 --- a/punch_backlinks.htm +++ b/backlinks/punch.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Punch | Autocento of the breakfast table</title> | 12 | <title>Punch | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="punch" class="meta"> | 23 | <body id="punch-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Punch</h1> | 29 | <h1 class="title">Punch</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="punch.html" id="back-link" title="Back to article"> | 44 | <a href="../punch.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/purpose-dogs_backlinks.htm b/backlinks/purpose-dogs.html index c5978c5..821ec9c 100644 --- a/purpose-dogs_backlinks.htm +++ b/backlinks/purpose-dogs.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The purpose of dogs | Autocento of the breakfast table</title> | 12 | <title>The purpose of dogs | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="purpose-dogs" class="meta"> | 23 | <body id="purpose-dogs-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">The purpose of dogs</h1> | 29 | <h1 class="title">The purpose of dogs</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="feedingtheraven.html">Feeding the raven</a></li> | 40 | <li><a href="../feedingtheraven.html">Feeding the raven</a><span class="daisy"><a href="feedingtheraven.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="purpose-dogs.html" id="back-link" title="Back to article"> | 46 | <a href="../purpose-dogs.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/question_backlinks.htm b/backlinks/question.html index 2119938..d4d6d28 100644 --- a/question_backlinks.htm +++ b/backlinks/question.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Question | Autocento of the breakfast table</title> | 12 | <title>Question | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="question" class="meta"> | 23 | <body id="question-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Question</h1> | 29 | <h1 class="title">Question</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="exasperated.html">Exasperated</a></li> | 40 | <li><a href="../exasperated.html">Exasperated</a><span class="daisy"><a href="exasperated.html">φ</a></span></li> |
| 41 | <li><a href="i-want-to-say.html">I want to say</a></li> | 41 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="question.html" id="back-link" title="Back to article"> | 47 | <a href="../question.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/real-writer.html b/backlinks/real-writer.html new file mode 100644 index 0000000..238fdea --- /dev/null +++ b/backlinks/real-writer.html | |||
| @@ -0,0 +1,65 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>A real writer | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="real-writer-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">A real writer</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../early.html">Early</a><span class="daisy"><a href="early.html">φ</a></span></li> | ||
| 41 | <li><a href="../hardware.html">Hardware</a><span class="daisy"><a href="hardware.html">φ</a></span></li> | ||
| 42 | <li><a href="../january.html">January</a><span class="daisy"><a href="january.html">φ</a></span></li> | ||
| 43 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> | ||
| 44 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> | ||
| 45 | <li><a href="../shed.html">Shed</a><span class="daisy"><a href="shed.html">φ</a></span></li> | ||
| 46 | <li><a href="../the-sea_the-beach.html">The sea and the beach</a><span class="daisy"><a href="the-sea_the-beach.html">φ</a></span></li> | ||
| 47 | <li><a href="../when-im-sorry-i.html">When I’m sorry I wash dishes</a><span class="daisy"><a href="when-im-sorry-i.html">φ</a></span></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="../real-writer.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/reports_backlinks.htm b/backlinks/reports.html index 4af93c4..ffbd096 100644 --- a/reports_backlinks.htm +++ b/backlinks/reports.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Reports | Autocento of the breakfast table</title> | 12 | <title>Reports | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="reports" class="meta"> | 23 | <body id="reports-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Reports</h1> | 29 | <h1 class="title">Reports</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="initial-conditions.html">Initial conditions</a></li> | 40 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> |
| 41 | <li><a href="telemarketer.html">Telemarketer</a></li> | 41 | <li><a href="../telemarketer.html">Telemarketer</a><span class="daisy"><a href="telemarketer.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="reports.html" id="back-link" title="Back to article"> | 47 | <a href="../reports.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/riptide_memory.html b/backlinks/riptide_memory.html new file mode 100644 index 0000000..ac85dde --- /dev/null +++ b/backlinks/riptide_memory.html | |||
| @@ -0,0 +1,72 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Riptide of memory | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="riptide_memory-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Riptide of memory</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../axe.html">Axe</a><span class="daisy"><a href="axe.html">φ</a></span></li> | ||
| 42 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | ||
| 43 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | ||
| 44 | <li><a href="../father.html">Father</a><span class="daisy"><a href="father.html">φ</a></span></li> | ||
| 45 | <li><a href="../peaches.html">Peaches</a><span class="daisy"><a href="peaches.html">φ</a></span></li> | ||
| 46 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 47 | <li><a href="../question.html">Question</a><span class="daisy"><a href="question.html">φ</a></span></li> | ||
| 48 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 49 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 50 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> | ||
| 51 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 52 | <li><a href="../the-night-we-met.html">The night we met, I was out of my mind</a><span class="daisy"><a href="the-night-we-met.html">φ</a></span></li> | ||
| 53 | <li><a href="../underwear.html">Underwear</a><span class="daisy"><a href="underwear.html">φ</a></span></li> | ||
| 54 | <li><a href="../what-we-are-made-of.html">What we are made of</a><span class="daisy"><a href="what-we-are-made-of.html">φ</a></span></li> | ||
| 55 | </ul> | ||
| 56 | </section> | ||
| 57 | </article> | ||
| 58 | <nav> | ||
| 59 | <div class="anchors"> | ||
| 60 | <a href="../riptide_memory.html" id="backlinks" title="Links to this page"> | ||
| 61 | φ | ||
| 62 | </a> | ||
| 63 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 64 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 65 | </div> | ||
| 66 | |||
| 67 | |||
| 68 | </nav> | ||
| 69 | |||
| 70 | |||
| 71 | </body> | ||
| 72 | </html> | ||
| diff --git a/backlinks/ronaldmcdonald.html b/backlinks/ronaldmcdonald.html new file mode 100644 index 0000000..d0331c9 --- /dev/null +++ b/backlinks/ronaldmcdonald.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Ronald McDonald | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="ronaldmcdonald-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Ronald McDonald</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> | ||
| 41 | <li><a href="../onformalpoetry.html">On formal poetry</a><span class="daisy"><a href="onformalpoetry.html">φ</a></span></li> | ||
| 42 | <li><a href="../problems.html">Problems</a><span class="daisy"><a href="problems.html">φ</a></span></li> | ||
| 43 | <li><a href="../window.html">Window</a><span class="daisy"><a href="window.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../ronaldmcdonald.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/roughgloves.html b/backlinks/roughgloves.html new file mode 100644 index 0000000..1ff01e5 --- /dev/null +++ b/backlinks/roughgloves.html | |||
| @@ -0,0 +1,68 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Rough gloves | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="roughgloves-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Rough gloves</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../and.html">And</a><span class="daisy"><a href="and.html">φ</a></span></li> | ||
| 41 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | ||
| 42 | <li><a href="../call-me-aural-pleasure.html">Call me</a><span class="daisy"><a href="call-me-aural-pleasure.html">φ</a></span></li> | ||
| 43 | <li><a href="../last-passenger.html">Last passenger</a><span class="daisy"><a href="last-passenger.html">φ</a></span></li> | ||
| 44 | <li><a href="../onformalpoetry.html">On formal poetry</a><span class="daisy"><a href="onformalpoetry.html">φ</a></span></li> | ||
| 45 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 46 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 47 | <li><a href="../ronaldmcdonald.html">Ronald McDonald</a><span class="daisy"><a href="ronaldmcdonald.html">φ</a></span></li> | ||
| 48 | <li><a href="../tapestry.html">Tapestry</a><span class="daisy"><a href="tapestry.html">φ</a></span></li> | ||
| 49 | <li><a href="../theoceanoverflowswithcamels.html">The ocean overflows with camels</a><span class="daisy"><a href="theoceanoverflowswithcamels.html">φ</a></span></li> | ||
| 50 | <li><a href="../x-ray.html">X-ray</a><span class="daisy"><a href="x-ray.html">φ</a></span></li> | ||
| 51 | </ul> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="../roughgloves.html" id="backlinks" title="Links to this page"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 60 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | |||
| 63 | |||
| 64 | </nav> | ||
| 65 | |||
| 66 | |||
| 67 | </body> | ||
| 68 | </html> | ||
| diff --git a/sapling_backlinks.htm b/backlinks/sapling.html index 54ae3e5..ce12ae4 100644 --- a/sapling_backlinks.htm +++ b/backlinks/sapling.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Sapling | Autocento of the breakfast table</title> | 12 | <title>Sapling | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="sapling" class="meta"> | 23 | <body id="sapling-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Sapling</h1> | 29 | <h1 class="title">Sapling</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="sapling.html" id="back-link" title="Back to article"> | 44 | <a href="../sapling.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/backlinks/seasonal-affective-disorder.html b/backlinks/seasonal-affective-disorder.html new file mode 100644 index 0000000..156ddf8 --- /dev/null +++ b/backlinks/seasonal-affective-disorder.html | |||
| @@ -0,0 +1,63 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Seasonal affective disorder | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="seasonal-affective-disorder-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Seasonal affective disorder</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../january.html">January</a><span class="daisy"><a href="january.html">φ</a></span></li> | ||
| 41 | <li><a href="../notes.html">Notes</a><span class="daisy"><a href="notes.html">φ</a></span></li> | ||
| 42 | <li><a href="../reports.html">Reports</a><span class="daisy"><a href="reports.html">φ</a></span></li> | ||
| 43 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> | ||
| 44 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 45 | <li><a href="../walking-in-the-rain.html">Walking in the rain</a><span class="daisy"><a href="walking-in-the-rain.html">φ</a></span></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="../seasonal-affective-disorder.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/backlinks/sense-of-it.html b/backlinks/sense-of-it.html new file mode 100644 index 0000000..33558bb --- /dev/null +++ b/backlinks/sense-of-it.html | |||
| @@ -0,0 +1,63 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Sense of it | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="sense-of-it-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Sense of it</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../art.html">Art</a><span class="daisy"><a href="art.html">φ</a></span></li> | ||
| 41 | <li><a href="../fire.html">Fire</a><span class="daisy"><a href="fire.html">φ</a></span></li> | ||
| 42 | <li><a href="../hard-game.html">A hard game</a><span class="daisy"><a href="hard-game.html">φ</a></span></li> | ||
| 43 | <li><a href="../lappel-du-vide.html">L’appel du vide</a><span class="daisy"><a href="lappel-du-vide.html">φ</a></span></li> | ||
| 44 | <li><a href="../last-bastion.html">Last bastion</a><span class="daisy"><a href="last-bastion.html">φ</a></span></li> | ||
| 45 | <li><a href="../stagnant.html">Stagnant</a><span class="daisy"><a href="stagnant.html">φ</a></span></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="../sense-of-it.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/backlinks/serengeti.html b/backlinks/serengeti.html new file mode 100644 index 0000000..38001a1 --- /dev/null +++ b/backlinks/serengeti.html | |||
| @@ -0,0 +1,63 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Serengeti | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="serengeti-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Serengeti</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../early.html">Early</a><span class="daisy"><a href="early.html">φ</a></span></li> | ||
| 41 | <li><a href="../listen.html">Listen</a><span class="daisy"><a href="listen.html">φ</a></span></li> | ||
| 42 | <li><a href="../moongone.html">The moon is gone and in its place a mirror</a><span class="daisy"><a href="moongone.html">φ</a></span></li> | ||
| 43 | <li><a href="../roughgloves.html">Rough gloves</a><span class="daisy"><a href="roughgloves.html">φ</a></span></li> | ||
| 44 | <li><a href="../snow.html">Snow</a><span class="daisy"><a href="snow.html">φ</a></span></li> | ||
| 45 | <li><a href="../the-sea_the-beach.html">The sea and the beach</a><span class="daisy"><a href="the-sea_the-beach.html">φ</a></span></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="../serengeti.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/shed_backlinks.htm b/backlinks/shed.html index 565cffa..8e3b659 100644 --- a/shed_backlinks.htm +++ b/backlinks/shed.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Shed | Autocento of the breakfast table</title> | 12 | <title>Shed | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="shed" class="meta"> | 23 | <body id="shed-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Shed</h1> | 29 | <h1 class="title">Shed</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,18 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | <li><a href="about.html">Autocento of the breakfast table</a></li> | ||
| 41 | </ul> | ||
| 42 | </section> | 40 | </section> |
| 43 | </article> | 41 | </article> |
| 44 | <nav> | 42 | <nav> |
| 45 | <div class="anchors"> | 43 | <div class="anchors"> |
| 46 | <a href="shed.html" id="back-link" title="Back to article"> | 44 | <a href="../shed.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 45 | φ |
| 48 | </a> | 46 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 49 | </div> |
| 52 | 50 | ||
| 53 | 51 | ||
| diff --git a/backlinks/shipwright.html b/backlinks/shipwright.html new file mode 100644 index 0000000..f803d55 --- /dev/null +++ b/backlinks/shipwright.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Shipwright | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="shipwright-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Shipwright</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../early.html">Early</a><span class="daisy"><a href="early.html">φ</a></span></li> | ||
| 41 | <li><a href="../howithappened.html">How it happened</a><span class="daisy"><a href="howithappened.html">φ</a></span></li> | ||
| 42 | <li><a href="../riptide_memory.html">Riptide of memory</a><span class="daisy"><a href="riptide_memory.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../shipwright.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/backlinks/sixteenth-chapel.html b/backlinks/sixteenth-chapel.html new file mode 100644 index 0000000..830b7ac --- /dev/null +++ b/backlinks/sixteenth-chapel.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The sixteenth chapel | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="sixteenth-chapel-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The sixteenth chapel</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../hardware.html">Hardware</a><span class="daisy"><a href="hardware.html">φ</a></span></li> | ||
| 42 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> | ||
| 43 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../sixteenth-chapel.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/snow_backlinks.htm b/backlinks/snow.html index 754b56c..23b1af6 100644 --- a/snow_backlinks.htm +++ b/backlinks/snow.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Snow | Autocento of the breakfast table</title> | 12 | <title>Snow | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="snow" class="meta"> | 23 | <body id="snow-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Snow</h1> | 29 | <h1 class="title">Snow</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="january.html">January</a></li> | 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> |
| 41 | <li><a href="../january.html">January</a><span class="daisy"><a href="january.html">φ</a></span></li> | ||
| 41 | </ul> | 42 | </ul> |
| 42 | </section> | 43 | </section> |
| 43 | </article> | 44 | </article> |
| 44 | <nav> | 45 | <nav> |
| 45 | <div class="anchors"> | 46 | <div class="anchors"> |
| 46 | <a href="snow.html" id="back-link" title="Back to article"> | 47 | <a href="../snow.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 48 | φ |
| 48 | </a> | 49 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 52 | </div> |
| 52 | 53 | ||
| 53 | 54 | ||
| diff --git a/backlinks/something-simple.html b/backlinks/something-simple.html new file mode 100644 index 0000000..60b89e6 --- /dev/null +++ b/backlinks/something-simple.html | |||
| @@ -0,0 +1,59 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Something simple | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="something-simple-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Something simple</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../notes.html">Notes</a><span class="daisy"><a href="notes.html">φ</a></span></li> | ||
| 41 | <li><a href="../the-sea_the-beach.html">The sea and the beach</a><span class="daisy"><a href="the-sea_the-beach.html">φ</a></span></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="../something-simple.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/backlinks/spittle.html b/backlinks/spittle.html new file mode 100644 index 0000000..3e22592 --- /dev/null +++ b/backlinks/spittle.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Spittle | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="spittle-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Spittle</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../call-me-aural-pleasure.html">Call me</a><span class="daisy"><a href="call-me-aural-pleasure.html">φ</a></span></li> | ||
| 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | ||
| 42 | <li><a href="../epigraph.html">epigraph</a><span class="daisy"><a href="epigraph.html">φ</a></span></li> | ||
| 43 | <li><a href="../nothing-is-ever-over.html">Nothing is ever over</a><span class="daisy"><a href="nothing-is-ever-over.html">φ</a></span></li> | ||
| 44 | <li><a href="../philosophy.html">Philosophy</a><span class="daisy"><a href="philosophy.html">φ</a></span></li> | ||
| 45 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> | ||
| 46 | <li><a href="../weplayedthosegamestoo.html">We played those games too</a><span class="daisy"><a href="weplayedthosegamestoo.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../spittle.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/squirrel_backlinks.htm b/backlinks/squirrel.html index 7a8d6a0..5b10557 100644 --- a/squirrel_backlinks.htm +++ b/backlinks/squirrel.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The squirrel | Autocento of the breakfast table</title> | 12 | <title>The squirrel | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="squirrel" class="meta"> | 23 | <body id="squirrel-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">The squirrel</h1> | 29 | <h1 class="title">The squirrel</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="found-typewriter-poem.html">Look</a></li> | 40 | <li><a href="../found-typewriter-poem.html">Look</a><span class="daisy"><a href="found-typewriter-poem.html">φ</a></span></li> |
| 41 | <li><a href="serengeti.html">Serengeti</a></li> | 41 | <li><a href="../serengeti.html">Serengeti</a><span class="daisy"><a href="serengeti.html">φ</a></span></li> |
| 42 | <li><a href="stump.html">Stump</a></li> | 42 | <li><a href="../stump.html">Stump</a><span class="daisy"><a href="stump.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="squirrel.html" id="back-link" title="Back to article"> | 48 | <a href="../squirrel.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/stagnant_backlinks.htm b/backlinks/stagnant.html index 91f8b9a..0a1365a 100644 --- a/stagnant_backlinks.htm +++ b/backlinks/stagnant.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Stagnant | Autocento of the breakfast table</title> | 12 | <title>Stagnant | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="stagnant" class="meta"> | 23 | <body id="stagnant-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Stagnant</h1> | 29 | <h1 class="title">Stagnant</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="sense-of-it.html">Sense of it</a></li> | 40 | <li><a href="../sense-of-it.html">Sense of it</a><span class="daisy"><a href="sense-of-it.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="stagnant.html" id="back-link" title="Back to article"> | 46 | <a href="../stagnant.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/backlinks/statements-frag.html b/backlinks/statements-frag.html new file mode 100644 index 0000000..0cf9d49 --- /dev/null +++ b/backlinks/statements-frag.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Statements | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="statements-frag-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Statements</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../amber-alert.html">AMBER alert</a><span class="daisy"><a href="amber-alert.html">φ</a></span></li> | ||
| 42 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | ||
| 43 | <li><a href="../on-genre-dimension.html">On genre and the dimensionality of poetry</a><span class="daisy"><a href="on-genre-dimension.html">φ</a></span></li> | ||
| 44 | <li><a href="../peaches.html">Peaches</a><span class="daisy"><a href="peaches.html">φ</a></span></li> | ||
| 45 | <li><a href="../toothpaste.html">Toothpaste</a><span class="daisy"><a href="toothpaste.html">φ</a></span></li> | ||
| 46 | <li><a href="../wallpaper.html">Wallpaper</a><span class="daisy"><a href="wallpaper.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../statements-frag.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/stayed-on-the-bus_backlinks.htm b/backlinks/stayed-on-the-bus.html index 9ece94e..fefd5b7 100644 --- a/stayed-on-the-bus_backlinks.htm +++ b/backlinks/stayed-on-the-bus.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Stayed on the bus too long | Autocento of the breakfast table</title> | 12 | <title>Stayed on the bus too long | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="stayed-on-the-bus" class="meta"> | 23 | <body id="stayed-on-the-bus-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Stayed on the bus too long</h1> | 29 | <h1 class="title">Stayed on the bus too long</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="about-the-author.html">About the author</a></li> | 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> |
| 41 | <li><a href="stagnant.html">Stagnant</a></li> | 41 | <li><a href="../stagnant.html">Stagnant</a><span class="daisy"><a href="stagnant.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="stayed-on-the-bus.html" id="back-link" title="Back to article"> | 47 | <a href="../stayed-on-the-bus.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/stump_backlinks.htm b/backlinks/stump.html index f8ced17..b7ba400 100644 --- a/stump_backlinks.htm +++ b/backlinks/stump.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Stump | Autocento of the breakfast table</title> | 12 | <title>Stump | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="stump" class="meta"> | 23 | <body id="stump-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Stump</h1> | 29 | <h1 class="title">Stump</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="i-think-its-you.html">I think it’s you (but it’s not)</a></li> | 40 | <li><a href="../i-think-its-you.html">I think it’s you</a><span class="daisy"><a href="i-think-its-you.html">φ</a></span></li> |
| 41 | <li><a href="initial-conditions.html">Initial conditions</a></li> | 41 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> |
| 42 | <li><a href="leg.html">Leg</a></li> | 42 | <li><a href="../leg.html">Leg</a><span class="daisy"><a href="leg.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="stump.html" id="back-link" title="Back to article"> | 48 | <a href="../stump.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/backlinks/swansong-alt.html b/backlinks/swansong-alt.html new file mode 100644 index 0000000..e506b99 --- /dev/null +++ b/backlinks/swansong-alt.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Swan song (alternate) | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="swansong-alt-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Swan song (alternate)</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | ||
| 41 | <li><a href="../music-433.html">Something</a><span class="daisy"><a href="music-433.html">φ</a></span></li> | ||
| 42 | <li><a href="../swansong.html">Swan song</a><span class="daisy"><a href="swansong.html">φ</a></span></li> | ||
| 43 | <li><a href="../walking-in-the-rain.html">Walking in the rain</a><span class="daisy"><a href="walking-in-the-rain.html">φ</a></span></li> | ||
| 44 | <li><a href="../writing.html">Writing</a><span class="daisy"><a href="writing.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../swansong-alt.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/swansong_backlinks.htm b/backlinks/swansong.html index 12c131b..64e44b4 100644 --- a/swansong_backlinks.htm +++ b/backlinks/swansong.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Swan song | Autocento of the breakfast table</title> | 12 | <title>Swan song | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="swansong" class="meta"> | 23 | <body id="swansong-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Swan song</h1> | 29 | <h1 class="title">Swan song</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="lovesong.html">Love Song</a></li> | 40 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> |
| 41 | <li><a href="music-433.html">Something</a></li> | 41 | <li><a href="../music-433.html">Something</a><span class="daisy"><a href="music-433.html">φ</a></span></li> |
| 42 | <li><a href="swansong-alt.html">Swansong</a></li> | 42 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="swansong.html" id="back-link" title="Back to article"> | 48 | <a href="../swansong.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/swear_backlinks.htm b/backlinks/swear.html index a16143f..04342ab 100644 --- a/swear_backlinks.htm +++ b/backlinks/swear.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Swear | Autocento of the breakfast table</title> | 12 | <title>Swear | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="swear" class="meta"> | 23 | <body id="swear-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Swear</h1> | 29 | <h1 class="title">Swear</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="planks.html">Planks</a></li> | 40 | <li><a href="../planks.html">Planks</a><span class="daisy"><a href="planks.html">φ</a></span></li> |
| 41 | <li><a href="writing.html">Writing</a></li> | 41 | <li><a href="../writing.html">Writing</a><span class="daisy"><a href="writing.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="swear.html" id="back-link" title="Back to article"> | 47 | <a href="../swear.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/table_contents.html b/backlinks/table_contents.html new file mode 100644 index 0000000..d38c9ec --- /dev/null +++ b/backlinks/table_contents.html | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>A table of contents | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="table_contents-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">A table of contents</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> | ||
| 42 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../table_contents.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/tapestry_backlinks.htm b/backlinks/tapestry.html index 6bb9863..1d41436 100644 --- a/tapestry_backlinks.htm +++ b/backlinks/tapestry.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Tapestry | Autocento of the breakfast table</title> | 12 | <title>Tapestry | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="tapestry" class="meta"> | 23 | <body id="tapestry-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Tapestry</h1> | 29 | <h1 class="title">Tapestry</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="exasperated.html">Exasperated</a></li> | 40 | <li><a href="../exasperated.html">Exasperated</a><span class="daisy"><a href="exasperated.html">φ</a></span></li> |
| 41 | <li><a href="january.html">January</a></li> | 41 | <li><a href="../january.html">January</a><span class="daisy"><a href="january.html">φ</a></span></li> |
| 42 | <li><a href="love-as-god.html">Love as God</a></li> | 42 | <li><a href="../love-as-god.html">Love as God</a><span class="daisy"><a href="love-as-god.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="tapestry.html" id="back-link" title="Back to article"> | 48 | <a href="../tapestry.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/backlinks/telemarketer.html b/backlinks/telemarketer.html new file mode 100644 index 0000000..8ee02e1 --- /dev/null +++ b/backlinks/telemarketer.html | |||
| @@ -0,0 +1,65 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Telemarketer | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="telemarketer-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Telemarketer</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../boar.html">The boar</a><span class="daisy"><a href="boar.html">φ</a></span></li> | ||
| 41 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 42 | <li><a href="../lappel-du-vide.html">L’appel du vide</a><span class="daisy"><a href="lappel-du-vide.html">φ</a></span></li> | ||
| 43 | <li><a href="../movingsideways.html">Moving Sideways</a><span class="daisy"><a href="movingsideways.html">φ</a></span></li> | ||
| 44 | <li><a href="../notes.html">Notes</a><span class="daisy"><a href="notes.html">φ</a></span></li> | ||
| 45 | <li><a href="../phone.html">Phone</a><span class="daisy"><a href="phone.html">φ</a></span></li> | ||
| 46 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 47 | <li><a href="../writing.html">Writing</a><span class="daisy"><a href="writing.html">φ</a></span></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="../telemarketer.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/backlinks/the-night-we-met.html b/backlinks/the-night-we-met.html new file mode 100644 index 0000000..78605fd --- /dev/null +++ b/backlinks/the-night-we-met.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The night we met, I was out of my mind | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="the-night-we-met-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The night we met, I was out of my mind</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> | ||
| 41 | <li><a href="../leaf.html">Leaf</a><span class="daisy"><a href="leaf.html">φ</a></span></li> | ||
| 42 | <li><a href="../seasonal-affective-disorder.html">Seasonal affective disorder</a><span class="daisy"><a href="seasonal-affective-disorder.html">φ</a></span></li> | ||
| 43 | <li><a href="../sense-of-it.html">Sense of it</a><span class="daisy"><a href="sense-of-it.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../the-night-we-met.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/the-sea_the-beach.html b/backlinks/the-sea_the-beach.html new file mode 100644 index 0000000..9eeaa34 --- /dev/null +++ b/backlinks/the-sea_the-beach.html | |||
| @@ -0,0 +1,63 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The sea and the beach | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="the-sea_the-beach-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The sea and the beach</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | ||
| 41 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 42 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 43 | <li><a href="../joke.html">Joke</a><span class="daisy"><a href="joke.html">φ</a></span></li> | ||
| 44 | <li><a href="../listen.html">Listen</a><span class="daisy"><a href="listen.html">φ</a></span></li> | ||
| 45 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="../the-sea_the-beach.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/backlinks/theoceanoverflowswithcamels.html b/backlinks/theoceanoverflowswithcamels.html new file mode 100644 index 0000000..708ab12 --- /dev/null +++ b/backlinks/theoceanoverflowswithcamels.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The ocean overflows with camels | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="theoceanoverflowswithcamels-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The ocean overflows with camels</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 41 | <li><a href="../likingthings.html">Liking Things</a><span class="daisy"><a href="likingthings.html">φ</a></span></li> | ||
| 42 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 43 | <li><a href="../ronaldmcdonald.html">Ronald McDonald</a><span class="daisy"><a href="ronaldmcdonald.html">φ</a></span></li> | ||
| 44 | <li><a href="../shipwright.html">The shipwright</a><span class="daisy"><a href="shipwright.html">φ</a></span></li> | ||
| 45 | <li><a href="../stayed-on-the-bus.html">Stayed on the bus too long</a><span class="daisy"><a href="stayed-on-the-bus.html">φ</a></span></li> | ||
| 46 | <li><a href="../telemarketer.html">Telemarketer</a><span class="daisy"><a href="telemarketer.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../theoceanoverflowswithcamels.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/time-looks-up-to-the-sky_backlinks.htm b/backlinks/time-looks-up-to-the-sky.html index ad9d20d..daf0ac2 100644 --- a/time-looks-up-to-the-sky_backlinks.htm +++ b/backlinks/time-looks-up-to-the-sky.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Time looks up to the sky | Autocento of the breakfast table</title> | 12 | <title>Time looks up to the sky | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="time-looks-up-to-the-sky" class="meta"> | 23 | <body id="time-looks-up-to-the-sky-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Time looks up to the sky</h1> | 29 | <h1 class="title">Time looks up to the sky</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="cereal.html">Cereal</a></li> | 40 | <li><a href="../cereal.html">Cereal</a><span class="daisy"><a href="cereal.html">φ</a></span></li> |
| 41 | <li><a href="swansong-alt.html">Swansong</a></li> | 41 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="time-looks-up-to-the-sky.html" id="back-link" title="Back to article"> | 47 | <a href="../time-looks-up-to-the-sky.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/todaniel_backlinks.htm b/backlinks/todaniel.html index e03fbf8..ed49791 100644 --- a/todaniel_backlinks.htm +++ b/backlinks/todaniel.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>To Daniel | Autocento of the breakfast table</title> | 12 | <title>To Daniel | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="todaniel" class="meta"> | 23 | <body id="todaniel-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">To Daniel</h1> | 29 | <h1 class="title">To Daniel</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="feedingtheraven.html">Feeding the raven</a></li> | 40 | <li><a href="../feedingtheraven.html">Feeding the raven</a><span class="daisy"><a href="feedingtheraven.html">φ</a></span></li> |
| 41 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | 41 | <li><a href="../walking-in-the-rain.html">Walking in the rain</a><span class="daisy"><a href="walking-in-the-rain.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="todaniel.html" id="back-link" title="Back to article"> | 47 | <a href="../todaniel.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/toilet.html b/backlinks/toilet.html new file mode 100644 index 0000000..387ba40 --- /dev/null +++ b/backlinks/toilet.html | |||
| @@ -0,0 +1,59 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title><strong>TITLE</strong> | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="toilet-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title"><strong>TITLE</strong></h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | ||
| 41 | <li><a href="../treatise.html">Treatise</a><span class="daisy"><a href="treatise.html">φ</a></span></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="../toilet.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/toothpaste_backlinks.htm b/backlinks/toothpaste.html index 79b674f..1701e71 100644 --- a/toothpaste_backlinks.htm +++ b/backlinks/toothpaste.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Toothpaste | Autocento of the breakfast table</title> | 12 | <title>Toothpaste | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="toothpaste" class="meta"> | 23 | <body id="toothpaste-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Toothpaste</h1> | 29 | <h1 class="title">Toothpaste</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="toothpaste.html" id="back-link" title="Back to article"> | 44 | <a href="../toothpaste.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/treatise_backlinks.htm b/backlinks/treatise.html index 6096885..1cb9f40 100644 --- a/treatise_backlinks.htm +++ b/backlinks/treatise.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Treatise | Autocento of the breakfast table</title> | 12 | <title>Treatise | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="treatise" class="meta"> | 23 | <body id="treatise-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Treatise</h1> | 29 | <h1 class="title">Treatise</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="poetry-time.html">Something</a></li> | 40 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> |
| 41 | <li><a href="toilet.html">Toilet</a></li> | 41 | <li><a href="../toilet.html">Toilet</a><span class="daisy"><a href="toilet.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="treatise.html" id="back-link" title="Back to article"> | 47 | <a href="../treatise.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/underwear_backlinks.htm b/backlinks/underwear.html index 53d0e8b..f95a89d 100644 --- a/underwear_backlinks.htm +++ b/backlinks/underwear.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Underwear | Autocento of the breakfast table</title> | 12 | <title>Underwear | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="underwear" class="meta"> | 23 | <body id="underwear-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Underwear</h1> | 29 | <h1 class="title">Underwear</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="cereal.html">Cereal</a></li> | 40 | <li><a href="../cereal.html">Cereal</a><span class="daisy"><a href="cereal.html">φ</a></span></li> |
| 41 | <li><a href="dollywood.html">Something</a></li> | 41 | <li><a href="../dollywood.html">Something</a><span class="daisy"><a href="dollywood.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="underwear.html" id="back-link" title="Back to article"> | 47 | <a href="../underwear.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/walking-in-the-rain_backlinks.htm b/backlinks/walking-in-the-rain.html index 52b5d2c..f4f3248 100644 --- a/walking-in-the-rain_backlinks.htm +++ b/backlinks/walking-in-the-rain.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Walking in the rain | Autocento of the breakfast table</title> | 12 | <title>Walking in the rain | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="walking-in-the-rain" class="meta"> | 23 | <body id="walking-in-the-rain-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Walking in the rain</h1> | 29 | <h1 class="title">Walking in the rain</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="walking-in-the-rain.html" id="back-link" title="Back to article"> | 44 | <a href="../walking-in-the-rain.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/wallpaper_backlinks.htm b/backlinks/wallpaper.html index 030fb82..627e6a9 100644 --- a/wallpaper_backlinks.htm +++ b/backlinks/wallpaper.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Wallpaper | Autocento of the breakfast table</title> | 12 | <title>Wallpaper | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="wallpaper" class="meta"> | 23 | <body id="wallpaper-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Wallpaper</h1> | 29 | <h1 class="title">Wallpaper</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,18 +37,18 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | 40 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> |
| 41 | <li><a href="statements-frag.html">Statements</a></li> | 41 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> |
| 42 | </ul> | 42 | </ul> |
| 43 | </section> | 43 | </section> |
| 44 | </article> | 44 | </article> |
| 45 | <nav> | 45 | <nav> |
| 46 | <div class="anchors"> | 46 | <div class="anchors"> |
| 47 | <a href="wallpaper.html" id="back-link" title="Back to article"> | 47 | <a href="../wallpaper.html" id="backlinks" title="Links to this page"> |
| 48 | φ | 48 | φ |
| 49 | </a> | 49 | </a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | </div> | 52 | </div> |
| 53 | 53 | ||
| 54 | 54 | ||
| diff --git a/backlinks/weplayedthosegamestoo.html b/backlinks/weplayedthosegamestoo.html new file mode 100644 index 0000000..6fd5ec0 --- /dev/null +++ b/backlinks/weplayedthosegamestoo.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>We played those games too | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="weplayedthosegamestoo-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">We played those games too</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../hands.html">Hands</a><span class="daisy"><a href="hands.html">φ</a></span></li> | ||
| 41 | <li><a href="../last-passenger.html">Last passenger</a><span class="daisy"><a href="last-passenger.html">φ</a></span></li> | ||
| 42 | <li><a href="../options.html">Options</a><span class="daisy"><a href="options.html">φ</a></span></li> | ||
| 43 | <li><a href="../roughgloves.html">Rough gloves</a><span class="daisy"><a href="roughgloves.html">φ</a></span></li> | ||
| 44 | <li><a href="../snow.html">Snow</a><span class="daisy"><a href="snow.html">φ</a></span></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="../weplayedthosegamestoo.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/what-we-are-made-of_backlinks.htm b/backlinks/what-we-are-made-of.html index 626d06e..3d5882f 100644 --- a/what-we-are-made-of_backlinks.htm +++ b/backlinks/what-we-are-made-of.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>What we are made of | Autocento of the breakfast table</title> | 12 | <title>What we are made of | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="what-we-are-made-of" class="meta"> | 23 | <body id="what-we-are-made-of-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">What we are made of</h1> | 29 | <h1 class="title">What we are made of</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,17 +37,17 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | 40 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> |
| 41 | </ul> | 41 | </ul> |
| 42 | </section> | 42 | </section> |
| 43 | </article> | 43 | </article> |
| 44 | <nav> | 44 | <nav> |
| 45 | <div class="anchors"> | 45 | <div class="anchors"> |
| 46 | <a href="what-we-are-made-of.html" id="back-link" title="Back to article"> | 46 | <a href="../what-we-are-made-of.html" id="backlinks" title="Links to this page"> |
| 47 | φ | 47 | φ |
| 48 | </a> | 48 | </a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | 51 | </div> |
| 52 | 52 | ||
| 53 | 53 | ||
| diff --git a/backlinks/when-im-sorry-i.html b/backlinks/when-im-sorry-i.html new file mode 100644 index 0000000..3cc064e --- /dev/null +++ b/backlinks/when-im-sorry-i.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Whem I’m sorry I wash dishes | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="when-im-sorry-i-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Whem I’m sorry I wash dishes</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../cold-wind.html">Cold wind</a><span class="daisy"><a href="cold-wind.html">φ</a></span></li> | ||
| 41 | <li><a href="../early.html">Early</a><span class="daisy"><a href="early.html">φ</a></span></li> | ||
| 42 | <li><a href="../last-passenger.html">Last passenger</a><span class="daisy"><a href="last-passenger.html">φ</a></span></li> | ||
| 43 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../when-im-sorry-i.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/window.html b/backlinks/window.html new file mode 100644 index 0000000..2ff8ae3 --- /dev/null +++ b/backlinks/window.html | |||
| @@ -0,0 +1,61 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Window | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="window-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Window</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | ||
| 41 | <li><a href="../joke.html">Joke</a><span class="daisy"><a href="joke.html">φ</a></span></li> | ||
| 42 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> | ||
| 43 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../window.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/words-irritable-reaching_backlinks.htm b/backlinks/words-irritable-reaching.html index f602144..9a7055d 100644 --- a/words-irritable-reaching_backlinks.htm +++ b/backlinks/words-irritable-reaching.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Words and their irritable reaching | Autocento of the breakfast table</title> | 12 | <title>Words and their irritable reaching | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="words-irritable-reaching" class="meta"> | 23 | <body id="words-irritable-reaching-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Words and their irritable reaching</h1> | 29 | <h1 class="title">Words and their irritable reaching</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="words-irritable-reaching.html" id="back-link" title="Back to article"> | 44 | <a href="../words-irritable-reaching.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/backlinks/words-meaning.html b/backlinks/words-meaning.html new file mode 100644 index 0000000..9b9ca46 --- /dev/null +++ b/backlinks/words-meaning.html | |||
| @@ -0,0 +1,64 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Words and meaning | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="words-meaning-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Words and meaning</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../arspoetica.html">Ars poetica</a><span class="daisy"><a href="arspoetica.html">φ</a></span></li> | ||
| 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | ||
| 42 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> | ||
| 43 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 44 | <li><a href="../proverbs.html">Proverbs</a><span class="daisy"><a href="proverbs.html">φ</a></span></li> | ||
| 45 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 46 | <li><a href="../words-irritable-reaching.html">Words and their irritable reaching</a><span class="daisy"><a href="words-irritable-reaching.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../words-meaning.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/worse-looking-over_backlinks.htm b/backlinks/worse-looking-over.html index 4940402..75095fe 100644 --- a/worse-looking-over_backlinks.htm +++ b/backlinks/worse-looking-over.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Worse looking over | Autocento of the breakfast table</title> | 12 | <title>Worse looking over | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="worse-looking-over" class="meta"> | 23 | <body id="worse-looking-over-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Worse looking over</h1> | 29 | <h1 class="title">Worse looking over</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="and.html">And</a></li> | 40 | <li><a href="../and.html">And</a><span class="daisy"><a href="and.html">φ</a></span></li> |
| 41 | <li><a href="table_contents.html">Table of contents</a></li> | 41 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> |
| 42 | <li><a href="x-ray.html">X-ray</a></li> | 42 | <li><a href="../x-ray.html">X-ray</a><span class="daisy"><a href="x-ray.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="worse-looking-over.html" id="back-link" title="Back to article"> | 48 | <a href="../worse-looking-over.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/writing_backlinks.htm b/backlinks/writing.html index d1f7d11..0bf068f 100644 --- a/writing_backlinks.htm +++ b/backlinks/writing.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Writing | Autocento of the breakfast table</title> | 12 | <title>Writing | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="writing" class="meta"> | 23 | <body id="writing-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Writing</h1> | 29 | <h1 class="title">Writing</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,16 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | </section> | 40 | </section> |
| 41 | </article> | 41 | </article> |
| 42 | <nav> | 42 | <nav> |
| 43 | <div class="anchors"> | 43 | <div class="anchors"> |
| 44 | <a href="writing.html" id="back-link" title="Back to article"> | 44 | <a href="../writing.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 45 | φ |
| 46 | </a> | 46 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 49 | </div> |
| 50 | 50 | ||
| 51 | 51 | ||
| diff --git a/x-ray_backlinks.htm b/backlinks/x-ray.html index 8b4c373..b5bd1ef 100644 --- a/x-ray_backlinks.htm +++ b/backlinks/x-ray.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>X-ray | Autocento of the breakfast table</title> | 12 | <title>X-ray | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="x-ray" class="meta"> | 23 | <body id="x-ray-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">X-ray</h1> | 29 | <h1 class="title">X-ray</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -37,19 +37,19 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="call-me-aural-pleasure.html">Call me</a></li> | 40 | <li><a href="../call-me-aural-pleasure.html">Call me</a><span class="daisy"><a href="call-me-aural-pleasure.html">φ</a></span></li> |
| 41 | <li><a href="deadman.html">Dead man</a></li> | 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> |
| 42 | <li><a href="fire.html">Fire</a></li> | 42 | <li><a href="../fire.html">Fire</a><span class="daisy"><a href="fire.html">φ</a></span></li> |
| 43 | </ul> | 43 | </ul> |
| 44 | </section> | 44 | </section> |
| 45 | </article> | 45 | </article> |
| 46 | <nav> | 46 | <nav> |
| 47 | <div class="anchors"> | 47 | <div class="anchors"> |
| 48 | <a href="x-ray.html" id="back-link" title="Back to article"> | 48 | <a href="../x-ray.html" id="backlinks" title="Links to this page"> |
| 49 | φ | 49 | φ |
| 50 | </a> | 50 | </a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | </div> | 53 | </div> |
| 54 | 54 | ||
| 55 | 55 | ||
| diff --git a/yellow_backlinks.htm b/backlinks/yellow.html index 2ca1927..a8d6103 100644 --- a/yellow_backlinks.htm +++ b/backlinks/yellow.html | |||
| @@ -10,24 +10,24 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Yellow | Autocento of the breakfast table</title> | 12 | <title>Yellow | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="yellow" class="meta"> | 23 | <body id="yellow-backlinks" class="backlinks"> |
| 24 | 24 | ||
| 25 | 25 | ||
| 26 | <article class="container"> | 26 | <article class="container"> |
| 27 | <header> | 27 | <header> |
| 28 | <!-- title --> | 28 | <!-- title --> |
| 29 | <h1 class="title">Yellow</h1> | 29 | <h1 class="title">Yellow</h1> |
| 30 | <h1 class="subtitle">back-links</h1> | 30 | <h1 class="subtitle">backlinks</h1> |
| 31 | 31 | ||
| 32 | <div class="header-extra"> | 32 | <div class="header-extra"> |
| 33 | 33 | ||
| @@ -36,16 +36,18 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 40 | </section> | 42 | </section> |
| 41 | </article> | 43 | </article> |
| 42 | <nav> | 44 | <nav> |
| 43 | <div class="anchors"> | 45 | <div class="anchors"> |
| 44 | <a href="yellow.html" id="back-link" title="Back to article"> | 46 | <a href="../yellow.html" id="backlinks" title="Links to this page"> |
| 45 | φ | 47 | φ |
| 46 | </a> | 48 | </a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | </div> | 51 | </div> |
| 50 | 52 | ||
| 51 | 53 | ||
| diff --git a/big-dipper.html b/big-dipper.html index 4f6a8cb..46c8353 100644 --- a/big-dipper.html +++ b/big-dipper.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The Big Dipper | Autocento of the breakfast table</title> | 12 | <title>The Big Dipper | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="big-dipper" class="stark"> | 23 | <body id="big-dipper" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The Big Dipper</h1> | 28 | <h1 class="title">The Big Dipper</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">After searching for days or even months</span><span class="line">I finally find it reclining lazily</span><span class="line"><a href="finding-the-lion.html">above the peaks</a> above the city as if to ask</span><span class="line">Did you miss me? Yes very much I reply</span><span class="line">and rush to embrace it but it smiles</span><span class="line">and recoils and tells me No no you</span><span class="line">have to try harder than that it says</span><span class="line">I do not give myself up so easily</span></p> | ||
| 40 | <p><span class="line">I try a different tack</span><span class="line">I sing to it bring it flowers nightly</span><span class="line">I compare its eyes to the morning dew</span><span class="line">it has not seen the morning dew</span><span class="line">I say its mouth is the sunset over mountains</span><span class="line">it knows mountains but the sunset</span><span class="line">is only a rumor from the Evening Star</span><span class="line">I tell the Big Dipper that it moves</span><span class="line"><a href="no-nothing.html">like a quiet river across the earth</a></span></p> | ||
| 41 | <p><span class="line">Rivers I have seen says the Big Dipper</span><span class="line">they sparkle in the light from my stars</span><span class="line">Your stars like eyes I say and it smiles</span><span class="line"><a href="http://www.poets.org/poetsorg/poem/writer">No it says that is too easy</a></span><span class="line">It turns its back</span><span class="line">it walks home along the back of the mountain</span></p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="big-dipper_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="death-zone.html" | 33 | </div> |
| 54 | title="Previous article in Stark Raving"> | 34 | </header> |
| 55 | The Death Zone | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="table_contents.html" | 37 | <section class="content verse"> |
| 58 | title="Previous article in Stark Raving"> | 38 | <p><span class="line">After searching for days or even months</span><span class="line">I finally find it reclining lazily</span><span class="line"><a href="finding-the-lion.html">above the peaks</a> above the city as if to ask</span><span class="line">Did you miss me? Yes very much I reply</span><span class="line">and rush to embrace it but it smiles</span><span class="line">and recoils and tells me No no you</span><span class="line">have to try harder than that it says</span><span class="line">I do not give myself up so easily</span></p> |
| 59 | Table of Contents | 39 | <p><span class="line">I try a different tack</span><span class="line">I sing to it bring it flowers nightly</span><span class="line">I compare its eyes to the morning dew</span><span class="line">it has not seen the morning dew</span><span class="line">I say its mouth is the sunset over mountains</span><span class="line">it knows mountains but the sunset</span><span class="line">is only a rumor from the Evening Star</span><span class="line">I tell the Big Dipper that it moves</span><span class="line"><a href="no-nothing.html">like a quiet river across the earth</a></span></p> |
| 60 | </a> | 40 | <p><span class="line">Rivers I have seen says the Big Dipper</span><span class="line">they sparkle in the light from my stars</span><span class="line">Your stars like eyes I say and it smiles</span><span class="line"><a href="http://www.poets.org/poetsorg/poem/writer">No it says that is too easy</a></span><span class="line">It turns its back</span><span class="line">it walks home along the back of the mountain</span></p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="moon-drowning.html" | 42 | </article> |
| 63 | title="Next article in Stark Raving"> | 43 | <nav> |
| 64 | The Moon is drowning | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/big-dipper.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="poetry-time.html" | 46 | φ |
| 67 | title="Next article in Stark Raving"> | 47 | </a> |
| 68 | Something about the nature of poetry and time | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="death-zone.html" | ||
| 53 | title="Previous article in Stark Raving"> | ||
| 54 | The Death Zone | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="table_contents.html" | ||
| 57 | title="Previous article in Stark Raving"> | ||
| 58 | Table of Contents | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="moon-drowning.html" | ||
| 62 | title="Next article in Stark Raving"> | ||
| 63 | The Moon is drowning | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="poetry-time.html" | ||
| 66 | title="Next article in Stark Raving"> | ||
| 67 | Something about the nature of poetry and time | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/big-dipper_backlinks.htm b/big-dipper_backlinks.htm deleted file mode 100644 index 8808ea7..0000000 --- a/big-dipper_backlinks.htm +++ /dev/null | |||
| @@ -1,63 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The Big Dipper | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="big-dipper" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The Big Dipper</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 41 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 42 | <li><a href="joke.html">Joke</a></li> | ||
| 43 | <li><a href="no-nothing.html">No nothing</a></li> | ||
| 44 | <li><a href="punch.html">Punch</a></li> | ||
| 45 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="big-dipper.html" id="back-link" title="Back to article"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/boar.html b/boar.html index ba68f34..af8f239 100644 --- a/boar.html +++ b/boar.html | |||
| @@ -4,65 +4,63 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The boar | Autocento of the breakfast table</title> | 12 | <title>The boar | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="boar" class="elegies"> | 23 | <body id="boar" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The boar</h1> | 28 | <h1 class="title">The boar</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">Now the ticking clocks scare me.</span><span class="line">The <a href="mountain.html">empty</a> rooms, clock towers, belfries;</span><span class="line">I am terrified by them all.</span></p> | ||
| 40 | <p><span class="line">I really used to enjoy going to church,</span><span class="line">singing in the choir, listening to the sermon.</span><span class="line">Now the chairs squeal like dying pigs—</span></p> | ||
| 41 | <p><span class="line">It was the boar that did it.</span><span class="line"><a href="telemarketer.html">Fifteen feet</a> from me that night</span><span class="line">in the grass, rooting for God</span><span class="line">knows what, finding me instead.</span></p> | ||
| 42 | <p><span class="line">I ran, not knowing where or how,</span><span class="line">not looking for his pursuit of me.</span><span class="line">I ran to God’s front door, found</span><span class="line">it locked, found the <a href="i-am.html">house</a> empty</span></p> | ||
| 43 | <p>with a note saying, “Condemned.”</p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="boar_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="theoceanoverflowswithcamels.html" | 33 | </div> |
| 56 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 57 | The ocean overflows with camels | 35 | |
| 58 | </a> | 36 | |
| 59 | 37 | <section class="content verse"> | |
| 60 | <a class="nextlink" href="deadman.html" | 38 | <p><span class="line">Now the ticking clocks scare me.</span><span class="line">The <a href="mountain.html">empty</a> rooms, clock towers, belfries;</span><span class="line">I am terrified by them all.</span></p> |
| 61 | title="Next article in Elegies for alternate selves"> | 39 | <p><span class="line">I really used to enjoy going to church,</span><span class="line">singing in the choir, listening to the sermon.</span><span class="line">Now the chairs squeal like dying pigs—</span></p> |
| 62 | Dead man | 40 | <p><span class="line">It was the boar that did it.</span><span class="line"><a href="telemarketer.html">Fifteen feet</a> from me that night</span><span class="line">in the grass, rooting for God</span><span class="line">knows what, finding me instead.</span></p> |
| 63 | </a> | 41 | <p><span class="line">I ran, not knowing where or how,</span><span class="line">not looking for his pursuit of me.</span><span class="line">I ran to God’s front door, found</span><span class="line">it locked, found the <a href="i-am.html">house</a> empty</span></p> |
| 64 | </nav> | 42 | <p>with a note saying, “Condemned.”</p> |
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="backlinks/boar.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="theoceanoverflowswithcamels.html" | ||
| 55 | title="Previous article in Elegies for alternate selves"> | ||
| 56 | The ocean overflows with camels | ||
| 57 | </a> | ||
| 58 | |||
| 59 | <a class="nextlink" href="deadman.html" | ||
| 60 | title="Next article in Elegies for alternate selves"> | ||
| 61 | Dead man | ||
| 62 | </a> | ||
| 63 | </nav> | ||
| 65 | 64 | ||
| 66 | |||
| 67 | </body> | 65 | </body> |
| 68 | </html> | 66 | </html> |
| diff --git a/boar_backlinks.htm b/boar_backlinks.htm deleted file mode 100644 index c697823..0000000 --- a/boar_backlinks.htm +++ /dev/null | |||
| @@ -1,65 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The boar | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="boar" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The boar</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="and.html">And</a></li> | ||
| 41 | <li><a href="angeltoabraham.html">The angel to Abraham</a></li> | ||
| 42 | <li><a href="building.html">Building</a></li> | ||
| 43 | <li><a href="feedingtheraven.html">Feeding the raven</a></li> | ||
| 44 | <li><a href="hands.html">Hands</a></li> | ||
| 45 | <li><a href="leg.html">Leg</a></li> | ||
| 46 | <li><a href="prelude.html">Prelude</a></li> | ||
| 47 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="boar.html" id="back-link" title="Back to article"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 57 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/boy_bus.html b/boy_bus.html index a17e993..e25a460 100644 --- a/boy_bus.html +++ b/boy_bus.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Boy on the bus | Autocento of the breakfast table</title> | 12 | <title>Boy on the bus | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="boy_bus" class="stark"> | 23 | <body id="boy_bus" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Boy on the bus</h1> | 28 | <h1 class="title">Boy on the bus</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">When he said <a href="mountain.html">Bible</a> I heard his southern accent</span><span class="line">and he had a face I expect all pastors must have</span><span class="line">a round open honest face</span><span class="line">that will always be a boy’s face</span><span class="line">though its owner may rightly call himself a man</span><span class="line">near my age though I hardly call myself a man</span></p> | ||
| 40 | <p><span class="line">I have seen this face before whether in life or a dream</span><span class="line">I can’t tell</span><span class="line">if I’ve seen him on the street once</span><span class="line">twice who knows and his pastor’s <a href="moon-drowning.html">moon face</a></span><span class="line">reminds me of something</span><span class="line">some distant light my life used to own</span></p> | ||
| 41 | <p><span class="line"><a href="in-bed.html">One night on my birthday the moon was so strong it cast shadows</a></span><span class="line">I could see to the far hill and back it was all clear to me</span></p> | ||
| 42 | <p><span class="line">The moon hasn’t done that in a long time</span><span class="line"><a href="moongone.html">its face has been obscured by clouds</a> for weeks</span><span class="line">and that boy on the bus his face I’ve forgotten</span><span class="line">I thought I recognized a good number of people</span><span class="line">on that bus who I didn’t know at all</span></p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="boy_bus_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="lappel-du-vide.html" | 33 | </div> |
| 55 | title="Previous article in Stark Raving"> | 34 | </header> |
| 56 | L’appel du vide | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="exasperated.html" | 37 | <section class="content verse"> |
| 59 | title="Previous article in Stark Raving"> | 38 | <p><span class="line">When he said <a href="mountain.html">Bible</a> I heard his southern accent</span><span class="line">and he had a face I expect all pastors must have</span><span class="line">a round open honest face</span><span class="line">that will always be a boy’s face</span><span class="line">though its owner may rightly call himself a man</span><span class="line">near my age though I hardly call myself a man</span></p> |
| 60 | Exasperated | 39 | <p><span class="line">I have seen this face before whether in life or a dream</span><span class="line">I can’t tell</span><span class="line">if I’ve seen him on the street once</span><span class="line">twice who knows and his pastor’s <a href="moon-drowning.html">moon face</a></span><span class="line">reminds me of something</span><span class="line">some distant light my life used to own</span></p> |
| 61 | </a> | 40 | <p><span class="line"><a href="in-bed.html">One night on my birthday the moon was so strong it cast shadows</a></span><span class="line">I could see to the far hill and back it was all clear to me</span></p> |
| 62 | 41 | <p><span class="line">The moon hasn’t done that in a long time</span><span class="line"><a href="moongone.html">its face has been obscured by clouds</a> for weeks</span><span class="line">and that boy on the bus his face I’ve forgotten</span><span class="line">I thought I recognized a good number of people</span><span class="line">on that bus who I didn’t know at all</span></p> | |
| 63 | <a class="nextlink" href="i-think-its-you.html" | 42 | </section> |
| 64 | title="Next article in Stark Raving"> | 43 | </article> |
| 65 | I think it’s you (but it’s not) | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="last-bastion.html" | 46 | <a href="backlinks/boy_bus.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Stark Raving"> | 47 | φ |
| 69 | Last Bastion | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="lappel-du-vide.html" | ||
| 54 | title="Previous article in Stark Raving"> | ||
| 55 | L’appel du vide | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="exasperated.html" | ||
| 58 | title="Previous article in Stark Raving"> | ||
| 59 | Exasperated | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="i-think-its-you.html" | ||
| 63 | title="Next article in Stark Raving"> | ||
| 64 | I think it’s you (but it’s not) | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="last-bastion.html" | ||
| 67 | title="Next article in Stark Raving"> | ||
| 68 | Last Bastion | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/boy_bus_backlinks.htm b/boy_bus_backlinks.htm deleted file mode 100644 index 8922f58..0000000 --- a/boy_bus_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Boy on the bus | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="boy_bus" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Boy on the bus</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 41 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 42 | <li><a href="man.html">Man</a></li> | ||
| 43 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="boy_bus.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/building.html b/building.html index 387dbe4..1108d0c 100644 --- a/building.html +++ b/building.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Building | Autocento of the breakfast table</title> | 12 | <title>Building | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="building" class="paul"> | 23 | <body id="building" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Building</h1> | 28 | <h1 class="title">Building</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p> | ||
| 40 | <p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p> | ||
| 41 | <p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="common-titles.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p> | ||
| 42 | <p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="building_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="stagnant.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Stagnant | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="axe.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p> |
| 60 | Axe | 39 | <p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p> |
| 61 | </a> | 40 | <p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="common-titles.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p> |
| 62 | 41 | <p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p> | |
| 63 | <a class="nextlink" href="yellow.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Yellow | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="cereal.html" | 46 | <a href="backlinks/building.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Cereal | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="stagnant.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Stagnant | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="axe.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Axe | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="yellow.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Yellow | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="cereal.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Cereal | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/building_backlinks.htm b/building_backlinks.htm deleted file mode 100644 index 385a086..0000000 --- a/building_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Building | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="building" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Building</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="collage-instrument.html">Instrumented</a></li> | ||
| 41 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 42 | <li><a href="prelude.html">Prelude</a></li> | ||
| 43 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="building.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/call-me-aural-pleasure.html b/call-me-aural-pleasure.html index 42aa220..678793d 100644 --- a/call-me-aural-pleasure.html +++ b/call-me-aural-pleasure.html | |||
| @@ -4,62 +4,60 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>Call me | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="call-me-aural-pleasure" class="autocento"> | ||
| 11 | 24 | ||
| 12 | <title>Call me | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Call me</h1> | ||
| 29 | <h1 class="subtitle">aural pleasure</h1> | ||
| 14 | 30 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 31 | <div class="header-extra"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 32 | ||
| 19 | <!--[if lt IE 9]> | 33 | <!-- epigraph --> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 34 | <div class="epigraph"> |
| 21 | <![endif]--> | 35 | <a href="https://www.facebook.com/kittensruleforever38"><p>compiled thru Facebook statuses of the author</p></a> |
| 22 | </head> | 36 | |
| 23 | <body id="call-me-aural-pleasure" class="autocento"> | 37 | </div> |
| 24 | 38 | </div> | |
| 39 | </header> | ||
| 25 | 40 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Call me</h1> | ||
| 30 | <h1 class="subtitle">aural pleasure</h1> | ||
| 31 | 41 | ||
| 32 | <div class="header-extra"> | 42 | <section class="content verse"> |
| 33 | 43 | <p><span class="line">Like <em>40</em> as I challenge anyone to come too!</span><span class="line">It’s like you’re the epitome of lame!</span><span class="line">She’s all <em>I am SOOOO CONFUSED</em></span><span class="line">Aw yeah she got <a href="roughgloves.html">word from yarn</a>.</span><span class="line">—but technically it’s a pretty sweet, huh?</span></p> | |
| 34 | <!-- epigraph --> | 44 | <p><span class="line">Dude we were going and delicate fragrance of arguments get based off of are not try</span><span class="line">dropping glasses in such an emotional rollercoaster you</span><span class="line">and yes, I’m cocky enough to do anything!</span><span class="line">I am as good as Phineas and make another picture symphony</span><span class="line">This is a modification of a young woman to try</span><span class="line">groups disband after they get your <a href="http://www.meachamwriters.org/index.htm">Meacham stuff</a> please let it</span><span class="line">RJ Covino, own statuses that’ll be a great</span></p> |
| 35 | <div class="epigraph"> | 45 | <p><span class="line">MY OWN afterbirth can do that</span><span class="line"><a href="spittle.html">I am 2 we can be KISSED</a> ON THE page.</span><span class="line">You know I’m not sure that</span><span class="line">Ben & Jerry’s FTW</span><span class="line">4/10 would not be able to vote, because I gotta do it</span><span class="line">This is going to be sad about what</span><span class="line">Rush Limbaugh comes forward with sunglasses but at least I wasn’t wearing a messenger bag or skinny jeans!</span><span class="line">The cooler THAN Facebook</span><span class="line">Wine is the best.</span></p> |
| 36 | <a href="https://www.facebook.com/kittensruleforever38"><p>compiled thru Facebook statuses of the author</p></a> | 46 | <p>YES I was surprised at first, <a href="http://www.ugcs.caltech.edu/~deepthi/If_on_a_winter%27s_night_a_traveler.html">but the train one</a>, definitely.</p> |
| 37 | 47 | <p><span class="line">Also Valhalla is a dumbass…</span><span class="line">But we can get based off of course, Jon.</span><span class="line">We watched this</span><span class="line">CELEBRATE FRANKSGIVING TOO!</span><span class="line">That didn’t get started on that</span><span class="line">FRANCIS OF VERULAM REASONED THUS WITH the courage to reply.</span><span class="line">Anyone wanna watch out</span><span class="line">I am cranky from Bro a good as a way to <a href="x-ray.html">hijack my hand</a>.</span><span class="line">Afterbend was not to produce photographs.</span></p> | |
| 38 | </div> | 48 | </section> |
| 39 | </div> | 49 | </article> |
| 40 | </header> | 50 | <nav> |
| 51 | <div class="anchors"> | ||
| 52 | <a href="backlinks/call-me-aural-pleasure.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 41 | 58 | ||
| 42 | |||
| 43 | <section class="content verse"> | ||
| 44 | <p><span class="line">Like <em>40</em> as I challenge anyone to come too!</span><span class="line">It’s like you’re the epitome of lame!</span><span class="line">She’s all <em>I am SOOOO CONFUSED</em></span><span class="line">Aw yeah she got <a href="roughgloves.html">word from yarn</a>.</span><span class="line">—but technically it’s a pretty sweet, huh?</span></p> | ||
| 45 | <p><span class="line">Dude we were going and delicate fragrance of arguments get based off of are not try</span><span class="line">dropping glasses in such an emotional rollercoaster you</span><span class="line">and yes, I’m cocky enough to do anything!</span><span class="line">I am as good as Phineas and make another picture symphony</span><span class="line">This is a modification of a young woman to try</span><span class="line">groups disband after they get your <a href="http://www.meachamwriters.org/index.htm">Meacham stuff</a> please let it</span><span class="line">RJ Covino, own statuses that’ll be a great</span></p> | ||
| 46 | <p><span class="line">MY OWN afterbirth can do that</span><span class="line"><a href="spittle.html">I am 2 we can be KISSED</a> ON THE page.</span><span class="line">You know I’m not sure that</span><span class="line">Ben & Jerry’s FTW</span><span class="line">4/10 would not be able to vote, because I gotta do it</span><span class="line">This is going to be sad about what</span><span class="line">Rush Limbaugh comes forward with sunglasses but at least I wasn’t wearing a messenger bag or skinny jeans!</span><span class="line">The cooler THAN Facebook</span><span class="line">Wine is the best.</span></p> | ||
| 47 | <p>YES I was surprised at first, <a href="http://www.ugcs.caltech.edu/~deepthi/If_on_a_winter%27s_night_a_traveler.html">but the train one</a>, definitely.</p> | ||
| 48 | <p><span class="line">Also Valhalla is a dumbass…</span><span class="line">But we can get based off of course, Jon.</span><span class="line">We watched this</span><span class="line">CELEBRATE FRANKSGIVING TOO!</span><span class="line">That didn’t get started on that</span><span class="line">FRANCIS OF VERULAM REASONED THUS WITH the courage to reply.</span><span class="line">Anyone wanna watch out</span><span class="line">I am cranky from Bro a good as a way to <a href="x-ray.html">hijack my hand</a>.</span><span class="line">Afterbend was not to produce photographs.</span></p> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="call-me-aural-pleasure_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 57 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | 59 | ||
| 60 | 60 | </nav> | |
| 61 | </nav> | ||
| 62 | 61 | ||
| 63 | |||
| 64 | </body> | 62 | </body> |
| 65 | </html> | 63 | </html> |
| diff --git a/cereal.html b/cereal.html index 2b201f0..d499bdf 100644 --- a/cereal.html +++ b/cereal.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Cereal | Autocento of the breakfast table</title> | 12 | <title>Cereal | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="cereal" class="paul"> | 23 | <body id="cereal" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Cereal</h1> | 28 | <h1 class="title">Cereal</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He woke up after eleven and didn’t go <a href="time-looks-up-to-the-sky.html">outside</a> all day, not even to his Writing Shack. What did he do?</p> | ||
| 40 | <p>He watched late morning cartoons meant for children too young to go to school. He ate bowls of cereal. He watched his mother play dominoes. He played dominoes with her for a little while until she was winning by such a margin it wasn’t fun for either of them. He went down to the basement to do his <a href="underwear.html">laundry</a>. He pulled the chain for the light and it turned on like magic. “Electricity is like magic” he said to himself. He thought he would like to write that down but his Implements were in the Shack. He’d already built up so much momentum inside.</p> | ||
| 41 | <p>—Inertia? he thought. “What’s the difference between inertia and momentum” he asked himself as he hefted dirty clothes into the washer. “Maybe inertia is the momentum of not moving” he thought as he measured and poured the blue detergent into the drum. “Momentum is the inertia of moving forward through time” as he selected WARM-COLD on the dial and pulled it out to start the machine. “What do you think is the difference between inertia and momentum” he asked his mother when he opened the door at the top of the stairs.</p> | ||
| 42 | <p>“When you switch over your laundry could you bring up my underwear from the dryer” she asked not looking up from her dominoes. A <a href="last-passenger.html">thread of smoke</a> curled from her cigarette and spread out on the ceiling.</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="cereal_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="sapling.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Sapling | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="building.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He woke up after eleven and didn’t go <a href="time-looks-up-to-the-sky.html">outside</a> all day, not even to his Writing Shack. What did he do?</p> |
| 60 | Building | 39 | <p>He watched late morning cartoons meant for children too young to go to school. He ate bowls of cereal. He watched his mother play dominoes. He played dominoes with her for a little while until she was winning by such a margin it wasn’t fun for either of them. He went down to the basement to do his <a href="underwear.html">laundry</a>. He pulled the chain for the light and it turned on like magic. “Electricity is like magic” he said to himself. He thought he would like to write that down but his Implements were in the Shack. He’d already built up so much momentum inside.</p> |
| 61 | </a> | 40 | <p>—Inertia? he thought. “What’s the difference between inertia and momentum” he asked himself as he hefted dirty clothes into the washer. “Maybe inertia is the momentum of not moving” he thought as he measured and poured the blue detergent into the drum. “Momentum is the inertia of moving forward through time” as he selected WARM-COLD on the dial and pulled it out to start the machine. “What do you think is the difference between inertia and momentum” he asked his mother when he opened the door at the top of the stairs.</p> |
| 62 | 41 | <p>“When you switch over your laundry could you bring up my underwear from the dryer” she asked not looking up from her dominoes. A <a href="last-passenger.html">thread of smoke</a> curled from her cigarette and spread out on the ceiling.</p> | |
| 63 | <a class="nextlink" href="man.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Man | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="dream.html" | 46 | <a href="backlinks/cereal.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Dream | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="sapling.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Sapling | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="building.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Building | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="man.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Man | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="dream.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Dream | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/cereal_backlinks.htm b/cereal_backlinks.htm deleted file mode 100644 index 727dbf9..0000000 --- a/cereal_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Cereal | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="cereal" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Cereal</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="love-as-god.html">Love as God</a></li> | ||
| 41 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 42 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 43 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="cereal.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/cold-wind.html b/cold-wind.html index 4ea5a49..9ca12bb 100644 --- a/cold-wind.html +++ b/cold-wind.html | |||
| @@ -4,55 +4,53 @@ | |||
| 4 | --> | 4 | --> |
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| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Cold wind</h1> |
| 29 | <h1 class="title">Cold wind</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | <!-- dedication --> |
| 33 | <!-- dedication --> | 33 | <div class="dedication">Justin</div> |
| 34 | <div class="dedication">Justin</div> | 34 | |
| 35 | 35 | </div> | |
| 36 | </div> | 36 | </header> |
| 37 | </header> | 37 | |
| 38 | 38 | ||
| 39 | 39 | <section class="content verse"> | |
| 40 | <section class="content verse"> | 40 | <p><span class="line"><a href="january.html">Man of autumn</a>, cold wind,</span><span class="line">blow down the trees’ leaves.</span><span class="line"><a href="fire.html">Fire on the ground</a>. The sky is</span><span class="line">perfect water, frost-cold,</span><span class="line">rippled only by flocks</span><span class="line"><a href="i-think-its-you.html">of black birds</a> flying and gone.</span><span class="line">Their brightness can blind</span><span class="line">an uncareful watcher, work him</span><span class="line"><a href="when-im-sorry-i.html">in a froth of hands</a>, not-wings</span><span class="line">that ache with the loss of flight.</span><span class="line">A tear is flung faithfully</span><span class="line"><a href="lappel-du-vide.html">to the ocean of air</a>, slipping in</span><span class="line">slowly, is as gone as the birds.</span></p> |
| 41 | <p><span class="line"><a href="january.html">Man of autumn</a>, cold wind,</span><span class="line">blow down the trees’ leaves.</span><span class="line"><a href="fire.html">Fire on the ground</a>. The sky is</span><span class="line">perfect water, frost-cold,</span><span class="line">rippled only by flocks</span><span class="line"><a href="i-think-its-you.html">of black birds</a> flying and gone.</span><span class="line">Their brightness can blind</span><span class="line">an uncareful watcher, work him</span><span class="line"><a href="when-im-sorry-i.html">in a froth of hands</a>, not-wings</span><span class="line">that ache with the loss of flight.</span><span class="line">A tear is flung faithfully</span><span class="line"><a href="lappel-du-vide.html">to the ocean of air</a>, slipping in</span><span class="line">slowly, is as gone as the birds.</span></p> | 41 | </section> |
| 42 | </section> | 42 | </article> |
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| 44 | <nav> | 44 | <div class="anchors"> |
| 45 | <div class="anchors"> | 45 | <a href="backlinks/cold-wind.html" id="backlinks" title="Links to this page"> |
| 46 | <a href="cold-wind_backlinks.htm" id="back-link" title="Links to this page"> | 46 | φ |
| 47 | φ | 47 | </a> |
| 48 | </a> | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | </div> |
| 51 | </div> | 51 | |
| 52 | 52 | ||
| 53 | 53 | </nav> | |
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| 56 | |||
| 57 | </body> | 55 | </body> |
| 58 | </html> | 56 | </html> |
| diff --git a/cold-wind_backlinks.htm b/cold-wind_backlinks.htm deleted file mode 100644 index 524a29a..0000000 --- a/cold-wind_backlinks.htm +++ /dev/null | |||
| @@ -1,65 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
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| 12 | <title>Cold wind | Autocento of the breakfast table</title> | ||
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| 30 | <h1 class="subtitle">back-links</h1> | ||
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| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="and.html">And</a></li> | ||
| 41 | <li><a href="collage-instrument.html">Instrumented</a></li> | ||
| 42 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
| 43 | <li><a href="last-passenger.html">Last passenger</a></li> | ||
| 44 | <li><a href="sense-of-it.html">Sense of it</a></li> | ||
| 45 | <li><a href="stagnant.html">Stagnant</a></li> | ||
| 46 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> | ||
| 47 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="cold-wind.html" id="back-link" title="Back to article"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 57 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
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| 62 | |||
| 63 | |||
| 64 | </body> | ||
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| diff --git a/collage-instrument.html b/collage-instrument.html index 64bbeb7..73c5ba1 100644 --- a/collage-instrument.html +++ b/collage-instrument.html | |||
| @@ -4,69 +4,67 @@ | |||
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Instrumented | Autocento of the breakfast table</title> | 12 | <title>Instrumented | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="collage-instrument" class="autocento"> | 23 | <body id="collage-instrument" class="autocento"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Instrumented</h1> | 28 | <h1 class="title">Instrumented</h1> |
| 30 | <h1 class="subtitle">a collage</h1> | 29 | <h1 class="subtitle">a collage</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 37 | 33 | </div> | |
| 38 | <section class="content prose"> | 34 | </header> |
| 39 | <p><a href="http://man.cx/tr"><code>tr</code></a> has been a part of the Unix toolset since the late 70s. Short for translate or transliterate, <code>tr</code> takes two strings as arguments, and replaces incidences of the first with the second while reading a byte stream. It also supports ranges of characters, in formats such as <code>A-Z</code> as well as the POSIX-compliant <code>[:alpha:]</code>. Although <a href="http://man.cx/sed"><code>sed</code></a> has more options and features, for a quick search-and-replace, <code>tr</code> is more than sufficient.</p> | ||
| 40 | <p>The <a href="cold-wind.html">wind blows hard up here</a>—far harder than anywhere else I’ve been. I wonder, at times, if it might <a href="lappel-du-vide.html">pick me up like an angel</a> and carry me into the night.</p> | ||
| 41 | <p>The secret to truly great <a href="riptide_memory.html">rolls is mayonnaise</a>. Although I have received looks of disgust at this assertion, I think the explanation is enough to expel doubt: mayonnaise includes the fat, cream and egg content rolls need to be any good, plus in mayonnaise they come premeasured and perfectly blended, which makes for incredibly easy and delicious rolls. After I explain myself, the looks of disgust usually remain.</p> | ||
| 42 | <p>My mother used to make me mayonnaise rolls, and hers will always be the best. I had a teacher in college who explained xenophobia as “Mother’s cooking is best.”</p> | ||
| 43 | <p>One of my favorite fictional theories is the <a href="http://www.voxday.blogspot.com/2015/02/mailvox-marxism-and-shoe-event-horizon.html">Shoe Event Horizon</a>, an economic truth which states that as a society progresses, shoe stores become more and more prevalent. The demand for shoes raises slowly, almost imperceptibly, causing shoe manufacturers to make more and cheaper shoes. This begins a vicious cycle during which more and more shoes are made, more and more cheaply, causing more shoes to be bought, and thus made, until finally the society reaches the Shoe Event Horizon. This is the point at which it becomes economically impossible for any stores but shoe stores to exist. After the economy collapses, the society’s people invariably turn <a href="statements-frag.html">into birds</a>, never to touch ground again.</p> | ||
| 44 | <hr /> | ||
| 45 | <p><a href="http://man.cx/awk"><code>awk</code></a> is often used as a command-line stream-editing tool, but it is actually an entire interpreted language. It supports multiple variables and logical structuring, and has been the inspiration for <a href="http://www.perl.org/">Perl</a>, which has largely replaced it. It was originally written in 1977, but over the years has evolved, with multiple implementations made for different uses.</p> | ||
| 46 | <p>The best shoes I ever owned were Franco Fortinis, a brand I have yet to find anywhere else. Sometimes I wonder if I dreamed the shoes, like in stories where the protagonist buys a powerful object from a mysterious store and try to return it after it backfires in some tragic way, only to find the spot where the store stood is an empty lot, or worse, a <a href="building.html">blank brick wall</a>.</p> | ||
| 47 | <p>After having moved to Arizona, I fear I will forget what rain is like. I don’t think it’s sandbags falling on the body, and I believe it is cold. I think <em>Daredevil</em>, that piss of a film, has endeared itself to me forever with its depiction of rain.</p> | ||
| 48 | <p>Recent studies have proven eyewitness testimony to be utterly unreliable. It turns out that memory is not a record set down on the tablet of the brain, but rather a series of impressions, emotions, and physical states that changes even with access. One of my students is having a hard time finding arguments in favor of the use of eyewitness testimony for a paper. This is how obvious the workings of memory are.</p> | ||
| 49 | <p>And yet. <a href="early.html">Without our memory we are nothing</a>. Memory is the tether to the floor of the ocean of our past, the ocean is our collective subconscious, which we float on, on the inner tube of individual perception, slathering on the suntan lotion of our prejudices, wearing the sunglasses of self-deception, all underneath the sun of technology. The seagulls of death circle slowly, calling to each other the call of their society, secret in its machinations.</p> | ||
| 50 | <p>My father told me that once, when swimming, a rip tide pulled him far out to sea. He said it was impossible to tell until it was too late. The shore simply receded too slowly. He never told me how he made it back, but I imagine him, bearded, beached, coughing up saltwater: a new shipwrecked victim.</p> | ||
| 51 | <hr /> | ||
| 52 | <p><a href="http://man.cx/grep"><code>grep</code></a> is a basic search tool for UNIX-based systems. It has a robust syntax, though I’ve had trouble remembering the regex nuances between it, <code>sed</code>’s, and <code>perl</code>’s. There is a POSIX standard, but no one follows standards.</p> | ||
| 53 | <p>My mother loves Annie Dillard. She always talks about the praying mantis egg case scene: Dillard could never find a praying mantis egg case, until she finally saw one by accident. After that, she saw them everywhere.</p> | ||
| 54 | <p>My mother showed me an egg case once. I haven’t seen one since.</p> | ||
| 55 | <p>My friend Steven has over three hundred pairs of shoes. He tells me his goal is eventually to obtain a calendar of shoes, and wear a different one each day of the year. He doesn’t include the forty days of Lent, however. <a href="leg.html">He goes barefoot those forty days</a>.</p> | ||
| 56 | </section> | ||
| 57 | </article> | ||
| 58 | <nav> | ||
| 59 | <div class="anchors"> | ||
| 60 | <a href="collage-instrument_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 61 | φ | ||
| 62 | </a> | ||
| 63 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 64 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 65 | </div> | ||
| 66 | 35 | ||
| 67 | |||
| 68 | </nav> | ||
| 69 | 36 | ||
| 70 | 37 | <section class="content prose"> | |
| 38 | <p><a href="http://man.cx/tr"><code>tr</code></a> has been a part of the Unix toolset since the late 70s. Short for translate or transliterate, <code>tr</code> takes two strings as arguments, and replaces incidences of the first with the second while reading a byte stream. It also supports ranges of characters, in formats such as <code>A-Z</code> as well as the POSIX-compliant <code>[:alpha:]</code>. Although <a href="http://man.cx/sed"><code>sed</code></a> has more options and features, for a quick search-and-replace, <code>tr</code> is more than sufficient.</p> | ||
| 39 | <p>The <a href="cold-wind.html">wind blows hard up here</a>—far harder than anywhere else I’ve been. I wonder, at times, if it might <a href="lappel-du-vide.html">pick me up like an angel</a> and carry me into the night.</p> | ||
| 40 | <p>The secret to truly great <a href="riptide_memory.html">rolls is mayonnaise</a>. Although I have received looks of disgust at this assertion, I think the explanation is enough to expel doubt: mayonnaise includes the fat, cream and egg content rolls need to be any good, plus in mayonnaise they come premeasured and perfectly blended, which makes for incredibly easy and delicious rolls. After I explain myself, the looks of disgust usually remain.</p> | ||
| 41 | <p>My mother used to make me mayonnaise rolls, and hers will always be the best. I had a teacher in college who explained xenophobia as “Mother’s cooking is best.”</p> | ||
| 42 | <p>One of my favorite fictional theories is the <a href="http://www.voxday.blogspot.com/2015/02/mailvox-marxism-and-shoe-event-horizon.html">Shoe Event Horizon</a>, an economic truth which states that as a society progresses, shoe stores become more and more prevalent. The demand for shoes raises slowly, almost imperceptibly, causing shoe manufacturers to make more and cheaper shoes. This begins a vicious cycle during which more and more shoes are made, more and more cheaply, causing more shoes to be bought, and thus made, until finally the society reaches the Shoe Event Horizon. This is the point at which it becomes economically impossible for any stores but shoe stores to exist. After the economy collapses, the society’s people invariably turn <a href="statements-frag.html">into birds</a>, never to touch ground again.</p> | ||
| 43 | <hr /> | ||
| 44 | <p><a href="http://man.cx/awk"><code>awk</code></a> is often used as a command-line stream-editing tool, but it is actually an entire interpreted language. It supports multiple variables and logical structuring, and has been the inspiration for <a href="http://www.perl.org/">Perl</a>, which has largely replaced it. It was originally written in 1977, but over the years has evolved, with multiple implementations made for different uses.</p> | ||
| 45 | <p>The best shoes I ever owned were Franco Fortinis, a brand I have yet to find anywhere else. Sometimes I wonder if I dreamed the shoes, like in stories where the protagonist buys a powerful object from a mysterious store and try to return it after it backfires in some tragic way, only to find the spot where the store stood is an empty lot, or worse, a <a href="building.html">blank brick wall</a>.</p> | ||
| 46 | <p>After having moved to Arizona, I fear I will forget what rain is like. I don’t think it’s sandbags falling on the body, and I believe it is cold. I think <em>Daredevil</em>, that piss of a film, has endeared itself to me forever with its depiction of rain.</p> | ||
| 47 | <p>Recent studies have proven eyewitness testimony to be utterly unreliable. It turns out that memory is not a record set down on the tablet of the brain, but rather a series of impressions, emotions, and physical states that changes even with access. One of my students is having a hard time finding arguments in favor of the use of eyewitness testimony for a paper. This is how obvious the workings of memory are.</p> | ||
| 48 | <p>And yet. <a href="early.html">Without our memory we are nothing</a>. Memory is the tether to the floor of the ocean of our past, the ocean is our collective subconscious, which we float on, on the inner tube of individual perception, slathering on the suntan lotion of our prejudices, wearing the sunglasses of self-deception, all underneath the sun of technology. The seagulls of death circle slowly, calling to each other the call of their society, secret in its machinations.</p> | ||
| 49 | <p>My father told me that once, when swimming, a rip tide pulled him far out to sea. He said it was impossible to tell until it was too late. The shore simply receded too slowly. He never told me how he made it back, but I imagine him, bearded, beached, coughing up saltwater: a new shipwrecked victim.</p> | ||
| 50 | <hr /> | ||
| 51 | <p><a href="http://man.cx/grep"><code>grep</code></a> is a basic search tool for UNIX-based systems. It has a robust syntax, though I’ve had trouble remembering the regex nuances between it, <code>sed</code>’s, and <code>perl</code>’s. There is a POSIX standard, but no one follows standards.</p> | ||
| 52 | <p>My mother loves Annie Dillard. She always talks about the praying mantis egg case scene: Dillard could never find a praying mantis egg case, until she finally saw one by accident. After that, she saw them everywhere.</p> | ||
| 53 | <p>My mother showed me an egg case once. I haven’t seen one since.</p> | ||
| 54 | <p>My friend Steven has over three hundred pairs of shoes. He tells me his goal is eventually to obtain a calendar of shoes, and wear a different one each day of the year. He doesn’t include the forty days of Lent, however. <a href="leg.html">He goes barefoot those forty days</a>.</p> | ||
| 55 | </section> | ||
| 56 | </article> | ||
| 57 | <nav> | ||
| 58 | <div class="anchors"> | ||
| 59 | <a href="backlinks/collage-instrument.html" id="backlinks" title="Links to this page"> | ||
| 60 | φ | ||
| 61 | </a> | ||
| 62 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 63 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 64 | </div> | ||
| 65 | |||
| 66 | |||
| 67 | </nav> | ||
| 68 | |||
| 71 | </body> | 69 | </body> |
| 72 | </html> | 70 | </html> |
| diff --git a/collage-instrument_backlinks.htm b/collage-instrument_backlinks.htm deleted file mode 100644 index e8a9621..0000000 --- a/collage-instrument_backlinks.htm +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Instrumented | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="collage-instrument" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Instrumented</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 41 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 42 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
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href="deathstrumpet.html">“Death’s trumpet”</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="epigraph.html">epigraph</a> <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> <a href="hard-game.html">A hard game</a> <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">Hymnal</a> <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> 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href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a> <a href="one-hundred-lines.html">One hundred lines</a> <a href="onformalpoetry.html">On formal poetry</a> <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> <a href="planks.html">Planks</a> <a href="plant.html">Litany</a> <a href="poetry-time.html">Something</a> <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="process.html">Autocento of the breakfast table</a> <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a 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| 39 | <p><a href="about-the-author.html">About the author</a> <a href="about.html">Autocento of the breakfast table</a> <a href="about_author.html">About Case Duckworth</a> <a href="abstract.html">Autocento of the breakfast table</a> | <a href="amber-alert.html">AMBER alert</a> <a href="and.html">And</a> <a href="angeltoabraham.html">The angel to Abraham</a> | <a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a> <a href="arspoetica.html">Ars poetica</a> <a href="art.html">Art</a> <a href="axe.html">Axe</a> <a href="big-dipper.html">The Big Dipper</a> | <a href="boar.html">The boar</a> <a href="boy_bus.html">Boy on the bus</a> <a href="building.html">Building</a> <a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html">Cereal</a> <a href="cold-wind.html">Cold wind</a> <a href="collage-instrument.html">Instrumented</a> <a href="creation-myth.html">Creation myth</a> <a href="deadman.html">Dead man</a> <a href="death-zone.html">The Death Zone</a> <a href="deathstrumpet.html">Death’s trumpet</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="epigraph.html">epigraph</a> <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> <a href="hard-game.html">A hard game</a> <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">Hymnal</a> | <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you (but it’s not)</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">In bed</a> <a href="initial-conditions.html">Initial conditions</a> <a href="january.html">January</a> <a href="joke.html">Joke</a> <a href="lappel-du-vide.html">L’appel du vide</a> <a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> <a href="last-bastion.html">Last bastion</a> <a href="last-passenger.html">Last passenger</a> <a href="leaf.html">Leaf</a> <a href="leg.html">Leg</a> <a href="likingthings.html">Liking Things</a> <a href="listen.html">Listen</a> <a href="love-as-god.html">Love as God</a> <a href="lovesong.html">Love Song</a> <a href="man.html">Man</a> <a href="manifesto_poetics.html">Manifesto of poetics</a> <a href="moon-drowning.html">The Moon is drowning</a> <a href="moongone.html">The moon is gone and in its place a mirror</a> <a href="mountain.html">The mountain</a> <a href="movingsideways.html">Moving Sideways</a> <a href="music-433.html">Something</a> <a href="no-nothing.html">No nothing</a> <a href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a> <a href="one-hundred-lines.html">One hundred lines</a> <a href="onformalpoetry.html">On formal poetry</a> <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> | <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> <a href="planks.html">Planks</a> <a href="plant.html">Litany for a plant</a> <a href="poetry-time.html">Something</a> <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="process.html">Autocento of the breakfast table</a> <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a href="riptide_memory.html">Riptide of memory</a> | <a href="ronaldmcdonald.html">Ronald McDonald</a> | <a href="roughgloves.html">Rough gloves</a> <a href="sapling.html">Sapling</a> | <a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> <a href="sense-of-it.html">Sense of it</a> <a href="serengeti.html">Serengeti</a> | <a href="shed.html">Shed</a> <a href="shipwright.html">The shipwright</a> <a href="sixteenth-chapel.html">The Sixteenth Chapel</a> <a href="snow.html">Snow</a> | <a href="something-simple.html">Let’s start with something simple:</a> <a href="spittle.html">Spittle</a> <a href="squirrel.html">The squirrel</a> <a href="stagnant.html">Stagnant</a> <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">Stayed on the bus too long</a> <a href="stump.html">Stump</a> <a href="swansong-alt.html">Swansong</a> <a href="swansong.html">Swan song</a> <a href="swear.html">Swear</a> <a href="table_contents.html">Table of contents</a> <a href="tapestry.html">Tapestry</a> <a href="telemarketer.html">Telemarketer</a> <a href="the-night-we-met.html">The night we met, I was out of my mind</a> | <a href="the-sea_the-beach.html">The sea and the beach</a> <a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a> <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a> <a href="todaniel.html">To Daniel</a> <a href="toilet.html">Toilet</a> <a href="toothpaste.html">Toothpaste</a> <a href="treatise.html">Treatise</a> | <a href="underwear.html">Underwear</a> <a href="walking-in-the-rain.html">Walking in the rain</a> <a href="wallpaper.html">Wallpaper</a> <a href="weplayedthosegamestoo.html">We played those games too</a> <a href="what-we-are-made-of.html">What we are made of</a> <a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> <a href="window.html">Window</a> <a href="words-irritable-reaching.html">Words and their irritable reaching</a> <a href="words-meaning.html">Words and meaning</a> <a href="worse-looking-over.html">Worse looking over</a> <a href="writing.html">Writing</a> <a href="x-ray.html">X-ray</a> <a href="yellow.html">Yellow</a> <a href="trunk/common-titles.html">Autocento of the breakfast table</a> | <a href="about-the-author.html">About the author</a> <a href="about.html">Autocento of the breakfast table</a> <a href="about_author.html">About Case Duckworth</a> <a href="abstract.html">Autocento of the breakfast table</a> <a href="amber-alert.html">AMBER alert</a> <a href="and.html">And</a> <a href="angeltoabraham.html">The angel to Abraham</a> <a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a> <a href="arspoetica.html">Ars poetica</a> <a href="art.html">Art</a> <a href="axe.html">Axe</a> <a href="big-dipper.html">The Big Dipper</a> <a href="boar.html">The boar</a> <a href="boy_bus.html">Boy on the bus</a> <a href="building.html">Building</a> <a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html">Cereal</a> <a href="cold-wind.html">Cold wind</a> <a href="collage-instrument.html">Instrumented</a> <a href="creation-myth.html">Creation myth</a> <a href="deadman.html">Dead man</a> <a href="death-zone.html">The Death Zone</a> <a href="deathstrumpet.html">Death’s trumpet</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="epigraph.html">epigraph</a> <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> | <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> | <a href="hard-game.html">A hard game</a> | <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">Hymnal</a> <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you (but it’s not)</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">In bed</a> <a href="initial-conditions.html">Initial conditions</a> <a href="january.html">January</a> <a href="joke.html">Joke</a> <a href="lappel-du-vide.html">L’appel du vide</a> <a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> | <a href="last-bastion.html">Last bastion</a> <a href="last-passenger.html">Last passenger</a> <a href="leaf.html">Leaf</a> <a href="leg.html">Leg</a> <a href="likingthings.html">Liking Things</a> <a href="listen.html">Listen</a> <a href="love-as-god.html">Love as God</a> <a href="lovesong.html">Love Song</a> <a href="man.html">Man</a> <a href="manifesto_poetics.html">Manifesto of poetics</a> <a href="moon-drowning.html">The Moon is drowning</a> <a href="moongone.html">The moon is gone and in its place a mirror</a> <a href="mountain.html">The mountain</a> <a href="movingsideways.html">Moving Sideways</a> <a href="music-433.html">Something</a> <a href="no-nothing.html">No nothing</a> <a href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a> | <a href="one-hundred-lines.html">One hundred lines</a> | <a href="onformalpoetry.html">On formal poetry</a> | <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> <a href="planks.html">Planks</a> <a href="plant.html">Litany for a plant</a> <a href="poetry-time.html">Something</a> | <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="process.html">Autocento of the breakfast table</a> | <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a href="riptide_memory.html">Riptide of memory</a> <a href="ronaldmcdonald.html">Ronald McDonald</a> <a href="roughgloves.html">Rough gloves</a> <a href="sapling.html">Sapling</a> <a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> <a href="sense-of-it.html">Sense of it</a> <a href="serengeti.html">Serengeti</a> <a href="shed.html">Shed</a> <a href="shipwright.html">The shipwright</a> <a href="sixteenth-chapel.html">The Sixteenth Chapel</a> | <a href="snow.html">Snow</a> <a href="something-simple.html">Let’s start with something simple:</a> | <a href="spittle.html">Spittle</a> <a href="squirrel.html">The squirrel</a> | <a href="stagnant.html">Stagnant</a> <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">Stayed on the bus too long</a> <a href="stump.html">Stump</a> <a href="swansong-alt.html">Swansong</a> <a href="swansong.html">Swan song</a> <a href="swear.html">Swear</a> <a href="table_contents.html">Table of contents</a> <a href="tapestry.html">Tapestry</a> <a href="telemarketer.html">Telemarketer</a> <a href="the-night-we-met.html">The night we met, I was out of my mind</a> | <a href="the-sea_the-beach.html">The sea and the beach</a> <a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a> <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a> <a href="todaniel.html">To Daniel</a> <a href="toilet.html">Toilet</a> <a href="toothpaste.html">Toothpaste</a> <a href="treatise.html">Treatise</a> <a href="underwear.html">Underwear</a> <a href="walking-in-the-rain.html">Walking in the rain</a> <a href="wallpaper.html">Wallpaper</a> <a href="weplayedthosegamestoo.html">We played those games too</a> <a href="what-we-are-made-of.html">What we are made of</a> <a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> <a href="window.html">Window</a> <a href="words-irritable-reaching.html">Words and their irritable reaching</a> <a href="words-meaning.html">Words and meaning</a> <a href="worse-looking-over.html">Worse looking over</a> <a href="writing.html">Writing</a> <a href="x-ray.html">X-ray</a> <a href="yellow.html">Yellow</a></p> | ||
| 40 | </section> | ||
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="common-titles_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | |||
| 51 | <a class="prevlink" href="about.html" | ||
| 52 | title="Previous article in About Autocento"> | ||
| 53 | About <em>Autocento</em> | ||
| 54 | </a> | ||
| 55 | |||
| 56 | <a class="nextlink" href="first-lines.html" | ||
| 57 | title="Next article in About Autocento"> | ||
| 58 | Index of first lines | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/common-titles.txt b/common-titles.txt deleted file mode 100644 index 66a0531..0000000 --- a/common-titles.txt +++ /dev/null | |||
| @@ -1,288 +0,0 @@ | |||
| 1 | --- | ||
| 2 | title: Autocento of the breakfast table | ||
| 3 | id: common-titles | ||
| 4 | subtitle: index of common titles | ||
| 5 | genre: prose | ||
| 6 | |||
| 7 | project: | ||
| 8 | title: About Autocento | ||
| 9 | class: meta | ||
| 10 | next: | ||
| 11 | - title: Index of first lines | ||
| 12 | link: first-lines | ||
| 13 | prev: | ||
| 14 | - title: About _Autocento_ | ||
| 15 | link: about | ||
| 16 | ... | ||
| 17 | |||
| 18 | [About the author](about-the-author.html) | ||
| 19 | [Autocento of the breakfast table](about.html) | ||
| 20 | [About Case Duckworth](about_author.html) | ||
| 21 | [Autocento of the breakfast table](abstract.html) | ||
| 22 | | [AMBER alert](amber-alert.html) | ||
| 23 | [And](and.html) | ||
| 24 | [The angel to Abraham](angeltoabraham.html) | ||
| 25 | | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | ||
| 26 | [Ars poetica](arspoetica.html) | ||
| 27 | [Art](art.html) | ||
| 28 | [Axe](axe.html) | ||
| 29 | [The Big Dipper](big-dipper.html) | ||
| 30 | | [The boar](boar.html) | ||
| 31 | [Boy on the bus](boy_bus.html) | ||
| 32 | [Building](building.html) | ||
| 33 | [Call me](call-me-aural-pleasure.html) | ||
| 34 | [Cereal](cereal.html) | ||
| 35 | [Cold wind](cold-wind.html) | ||
| 36 | [Instrumented](collage-instrument.html) | ||
| 37 | [Creation myth](creation-myth.html) | ||
| 38 | [Dead man](deadman.html) | ||
| 39 | [The Death Zone](death-zone.html) | ||
| 40 | [Death's trumpet](deathstrumpet.html) | ||
| 41 | [Something](dollywood.html) | ||
| 42 | [Dream](dream.html) | ||
| 43 | [Early](early.html) | ||
| 44 | [Elegy for an alternate self](elegyforanalternateself.html) | ||
| 45 | [epigraph](epigraph.html) | ||
| 46 | [Ex machina](ex-machina.html) | ||
| 47 | [Exasperated](exasperated.html) | ||
| 48 | [Father](father.html) | ||
| 49 | [Feeding the raven](feedingtheraven.html) | ||
| 50 | [Finding the Lion](finding-the-lion.html) | ||
| 51 | [Fire](fire.html) | ||
| 52 | [Look](found-typewriter-poem.html) | ||
| 53 | [Hands](hands.html) | ||
| 54 | [A hard game](hard-game.html) | ||
| 55 | [Hardware](hardware.html) | ||
| 56 | [How it happened](howithappened.html) | ||
| 57 | [How to read this](howtoread.html) | ||
| 58 | [Hymnal](hymnal.html) | ||
| 59 | | [I am](i-am.html) | ||
| 60 | [I think it's you (but it's not)](i-think-its-you.html) | ||
| 61 | [I want to say](i-want-to-say.html) | ||
| 62 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) | ||
| 63 | [In bed](in-bed.html) | ||
| 64 | [Initial conditions](initial-conditions.html) | ||
| 65 | [January](january.html) | ||
| 66 | [Joke](joke.html) | ||
| 67 | [L'appel du vide](lappel-du-vide.html) | ||
| 68 | [The largest asteroid in the asteroid belt](largest-asteroid.html) | ||
| 69 | [Last bastion](last-bastion.html) | ||
| 70 | [Last passenger](last-passenger.html) | ||
| 71 | [Leaf](leaf.html) | ||
| 72 | [Leg](leg.html) | ||
| 73 | [Liking Things](likingthings.html) | ||
| 74 | [Listen](listen.html) | ||
| 75 | [Love as God](love-as-god.html) | ||
| 76 | [Love Song](lovesong.html) | ||
| 77 | [Man](man.html) | ||
| 78 | [Manifesto of poetics](manifesto_poetics.html) | ||
| 79 | [The Moon is drowning](moon-drowning.html) | ||
| 80 | [The moon is gone and in its place a mirror](moongone.html) | ||
| 81 | [The mountain](mountain.html) | ||
| 82 | [Moving Sideways](movingsideways.html) | ||
| 83 | [Something](music-433.html) | ||
| 84 | [No nothing](no-nothing.html) | ||
| 85 | [Notes](notes.html) | ||
| 86 | [Nothing is ever over](nothing-is-ever-over.html) | ||
| 87 | [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 88 | [One hundred lines](one-hundred-lines.html) | ||
| 89 | [On formal poetry](onformalpoetry.html) | ||
| 90 | [Options](options.html) | ||
| 91 | [Ouroboros of Memory](ouroboros_memory.html) | ||
| 92 | | [Paul](paul.html) | ||
| 93 | [Peaches](peaches.html) | ||
| 94 | [Philosophy](philosophy.html) | ||
| 95 | [Phone](phone.html) | ||
| 96 | [Planks](planks.html) | ||
| 97 | [Litany for a plant](plant.html) | ||
| 98 | [Something](poetry-time.html) | ||
| 99 | [Prelude](prelude.html) | ||
| 100 | [Problems](problems.html) | ||
| 101 | [Autocento of the breakfast table](process.html) | ||
| 102 | [Proverbs](proverbs.html) | ||
| 103 | [Punch](punch.html) | ||
| 104 | [The purpose of dogs](purpose-dogs.html) | ||
| 105 | [Question](question.html) | ||
| 106 | [A real writer](real-writer.html) | ||
| 107 | [Reports](reports.html) | ||
| 108 | [Riptide of memory](riptide_memory.html) | ||
| 109 | | [Ronald McDonald](ronaldmcdonald.html) | ||
| 110 | | [Rough gloves](roughgloves.html) | ||
| 111 | [Sapling](sapling.html) | ||
| 112 | | [Seasonal affective disorder](seasonal-affective-disorder.html) | ||
| 113 | [Sense of it](sense-of-it.html) | ||
| 114 | [Serengeti](serengeti.html) | ||
| 115 | | [Shed](shed.html) | ||
| 116 | [The shipwright](shipwright.html) | ||
| 117 | [The Sixteenth Chapel](sixteenth-chapel.html) | ||
| 118 | [Snow](snow.html) | ||
| 119 | | [Let's start with something simple:](something-simple.html) | ||
| 120 | [Spittle](spittle.html) | ||
| 121 | [The squirrel](squirrel.html) | ||
| 122 | [Stagnant](stagnant.html) | ||
| 123 | [Statements](statements-frag.html) | ||
| 124 | [Stayed on the bus too long](stayed-on-the-bus.html) | ||
| 125 | [Stump](stump.html) | ||
| 126 | [Swansong](swansong-alt.html) | ||
| 127 | [Swan song](swansong.html) | ||
| 128 | [Swear](swear.html) | ||
| 129 | [Table of contents](table_contents.html) | ||
| 130 | [Tapestry](tapestry.html) | ||
| 131 | [Telemarketer](telemarketer.html) | ||
| 132 | [The night we met, I was out of my mind](the-night-we-met.html) | ||
| 133 | | [The sea and the beach](the-sea_the-beach.html) | ||
| 134 | [The ocean overflows with camels](theoceanoverflowswithcamels.html) | ||
| 135 | [Time looks up to the sky](time-looks-up-to-the-sky.html) | ||
| 136 | [To Daniel](todaniel.html) | ||
| 137 | [Toilet](toilet.html) | ||
| 138 | [Toothpaste](toothpaste.html) | ||
| 139 | [Treatise](treatise.html) | ||
| 140 | | [Underwear](underwear.html) | ||
| 141 | [Walking in the rain](walking-in-the-rain.html) | ||
| 142 | [Wallpaper](wallpaper.html) | ||
| 143 | [We played those games too](weplayedthosegamestoo.html) | ||
| 144 | [What we are made of](what-we-are-made-of.html) | ||
| 145 | [When I'm sorry I wash dishes](when-im-sorry-i.html) | ||
| 146 | [Window](window.html) | ||
| 147 | [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 148 | [Words and meaning](words-meaning.html) | ||
| 149 | [Worse looking over](worse-looking-over.html) | ||
| 150 | [Writing](writing.html) | ||
| 151 | [X-ray](x-ray.html) | ||
| 152 | [Yellow](yellow.html) | ||
| 153 | [Autocento of the breakfast table](trunk/common-titles.html) | ||
| 154 | | [About the author](about-the-author.html) | ||
| 155 | [Autocento of the breakfast table](about.html) | ||
| 156 | [About Case Duckworth](about_author.html) | ||
| 157 | [Autocento of the breakfast table](abstract.html) | ||
| 158 | [AMBER alert](amber-alert.html) | ||
| 159 | [And](and.html) | ||
| 160 | [The angel to Abraham](angeltoabraham.html) | ||
| 161 | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | ||
| 162 | [Ars poetica](arspoetica.html) | ||
| 163 | [Art](art.html) | ||
| 164 | [Axe](axe.html) | ||
| 165 | [The Big Dipper](big-dipper.html) | ||
| 166 | [The boar](boar.html) | ||
| 167 | [Boy on the bus](boy_bus.html) | ||
| 168 | [Building](building.html) | ||
| 169 | [Call me](call-me-aural-pleasure.html) | ||
| 170 | [Cereal](cereal.html) | ||
| 171 | [Cold wind](cold-wind.html) | ||
| 172 | [Instrumented](collage-instrument.html) | ||
| 173 | [Creation myth](creation-myth.html) | ||
| 174 | [Dead man](deadman.html) | ||
| 175 | [The Death Zone](death-zone.html) | ||
| 176 | [Death's trumpet](deathstrumpet.html) | ||
| 177 | [Something](dollywood.html) | ||
| 178 | [Dream](dream.html) | ||
| 179 | [Early](early.html) | ||
| 180 | [Elegy for an alternate self](elegyforanalternateself.html) | ||
| 181 | [epigraph](epigraph.html) | ||
| 182 | [Ex machina](ex-machina.html) | ||
| 183 | [Exasperated](exasperated.html) | ||
| 184 | [Father](father.html) | ||
| 185 | [Feeding the raven](feedingtheraven.html) | ||
| 186 | [Finding the Lion](finding-the-lion.html) | ||
| 187 | [Fire](fire.html) | ||
| 188 | | [Look](found-typewriter-poem.html) | ||
| 189 | [Hands](hands.html) | ||
| 190 | | [A hard game](hard-game.html) | ||
| 191 | | [Hardware](hardware.html) | ||
| 192 | [How it happened](howithappened.html) | ||
| 193 | [How to read this](howtoread.html) | ||
| 194 | [Hymnal](hymnal.html) | ||
| 195 | [I am](i-am.html) | ||
| 196 | [I think it's you (but it's not)](i-think-its-you.html) | ||
| 197 | [I want to say](i-want-to-say.html) | ||
| 198 | [I wanted to tell you something](i-wanted-to-tell-you-something.html) | ||
| 199 | [In bed](in-bed.html) | ||
| 200 | [Initial conditions](initial-conditions.html) | ||
| 201 | [January](january.html) | ||
| 202 | [Joke](joke.html) | ||
| 203 | [L'appel du vide](lappel-du-vide.html) | ||
| 204 | [The largest asteroid in the asteroid belt](largest-asteroid.html) | ||
| 205 | | [Last bastion](last-bastion.html) | ||
| 206 | [Last passenger](last-passenger.html) | ||
| 207 | [Leaf](leaf.html) | ||
| 208 | [Leg](leg.html) | ||
| 209 | [Liking Things](likingthings.html) | ||
| 210 | [Listen](listen.html) | ||
| 211 | [Love as God](love-as-god.html) | ||
| 212 | [Love Song](lovesong.html) | ||
| 213 | [Man](man.html) | ||
| 214 | [Manifesto of poetics](manifesto_poetics.html) | ||
| 215 | [The Moon is drowning](moon-drowning.html) | ||
| 216 | [The moon is gone and in its place a mirror](moongone.html) | ||
| 217 | [The mountain](mountain.html) | ||
| 218 | [Moving Sideways](movingsideways.html) | ||
| 219 | [Something](music-433.html) | ||
| 220 | [No nothing](no-nothing.html) | ||
| 221 | [Notes](notes.html) | ||
| 222 | [Nothing is ever over](nothing-is-ever-over.html) | ||
| 223 | [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 224 | | [One hundred lines](one-hundred-lines.html) | ||
| 225 | | [On formal poetry](onformalpoetry.html) | ||
| 226 | | [Options](options.html) | ||
| 227 | [Ouroboros of Memory](ouroboros_memory.html) | ||
| 228 | [Paul](paul.html) | ||
| 229 | [Peaches](peaches.html) | ||
| 230 | [Philosophy](philosophy.html) | ||
| 231 | [Phone](phone.html) | ||
| 232 | [Planks](planks.html) | ||
| 233 | [Litany for a plant](plant.html) | ||
| 234 | [Something](poetry-time.html) | ||
| 235 | | [Prelude](prelude.html) | ||
| 236 | [Problems](problems.html) | ||
| 237 | [Autocento of the breakfast table](process.html) | ||
| 238 | | [Proverbs](proverbs.html) | ||
| 239 | [Punch](punch.html) | ||
| 240 | [The purpose of dogs](purpose-dogs.html) | ||
| 241 | [Question](question.html) | ||
| 242 | [A real writer](real-writer.html) | ||
| 243 | [Reports](reports.html) | ||
| 244 | [Riptide of memory](riptide_memory.html) | ||
| 245 | [Ronald McDonald](ronaldmcdonald.html) | ||
| 246 | [Rough gloves](roughgloves.html) | ||
| 247 | [Sapling](sapling.html) | ||
| 248 | [Seasonal affective disorder](seasonal-affective-disorder.html) | ||
| 249 | [Sense of it](sense-of-it.html) | ||
| 250 | [Serengeti](serengeti.html) | ||
| 251 | [Shed](shed.html) | ||
| 252 | [The shipwright](shipwright.html) | ||
| 253 | [The Sixteenth Chapel](sixteenth-chapel.html) | ||
| 254 | | [Snow](snow.html) | ||
| 255 | [Let's start with something simple:](something-simple.html) | ||
| 256 | | [Spittle](spittle.html) | ||
| 257 | [The squirrel](squirrel.html) | ||
| 258 | | [Stagnant](stagnant.html) | ||
| 259 | [Statements](statements-frag.html) | ||
| 260 | [Stayed on the bus too long](stayed-on-the-bus.html) | ||
| 261 | [Stump](stump.html) | ||
| 262 | [Swansong](swansong-alt.html) | ||
| 263 | [Swan song](swansong.html) | ||
| 264 | [Swear](swear.html) | ||
| 265 | [Table of contents](table_contents.html) | ||
| 266 | [Tapestry](tapestry.html) | ||
| 267 | [Telemarketer](telemarketer.html) | ||
| 268 | [The night we met, I was out of my mind](the-night-we-met.html) | ||
| 269 | | [The sea and the beach](the-sea_the-beach.html) | ||
| 270 | [The ocean overflows with camels](theoceanoverflowswithcamels.html) | ||
| 271 | [Time looks up to the sky](time-looks-up-to-the-sky.html) | ||
| 272 | [To Daniel](todaniel.html) | ||
| 273 | [Toilet](toilet.html) | ||
| 274 | [Toothpaste](toothpaste.html) | ||
| 275 | [Treatise](treatise.html) | ||
| 276 | [Underwear](underwear.html) | ||
| 277 | [Walking in the rain](walking-in-the-rain.html) | ||
| 278 | [Wallpaper](wallpaper.html) | ||
| 279 | [We played those games too](weplayedthosegamestoo.html) | ||
| 280 | [What we are made of](what-we-are-made-of.html) | ||
| 281 | [When I'm sorry I wash dishes](when-im-sorry-i.html) | ||
| 282 | [Window](window.html) | ||
| 283 | [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 284 | [Words and meaning](words-meaning.html) | ||
| 285 | [Worse looking over](worse-looking-over.html) | ||
| 286 | [Writing](writing.html) | ||
| 287 | [X-ray](x-ray.html) | ||
| 288 | [Yellow](yellow.html) | ||
| diff --git a/creation-myth.html b/creation-myth.html index dd28aa7..bcd917f 100644 --- a/creation-myth.html +++ b/creation-myth.html | |||
| @@ -4,56 +4,54 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Creation myth | Autocento of the breakfast table</title> | 12 | <title>Creation myth | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="creation-myth" class="autocento"> | 23 | <body id="creation-myth" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Creation myth</h1> |
| 29 | <h1 class="title">Creation myth</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">So two hyperintelligent pandimensional beings</span><span class="line">walk into a bar. One turns to the other and says,</span><span class="line">“Did you remember to check the end state</span><span class="line">of that simulation we were running?" The other</span><span class="line">says, “No, I thought that you did?” To which</span><span class="line">the first replies, “<a href="movingsideways.html">Oh shit</a>, we missed it.</span><span class="line">I suppose we must do all of this again. Barkeep,</span></p> |
| 39 | <p><span class="line">So two hyperintelligent pandimensional beings</span><span class="line">walk into a bar. One turns to the other and says,</span><span class="line">“Did you remember to check the end state</span><span class="line">of that simulation we were running?" The other</span><span class="line">says, “No, I thought that you did?” To which</span><span class="line">the first replies, “<a href="movingsideways.html">Oh shit</a>, we missed it.</span><span class="line">I suppose we must do all of this again. Barkeep,</span></p> | 39 | <p><span class="line">two beers please." The bartender nods in that way</span><span class="line">that bartenders do, pours the two beers,</span><span class="line">expertly, by the way, just so, and hands them</span><span class="line">to the first <a href="http://hitchhikers.wikia.com/wiki/Mice">hyperintelligent pandimensional</a> being.</span><span class="line">The second one pulls a few singles out of his</span><span class="line">wallet, places them on the bar, and the pair</span><span class="line">turn around and begin walking toward a table</span><span class="line">in the middle of the mostly-empty bar. The bar-</span><span class="line">tender picks up the money, fans it out, frowns,</span><span class="line">and calls to his patrons’ backs: “Hey, this</span><span class="line">isn’t enough!" The two turn around simultan-</span><span class="line">eously, with parity, and stare at him. A beat.</span></p> |
| 40 | <p><span class="line">two beers please." The bartender nods in that way</span><span class="line">that bartenders do, pours the two beers,</span><span class="line">expertly, by the way, just so, and hands them</span><span class="line">to the first <a href="http://hitchhikers.wikia.com/wiki/Mice">hyperintelligent pandimensional</a> being.</span><span class="line">The second one pulls a few singles out of his</span><span class="line">wallet, places them on the bar, and the pair</span><span class="line">turn around and begin walking toward a table</span><span class="line">in the middle of the mostly-empty bar. The bar-</span><span class="line">tender picks up the money, fans it out, frowns,</span><span class="line">and calls to his patrons’ backs: “Hey, this</span><span class="line">isn’t enough!" The two turn around simultan-</span><span class="line">eously, with parity, and stare at him. A beat.</span></p> | 40 | <p><span class="line">One of them, the one without the beer, breaks</span><span class="line">the silence by exclaiming, “Oh dear god, I’m</span><span class="line">sorry! I didn’t know your prices went up since</span><span class="line">last time. What do I owe you?" The bartender</span><span class="line">says, “Oh, just another <a href="one-hundred-lines.html">dollar</a>-fifty.” The being</span><span class="line">reaches in his back pocket, slides out his</span><span class="line">wallet, looks in smiling, and frowns when he sees</span><span class="line">it’s empty. He looks to the other and says,</span><span class="line">“You got a <a href="plant.html">buck</a>-fifty I can borrow?”</span></p> |
| 41 | <p><span class="line">One of them, the one without the beer, breaks</span><span class="line">the silence by exclaiming, “Oh dear god, I’m</span><span class="line">sorry! I didn’t know your prices went up since</span><span class="line">last time. What do I owe you?" The bartender</span><span class="line">says, “Oh, just another <a href="one-hundred-lines.html">dollar</a>-fifty.” The being</span><span class="line">reaches in his back pocket, slides out his</span><span class="line">wallet, looks in smiling, and frowns when he sees</span><span class="line">it’s empty. He looks to the other and says,</span><span class="line">“You got a <a href="plant.html">buck</a>-fifty I can borrow?”</span></p> | 41 | <p><span class="line">The second hyperintelligent pandimensional being</span><span class="line">considers this. He sets the beers down</span><span class="line">on the table, pulls out his own wallet, opens</span><span class="line">it, and frowns. “I’m broke too,” he says.</span></p> |
| 42 | <p><span class="line">The second hyperintelligent pandimensional being</span><span class="line">considers this. He sets the beers down</span><span class="line">on the table, pulls out his own wallet, opens</span><span class="line">it, and frowns. “I’m broke too,” he says.</span></p> | 42 | </section> |
| 43 | </section> | 43 | </article> |
| 44 | </article> | 44 | <nav> |
| 45 | <nav> | 45 | <div class="anchors"> |
| 46 | <div class="anchors"> | 46 | <a href="backlinks/creation-myth.html" id="backlinks" title="Links to this page"> |
| 47 | <a href="creation-myth_backlinks.htm" id="back-link" title="Links to this page"> | 47 | φ |
| 48 | φ | 48 | </a> |
| 49 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | </div> |
| 52 | </div> | 52 | |
| 53 | 53 | ||
| 54 | 54 | </nav> | |
| 55 | </nav> | 55 | |
| 56 | |||
| 57 | |||
| 58 | </body> | 56 | </body> |
| 59 | </html> | 57 | </html> |
| diff --git a/creation-myth_backlinks.htm b/creation-myth_backlinks.htm deleted file mode 100644 index 7a96b40..0000000 --- a/creation-myth_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
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| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Creation myth | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
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| 23 | <body id="creation-myth" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Creation myth</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="deadman.html">Dead man</a></li> | ||
| 42 | <li><a href="death-zone.html">The Death Zone</a></li> | ||
| 43 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="creation-myth.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/deadman.html b/deadman.html index ae1fd52..82fbada 100644 --- a/deadman.html +++ b/deadman.html | |||
| @@ -4,77 +4,75 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Dead man | Autocento of the breakfast table</title> | 12 | <title>Dead man | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="deadman" class="elegies"> | 23 | <body id="deadman" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Dead man</h1> | 28 | <h1 class="title">Dead man</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">The dead man finds <a href="last-bastion.html">his way into our hearts</a></span><span class="line">by <a href="words-meaning.html">opening the door</a> and walking in.</span></p> | ||
| 40 | <p><span class="line">He pours himself <a href="ex-machina.html">a drink</a>, something like</span><span class="line">German cognac, from the mini-bar. He starts talking</span></p> | ||
| 41 | <p><span class="line">aimlessly about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other</span></p> | ||
| 42 | <p><span class="line">like <a href="x-ray.html">x-rays</a> around bones and soft tissue.</span><span class="line">The dead man can see x-rays now, he says,</span></p> | ||
| 43 | <p><span class="line">a perk of his <a href="initial-conditions.html">condition</a>.</span><span class="line">It’s not so bad, he says, though</span></p> | ||
| 44 | <p><span class="line">he stops short of saying it’s as good as</span><span class="line">being alive, an omission we can, ultimately,</span></p> | ||
| 45 | <p><span class="line">forgive. There’s <a href="creation-myth.html">a short silence</a> where nothing</span><span class="line">is said, we’re just looking at him as he looks</span></p> | ||
| 46 | <p><span class="line">at the ceiling or through it. He looks good</span><span class="line">for being dead. We mention this to him</span></p> | ||
| 47 | <p><span class="line">but he just looks embarrassed. He mentions</span><span class="line">eels he saw in the aquarium earlier, how they knot</span></p> | ||
| 48 | <p><span class="line">while mating. For hours, it’s just a huge mass</span><span class="line">of <a href="spittle.html">eel flesh, he says, undulating in the water</a>.</span></p> | ||
| 49 | <p><span class="line">We nod, waiting for what he’ll say next. He seems</span><span class="line">uncomfortable carrying the conversation, but we</span></p> | ||
| 50 | <p><span class="line">can’t think of anything either. Now it’s his turn</span><span class="line">to look at us, and <a href="moongone.html">ours to stare at the ceiling</a></span></p> | ||
| 51 | <p><span class="line">or wherever. Finally, we mention the knots we tied</span><span class="line">in Boy Scouts, especially the loop—a noose? he asks—</span></p> | ||
| 52 | <p><span class="line">but we say no, the one with the rabbit in its hole</span><span class="line">and the tree it goes around. The dead man</span></p> | ||
| 53 | <p><span class="line">knows that knot, he says, it’s a good knot. But what</span><span class="line">he really likes is the rabbit, coming out of its hole</span></p> | ||
| 54 | <p><span class="line">in the morning, eating some grass, and a fox creeping</span><span class="line">out of its hiding place and chasing the rabbit around</span></p> | ||
| 55 | <p>the tree, back into its hole, where it always ends up safe.</p> | ||
| 56 | </section> | ||
| 57 | </article> | ||
| 58 | <nav> | ||
| 59 | <div class="anchors"> | ||
| 60 | <a href="deadman_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 61 | φ | ||
| 62 | </a> | ||
| 63 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 64 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 65 | </div> | ||
| 66 | 32 | ||
| 67 | <a class="prevlink" href="boar.html" | 33 | </div> |
| 68 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 69 | The boar | 35 | |
| 70 | </a> | 36 | |
| 71 | 37 | <section class="content verse"> | |
| 72 | <a class="nextlink" href="angeltoabraham.html" | 38 | <p><span class="line">The dead man finds <a href="last-bastion.html">his way into our hearts</a></span><span class="line">by <a href="words-meaning.html">opening the door</a> and walking in.</span></p> |
| 73 | title="Next article in Elegies for alternate selves"> | 39 | <p><span class="line">He pours himself <a href="ex-machina.html">a drink</a>, something like</span><span class="line">German cognac, from the mini-bar. He starts talking</span></p> |
| 74 | The angel to Abraham | 40 | <p><span class="line">aimlessly about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other</span></p> |
| 75 | </a> | 41 | <p><span class="line">like <a href="x-ray.html">x-rays</a> around bones and soft tissue.</span><span class="line">The dead man can see x-rays now, he says,</span></p> |
| 76 | </nav> | 42 | <p><span class="line">a perk of his <a href="initial-conditions.html">condition</a>.</span><span class="line">It’s not so bad, he says, though</span></p> |
| 43 | <p><span class="line">he stops short of saying it’s as good as</span><span class="line">being alive, an omission we can, ultimately,</span></p> | ||
| 44 | <p><span class="line">forgive. There’s <a href="creation-myth.html">a short silence</a> where nothing</span><span class="line">is said, we’re just looking at him as he looks</span></p> | ||
| 45 | <p><span class="line">at the ceiling or through it. He looks good</span><span class="line">for being dead. We mention this to him</span></p> | ||
| 46 | <p><span class="line">but he just looks embarrassed. He mentions</span><span class="line">eels he saw in the aquarium earlier, how they knot</span></p> | ||
| 47 | <p><span class="line">while mating. For hours, it’s just a huge mass</span><span class="line">of <a href="spittle.html">eel flesh, he says, undulating in the water</a>.</span></p> | ||
| 48 | <p><span class="line">We nod, waiting for what he’ll say next. He seems</span><span class="line">uncomfortable carrying the conversation, but we</span></p> | ||
| 49 | <p><span class="line">can’t think of anything either. Now it’s his turn</span><span class="line">to look at us, and <a href="moongone.html">ours to stare at the ceiling</a></span></p> | ||
| 50 | <p><span class="line">or wherever. Finally, we mention the knots we tied</span><span class="line">in Boy Scouts, especially the loop—a noose? he asks—</span></p> | ||
| 51 | <p><span class="line">but we say no, the one with the rabbit in its hole</span><span class="line">and the tree it goes around. The dead man</span></p> | ||
| 52 | <p><span class="line">knows that knot, he says, it’s a good knot. But what</span><span class="line">he really likes is the rabbit, coming out of its hole</span></p> | ||
| 53 | <p><span class="line">in the morning, eating some grass, and a fox creeping</span><span class="line">out of its hiding place and chasing the rabbit around</span></p> | ||
| 54 | <p>the tree, back into its hole, where it always ends up safe.</p> | ||
| 55 | </section> | ||
| 56 | </article> | ||
| 57 | <nav> | ||
| 58 | <div class="anchors"> | ||
| 59 | <a href="backlinks/deadman.html" id="backlinks" title="Links to this page"> | ||
| 60 | φ | ||
| 61 | </a> | ||
| 62 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 63 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 64 | </div> | ||
| 65 | |||
| 66 | <a class="prevlink" href="boar.html" | ||
| 67 | title="Previous article in Elegies for alternate selves"> | ||
| 68 | The boar | ||
| 69 | </a> | ||
| 70 | |||
| 71 | <a class="nextlink" href="angeltoabraham.html" | ||
| 72 | title="Next article in Elegies for alternate selves"> | ||
| 73 | The angel to Abraham | ||
| 74 | </a> | ||
| 75 | </nav> | ||
| 77 | 76 | ||
| 78 | |||
| 79 | </body> | 77 | </body> |
| 80 | </html> | 78 | </html> |
| diff --git a/death-zone.html b/death-zone.html index fc4473d..334a7cb 100644 --- a/death-zone.html +++ b/death-zone.html | |||
| @@ -4,89 +4,87 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The Death Zone | Autocento of the breakfast table</title> | 12 | <title>The Death Zone | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="death-zone" class="stark"> | 23 | <body id="death-zone" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The Death Zone</h1> | 28 | <h1 class="title">The Death Zone</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://www.npr.org/blogs/13.7/2013/11/19/245996903/embracing-life-and-death">And my life became death.</a> | ||
| 37 | |||
| 38 | <div class="attrib">Philip Gould</div> | ||
| 39 | </div> | ||
| 40 | </div> | ||
| 41 | </header> | ||
| 42 | 30 | ||
| 43 | <div class="ekphrastic"> | 31 | <div class="header-extra"> |
| 44 | <a href="http://www.npr.org/blogs/13.7/2013/11/19/245996903/embracing-life-and-death"> | ||
| 45 | <img src="trunk/gould.png" | ||
| 46 | title="Philip Gould" | ||
| 47 | alt="Philip Gould" | ||
| 48 | /> | ||
| 49 | </a> | ||
| 50 | </div> | ||
| 51 | |||
| 52 | <section class="content verse"> | ||
| 53 | <p><span class="line">When I think of death I think</span><span class="line">of Peter Falk in <em>The Princess Bride</em> patting</span><span class="line"><a href="creation-myth.html">his pockets</a> as he leaves the room</span></p> | ||
| 54 | <p><span class="line">Life is a series of doors or so</span><span class="line">they say but I ask them this</span><span class="line">where does that last door lead?</span></p> | ||
| 55 | <p><span class="line">For Falk maybe it leads backstage</span><span class="line">a black-walled catered affair with stage</span><span class="line">lights slowly baking stale muffins</span></p> | ||
| 56 | <p><span class="line"><a href="i-wanted-to-tell-you-something.html">Sweaty cheese</a> leaking onto dried-out</span><span class="line">grapes a chocolate fountain clogged</span><span class="line">by some errant strawberry crown</span></p> | ||
| 57 | <p><span class="line">but this is not where it leads for you or</span><span class="line">for me that door opens onto darkness marked</span><span class="line">only by a trellis or the lid of a casket</span></p> | ||
| 58 | <p><span class="line">the door of the <a href="about-the-author.html">earth’s womb</a> opening</span><span class="line">finally to accept us and with us the dirt</span><span class="line">not to grow more strawberries for Falk</span></p> | ||
| 59 | <p><span class="line">but to pad his feet as he walks overhead</span><span class="line">to visit someone he certainly cares about</span><span class="line">but whose name is lost to posterity.</span></p> | ||
| 60 | </section> | ||
| 61 | </article> | ||
| 62 | <nav> | ||
| 63 | <div class="anchors"> | ||
| 64 | <a href="death-zone_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 65 | φ | ||
| 66 | </a> | ||
| 67 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 68 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 69 | </div> | ||
| 70 | 32 | ||
| 71 | <a class="prevlink" href="exasperated.html" | 33 | <!-- epigraph --> |
| 72 | title="Previous article in Stark Raving"> | 34 | <div class="epigraph"> |
| 73 | Exasperated | 35 | <a href="http://www.npr.org/blogs/13.7/2013/11/19/245996903/embracing-life-and-death">And my life became death.</a> |
| 74 | </a> | 36 | |
| 75 | <a class="prevlink" href="amber-alert.html" | 37 | <div class="attrib">Philip Gould</div> |
| 76 | title="Previous article in Stark Raving"> | 38 | </div> |
| 77 | AMBER alert | 39 | </div> |
| 78 | </a> | 40 | </header> |
| 79 | 41 | ||
| 80 | <a class="nextlink" href="big-dipper.html" | 42 | <div class="ekphrastic"> |
| 81 | title="Next article in Stark Raving"> | 43 | <a href="http://www.npr.org/blogs/13.7/2013/11/19/245996903/embracing-life-and-death"> |
| 82 | The Big Dipper | 44 | <img src="trunk/gould.png" |
| 83 | </a> | 45 | title="Philip Gould" |
| 84 | <a class="nextlink" href="exasperated.html" | 46 | alt="Philip Gould" |
| 85 | title="Next article in Stark Raving"> | 47 | /> |
| 86 | Exasperated | 48 | </a> |
| 87 | </a> | 49 | </div> |
| 88 | </nav> | 50 | |
| 51 | <section class="content verse"> | ||
| 52 | <p><span class="line">When I think of death I think</span><span class="line">of Peter Falk in <em>The Princess Bride</em> patting</span><span class="line"><a href="creation-myth.html">his pockets</a> as he leaves the room</span></p> | ||
| 53 | <p><span class="line">Life is a series of doors or so</span><span class="line">they say but I ask them this</span><span class="line">where does that last door lead?</span></p> | ||
| 54 | <p><span class="line">For Falk maybe it leads backstage</span><span class="line">a black-walled catered affair with stage</span><span class="line">lights slowly baking stale muffins</span></p> | ||
| 55 | <p><span class="line"><a href="i-wanted-to-tell-you-something.html">Sweaty cheese</a> leaking onto dried-out</span><span class="line">grapes a chocolate fountain clogged</span><span class="line">by some errant strawberry crown</span></p> | ||
| 56 | <p><span class="line">but this is not where it leads for you or</span><span class="line">for me that door opens onto darkness marked</span><span class="line">only by a trellis or the lid of a casket</span></p> | ||
| 57 | <p><span class="line">the door of the <a href="about-the-author.html">earth’s womb</a> opening</span><span class="line">finally to accept us and with us the dirt</span><span class="line">not to grow more strawberries for Falk</span></p> | ||
| 58 | <p><span class="line">but to pad his feet as he walks overhead</span><span class="line">to visit someone he certainly cares about</span><span class="line">but whose name is lost to posterity.</span></p> | ||
| 59 | </section> | ||
| 60 | </article> | ||
| 61 | <nav> | ||
| 62 | <div class="anchors"> | ||
| 63 | <a href="backlinks/death-zone.html" id="backlinks" title="Links to this page"> | ||
| 64 | φ | ||
| 65 | </a> | ||
| 66 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 67 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 68 | </div> | ||
| 69 | |||
| 70 | <a class="prevlink" href="exasperated.html" | ||
| 71 | title="Previous article in Stark Raving"> | ||
| 72 | Exasperated | ||
| 73 | </a> | ||
| 74 | <a class="prevlink" href="amber-alert.html" | ||
| 75 | title="Previous article in Stark Raving"> | ||
| 76 | AMBER alert | ||
| 77 | </a> | ||
| 78 | |||
| 79 | <a class="nextlink" href="big-dipper.html" | ||
| 80 | title="Next article in Stark Raving"> | ||
| 81 | The Big Dipper | ||
| 82 | </a> | ||
| 83 | <a class="nextlink" href="exasperated.html" | ||
| 84 | title="Next article in Stark Raving"> | ||
| 85 | Exasperated | ||
| 86 | </a> | ||
| 87 | </nav> | ||
| 89 | 88 | ||
| 90 | |||
| 91 | </body> | 89 | </body> |
| 92 | </html> | 90 | </html> |
| diff --git a/death-zone_backlinks.htm b/death-zone_backlinks.htm deleted file mode 100644 index becaa3e..0000000 --- a/death-zone_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The Death Zone | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="death-zone" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The Death Zone</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="exasperated.html">Exasperated</a></li> | ||
| 42 | <li><a href="love-as-god.html">Love as God</a></li> | ||
| 43 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> | ||
| 44 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 45 | <li><a href="stump.html">Stump</a></li> | ||
| 46 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="death-zone.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/deathstrumpet.html b/deathstrumpet.html index f9f4ec2..06085f7 100644 --- a/deathstrumpet.html +++ b/deathstrumpet.html | |||
| @@ -4,67 +4,65 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Death’s trumpet | Autocento of the breakfast table</title> | 12 | <title>Death’s trumpet | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="deathstrumpet" class="elegies"> | 23 | <body id="deathstrumpet" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Death’s trumpet</h1> | 28 | <h1 class="title">Death’s trumpet</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://michaelduke.org/2014/07/20/larry-levis-boy-in-video-arcade/"><p>So Death plays his little fucking trumpet. So what, says the boy.</p></a> | ||
| 37 | |||
| 38 | <div class="attrib">Larry Levis</div> | ||
| 39 | </div> | ||
| 40 | </div> | ||
| 41 | </header> | ||
| 42 | 30 | ||
| 43 | 31 | <div class="header-extra"> | |
| 44 | <section class="content verse"> | ||
| 45 | <p><span class="line">He didn’t have any polish so he spit-shined the whole thing</span><span class="line">until it gleamed like a <a href="wallpaper.html">tomato on the vine</a> that was begging</span><span class="line">to be picked and thrown on some caprese. Death loved caprese.</span></p> | ||
| 46 | <p><span class="line">He stood up to put the horn to his lips, trying to imagine</span><span class="line">it was a woman he loved. He blushed as he realized how bad</span><span class="line"><a href="leaf.html">the metaphor was</a>. He practiced anyway for six hours a day</span><span class="line">in front of the mirror—what else to do with all the time?</span></p> | ||
| 47 | <p><span class="line">Death looked at <a href="moongone.html">himself in the mirror</a> as he played, the trumpet</span><span class="line">suspended in midair. <em>Damn vampire rules</em>, he thought.</span><span class="line">He was always worried he might have <a href="january.html">missed a spot</a> while shaving</span><span class="line">but he’d never know unless a stranger—he had no friends—</span><span class="line">was kind enough. Not that he goes out anyway or meets people.</span></p> | ||
| 48 | <p><span class="line">He started waking up late, staying in bed later.</span><span class="line">He started thinking he was depressed. He never did eat</span><span class="line">that caprese, and it started getting soggy, green spots</span><span class="line">spreading on the mozzarella like bedsores. The sun</span><span class="line">filtered through the <a href="what-we-are-made-of.html">kitchen blinds like smoke</a>. He had</span><span class="line">to get out of the house. He decided to go to the arcade.</span></p> | ||
| 49 | <p><span class="line">When he got there, it was empty except for a boy</span><span class="line"><a href="big-dipper.html">with dead eyes</a>. So far so good, Death thought.</span><span class="line">He was playing a first-person shooter, something violent.</span><span class="line">Death walked past him and watched out of the corner</span><span class="line">of his eye. The kid was good. Death decided</span><span class="line">to congratulate him. He had his trumpet in his hand.</span></p> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="deathstrumpet_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 58 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | 32 | ||
| 61 | <a class="prevlink" href="todaniel.html" | 33 | <!-- epigraph --> |
| 62 | title="Previous article in Elegies for alternate selves"> | 34 | <div class="epigraph"> |
| 63 | To Daniel: an elaboration | 35 | <a href="http://michaelduke.org/2014/07/20/larry-levis-boy-in-video-arcade/"><p>So Death plays his little fucking trumpet. So what, says the boy.</p></a> |
| 64 | </a> | 36 | |
| 65 | 37 | <div class="attrib">Larry Levis</div> | |
| 66 | </nav> | 38 | </div> |
| 39 | </div> | ||
| 40 | </header> | ||
| 41 | |||
| 42 | |||
| 43 | <section class="content verse"> | ||
| 44 | <p><span class="line">He didn’t have any polish so he spit-shined the whole thing</span><span class="line">until it gleamed like a <a href="wallpaper.html">tomato on the vine</a> that was begging</span><span class="line">to be picked and thrown on some caprese. Death loved caprese.</span></p> | ||
| 45 | <p><span class="line">He stood up to put the horn to his lips, trying to imagine</span><span class="line">it was a woman he loved. He blushed as he realized how bad</span><span class="line"><a href="leaf.html">the metaphor was</a>. He practiced anyway for six hours a day</span><span class="line">in front of the mirror—what else to do with all the time?</span></p> | ||
| 46 | <p><span class="line">Death looked at <a href="moongone.html">himself in the mirror</a> as he played, the trumpet</span><span class="line">suspended in midair. <em>Damn vampire rules</em>, he thought.</span><span class="line">He was always worried he might have <a href="january.html">missed a spot</a> while shaving</span><span class="line">but he’d never know unless a stranger—he had no friends—</span><span class="line">was kind enough. Not that he goes out anyway or meets people.</span></p> | ||
| 47 | <p><span class="line">He started waking up late, staying in bed later.</span><span class="line">He started thinking he was depressed. He never did eat</span><span class="line">that caprese, and it started getting soggy, green spots</span><span class="line">spreading on the mozzarella like bedsores. The sun</span><span class="line">filtered through the <a href="what-we-are-made-of.html">kitchen blinds like smoke</a>. He had</span><span class="line">to get out of the house. He decided to go to the arcade.</span></p> | ||
| 48 | <p><span class="line">When he got there, it was empty except for a boy</span><span class="line"><a href="big-dipper.html">with dead eyes</a>. So far so good, Death thought.</span><span class="line">He was playing a first-person shooter, something violent.</span><span class="line">Death walked past him and watched out of the corner</span><span class="line">of his eye. The kid was good. Death decided</span><span class="line">to congratulate him. He had his trumpet in his hand.</span></p> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="backlinks/deathstrumpet.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | <a class="prevlink" href="todaniel.html" | ||
| 61 | title="Previous article in Elegies for alternate selves"> | ||
| 62 | To Daniel: an elaboration | ||
| 63 | </a> | ||
| 64 | |||
| 65 | </nav> | ||
| 67 | 66 | ||
| 68 | |||
| 69 | </body> | 67 | </body> |
| 70 | </html> | 68 | </html> |
| diff --git a/deathstrumpet_backlinks.htm b/deathstrumpet_backlinks.htm deleted file mode 100644 index bddcc21..0000000 --- a/deathstrumpet_backlinks.htm +++ /dev/null | |||
| @@ -1,67 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Death’s trumpet | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="deathstrumpet" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Death’s trumpet</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 41 | <li><a href="epigraph.html">epigraph</a></li> | ||
| 42 | <li><a href="exasperated.html">Exasperated</a></li> | ||
| 43 | <li><a href="hands.html">Hands</a></li> | ||
| 44 | <li><a href="i-am.html">I am</a></li> | ||
| 45 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 46 | <li><a href="in-bed.html">In bed</a></li> | ||
| 47 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 48 | <li><a href="swansong.html">Swan song</a></li> | ||
| 49 | <li><a href="todaniel.html">To Daniel</a></li> | ||
| 50 | </ul> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="deathstrumpet.html" id="back-link" title="Back to article"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 59 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | |||
| 63 | </nav> | ||
| 64 | |||
| 65 | |||
| 66 | </body> | ||
| 67 | </html> | ||
| diff --git a/dollywood.html b/dollywood.html index a1a1a68..80a3abf 100644 --- a/dollywood.html +++ b/dollywood.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Something | Autocento of the breakfast table</title> | 12 | <title>Something | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="dollywood" class="autocento"> | 23 | <body id="dollywood" class="autocento"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Something</h1> | 28 | <h1 class="title">Something</h1> |
| 30 | <h1 class="subtitle">about my tenure as a bear</h1> | 29 | <h1 class="subtitle">about my tenure as a bear</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 37 | 33 | </div> | |
| 38 | <section class="content prose"> | 34 | </header> |
| 39 | <p>I turned off the TV as soon as the end credits began. I stretched in the La-Z-Boy™ I grew up in, pushing its back until I lay horizontal, feet slightly elevated. I stared at the light, at the bugs silhouetted inside it. I relaxed, thought about sleeping in the chair with the light on. I decided against it, pulled the lever to pull the chairback up and the footrest down, stood up, went around the corner, turned off the light, <a href="underwear.html">stripped to my underwear</a>, and got <a href="in-bed.html">in bed</a>. I made sure my alarm was set for 8:00 and lay face-up in the dark. Eventually I slept.</p> | ||
| 40 | <p>I still consider this to be the best summer I ever had, in terms of my sleep schedule. Every night I went to bed at midnight, after Stewart and Colbert. Every morning I woke up at eight, took a shower, ate my Frosted Mini-Wheats™, and brushed my teeth. I took my time because I didn’t have to leave for work until 9:30. My shift at Dollywood started at 10:00. It was my second summer there—I worked as Larry the Cucumber™ mostly, though sometimes I would pick up the shift for one of the official Dollywood mascots when they had their day off.</p> | ||
| 41 | <p>I went outside when the wall clock read 9:32. The day was already beginning to warm up. I walked across the road to my car, a Saturn®, my first, started it, pulled into the road, and looked up at my window, the only one on the second floor of my house. I said “So long” <a href="hymnal.html">in my head</a> to my room, the house, and my two sisters still sleeping inside, and drove down the road.</p> | ||
| 42 | <hr /> | ||
| 43 | <p>My morning commute was rural, through farms, creeks, hills, and hollows; past tourist cabin resorts and used Christian bookstores; nearly getting to Pigeon Forge but stopping before any of the Strip was visible. Like Las Vegas, Pigeon Forge has a Strip; it was second only to Vegas in terms of marriages performed; it was first in the country including Vegas to feature two Cracker Barrels®. I went into Pigeon Forge only if I couldn’t help it, which was rare; usually it was only if family from out-of-state were visiting, or the one time I and two friends went to the Buy-One-Pair-Get-Two-Pair-Free Boot Store and got a deal.</p> | ||
| 44 | <p>I turned left before I got to any of Pigeon Forge, into the employee entrance of Dollywood. I drove down a small road: to my left a hill covered in kudzu; to my right a fence past which I could hear people riding The River Rampage™ or Rockin’ Roadway™. I turned left again, drove past HR and the Dollywood doctor’s office, and checked for parking at the bottom of the hill. There wasn’t any, so I drove up the hill, found a parking spot, and got out of my car. I thought about waiting for an employee shuttle until I realized it was 9:55, so I trotted down the hill and past HR. I crossed the road in front of the gazebo, walked down a little path, and met Tim the security guard as I was crossing the main road. He asked to see my ID, which I had ready for him. I showed it to him, he looked me up and down (I wasn’t in costume, usually a no at Dollywood, but since my costume was green, expensive, and required at least two people to put on, I didn’t have to wear it onto the park), and finally let me through. I walked through the employee entrance and clocked in at 9:58.</p> | ||
| 45 | <p>I had only figured out how to clock in my second summer. The first summer I worked at Dollywood was also the first summer I worked a job, and due to the placement of the Atmosphere Characters in the hierarchy of Park management we got paid by the day. This confused me into thinking that I didn’t need to clock in and out, especially since I still got paid. My confusion deepened when I walked onto Park one day with Chance, who also worked Veggie Tales™, and he clocked in, but this was midway through the summer and I was too nervous to ask anyone about what I should do. I was worried that if I started clocking in it would cause suspicion, and I was terrified that my not clocking in would be caught and punished somehow. For about a month I lived in mild terror each morning and afternoon, avoiding my coworkers as they entered or left so they wouldn’t see me walk past the red time clocks, each day wondering if the hammer would fall. I found out later that my manager Charlie had been paying me based on the days he’d scheduled me, clocking me in and out himself from his computer. He said it wasn’t a big deal but to clock in next summer, this summer. So I clocked in and out every day, and these short sessions with the red time clock became favorite moments.</p> | ||
| 46 | <p>I walked onto the park, past Jukebox Junction™, over the bridge, under the rope that disallowed guests to visit the area until the Park opened at 10:00, down Showstreet, and into the back of Showstreet Palace Theater, where we characters shared a dressing room with the Veggie Tales™ actors. Our “dressing-room” was a part of backstage partitioned off by curtains, where the empty shells of Bob the Tomato™ and Larry the Cucumber™ lay, inside-out so the sweat inside could evaporate, between shifts. I grabbed my off-brand UnderArmour™ “slicks” from the laundry basket and went to the bathroom to change.</p> | ||
| 47 | <p>After I changed I came out of the bathroom and knocked on the women’s dressing room door, to see if Nina or Stacy were in yet. Nina opened the door. “Hey Case,” she said. “How’s it going?” “I’m good. Am I Larry today?” I had been off the day before, so I wasn’t sure of the rotation. “Yeah I think so,” said Stacy, putting on makeup in the mirror. So she was handling with Chance, while Nina and I were the vegetables. I liked this arrangement; I preferred to be Larry™ because I didn’t have to talk to anyone, and I could make faces in the costume while families took pictures. Nina preferred the same thing, although she was slightly too tall to fit comfortably inside Bob™. Stacy actually preferred to handle; her personality was bubbly and talkative; I don’t think Chance liked any part of the job, really, and handling was less hot than being in the suit.</p> | ||
| 48 | <p>“When’s our first run?” I asked. “Well, the first show is at 10:20, so we were thinking about 11?” I nodded. “Where’s Chance?” “I think he went out back to smoke,” Nina said. “I’ll go with you.” The actors for the Veggie Tales show were coming in to use their dressing room, so we left Stacy with them. We walked through backstage, behind all the curtains, and through the side door into a sort of garage with ratty couches, a refrigerator, and an old TV mounted high up on the wall. Chance was sitting, smoking, and watching Jeopardy while thumbing through a magazine. “Hi Chance,” I said. “Hey guys!” he flicked his smile, always somewhere between genuine and mocking, at us.</p> | ||
| 49 | <p>“Think it’ll rain today?” he asked, indicating the direction of the sky. It wasn’t really visible from within the garage, due to the high fence keeping the guests on the path toward Timber Tower™ and Mystery Mine™, and the tree just outside the garage. “I don’t think there’s a cloud in the sky,” I said, but walked out of the garage and looked up to be sure. There were wisps of cirrus like stray brush strokes on a blue canvas, but that was all. “I think we’ll have to do all of our runs today.” “Damn,” said Chance, and stubbed out his cigarette. We watched Jeopardy in silence for a few minutes. Chance checked his watch. “It’s 10:19,” he said, “we should get inside before the show starts.”</p> | ||
| 50 | <p>We went back to the dressing room, behind the curtains backstage, past the skins of Larry™ and Bob™, their feet, and their battery packs, past the water fountain where I drank, and into the women’s dressing room. Stacy had finished applying her makeup and was already in overalls, flannel, boots and cowboy hat. Seeing her, Chance said, “I’d better go put my outfit on.” He left and came back, costumed. We killed time. Nina turned her wrist and looked at her watch. “It’s 10:50,” she said, looking at me and jerking her head toward the door. “Let’s get ready.”</p> | ||
| 51 | <p>We went out and down the hall. The Veggie Tales were singing about Mr. Nezzer™ loving the bunny. Nina went to Bob™, and I to Larry™. We set to work pulling them right-side-out. When this was done we put on the backpacks that served as interior shells for the characters and held the battery packs. As Nina pulled on Bob™‘s legs, I pulled on Larry™’s. I put my shoes in Larry™’s feet—a concession made to the forms of us humans inside the suits (Bob™ and Larry™ on the show had no arms or legs). We clipped each other’s batteries into the packs. We put our hands through the vegetables’ arms. At this point, the vegetables’ faces were sagging from our waists, like deflated balloons. We waddled over to the hallway outside the dressing rooms. Chance helped me put Larry’s hands on, which were three-fingered like a cartoon, although in the cartoon the Veggie Tales characters don’t have hands. He snapped them onto the arm. He helped me pull the head up and over my pack, and clipped the battery to the fan inside the suit. He zipped the back zipper, and the suit started to inflate—Bob™ and Larry™ were inflatable to cut down on their weight. Stacy had done the same with Nina and Bob™. She asked, “Ready?” We said, “Ready.” Chance got ahead of us, opening the door. I had to push my hands into my chest to deflate the suit so it could fit through the door. We stepped into the dappled sunlight of Dollywood.</p> | ||
| 52 | <hr /> | ||
| 53 | <p>The first few minutes of the run were fairly peaceful. A few families walking by saw us and walk over, forming a small line for their children to say hello, get a hug and a picture. One of the kids, about three, got about five feet from me, pass some sort of magic barrier, and suddenly become terrified. She screamed and run back to her parents. I tried to get eye-contact (it was hard to tell exactly where Larry™ was looking, since his eyes were about a foot above my head and were fixed forward), get small, and hold out my hand, but she had seen quite enough. She shook her head and hid behind her mother’s leg. I waved with my fingers and stepped back to receive the next child.</p> | ||
| 54 | <p>Sometimes, doing this job, I felt like a priest giving some sort of communion. Sometimes I felt like a celebrity, especially when children asked for an autograph (this happened fairly often, and Chance had to guide my hand with the Sharpie™ in it). Sometimes I felt like Santa Claus, or some other mythical creature come to Earth. Mostly, I felt a little hot and slightly bored. The boredom crystallized into stress when the Veggie Tales show let out.</p> | ||
| 55 | <p>Showstreet Palace held something like four hundred people, and for a show like Veggie Tales, around half were children. For this run our post was around the side of the theater, so we didn’t get the full press of the crowd, but there were quite a few people streaming out of the side door, fresh from seeing Larry™, Bob™ and friends performing in a show. Of course they were excited to see them giving out hugs in the street. Chance and Stacy became busy trying to form the crowd into some semblance of a line while I and Nina were hugging children, trying to take our time with each but painfully aware of the next in line. This was the worst part of the job—I felt like I was on a factory line gluing widgets onto a product all day. I was always looking ahead, always at the next kid, barely noticing what the ones old enough to talk were saying to me, trying to show me. I felt callous and aloof from humanity, and a deep unease passed over me.</p> | ||
| 56 | <p>With all of this on my mind, of course I didn’t see the teenager running toward me from my left. Chance and Stacy can’t be blamed; they were busy with crowd control. I don’t know what happened to the kid afterward. All I know is what happened to me: suddenly a great weight on my left side, the hiss of air being forced out of Larry™, me almost falling over. The weight fell off. I turned around, too stunned to yell, though Chance had caught it out of the corner of his eye. “Hey! Don’t do that!” he said, his eyes on the fallen teenager. The kid was maybe fifteen, tall, with a white T-shirt and dark hair. He had an indescribable look on his face—surprise, satisfaction, and something else I couldn’t identify. Before Chance could reach him he ran off.</p> | ||
| 57 | <p>“You okay?” he turned to me and asked. I said in a low voice, “Yeah I’m fine.” “We’re going in,” he said to Stacy. She checked her watch, said, “Yeah, it’s been twenty minutes.” To the crowd: “We have time for just two more pictures!” A wave of disappointment went through the people there. Most stayed, hoping for an extension of the rule, but we took two more pictures, turned around, and began walking inside. Some family tried to follow us in; Chance hollered over his shoulder, “I’m sorry folks, we have to go in. Bob™ and Larry™ need a break.” The father asked, “When will you be back out?” “After the next show,” Chance said as Stacy opened the door.</p> | ||
| 58 | <p>I deflated Larry™’s face again, to get in the door, and was safe in the darkness of the hallway. Chance unzipped me, allowing real, cool air to wash over my body. Nina and I waddled down the hallway to peel the vegetables off ourselves, and to repeat the process of waiting, dressing, and standing again.</p> | ||
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| 73 | 37 | <section class="content prose"> | |
| 38 | <p>I turned off the TV as soon as the end credits began. I stretched in the La-Z-Boy™ I grew up in, pushing its back until I lay horizontal, feet slightly elevated. I stared at the light, at the bugs silhouetted inside it. I relaxed, thought about sleeping in the chair with the light on. I decided against it, pulled the lever to pull the chairback up and the footrest down, stood up, went around the corner, turned off the light, <a href="underwear.html">stripped to my underwear</a>, and got <a href="in-bed.html">in bed</a>. I made sure my alarm was set for 8:00 and lay face-up in the dark. Eventually I slept.</p> | ||
| 39 | <p>I still consider this to be the best summer I ever had, in terms of my sleep schedule. Every night I went to bed at midnight, after Stewart and Colbert. Every morning I woke up at eight, took a shower, ate my Frosted Mini-Wheats™, and brushed my teeth. I took my time because I didn’t have to leave for work until 9:30. My shift at Dollywood started at 10:00. It was my second summer there—I worked as Larry the Cucumber™ mostly, though sometimes I would pick up the shift for one of the official Dollywood mascots when they had their day off.</p> | ||
| 40 | <p>I went outside when the wall clock read 9:32. The day was already beginning to warm up. I walked across the road to my car, a Saturn®, my first, started it, pulled into the road, and looked up at my window, the only one on the second floor of my house. I said “So long” <a href="hymnal.html">in my head</a> to my room, the house, and my two sisters still sleeping inside, and drove down the road.</p> | ||
| 41 | <hr /> | ||
| 42 | <p>My morning commute was rural, through farms, creeks, hills, and hollows; past tourist cabin resorts and used Christian bookstores; nearly getting to Pigeon Forge but stopping before any of the Strip was visible. Like Las Vegas, Pigeon Forge has a Strip; it was second only to Vegas in terms of marriages performed; it was first in the country including Vegas to feature two Cracker Barrels®. I went into Pigeon Forge only if I couldn’t help it, which was rare; usually it was only if family from out-of-state were visiting, or the one time I and two friends went to the Buy-One-Pair-Get-Two-Pair-Free Boot Store and got a deal.</p> | ||
| 43 | <p>I turned left before I got to any of Pigeon Forge, into the employee entrance of Dollywood. I drove down a small road: to my left a hill covered in kudzu; to my right a fence past which I could hear people riding The River Rampage™ or Rockin’ Roadway™. I turned left again, drove past HR and the Dollywood doctor’s office, and checked for parking at the bottom of the hill. There wasn’t any, so I drove up the hill, found a parking spot, and got out of my car. I thought about waiting for an employee shuttle until I realized it was 9:55, so I trotted down the hill and past HR. I crossed the road in front of the gazebo, walked down a little path, and met Tim the security guard as I was crossing the main road. He asked to see my ID, which I had ready for him. I showed it to him, he looked me up and down (I wasn’t in costume, usually a no at Dollywood, but since my costume was green, expensive, and required at least two people to put on, I didn’t have to wear it onto the park), and finally let me through. I walked through the employee entrance and clocked in at 9:58.</p> | ||
| 44 | <p>I had only figured out how to clock in my second summer. The first summer I worked at Dollywood was also the first summer I worked a job, and due to the placement of the Atmosphere Characters in the hierarchy of Park management we got paid by the day. This confused me into thinking that I didn’t need to clock in and out, especially since I still got paid. My confusion deepened when I walked onto Park one day with Chance, who also worked Veggie Tales™, and he clocked in, but this was midway through the summer and I was too nervous to ask anyone about what I should do. I was worried that if I started clocking in it would cause suspicion, and I was terrified that my not clocking in would be caught and punished somehow. For about a month I lived in mild terror each morning and afternoon, avoiding my coworkers as they entered or left so they wouldn’t see me walk past the red time clocks, each day wondering if the hammer would fall. I found out later that my manager Charlie had been paying me based on the days he’d scheduled me, clocking me in and out himself from his computer. He said it wasn’t a big deal but to clock in next summer, this summer. So I clocked in and out every day, and these short sessions with the red time clock became favorite moments.</p> | ||
| 45 | <p>I walked onto the park, past Jukebox Junction™, over the bridge, under the rope that disallowed guests to visit the area until the Park opened at 10:00, down Showstreet, and into the back of Showstreet Palace Theater, where we characters shared a dressing room with the Veggie Tales™ actors. Our “dressing-room” was a part of backstage partitioned off by curtains, where the empty shells of Bob the Tomato™ and Larry the Cucumber™ lay, inside-out so the sweat inside could evaporate, between shifts. I grabbed my off-brand UnderArmour™ “slicks” from the laundry basket and went to the bathroom to change.</p> | ||
| 46 | <p>After I changed I came out of the bathroom and knocked on the women’s dressing room door, to see if Nina or Stacy were in yet. Nina opened the door. “Hey Case,” she said. “How’s it going?” “I’m good. Am I Larry today?” I had been off the day before, so I wasn’t sure of the rotation. “Yeah I think so,” said Stacy, putting on makeup in the mirror. So she was handling with Chance, while Nina and I were the vegetables. I liked this arrangement; I preferred to be Larry™ because I didn’t have to talk to anyone, and I could make faces in the costume while families took pictures. Nina preferred the same thing, although she was slightly too tall to fit comfortably inside Bob™. Stacy actually preferred to handle; her personality was bubbly and talkative; I don’t think Chance liked any part of the job, really, and handling was less hot than being in the suit.</p> | ||
| 47 | <p>“When’s our first run?” I asked. “Well, the first show is at 10:20, so we were thinking about 11?” I nodded. “Where’s Chance?” “I think he went out back to smoke,” Nina said. “I’ll go with you.” The actors for the Veggie Tales show were coming in to use their dressing room, so we left Stacy with them. We walked through backstage, behind all the curtains, and through the side door into a sort of garage with ratty couches, a refrigerator, and an old TV mounted high up on the wall. Chance was sitting, smoking, and watching Jeopardy while thumbing through a magazine. “Hi Chance,” I said. “Hey guys!” he flicked his smile, always somewhere between genuine and mocking, at us.</p> | ||
| 48 | <p>“Think it’ll rain today?” he asked, indicating the direction of the sky. It wasn’t really visible from within the garage, due to the high fence keeping the guests on the path toward Timber Tower™ and Mystery Mine™, and the tree just outside the garage. “I don’t think there’s a cloud in the sky,” I said, but walked out of the garage and looked up to be sure. There were wisps of cirrus like stray brush strokes on a blue canvas, but that was all. “I think we’ll have to do all of our runs today.” “Damn,” said Chance, and stubbed out his cigarette. We watched Jeopardy in silence for a few minutes. Chance checked his watch. “It’s 10:19,” he said, “we should get inside before the show starts.”</p> | ||
| 49 | <p>We went back to the dressing room, behind the curtains backstage, past the skins of Larry™ and Bob™, their feet, and their battery packs, past the water fountain where I drank, and into the women’s dressing room. Stacy had finished applying her makeup and was already in overalls, flannel, boots and cowboy hat. Seeing her, Chance said, “I’d better go put my outfit on.” He left and came back, costumed. We killed time. Nina turned her wrist and looked at her watch. “It’s 10:50,” she said, looking at me and jerking her head toward the door. “Let’s get ready.”</p> | ||
| 50 | <p>We went out and down the hall. The Veggie Tales were singing about Mr. Nezzer™ loving the bunny. Nina went to Bob™, and I to Larry™. We set to work pulling them right-side-out. When this was done we put on the backpacks that served as interior shells for the characters and held the battery packs. As Nina pulled on Bob™‘s legs, I pulled on Larry™’s. I put my shoes in Larry™’s feet—a concession made to the forms of us humans inside the suits (Bob™ and Larry™ on the show had no arms or legs). We clipped each other’s batteries into the packs. We put our hands through the vegetables’ arms. At this point, the vegetables’ faces were sagging from our waists, like deflated balloons. We waddled over to the hallway outside the dressing rooms. Chance helped me put Larry’s hands on, which were three-fingered like a cartoon, although in the cartoon the Veggie Tales characters don’t have hands. He snapped them onto the arm. He helped me pull the head up and over my pack, and clipped the battery to the fan inside the suit. He zipped the back zipper, and the suit started to inflate—Bob™ and Larry™ were inflatable to cut down on their weight. Stacy had done the same with Nina and Bob™. She asked, “Ready?” We said, “Ready.” Chance got ahead of us, opening the door. I had to push my hands into my chest to deflate the suit so it could fit through the door. We stepped into the dappled sunlight of Dollywood.</p> | ||
| 51 | <hr /> | ||
| 52 | <p>The first few minutes of the run were fairly peaceful. A few families walking by saw us and walk over, forming a small line for their children to say hello, get a hug and a picture. One of the kids, about three, got about five feet from me, pass some sort of magic barrier, and suddenly become terrified. She screamed and run back to her parents. I tried to get eye-contact (it was hard to tell exactly where Larry™ was looking, since his eyes were about a foot above my head and were fixed forward), get small, and hold out my hand, but she had seen quite enough. She shook her head and hid behind her mother’s leg. I waved with my fingers and stepped back to receive the next child.</p> | ||
| 53 | <p>Sometimes, doing this job, I felt like a priest giving some sort of communion. Sometimes I felt like a celebrity, especially when children asked for an autograph (this happened fairly often, and Chance had to guide my hand with the Sharpie™ in it). Sometimes I felt like Santa Claus, or some other mythical creature come to Earth. Mostly, I felt a little hot and slightly bored. The boredom crystallized into stress when the Veggie Tales show let out.</p> | ||
| 54 | <p>Showstreet Palace held something like four hundred people, and for a show like Veggie Tales, around half were children. For this run our post was around the side of the theater, so we didn’t get the full press of the crowd, but there were quite a few people streaming out of the side door, fresh from seeing Larry™, Bob™ and friends performing in a show. Of course they were excited to see them giving out hugs in the street. Chance and Stacy became busy trying to form the crowd into some semblance of a line while I and Nina were hugging children, trying to take our time with each but painfully aware of the next in line. This was the worst part of the job—I felt like I was on a factory line gluing widgets onto a product all day. I was always looking ahead, always at the next kid, barely noticing what the ones old enough to talk were saying to me, trying to show me. I felt callous and aloof from humanity, and a deep unease passed over me.</p> | ||
| 55 | <p>With all of this on my mind, of course I didn’t see the teenager running toward me from my left. Chance and Stacy can’t be blamed; they were busy with crowd control. I don’t know what happened to the kid afterward. All I know is what happened to me: suddenly a great weight on my left side, the hiss of air being forced out of Larry™, me almost falling over. The weight fell off. I turned around, too stunned to yell, though Chance had caught it out of the corner of his eye. “Hey! Don’t do that!” he said, his eyes on the fallen teenager. The kid was maybe fifteen, tall, with a white T-shirt and dark hair. He had an indescribable look on his face—surprise, satisfaction, and something else I couldn’t identify. Before Chance could reach him he ran off.</p> | ||
| 56 | <p>“You okay?” he turned to me and asked. I said in a low voice, “Yeah I’m fine.” “We’re going in,” he said to Stacy. She checked her watch, said, “Yeah, it’s been twenty minutes.” To the crowd: “We have time for just two more pictures!” A wave of disappointment went through the people there. Most stayed, hoping for an extension of the rule, but we took two more pictures, turned around, and began walking inside. Some family tried to follow us in; Chance hollered over his shoulder, “I’m sorry folks, we have to go in. Bob™ and Larry™ need a break.” The father asked, “When will you be back out?” “After the next show,” Chance said as Stacy opened the door.</p> | ||
| 57 | <p>I deflated Larry™’s face again, to get in the door, and was safe in the darkness of the hallway. Chance unzipped me, allowing real, cool air to wash over my body. Nina and I waddled down the hallway to peel the vegetables off ourselves, and to repeat the process of waiting, dressing, and standing again.</p> | ||
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| 12 | <title>Dream | Autocento of the breakfast table</title> | 12 | <title>Dream | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="dream" class="paul"> | 23 | <body id="dream" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Dream</h1> | 28 | <h1 class="title">Dream</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>It had gotten cold. He went to lay down <a href="in-bed.html">in bed</a> with a pad and paper. He began to write. Although he hadn’t tried it much in bed before, he liked it mostly. His arm got tired journeying across the page like a series of switchbacks down the wall of the Grand Canyon. He wrote this down in the margin, for later:</p> | ||
| 40 | <p><em>Arm journeying across<br />the pg. like a<br />series of switch-<br />backs down the wall<br />of the Grand Canyon</em></p> | ||
| 41 | <p>His arm began to pain him. He adjusted his position in the bed. It didn’t help much with the pain. It still hurt as he wrote. He began to be distracted by his mother’s music playing in the next room.</p> | ||
| 42 | <p>“Could you turn that down please” he hollered across the wall to his mother. She made no reply (<a href="music-433.html">music too loud</a>). He gave his arm a break to look at what he’d written. He couldn’t make heads or tails of it. It looked like Arabic.</p> | ||
| 43 | <p>He woke up gasping in a sweat.</p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="dream_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="underwear.html" | 33 | </div> |
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 57 | Underwear | 35 | |
| 58 | </a> | 36 | |
| 59 | <a class="prevlink" href="cereal.html" | 37 | <section class="content prose"> |
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>It had gotten cold. He went to lay down <a href="in-bed.html">in bed</a> with a pad and paper. He began to write. Although he hadn’t tried it much in bed before, he liked it mostly. His arm got tired journeying across the page like a series of switchbacks down the wall of the Grand Canyon. He wrote this down in the margin, for later:</p> |
| 61 | Cereal | 39 | <p><em>Arm journeying across<br />the pg. like a<br />series of switch-<br />backs down the wall<br />of the Grand Canyon</em></p> |
| 62 | </a> | 40 | <p>His arm began to pain him. He adjusted his position in the bed. It didn’t help much with the pain. It still hurt as he wrote. He began to be distracted by his mother’s music playing in the next room.</p> |
| 63 | 41 | <p>“Could you turn that down please” he hollered across the wall to his mother. She made no reply (<a href="music-433.html">music too loud</a>). He gave his arm a break to look at what he’d written. He couldn’t make heads or tails of it. It looked like Arabic.</p> | |
| 64 | <a class="nextlink" href="axe.html" | 42 | <p>He woke up gasping in a sweat.</p> |
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </section> |
| 66 | Axe | 44 | </article> |
| 67 | </a> | 45 | <nav> |
| 68 | <a class="nextlink" href="early.html" | 46 | <div class="anchors"> |
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <a href="backlinks/dream.html" id="backlinks" title="Links to this page"> |
| 70 | Early | 48 | φ |
| 71 | </a> | 49 | </a> |
| 72 | </nav> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="underwear.html" | ||
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 56 | Underwear | ||
| 57 | </a> | ||
| 58 | <a class="prevlink" href="cereal.html" | ||
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 60 | Cereal | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="axe.html" | ||
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 65 | Axe | ||
| 66 | </a> | ||
| 67 | <a class="nextlink" href="early.html" | ||
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 69 | Early | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/early.html b/early.html index 95fd6b0..3044925 100644 --- a/early.html +++ b/early.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Early | Autocento of the breakfast table</title> | 12 | <title>Early | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="early" class="paul"> | 23 | <body id="early" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Early</h1> | 28 | <h1 class="title">Early</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother <a href="real-writer.html">watched TV</a> and smoked. <a href="when-im-sorry-i.html">Dinner had been chicken</a> and peas with <a href="shipwright.html">milk</a> and afterward Paul and his mother sat on opposite ends of the couch. At intervals she would look sideways at Paul writing. He pretended not to notice.</p> | ||
| 40 | <p><em>ART = ARTIFICE</em> he wrote. <em>ARTIFICE MEANS UNNATURAL. ARTIFICE MEANS BUILT. TO BUILD MEANS TO <a href="fire.html">FIND A PATTERN</a> & FIND A PATTERN IS WHAT WE ARE GOOD AT.</em> He thought about this while someone else won a car.</p> | ||
| 41 | <p>“Do you think humans are good at finding patterns because we are hunters” he asked his mother. She <a href="movingsideways.html">looked sideways</a> at him and said “Sure Paul.” “Early on in our evolution we were hunters right? And to hunt we had to see the patterns in seemingly random events, like where the gazelle went each year” “Paul I’m trying to watch TV. If you’re going to write this stuff go do it in your room you’re distracting.” Paul got up and went to his room and lay down on his bed.</p> | ||
| 42 | <p>“If the gazelle went <a href="serengeti.html">to the same place</a> every year” he thought “did they know the pattern too? Or was it random for them, did they think each year ‘This seems like a good spot let’s graze here’ without knowing?”</p> | ||
| 43 | <p>He wrote <em>PATTERN = MEMORY</em> in his notebook.</p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="early_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="stump.html" | 33 | </div> |
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 57 | Stump | 35 | |
| 58 | </a> | 36 | |
| 59 | <a class="prevlink" href="dream.html" | 37 | <section class="content prose"> |
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother <a href="real-writer.html">watched TV</a> and smoked. <a href="when-im-sorry-i.html">Dinner had been chicken</a> and peas with <a href="shipwright.html">milk</a> and afterward Paul and his mother sat on opposite ends of the couch. At intervals she would look sideways at Paul writing. He pretended not to notice.</p> |
| 61 | Dream | 39 | <p><em>ART = ARTIFICE</em> he wrote. <em>ARTIFICE MEANS UNNATURAL. ARTIFICE MEANS BUILT. TO BUILD MEANS TO <a href="fire.html">FIND A PATTERN</a> & FIND A PATTERN IS WHAT WE ARE GOOD AT.</em> He thought about this while someone else won a car.</p> |
| 62 | </a> | 40 | <p>“Do you think humans are good at finding patterns because we are hunters” he asked his mother. She <a href="movingsideways.html">looked sideways</a> at him and said “Sure Paul.” “Early on in our evolution we were hunters right? And to hunt we had to see the patterns in seemingly random events, like where the gazelle went each year” “Paul I’m trying to watch TV. If you’re going to write this stuff go do it in your room you’re distracting.” Paul got up and went to his room and lay down on his bed.</p> |
| 63 | 41 | <p>“If the gazelle went <a href="serengeti.html">to the same place</a> every year” he thought “did they know the pattern too? Or was it random for them, did they think each year ‘This seems like a good spot let’s graze here’ without knowing?”</p> | |
| 64 | <a class="nextlink" href="toothpaste.html" | 42 | <p>He wrote <em>PATTERN = MEMORY</em> in his notebook.</p> |
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </section> |
| 66 | Toothpaste | 44 | </article> |
| 67 | </a> | 45 | <nav> |
| 68 | <a class="nextlink" href="father.html" | 46 | <div class="anchors"> |
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <a href="backlinks/early.html" id="backlinks" title="Links to this page"> |
| 70 | Father | 48 | φ |
| 71 | </a> | 49 | </a> |
| 72 | </nav> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="stump.html" | ||
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 56 | Stump | ||
| 57 | </a> | ||
| 58 | <a class="prevlink" href="dream.html" | ||
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 60 | Dream | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="toothpaste.html" | ||
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 65 | Toothpaste | ||
| 66 | </a> | ||
| 67 | <a class="nextlink" href="father.html" | ||
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 69 | Father | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/elegyforanalternateself.html b/elegyforanalternateself.html index a268c15..2dd0b58 100644 --- a/elegyforanalternateself.html +++ b/elegyforanalternateself.html | |||
| @@ -4,54 +4,52 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Elegy for an alternate self | Autocento of the breakfast table</title> | 12 | <title>Elegy for an alternate self | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="elegyforanalternateself" class="autocento"> | 23 | <body id="elegyforanalternateself" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Elegy for an alternate self</h1> |
| 29 | <h1 class="title">Elegy for an alternate self</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">Say there are no words. Say that we are conjoined</span><span class="line">from birth, or better still, say we are myself.</span><span class="line">—But I still talk to myself, I <a href="i-am.html">build my world</a></span><span class="line">through language, so if we say there are <a href="hymnal.html">no words</a></span><span class="line">this is not enough. Say we are instead some animal,</span><span class="line">or better yet, <a href="plant.html">a plant</a>, or a flagellum motoring</span><span class="line">aimlessly around. (Say that humans are the only things</span><span class="line">that reason. Say that we’re the <a href="movingsideways.html">only things that worry</a>.)</span></p> |
| 39 | <p><span class="line">Say there are no words. Say that we are conjoined</span><span class="line">from birth, or better still, say we are myself.</span><span class="line">—But I still talk to myself, I <a href="i-am.html">build my world</a></span><span class="line">through language, so if we say there are <a href="hymnal.html">no words</a></span><span class="line">this is not enough. Say we are instead some animal,</span><span class="line">or better yet, <a href="plant.html">a plant</a>, or a flagellum motoring</span><span class="line">aimlessly around. (Say that humans are the only things</span><span class="line">that reason. Say that we’re the <a href="movingsideways.html">only things that worry</a>.)</span></p> | 39 | <p><span class="line">Say that I am separate. To say there’s everything else</span><span class="line">and then there’s me is wrong. Each thing is separate:</span><span class="line"><a href="i-wanted-to-tell-you-something.html">there is no whole in the world</a>. Say this is both good</span><span class="line">and bad, or rather, say there is no good or bad but only</span><span class="line">being, <a href="no-nothing.html">more and more of it always added</a>, none taken out</span><span class="line">though it can be forgotten. Say that forgetting</span><span class="line">is a <a href="collage-instrument.html">function of our remembering</a>. (Say that humans only</span><span class="line"><a href="swansong-alt.html">worry about separation</a>. Say that only humans feel it.)</span></p> |
| 40 | <p><span class="line">Say that I am separate. To say there’s everything else</span><span class="line">and then there’s me is wrong. Each thing is separate:</span><span class="line"><a href="i-wanted-to-tell-you-something.html">there is no whole in the world</a>. Say this is both good</span><span class="line">and bad, or rather, say there is no good or bad but only</span><span class="line">being, <a href="no-nothing.html">more and more of it always added</a>, none taken out</span><span class="line">though it can be forgotten. Say that forgetting</span><span class="line">is a <a href="collage-instrument.html">function of our remembering</a>. (Say that humans only</span><span class="line"><a href="swansong-alt.html">worry about separation</a>. Say that only humans feel it.)</span></p> | 40 | </section> |
| 41 | </section> | 41 | </article> |
| 42 | </article> | 42 | <nav> |
| 43 | <nav> | 43 | <div class="anchors"> |
| 44 | <div class="anchors"> | 44 | <a href="backlinks/elegyforanalternateself.html" id="backlinks" title="Links to this page"> |
| 45 | <a href="elegyforanalternateself_backlinks.htm" id="back-link" title="Links to this page"> | 45 | φ |
| 46 | φ | 46 | </a> |
| 47 | </a> | 47 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 49 | </div> |
| 50 | </div> | 50 | |
| 51 | 51 | ||
| 52 | 52 | </nav> | |
| 53 | </nav> | 53 | |
| 54 | |||
| 55 | |||
| 56 | </body> | 54 | </body> |
| 57 | </html> | 55 | </html> |
| diff --git a/elegyforanalternateself_backlinks.htm b/elegyforanalternateself_backlinks.htm deleted file mode 100644 index e319aad..0000000 --- a/elegyforanalternateself_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
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| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Elegy for an alternate self | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
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| 23 | <body id="elegyforanalternateself" class="meta"> | ||
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| 26 | <article class="container"> | ||
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| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Elegy for an alternate self</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 41 | <li><a href="poetry-time.html">Something</a></li> | ||
| 42 | <li><a href="swansong-alt.html">Swansong</a></li> | ||
| 43 | <li><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a></li> | ||
| 44 | <li><a href="window.html">Window</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
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| 50 | <a href="elegyforanalternateself.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
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| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
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| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/epigraph.html b/epigraph.html index 91de065..8fd8c4d 100644 --- a/epigraph.html +++ b/epigraph.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>epigraph | Autocento of the breakfast table</title> | 12 | <title>epigraph | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="epigraph" class="elegies"> | 23 | <body id="epigraph" class="elegies"> |
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">epigraph</h1> | ||
| 30 | <h1 class="subtitle">– Sylvia Plath</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content prose"> | ||
| 39 | <p>I saw my life branching out before me like the <a href="peaches.html">green fig tree</a> in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of <a href="spittle.html">other lovers</a> and queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to <a href="deathstrumpet.html">death</a>, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.</p> | ||
| 40 | </section> | ||
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="epigraph_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 24 | ||
| 51 | <a class="prevlink" href="deathstrumpet.html" | 25 | <article class="container"> |
| 52 | title="Previous article in Elegies for alternate selves"> | 26 | <header> |
| 53 | Death’s Trumpet | 27 | <!-- title --> |
| 54 | </a> | 28 | <h1 class="title">epigraph</h1> |
| 55 | 29 | <h1 class="subtitle">– Sylvia Plath</h1> | |
| 56 | <a class="nextlink" href="howtoreadthis.html" | 30 | |
| 57 | title="Next article in Elegies for alternate selves"> | 31 | <div class="header-extra"> |
| 58 | How to read this | 32 | |
| 59 | </a> | 33 | </div> |
| 60 | </nav> | 34 | </header> |
| 35 | |||
| 36 | |||
| 37 | <section class="content prose"> | ||
| 38 | <p>I saw my life branching out before me like the <a href="peaches.html">green fig tree</a> in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of <a href="spittle.html">other lovers</a> and queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to <a href="deathstrumpet.html">death</a>, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.</p> | ||
| 39 | </section> | ||
| 40 | </article> | ||
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/epigraph.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 49 | |||
| 50 | <a class="prevlink" href="deathstrumpet.html" | ||
| 51 | title="Previous article in Elegies for alternate selves"> | ||
| 52 | Death’s Trumpet | ||
| 53 | </a> | ||
| 54 | |||
| 55 | <a class="nextlink" href="howtoreadthis.html" | ||
| 56 | title="Next article in Elegies for alternate selves"> | ||
| 57 | How to read this | ||
| 58 | </a> | ||
| 59 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/epigraph_backlinks.htm b/epigraph_backlinks.htm deleted file mode 100644 index 9797d9f..0000000 --- a/epigraph_backlinks.htm +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>epigraph | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="epigraph" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">epigraph</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="love-as-god.html">Love as God</a></li> | ||
| 41 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 42 | <li><a href="poetry-time.html">Something</a></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="epigraph.html" id="back-link" title="Back to article"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/ex-machina.html b/ex-machina.html index f432e6c..f61ec7c 100644 --- a/ex-machina.html +++ b/ex-machina.html | |||
| @@ -4,66 +4,64 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Ex machina | Autocento of the breakfast table</title> | 12 | <title>Ex machina | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="ex-machina" class="autocento"> | 23 | <body id="ex-machina" class="autocento"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Ex machina</h1> | 28 | <h1 class="title">Ex machina</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://ngm.nationalgeographic.com/2013/08/sugar/cohen-text">with lines from National Geographic</a> | ||
| 37 | |||
| 38 | </div> | ||
| 39 | </div> | ||
| 40 | </header> | ||
| 41 | 30 | ||
| 42 | 31 | <div class="header-extra"> | |
| 43 | <section class="content verse"> | ||
| 44 | <p><span class="line">Bottom of the drink: they had</span><span class="line">to go. The Coke machine, the snack</span><span class="line">machine, the deep fryer. Hoisted</span></p> | ||
| 45 | <p><span class="line">and dragged through the halls</span><span class="line">and out to the curb, they sat with</span><span class="line">other trash beneath gray, forlorn</span></p> | ||
| 46 | <p><span class="line">skies behind the elementary</span><span class="line">school, wondering what their next</span><span class="line">move would be. The Coke machine</span></p> | ||
| 47 | <p><span class="line">had always wanted to live</span><span class="line">the life of a <a href="prelude.html">hobo</a>, jumping trains,</span><span class="line">eating from garbage, making fire</span></p> | ||
| 48 | <p><span class="line">in old oil drums. It had some</span><span class="line">strange romantic notions of being homeless,</span><span class="line">is what the deep fryer thought.</span></p> | ||
| 49 | <p><span class="line">Its opinion was to head to court,</span><span class="line">sue the bastards at the school for early</span><span class="line">termination of contract. It was</span></p> | ||
| 50 | <p><span class="line">the embodiment of <a href="table_contents.html">justifiable anger</a>.</span><span class="line">It believed privately that it was an incarnation</span><span class="line">of Nemesis, the goddess of divine</span></p> | ||
| 51 | <p><span class="line">retribution. What the snack machine</span><span class="line">thought, it kept to itself, but it did say</span><span class="line">that <a href="no-nothing.html">nothing ever ends</a>. The others</span></p> | ||
| 52 | <p><span class="line">were confused, then angry, but finally</span><span class="line">understood, or thought they did. The snack</span><span class="line">machine’s candy melted in the sun.</span></p> | ||
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="ex-machina_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 61 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | 32 | ||
| 64 | 33 | <!-- epigraph --> | |
| 65 | </nav> | 34 | <div class="epigraph"> |
| 35 | <a href="http://ngm.nationalgeographic.com/2013/08/sugar/cohen-text">with lines from National Geographic</a> | ||
| 36 | |||
| 37 | </div> | ||
| 38 | </div> | ||
| 39 | </header> | ||
| 40 | |||
| 41 | |||
| 42 | <section class="content verse"> | ||
| 43 | <p><span class="line">Bottom of the drink: they had</span><span class="line">to go. The Coke machine, the snack</span><span class="line">machine, the deep fryer. Hoisted</span></p> | ||
| 44 | <p><span class="line">and dragged through the halls</span><span class="line">and out to the curb, they sat with</span><span class="line">other trash beneath gray, forlorn</span></p> | ||
| 45 | <p><span class="line">skies behind the elementary</span><span class="line">school, wondering what their next</span><span class="line">move would be. The Coke machine</span></p> | ||
| 46 | <p><span class="line">had always wanted to live</span><span class="line">the life of a <a href="prelude.html">hobo</a>, jumping trains,</span><span class="line">eating from garbage, making fire</span></p> | ||
| 47 | <p><span class="line">in old oil drums. It had some</span><span class="line">strange romantic notions of being homeless,</span><span class="line">is what the deep fryer thought.</span></p> | ||
| 48 | <p><span class="line">Its opinion was to head to court,</span><span class="line">sue the bastards at the school for early</span><span class="line">termination of contract. It was</span></p> | ||
| 49 | <p><span class="line">the embodiment of <a href="table_contents.html">justifiable anger</a>.</span><span class="line">It believed privately that it was an incarnation</span><span class="line">of Nemesis, the goddess of divine</span></p> | ||
| 50 | <p><span class="line">retribution. What the snack machine</span><span class="line">thought, it kept to itself, but it did say</span><span class="line">that <a href="no-nothing.html">nothing ever ends</a>. The others</span></p> | ||
| 51 | <p><span class="line">were confused, then angry, but finally</span><span class="line">understood, or thought they did. The snack</span><span class="line">machine’s candy melted in the sun.</span></p> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="backlinks/ex-machina.html" id="backlinks" title="Links to this page"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 60 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | |||
| 63 | |||
| 64 | </nav> | ||
| 66 | 65 | ||
| 67 | |||
| 68 | </body> | 66 | </body> |
| 69 | </html> | 67 | </html> |
| diff --git a/exasperated.html b/exasperated.html index eb360b4..4800b2c 100644 --- a/exasperated.html +++ b/exasperated.html | |||
| @@ -4,75 +4,73 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Exasperated | Autocento of the breakfast table</title> | 12 | <title>Exasperated | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="exasperated" class="stark"> | 23 | <body id="exasperated" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Exasperated</h1> | 28 | <h1 class="title">Exasperated</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">I didn’t write this sestina yesterday.</span><span class="line">It’s the first time I fell behind in my task</span><span class="line">and hopefully, the only time it will.</span><span class="line">This means that today I must write two</span><span class="line">sestinas. If I don’t write them today, I</span><span class="line">will have to write two later down the line.</span></p> | ||
| 40 | <p><span class="line">Although I feel I’m slogging through each line</span><span class="line">I think I’m doing better every day,</span><span class="line">though maybe this is wishful thinking: I</span><span class="line">showed my friend my just-completed task</span><span class="line">two days ago (my God, was it two</span><span class="line">entire days? I’ve no idea what I’ll</span></p> | ||
| 41 | <p><span class="line">do <a href="http://biblehub.com/2_corinthians/11-24.htm">after thirty-nine days</a>. I think I’ll</span><span class="line">feel like <a href="death-zone.html">Inigo Montoya</a>, who’d been in the line</span><span class="line">of revenging for so long, he didn’t know what to</span><span class="line">do with the rest of his life), and he deigned</span><span class="line">to be polite, but I could tell the task</span><span class="line">was hard for him. He told me finally that I</span></p> | ||
| 42 | <p><span class="line">had made a noble effort, but that ultimately I</span><span class="line">failed. <a href="question.html">So my question</a>: when will</span><span class="line">I be a decent sestina writer? For this is my task.</span><span class="line">Maybe if I just keep cranking out line after line</span><span class="line">I’ll finally figure it out. Maybe one more day</span><span class="line">or another week will do it, or maybe I’ll need two,</span></p> | ||
| 43 | <p><span class="line">or maybe it’ll never happen. Maybe a sestina’s too</span><span class="line">involved, too much <a href="tapestry.html">weaving</a> of words too fine, and I</span><span class="line">will never write a good one, even on my best day,</span><span class="line">even if I employ all my skill and all my will.</span><span class="line">I’m not used to writing poems with thirty-nine lines,</span><span class="line">that must be the problem, must be why this task</span></p> | ||
| 44 | <p><span class="line">is Herculean. He only had to finish twelve tasks,</span><span class="line">and I have one less one thousand, five hundred twenty-two,</span><span class="line">and it’s nothing but complaining lines</span><span class="line">about <a href="deathstrumpet.html">how hard it is to be a person</a>. I</span><span class="line">am getting sick of myself with these poems, and will</span><span class="line">soon be loathe to get out of bed every day.</span></p> | ||
| 45 | <p><span class="line">But I tasked myself with this, which may be the worst I</span><span class="line">ever do to myself. I thought a poem NaNoWriMo would</span><span class="line">be fun, would line my resume, give me something I could publish someday.</span></p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="exasperated_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | 32 | ||
| 57 | <a class="prevlink" href="amber-alert.html" | 33 | </div> |
| 58 | title="Previous article in Stark Raving"> | 34 | </header> |
| 59 | AMBER alert | 35 | |
| 60 | </a> | 36 | |
| 61 | <a class="prevlink" href="death-zone.html" | 37 | <section class="content verse"> |
| 62 | title="Previous article in Stark Raving"> | 38 | <p><span class="line">I didn’t write this sestina yesterday.</span><span class="line">It’s the first time I fell behind in my task</span><span class="line">and hopefully, the only time it will.</span><span class="line">This means that today I must write two</span><span class="line">sestinas. If I don’t write them today, I</span><span class="line">will have to write two later down the line.</span></p> |
| 63 | The Death Zone | 39 | <p><span class="line">Although I feel I’m slogging through each line</span><span class="line">I think I’m doing better every day,</span><span class="line">though maybe this is wishful thinking: I</span><span class="line">showed my friend my just-completed task</span><span class="line">two days ago (my God, was it two</span><span class="line">entire days? I’ve no idea what I’ll</span></p> |
| 64 | </a> | 40 | <p><span class="line">do <a href="http://biblehub.com/2_corinthians/11-24.htm">after thirty-nine days</a>. I think I’ll</span><span class="line">feel like <a href="death-zone.html">Inigo Montoya</a>, who’d been in the line</span><span class="line">of revenging for so long, he didn’t know what to</span><span class="line">do with the rest of his life), and he deigned</span><span class="line">to be polite, but I could tell the task</span><span class="line">was hard for him. He told me finally that I</span></p> |
| 65 | 41 | <p><span class="line">had made a noble effort, but that ultimately I</span><span class="line">failed. <a href="question.html">So my question</a>: when will</span><span class="line">I be a decent sestina writer? For this is my task.</span><span class="line">Maybe if I just keep cranking out line after line</span><span class="line">I’ll finally figure it out. Maybe one more day</span><span class="line">or another week will do it, or maybe I’ll need two,</span></p> | |
| 66 | <a class="nextlink" href="death-zone.html" | 42 | <p><span class="line">or maybe it’ll never happen. Maybe a sestina’s too</span><span class="line">involved, too much <a href="tapestry.html">weaving</a> of words too fine, and I</span><span class="line">will never write a good one, even on my best day,</span><span class="line">even if I employ all my skill and all my will.</span><span class="line">I’m not used to writing poems with thirty-nine lines,</span><span class="line">that must be the problem, must be why this task</span></p> |
| 67 | title="Next article in Stark Raving"> | 43 | <p><span class="line">is Herculean. He only had to finish twelve tasks,</span><span class="line">and I have one less one thousand, five hundred twenty-two,</span><span class="line">and it’s nothing but complaining lines</span><span class="line">about <a href="deathstrumpet.html">how hard it is to be a person</a>. I</span><span class="line">am getting sick of myself with these poems, and will</span><span class="line">soon be loathe to get out of bed every day.</span></p> |
| 68 | The Death Zone | 44 | <p><span class="line">But I tasked myself with this, which may be the worst I</span><span class="line">ever do to myself. I thought a poem NaNoWriMo would</span><span class="line">be fun, would line my resume, give me something I could publish someday.</span></p> |
| 69 | </a> | 45 | </section> |
| 70 | <a class="nextlink" href="boy_bus.html" | 46 | </article> |
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| 67 | The Death Zone | ||
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| 71 | Boy on the bus | ||
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| 40 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
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| diff --git a/father.html b/father.html index 3163591..d9c71d7 100644 --- a/father.html +++ b/father.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
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| 23 | <body id="father" class="paul"> | 23 | <body id="father" class="paul"> |
| 24 | |||
| 25 | 24 | ||
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| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Father</h1> | 28 | <h1 class="title">Father</h1> |
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| 33 | |||
| 34 | </div> | ||
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| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed. He wondered who built the shed for the first time since he’d been going out there. “Mom who built the shed out back” he asked. “That was your father” she said.</p> | ||
| 40 | <p>His father. Paul had never met him. His mother had said when he was a kid that his father was caught by a <a href="riptide_memory.html">riptide</a> while swimming in the ocean. He hadn’t noticed what was happening until the land was a thin line on the horizon. He became exhausted swimming back and drowned. His body was found a week later by the coroner’s estimate. Paul never really believed this story because his mother’s face was sad in the wrong way when she told it.</p> | ||
| 41 | <p>She said he looked like his father but she also said all men look alike. Paul realized he’d been standing at the kitchen window for a long time looking out at the shed without realizing it. He went out to take an inventory of everything inside.</p> | ||
| 42 | <p>“Where you going” asked his mother. “To the shed. I’ll be back in a bit” he said.</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="father_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="toothpaste.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Toothpaste | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="early.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed. He wondered who built the shed for the first time since he’d been going out there. “Mom who built the shed out back” he asked. “That was your father” she said.</p> |
| 60 | Early | 39 | <p>His father. Paul had never met him. His mother had said when he was a kid that his father was caught by a <a href="riptide_memory.html">riptide</a> while swimming in the ocean. He hadn’t noticed what was happening until the land was a thin line on the horizon. He became exhausted swimming back and drowned. His body was found a week later by the coroner’s estimate. Paul never really believed this story because his mother’s face was sad in the wrong way when she told it.</p> |
| 61 | </a> | 40 | <p>She said he looked like his father but she also said all men look alike. Paul realized he’d been standing at the kitchen window for a long time looking out at the shed without realizing it. He went out to take an inventory of everything inside.</p> |
| 62 | 41 | <p>“Where you going” asked his mother. “To the shed. I’ll be back in a bit” he said.</p> | |
| 63 | <a class="nextlink" href="paul.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Paul | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="fire.html" | 46 | <a href="backlinks/father.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Fire | 48 | </a> |
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| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
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| 55 | Toothpaste | ||
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| 59 | Early | ||
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| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Paul | ||
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| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Fire | ||
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| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
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| diff --git a/feedingtheraven.html b/feedingtheraven.html index 12a88af..3c30e04 100644 --- a/feedingtheraven.html +++ b/feedingtheraven.html | |||
| @@ -4,64 +4,62 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
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| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
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| 12 | <title>Feeding the raven | Autocento of the breakfast table</title> | 12 | <title>Feeding the raven | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 23 | <body id="feedingtheraven" class="elegies"> | 23 | <body id="feedingtheraven" class="elegies"> |
| 24 | |||
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| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Feeding the raven</h1> | 28 | <h1 class="title">Feeding the raven</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>You never can tell just when Charlie Sheen will enter your life. For me, it was last Thursday. I was reading some translation of a Japanese translation of “The Raven” in which the Poe and the raven become friends. At one point the raven gets very sick and Poe feeds him at his bedside and nurses him back to health. The story was very heartwarming and sad at the same time and my tears were welling up when suddenly I heard a knock on my door.</p> | ||
| 40 | <p>I shuffled over, sniffling but managing to keep my cheeks dry to open it. Of course Charlie was beaming on the other side, with a bag of flowers and a grin like a <a href="purpose-dogs.html">dog</a>’s. He bounded in the room without saying hello and threw the flowers in the sink, opened the refrigerator and started poking around. I said “It’s nice to see you too” and went to my room to get a camera, as well as a notebook for him to sign.</p> | ||
| 41 | <p>When I came back he was on the floor, hunched and groaning. I looked on the table to see a month-old half-gallon of milk—now cottage cheese—half-empty and dripping. The remnants were on his mouth, and at once I saw my chance to become Poe in this <a href="todaniel.html">translation of a translation</a> of a translation. I knelt next to Charlie, cradled his head in my lap. He looked up at me with a stare full of terror. I returned it levelly, making cooing noises at him until he calmed down.</p> | ||
| 42 | <p>When he was calm he excused himself to be sick on my toilet. He wouldn’t let me follow but said he would sign whatever I liked when he got back. After half an hour passed and all I’d had for company was the ticking of the <a href="boar.html">clock</a>, I went to the bathroom door. I knocked carefully—once, then twice—to no beaming face, no flowers. I opened the door. There was shit on the floor and the window was open. There was a breeze blowing.</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="feedingtheraven_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
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| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="angeltoabraham.html" | 33 | </div> |
| 55 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 56 | The angel to Abraham | 35 | |
| 57 | </a> | 36 | |
| 58 | 37 | <section class="content prose"> | |
| 59 | <a class="nextlink" href="onformalpoetry.html" | 38 | <p>You never can tell just when Charlie Sheen will enter your life. For me, it was last Thursday. I was reading some translation of a Japanese translation of “The Raven” in which the Poe and the raven become friends. At one point the raven gets very sick and Poe feeds him at his bedside and nurses him back to health. The story was very heartwarming and sad at the same time and my tears were welling up when suddenly I heard a knock on my door.</p> |
| 60 | title="Next article in Elegies for alternate selves"> | 39 | <p>I shuffled over, sniffling but managing to keep my cheeks dry to open it. Of course Charlie was beaming on the other side, with a bag of flowers and a grin like a <a href="purpose-dogs.html">dog</a>’s. He bounded in the room without saying hello and threw the flowers in the sink, opened the refrigerator and started poking around. I said “It’s nice to see you too” and went to my room to get a camera, as well as a notebook for him to sign.</p> |
| 61 | On formal poetry | 40 | <p>When I came back he was on the floor, hunched and groaning. I looked on the table to see a month-old half-gallon of milk—now cottage cheese—half-empty and dripping. The remnants were on his mouth, and at once I saw my chance to become Poe in this <a href="todaniel.html">translation of a translation</a> of a translation. I knelt next to Charlie, cradled his head in my lap. He looked up at me with a stare full of terror. I returned it levelly, making cooing noises at him until he calmed down.</p> |
| 62 | </a> | 41 | <p>When he was calm he excused himself to be sick on my toilet. He wouldn’t let me follow but said he would sign whatever I liked when he got back. After half an hour passed and all I’d had for company was the ticking of the <a href="boar.html">clock</a>, I went to the bathroom door. I knocked carefully—once, then twice—to no beaming face, no flowers. I opened the door. There was shit on the floor and the window was open. There was a breeze blowing.</p> |
| 63 | </nav> | 42 | </section> |
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="backlinks/feedingtheraven.html" id="backlinks" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="angeltoabraham.html" | ||
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| 55 | The angel to Abraham | ||
| 56 | </a> | ||
| 57 | |||
| 58 | <a class="nextlink" href="onformalpoetry.html" | ||
| 59 | title="Next article in Elegies for alternate selves"> | ||
| 60 | On formal poetry | ||
| 61 | </a> | ||
| 62 | </nav> | ||
| 64 | 63 | ||
| 65 | |||
| 66 | </body> | 64 | </body> |
| 67 | </html> | 65 | </html> |
| diff --git a/feedingtheraven_backlinks.htm b/feedingtheraven_backlinks.htm deleted file mode 100644 index e5141a8..0000000 --- a/feedingtheraven_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
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| 12 | <title>Feeding the raven | Autocento of the breakfast table</title> | ||
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| 30 | <h1 class="subtitle">back-links</h1> | ||
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| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
| 41 | <li><a href="i-think-its-you.html">I think it’s you (but it’s not)</a></li> | ||
| 42 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 43 | <li><a href="problems.html">Problems</a></li> | ||
| 44 | <li><a href="purpose-dogs.html">The purpose of dogs</a></li> | ||
| 45 | <li><a href="roughgloves.html">Rough gloves</a></li> | ||
| 46 | <li><a href="yellow.html">Yellow</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="feedingtheraven.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/finding-the-lion.html b/finding-the-lion.html index ae8924f..5e8e6d5 100644 --- a/finding-the-lion.html +++ b/finding-the-lion.html | |||
| @@ -4,58 +4,56 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Finding the Lion | Autocento of the breakfast table</title> | 12 | <title>Finding the Lion | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="finding-the-lion" class="autocento"> | 23 | <body id="finding-the-lion" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Finding the Lion</h1> |
| 29 | <h1 class="title">Finding the Lion</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">Tonight, as I look up, the stars</span><span class="line">hide themselves in shame. <a href="moongone.html">There is no moon</a>.</span><span class="line">The sky is black, like my desk,</span></p> |
| 39 | <p><span class="line">Tonight, as I look up, the stars</span><span class="line">hide themselves in shame. <a href="moongone.html">There is no moon</a>.</span><span class="line">The sky is black, like my desk,</span></p> | 39 | <p><span class="line"><a href="feedingtheraven.html">nothing like a raven</a>. The streetlights</span><span class="line">look on the scene disinterested.</span><span class="line">They have their own <a href="the-night-we-met.html">small gossips of the dark</a>.</span></p> |
| 40 | <p><span class="line"><a href="feedingtheraven.html">nothing like a raven</a>. The streetlights</span><span class="line">look on the scene disinterested.</span><span class="line">They have their own <a href="the-night-we-met.html">small gossips of the dark</a>.</span></p> | 40 | <p><span class="line">I came here to find the Lion, old</span><span class="line">friend, but he will not show his flanks, his</span><span class="line">paws, his shoulders, <a href="axe.html">his mane</a>. I</span></p> |
| 41 | <p><span class="line">I came here to find the Lion, old</span><span class="line">friend, but he will not show his flanks, his</span><span class="line">paws, his shoulders, <a href="axe.html">his mane</a>. I</span></p> | 41 | <p><span class="line">can hear him laughing from his hiding-place</span><span class="line">behind the moon, nonexistent, under</span><span class="line">the cold dead earth. The mountain is in front</span></p> |
| 42 | <p><span class="line">can hear him laughing from his hiding-place</span><span class="line">behind the moon, nonexistent, under</span><span class="line">the cold dead earth. The mountain is in front</span></p> | 42 | <p><span class="line">of me now, a hole of stars daring me</span><span class="line">to pierce it with my sight. The lion’s still</span><span class="line">laughing; the streetlamps talk about</span></p> |
| 43 | <p><span class="line">of me now, a hole of stars daring me</span><span class="line">to pierce it with my sight. The lion’s still</span><span class="line">laughing; the streetlamps talk about</span></p> | 43 | <p><span class="line">me amongst themselves, and go out. There</span><span class="line">never was any lion, they tell me.</span><span class="line"><a href="cold-wind.html">You only hear the wind</a> <a href="mountain.html">on the mountain</a>.</span></p> |
| 44 | <p><span class="line">me amongst themselves, and go out. There</span><span class="line">never was any lion, they tell me.</span><span class="line"><a href="cold-wind.html">You only hear the wind</a> <a href="mountain.html">on the mountain</a>.</span></p> | 44 | </section> |
| 45 | </section> | 45 | </article> |
| 46 | </article> | 46 | <nav> |
| 47 | <nav> | 47 | <div class="anchors"> |
| 48 | <div class="anchors"> | 48 | <a href="backlinks/finding-the-lion.html" id="backlinks" title="Links to this page"> |
| 49 | <a href="finding-the-lion_backlinks.htm" id="back-link" title="Links to this page"> | 49 | φ |
| 50 | φ | 50 | </a> |
| 51 | </a> | 51 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 53 | </div> |
| 54 | </div> | 54 | |
| 55 | 55 | ||
| 56 | 56 | </nav> | |
| 57 | </nav> | 57 | |
| 58 | |||
| 59 | |||
| 60 | </body> | 58 | </body> |
| 61 | </html> | 59 | </html> |
| diff --git a/finding-the-lion_backlinks.htm b/finding-the-lion_backlinks.htm deleted file mode 100644 index e5385b5..0000000 --- a/finding-the-lion_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Finding the Lion | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="finding-the-lion" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Finding the Lion</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="big-dipper.html">The Big Dipper</a></li> | ||
| 41 | <li><a href="hard-game.html">A hard game</a></li> | ||
| 42 | <li><a href="options.html">Options</a></li> | ||
| 43 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 44 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | ||
| 45 | <li><a href="swansong-alt.html">Swansong</a></li> | ||
| 46 | <li><a href="swear.html">Swear</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="finding-the-lion.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/fire.html b/fire.html index 209240d..45549a9 100644 --- a/fire.html +++ b/fire.html | |||
| @@ -4,66 +4,64 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Fire | Autocento of the breakfast table</title> | 12 | <title>Fire | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="fire" class="paul"> | 23 | <body id="fire" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Fire</h1> | 28 | <h1 class="title">Fire</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>His mother ran out of the house in her nightgown. “What the hell do you think you’re doing” she hollered as Paul watched the shed. “I’m burning the shed down” he said smiling “isn’t it warm?” “It’s warm enough out here without that burning down” she said “go get the hose and put this thing out.” “But Mom—” “Do it” she said in the tone of voice that meant Do it now. He went around the side of the house screwed the nozzle on grabbed the end of the hose pulled it around the house and waited for water to come out the end. <a href="hard-game.html">When it did it was not in a very strong stream.</a> “I don’t think this is going to work” Paul said to his mother. “God damn it I have to call the Fire Department” she said and went inside the house. The shed continued in its burning.</p> | ||
| 40 | <p>After the Fire Department put out the fire one of the men said “Your mother says you set this building on fire. You know Arson is a major offense.” “I set it on fire” Paul said. “Why?” “Because ART wants to be random, it wants to be natural, but it isn’t. Humans create ART because we can’t help but see patterns in randomness. But we feel guilty about it.” The man nodded to another man in a blue uniform. “We want the ART to feel natural, to feel random, but we can’t stop seeing the patterns” as the man in blue walked over and put a hand on Paul’s shoulder “ART is unnatural by its very nature. I took my ART and gave it back to nature” as the man led him over to a <a href="sense-of-it.html">black and white</a> car and put him inside. He was saying something about Paul’s right. “No it’s my <a href="x-ray.html">left that was hurt</a>” said Paul “but it’s all better now.”</p> | ||
| 41 | </section> | ||
| 42 | </article> | ||
| 43 | <nav> | ||
| 44 | <div class="anchors"> | ||
| 45 | <a href="fire_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 46 | φ | ||
| 47 | </a> | ||
| 48 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 49 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 50 | </div> | ||
| 51 | 32 | ||
| 52 | <a class="prevlink" href="paul.html" | 33 | </div> |
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 54 | Paul | 35 | |
| 55 | </a> | 36 | |
| 56 | <a class="prevlink" href="father.html" | 37 | <section class="content prose"> |
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>His mother ran out of the house in her nightgown. “What the hell do you think you’re doing” she hollered as Paul watched the shed. “I’m burning the shed down” he said smiling “isn’t it warm?” “It’s warm enough out here without that burning down” she said “go get the hose and put this thing out.” “But Mom—” “Do it” she said in the tone of voice that meant Do it now. He went around the side of the house screwed the nozzle on grabbed the end of the hose pulled it around the house and waited for water to come out the end. <a href="hard-game.html">When it did it was not in a very strong stream.</a> “I don’t think this is going to work” Paul said to his mother. “God damn it I have to call the Fire Department” she said and went inside the house. The shed continued in its burning.</p> |
| 58 | Father | 39 | <p>After the Fire Department put out the fire one of the men said “Your mother says you set this building on fire. You know Arson is a major offense.” “I set it on fire” Paul said. “Why?” “Because ART wants to be random, it wants to be natural, but it isn’t. Humans create ART because we can’t help but see patterns in randomness. But we feel guilty about it.” The man nodded to another man in a blue uniform. “We want the ART to feel natural, to feel random, but we can’t stop seeing the patterns” as the man in blue walked over and put a hand on Paul’s shoulder “ART is unnatural by its very nature. I took my ART and gave it back to nature” as the man led him over to a <a href="sense-of-it.html">black and white</a> car and put him inside. He was saying something about Paul’s right. “No it’s my <a href="x-ray.html">left that was hurt</a>” said Paul “but it’s all better now.”</p> |
| 59 | </a> | 40 | </section> |
| 60 | 41 | </article> | |
| 61 | <a class="nextlink" href="hands.html" | 42 | <nav> |
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <div class="anchors"> |
| 63 | Hands | 44 | <a href="backlinks/fire.html" id="backlinks" title="Links to this page"> |
| 64 | </a> | 45 | φ |
| 65 | </nav> | 46 | </a> |
| 47 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | |||
| 51 | <a class="prevlink" href="paul.html" | ||
| 52 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 53 | Paul | ||
| 54 | </a> | ||
| 55 | <a class="prevlink" href="father.html" | ||
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 57 | Father | ||
| 58 | </a> | ||
| 59 | |||
| 60 | <a class="nextlink" href="hands.html" | ||
| 61 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 62 | Hands | ||
| 63 | </a> | ||
| 64 | </nav> | ||
| 66 | 65 | ||
| 67 | |||
| 68 | </body> | 66 | </body> |
| 69 | </html> | 67 | </html> |
| diff --git a/fire_backlinks.htm b/fire_backlinks.htm deleted file mode 100644 index 2637205..0000000 --- a/fire_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Fire | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="fire" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Fire</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="cold-wind.html">Cold wind</a></li> | ||
| 41 | <li><a href="early.html">Early</a></li> | ||
| 42 | <li><a href="hard-game.html">A hard game</a></li> | ||
| 43 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 44 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 45 | <li><a href="snow.html">Snow</a></li> | ||
| 46 | <li><a href="swansong-alt.html">Swansong</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="fire.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/first-lines.html b/first-lines.html index 7a29ddc..c807ebe 100644 --- a/first-lines.html +++ b/first-lines.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>Appendix F | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="first-lines" class="appendices"> | ||
| 24 | |||
| 25 | <article class="container"> | ||
| 26 | <header> | ||
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Appendix F</h1> | ||
| 29 | <h1 class="subtitle">index of first lines</h1> | ||
| 30 | |||
| 31 | <div class="header-extra"> | ||
| 32 | |||
| 33 | </div> | ||
| 34 | </header> | ||
| 35 | |||
| 36 | |||
| 37 | <section class="content prose"> | ||
| 38 | <p><a href="about-the-author.html">He was born on a few separate occasions <em>green traffic lights at night</em></a> <a href="about.html"><em>Autocento of the breakfast table</em> is a hypertextual exploration of the workings of revision across time.</a> <a href="about_author.html">Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.</a> <a href="abstract.html"><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="amber-alert.html">Lost things have a way of staying lost.</a> <a href="and.html">And you were there at the start of it all</a> <a href="angeltoabraham.html">Abraham, Abraham, you are old and cannot hear:</a> <a href="apollo11.html">So it’s the fucking moon. Big deal. As if</a> <a href="arspoetica.html">What is poetry?</a> <a href="art.html">Paul was writing in his diary about art.</a> <a href="axe.html">Paul took his axe and went out into the woods to chop trees.</a> <a href="big-dipper.html">After searching for days or even months</a> <a href="boar.html">Now the ticking clocks scare me.</a> <a href="boy_bus.html">When he said Bible I heard his southern accent</a> <a href="building.html">_ART and CRAFT are only the inside and outside of the same building.</a> <a href="call-me-aural-pleasure.html">Like <em>40</em> as I challenge anyone to come too!</a> <a href="cereal.html">He woke up after eleven and didn’t go outside all day, not even to his Writing Shack.</a> <a href="cold-wind.html">Man of autumn, cold wind,</a> <a href="collage-instrument.html"><code>tr</code> has been a part of the Unix toolset since the late 70s.</a> <a href="creation-myth.html">So two hyperintelligent pandimensional beings</a> <a href="deadman.html">The dead man finds his way into our hearts</a> <a href="death-zone.html">When I think of death I think</a> <a href="deathstrumpet.html">He didn’t have any polish so he spit-shined the whole thing</a> <a href="dollywood.html">I turned off the TV as soon as the end credits began.</a> <a href="dream.html">It had gotten cold.</a> <a href="early.html"><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother watched TV and smoked.</a> <a href="elegyforanalternateself.html">Say there are no words. Say that we are conjoined</a> <a href="epigraph.html">I saw my life branching out before me like the green fig tree in the story.</a> <a href="ex-machina.html">Bottom of the drink: they had</a> <a href="exasperated.html">I didn’t write this sestina yesterday.</a> <a href="father.html">“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed.</a> <a href="feedingtheraven.html">You never can tell just when Charlie Sheen will enter your life.</a> <a href="finding-the-lion.html">Tonight, as I look up, the stars</a> <a href="fire.html">His mother ran out of the house in her nightgown.</a> <a href="found-typewriter-poem.html">Look, I say—look here—</a> <a href="hands.html">He looked down at his hands idly while he was typing.</a> <a href="hard-game.html">You think building Hoggle’s a hard game?</a> <a href="hardware.html">His mother drove him to the Hardware Store on a Tuesday.</a> <a href="howithappened.html">I was away on vacation when I heard—</a> <a href="howtoread.html">This book is an exploration of life, of all possible lives that could be lived.</a> <a href="hymnal.html"><em>It’s all jokes</em> Paul wrote in what he was now calling his Hymnal.</a> <a href="i-am.html">I am a great pillar of white smoke.</a> <a href="i-think-its-you.html">I thought I saw you walking</a> <a href="i-want-to-say.html">I want to say I take it all back</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something in order to</a> <a href="in-bed.html">I hear the rats run</a> <a href="initial-conditions.html">There is a theory which states the Universe</a> <a href="january.html">January.</a> <a href="joke.html">He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook.</a> <a href="lappel-du-vide.html">Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.</a> <a href="largest-asteroid.html">What secrets does it hold?</a> <a href="last-bastion.html">Dimly remembered celebrity chefs shuffle</a> <a href="last-passenger.html">Memory works strangely, spooling its thread</a> <a href="leaf.html">He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.</a> <a href="leg.html">His first chair was a stool.</a> <a href="likingthings.html">The definition of happiness is <em>doing stuff that you really like</em>.</a> <a href="listen.html">If you swallow hard enough</a> <a href="love-as-god.html">God is love, they say, but there is</a> <a href="lovesong.html">Walking along in the dark is a good way to begin a song.</a> <a href="man.html"><em>THIS MAN REFUSED TO OPEN HIS EYES</em></a> <a href="manifesto_poetics.html">What is a poem?</a> <a href="moon-drowning.html">The moon is drowning the stars it pushes them</a> <a href="moongone.html">The moon is gone and in its place a mirror.</a> <a href="mountain.html">The other side of this mountain</a> <a href="movingsideways.html">A dog moving sideways is sick; a man moving sideways is drunk.</a> <a href="music-433.html">Silence lies underneath us all in the same way</a> <a href="no-nothing.html">While swimming in the river</a> <a href="notes.html">Paul began typing on notecards.</a> <a href="nothing-is-ever-over.html">Nothing is ever over; nothing</a> <a href="on-genre-dimension.html">How does one describe a poem?</a> <a href="one-hundred-lines.html">Whenever you call me friend</a> <a href="onformalpoetry.html">I think that I could write formal poems</a> <a href="options.html">What did he do when he was in the woods?</a> <a href="ouroboros_memory.html">He said at the beginning, “It’s like rolling yarn into a too-small ball.</a> <a href="paul.html">CONTENTS OF THE SHED</a> <a href="peaches.html">“My anger is like a peach,” he said.</a> <a href="philosophy.html">Importance is important.</a> <a href="phone.html">“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s.</a> <a href="planks.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="plant.html">I need a plant. I need a thing</a> <a href="poetry-time.html">I’m writing this now because I have to.</a> <a href="prelude.html">Of course, there is a God.</a> <a href="problems.html">The problem with people is this: we cannot be happy.</a> <a href="process.html"><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="proverbs.html">Nothing matters; everything is sacred.</a> <a href="punch.html">When he finally got back to work he was surprised they threw him a party.</a> <a href="purpose-dogs.html">Okay, so as we said in the Prelude, there either is or isn’t a God.</a> <a href="question.html">“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work.</a> <a href="real-writer.html">Sometimes I feel as though I am not a real writer.</a> <a href="reports.html">“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.</a> <a href="riptide_memory.html">Inside of my memory, the poem is another memory.</a> <a href="ronaldmcdonald.html">When Ronald McDonald takes off his striped shirt,</a> <a href="roughgloves.html">I lost my hands & knit replacement ones</a> <a href="sapling.html">He chopped down a sapling pine tree and looked at his watch.</a> <a href="seasonal-affective-disorder.html">On your desk I set a tangerine:</a> <a href="sense-of-it.html">I only write poems on the bus anymore.</a> <a href="serengeti.html">The self is a serengeti</a> <a href="shed.html">“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV.</a> <a href="shipwright.html">He builds a ship as if it were the last thing</a> <a href="sixteenth-chapel.html">If Justin Bieber isn’t going for the sixteenth</a> <a href="snow.html"><em>I don’t care if they burn</em> he wrote on his last blank notecard.</a> <a href="something-simple.html">in mammals the ratio between bladder size</a> <a href="spittle.html">My body is attached to your body by a thin spittle of thought.</a> <a href="squirrel.html">He is so full in himself:</a> <a href="stagnant.html">“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work.</a> <a href="statements-frag.html">“Can one truly describe an emotion?” Eli asked me over the walkie-talkie.</a> <a href="stayed-on-the-bus.html">It was a gamble</a> <a href="stump.html">He walked into the woods for the first time in months.</a> <a href="swansong-alt.html">This poem is dry like chapped lips.</a> <a href="swansong.html">Swans fly overhead singing goodbye</a> <a href="swear.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a> <a href="table_contents.html">4. The look she gave me 4. Half-hours in heaven are three times</a> <a href="tapestry.html">_Apparently typewriters need ribbon.</a> <a href="telemarketer.html">It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.</a> <a href="the-night-we-met.html">My head is full of fire, my tongue swollen,</a> <a href="the-sea_the-beach.html">Waiting for a reading to start</a> <a href="theoceanoverflowswithcamels.html">We found your shirt deep in the dark water,</a> <a href="time-looks-up-to-the-sky.html">I wish I’d kissed you when I had the chance.</a> <a href="todaniel.html">There are more modern ideals of beauty</a> <a href="toilet.html">Paul only did his reading on the toilet.</a> <a href="toothpaste.html">He couldn’t find a shirt to go to work in.</a> <a href="treatise.html">TREATISE ON LITERATURE AS “SPOOKY</a> <a href="underwear.html">He dropped the penny in the dryer, turned it on, and turned around.</a> <a href="walking-in-the-rain.html">I can walk through the rain, that rare occurrence</a> <a href="wallpaper.html">He didn’t go back into the shed for a long time.</a> <a href="weplayedthosegamestoo.html">I saw two Eskimo girls playing a game</a> <a href="what-we-are-made-of.html">There is a cave just outside of Flagstaff made from ancient lava flows.</a> <a href="when-im-sorry-i.html">Your casserole dish takes the longest:</a> <a href="window.html"><em><strong>HYMN 386: JOKES</strong></em></a> <a href="words-irritable-reaching.html">Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.</a> <a href="words-meaning.html">“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.”</a> <a href="worse-looking-over.html">The radio is screaming the man</a> <a href="writing.html">He sat down at his writing desk and removed his new pen from its plastic wrapping.</a> <a href="x-ray.html">While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out.</a> <a href="yellow.html">He would enter data at work for fifty minutes and then go on break.</a></p> | ||
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| 39 | <p><a href="about-the-author.html">He was born on a few separate occasions <em>green traffic lights at night</em></a> <a href="about.html"><em>Autocento of the breakfast table</em> is a hypertextual exploration of the workings of revision across time.</a> <a href="about_author.html">Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.</a> <a href="abstract.html"><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="amber-alert.html">Lost things have a way of staying lost.</a> <a href="and.html">And you were there at the start of it all</a> <a href="angeltoabraham.html">Abraham, Abraham, you are old and cannot hear:</a> <a href="apollo11.html">So it’s the fucking moon. Big deal. As if</a> <a href="arspoetica.html">What is poetry?</a> <a href="art.html">Paul was writing in his diary about art.</a> <a href="axe.html">Paul took his axe and went out into the woods to chop trees.</a> <a href="big-dipper.html">After searching for days or even months</a> <a href="boar.html">Now the ticking clocks scare me.</a> <a href="boy_bus.html">When he said Bible I heard his southern accent</a> <a href="building.html">_ART and CRAFT are only the inside and outside of the same building.</a> <a href="call-me-aural-pleasure.html">Like <em>40</em> as I challenge anyone to come too!</a> <a href="cereal.html">He woke up after eleven and didn’t go outside all day, not even to his Writing Shack.</a> <a href="cold-wind.html">Man of autumn, cold wind,</a> <a href="collage-instrument.html"><code>tr</code> has been a part of the Unix toolset since the late 70s.</a> <a href="creation-myth.html">So two hyperintelligent pandimensional beings</a> <a href="deadman.html">The dead man finds his way into our hearts</a> <a href="death-zone.html">When I think of death I think</a> <a href="deathstrumpet.html">He didn’t have any polish so he spit-shined the whole thing</a> <a href="dollywood.html">I turned off the TV as soon as the end credits began.</a> <a href="dream.html">It had gotten cold.</a> <a href="early.html"><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother watched TV and smoked.</a> <a href="elegyforanalternateself.html">Say there are no words. Say that we are conjoined</a> <a href="epigraph.html">I saw my life branching out before me like the green fig tree in the story.</a> <a href="ex-machina.html">Bottom of the drink: they had</a> <a href="exasperated.html">I didn’t write this sestina yesterday.</a> <a href="father.html">“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed.</a> <a href="feedingtheraven.html">You never can tell just when Charlie Sheen will enter your life.</a> <a href="finding-the-lion.html">Tonight, as I look up, the stars</a> <a href="fire.html">His mother ran out of the house in her nightgown.</a> <a href="found-typewriter-poem.html">Look, I say—look here—</a> <a href="hands.html">He looked down at his hands idly while he was typing.</a> <a href="hard-game.html">You think building Hoggle’s a hard game?</a> <a href="hardware.html">His mother drove him to the Hardware Store on a Tuesday.</a> <a href="howithappened.html">I was away on vacation when I heard—</a> <a href="howtoread.html">This book is an exploration of life, of all possible lives that could be lived.</a> <a href="hymnal.html"><em>It’s all jokes</em> Paul wrote in what he was now calling his Hymnal.</a> <a href="i-am.html">I am a great pillar of white smoke.</a> <a href="i-think-its-you.html">I thought I saw you walking</a> <a href="i-want-to-say.html">I want to say I take it all back</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something in order to</a> <a href="in-bed.html">I hear the rats run</a> <a href="initial-conditions.html">There is a theory which states the Universe</a> <a href="january.html">January.</a> <a href="joke.html">He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook.</a> <a href="lappel-du-vide.html">Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.</a> <a href="largest-asteroid.html">What secrets does it hold?</a> <a href="last-bastion.html">Dimly remembered celebrity chefs shuffle</a> <a href="last-passenger.html">Memory works strangely, spooling its thread</a> <a href="leaf.html">He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.</a> <a href="leg.html">His first chair was a stool.</a> <a href="likingthings.html">The definition of happiness is <em>doing stuff that you really like</em>.</a> <a href="listen.html">If you swallow hard enough</a> <a href="love-as-god.html">God is love, they say, but there is</a> <a href="lovesong.html">Walking along in the dark is a good way to begin a song.</a> <a href="man.html"><em>THIS MAN REFUSED TO OPEN HIS EYES</em></a> <a href="manifesto_poetics.html">What is a poem?</a> <a href="moon-drowning.html">The moon is drowning the stars it pushes them</a> <a href="moongone.html">The moon is gone and in its place a mirror.</a> <a href="mountain.html">The other side of this mountain</a> <a href="movingsideways.html">A dog moving sideways is sick; a man moving sideways is drunk.</a> <a href="music-433.html">Silence lies underneath us all in the same way</a> <a href="no-nothing.html">While swimming in the river</a> <a href="notes.html">Paul began typing on notecards.</a> <a href="nothing-is-ever-over.html">Nothing is ever over; nothing</a> <a href="on-genre-dimension.html">How does one describe a poem?</a> <a href="one-hundred-lines.html">Whenever you call me friend</a> <a href="onformalpoetry.html">I think that I could write formal poems</a> <a href="options.html">What did he do when he was in the woods?</a> <a href="ouroboros_memory.html">He said at the beginning, “It’s like rolling yarn into a too-small ball.</a> <a href="paul.html">CONTENTS OF THE SHED</a> <a href="peaches.html">“My anger is like a peach,” he said.</a> <a href="philosophy.html">Importance is important.</a> <a href="phone.html">“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s.</a> <a href="planks.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="plant.html">I need a plant. I need a thing</a> <a href="poetry-time.html">I’m writing this now because I have to.</a> <a href="prelude.html">Of course, there is a God.</a> <a href="problems.html">The problem with people is this: we cannot be happy.</a> <a href="process.html"><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="proverbs.html">Nothing matters; everything is sacred.</a> <a href="punch.html">When he finally got back to work he was surprised they threw him a party.</a> <a href="purpose-dogs.html">Okay, so as we said in the Prelude, there either is or isn’t a God.</a> <a href="question.html">“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work.</a> <a href="real-writer.html">Sometimes I feel as though I am not a real writer.</a> <a href="reports.html">“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.</a> <a href="riptide_memory.html">Inside of my memory, the poem is another memory.</a> <a href="ronaldmcdonald.html">When Ronald McDonald takes off his striped shirt,</a> <a href="roughgloves.html">I lost my hands & knit replacement ones</a> <a href="sapling.html">He chopped down a sapling pine tree and looked at his watch.</a> <a href="seasonal-affective-disorder.html">On your desk I set a tangerine:</a> <a href="sense-of-it.html">I only write poems on the bus anymore.</a> <a href="serengeti.html">The self is a serengeti</a> <a href="shed.html">“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV.</a> <a href="shipwright.html">He builds a ship as if it were the last thing</a> <a href="sixteenth-chapel.html">If Justin Bieber isn’t going for the sixteenth</a> <a href="snow.html"><em>I don’t care if they burn</em> he wrote on his last blank notecard.</a> <a href="something-simple.html">in mammals the ratio between bladder size</a> <a href="spittle.html">My body is attached to your body by a thin spittle of thought.</a> <a href="squirrel.html">He is so full in himself:</a> <a href="stagnant.html">“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work.</a> <a href="statements-frag.html">“Can one truly describe an emotion?” Eli asked me over the walkie-talkie.</a> <a href="stayed-on-the-bus.html">It was a gamble</a> <a href="stump.html">He walked into the woods for the first time in months.</a> <a href="swansong-alt.html">This poem is dry like chapped lips.</a> <a href="swansong.html">Swans fly overhead singing goodbye</a> <a href="swear.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a> <a href="table_contents.html">4. The look she gave me 4. Half-hours in heaven are three times</a> <a href="tapestry.html">_Apparently typewriters need ribbon.</a> <a href="telemarketer.html">It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.</a> <a href="the-night-we-met.html">My head is full of fire, my tongue swollen,</a> <a href="the-sea_the-beach.html">Waiting for a reading to start</a> <a href="theoceanoverflowswithcamels.html">We found your shirt deep in the dark water,</a> <a href="time-looks-up-to-the-sky.html">I wish I’d kissed you when I had the chance.</a> <a href="todaniel.html">There are more modern ideals of beauty</a> <a href="toilet.html">Paul only did his reading on the toilet.</a> <a href="toothpaste.html">He couldn’t find a shirt to go to work in.</a> <a href="treatise.html">TREATISE ON LITERATURE AS “SPOOKY</a> <a href="underwear.html">He dropped the penny in the dryer, turned it on, and turned around.</a> <a href="walking-in-the-rain.html">I can walk through the rain, that rare occurrence</a> <a href="wallpaper.html">He didn’t go back into the shed for a long time.</a> <a href="weplayedthosegamestoo.html">I saw two Eskimo girls playing a game</a> <a href="what-we-are-made-of.html">There is a cave just outside of Flagstaff made from ancient lava flows.</a> <a href="when-im-sorry-i.html">Your casserole dish takes the longest:</a> <a href="window.html"><em><strong>HYMN 386: JOKES</strong></em></a> <a href="words-irritable-reaching.html">Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.</a> <a href="words-meaning.html">“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.”</a> <a href="worse-looking-over.html">The radio is screaming the man</a> <a href="writing.html">He sat down at his writing desk and removed his new pen from its plastic wrapping.</a> <a href="x-ray.html">While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out.</a> <a href="yellow.html">He would enter data at work for fifty minutes and then go on break.</a> <a href="trunk/first-lines.html"></a></p> | ||
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| 56 | <a class="nextlink" href="about.html" | ||
| 57 | title="Next article in About Autocento"> | ||
| 58 | About <em>Autocento</em> | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/found-typewriter-poem.html b/found-typewriter-poem.html index 9a5b062..0b85c78 100644 --- a/found-typewriter-poem.html +++ b/found-typewriter-poem.html | |||
| @@ -4,60 +4,58 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Look | Autocento of the breakfast table</title> | 12 | <title>Look | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="found-typewriter-poem" class="autocento"> | 23 | <body id="found-typewriter-poem" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Look</h1> |
| 29 | <h1 class="title">Look</h1> | 29 | <h1 class="subtitle">a found typewriter poem</h1> |
| 30 | <h1 class="subtitle">a found typewriter poem</h1> | 30 | |
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | <!-- epigraph --> | |
| 34 | <!-- epigraph --> | 34 | <div class="epigraph"> |
| 35 | <div class="epigraph"> | 35 | <p><a href="http://books.google.com/books?id=ALdlAAAAMAAJ&focus=searchwithinvolume&q=older+than">Is he older</a>? I asked her. And I never got an answer, because at the moment she disappeared in a puff of smoke. I like to think nothing ever happened to her save that she went over to the spirit realm. I usually know better though.</p> |
| 36 | <p><a href="http://books.google.com/books?id=ALdlAAAAMAAJ&focus=searchwithinvolume&q=older+than">Is he older</a>? I asked her. And I never got an answer, because at the moment she disappeared in a puff of smoke. I like to think nothing ever happened to her save that she went over to the spirit realm. I usually know better though.</p> | 36 | |
| 37 | 37 | </div> | |
| 38 | </div> | 38 | </div> |
| 39 | </div> | 39 | </header> |
| 40 | </header> | 40 | |
| 41 | 41 | ||
| 42 | 42 | <section class="content verse"> | |
| 43 | <section class="content verse"> | 43 | <p><span class="line">Look, I say—look here—</span><span class="line">at this old place</span><span class="line"><a href="planks.html">where nothing changes</a>.</span><span class="line">Look at the people</span><span class="line">who pass by. Look at</span><span class="line">the trees. The flowers</span><span class="line">full of wanting: look</span><span class="line"><a href="squirrel.html">how full they are</a> with</span><span class="line">color. Look how they mock</span><span class="line">us, empty people who</span><span class="line">must fill themselves</span><span class="line">with changes—emptiness.</span></p> |
| 44 | <p><span class="line">Look, I say—look here—</span><span class="line">at this old place</span><span class="line"><a href="planks.html">where nothing changes</a>.</span><span class="line">Look at the people</span><span class="line">who pass by. Look at</span><span class="line">the trees. The flowers</span><span class="line">full of wanting: look</span><span class="line"><a href="squirrel.html">how full they are</a> with</span><span class="line">color. Look how they mock</span><span class="line">us, empty people who</span><span class="line">must fill themselves</span><span class="line">with changes—emptiness.</span></p> | 44 | <p><span class="line">“<a href="elegeyforanalternateself.html">There is nothing</a> to be</span><span class="line">but happy. <a href="no-nothing.html">There is no</a></span><span class="line">sadness to fall down</span><span class="line">like cherry petals.“</span></p> |
| 45 | <p><span class="line">“<a href="elegeyforanalternateself.html">There is nothing</a> to be</span><span class="line">but happy. <a href="no-nothing.html">There is no</a></span><span class="line">sadness to fall down</span><span class="line">like cherry petals.“</span></p> | 45 | <p><span class="line">The [trees don’t under-</span><span class="line">stand:]<a href="plant.html">trees</a> they are too</span><span class="line">tall to see the germ</span><span class="line">of discontent in us.</span></p> |
| 46 | <p><span class="line">The [trees don’t under-</span><span class="line">stand:]<a href="plant.html">trees</a> they are too</span><span class="line">tall to see the germ</span><span class="line">of discontent in us.</span></p> | 46 | </section> |
| 47 | </section> | 47 | </article> |
| 48 | </article> | 48 | <nav> |
| 49 | <nav> | 49 | <div class="anchors"> |
| 50 | <div class="anchors"> | 50 | <a href="backlinks/found-typewriter-poem.html" id="backlinks" title="Links to this page"> |
| 51 | <a href="found-typewriter-poem_backlinks.htm" id="back-link" title="Links to this page"> | 51 | φ |
| 52 | φ | 52 | </a> |
| 53 | </a> | 53 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 55 | </div> |
| 56 | </div> | 56 | |
| 57 | 57 | ||
| 58 | 58 | </nav> | |
| 59 | </nav> | 59 | |
| 60 | |||
| 61 | |||
| 62 | </body> | 60 | </body> |
| 63 | </html> | 61 | </html> |
| diff --git a/found-typewriter-poem_backlinks.htm b/found-typewriter-poem_backlinks.htm deleted file mode 100644 index 2819530..0000000 --- a/found-typewriter-poem_backlinks.htm +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Look | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="found-typewriter-poem" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Look</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="poetry-time.html">Something</a></li> | ||
| 41 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | ||
| 42 | <li><a href="underwear.html">Underwear</a></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="found-typewriter-poem.html" id="back-link" title="Back to article"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/hands.html b/hands.html index 1233dc8..92c70e4 100644 --- a/hands.html +++ b/hands.html | |||
| @@ -4,74 +4,72 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Hands | Autocento of the breakfast table</title> | 12 | <title>Hands | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="hands" class="paul"> | 23 | <body id="hands" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Hands</h1> | 28 | <h1 class="title">Hands</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He looked down at his hands idly while he was typing. They were <a href="weplayedthosegamestoo.html">dry and cracked in places</a>. He thought he might start bleeding so he went inside for some lotion.</p> | ||
| 40 | <p>“Do we have any lotion” he asked his mother. “In the medicine cabinet” she said without looking up from the TV. He walked into the <a href="boar.html">bathroom</a> and looked at himself in the mirror. “I look strange” he said to himself “I look like a teenager.” He stared into his <a href="man.html">right eye, then his left</a>. He saw nothing but <a href="deathstrumpet.html">his own reflection fish-eyed</a> in his pupils. He opened the medicine cabinet.</p> | ||
| 41 | <p>Back in his Writing Shack, he started to type.</p> | ||
| 42 | <blockquote> | ||
| 43 | <p>What is it about hands that gives them such power? It is that their power is hidden in the arm. Push on the inside of the wrist–the hand closes. Reach under the skin and pull on the outside tendons– the hand opens again. Hands are only <a href="ex-machina.html">machines</a> for grasping, controlled by the arm, not the mind.</p> | ||
| 44 | </blockquote> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="hands_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | 32 | ||
| 56 | <a class="prevlink" href="shed.html" | 33 | </div> |
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 58 | Shed | 35 | |
| 59 | </a> | 36 | |
| 60 | <a class="prevlink" href="fire.html" | 37 | <section class="content prose"> |
| 61 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He looked down at his hands idly while he was typing. They were <a href="weplayedthosegamestoo.html">dry and cracked in places</a>. He thought he might start bleeding so he went inside for some lotion.</p> |
| 62 | Fire | 39 | <p>“Do we have any lotion” he asked his mother. “In the medicine cabinet” she said without looking up from the TV. He walked into the <a href="boar.html">bathroom</a> and looked at himself in the mirror. “I look strange” he said to himself “I look like a teenager.” He stared into his <a href="man.html">right eye, then his left</a>. He saw nothing but <a href="deathstrumpet.html">his own reflection fish-eyed</a> in his pupils. He opened the medicine cabinet.</p> |
| 63 | </a> | 40 | <p>Back in his Writing Shack, he started to type.</p> |
| 64 | 41 | <blockquote> | |
| 65 | <a class="nextlink" href="toilet.html" | 42 | <p>What is it about hands that gives them such power? It is that their power is hidden in the arm. Push on the inside of the wrist–the hand closes. Reach under the skin and pull on the outside tendons– the hand opens again. Hands are only <a href="ex-machina.html">machines</a> for grasping, controlled by the arm, not the mind.</p> |
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </blockquote> |
| 67 | Toilet | 44 | </section> |
| 68 | </a> | 45 | </article> |
| 69 | <a class="nextlink" href="hardware.html" | 46 | <nav> |
| 70 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <div class="anchors"> |
| 71 | Hardware | 48 | <a href="backlinks/hands.html" id="backlinks" title="Links to this page"> |
| 72 | </a> | 49 | φ |
| 73 | </nav> | 50 | </a> |
| 51 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | <a class="prevlink" href="shed.html" | ||
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 57 | Shed | ||
| 58 | </a> | ||
| 59 | <a class="prevlink" href="fire.html" | ||
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 61 | Fire | ||
| 62 | </a> | ||
| 63 | |||
| 64 | <a class="nextlink" href="toilet.html" | ||
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 66 | Toilet | ||
| 67 | </a> | ||
| 68 | <a class="nextlink" href="hardware.html" | ||
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 70 | Hardware | ||
| 71 | </a> | ||
| 72 | </nav> | ||
| 74 | 73 | ||
| 75 | |||
| 76 | </body> | 74 | </body> |
| 77 | </html> | 75 | </html> |
| diff --git a/hapax.html b/hapax.html index 02b42e1..f68defe 100644 --- a/hapax.html +++ b/hapax.html | |||
| @@ -4,6 +4,62 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <<<<<<< HEAD | ||
| 8 | <meta charset="utf-8"> | ||
| 9 | <meta name="generator" content="pandoc"> | ||
| 10 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 11 | <meta name="author" content="Case Duckworth"> | ||
| 12 | |||
| 13 | <title>Appendix H | Autocento of the breakfast table</title> | ||
| 14 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 15 | |||
| 16 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 17 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 18 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 19 | |||
| 20 | <!--[if lt IE 9]> | ||
| 21 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 22 | <![endif]--> | ||
| 23 | </head> | ||
| 24 | <body id="hapax" class="appendices"> | ||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Appendix H</h1> | ||
| 30 | <h1 class="subtitle">index of hapax legomena</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content prose"> | ||
| 39 | <p><a href="poetry-time.html">0</a> <a href="about.html">10</a> <a href="about.html">130</a> <a href="dollywood.html">19</a> <a href="on-genre-dimension.html">1970s</a> <a href="collage-instrument.html">1977</a> <a href="about-the-author.html">1994</a> <a href="about_author.html">1997</a> <a href="dollywood.html">20</a> <a href="howtoread.html">2000</a> <a href="todaniel.html">2006</a> <a href="about.html">2015</a> <a href="man.html">203</a> <a href="man.html">22</a> <a href="man.html">28</a> <a href="paul.html">2x</a> <a href="dollywood.html">30</a> <a href="dollywood.html">32</a> <a href="music-433.html">33</a> <a href="call-me-aural-pleasure.html">4/10</a> <a href="call-me-aural-pleasure.html">40</a> <a href="dollywood.html">50</a> <a href="dollywood.html">55</a> <a href="dollywood.html">58</a> <a href="about.html">6</a> <a href="about.html">7</a> <a href="collage-instrument.html">70s</a> <a href="dollywood.html">8</a> <a href="on-genre-dimension.html">80s</a> <a href="about.html">9</a> <a href="collage-instrument.html">a-z</a> <a href="something-simple.html">abandoned</a> <a href="howithappened.html">abel</a> <a href="likingthings.html">abounds</a> <a href="what-we-are-made-of.html">absence</a> <a href="statements-frag.html">absent-mindedly</a> <a href="words-meaning.html">absolute</a> <a href="i-want-to-say.html">absolution</a> <a href="abstract.html">abstract</a> <a href="boy_bus.html">accent</a> <a href="man.html">accentuated</a> <a href="death-zone.html">accept</a> <a href="about.html">accomplish</a> <a href="about.html">accomplished</a> <a href="movingsideways.html">account</a> <a href="lappel-du-vide.html">accounting</a> <a href="about-the-author.html">accounts</a> <a href="about.html">accurate</a> <a href="telemarketer.html">accurately</a> <a href="cold-wind.html">ache</a> <a href="nothing-is-ever-over.html">aching</a> <a href="moon-drowning.html">acknowledges</a> <a href="problems.html">activities</a> <a 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| 14 | 14 | ||
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| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="hard-game" class="autocento"> | 23 | <body id="hard-game" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">A hard game</h1> |
| 29 | <h1 class="title">A hard game</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | <!-- dedication --> |
| 33 | <!-- dedication --> | 33 | <div class="dedication">Jim Henson</div> |
| 34 | <div class="dedication">Jim Henson</div> | 34 | |
| 35 | 35 | </div> | |
| 36 | </div> | 36 | </header> |
| 37 | </header> | 37 | |
| 38 | 38 | ||
| 39 | 39 | <section class="content verse"> | |
| 40 | <section class="content verse"> | 40 | <p><span class="line">You think building Hoggle’s a hard game?</span><span class="line">You know bunk. Writing a ghazal’s a hard game.</span></p> |
| 41 | <p><span class="line">You think building Hoggle’s a hard game?</span><span class="line">You know bunk. Writing a ghazal’s a hard game.</span></p> | 41 | <p><span class="line">Let’s meet in a place where words & fabric play—</span><span class="line">but not <a href="sense-of-it.html">plastic</a> words. (Boggle’s a hard game.)</span></p> |
| 42 | <p><span class="line">Let’s meet in a place where words & fabric play—</span><span class="line">but not <a href="sense-of-it.html">plastic</a> words. (Boggle’s a hard game.)</span></p> | 42 | <p><span class="line">A cookout where we can hash our differences</span><span class="line">over steak, though making it sizzle’s a hard game.</span></p> |
| 43 | <p><span class="line">A cookout where we can hash our differences</span><span class="line">over steak, though making it sizzle’s a hard game.</span></p> | 43 | <p><span class="line">Let’s go to a brothel, <a href="finding-the-lion.html">rub shoulders</a> with bare</span><span class="line">shoulders, or a bar. Being wastrel’s a hard game.</span></p> |
| 44 | <p><span class="line">Let’s go to a brothel, <a href="finding-the-lion.html">rub shoulders</a> with bare</span><span class="line">shoulders, or a bar. Being wastrel’s a hard game.</span></p> | 44 | <p><span class="line">Maybe we could switch professions, you and I,</span><span class="line">you write the poems, I’ll puppet Fozzie—a hard game.</span></p> |
| 45 | <p><span class="line">Maybe we could switch professions, you and I,</span><span class="line">you write the poems, I’ll puppet Fozzie—a hard game.</span></p> | 45 | <p><span class="line">When you call me, you never say my name.</span><span class="line">Creativity’s <a href="fire.html">a hose</a>—shutting the nozzle’s the hard game.</span></p> |
| 46 | <p><span class="line">When you call me, you never say my name.</span><span class="line">Creativity’s <a href="fire.html">a hose</a>—shutting the nozzle’s the hard game.</span></p> | 46 | </section> |
| 47 | </section> | 47 | </article> |
| 48 | </article> | 48 | <nav> |
| 49 | <nav> | 49 | <div class="anchors"> |
| 50 | <div class="anchors"> | 50 | <a href="backlinks/hard-game.html" id="backlinks" title="Links to this page"> |
| 51 | <a href="hard-game_backlinks.htm" id="back-link" title="Links to this page"> | 51 | φ |
| 52 | φ | 52 | </a> |
| 53 | </a> | 53 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 55 | </div> |
| 56 | </div> | 56 | |
| 57 | 57 | ||
| 58 | 58 | </nav> | |
| 59 | </nav> | 59 | |
| 60 | |||
| 61 | |||
| 62 | </body> | 60 | </body> |
| 63 | </html> | 61 | </html> |
| diff --git a/hardware.html b/hardware.html index aaed753..9ef1b31 100644 --- a/hardware.html +++ b/hardware.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Hardware | Autocento of the breakfast table</title> | 12 | <title>Hardware | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="hardware" class="paul"> | 23 | <body id="hardware" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Hardware</h1> | 28 | <h1 class="title">Hardware</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>His mother drove him to the Hardware Store on a Tuesday. “I’m glad to see you’ve taken my advice for once” she said. “What do you mean.” “Applying to work at the Hardware Store. I’m <a href="sixteenth-chapel.html">proud of you</a> Paul.”</p> | ||
| 40 | <p>“Oh right. Sure thing.” They pulled into the parking lot. “Just be a minute” he said as he opened the car door.</p> | ||
| 41 | <p>He walked under the door resplendent in its King William orange and white. He saw the towering rows of shelves like mountain ridges in Hell. He strolled among the fixtures, pipes, planks, sheets, plants (Why plants? he thought), switches. He realized he didn’t know the first thing about building <a href="real-writer.html">furniture</a>. “I don’t know the first thing” he muttered to himself “about building furniture. I know the last thing would be a couch or chair or stool but the first thing is a <a href="love-as-god.html">mystery</a>.” He turned around and walked straight out of the store and to his mother’s car without looking up.</p> | ||
| 42 | <p>“How’d it go” she asked starting the car. “Great” he said.</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="hardware_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="planks.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Planks | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="hands.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>His mother drove him to the Hardware Store on a Tuesday. “I’m glad to see you’ve taken my advice for once” she said. “What do you mean.” “Applying to work at the Hardware Store. I’m <a href="sixteenth-chapel.html">proud of you</a> Paul.”</p> |
| 60 | Hands | 39 | <p>“Oh right. Sure thing.” They pulled into the parking lot. “Just be a minute” he said as he opened the car door.</p> |
| 61 | </a> | 40 | <p>He walked under the door resplendent in its King William orange and white. He saw the towering rows of shelves like mountain ridges in Hell. He strolled among the fixtures, pipes, planks, sheets, plants (Why plants? he thought), switches. He realized he didn’t know the first thing about building <a href="real-writer.html">furniture</a>. “I don’t know the first thing” he muttered to himself “about building furniture. I know the last thing would be a couch or chair or stool but the first thing is a <a href="love-as-god.html">mystery</a>.” He turned around and walked straight out of the store and to his mother’s car without looking up.</p> |
| 62 | 41 | <p>“How’d it go” she asked starting the car. “Great” he said.</p> | |
| 63 | <a class="nextlink" href="treatise.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Treatise | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="hymnal.html" | 46 | <a href="backlinks/hardware.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Hymnal | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="planks.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Planks | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="hands.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Hands | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="treatise.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Treatise | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="hymnal.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Hymnal | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/howithappened.html b/howithappened.html index ea72372..6ad217e 100644 --- a/howithappened.html +++ b/howithappened.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>How it happened | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="howithappened" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>How it happened | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">How it happened</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="howithappened" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">How it happened</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">I was away on vacation when I heard—</span><span class="line">someone sat at my desk while I was away.</span><span class="line">They took my pen, while I was taking</span><span class="line">surf lessons, and wrote the sun into the sky.</span><span class="line">They pre-approved the earth and the waters,</span><span class="line">and all of the living things, without even</span><span class="line">having the decency to text me. It was not I</span><span class="line">who was behind the phrase “creeping things.”</span><span class="line">When I got back, of course I was pissed,</span><span class="line">but it was <a href="shipwright.html">already written</a> into the policy.</span><span class="line">I’m just saying: don’t blame me for Cain</span><span class="line">killing Abel. That was a murder. I’m not a cop.</span><span class="line">The Tower of Babel fell on its own. The ark</span><span class="line">never saw a single drop of rain. I’m <a href="problems.html">the drunk</a></span><span class="line">sitting on the curb who just pissed his pants,</span><span class="line">holding up a sign asking where I am.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/howithappened.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="i-am.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">I was away on vacation when I heard—</span><span class="line">someone sat at my desk while I was away.</span><span class="line">They took my pen, while I was taking</span><span class="line">surf lessons, and wrote the sun into the sky.</span><span class="line">They pre-approved the earth and the waters,</span><span class="line">and all of the living things, without even</span><span class="line">having the decency to text me. It was not I</span><span class="line">who was behind the phrase “creeping things.”</span><span class="line">When I got back, of course I was pissed,</span><span class="line">but it was <a href="shipwright.html">already written</a> into the policy.</span><span class="line">I’m just saying: don’t blame me for Cain</span><span class="line">killing Abel. That was a murder. I’m not a cop.</span><span class="line">The Tower of Babel fell on its own. The ark</span><span class="line">never saw a single drop of rain. I’m <a href="problems.html">the drunk</a></span><span class="line">sitting on the curb who just pissed his pants,</span><span class="line">holding up a sign asking where I am.</span></p> | 52 | I am |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="howithappened_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="i-am.html" | 55 | <a class="nextlink" href="lovesong.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | I am | 57 | Love Song |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="lovesong.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | Love Song | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/howithappened_backlinks.htm b/howithappened_backlinks.htm deleted file mode 100644 index d350e12..0000000 --- a/howithappened_backlinks.htm +++ /dev/null | |||
| @@ -1,63 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>How it happened | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="howithappened" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">How it happened</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="i-am.html">I am</a></li> | ||
| 41 | <li><a href="paul.html">Paul</a></li> | ||
| 42 | <li><a href="spittle.html">Spittle</a></li> | ||
| 43 | <li><a href="swansong.html">Swan song</a></li> | ||
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 45 | <li><a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="howithappened.html" id="back-link" title="Back to article"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/howtoread.html b/howtoread.html index 304e895..4e15362 100644 --- a/howtoread.html +++ b/howtoread.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>How to read this | Autocento of the breakfast table</title> | 12 | <title>How to read this | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 18 | 18 | ||
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="howtoread" class="elegies"> | 23 | <body id="howtoread" class="elegies"> |
| 24 | |||
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| 38 | <section class="content prose"> | ||
| 39 | <p>This book is an exploration of life, of all possible lives that could be lived. Each of the poems contained herein have been written by a different person, with his own history, culture, and emotions. True, they are all related, but no more than any of us is related through our genetics, our shared planet, or our yearnings.</p> | ||
| 40 | <p>Fernando Pessoa wrote poems under four different identities—he called them <em>heteronyms</em>—that were known during his lifetime, though after his death over sixty have been found and catalogued. He called them heteronyms as opposed to pseudonyms because they were much more than names he wrote under. They were truly different writing selves, concerned with different ideas and writing with different styles: Alberto Caeiro wrote pastorals; Ricardo Reis wrote more formal odes; Álvaro de Campos wrote these long, Whitman-esque pieces (one to Whitman himself); and Pessoa’s own name was used for poems that are kind of similar to all the others. It seems as though Pessoa found it inefficient to try and write everything he wanted only in his own self; rather he parceled out the different pieces and developed them into full identities, at the cost of his own: “I subsist as a kind of medium of myself, but I’m less real than the others, less substantial, less personal, and easily influenced by them all.” de Campos said of him at one point, “<a href="philosophy.html">Fernando Pessoa, strictly speaking, doesn’t exist.</a>”</p> | ||
| 41 | <p>It’s not just Pessoa—I, strictly speaking, don’t exist, both as the specific me that writes this now and as the concept of selfhood, the ego. Heraclitus famously said that we can’t step into the <a href="mountain.html">same river</a> twice, and the fact of the matter is that we can’t occupy the same self twice. It’s constantly changing and adapting to new stimuli from the environment, from other selves, from inside itself, and each time it forms anew into something that’s never existed before. The person I was when beginning a poem is distinct from the person who finished the poem, largely due to the poem itself. In a way, it’s been the waiter that brought the next course into the great meal that is myself.</p> | ||
| 42 | <p>In the same way, with each poem you read of this, you too could become a different person. Depending on which order you read them in, you could be any number of possible people. If you follow the threads I’ve laid out for you, there are so many possible selves; if you disregard those and go a different way there are quite a few more. However, at the end of the journey there is only one self that you will occupy, the others disappearing from this universe and going maybe somewhere else, maybe nowhere at all.</p> | ||
| 43 | <p>There is a scene in <em>The Neverending Story</em> where Bastian is trying to find his way out of the desert. He opens a door and finds himself in the Temple of a Thousand Doors, which is never seen from the outside but only once someone enters it. It is a series of rooms with six sides each and three doors: one from the room before and two choices. In life, each of these rooms is a moment, but where Bastian can choose which of only two doors to enter each time, in life there can be any number of doors and we don’t always choose which to go through—in fact, I would argue that most of the time we aren’t allowed the luxury.</p> | ||
| 44 | <p>What happens to those other doors, those other possibilities? Is there some other version of the self that for whatever complexities of circumstance and will chose a different door at an earlier moment? The answer to this, of course, is that we can never know for sure, though this doesn’t keep us from trying through the process of regret. We go back and try that other door in our mind, extrapolating a possible present from our own past. This is ultimately unsatisfying, not only because whatever world is imagined is not the one currently lived, but because it becomes obvious that the alternate model of reality is not complete: we can only extrapolate from the original room, absolutely without knowledge of any subsequent possible choices. This causes a deep disappointment, a frustration with the inability to know all possible timelines (coupled with the insecurity that this may not be the best of all possible worlds) that we feel as regret.</p> | ||
| 45 | <p>In this way, every moment we live is an <a href="words-meaning.html">elegy</a> to every possible future that might have stemmed from it. Annie Dillard states this in a biological manner when she says in <em>Pilgrim at Tinker Creek</em>, “Every glistening egg is a memento mori.” Nature is inefficient—it spends a hundred lifetimes to get one that barely works. The fossil record is littered with the failed experiments of evolution, many of which failed due only to blind chance: an asteroid, a shift in weather patterns, an inefficient copulation method. Each living person today has twenty dead standing behind him, and that only counts the people that actually lived. How many missed opportunities stand behind any of us?</p> | ||
| 46 | <p>The real problem with all of this is that time is only additive. There’s no way to dial it back and start over, with new choices or new environments. Even when given the chance to do something again, we do it <em>again</em>, with the reality given by our previous action. Thus we are constantly creating and being created by the world. The self is never the same from one moment to the next.</p> | ||
| 47 | <p>A poem is like a snapshot of a self. If it’s any good, it captures the emotional core of the self at the time of writing for communication with future selves, either within the same person or outside of it. Thus revision is possible, and the new poem created will be yet another snapshot of the future self as changed by the original poem. The page becomes a window into the past, a particular past as experienced by one self. The poem is a remembering of a self that no longer exists, in other words, an elegy.</p> | ||
| 48 | <p>A snapshot doesn’t capture the entire subject, however. It leaves out the background as it’s obscured by foreground objects; it fails to include anything that isn’t contained in its finite frame. In order to build a working definition of identity, we must include all possible selves over all possible timelines, combined into one person: identity is the combined effect of all possible selves over time. A poem leaves much of this out: it is the one person standing in front of twenty ghosts.</p> | ||
| 49 | <p>A poem is the place where the selves of the reader and the speaker meet, in their respective times and places. In this way a poem is outside of time or place, because it changes its location each time it’s read. Each time it’s two different people meeting. The problem with a poem is that it’s such a small window—if we met in real life the way we met in poems, we would see nothing of anyone else but a square the size of a postage stamp. It has been argued this is the way we see time and ourselves in it, as well: Vonnegut uses the metaphor of a subject strapped to a railroad car moving at a set pace, with a six-foot-long metal tube placed in front of the subject’s eye; the landscape in the distance is time, and what we see is the only way in which we interact with it. It’s the same with a poem and the self: we can only see and interact with a small kernel. This is why it’s possible to write more than one poem.</p> | ||
| 50 | <p>Due to this kernel nature of poetry, a good poem should focus itself to extract as much meaning as possible from that one kernel of identity to which it has access. It should be an atom of selfhood, irreducible and resistant to paraphrase, because it tries to somehow echo the large unsayable part of identity outside the frame of the self. It is the <a href="arspoetica.html">kernel</a> that contains a universe, or that speaks around one that’s hidden; if it’s a successful poem then it makes the smallest circuit possible. This is why the commentary on poems is so voluminous: a poem is tightly packed meaning that commentators try to unpack to get at that universality inside it. A fortress of dialectic is constructed that ultimately obstructs the meaning behind the poem; it becomes the foreground in the photograph that disallows us to view the horizon beyond it.</p> | ||
| 51 | <p>With this in mind, I collect these poems that were written over a period of four years into this book. Where I can, I insert cross-references (like the one above, in the margin) to other pieces in the text where I think the two resonate in some way. You can read this book in any way you’d like: you can go front-to-back, or back-to-front, or you can follow the arrows around, or you can work out a complex mathematical formula with Merseinne primes and logarithms and the 2000 Census information, or you can go completely randomly through like a magazine, or at least the way I flip through magazines. If writing is a communication of the self, then this is the best way to communicate mine in all its multiversity.</p> | ||
| 52 | </section> | ||
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| 67 | 37 | <section class="content prose"> | |
| 68 | <a class="nextlink" href="and.html" | 38 | <p>This book is an exploration of life, of all possible lives that could be lived. Each of the poems contained herein have been written by a different person, with his own history, culture, and emotions. True, they are all related, but no more than any of us is related through our genetics, our shared planet, or our yearnings.</p> |
| 69 | title="Next article in Elegies for alternate selves"> | 39 | <p>Fernando Pessoa wrote poems under four different identities—he called them <em>heteronyms</em>—that were known during his lifetime, though after his death over sixty have been found and catalogued. He called them heteronyms as opposed to pseudonyms because they were much more than names he wrote under. They were truly different writing selves, concerned with different ideas and writing with different styles: Alberto Caeiro wrote pastorals; Ricardo Reis wrote more formal odes; Álvaro de Campos wrote these long, Whitman-esque pieces (one to Whitman himself); and Pessoa’s own name was used for poems that are kind of similar to all the others. It seems as though Pessoa found it inefficient to try and write everything he wanted only in his own self; rather he parceled out the different pieces and developed them into full identities, at the cost of his own: “I subsist as a kind of medium of myself, but I’m less real than the others, less substantial, less personal, and easily influenced by them all.” de Campos said of him at one point, “<a href="philosophy.html">Fernando Pessoa, strictly speaking, doesn’t exist.</a>”</p> |
| 70 | And | 40 | <p>It’s not just Pessoa—I, strictly speaking, don’t exist, both as the specific me that writes this now and as the concept of selfhood, the ego. Heraclitus famously said that we can’t step into the <a href="mountain.html">same river</a> twice, and the fact of the matter is that we can’t occupy the same self twice. It’s constantly changing and adapting to new stimuli from the environment, from other selves, from inside itself, and each time it forms anew into something that’s never existed before. The person I was when beginning a poem is distinct from the person who finished the poem, largely due to the poem itself. In a way, it’s been the waiter that brought the next course into the great meal that is myself.</p> |
| 71 | </a> | 41 | <p>In the same way, with each poem you read of this, you too could become a different person. Depending on which order you read them in, you could be any number of possible people. If you follow the threads I’ve laid out for you, there are so many possible selves; if you disregard those and go a different way there are quite a few more. However, at the end of the journey there is only one self that you will occupy, the others disappearing from this universe and going maybe somewhere else, maybe nowhere at all.</p> |
| 72 | </nav> | 42 | <p>There is a scene in <em>The Neverending Story</em> where Bastian is trying to find his way out of the desert. He opens a door and finds himself in the Temple of a Thousand Doors, which is never seen from the outside but only once someone enters it. It is a series of rooms with six sides each and three doors: one from the room before and two choices. In life, each of these rooms is a moment, but where Bastian can choose which of only two doors to enter each time, in life there can be any number of doors and we don’t always choose which to go through—in fact, I would argue that most of the time we aren’t allowed the luxury.</p> |
| 43 | <p>What happens to those other doors, those other possibilities? Is there some other version of the self that for whatever complexities of circumstance and will chose a different door at an earlier moment? The answer to this, of course, is that we can never know for sure, though this doesn’t keep us from trying through the process of regret. We go back and try that other door in our mind, extrapolating a possible present from our own past. This is ultimately unsatisfying, not only because whatever world is imagined is not the one currently lived, but because it becomes obvious that the alternate model of reality is not complete: we can only extrapolate from the original room, absolutely without knowledge of any subsequent possible choices. This causes a deep disappointment, a frustration with the inability to know all possible timelines (coupled with the insecurity that this may not be the best of all possible worlds) that we feel as regret.</p> | ||
| 44 | <p>In this way, every moment we live is an <a href="words-meaning.html">elegy</a> to every possible future that might have stemmed from it. Annie Dillard states this in a biological manner when she says in <em>Pilgrim at Tinker Creek</em>, “Every glistening egg is a memento mori.” Nature is inefficient—it spends a hundred lifetimes to get one that barely works. The fossil record is littered with the failed experiments of evolution, many of which failed due only to blind chance: an asteroid, a shift in weather patterns, an inefficient copulation method. Each living person today has twenty dead standing behind him, and that only counts the people that actually lived. How many missed opportunities stand behind any of us?</p> | ||
| 45 | <p>The real problem with all of this is that time is only additive. There’s no way to dial it back and start over, with new choices or new environments. Even when given the chance to do something again, we do it <em>again</em>, with the reality given by our previous action. Thus we are constantly creating and being created by the world. The self is never the same from one moment to the next.</p> | ||
| 46 | <p>A poem is like a snapshot of a self. If it’s any good, it captures the emotional core of the self at the time of writing for communication with future selves, either within the same person or outside of it. Thus revision is possible, and the new poem created will be yet another snapshot of the future self as changed by the original poem. The page becomes a window into the past, a particular past as experienced by one self. The poem is a remembering of a self that no longer exists, in other words, an elegy.</p> | ||
| 47 | <p>A snapshot doesn’t capture the entire subject, however. It leaves out the background as it’s obscured by foreground objects; it fails to include anything that isn’t contained in its finite frame. In order to build a working definition of identity, we must include all possible selves over all possible timelines, combined into one person: identity is the combined effect of all possible selves over time. A poem leaves much of this out: it is the one person standing in front of twenty ghosts.</p> | ||
| 48 | <p>A poem is the place where the selves of the reader and the speaker meet, in their respective times and places. In this way a poem is outside of time or place, because it changes its location each time it’s read. Each time it’s two different people meeting. The problem with a poem is that it’s such a small window—if we met in real life the way we met in poems, we would see nothing of anyone else but a square the size of a postage stamp. It has been argued this is the way we see time and ourselves in it, as well: Vonnegut uses the metaphor of a subject strapped to a railroad car moving at a set pace, with a six-foot-long metal tube placed in front of the subject’s eye; the landscape in the distance is time, and what we see is the only way in which we interact with it. It’s the same with a poem and the self: we can only see and interact with a small kernel. This is why it’s possible to write more than one poem.</p> | ||
| 49 | <p>Due to this kernel nature of poetry, a good poem should focus itself to extract as much meaning as possible from that one kernel of identity to which it has access. It should be an atom of selfhood, irreducible and resistant to paraphrase, because it tries to somehow echo the large unsayable part of identity outside the frame of the self. It is the <a href="arspoetica.html">kernel</a> that contains a universe, or that speaks around one that’s hidden; if it’s a successful poem then it makes the smallest circuit possible. This is why the commentary on poems is so voluminous: a poem is tightly packed meaning that commentators try to unpack to get at that universality inside it. A fortress of dialectic is constructed that ultimately obstructs the meaning behind the poem; it becomes the foreground in the photograph that disallows us to view the horizon beyond it.</p> | ||
| 50 | <p>With this in mind, I collect these poems that were written over a period of four years into this book. Where I can, I insert cross-references (like the one above, in the margin) to other pieces in the text where I think the two resonate in some way. You can read this book in any way you’d like: you can go front-to-back, or back-to-front, or you can follow the arrows around, or you can work out a complex mathematical formula with Merseinne primes and logarithms and the 2000 Census information, or you can go completely randomly through like a magazine, or at least the way I flip through magazines. If writing is a communication of the self, then this is the best way to communicate mine in all its multiversity.</p> | ||
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| 39 | <p><em>It’s all <a href="joke.html">jokes</a></em> Paul wrote in what he was now calling his Hymnal. He had been writing non-stop all day, because he didn’t count pee or cigarette breaks. <em>All art is an inside joke. The symbology involved must be</em>—and here he put down his pen and held his head in his hands. He could never think of the word—he said often that he had no words. He opened to a new page in his Hymnal. On the top of it was written in bold script <em><strong>HYMN 386: JOKES</strong></em>.</p> | ||
| 40 | <p>Paul scowled. Who had written in his Hymnal? he wondered. He said it out loud a moment after: “Who has written in my Hymnal?” He realized he was alone in his Writing Shack, which was really a shed in the back of his mother’s garden. He wondered why he had to say his thoughts before they became real to him (if this was a habit or an inborn trait). He realized simultaneously that</p> | ||
| 41 | <ol type="a"> | ||
| 42 | <li>he could ask someone and</li> | ||
| 43 | <li>that this was something he wondered every time he spoke his thoughts out loud.</li> | ||
| 44 | </ol> | ||
| 45 | <p>He resolved to put the issue to rest by asking someone.</p> | ||
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| 61 | <a class="prevlink" href="hardware.html" | 37 | <section class="content prose"> |
| 62 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p><em>It’s all <a href="joke.html">jokes</a></em> Paul wrote in what he was now calling his Hymnal. He had been writing non-stop all day, because he didn’t count pee or cigarette breaks. <em>All art is an inside joke. The symbology involved must be</em>—and here he put down his pen and held his head in his hands. He could never think of the word—he said often that he had no words. He opened to a new page in his Hymnal. On the top of it was written in bold script <em><strong>HYMN 386: JOKES</strong></em>.</p> |
| 63 | Hardware | 39 | <p>Paul scowled. Who had written in his Hymnal? he wondered. He said it out loud a moment after: “Who has written in my Hymnal?” He realized he was alone in his Writing Shack, which was really a shed in the back of his mother’s garden. He wondered why he had to say his thoughts before they became real to him (if this was a habit or an inborn trait). He realized simultaneously that</p> |
| 64 | </a> | 40 | <ol type="a"> |
| 65 | 41 | <li>he could ask someone and</li> | |
| 66 | <a class="nextlink" href="underwear.html" | 42 | <li>that this was something he wondered every time he spoke his thoughts out loud.</li> |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </ol> |
| 68 | Underwear | 44 | <p>He resolved to put the issue to rest by asking someone.</p> |
| 69 | </a> | 45 | </section> |
| 70 | <a class="nextlink" href="joke.html" | 46 | </article> |
| 71 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <nav> |
| 72 | Joke | 48 | <div class="anchors"> |
| 73 | </a> | 49 | <a href="backlinks/hymnal.html" id="backlinks" title="Links to this page"> |
| 74 | </nav> | 50 | φ |
| 51 | </a> | ||
| 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | <a class="prevlink" href="art.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Art | ||
| 59 | </a> | ||
| 60 | <a class="prevlink" href="hardware.html" | ||
| 61 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 62 | Hardware | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="underwear.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Underwear | ||
| 68 | </a> | ||
| 69 | <a class="nextlink" href="joke.html" | ||
| 70 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 71 | Joke | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 75 | 74 | ||
| 76 | |||
| 77 | </body> | 75 | </body> |
| 78 | </html> | 76 | </html> |
| diff --git a/i-am.html b/i-am.html index a908d03..2d76fb3 100644 --- a/i-am.html +++ b/i-am.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>I am | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="i-am" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>I am | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">I am</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="i-am" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">I am</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">I am a great pillar of <a href="deathstrumpet.html">white smoke</a>.</span><span class="line">I am Lot’s nameless wife encased in salt.</span><span class="line">I am the wound on Christ’s back as he moans</span><span class="line">with the pounding of a hammer on his wrist.</span><span class="line">I am the nail that holds my house together.</span><span class="line">It is a strong house, built on a good foundation.</span><span class="line">In the winter, it is warm and crawling things</span><span class="line">cannot get in. This house will never burn down.</span><span class="line">It is the house that I built, with my body</span><span class="line">and with my strength. I am the only one who lives</span><span class="line">here. I am both father and mother to a race</span><span class="line">of <a href="plant.html">dust motes that worship me as a god</a>. I have</span><span class="line">monuments built daily in my honor in dark</span><span class="line">corners around the house. I destroy all of them</span><span class="line">before I go to bed, but in the morning</span><span class="line">there are still more. I don’t think I know</span><span class="line">where all of them are. I <a href="howithappened.html">don’t think</a> I can get</span><span class="line">to all of them anymore. There are too many.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/i-am.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="onformalpoetry.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">I am a great pillar of <a href="deathstrumpet.html">white smoke</a>.</span><span class="line">I am Lot’s nameless wife encased in salt.</span><span class="line">I am the wound on Christ’s back as he moans</span><span class="line">with the pounding of a hammer on his wrist.</span><span class="line">I am the nail that holds my house together.</span><span class="line">It is a strong house, built on a good foundation.</span><span class="line">In the winter, it is warm and crawling things</span><span class="line">cannot get in. This house will never burn down.</span><span class="line">It is the house that I built, with my body</span><span class="line">and with my strength. I am the only one who lives</span><span class="line">here. I am both father and mother to a race</span><span class="line">of <a href="plant.html">dust motes that worship me as a god</a>. I have</span><span class="line">monuments built daily in my honor in dark</span><span class="line">corners around the house. I destroy all of them</span><span class="line">before I go to bed, but in the morning</span><span class="line">there are still more. I don’t think I know</span><span class="line">where all of them are. I <a href="howithappened.html">don’t think</a> I can get</span><span class="line">to all of them anymore. There are too many.</span></p> | 52 | On formal poetry |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="i-am_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="onformalpoetry.html" | 55 | <a class="nextlink" href="howithappened.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | On formal poetry | 57 | How it happened |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="howithappened.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | How it happened | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/i-am_backlinks.htm b/i-am_backlinks.htm deleted file mode 100644 index e4f1d6f..0000000 --- a/i-am_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>I am | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="i-am" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">I am</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="angeltoabraham.html">The angel to Abraham</a></li> | ||
| 41 | <li><a href="boar.html">The boar</a></li> | ||
| 42 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 43 | <li><a href="philosophy.html">Philosophy</a></li> | ||
| 44 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 45 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 46 | <li><a href="words-meaning.html">Words and meaning</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="i-am.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/i-think-its-you.html b/i-think-its-you.html index 1f43d92..8fd3f81 100644 --- a/i-think-its-you.html +++ b/i-think-its-you.html | |||
| @@ -4,75 +4,73 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>I think it’s you (but it’s not) | Autocento of the breakfast table</title> | 12 | <title>I think it’s you | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="i-think-its-you" class="stark"> | 23 | <body id="i-think-its-you" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">I think it’s you (but it’s not)</h1> | 28 | <h1 class="title">I think it’s you</h1> |
| 30 | 29 | <h1 class="subtitle">but it’s not</h1> | |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="i-think-its-you.html">When you fall in love everyone looks the same.</a> | ||
| 37 | |||
| 38 | </div> | ||
| 39 | </div> | ||
| 40 | </header> | ||
| 41 | 32 | ||
| 42 | 33 | <!-- epigraph --> | |
| 43 | <section class="content verse"> | 34 | <div class="epigraph"> |
| 44 | <p><span class="line">I thought I saw you walking</span><span class="line">to the bus stop but it was only</span><span class="line">a <a href="feedingtheraven.html">raven</a>. His croaks sounded nothing</span><span class="line">like your footsteps (as they pound</span><span class="line">down the hallway toward my bedroom)</span><span class="line">his <a href="nothing-is-ever-over.html">wings</a> looked nothing like your</span><span class="line">legs (running on the wrong side</span><span class="line">of the road away from my house)</span><span class="line">I think the one resemblance was the eyes</span></p> | 35 | <a href="i-think-its-you.html">When you fall in love everyone looks the same.</a> |
| 45 | <p><span class="line">But that’s too easy</span><span class="line">It’s just that I was thinking</span><span class="line">of you and a raven flew by</span><span class="line">(maybe it was a <a href="stump.html">crow</a>)</span></p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="i-think-its-you_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | 36 | ||
| 57 | <a class="prevlink" href="boy_bus.html" | 37 | </div> |
| 58 | title="Previous article in Stark Raving"> | 38 | </div> |
| 59 | Boy on the bus | 39 | </header> |
| 60 | </a> | 40 | |
| 61 | <a class="prevlink" href="lappel-du-vide.html" | 41 | |
| 62 | title="Previous article in Stark Raving"> | 42 | <section class="content verse"> |
| 63 | L’appel du vide | 43 | <p><span class="line">I thought I saw you walking</span><span class="line">to the bus stop but it was only</span><span class="line">a <a href="feedingtheraven.html">raven</a>. His croaks sounded nothing</span><span class="line">like your footsteps (as they pound</span><span class="line">down the hallway toward my bedroom)</span><span class="line">his <a href="nothing-is-ever-over.html">wings</a> looked nothing like your</span><span class="line">legs (running on the wrong side</span><span class="line">of the road away from my house)</span><span class="line">I think the one resemblance was the eyes</span></p> |
| 64 | </a> | 44 | <p><span class="line">But that’s too easy</span><span class="line">It’s just that I was thinking</span><span class="line">of you and a raven flew by</span><span class="line">(maybe it was a <a href="stump.html">crow</a>)</span></p> |
| 65 | 45 | </section> | |
| 66 | <a class="nextlink" href="initial-conditions.html" | 46 | </article> |
| 67 | title="Next article in Stark Raving"> | 47 | <nav> |
| 68 | Initial conditions | 48 | <div class="anchors"> |
| 69 | </a> | 49 | <a href="backlinks/i-think-its-you.html" id="backlinks" title="Links to this page"> |
| 70 | <a class="nextlink" href="riptide_memory.html" | 50 | φ |
| 71 | title="Next article in Stark Raving"> | 51 | </a> |
| 72 | Riptide of memory | 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 73 | </a> | 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 74 | </nav> | 54 | </div> |
| 55 | |||
| 56 | <a class="prevlink" href="boy_bus.html" | ||
| 57 | title="Previous article in Stark Raving"> | ||
| 58 | Boy on the bus | ||
| 59 | </a> | ||
| 60 | <a class="prevlink" href="lappel-du-vide.html" | ||
| 61 | title="Previous article in Stark Raving"> | ||
| 62 | L’appel du vide | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="initial-conditions.html" | ||
| 66 | title="Next article in Stark Raving"> | ||
| 67 | Initial conditions | ||
| 68 | </a> | ||
| 69 | <a class="nextlink" href="riptide_memory.html" | ||
| 70 | title="Next article in Stark Raving"> | ||
| 71 | Riptide of memory | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 75 | 74 | ||
| 76 | |||
| 77 | </body> | 75 | </body> |
| 78 | </html> | 76 | </html> |
| diff --git a/i-think-its-you_backlinks.htm b/i-think-its-you_backlinks.htm deleted file mode 100644 index 2708ee3..0000000 --- a/i-think-its-you_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>I think it’s you (but it’s not) | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="i-think-its-you" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">I think it’s you (but it’s not)</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="cold-wind.html">Cold wind</a></li> | ||
| 41 | <li><a href="i-think-its-you.html">I think it’s you (but it’s not)</a></li> | ||
| 42 | <li><a href="leg.html">Leg</a></li> | ||
| 43 | <li><a href="no-nothing.html">No nothing</a></li> | ||
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="i-think-its-you.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/i-want-to-say.html b/i-want-to-say.html index 5fc2b55..208b148 100644 --- a/i-want-to-say.html +++ b/i-want-to-say.html | |||
| @@ -4,55 +4,53 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>I want to say | Autocento of the breakfast table</title> | 12 | <title>I want to say | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
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| 23 | <body id="i-want-to-say" class="autocento"> | 23 | <body id="i-want-to-say" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">I want to say</h1> |
| 29 | <h1 class="title">I want to say</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">I want to say I take it all back</span><span class="line">I want</span><span class="line">I want to take it back I want it none of it</span><span class="line">to be ever have happened not</span><span class="line">when I saw you step over the rope</span><span class="line">when we went to New York for a week</span><span class="line">but stayed upstate when you punched me</span><span class="line">hard in the solar plexus in Prague</span><span class="line">when I looked in your face and <a href="deathstrumpet.html">saw myself</a></span><span class="line">looking back smiling when we went on another trip</span><span class="line">and another all the trips I want to have</span><span class="line">stayed home I want to have seen the clouds</span><span class="line">drifting past <a href="boy_bus.html">my car window</a> to have listened</span><span class="line">to that sound the bridge makes driving over it</span><span class="line">without thinking of you always it was you</span></p> |
| 39 | <p><span class="line">I want to say I take it all back</span><span class="line">I want</span><span class="line">I want to take it back I want it none of it</span><span class="line">to be ever have happened not</span><span class="line">when I saw you step over the rope</span><span class="line">when we went to New York for a week</span><span class="line">but stayed upstate when you punched me</span><span class="line">hard in the solar plexus in Prague</span><span class="line">when I looked in your face and <a href="deathstrumpet.html">saw myself</a></span><span class="line">looking back smiling when we went on another trip</span><span class="line">and another all the trips I want to have</span><span class="line">stayed home I want to have seen the clouds</span><span class="line">drifting past <a href="boy_bus.html">my car window</a> to have listened</span><span class="line">to that sound the bridge makes driving over it</span><span class="line">without thinking of you always it was you</span></p> | 39 | <p>I want</p> |
| 40 | <p>I want</p> | 40 | <p><span class="line">I <a href="plant.html">want to be fresh</a> I want to roll out of bed</span><span class="line">as though it were my <a href="collage-instrument.html">first morning in a new state</a></span><span class="line">I want nothing more than absolution of sins</span><span class="line"><a href="no-nothing.html">a negation but there is no way to subtract here</a></span><span class="line">I cannot remove this growth that appeared</span><span class="line">seemingly overnight I cannot <a href="elegyforanalternateself.html">cut you away from myself</a></span><span class="line">I cannot forget what has already and will always have been</span><span class="line">I cannot get out of a <a href="in-bed.html">new bed</a> ever</span><span class="line">New York will always be as it was when I saw it first</span><span class="line">with you my breathing will always be labored outside</span><span class="line">of the cafe I will always see you when <a href="lovesong.html">I look in a mirror</a></span><span class="line">of someone’s face the reflection of missed thoughts missed</span><span class="line"><a href="words-meaning.html">words will cease to give meaning</a> the center will come out</span><span class="line">of me I will make a new center yes I will drag what is</span><span class="line">your center around with me and <a href="question.html">repeat and repeat</a> again</span><span class="line">I cannot want cannot want want not</span></p> |
| 41 | <p><span class="line">I <a href="plant.html">want to be fresh</a> I want to roll out of bed</span><span class="line">as though it were my <a href="collage-instrument.html">first morning in a new state</a></span><span class="line">I want nothing more than absolution of sins</span><span class="line"><a href="no-nothing.html">a negation but there is no way to subtract here</a></span><span class="line">I cannot remove this growth that appeared</span><span class="line">seemingly overnight I cannot <a href="elegyforanalternateself.html">cut you away from myself</a></span><span class="line">I cannot forget what has already and will always have been</span><span class="line">I cannot get out of a <a href="in-bed.html">new bed</a> ever</span><span class="line">New York will always be as it was when I saw it first</span><span class="line">with you my breathing will always be labored outside</span><span class="line">of the cafe I will always see you when <a href="lovesong.html">I look in a mirror</a></span><span class="line">of someone’s face the reflection of missed thoughts missed</span><span class="line"><a href="words-meaning.html">words will cease to give meaning</a> the center will come out</span><span class="line">of me I will make a new center yes I will drag what is</span><span class="line">your center around with me and <a href="question.html">repeat and repeat</a> again</span><span class="line">I cannot want cannot want want not</span></p> | 41 | </section> |
| 42 | </section> | 42 | </article> |
| 43 | </article> | 43 | <nav> |
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| 46 | <a href="i-want-to-say_backlinks.htm" id="back-link" title="Links to this page"> | 46 | φ |
| 47 | φ | 47 | </a> |
| 48 | </a> | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | </div> |
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| diff --git a/i-wanted-to-tell-you-something.html b/i-wanted-to-tell-you-something.html index a744f63..5b46ebb 100644 --- a/i-wanted-to-tell-you-something.html +++ b/i-wanted-to-tell-you-something.html | |||
| @@ -4,59 +4,57 @@ | |||
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| 12 | <title>I wanted to tell you something | Autocento of the breakfast table</title> | 12 | <title>I wanted to tell you something | Autocento of the breakfast table</title> |
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| 23 | <body id="i-wanted-to-tell-you-something" class="autocento"> | 23 | <body id="i-wanted-to-tell-you-something" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">I wanted to tell you something</h1> |
| 29 | <h1 class="title">I wanted to tell you something</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">I wanted to tell you something in order <a href="poetry-time.html">to</a></span><span class="line">explain the way I feel about the <a href="initial-conditions.html">Universe</a>,</span><span class="line">its workings, etc. But I couldn’t <a href="exasperated.html">yesterday</a></span><span class="line">—I’m sorry—I wanted only to <a href="ouroboros_memory.html">ball</a></span><span class="line">myself up and cry all day. It was the <a href="sixteenth-chapel.html">sixteenth</a></span><span class="line">day in a row this happened to me, and to <a href="love-as-god.html">be</a></span></p> |
| 39 | <p><span class="line">I wanted to tell you something in order <a href="poetry-time.html">to</a></span><span class="line">explain the way I feel about the <a href="initial-conditions.html">Universe</a>,</span><span class="line">its workings, etc. But I couldn’t <a href="exasperated.html">yesterday</a></span><span class="line">—I’m sorry—I wanted only to <a href="ouroboros_memory.html">ball</a></span><span class="line">myself up and cry all day. It was the <a href="sixteenth-chapel.html">sixteenth</a></span><span class="line">day in a row this happened to me, and to <a href="love-as-god.html">be</a></span></p> | 39 | <p><span class="line">more than two weeks waiting to cry is,</span><span class="line">especially when, the whole time, I wasn’t able to,</span><span class="line">absolutely horrible. It was no sweet sixteen,</span><span class="line">I’ll tell you that much. Unless at yours, the Universe</span><span class="line">kept telling you to quit having such a ball</span><span class="line">and that you should have died, like, yesterday.</span></p> |
| 40 | <p><span class="line">more than two weeks waiting to cry is,</span><span class="line">especially when, the whole time, I wasn’t able to,</span><span class="line">absolutely horrible. It was no sweet sixteen,</span><span class="line">I’ll tell you that much. Unless at yours, the Universe</span><span class="line">kept telling you to quit having such a ball</span><span class="line">and that you should have died, like, yesterday.</span></p> | 40 | <p><span class="line">At first, it feels like you’re winning—that yesterday</span><span class="line">you really were meant to die, but since you still <em>are</em>,</span><span class="line">you beat the system somehow. But the Universe bawls,</span><span class="line">“No, I meant you should’ve crawled into</span><span class="line">a hole and fucking <em>died</em>!" And then the Universe</span><span class="line">punches you right in the gut, something like sixteen</span></p> |
| 41 | <p><span class="line">At first, it feels like you’re winning—that yesterday</span><span class="line">you really were meant to die, but since you still <em>are</em>,</span><span class="line">you beat the system somehow. But the Universe bawls,</span><span class="line">“No, I meant you should’ve crawled into</span><span class="line">a hole and fucking <em>died</em>!" And then the Universe</span><span class="line">punches you right in the gut, something like sixteen</span></p> | 41 | <p><span class="line">times, and all you can think is, “Some sixteenth</span><span class="line">birthday! Maybe I will go die in a hole." Yesterday,</span><span class="line">at times like this, is a luxury the cruel Universe</span><span class="line">refuses to give you. This is when it’s a pain just to <em>be</em>,</span><span class="line">when that Marvell line about “<a href="http://www.luminarium.org/sevenlit/marvell/coy.htm">rolling our stuff into one ball</a>”</span><span class="line">just seems glib, when you don’t want one body, let alone two.</span></p> |
| 42 | <p><span class="line">times, and all you can think is, “Some sixteenth</span><span class="line">birthday! Maybe I will go die in a hole." Yesterday,</span><span class="line">at times like this, is a luxury the cruel Universe</span><span class="line">refuses to give you. This is when it’s a pain just to <em>be</em>,</span><span class="line">when that Marvell line about “<a href="http://www.luminarium.org/sevenlit/marvell/coy.htm">rolling our stuff into one ball</a>”</span><span class="line">just seems glib, when you don’t want one body, let alone two.</span></p> | 42 | <p><span class="line">Something else that may come as a surprise to</span><span class="line">you: over the past more-than-a-fortnight, these sixteen</span><span class="line">days, I’ve had nothing to eat but crackers and a cheese ball.</span><span class="line">(That’s not entirely true—yesterday</span><span class="line">I had some candy, peppermints and Jujubes.)</span><span class="line">Maybe this is why I’m so mad at the Universe—</span></p> |
| 43 | <p><span class="line">Something else that may come as a surprise to</span><span class="line">you: over the past more-than-a-fortnight, these sixteen</span><span class="line">days, I’ve had nothing to eat but crackers and a cheese ball.</span><span class="line">(That’s not entirely true—yesterday</span><span class="line">I had some candy, peppermints and Jujubes.)</span><span class="line">Maybe this is why I’m so mad at the Universe—</span></p> | 43 | <p><span class="line">because all it has ever wanted, this Universe</span><span class="line">that gave me life, fed me from its breast til I was two,</span><span class="line">and even before that, made a place in which I could be—</span><span class="line">all it’s wanted was for me to take the sixteen</span><span class="line">steps to sobriety, fold the Eight-Fold Path over yesterday</span><span class="line">and step around it lightly, as I would an exercise ball,</span></p> |
| 44 | <p><span class="line">because all it has ever wanted, this Universe</span><span class="line">that gave me life, fed me from its breast til I was two,</span><span class="line">and even before that, made a place in which I could be—</span><span class="line">all it’s wanted was for me to take the sixteen</span><span class="line">steps to sobriety, fold the Eight-Fold Path over yesterday</span><span class="line">and step around it lightly, as I would an exercise ball,</span></p> | 44 | <p><span class="line">but the problem is, dear Universe, there’s no way I could be</span><span class="line">something as hard as all that, to wake up yesterday</span><span class="line">morning, stretch over my sixteen selves, bound out like a ball.</span></p> |
| 45 | <p><span class="line">but the problem is, dear Universe, there’s no way I could be</span><span class="line">something as hard as all that, to wake up yesterday</span><span class="line">morning, stretch over my sixteen selves, bound out like a ball.</span></p> | 45 | </section> |
| 46 | </section> | 46 | </article> |
| 47 | </article> | 47 | <nav> |
| 48 | <nav> | 48 | <div class="anchors"> |
| 49 | <div class="anchors"> | 49 | <a href="backlinks/i-wanted-to-tell-you-something.html" id="backlinks" title="Links to this page"> |
| 50 | <a href="i-wanted-to-tell-you-something_backlinks.htm" id="back-link" title="Links to this page"> | 50 | φ |
| 51 | φ | 51 | </a> |
| 52 | </a> | 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 54 | </div> |
| 55 | </div> | 55 | |
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| 57 | 57 | </nav> | |
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| 60 | |||
| 61 | </body> | 59 | </body> |
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| diff --git a/i-wanted-to-tell-you-something_backlinks.htm b/i-wanted-to-tell-you-something_backlinks.htm deleted file mode 100644 index 573cf24..0000000 --- a/i-wanted-to-tell-you-something_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
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| 30 | <h1 class="subtitle">back-links</h1> | ||
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| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="death-zone.html">The Death Zone</a></li> | ||
| 41 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 42 | <li><a href="love-as-god.html">Love as God</a></li> | ||
| 43 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 44 | </ul> | ||
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| 49 | <a href="i-wanted-to-tell-you-something.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
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| diff --git a/in-bed.html b/in-bed.html index 69ca026..c2010cd 100644 --- a/in-bed.html +++ b/in-bed.html | |||
| @@ -4,106 +4,104 @@ | |||
| 4 | --> | 4 | --> |
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| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">In bed</h1> | 28 | <h1 class="title">In bed</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <section id="i" class="level2"> | ||
| 40 | <h2>I</h2> | ||
| 41 | <p><span class="line">I hear <a href="last-bastion.html">the rats</a> run</span><span class="line">in the walls like water</span><span class="line">through a tree. My blood</span></p> | ||
| 42 | <p><span class="line">thickens. As I dream</span><span class="line">the masturbation dream</span><span class="line">the shelf above my bed</span></p> | ||
| 43 | <p><span class="line">falls covering me in</span><span class="line">dirt and decaying beetles.</span><span class="line"><a href="deathstrumpet.html">I see my reflection is headless</a>.</span></p> | ||
| 44 | </section> | ||
| 45 | <section id="ii" class="level2"> | ||
| 46 | <h2>II</h2> | ||
| 47 | <p><span class="line">When the waves stop</span><span class="line"><a href="moon-drowning.html">and the moon grins down</a></span><span class="line">to overtake me: the car</span></p> | ||
| 48 | <p><span class="line">ran up the street that night</span><span class="line">when you were nearly</span><span class="line">molested in your neighbor’s house:</span></p> | ||
| 49 | <p><span class="line">is this why we don’t have</span><span class="line">neighbors? For this the trees</span><span class="line"><a href="options.html">rot only for us</a>?</span></p> | ||
| 50 | </section> | ||
| 51 | <section id="iii" class="level2"> | ||
| 52 | <h2>III</h2> | ||
| 53 | <p><span class="line">I woke screaming and you</span><span class="line">came to sit next to me. I felt</span><span class="line">my eyes were open too wide</span></p> | ||
| 54 | <p><span class="line">that I could not shut them</span><span class="line">from the horror movie sitting</span><span class="line">on your lap in the easy chair</span></p> | ||
| 55 | <p><span class="line">in the dream the other dream</span><span class="line">in the living room under</span><span class="line">the tree. Why do I feel guilty?</span></p> | ||
| 56 | </section> | ||
| 57 | <section id="iv" class="level2"> | ||
| 58 | <h2>IV</h2> | ||
| 59 | <p><span class="line">I wake up in a pool of water</span><span class="line"><a href="theoceanoverflowswithcamels.html">closed over me like an eyelid</a>.</span><span class="line">There is no longer comfort</span></p> | ||
| 60 | <p><span class="line">in staring at the ceiling.</span><span class="line">Its pitch blackness beckons</span><span class="line">into a future of blankness.</span></p> | ||
| 61 | <p><span class="line">My body lay still quaking.</span><span class="line">My mind is chained fast</span><span class="line">to the beating of my heart.</span></p> | ||
| 62 | </section> | ||
| 63 | <section id="v" class="level2"> | ||
| 64 | <h2>V</h2> | ||
| 65 | <p><span class="line">I sit up slowly creaking.</span><span class="line">I find myself alone buried</span><span class="line"><a href="the-sea_the-beach.html">in an ocean</a>. Far off</span></p> | ||
| 66 | <p><span class="line"><a href="mountain.html">there is an eagle</a> flying</span><span class="line">toward me. She lands on</span><span class="line">my knee and lays an egg.</span></p> | ||
| 67 | <p><span class="line">I think <em>not this again</em></span><span class="line">something I’ve never</span><span class="line">thought in my life.</span></p> | ||
| 68 | </section> | ||
| 69 | <section id="vi" class="level2"> | ||
| 70 | <h2>VI</h2> | ||
| 71 | <p><span class="line">I think <em>not this again</em></span><span class="line">something I’ve never</span><span class="line">thought in my life. Not</span></p> | ||
| 72 | <p><span class="line">after losing my car keys</span><span class="line">in the easy chair. Not after</span><span class="line">scratching myself on a branch.</span></p> | ||
| 73 | <p><span class="line">Not after finding the thing</span><span class="line">in your dresser drawer that</span><span class="line">night. <a href="ouroboros_memory.html">I remember you suddenly.</a></span></p> | ||
| 74 | </section> | ||
| 75 | <section id="vii" class="level2"> | ||
| 76 | <h2>VII</h2> | ||
| 77 | <p><span class="line">[You run through me</span><span class="line">like rats]<a href="#I">rats</a> down an alley.</span><span class="line">You are in my <a href="plant.html">blood</a>.</span></p> | ||
| 78 | <p><span class="line">You scared me once</span><span class="line">remember? Jumped out</span><span class="line">of the bathroom door.</span></p> | ||
| 79 | <p><span class="line">I fell screaming onto</span><span class="line">the linoleum. Did you</span><span class="line">apologize? Did you need to?</span></p> | ||
| 80 | </section> | ||
| 81 | <section id="viii" class="level2"> | ||
| 82 | <h2>VIII</h2> | ||
| 83 | <p><span class="line">The ocean that surrounds me</span><span class="line">creaks like a rocking</span><span class="line">cradle. Your face bright</span></p> | ||
| 84 | <p><span class="line">as the moon at eclipse</span><span class="line">and as <a href="window.html">red</a>. Low song</span><span class="line">my tide stretching</span></p> | ||
| 85 | <p><span class="line">to the horizon. Ripples</span><span class="line">on the surface belie</span><span class="line">something bigger beneath.</span></p> | ||
| 86 | </section> | ||
| 87 | <section id="ix" class="level2"> | ||
| 88 | <h2>IX</h2> | ||
| 89 | <p><span class="line">In bed I am alone for</span><span class="line">the only time. In bed</span><span class="line">I am a grown man.</span></p> | ||
| 90 | <p><span class="line">Below the blankets I</span><span class="line">know you for who you are.</span><span class="line">In bed I see your face</span></p> | ||
| 91 | <p><span class="line">pressed against the window.</span><span class="line">I look out and see you</span><span class="line">and I am not afraid.</span></p> | ||
| 92 | </section> | ||
| 93 | </section> | ||
| 94 | </article> | ||
| 95 | <nav> | ||
| 96 | <div class="anchors"> | ||
| 97 | <a href="in-bed_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 98 | φ | ||
| 99 | </a> | ||
| 100 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 101 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 102 | </div> | ||
| 103 | 32 | ||
| 104 | 33 | </div> | |
| 105 | </nav> | 34 | </header> |
| 35 | |||
| 36 | |||
| 37 | <section class="content verse"> | ||
| 38 | <section id="i" class="level2"> | ||
| 39 | <h2>I</h2> | ||
| 40 | <p><span class="line">I hear <a href="last-bastion.html">the rats</a> run</span><span class="line">in the walls like water</span><span class="line">through a tree. My blood</span></p> | ||
| 41 | <p><span class="line">thickens. As I dream</span><span class="line">the masturbation dream</span><span class="line">the shelf above my bed</span></p> | ||
| 42 | <p><span class="line">falls covering me in</span><span class="line">dirt and decaying beetles.</span><span class="line"><a href="deathstrumpet.html">I see my reflection is headless</a>.</span></p> | ||
| 43 | </section> | ||
| 44 | <section id="ii" class="level2"> | ||
| 45 | <h2>II</h2> | ||
| 46 | <p><span class="line">When the waves stop</span><span class="line"><a href="moon-drowning.html">and the moon grins down</a></span><span class="line">to overtake me: the car</span></p> | ||
| 47 | <p><span class="line">ran up the street that night</span><span class="line">when you were nearly</span><span class="line">molested in your neighbor’s house:</span></p> | ||
| 48 | <p><span class="line">is this why we don’t have</span><span class="line">neighbors? For this the trees</span><span class="line"><a href="options.html">rot only for us</a>?</span></p> | ||
| 49 | </section> | ||
| 50 | <section id="iii" class="level2"> | ||
| 51 | <h2>III</h2> | ||
| 52 | <p><span class="line">I woke screaming and you</span><span class="line">came to sit next to me. I felt</span><span class="line">my eyes were open too wide</span></p> | ||
| 53 | <p><span class="line">that I could not shut them</span><span class="line">from the horror movie sitting</span><span class="line">on your lap in the easy chair</span></p> | ||
| 54 | <p><span class="line">in the dream the other dream</span><span class="line">in the living room under</span><span class="line">the tree. Why do I feel guilty?</span></p> | ||
| 55 | </section> | ||
| 56 | <section id="iv" class="level2"> | ||
| 57 | <h2>IV</h2> | ||
| 58 | <p><span class="line">I wake up in a pool of water</span><span class="line"><a href="theoceanoverflowswithcamels.html">closed over me like an eyelid</a>.</span><span class="line">There is no longer comfort</span></p> | ||
| 59 | <p><span class="line">in staring at the ceiling.</span><span class="line">Its pitch blackness beckons</span><span class="line">into a future of blankness.</span></p> | ||
| 60 | <p><span class="line">My body lay still quaking.</span><span class="line">My mind is chained fast</span><span class="line">to the beating of my heart.</span></p> | ||
| 61 | </section> | ||
| 62 | <section id="v" class="level2"> | ||
| 63 | <h2>V</h2> | ||
| 64 | <p><span class="line">I sit up slowly creaking.</span><span class="line">I find myself alone buried</span><span class="line"><a href="the-sea_the-beach.html">in an ocean</a>. Far off</span></p> | ||
| 65 | <p><span class="line"><a href="mountain.html">there is an eagle</a> flying</span><span class="line">toward me. She lands on</span><span class="line">my knee and lays an egg.</span></p> | ||
| 66 | <p><span class="line">I think <em>not this again</em></span><span class="line">something I’ve never</span><span class="line">thought in my life.</span></p> | ||
| 67 | </section> | ||
| 68 | <section id="vi" class="level2"> | ||
| 69 | <h2>VI</h2> | ||
| 70 | <p><span class="line">I think <em>not this again</em></span><span class="line">something I’ve never</span><span class="line">thought in my life. Not</span></p> | ||
| 71 | <p><span class="line">after losing my car keys</span><span class="line">in the easy chair. Not after</span><span class="line">scratching myself on a branch.</span></p> | ||
| 72 | <p><span class="line">Not after finding the thing</span><span class="line">in your dresser drawer that</span><span class="line">night. <a href="ouroboros_memory.html">I remember you suddenly.</a></span></p> | ||
| 73 | </section> | ||
| 74 | <section id="vii" class="level2"> | ||
| 75 | <h2>VII</h2> | ||
| 76 | <p><span class="line">[You run through me</span><span class="line">like rats]<a href="#I">rats</a> down an alley.</span><span class="line">You are in my <a href="plant.html">blood</a>.</span></p> | ||
| 77 | <p><span class="line">You scared me once</span><span class="line">remember? Jumped out</span><span class="line">of the bathroom door.</span></p> | ||
| 78 | <p><span class="line">I fell screaming onto</span><span class="line">the linoleum. Did you</span><span class="line">apologize? Did you need to?</span></p> | ||
| 79 | </section> | ||
| 80 | <section id="viii" class="level2"> | ||
| 81 | <h2>VIII</h2> | ||
| 82 | <p><span class="line">The ocean that surrounds me</span><span class="line">creaks like a rocking</span><span class="line">cradle. Your face bright</span></p> | ||
| 83 | <p><span class="line">as the moon at eclipse</span><span class="line">and as <a href="window.html">red</a>. Low song</span><span class="line">my tide stretching</span></p> | ||
| 84 | <p><span class="line">to the horizon. Ripples</span><span class="line">on the surface belie</span><span class="line">something bigger beneath.</span></p> | ||
| 85 | </section> | ||
| 86 | <section id="ix" class="level2"> | ||
| 87 | <h2>IX</h2> | ||
| 88 | <p><span class="line">In bed I am alone for</span><span class="line">the only time. In bed</span><span class="line">I am a grown man.</span></p> | ||
| 89 | <p><span class="line">Below the blankets I</span><span class="line">know you for who you are.</span><span class="line">In bed I see your face</span></p> | ||
| 90 | <p><span class="line">pressed against the window.</span><span class="line">I look out and see you</span><span class="line">and I am not afraid.</span></p> | ||
| 91 | </section> | ||
| 92 | </section> | ||
| 93 | </article> | ||
| 94 | <nav> | ||
| 95 | <div class="anchors"> | ||
| 96 | <a href="backlinks/in-bed.html" id="backlinks" title="Links to this page"> | ||
| 97 | φ | ||
| 98 | </a> | ||
| 99 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 100 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 101 | </div> | ||
| 102 | |||
| 103 | |||
| 104 | </nav> | ||
| 106 | 105 | ||
| 107 | |||
| 108 | </body> | 106 | </body> |
| 109 | </html> | 107 | </html> |
| diff --git a/in-bed_backlinks.htm b/in-bed_backlinks.htm deleted file mode 100644 index 7c18906..0000000 --- a/in-bed_backlinks.htm +++ /dev/null | |||
| @@ -1,74 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>In bed | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="in-bed" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">In bed</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="boy_bus.html">Boy on the bus</a></li> | ||
| 42 | <li><a href="dollywood.html">Something</a></li> | ||
| 43 | <li><a href="dream.html">Dream</a></li> | ||
| 44 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 45 | <li><a href="last-bastion.html">Last bastion</a></li> | ||
| 46 | <li><a href="no-nothing.html">No nothing</a></li> | ||
| 47 | <li><a href="notes.html">Notes</a></li> | ||
| 48 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | ||
| 49 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 50 | <li><a href="planks.html">Planks</a></li> | ||
| 51 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 52 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 53 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 54 | <li><a href="tapestry.html">Tapestry</a></li> | ||
| 55 | <li><a href="wallpaper.html">Wallpaper</a></li> | ||
| 56 | <li><a href="worse-looking-over.html">Worse looking over</a></li> | ||
| 57 | </ul> | ||
| 58 | </section> | ||
| 59 | </article> | ||
| 60 | <nav> | ||
| 61 | <div class="anchors"> | ||
| 62 | <a href="in-bed.html" id="back-link" title="Back to article"> | ||
| 63 | φ | ||
| 64 | </a> | ||
| 65 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 66 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 67 | </div> | ||
| 68 | |||
| 69 | |||
| 70 | </nav> | ||
| 71 | |||
| 72 | |||
| 73 | </body> | ||
| 74 | </html> | ||
| diff --git a/index.html b/index.html index a507833..9fbf9aa 100644 --- a/index.html +++ b/index.html | |||
| @@ -9,8 +9,8 @@ | |||
| 9 | <title>Autocento of the breakfast table</title> | 9 | <title>Autocento of the breakfast table</title> |
| 10 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 10 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 11 | 11 | ||
| 12 | <link rel="stylesheet" type="text/css" href="_style.css"> | 12 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 13 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 13 | <script src="trunk/randomize.js" type="text/javascript"> </script> |
| 14 | 14 | ||
| 15 | <script> | 15 | <script> |
| 16 | function _about() { | 16 | function _about() { |
| @@ -20,7 +20,7 @@ | |||
| 20 | about.setAttribute("href", files[which]); | 20 | about.setAttribute("href", files[which]); |
| 21 | about.setAttribute("title", "About the author"); | 21 | about.setAttribute("title", "About the author"); |
| 22 | } | 22 | } |
| 23 | window.onload = function () { _about(); _lozenge() } | 23 | window.onload = function () { _about(); _randomize() } |
| 24 | </script> | 24 | </script> |
| 25 | 25 | ||
| 26 | <!--[if lt IE 9]> | 26 | <!--[if lt IE 9]> |
| @@ -35,9 +35,9 @@ | |||
| 35 | <a href="#" id="about">Case Duckworth</a> | 35 | <a href="#" id="about">Case Duckworth</a> |
| 36 | </h2> | 36 | </h2> |
| 37 | <h3 class="anchors"> | 37 | <h3 class="anchors"> |
| 38 | <a href="_toc.html" title="Table of Contents">φ</a> | 38 | <a href="toc.html" title="Table of Contents">φ</a> |
| 39 | <a href="#">◊</a> | 39 | <a href="#">◊</a> |
| 40 | <a href="#" id="lozenge">ξ</a> | 40 | <a href="#" id="randomlink">ξ</a> |
| 41 | </h3> | 41 | </h3> |
| 42 | </header> | 42 | </header> |
| 43 | <section class="content"> | 43 | <section class="content"> |
| diff --git a/initial-conditions.html b/initial-conditions.html index 286ffa1..f3df1c4 100644 --- a/initial-conditions.html +++ b/initial-conditions.html | |||
| @@ -4,75 +4,73 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Initial conditions | Autocento of the breakfast table</title> | 12 | <title>Initial conditions | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="initial-conditions" class="stark"> | 23 | <body id="initial-conditions" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Initial conditions</h1> | 28 | <h1 class="title">Initial conditions</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">There is a theory which states the Universe</span><span class="line">if it began with the same initial conditions</span><span class="line">( <a href="the-sea_the-beach.html">same gravity</a> same strong weak nuclear force same</span><span class="line">size and shape ) would unfold in exactly</span><span class="line">the way it has : with the same planets <a href="big-dipper.html">orbiting suns</a></span><span class="line">same people making same mistakes : like this morning</span></p> | ||
| 40 | <p><span class="line">( It’s actually past two but I will call it <a href="plant.html">morning</a> )</span><span class="line">while turning on the shower : I as the Universe</span><span class="line">intended ( although I was expecting the heat of suns )</span><span class="line"><a href="one-hundred-lines.html">had the ice of inner space</a> : those pre existing conditions</span><span class="line">before the Big Bang : the shower was almost exactly</span><span class="line">freezing for a split second : every day it’s the same :</span></p> | ||
| 41 | <p><span class="line"><a href="hard-game.html">I turn on the tap</a> hop in pull the knob have the same</span><span class="line">moment of utter panic then pain then a relaxing morning</span><span class="line">shower where I spend between five to ten ( I’m not sure exactly )</span><span class="line">minutes : I have good thoughts : <a href="howtoread.html">this poem about the Universe</a></span><span class="line">for example : I had the idea while I was conditioning</span><span class="line">my hair : it came to me like accidentally looking at the sun :</span></p> | ||
| 42 | <p><span class="line">the pain and the wonder that something as large as suns</span><span class="line">could appear so small and yet so hot all at the same</span><span class="line">time : so hot in the summer we require air conditioning</span><span class="line">( although now in the winter it’s cold in the morning )</span><span class="line">and I can’t wait to hop in the shower that tiny universe</span><span class="line">of water and steam and soap and <a href="ouroboros_memory.html">body</a> : that and only that exactly</span></p> | ||
| 43 | <p><span class="line">or rather exclusively ( it’s hard to get the words exactly</span><span class="line">right : the meanings bleed into each other like the sun’s</span><span class="line">shadows on pavement ) ready for me to <a href="dream.html">dream</a> another universe</span><span class="line">into it on top of it again and again until they all look the same :</span><span class="line">I can’t tell whether it’s my morning or the shower’s morning</span><span class="line">or where I put the conditioner or what the initial conditions</span></p> | ||
| 44 | <p><span class="line">could have been that decided I would misplace my conditioner</span><span class="line">today : and why and how much planning was involved exactly</span><span class="line">that would cause so far down the production line of this morning</span><span class="line">: me to <a href="stump.html">wake up so long after the rising</a> of the sun</span><span class="line">: me to stay inside all day even after showering to look at the same</span><span class="line"><a href="telemarketer.html">computer screen</a> : to give up the actual universe to the universe</span></p> | ||
| 45 | <p><span class="line">in there with its conditions : where <a href="reports.html">the screen serves</a> as sickly sun :</span><span class="line">where there is apparently exactly what I need : no more : the same</span><span class="line">three sites I visited this morning comprising my entire Universe</span></p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="initial-conditions_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | 32 | ||
| 57 | <a class="prevlink" href="i-think-its-you.html" | 33 | </div> |
| 58 | title="Previous article in Stark Raving"> | 34 | </header> |
| 59 | I think it’s you (but it’s not) | 35 | |
| 60 | </a> | 36 | |
| 61 | <a class="prevlink" href="last-bastion.html" | 37 | <section class="content verse"> |
| 62 | title="Previous article in Stark Raving"> | 38 | <p><span class="line">There is a theory which states the Universe</span><span class="line">if it began with the same initial conditions</span><span class="line">( <a href="the-sea_the-beach.html">same gravity</a> same strong weak nuclear force same</span><span class="line">size and shape ) would unfold in exactly</span><span class="line">the way it has : with the same planets <a href="big-dipper.html">orbiting suns</a></span><span class="line">same people making same mistakes : like this morning</span></p> |
| 63 | Last Bastion | 39 | <p><span class="line">( It’s actually past two but I will call it <a href="plant.html">morning</a> )</span><span class="line">while turning on the shower : I as the Universe</span><span class="line">intended ( although I was expecting the heat of suns )</span><span class="line"><a href="one-hundred-lines.html">had the ice of inner space</a> : those pre existing conditions</span><span class="line">before the Big Bang : the shower was almost exactly</span><span class="line">freezing for a split second : every day it’s the same :</span></p> |
| 64 | </a> | 40 | <p><span class="line"><a href="hard-game.html">I turn on the tap</a> hop in pull the knob have the same</span><span class="line">moment of utter panic then pain then a relaxing morning</span><span class="line">shower where I spend between five to ten ( I’m not sure exactly )</span><span class="line">minutes : I have good thoughts : <a href="howtoread.html">this poem about the Universe</a></span><span class="line">for example : I had the idea while I was conditioning</span><span class="line">my hair : it came to me like accidentally looking at the sun :</span></p> |
| 65 | 41 | <p><span class="line">the pain and the wonder that something as large as suns</span><span class="line">could appear so small and yet so hot all at the same</span><span class="line">time : so hot in the summer we require air conditioning</span><span class="line">( although now in the winter it’s cold in the morning )</span><span class="line">and I can’t wait to hop in the shower that tiny universe</span><span class="line">of water and steam and soap and <a href="ouroboros_memory.html">body</a> : that and only that exactly</span></p> | |
| 66 | <a class="nextlink" href="love-as-god.html" | 42 | <p><span class="line">or rather exclusively ( it’s hard to get the words exactly</span><span class="line">right : the meanings bleed into each other like the sun’s</span><span class="line">shadows on pavement ) ready for me to <a href="dream.html">dream</a> another universe</span><span class="line">into it on top of it again and again until they all look the same :</span><span class="line">I can’t tell whether it’s my morning or the shower’s morning</span><span class="line">or where I put the conditioner or what the initial conditions</span></p> |
| 67 | title="Next article in Stark Raving"> | 43 | <p><span class="line">could have been that decided I would misplace my conditioner</span><span class="line">today : and why and how much planning was involved exactly</span><span class="line">that would cause so far down the production line of this morning</span><span class="line">: me to <a href="stump.html">wake up so long after the rising</a> of the sun</span><span class="line">: me to stay inside all day even after showering to look at the same</span><span class="line"><a href="telemarketer.html">computer screen</a> : to give up the actual universe to the universe</span></p> |
| 68 | Love as God | 44 | <p><span class="line">in there with its conditions : where <a href="reports.html">the screen serves</a> as sickly sun :</span><span class="line">where there is apparently exactly what I need : no more : the same</span><span class="line">three sites I visited this morning comprising my entire Universe</span></p> |
| 69 | </a> | 45 | </section> |
| 70 | <a class="nextlink" href="ouroboros_memory.html" | 46 | </article> |
| 71 | title="Next article in Stark Raving"> | 47 | <nav> |
| 72 | Ouroboros of memory | 48 | <div class="anchors"> |
| 73 | </a> | 49 | <a href="backlinks/initial-conditions.html" id="backlinks" title="Links to this page"> |
| 74 | </nav> | 50 | φ |
| 51 | </a> | ||
| 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | <a class="prevlink" href="i-think-its-you.html" | ||
| 57 | title="Previous article in Stark Raving"> | ||
| 58 | I think it’s you (but it’s not) | ||
| 59 | </a> | ||
| 60 | <a class="prevlink" href="last-bastion.html" | ||
| 61 | title="Previous article in Stark Raving"> | ||
| 62 | Last Bastion | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="love-as-god.html" | ||
| 66 | title="Next article in Stark Raving"> | ||
| 67 | Love as God | ||
| 68 | </a> | ||
| 69 | <a class="nextlink" href="ouroboros_memory.html" | ||
| 70 | title="Next article in Stark Raving"> | ||
| 71 | Ouroboros of memory | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 75 | 74 | ||
| 76 | |||
| 77 | </body> | 75 | </body> |
| 78 | </html> | 76 | </html> |
| diff --git a/initial-conditions_backlinks.htm b/initial-conditions_backlinks.htm deleted file mode 100644 index 887f517..0000000 --- a/initial-conditions_backlinks.htm +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Initial conditions | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="initial-conditions" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Initial conditions</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="deadman.html">Dead man</a></li> | ||
| 41 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
| 42 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="initial-conditions.html" id="back-link" title="Back to article"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/island.htm b/island.htm deleted file mode 100644 index f6f56dd..0000000 --- a/island.htm +++ /dev/null | |||
| @@ -1,73 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Islands | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Islands</h1> | ||
| 30 | |||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about_author.html">About Case Duckworth</a></li> | ||
| 41 | <li><a href="abstract.html">Autocento of the breakfast table</a></li> | ||
| 42 | <li><a href="dollywood.html">Something</a></li> | ||
| 43 | <li><a href="hardware.html">Hardware</a></li> | ||
| 44 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 45 | <li><a href="manifesto_poetics.html">Manifesto of poetics</a></li> | ||
| 46 | <li><a href="notes.html">Notes</a></li> | ||
| 47 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> | ||
| 48 | <li><a href="paul.html">Paul</a></li> | ||
| 49 | <li><a href="punch.html">Punch</a></li> | ||
| 50 | <li><a href="sapling.html">Sapling</a></li> | ||
| 51 | <li><a href="toothpaste.html">Toothpaste</a></li> | ||
| 52 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 53 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> | ||
| 54 | <li><a href="writing.html">Writing</a></li> | ||
| 55 | <li><a href="yellow.html">Yellow</a></li> | ||
| 56 | </ul> | ||
| 57 | </section> | ||
| 58 | </article> | ||
| 59 | <nav> | ||
| 60 | <div class="anchors"> | ||
| 61 | <a href="_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 62 | φ | ||
| 63 | </a> | ||
| 64 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 65 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 66 | </div> | ||
| 67 | |||
| 68 | |||
| 69 | </nav> | ||
| 70 | |||
| 71 | |||
| 72 | </body> | ||
| 73 | </html> | ||
| diff --git a/island.html b/island.html deleted file mode 100644 index f6f56dd..0000000 --- a/island.html +++ /dev/null | |||
| @@ -1,73 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Islands | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Islands</h1> | ||
| 30 | |||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about_author.html">About Case Duckworth</a></li> | ||
| 41 | <li><a href="abstract.html">Autocento of the breakfast table</a></li> | ||
| 42 | <li><a href="dollywood.html">Something</a></li> | ||
| 43 | <li><a href="hardware.html">Hardware</a></li> | ||
| 44 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 45 | <li><a href="manifesto_poetics.html">Manifesto of poetics</a></li> | ||
| 46 | <li><a href="notes.html">Notes</a></li> | ||
| 47 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> | ||
| 48 | <li><a href="paul.html">Paul</a></li> | ||
| 49 | <li><a href="punch.html">Punch</a></li> | ||
| 50 | <li><a href="sapling.html">Sapling</a></li> | ||
| 51 | <li><a href="toothpaste.html">Toothpaste</a></li> | ||
| 52 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 53 | <li><a href="words-irritable-reaching.html">Words and their irritable reaching</a></li> | ||
| 54 | <li><a href="writing.html">Writing</a></li> | ||
| 55 | <li><a href="yellow.html">Yellow</a></li> | ||
| 56 | </ul> | ||
| 57 | </section> | ||
| 58 | </article> | ||
| 59 | <nav> | ||
| 60 | <div class="anchors"> | ||
| 61 | <a href="_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 62 | φ | ||
| 63 | </a> | ||
| 64 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 65 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 66 | </div> | ||
| 67 | |||
| 68 | |||
| 69 | </nav> | ||
| 70 | |||
| 71 | |||
| 72 | </body> | ||
| 73 | </html> | ||
| diff --git a/island.txt b/island.txt deleted file mode 100644 index 85d47b6..0000000 --- a/island.txt +++ /dev/null | |||
| @@ -1,25 +0,0 @@ | |||
| 1 | --- | ||
| 2 | title: Islands | ||
| 3 | genre: list | ||
| 4 | |||
| 5 | project: | ||
| 6 | title: About autocento | ||
| 7 | class: meta | ||
| 8 | ... | ||
| 9 | |||
| 10 | - [About Case Duckworth](about_author.html) | ||
| 11 | - [Autocento of the breakfast table](abstract.html) | ||
| 12 | - [Something](dollywood.html) | ||
| 13 | - [Hardware](hardware.html) | ||
| 14 | - [I want to say](i-want-to-say.html) | ||
| 15 | - [Manifesto of poetics](manifesto_poetics.html) | ||
| 16 | - [Notes](notes.html) | ||
| 17 | - [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 18 | - [Paul](paul.html) | ||
| 19 | - [Punch](punch.html) | ||
| 20 | - [Sapling](sapling.html) | ||
| 21 | - [Toothpaste](toothpaste.html) | ||
| 22 | - [Walking in the rain](walking-in-the-rain.html) | ||
| 23 | - [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 24 | - [Writing](writing.html) | ||
| 25 | - [Yellow](yellow.html) | ||
| diff --git a/islands.html b/islands.html new file mode 100644 index 0000000..d1193e9 --- /dev/null +++ b/islands.html | |||
| @@ -0,0 +1,76 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Appendix I | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="islands" class="appendices"> | ||
| 24 | |||
| 25 | <article class="container"> | ||
| 26 | <header> | ||
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Appendix I</h1> | ||
| 29 | <h1 class="subtitle">islands</h1> | ||
| 30 | |||
| 31 | <div class="header-extra"> | ||
| 32 | |||
| 33 | </div> | ||
| 34 | </header> | ||
| 35 | |||
| 36 | |||
| 37 | <section class="content list"> | ||
| 38 | <ul> | ||
| 39 | <li><a href="about_author.html">“About the author”</a></li> | ||
| 40 | <li><a href="abstract.html">“<em>abstract</em>”</a></li> | ||
| 41 | <li><a href="hardware.html">“Hardware”</a></li> | ||
| 42 | <li><a href="i-want-to-say.html">“I want to say”</a></li> | ||
| 43 | <li><a href="notes.html">“Notes”</a></li> | ||
| 44 | <li><a href="paul.html">“Paul”</a></li> | ||
| 45 | <li><a href="punch.html">“Punch”</a></li> | ||
| 46 | <li><a href="sapling.html">“Sapling”</a></li> | ||
| 47 | <li><a href="shed.html">“Shed”</a></li> | ||
| 48 | <li><a href="toothpaste.html">“Toothpaste”</a></li> | ||
| 49 | <li><a href="walking-in-the-rain.html">“Walking in the rain”</a></li> | ||
| 50 | <li><a href="words-irritable-reaching.html">“Words and their irritable reaching”</a></li> | ||
| 51 | <li><a href="writing.html">“Writing”</a></li> | ||
| 52 | </ul> | ||
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="backlinks/islands.html" id="backlinks" title="Links to this page"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 61 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | |||
| 64 | <a class="prevlink" href="hapax.html" | ||
| 65 | title="Previous article in Appendices"> | ||
| 66 | Index of hapax legomena | ||
| 67 | </a> | ||
| 68 | |||
| 69 | <a class="nextlink" href="common-titles.html" | ||
| 70 | title="Next article in Appendices"> | ||
| 71 | Index of common titles | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 74 | |||
| 75 | </body> | ||
| 76 | </html> | ||
| diff --git a/january.html b/january.html index c0d3f45..65a5e0b 100644 --- a/january.html +++ b/january.html | |||
| @@ -4,59 +4,57 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>January | Autocento of the breakfast table</title> | 12 | <title>January | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="january" class="autocento"> | 23 | <body id="january" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">January</h1> |
| 29 | <h1 class="title">January</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">January.</span><span class="line">It’s cold, and I don’t like it.</span><span class="line">I prefer warm weather,</span><span class="line">although I like sweaters. They are the one</span><span class="line">warm spot in an otherwise <a href="tapestry.html">shitty</a> season.</span><span class="line">But fall is better sweater weather. So be patient,</span></p> |
| 39 | <p><span class="line">January.</span><span class="line">It’s cold, and I don’t like it.</span><span class="line">I prefer warm weather,</span><span class="line">although I like sweaters. They are the one</span><span class="line">warm spot in an otherwise <a href="tapestry.html">shitty</a> season.</span><span class="line">But fall is better sweater weather. So be patient,</span></p> | 39 | <p><span class="line"><em>patient</em>,</span><span class="line">while waiting for the end of January.</span><span class="line">A change of season</span><span class="line">brings a change of mood along with it,</span><span class="line">although I never thought I’d be one</span><span class="line">to believe that <a href="seasonal-affective-disorder.html">SAD</a> junk about effects of weather—</span></p> |
| 40 | <p><span class="line"><em>patient</em>,</span><span class="line">while waiting for the end of January.</span><span class="line">A change of season</span><span class="line">brings a change of mood along with it,</span><span class="line">although I never thought I’d be one</span><span class="line">to believe that <a href="seasonal-affective-disorder.html">SAD</a> junk about effects of weather—</span></p> | 40 | <p><span class="line">weather!—</span><span class="line">on a person. Who becomes a patient</span><span class="line">just because of one</span><span class="line"><a href="snow.html">month of snow</a>? I did say of January:</span><span class="line">“It’s cold, and I don’t like it,”</span><span class="line">but I hardly think it’s fair, knocking whole seasons,</span></p> |
| 41 | <p><span class="line">weather!—</span><span class="line">on a person. Who becomes a patient</span><span class="line">just because of one</span><span class="line"><a href="snow.html">month of snow</a>? I did say of January:</span><span class="line">“It’s cold, and I don’t like it,”</span><span class="line">but I hardly think it’s fair, knocking whole seasons,</span></p> | 41 | <p><span class="line">seasoning</span><span class="line">your conversation with demands for better weather.</span><span class="line">(While I find it</span><span class="line">nearly impossible, it’s my mission to be patient</span><span class="line">while waiting for the end of January.)</span><span class="line">Oh, but how the long nights do so <a href="http://www.irs.gov/">tax</a> one!</span></p> |
| 42 | <p><span class="line">seasoning</span><span class="line">your conversation with demands for better weather.</span><span class="line">(While I find it</span><span class="line">nearly impossible, it’s my mission to be patient</span><span class="line">while waiting for the end of January.)</span><span class="line">Oh, but how the long nights do so <a href="http://www.irs.gov/">tax</a> one!</span></p> | 42 | <p><span class="line">One</span><span class="line"><a href="real-writer.html">warm spot</a> in an otherwise shitty season—</span><span class="line">all I ask, January,</span><span class="line">is one warm day. Do you care whether</span><span class="line">I’m a person who becomes a patient</span><span class="line">in some psych ward? This just about does it.</span></p> |
| 43 | <p><span class="line">One</span><span class="line"><a href="real-writer.html">warm spot</a> in an otherwise shitty season—</span><span class="line">all I ask, January,</span><span class="line">is one warm day. Do you care whether</span><span class="line">I’m a person who becomes a patient</span><span class="line">in some psych ward? This just about does it.</span></p> | 43 | <p><span class="line">I.T.,</span><span class="line">although I never thought I’d call one,</span><span class="line">is fair and patient</span><span class="line">when I call. They talk with me, season</span><span class="line">my conversation of demands for better weather</span><span class="line">with an argument for the white beauty of January.</span></p> |
| 44 | <p><span class="line">I.T.,</span><span class="line">although I never thought I’d call one,</span><span class="line">is fair and patient</span><span class="line">when I call. They talk with me, season</span><span class="line">my conversation of demands for better weather</span><span class="line">with an argument for the white beauty of January.</span></p> | 44 | <p><span class="line">They know it’s hard; they say each season</span><span class="line">has its detractors. <em>One day</em>, they say, _the weather</span><span class="line">will be controlled—until then, patience in January_.</span></p> |
| 45 | <p><span class="line">They know it’s hard; they say each season</span><span class="line">has its detractors. <em>One day</em>, they say, _the weather</span><span class="line">will be controlled—until then, patience in January_.</span></p> | 45 | </section> |
| 46 | </section> | 46 | </article> |
| 47 | </article> | 47 | <nav> |
| 48 | <nav> | 48 | <div class="anchors"> |
| 49 | <div class="anchors"> | 49 | <a href="backlinks/january.html" id="backlinks" title="Links to this page"> |
| 50 | <a href="january_backlinks.htm" id="back-link" title="Links to this page"> | 50 | φ |
| 51 | φ | 51 | </a> |
| 52 | </a> | 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 54 | </div> |
| 55 | </div> | 55 | |
| 56 | 56 | ||
| 57 | 57 | </nav> | |
| 58 | </nav> | 58 | |
| 59 | |||
| 60 | |||
| 61 | </body> | 59 | </body> |
| 62 | </html> | 60 | </html> |
| diff --git a/january_backlinks.htm b/january_backlinks.htm deleted file mode 100644 index 1650ab4..0000000 --- a/january_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>January | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="january" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">January</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="axe.html">Axe</a></li> | ||
| 41 | <li><a href="cold-wind.html">Cold wind</a></li> | ||
| 42 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 43 | <li><a href="prelude.html">Prelude</a></li> | ||
| 44 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="january.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/joke.html b/joke.html index a62249d..691d5b1 100644 --- a/joke.html +++ b/joke.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Joke | Autocento of the breakfast table</title> | 12 | <title>Joke | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="joke" class="paul"> | 23 | <body id="joke" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Joke</h1> | 28 | <h1 class="title">Joke</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook. He had run out of notecards and hadn’t been able to convince his mother to go to the Office Supply Store for him. He left a space underneath it and wrote.</p> | ||
| 40 | <p><em>“<a href="window.html">Tell us a joke</a>” the listeners say to the clown. They have gather together in the clearing because they have heard he would be there, and they have heard he knew very funny jokes that were also true. “Tell us a joke that is true” they say.</em></p> | ||
| 41 | <p><em>The clown does not move from the stump. He doesn’t move at all. The listeners watch, gap-mouthed, as a butterfly lands on his hat. A breeze ruffles his coat and the butterfly flies away. Hours pass. The listeners grow impatient. Some begin yelling insults at the clown. Eventually, they begin to walk away into the woods.</em></p> | ||
| 42 | <p><em>The moon <a href="the-sea_the-beach.html">rises</a> on the clearing. The only people left are the clown and a listener, the <a href="listen.html">last listener</a>. She has been waiting for the joke a long time. The clown opens his mouth and she leans in closer to hear. He closes it as a tear falls onto his coat, then another. He opens his mouth again in a sob. The listener walks over to him and puts a hand on his shoulder.</em></p> | ||
| 43 | <p><em>“I’m sorry” says the clown. “Sorry for what” she asks. “I don’t know. I don’t know any jokes.” He disappears. The last listener sits on the log and looks at the sky. There are no <a href="big-dipper.html">stars</a>.</em></p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="joke_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="punch.html" | 33 | </div> |
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 57 | Punch | 35 | |
| 58 | </a> | 36 | |
| 59 | <a class="prevlink" href="hymnal.html" | 37 | <section class="content prose"> |
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook. He had run out of notecards and hadn’t been able to convince his mother to go to the Office Supply Store for him. He left a space underneath it and wrote.</p> |
| 61 | Hymnal | 39 | <p><em>“<a href="window.html">Tell us a joke</a>” the listeners say to the clown. They have gather together in the clearing because they have heard he would be there, and they have heard he knew very funny jokes that were also true. “Tell us a joke that is true” they say.</em></p> |
| 62 | </a> | 40 | <p><em>The clown does not move from the stump. He doesn’t move at all. The listeners watch, gap-mouthed, as a butterfly lands on his hat. A breeze ruffles his coat and the butterfly flies away. Hours pass. The listeners grow impatient. Some begin yelling insults at the clown. Eventually, they begin to walk away into the woods.</em></p> |
| 63 | 41 | <p><em>The moon <a href="the-sea_the-beach.html">rises</a> on the clearing. The only people left are the clown and a listener, the <a href="listen.html">last listener</a>. She has been waiting for the joke a long time. The clown opens his mouth and she leans in closer to hear. He closes it as a tear falls onto his coat, then another. He opens his mouth again in a sob. The listener walks over to him and puts a hand on his shoulder.</em></p> | |
| 64 | <a class="nextlink" href="stump.html" | 42 | <p><em>“I’m sorry” says the clown. “Sorry for what” she asks. “I don’t know. I don’t know any jokes.” He disappears. The last listener sits on the log and looks at the sky. There are no <a href="big-dipper.html">stars</a>.</em></p> |
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </section> |
| 66 | Stump | 44 | </article> |
| 67 | </a> | 45 | <nav> |
| 68 | <a class="nextlink" href="leaf.html" | 46 | <div class="anchors"> |
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <a href="backlinks/joke.html" id="backlinks" title="Links to this page"> |
| 70 | Leaf | 48 | φ |
| 71 | </a> | 49 | </a> |
| 72 | </nav> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="punch.html" | ||
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 56 | Punch | ||
| 57 | </a> | ||
| 58 | <a class="prevlink" href="hymnal.html" | ||
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 60 | Hymnal | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="stump.html" | ||
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 65 | Stump | ||
| 66 | </a> | ||
| 67 | <a class="nextlink" href="leaf.html" | ||
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 69 | Leaf | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/lappel-du-vide.html b/lappel-du-vide.html index e63da5d..b0e3c7f 100644 --- a/lappel-du-vide.html +++ b/lappel-du-vide.html | |||
| @@ -4,87 +4,85 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>L’appel du vide | Autocento of the breakfast table</title> | 12 | <title>L’appel du vide | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="lappel-du-vide" class="stark"> | 23 | <body id="lappel-du-vide" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">L’appel du vide</h1> | 28 | <h1 class="title">L’appel du vide</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://books.google.com/books?id=yybDMC0TRIwC&pg=PR12&lpg=PR12#v=onepage&q&f=false">Don’t you know you can’t go home again?</a> | ||
| 37 | |||
| 38 | <div class="attrib">Ella Winter</div> | ||
| 39 | </div> | ||
| 40 | </div> | ||
| 41 | </header> | ||
| 42 | 30 | ||
| 43 | 31 | <div class="header-extra"> | |
| 44 | <section class="content prose"> | ||
| 45 | <section id="i.-walter" class="level2"> | ||
| 46 | <h2>I. Walter</h2> | ||
| 47 | <p>Walter <a href="sense-of-it.html">rides the bus</a> into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life. That era in which the next time he goes under, to the fields of seaweed waving gently, the anemones slowly filtering seawater, it will most likely be for a death in the family.</p> | ||
| 48 | <p>He is able to idly speculate on who it might be, and this surprises him. Not much does surprise him after these few months above the waves, because so many things did surprise him those first few months: the plants standing still, the quickness of the fluid these creatures walk in, the lack of pressure that still makes him feel so alone and cold—as if all of his life he had been in an embrace by the ocean, and now for some reason it’s pulled away from him, and it doesn’t love him anymore.</p> | ||
| 49 | <p>His speculations lead him to picture his grandmother, small and frail and forgetful. He always assumed she’d be next, since last year when the other one died and Gina said, “I wonder who’ll be next.” She said what they’d both been thinking.</p> | ||
| 50 | <p>Soon after that he’d come up to land, to the mountains of all places, the most land-like land, and started a job with an <a href="telemarketer.html">accounting firm</a>. While it was challenging to adjust to the change in pressure and movement, to people staring at him on the bus, in the supermarket, at the job, him with his scales and fins and breathing machine, he’d always made a point to make the best out of a situation. The problem was that the best wasn’t good enough.</p> | ||
| 51 | </section> | ||
| 52 | <section id="ii.-lappel-du-vide" class="level2 verse"> | ||
| 53 | <h2>II. L’appel du vide</h2> | ||
| 54 | <p><span class="line">And I’ll get in my car and drive</span><span class="line">and I’ll want to keep driving</span><span class="line">straight into the next state</span><span class="line">or even the next country</span><span class="line">or even even the ocean</span></p> | ||
| 55 | <p><span class="line">and go down deeper</span><span class="line">keep exploring forever</span><span class="line">find out what’s down there</span><span class="line">go to the Marianas trench</span><span class="line">miss the air world and</span><span class="line">come back up</span><span class="line">itself a kind of unknown</span><span class="line">the homecoming after</span></p> | ||
| 56 | <p>What happened to the home I was?</p> | ||
| 57 | </section> | ||
| 58 | </section> | ||
| 59 | </article> | ||
| 60 | <nav> | ||
| 61 | <div class="anchors"> | ||
| 62 | <a href="lappel-du-vide_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 63 | φ | ||
| 64 | </a> | ||
| 65 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 66 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 67 | </div> | ||
| 68 | 32 | ||
| 69 | <a class="prevlink" href="ouroboros_memory.html" | 33 | <!-- epigraph --> |
| 70 | title="Previous article in Stark Raving"> | 34 | <div class="epigraph"> |
| 71 | Ouroboros of memory | 35 | <a href="http://books.google.com/books?id=yybDMC0TRIwC&pg=PR12&lpg=PR12#v=onepage&q&f=false">Don’t you know you can’t go home again?</a> |
| 72 | </a> | 36 | |
| 73 | <a class="prevlink" href="love-as-god.html" | 37 | <div class="attrib">Ella Winter</div> |
| 74 | title="Previous article in Stark Raving"> | 38 | </div> |
| 75 | Love as God | 39 | </div> |
| 76 | </a> | 40 | </header> |
| 77 | 41 | ||
| 78 | <a class="nextlink" href="boy_bus.html" | 42 | |
| 79 | title="Next article in Stark Raving"> | 43 | <section class="content prose"> |
| 80 | Boy on the bus | 44 | <section id="i.-walter" class="level2"> |
| 81 | </a> | 45 | <h2>I. Walter</h2> |
| 82 | <a class="nextlink" href="i-think-its-you.html" | 46 | <p>Walter <a href="sense-of-it.html">rides the bus</a> into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life. That era in which the next time he goes under, to the fields of seaweed waving gently, the anemones slowly filtering seawater, it will most likely be for a death in the family.</p> |
| 83 | title="Next article in Stark Raving"> | 47 | <p>He is able to idly speculate on who it might be, and this surprises him. Not much does surprise him after these few months above the waves, because so many things did surprise him those first few months: the plants standing still, the quickness of the fluid these creatures walk in, the lack of pressure that still makes him feel so alone and cold—as if all of his life he had been in an embrace by the ocean, and now for some reason it’s pulled away from him, and it doesn’t love him anymore.</p> |
| 84 | I think it’s you (but it’s not) | 48 | <p>His speculations lead him to picture his grandmother, small and frail and forgetful. He always assumed she’d be next, since last year when the other one died and Gina said, “I wonder who’ll be next.” She said what they’d both been thinking.</p> |
| 85 | </a> | 49 | <p>Soon after that he’d come up to land, to the mountains of all places, the most land-like land, and started a job with an <a href="telemarketer.html">accounting firm</a>. While it was challenging to adjust to the change in pressure and movement, to people staring at him on the bus, in the supermarket, at the job, him with his scales and fins and breathing machine, he’d always made a point to make the best out of a situation. The problem was that the best wasn’t good enough.</p> |
| 86 | </nav> | 50 | </section> |
| 51 | <section id="ii.-lappel-du-vide" class="level2 verse"> | ||
| 52 | <h2>II. L’appel du vide</h2> | ||
| 53 | <p><span class="line">And I’ll get in my car and drive</span><span class="line">and I’ll want to keep driving</span><span class="line">straight into the next state</span><span class="line">or even the next country</span><span class="line">or even even the ocean</span></p> | ||
| 54 | <p><span class="line">and go down deeper</span><span class="line">keep exploring forever</span><span class="line">find out what’s down there</span><span class="line">go to the Marianas trench</span><span class="line">miss the air world and</span><span class="line">come back up</span><span class="line">itself a kind of unknown</span><span class="line">the homecoming after</span></p> | ||
| 55 | <p>What happened to the home I was?</p> | ||
| 56 | </section> | ||
| 57 | </section> | ||
| 58 | </article> | ||
| 59 | <nav> | ||
| 60 | <div class="anchors"> | ||
| 61 | <a href="backlinks/lappel-du-vide.html" id="backlinks" title="Links to this page"> | ||
| 62 | φ | ||
| 63 | </a> | ||
| 64 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 65 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 66 | </div> | ||
| 67 | |||
| 68 | <a class="prevlink" href="ouroboros_memory.html" | ||
| 69 | title="Previous article in Stark Raving"> | ||
| 70 | Ouroboros of memory | ||
| 71 | </a> | ||
| 72 | <a class="prevlink" href="love-as-god.html" | ||
| 73 | title="Previous article in Stark Raving"> | ||
| 74 | Love as God | ||
| 75 | </a> | ||
| 76 | |||
| 77 | <a class="nextlink" href="boy_bus.html" | ||
| 78 | title="Next article in Stark Raving"> | ||
| 79 | Boy on the bus | ||
| 80 | </a> | ||
| 81 | <a class="nextlink" href="i-think-its-you.html" | ||
| 82 | title="Next article in Stark Raving"> | ||
| 83 | I think it’s you (but it’s not) | ||
| 84 | </a> | ||
| 85 | </nav> | ||
| 87 | 86 | ||
| 88 | |||
| 89 | </body> | 87 | </body> |
| 90 | </html> | 88 | </html> |
| diff --git a/lappel-du-vide_backlinks.htm b/lappel-du-vide_backlinks.htm deleted file mode 100644 index ba99664..0000000 --- a/lappel-du-vide_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>L’appel du vide | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
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| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="lappel-du-vide" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">L’appel du vide</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="cold-wind.html">Cold wind</a></li> | ||
| 41 | <li><a href="collage-instrument.html">Instrumented</a></li> | ||
| 42 | <li><a href="snow.html">Snow</a></li> | ||
| 43 | <li><a href="statements-frag.html">Statements</a></li> | ||
| 44 | <li><a href="stayed-on-the-bus.html">Stayed on the bus too long</a></li> | ||
| 45 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 46 | <li><a href="what-we-are-made-of.html">What we are made of</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="lappel-du-vide.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/largest-asteroid.html b/largest-asteroid.html index 7fdabd8..0d54ec4 100644 --- a/largest-asteroid.html +++ b/largest-asteroid.html | |||
| @@ -4,53 +4,51 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The largest asteroid in the asteroid belt | Autocento of the breakfast table</title> | 12 | <title>The largest asteroid in the asteroid belt | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="largest-asteroid" class="autocento"> | 23 | <body id="largest-asteroid" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">The largest asteroid in the asteroid belt</h1> |
| 29 | <h1 class="title">The largest asteroid in the asteroid belt</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">What secrets does it hold?</span><span class="line">Can it tell us who kissed Sara</span><span class="line">that night on the veranda, or</span><span class="line">who Joey is really in love with?</span><span class="line">We all know it isn’t Sara, we</span><span class="line">mean look at them Christmas eve</span><span class="line">and he’s staring whistfully</span><span class="line">at the stars, or the largest</span><span class="line">asteroid in the asteroid belt.</span><span class="line">She’s staring at him, sure, but</span><span class="line">she sees the twinkle in his eye</span><span class="line">is not aimed in her direction.</span><span class="line">The reflection of that reflection</span><span class="line">will beam into space, lightyears</span><span class="line">of space, dimming slowly each</span><span class="line">second, until it dies out like</span><span class="line">all of Sara’s hopes for something</span><span class="line">resembling love in this life, real</span><span class="line">love that takes hold of her by</span><span class="line">the throat and refuses to let go,</span><span class="line">love that makes men travel for her</span><span class="line">and only for her, love that launches</span><span class="line">space ships to that asteroid, the</span><span class="line">largest in the asteroid belt, that</span><span class="line">jewel of dead rock and ice, harboring</span><span class="line">something that could’ve been life</span><span class="line"><a href="http://www.writing.upenn.edu/~afilreis/88/stevens-snowman.html">and nothing that actually is</a>.</span></p> |
| 39 | <p><span class="line">What secrets does it hold?</span><span class="line">Can it tell us who kissed Sara</span><span class="line">that night on the veranda, or</span><span class="line">who Joey is really in love with?</span><span class="line">We all know it isn’t Sara, we</span><span class="line">mean look at them Christmas eve</span><span class="line">and he’s staring whistfully</span><span class="line">at the stars, or the largest</span><span class="line">asteroid in the asteroid belt.</span><span class="line">She’s staring at him, sure, but</span><span class="line">she sees the twinkle in his eye</span><span class="line">is not aimed in her direction.</span><span class="line">The reflection of that reflection</span><span class="line">will beam into space, lightyears</span><span class="line">of space, dimming slowly each</span><span class="line">second, until it dies out like</span><span class="line">all of Sara’s hopes for something</span><span class="line">resembling love in this life, real</span><span class="line">love that takes hold of her by</span><span class="line">the throat and refuses to let go,</span><span class="line">love that makes men travel for her</span><span class="line">and only for her, love that launches</span><span class="line">space ships to that asteroid, the</span><span class="line">largest in the asteroid belt, that</span><span class="line">jewel of dead rock and ice, harboring</span><span class="line">something that could’ve been life</span><span class="line"><a href="http://www.writing.upenn.edu/~afilreis/88/stevens-snowman.html">and nothing that actually is</a>.</span></p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
| 41 | </article> | 41 | <nav> |
| 42 | <nav> | 42 | <div class="anchors"> |
| 43 | <div class="anchors"> | 43 | <a href="backlinks/largest-asteroid.html" id="backlinks" title="Links to this page"> |
| 44 | <a href="largest-asteroid_backlinks.htm" id="back-link" title="Links to this page"> | 44 | φ |
| 45 | φ | 45 | </a> |
| 46 | </a> | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | </div> |
| 49 | </div> | 49 | |
| 50 | 50 | ||
| 51 | 51 | </nav> | |
| 52 | </nav> | 52 | |
| 53 | |||
| 54 | |||
| 55 | </body> | 53 | </body> |
| 56 | </html> | 54 | </html> |
| diff --git a/last-bastion.html b/last-bastion.html index 3b5479c..e10b61f 100644 --- a/last-bastion.html +++ b/last-bastion.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Last bastion | Autocento of the breakfast table</title> | 12 | <title>Last bastion | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="last-bastion" class="stark"> | 23 | <body id="last-bastion" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Last bastion</h1> | 28 | <h1 class="title">Last bastion</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">Dimly remembered celebrity chefs shuffle</span><span class="line">down the cold and darkened highways of the heart.</span><span class="line">They are the last personality left. They are [the meek</span><span class="line">who inherited the heart]<a href="http://biblehub.com/matthew/5-5.htm">meek</a>, what was left of it.</span></p> | ||
| 40 | <p><span class="line">Without food to cook in new or exciting ways</span><span class="line">nor audience to gasp and cackle, the chefs</span><span class="line">of the heart quietly waste away while staring</span><span class="line">doe-eyed into now-empty Safeway windows</span><span class="line">checking under the dusty produce shelves</span><span class="line">for something they pray the <a href="in-bed.html">rats</a> haven’t found yet.</span></p> | ||
| 41 | <p><span class="line">Years ago, the economy of the heart boomed</span><span class="line">and there was food everywhere. Produce</span><span class="line">piled high in pyramids of devotion, meat in</span><span class="line">gilded glass cases opulent under fluorescence,</span><span class="line">dairy which ran like the <a href="music-433.html">mythical river</a> toward</span><span class="line">cereals hot and cold. Under it all, thrumming</span><span class="line">like great stone wheels on sand under a hot sun</span><span class="line">near a river where reeds sang in the wind</span><span class="line">the heart produced and gave reward for hard labor.</span></p> | ||
| 42 | <p><span class="line">No one knows when it all ended. No one can say</span><span class="line">if it was the heart that dried up or the heart’s supply.</span><span class="line">Either way, food of the heart became scarcer and scarcer.</span><span class="line">People began dying, not of starvation</span><span class="line">but of a certain facial expression that could only</span><span class="line">be described as desperation. Now</span><span class="line">all that are left are the celebrity chefs, last bastion</span><span class="line">of a once mighty empire of the [heart</span><span class="line">are reduced to husks]<a href="sense-of-it.html">heart</a> blown dry by wind.</span></p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="last-bastion_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="sixteenth-chapel.txt.html" | 33 | </div> |
| 55 | title="Previous article in Stark Raving"> | 34 | </header> |
| 56 | The Sixteenth Chapel | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="boy_bus.html" | 37 | <section class="content verse"> |
| 59 | title="Previous article in Stark Raving"> | 38 | <p><span class="line">Dimly remembered celebrity chefs shuffle</span><span class="line">down the cold and darkened highways of the heart.</span><span class="line">They are the last personality left. They are [the meek</span><span class="line">who inherited the heart]<a href="http://biblehub.com/matthew/5-5.htm">meek</a>, what was left of it.</span></p> |
| 60 | Boy on the bus | 39 | <p><span class="line">Without food to cook in new or exciting ways</span><span class="line">nor audience to gasp and cackle, the chefs</span><span class="line">of the heart quietly waste away while staring</span><span class="line">doe-eyed into now-empty Safeway windows</span><span class="line">checking under the dusty produce shelves</span><span class="line">for something they pray the <a href="in-bed.html">rats</a> haven’t found yet.</span></p> |
| 61 | </a> | 40 | <p><span class="line">Years ago, the economy of the heart boomed</span><span class="line">and there was food everywhere. Produce</span><span class="line">piled high in pyramids of devotion, meat in</span><span class="line">gilded glass cases opulent under fluorescence,</span><span class="line">dairy which ran like the <a href="music-433.html">mythical river</a> toward</span><span class="line">cereals hot and cold. Under it all, thrumming</span><span class="line">like great stone wheels on sand under a hot sun</span><span class="line">near a river where reeds sang in the wind</span><span class="line">the heart produced and gave reward for hard labor.</span></p> |
| 62 | 41 | <p><span class="line">No one knows when it all ended. No one can say</span><span class="line">if it was the heart that dried up or the heart’s supply.</span><span class="line">Either way, food of the heart became scarcer and scarcer.</span><span class="line">People began dying, not of starvation</span><span class="line">but of a certain facial expression that could only</span><span class="line">be described as desperation. Now</span><span class="line">all that are left are the celebrity chefs, last bastion</span><span class="line">of a once mighty empire of the [heart</span><span class="line">are reduced to husks]<a href="sense-of-it.html">heart</a> blown dry by wind.</span></p> | |
| 63 | <a class="nextlink" href="amber-alert.html" | 42 | </section> |
| 64 | title="Next article in Stark Raving"> | 43 | </article> |
| 65 | AMBER alert | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="initial-conditions.html" | 46 | <a href="backlinks/last-bastion.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Stark Raving"> | 47 | φ |
| 69 | Initial conditions | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="sixteenth-chapel.txt.html" | ||
| 54 | title="Previous article in Stark Raving"> | ||
| 55 | The Sixteenth Chapel | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="boy_bus.html" | ||
| 58 | title="Previous article in Stark Raving"> | ||
| 59 | Boy on the bus | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="amber-alert.html" | ||
| 63 | title="Next article in Stark Raving"> | ||
| 64 | AMBER alert | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="initial-conditions.html" | ||
| 67 | title="Next article in Stark Raving"> | ||
| 68 | Initial conditions | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/last-bastion_backlinks.htm b/last-bastion_backlinks.htm deleted file mode 100644 index e9ae545..0000000 --- a/last-bastion_backlinks.htm +++ /dev/null | |||
| @@ -1,65 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
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| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Last bastion | Autocento of the breakfast table</title> | ||
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| 21 | <![endif]--> | ||
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| 23 | <body id="last-bastion" class="meta"> | ||
| 24 | |||
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| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Last bastion</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="axe.html">Axe</a></li> | ||
| 42 | <li><a href="deadman.html">Dead man</a></li> | ||
| 43 | <li><a href="in-bed.html">In bed</a></li> | ||
| 44 | <li><a href="leaf.html">Leaf</a></li> | ||
| 45 | <li><a href="phone.html">Phone</a></li> | ||
| 46 | <li><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a></li> | ||
| 47 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="last-bastion.html" id="back-link" title="Back to article"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 57 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/last-passenger.html b/last-passenger.html index a5a3c73..ab4d72a 100644 --- a/last-passenger.html +++ b/last-passenger.html | |||
| @@ -4,55 +4,53 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Last passenger | Autocento of the breakfast table</title> | 12 | <title>Last passenger | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="last-passenger" class="autocento"> | 23 | <body id="last-passenger" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Last passenger</h1> |
| 29 | <h1 class="title">Last passenger</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">Memory works strangely, <a href="roughgloves.html">spooling its thread</a></span><span class="line">over the <a href="when-im-sorry-i.html">nails of events</a> barely related,</span><span class="line">creating finally some picture, if we’re</span><span class="line">lucky, of a life—but more likely, it knots</span><span class="line">itself, catches on a nail or in our throats</span><span class="line">that gasp, as it binds our necks, for air.</span></p> |
| 39 | <p><span class="line">Memory works strangely, <a href="roughgloves.html">spooling its thread</a></span><span class="line">over the <a href="when-im-sorry-i.html">nails of events</a> barely related,</span><span class="line">creating finally some picture, if we’re</span><span class="line">lucky, of a life—but more likely, it knots</span><span class="line">itself, catches on a nail or in our throats</span><span class="line">that gasp, as it binds our necks, for air.</span></p> | 39 | <p><span class="line">An example: today marks one hundred years</span><span class="line">since your namesake, the last living passenger</span><span class="line">pigeon, died in Cincinnati. It also marks</span><span class="line">a year since we last spoke. Although around</span><span class="line">the world, zoos mourn her loss, I’m done</span><span class="line">with you. I mourn no more your voice, the first</span><span class="line">sound I heard outside my body that reached</span><span class="line"><a href="weplayedthosegamestoo.html">into my throat and set me ringing</a>. But that string—</span></p> |
| 40 | <p><span class="line">An example: today marks one hundred years</span><span class="line">since your namesake, the last living passenger</span><span class="line">pigeon, died in Cincinnati. It also marks</span><span class="line">a year since we last spoke. Although around</span><span class="line">the world, zoos mourn her loss, I’m done</span><span class="line">with you. I mourn no more your voice, the first</span><span class="line">sound I heard outside my body that reached</span><span class="line"><a href="weplayedthosegamestoo.html">into my throat and set me ringing</a>. But that string—</span></p> | 40 | <p><span class="line">memory that feels sometimes more like a tide</span><span class="line">has yoked together, bound your voice to that bird,</span><span class="line">the frozen, stuffed, forgotten pigeon—my heart</span><span class="line">is too easy, but it must do—to blink, to flex</span><span class="line">its unused toes, slowly thaw to the wetness</span><span class="line">of <a href="cold-wind.html">beating wings</a>, fly to me again, and alight,</span><span class="line">singing full-throated, on my broken shoulder.</span></p> |
| 41 | <p><span class="line">memory that feels sometimes more like a tide</span><span class="line">has yoked together, bound your voice to that bird,</span><span class="line">the frozen, stuffed, forgotten pigeon—my heart</span><span class="line">is too easy, but it must do—to blink, to flex</span><span class="line">its unused toes, slowly thaw to the wetness</span><span class="line">of <a href="cold-wind.html">beating wings</a>, fly to me again, and alight,</span><span class="line">singing full-throated, on my broken shoulder.</span></p> | 41 | </section> |
| 42 | </section> | 42 | </article> |
| 43 | </article> | 43 | <nav> |
| 44 | <nav> | 44 | <div class="anchors"> |
| 45 | <div class="anchors"> | 45 | <a href="backlinks/last-passenger.html" id="backlinks" title="Links to this page"> |
| 46 | <a href="last-passenger_backlinks.htm" id="back-link" title="Links to this page"> | 46 | φ |
| 47 | φ | 47 | </a> |
| 48 | </a> | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 50 | </div> |
| 51 | </div> | 51 | |
| 52 | 52 | ||
| 53 | 53 | </nav> | |
| 54 | </nav> | 54 | |
| 55 | |||
| 56 | |||
| 57 | </body> | 55 | </body> |
| 58 | </html> | 56 | </html> |
| diff --git a/last-passenger_backlinks.htm b/last-passenger_backlinks.htm deleted file mode 100644 index 0d5d644..0000000 --- a/last-passenger_backlinks.htm +++ /dev/null | |||
| @@ -1,68 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Last passenger | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="last-passenger" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Last passenger</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="and.html">And</a></li> | ||
| 42 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 43 | <li><a href="cereal.html">Cereal</a></li> | ||
| 44 | <li><a href="leaf.html">Leaf</a></li> | ||
| 45 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 46 | <li><a href="planks.html">Planks</a></li> | ||
| 47 | <li><a href="poetry-time.html">Something</a></li> | ||
| 48 | <li><a href="sapling.html">Sapling</a></li> | ||
| 49 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | ||
| 50 | <li><a href="worse-looking-over.html">Worse looking over</a></li> | ||
| 51 | </ul> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="last-passenger.html" id="back-link" title="Back to article"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 60 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | |||
| 63 | |||
| 64 | </nav> | ||
| 65 | |||
| 66 | |||
| 67 | </body> | ||
| 68 | </html> | ||
| diff --git a/leaf.html b/leaf.html index 00c1b98..949364d 100644 --- a/leaf.html +++ b/leaf.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Leaf | Autocento of the breakfast table</title> | 12 | <title>Leaf | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="leaf" class="paul"> | 23 | <body id="leaf" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Leaf</h1> | 28 | <h1 class="title">Leaf</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack. He exhaled looking out of the window. He hoped to see a bird fly by, maybe a blue jay or raven. <a href="last-passenger.html">No bird did</a>. He inhaled. He exhaled again in a way that could <a href="last-bastion.html">only be classified</a> as a sigh. He sat down at his writing desk. He began shuffling through what he’d written, trying to find some sort of pattern.</p> | ||
| 40 | <p>“<em>Each piece of paper—each leaf—</em>” at this he smiled—“<em>is like a tree in the forest.</em>” He was writing as he thought aloud. “<em>I, as the artist, as the <strong>writer</strong>, must select which to use, chop down those trees, bring them back to my shed and</em>—and—” he frowned as he realized the only end to this <a href="the-night-we-met.html">metaphor was fire</a>. He ran his fingers through his hair in a self-soothing gesture.</p> | ||
| 41 | <p>“I need to build some furniture” he thought.</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="leaf_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="axe.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Axe | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="joke.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack. He exhaled looking out of the window. He hoped to see a bird fly by, maybe a blue jay or raven. <a href="last-passenger.html">No bird did</a>. He inhaled. He exhaled again in a way that could <a href="last-bastion.html">only be classified</a> as a sigh. He sat down at his writing desk. He began shuffling through what he’d written, trying to find some sort of pattern.</p> |
| 59 | Joke | 39 | <p>“<em>Each piece of paper—each leaf—</em>” at this he smiled—“<em>is like a tree in the forest.</em>” He was writing as he thought aloud. “<em>I, as the artist, as the <strong>writer</strong>, must select which to use, chop down those trees, bring them back to my shed and</em>—and—” he frowned as he realized the only end to this <a href="the-night-we-met.html">metaphor was fire</a>. He ran his fingers through his hair in a self-soothing gesture.</p> |
| 60 | </a> | 40 | <p>“I need to build some furniture” he thought.</p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="writing.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | Writing | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/leaf.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="leg.html" | 46 | φ |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </a> |
| 68 | Leg | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="axe.html" | ||
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 54 | Axe | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="joke.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Joke | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="writing.html" | ||
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Writing | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="leg.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Leg | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/leg.html b/leg.html index 1d6e5b4..9c05bad 100644 --- a/leg.html +++ b/leg.html | |||
| @@ -4,85 +4,83 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Leg | Autocento of the breakfast table</title> | 12 | <title>Leg | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="leg" class="paul"> | 23 | <body id="leg" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Leg</h1> | 28 | <h1 class="title">Leg</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>His first chair was a stool. It was an <a href="stump.html">uneven wobbly stool</a> that would not support even forty pounds. “So my first chair is a broken stool” he said after nearly breaking his tailbone on the dirt floor. “Maybe I should start again but this time only with legs.” He began again but this time only with legs. He built <a href="i-think-its-you.html">one leg</a>, which means he cut a straight piece of wood down to four feet in length, whittled the bark off, and sanded it down smooth in what he was now calling his Woodworking Shack. He typed up a note on how to make chair legs.</p> | ||
| 40 | <blockquote> | ||
| 41 | <p>MAKING CHAIR LEGS</p> | ||
| 42 | <ol type="1"> | ||
| 43 | <li>get longish piece of wood</li> | ||
| 44 | <li>cut it to length (<a href="boar.html">4 feet</a> I’d recommend)</li> | ||
| 45 | <li>whittle off bark</li> | ||
| 46 | <li>sand smooth the leg</li> | ||
| 47 | </ol> | ||
| 48 | </blockquote> | ||
| 49 | <p>After he tried remembered tried standing the leg up, failing, and after much thought realizing that the ends needed to be flat, he typed one more line on his notecard:</p> | ||
| 50 | <blockquote> | ||
| 51 | <ol start="5" type="1"> | ||
| 52 | <li>make ends flat</li> | ||
| 53 | </ol> | ||
| 54 | </blockquote> | ||
| 55 | <p>He had no tools with which to flatten the ends of his leg.</p> | ||
| 56 | </section> | ||
| 57 | </article> | ||
| 58 | <nav> | ||
| 59 | <div class="anchors"> | ||
| 60 | <a href="leg_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 61 | φ | ||
| 62 | </a> | ||
| 63 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 64 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 65 | </div> | ||
| 66 | 32 | ||
| 67 | <a class="prevlink" href="toilet.html" | 33 | </div> |
| 68 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 69 | Toilet | 35 | |
| 70 | </a> | 36 | |
| 71 | <a class="prevlink" href="leaf.html" | 37 | <section class="content prose"> |
| 72 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>His first chair was a stool. It was an <a href="stump.html">uneven wobbly stool</a> that would not support even forty pounds. “So my first chair is a broken stool” he said after nearly breaking his tailbone on the dirt floor. “Maybe I should start again but this time only with legs.” He began again but this time only with legs. He built <a href="i-think-its-you.html">one leg</a>, which means he cut a straight piece of wood down to four feet in length, whittled the bark off, and sanded it down smooth in what he was now calling his Woodworking Shack. He typed up a note on how to make chair legs.</p> |
| 73 | Leaf | 39 | <blockquote> |
| 74 | </a> | 40 | <p>MAKING CHAIR LEGS</p> |
| 75 | 41 | <ol type="1"> | |
| 76 | <a class="nextlink" href="planks.html" | 42 | <li>get longish piece of wood</li> |
| 77 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <li>cut it to length (<a href="boar.html">4 feet</a> I’d recommend)</li> |
| 78 | Planks | 44 | <li>whittle off bark</li> |
| 79 | </a> | 45 | <li>sand smooth the leg</li> |
| 80 | <a class="nextlink" href="man.html" | 46 | </ol> |
| 81 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </blockquote> |
| 82 | Man | 48 | <p>After he tried remembered tried standing the leg up, failing, and after much thought realizing that the ends needed to be flat, he typed one more line on his notecard:</p> |
| 83 | </a> | 49 | <blockquote> |
| 84 | </nav> | 50 | <ol start="5" type="1"> |
| 51 | <li>make ends flat</li> | ||
| 52 | </ol> | ||
| 53 | </blockquote> | ||
| 54 | <p>He had no tools with which to flatten the ends of his leg.</p> | ||
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| 29 | <h1 class="title">Liking Things</h1> | 29 | |
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| 37 | 37 | <section class="content prose"> | |
| 38 | <section class="content prose"> | 38 | <p>The definition of happiness is <em>doing stuff that you really like</em>. That stuff can be eating soup, going to the bathroom, walking the dog, playing Dungeons and Dragons; whatever keeps your mind off the fact that you’re so goddamn unhappy all the time. That, incidentally, is the definition of like: <em>that feeling you get when you forget how miserable you are for just a little bit</em>. Thus people like doing stuff they like all the time, as often as possible; because if they remember how horrible they really feel at not having a background to put themselves against, they will want to hurt themselves and those around them.</p> |
| 39 | <p>The definition of happiness is <em>doing stuff that you really like</em>. That stuff can be eating soup, going to the bathroom, walking the dog, playing Dungeons and Dragons; whatever keeps your mind off the fact that you’re so goddamn unhappy all the time. That, incidentally, is the definition of like: <em>that feeling you get when you forget how miserable you are for just a little bit</em>. Thus people like doing stuff they like all the time, as often as possible; because if they remember how horrible they really feel at not having a background to put themselves against, they will want to hurt themselves and those around them.</p> | 39 | <p>The funny thing is that something we people really like to do is hurt ourselves and those around us. We do this by thinking other people are more unhappy than we are. We convince themselves that we are truly happy, ecstatic even, while they merely plod around life half-heartedly, or, if they’re lucky, incorrectly. We take it upon ourselves (seeing as we are so happy, and can spare a little bit of happiness) to help them become happy as well. We fail to realize that the people will probably not appreciate our thinking that we’re better than they are somehow, for that is what we do even if we don’t mean it. We forget that we are also unhappy, and that we are just doing things we like in order to cheer ourselves up a little bit, which really means that this cheering is working; but there is such a thing as working too well. So in a sense what I’m doing here is cheering myself up by reminding you that you are unhappy; I’m trying to keep you honest in your unhappiness; and I admit this is usually called a dick move.</p> |
| 40 | <p>The funny thing is that something we people really like to do is hurt ourselves and those around us. We do this by thinking other people are more unhappy than we are. We convince themselves that we are truly happy, ecstatic even, while they merely plod around life half-heartedly, or, if they’re lucky, incorrectly. We take it upon ourselves (seeing as we are so happy, and can spare a little bit of happiness) to help them become happy as well. We fail to realize that the people will probably not appreciate our thinking that we’re better than they are somehow, for that is what we do even if we don’t mean it. We forget that we are also unhappy, and that we are just doing things we like in order to cheer ourselves up a little bit, which really means that this cheering is working; but there is such a thing as working too well. So in a sense what I’m doing here is cheering myself up by reminding you that you are unhappy; I’m trying to keep you honest in your unhappiness; and I admit this is usually called a dick move.</p> | 40 | <p>In fact, the best way to overcome happy-hungering (this is the term as I dub it) is commit as many dick moves as possible, to keep people remembering that unhappiness abounds. If you see someone smiling like a little dog who knows it’s about to get pet or get a treat or go to the vet to donate doggy sperm, smile back. Grin toothily (a little too toothily for a little too long). Their smile will start to fade if you’re doing it right. Saunter to them, slide as if you’re an Olympic quality ice-skater, as if you’re a really good bowler who knows he’s playing against twelve year olds and’ll win by a hundred. Get really close. Far too close for what most people would call comfort. And remind them of how awful life can be: “I really like your <a href="theoceanoverflowswithcamels.html">shirt</a>—really only children chained to looms can get that tight of a weave,” you can say, or “You’re not really going to recycle that coffee cup, are you?” They will probably get angry, but that’s what’s supposed to happen. By making dick moves, you can overcome what may be the biggest evil on this earth: Happy-Hungering.</p> |
| 41 | <p>In fact, the best way to overcome happy-hungering (this is the term as I dub it) is commit as many dick moves as possible, to keep people remembering that unhappiness abounds. If you see someone smiling like a little dog who knows it’s about to get pet or get a treat or go to the vet to donate doggy sperm, smile back. Grin toothily (a little too toothily for a little too long). Their smile will start to fade if you’re doing it right. Saunter to them, slide as if you’re an Olympic quality ice-skater, as if you’re a really good bowler who knows he’s playing against twelve year olds and’ll win by a hundred. Get really close. Far too close for what most people would call comfort. And remind them of how awful life can be: “I really like your <a href="theoceanoverflowswithcamels.html">shirt</a>—really only children chained to looms can get that tight of a weave,” you can say, or “You’re not really going to recycle that coffee cup, are you?” They will probably get angry, but that’s what’s supposed to happen. By making dick moves, you can overcome what may be the biggest evil on this earth: Happy-Hungering.</p> | 41 | </section> |
| 42 | </section> | 42 | </article> |
| 43 | </article> | 43 | <nav> |
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| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
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| 40 | <li><a href="tapestry.html">Tapestry</a></li> | ||
| 41 | <li><a href="words-meaning.html">Words and meaning</a></li> | ||
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| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">If you swallow hard enough</span><span class="line">you’ll <a href="serengeti.html">feel the stone</a></span><span class="line">the one we all have waiting</span></p> |
| 39 | <p><span class="line">If you swallow hard enough</span><span class="line">you’ll <a href="serengeti.html">feel the stone</a></span><span class="line">the one we all have waiting</span></p> | 39 | <p><span class="line">Once I <a href="plant.html">found the stone</a> in</span><span class="line">the sea it kissed me as</span><span class="line"><a href="the-sea_the-beach.html">the sea pawed at my back</a></span></p> |
| 40 | <p><span class="line">Once I <a href="plant.html">found the stone</a> in</span><span class="line">the sea it kissed me as</span><span class="line"><a href="the-sea_the-beach.html">the sea pawed at my back</a></span></p> | 40 | </section> |
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| 29 | <h1 class="title">Love as God</h1> | 28 | <h1 class="title">Love as God</h1> |
| 30 | |||
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| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line"><a href="https://www.biblegateway.com/passage/?search=1+John+4%3A8&version=NIV">God is love</a>, they say, but there <a href="i-wanted-to-tell-you-something.html">is</a></span><span class="line">no god. Therefore, how can there be love?</span><span class="line">And if there is no love, how can there be God?</span><span class="line">There are things in life, I suppose,</span><span class="line">that are simply unanswerable mysteries</span><span class="line">of existence. Maybe this God and love are one.</span></p> | ||
| 40 | <p><span class="line">Maybe there are many loves, instead of one.</span><span class="line">The difference between <a href="largest-asteroid.html">what isn’t</a> and what is</span><span class="line">could merely be one of scope. The mystery</span><span class="line">is how we speak only of one love—</span><span class="line">to act as though we know we are supposed</span><span class="line">to love only one other, or that one other and God.</span></p> | ||
| 41 | <p><span class="line">But supposing that one other is God?</span><span class="line">What then? Is the God-lover to walk alone,</span><span class="line">supported by God only when He feels He is supposed</span><span class="line">to support her? What kind of love is</span><span class="line">this? I would argue in fact this isn’t love,</span><span class="line">this <a href="http://www.footprints-inthe-sand.com/index.php?page=Poem/Poem.php">one-set-of-footprints-in-the-sand</a> mystery.</span></p> | ||
| 42 | <p><span class="line">How to define two loves as one is the mystery.</span><span class="line">It’s obvious to many there is a thing called God,</span><span class="line">and just as obvious that there is one called love.</span><span class="line">Maybe we fool ourselves, we who can’t be alone;</span><span class="line">maybe we don’t know what either God or love is.</span><span class="line">Maybe, and perhaps; but I for one propose</span></p> | ||
| 43 | <p><span class="line">that we as only humans are not supposed</span><span class="line">to know or understand capital-L Life, that mystery.</span><span class="line">Isn’t it enough to know that God is</span><span class="line">love, and love is God,</span><span class="line">no matter which one</span><span class="line">does or does not exist? What is life, if no love,</span></p> | ||
| 44 | <p><span class="line">if no God? <a href="cereal.html">Maybe</a> this saying, “God is love,”</span><span class="line">is less a definition of God what what love is supposed</span><span class="line">to be. Of these two terms, <a href="death-zone.html">maybe2</a> the one</span><span class="line">we should capitalize is Love, that great mystery</span><span class="line">of chemistry and longing. Maybe “Love is god”</span><span class="line">is a more fitting <a href="epigraph.html">epigraph</a> for what life is</span></p> | ||
| 45 | <p><span class="line"><a href="tapestry.html">made of:</a> Love, that most delicate, most misty</span><span class="line">of all emotions, is supposed to be their god,</span><span class="line">as the one that binds us, that was, that will be, that is.</span></p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="love-as-god_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | 32 | ||
| 57 | <a class="prevlink" href="initial-conditions.html" | 33 | </div> |
| 58 | title="Previous article in Stark Raving"> | 34 | </header> |
| 59 | Initial conditions | 35 | |
| 60 | </a> | 36 | |
| 61 | <a class="prevlink" href="ouroboros_memory.html" | 37 | <section class="content verse"> |
| 62 | title="Previous article in Stark Raving"> | 38 | <p><span class="line"><a href="https://www.biblegateway.com/passage/?search=1+John+4%3A8&version=NIV">God is love</a>, they say, but there <a href="i-wanted-to-tell-you-something.html">is</a></span><span class="line">no god. Therefore, how can there be love?</span><span class="line">And if there is no love, how can there be God?</span><span class="line">There are things in life, I suppose,</span><span class="line">that are simply unanswerable mysteries</span><span class="line">of existence. Maybe this God and love are one.</span></p> |
| 63 | Ouroboros of memory | 39 | <p><span class="line">Maybe there are many loves, instead of one.</span><span class="line">The difference between <a href="largest-asteroid.html">what isn’t</a> and what is</span><span class="line">could merely be one of scope. The mystery</span><span class="line">is how we speak only of one love—</span><span class="line">to act as though we know we are supposed</span><span class="line">to love only one other, or that one other and God.</span></p> |
| 64 | </a> | 40 | <p><span class="line">But supposing that one other is God?</span><span class="line">What then? Is the God-lover to walk alone,</span><span class="line">supported by God only when He feels He is supposed</span><span class="line">to support her? What kind of love is</span><span class="line">this? I would argue in fact this isn’t love,</span><span class="line">this <a href="http://www.footprints-inthe-sand.com/index.php?page=Poem/Poem.php">one-set-of-footprints-in-the-sand</a> mystery.</span></p> |
| 65 | 41 | <p><span class="line">How to define two loves as one is the mystery.</span><span class="line">It’s obvious to many there is a thing called God,</span><span class="line">and just as obvious that there is one called love.</span><span class="line">Maybe we fool ourselves, we who can’t be alone;</span><span class="line">maybe we don’t know what either God or love is.</span><span class="line">Maybe, and perhaps; but I for one propose</span></p> | |
| 66 | <a class="nextlink" href="worse-looking-over.html" | 42 | <p><span class="line">that we as only humans are not supposed</span><span class="line">to know or understand capital-L Life, that mystery.</span><span class="line">Isn’t it enough to know that God is</span><span class="line">love, and love is God,</span><span class="line">no matter which one</span><span class="line">does or does not exist? What is life, if no love,</span></p> |
| 67 | title="Next article in Stark Raving"> | 43 | <p><span class="line">if no God? <a href="cereal.html">Maybe</a> this saying, “God is love,”</span><span class="line">is less a definition of God what what love is supposed</span><span class="line">to be. Of these two terms, <a href="death-zone.html">maybe2</a> the one</span><span class="line">we should capitalize is Love, that great mystery</span><span class="line">of chemistry and longing. Maybe “Love is god”</span><span class="line">is a more fitting <a href="epigraph.html">epigraph</a> for what life is</span></p> |
| 68 | Worse looking over | 44 | <p><span class="line"><a href="tapestry.html">made of:</a> Love, that most delicate, most misty</span><span class="line">of all emotions, is supposed to be their god,</span><span class="line">as the one that binds us, that was, that will be, that is.</span></p> |
| 69 | </a> | 45 | </section> |
| 70 | <a class="nextlink" href="lappel-du-vide.html" | 46 | </article> |
| 71 | title="Next article in Stark Raving"> | 47 | <nav> |
| 72 | L’appel du vide | 48 | <div class="anchors"> |
| 73 | </a> | 49 | <a href="backlinks/love-as-god.html" id="backlinks" title="Links to this page"> |
| 74 | </nav> | 50 | φ |
| 51 | </a> | ||
| 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | <a class="prevlink" href="initial-conditions.html" | ||
| 57 | title="Previous article in Stark Raving"> | ||
| 58 | Initial conditions | ||
| 59 | </a> | ||
| 60 | <a class="prevlink" href="ouroboros_memory.html" | ||
| 61 | title="Previous article in Stark Raving"> | ||
| 62 | Ouroboros of memory | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="worse-looking-over.html" | ||
| 66 | title="Next article in Stark Raving"> | ||
| 67 | Worse looking over | ||
| 68 | </a> | ||
| 69 | <a class="nextlink" href="lappel-du-vide.html" | ||
| 70 | title="Next article in Stark Raving"> | ||
| 71 | L’appel du vide | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 75 | 74 | ||
| 76 | |||
| 77 | </body> | 75 | </body> |
| 78 | </html> | 76 | </html> |
| diff --git a/love-as-god_backlinks.htm b/love-as-god_backlinks.htm deleted file mode 100644 index d06954a..0000000 --- a/love-as-god_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Love as God | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="love-as-god" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Love as God</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about_author.html">About Case Duckworth</a></li> | ||
| 41 | <li><a href="hardware.html">Hardware</a></li> | ||
| 42 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
| 43 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="love-as-god.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/lovesong.html b/lovesong.html index 062980a..6a85777 100644 --- a/lovesong.html +++ b/lovesong.html | |||
| @@ -4,65 +4,63 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Love Song | Autocento of the breakfast table</title> | 12 | <title>Love Song | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="lovesong" class="elegies"> | 23 | <body id="lovesong" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Love Song</h1> | 28 | <h1 class="title">Love Song</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>Walking along in the dark is a good way to begin a song. Walking home in the dark after a long day chasing criminals is another. Running away from an imagined evil is no way to begin a story.</p> | ||
| 40 | <p>I am telling you this because you wanted to know what it’s like to tell <a href="window.html">something so beautiful</a> everyone will cry. I am telling you because I want you to know what it is to keep everything inside of you. I am telling you.</p> | ||
| 41 | <p>Can you see? Can you see into me and reach in your hand and pull me inside out, like an <a href="ronaldmcdonald.html">old shirt</a>? Will you wear me until I unravel on your shoulders, will you cut me apart and use my skin to clean up the <a href="ex-machina.html">cola you spill</a> on the floor when you’re drunk?</p> | ||
| 42 | <p>I want you to know that I want you to know. Do you want me? To know is to know. <a href="poetry-time.html">I, you want we.</a> We want. That is why we’re here. To want is to be is to want and I want you. Do you also? Check yes or no.</p> | ||
| 43 | <p>There is a way to end every story, <a href="swansong.html">every song</a>. Every criminal must be caught. Even those who cry dry their tears. I cannot tell you all I want because I want to tell you everything. <a href="hands.html">There is no art because there is no mirror big enough.</a> We wake up every day. Sometimes we sleep.</p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="lovesong_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="howithappened.html" | 33 | </div> |
| 56 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 57 | How it happened | 35 | |
| 58 | </a> | 36 | |
| 59 | 37 | <section class="content prose"> | |
| 60 | <a class="nextlink" href="roughgloves.html" | 38 | <p>Walking along in the dark is a good way to begin a song. Walking home in the dark after a long day chasing criminals is another. Running away from an imagined evil is no way to begin a story.</p> |
| 61 | title="Next article in Elegies for alternate selves"> | 39 | <p>I am telling you this because you wanted to know what it’s like to tell <a href="window.html">something so beautiful</a> everyone will cry. I am telling you because I want you to know what it is to keep everything inside of you. I am telling you.</p> |
| 62 | Rough gloves | 40 | <p>Can you see? Can you see into me and reach in your hand and pull me inside out, like an <a href="ronaldmcdonald.html">old shirt</a>? Will you wear me until I unravel on your shoulders, will you cut me apart and use my skin to clean up the <a href="ex-machina.html">cola you spill</a> on the floor when you’re drunk?</p> |
| 63 | </a> | 41 | <p>I want you to know that I want you to know. Do you want me? To know is to know. <a href="poetry-time.html">I, you want we.</a> We want. That is why we’re here. To want is to be is to want and I want you. Do you also? Check yes or no.</p> |
| 64 | </nav> | 42 | <p>There is a way to end every story, <a href="swansong.html">every song</a>. Every criminal must be caught. Even those who cry dry their tears. I cannot tell you all I want because I want to tell you everything. <a href="hands.html">There is no art because there is no mirror big enough.</a> We wake up every day. Sometimes we sleep.</p> |
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="backlinks/lovesong.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="howithappened.html" | ||
| 55 | title="Previous article in Elegies for alternate selves"> | ||
| 56 | How it happened | ||
| 57 | </a> | ||
| 58 | |||
| 59 | <a class="nextlink" href="roughgloves.html" | ||
| 60 | title="Next article in Elegies for alternate selves"> | ||
| 61 | Rough gloves | ||
| 62 | </a> | ||
| 63 | </nav> | ||
| 65 | 64 | ||
| 66 | |||
| 67 | </body> | 65 | </body> |
| 68 | </html> | 66 | </html> |
| diff --git a/lovesong_backlinks.htm b/lovesong_backlinks.htm deleted file mode 100644 index c4962e6..0000000 --- a/lovesong_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Love Song | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="lovesong" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Love Song</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 41 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 42 | <li><a href="proverbs.html">Proverbs</a></li> | ||
| 43 | <li><a href="spittle.html">Spittle</a></li> | ||
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 45 | <li><a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a></li> | ||
| 46 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="lovesong.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/makefile b/makefile index 1c1bc7a..5ba127c 100644 --- a/makefile +++ b/makefile | |||
| @@ -1,142 +1,149 @@ | |||
| 1 | # MAKEFILE for Autocento of the breakfast table | 1 | # Makefile for Autocento of the breakfast table |
| 2 | # by Case Duckworth | case.duckworth@gmail.com | autocento.me | 2 | # by Case Duckworth | autocento.me |
| 3 | # inspired by Lincoln Mullen | lincolnmullen.com | ||
| 4 | # vim: fdm=marker | 3 | # vim: fdm=marker |
| 5 | 4 | ||
| 6 | # Define variables {{{ | 5 | # variables {{{ |
| 7 | srcs := $(wildcard *.txt) | 6 | appendixd := appendix |
| 8 | templates := $(wildcard _template.*) | 7 | backlinkd := backlinks |
| 9 | trunk := trunk | 8 | hapaxd := hapax |
| 10 | metas = hapax first-lines common-titles index island | 9 | scriptd := scripts |
| 11 | metas += $(templates) $(wildcard _*) | 10 | templated := templates |
| 12 | 11 | textd := text | |
| 13 | txts = $(filter-out \ | 12 | trunkd := trunk |
| 14 | $(patsubst %,%.txt,$(metas)),\ | 13 | wipd := wip |
| 15 | $(srcs)) | 14 | |
| 16 | 15 | compiler := bash $(scriptd)/compile.sh | |
| 17 | htmls = $(filter-out \ | 16 | texts := $(wildcard $(textd)/*.txt) |
| 18 | $(patsubst %,%.html,$(metas)),\ | 17 | |
| 19 | $(patsubst %.txt,%.html,$(srcs))) | 18 | htmls = $(patsubst $(textd)/%.txt,%.html,$(texts)) |
| 20 | htmlPre = $(trunk)/versify.exe | 19 | htmlWriter := html5 |
| 21 | htmlPreSrc = $(trunk)/versify.hs | 20 | htmlTemplate := $(templated)/page.html |
| 22 | htmlTemplate = _template.html | 21 | htmlFilter := $(scriptd)/versify.exe |
| 23 | htmlPandocOptions = --template=$(htmlTemplate) | 22 | htmlFilterSrc := $(scriptd)/versify.hs # Converts <br />s to <span>s |
| 24 | htmlPandocOptions+= --filter=$(htmlPre) | 23 | htmlOptions := --template=$(htmlTemplate) |
| 25 | htmlPandocOptions+= --smart --mathml --section-divs | 24 | htmlOptions += --filter=$(htmlFilter) |
| 26 | 25 | htmlOptions += --smart # Smart "correct" typeography | |
| 27 | lozenger = $(trunk)/lozenge.sh | 26 | htmlOptions += --mathml # Use mathml for TeX math in HTML |
| 28 | lozengeOut = $(trunk)/lozenge.js | 27 | htmlOptions += --section-divs # Add a <section> around sections |
| 29 | 28 | htmlOptions += --normalize # merge adjacent `Str`, `Emph`, `Space` | |
| 30 | hapaxs = $(filter-out \ | 29 | |
| 31 | $(patsubst %,%.hapax,$(metas)),\ | 30 | randomize := $(scriptd)/randomize.js |
| 32 | $(patsubst %.txt,%.hapax,$(srcs))) | 31 | |
| 33 | hapaxer = $(trunk)/hapax.lua | 32 | backTexts = $(patsubst $(textd)/%.txt,$(backlinkd)/%.back,$(texts)) |
| 34 | hapaxPre = $(trunk)/forceascii.exe | 33 | backTextHead := $(trunkd)/backlink.head |
| 35 | hapaxPreSrc = $(trunk)/forceascii.hs | 34 | backHtmls := $(patsubst %.back,%.html,$(backTexts)) |
| 36 | hapaxPandocOptions = --filter=$(hapaxPre) | 35 | backHtmlWriter := $(htmlWriter) |
| 37 | hapaxOut = hapax.txt | 36 | backHtmlTemplate := $(templated)/backlinks.html |
| 38 | hapaxHead = $(trunk)/hapax.head | 37 | backHtmlOptions := --template=$(backHtmlTemplate) |
| 39 | hapaxLinker = $(trunk)/hapaxlink.sh | 38 | backHtmlOptions += --smart |
| 40 | 39 | ||
| 41 | backTxts = $(patsubst %.html,%.back,$(htmls)) | 40 | hapaxSrcs = $(patsubst $(textd)/%.txt,$(hapaxd)/%.hapax,$(texts)) |
| 42 | backHtms = $(patsubst %.back,%_backlinks.htm,$(backTxts)) | 41 | hapax := $(appendixd)/hapax.txt |
| 43 | backHead = $(trunk)/backlink.head | 42 | hapaxWriter := $(scriptd)/hapax.lua |
| 44 | backlinker = $(trunk)/backlink.sh | 43 | hapaxFilter := $(scriptd)/forceascii.exe |
| 45 | backHtmTemplate = _backlinks_template.htm | 44 | hapaxFilterSrc := $(scriptd)/forceascii.hs |
| 46 | backPandocOptions = --template=$(backHtmTemplate) --smart | 45 | hapaxOptions := --filter=$(hapaxFilter) |
| 47 | 46 | hapaxHead := $(trunkd)/hapax.head | |
| 48 | islandHead = $(trunk)/island.head | 47 | hapaxTmp := $(trunkd)/_HAPAXTMP.tmp |
| 49 | islandTxt = island.txt | 48 | hapaxHtml := hapax.html |
| 50 | islandHtm = island.htm | 49 | |
| 51 | 50 | island := $(appendixd)/islands.txt | |
| 52 | firstLinesTxt = first-lines.txt | 51 | islandHead := $(trunkd)/islands.head |
| 53 | firstLinesOut = first-lines.html | 52 | islandHtml := islands.html |
| 54 | firstLiner = $(trunk)/first-lines.sh | 53 | firstLines := $(appendixd)/first-lines.txt |
| 55 | firstLinesHead = $(trunk)/first-lines.head | 54 | firstLinesHead := $(trunkd)/first-lines.head |
| 56 | commonTitlesTxt = common-titles.txt | 55 | firstLinesHtml := first-lines.html |
| 57 | commonTitlesOut = common-titles.html | 56 | commonTitles := $(appendixd)/common-titles.txt |
| 58 | commonTitler = $(trunk)/common-titles.sh | 57 | commonTitlesHead := $(trunkd)/common-titles.head |
| 59 | commonTitlesHead = $(trunk)/common-titles.head | 58 | commonTitlesHtml := common-titles.html |
| 60 | 59 | toc := $(appendixd)/toc.txt | |
| 61 | tocTxt = _toc.txt | 60 | tocHead := $(trunkd)/toc.head |
| 62 | tocHtml = _toc.html | 61 | tocHtml := toc.html |
| 63 | tocer = $(trunk)/toc.sh | 62 | appendices := $(firstLines) $(commonTitles) $(toc) $(hapax) |
| 64 | tocHead = $(trunk)/toc.head | 63 | appendixHtmls := $(patsubst $(appendixd)/%.txt,%.html,$(appendices)) |
| 65 | tocInc = $(hapaxOut) $(islandTxt) $(firstLinesTxt) $(commonTitlesTxt) $(txts) | ||
| 66 | # }}} | 64 | # }}} |
| 67 | # PHONY {{{ | 65 | # PHONY TARGETS {{{ |
| 68 | .PHONY: all clean distclean again remake meta | 66 | .PHONY: all clean again appendices htmls backlinks |
| 69 | all: meta \ | 67 | all : appendices backlinks htmls |
| 70 | $(htmlPre) $(htmls) $(lozengeOut)\ | 68 | htmls: $(htmls) |
| 71 | $(backHtms) $(islandHtm) | 69 | backlinks: $(backHtmls) $(islandHtml) |
| 72 | 70 | appendices: $(appendixHtmls) | |
| 73 | clean: | 71 | clean : |
| 74 | -rm -f $(hapaxs) | ||
| 75 | -rm -f $(firstLinesTxt) | ||
| 76 | -rm -f $(commonTitlesTxt) | ||
| 77 | -rm -f $(backTxts) | ||
| 78 | -rm -f *.tmp trunk/*.tmp | ||
| 79 | |||
| 80 | distclean: clean | ||
| 81 | -rm -f $(hapaxPre) $(htmlPre) hapax.html | ||
| 82 | -rm -f $(hapaxOut) $(firstLinesOut) $(commonTitlesOut) | ||
| 83 | -rm -f $(backHtms) | ||
| 84 | -rm -f $(htmls) | 72 | -rm -f $(htmls) |
| 85 | 73 | -rm -f $(backlinkd)/* | |
| 86 | again: clean all | 74 | -rm -f $(appendixd)/* |
| 87 | remake: distclean all | 75 | -rm -f $(hapaxd)/* |
| 88 | 76 | -rm -f $(appendixHtmls) | |
| 89 | meta: $(hapaxOut) $(firstLinesOut) $(commonTitlesOut) $(tocHtml) | 77 | again : clean all |
| 90 | # }}} | 78 | # }}} |
| 91 | # HTML {{{ | 79 | # HTMLS {{{ |
| 92 | $(htmlPre): $(htmlPreSrc) | 80 | %.html : $(textd)/%.txt $(htmlFilter) $(htmlTemplate) |
| 93 | ghc --make $(htmlPreSrc) | 81 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ |
| 94 | 82 | ||
| 95 | %.html: %.txt | $(htmlTemplate) $(htmlPre) | 83 | $(htmlFilter) : $(htmlFilterSrc) |
| 96 | pandoc $< -t html5 $(htmlPandocOptions) -o $@ | 84 | ghc --make $< |
| 97 | 85 | # }}} | |
| 98 | $(lozengeOut): $(htmls) | 86 | # RANDOMIZE.JS {{{ |
| 99 | bash $(lozenger) $(lozengeOut) $(htmls) | 87 | $(randomize) : $(htmls) |
| 88 | @echo "Updating $@..." | ||
| 89 | @$(compiler) $@ $^ | ||
| 100 | # }}} | 90 | # }}} |
| 101 | # BACKLINKS {{{ | 91 | # BACKLINKS {{{ |
| 102 | %.back: %.html $(backHead) | 92 | $(backlinkd)/%.back : $(textd)/%.txt $(backTextHead) |
| 103 | @bash $(backlinker) $< $@ $(backHead) $(txts) | 93 | cat $(backTextHead) > $@ |
| 104 | 94 | $(compiler) $@ $< >> $@ | |
| 105 | %_backlinks.htm: %.back $(backHtmTemplate) | 95 | $(compiler) --fix-head $@ $< |
| 106 | pandoc $< -t html5 $(backPandocOptions) -o $@ | ||
| 107 | |||
| 108 | $(islandTxt): $(backTxts) | ||
| 109 | |||
| 110 | $(islandHtm): $(islandTxt) $(islandHead) $(backHtms) | ||
| 111 | pandoc $(islandHead) $< -t html5 $(htmlPandocOptions) -o $@ | ||
| 112 | 96 | ||
| 113 | $(tocTxt): $(tocInc) | $(tocead) $(tocer) | 97 | $(backlinkd)/%.html : $(backlinkd)/%.back $(backHtmlTemplate) |
| 114 | @bash $(tocer) $(tocTxt) $(tocInc) | 98 | pandoc $< -t $(backHtmlWriter) $(backHtmlOptions) -o $@ |
| 115 | |||
| 116 | $(tocHtml): $(tocTxt) $(tocHead) | ||
| 117 | pandoc $(tocHead) $< -t html5 $(htmlPandocOptions) -o $@ | ||
| 118 | # }}} | 99 | # }}} |
| 119 | # HAPAX {{{ | 100 | # APPENDICES {{{ |
| 120 | $(hapaxPre): $(hapaxPreSrc) | 101 | $(island) : $(backTexts) |
| 121 | ghc --make $(hapaxPreSrc) | 102 | cat $(islandHead) > $@ |
| 122 | 103 | @echo "Compiling $@..." | |
| 123 | %.hapax: %.txt $(hapaxPre) $(hapaxLinker) | 104 | @$(compiler) $@ $^ >> $@ |
| 124 | pandoc $< -t $(hapaxer) $(hapaxPandocOptions) -o $@ | 105 | |
| 125 | 106 | $(islandHtml) : $(island) | |
| 126 | $(hapaxOut): $(hapaxs) | 107 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ |
| 127 | pandoc $^ -t $(hapaxer) -o $@ | 108 | |
| 128 | bash $(hapaxLinker) $@ $(hapaxHead) $^ | 109 | $(firstLines) : $(texts) |
| 110 | cat $(firstLinesHead) > $@ | ||
| 111 | @echo "Compiling $@..." | ||
| 112 | @$(compiler) $@ $^ >> $@ | ||
| 113 | |||
| 114 | $(firstLinesHtml) : $(firstLines) | ||
| 115 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ | ||
| 116 | |||
| 117 | $(commonTitles) : $(texts) | ||
| 118 | cat $(commonTitlesHead) > $@ | ||
| 119 | @echo "Compiling $@..." | ||
| 120 | @$(compiler) $@ $^ >> $@ | ||
| 121 | |||
| 122 | $(commonTitlesHtml) : $(commonTitles) | ||
| 123 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ | ||
| 124 | |||
| 125 | $(toc) : $(texts) | ||
| 126 | cat $(tocHead) > $@ | ||
| 127 | @echo "Compiling $@..." | ||
| 128 | @$(compiler) $@ $^ >> $@ | ||
| 129 | |||
| 130 | $(tocHtml) : $(toc) | ||
| 131 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ | ||
| 129 | # }}} | 132 | # }}} |
| 130 | # FIRST LINES & COMMON TITLES {{{ | 133 | # HAPAX LEGOMENA {{{ |
| 131 | $(firstLinesTxt): $(txts) | $(firstLiner) $(firstLinesHead) | 134 | $(hapaxd)/%.hapax : $(textd)/%.txt $(hapaxWriter) |
| 132 | bash $(firstLiner) $@ $(firstLinesHead) $^ | 135 | pandoc $< -t $(hapaxWriter) $(hapaxOptions) -o $@ |
| 133 | 136 | ||
| 134 | $(firstLinesOut): $(firstLinesTxt) $(htmlTemplate) $(htmlPre) | 137 | $(hapaxFilter) : $(hapaxFilterSrc) |
| 135 | pandoc $< -t html5 $(htmlPandocOptions) -o $@ | 138 | ghc --make $< |
| 136 | 139 | ||
| 137 | $(commonTitlesTxt): $(txts) | $(commonTitler) $(commonTitlesHead) | 140 | $(hapax) : $(hapaxSrcs) |
| 138 | bash $(commonTitler) $@ $(commonTitlesHead) $^ | 141 | pandoc $^ -t $(hapaxWriter) $(hapaxOptions) -o $@ |
| 139 | 142 | cat $(hapaxHead) > $(hapaxTmp) | |
| 140 | $(commonTitlesOut): $(commonTitlesTxt) $(htmlTemplate) $(htmlPre) | 143 | @echo "Linking $@..." |
| 141 | pandoc $< -t html5 $(htmlPandocOptions) -o $@ | 144 | @$(compiler) $@ $^ >> $(hapaxTmp) |
| 145 | mv $(hapaxTmp) $@ | ||
| 146 | |||
| 147 | $(hapaxHtml) : $(hapax) | ||
| 148 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ | ||
| 142 | # }}} | 149 | # }}} |
| diff --git a/man.html b/man.html index a04cfaf..f3bbac9 100644 --- a/man.html +++ b/man.html | |||
| @@ -4,81 +4,79 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Man | Autocento of the breakfast table</title> | 12 | <title>Man | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="man" class="paul"> | 23 | <body id="man" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Man</h1> | 28 | <h1 class="title">Man</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | <div class="ekphrastic"> | 31 | <div class="header-extra"> |
| 38 | <a href="http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&recno=31230"> | ||
| 39 | <img src="trunk/tbedemugshot.jpg" | ||
| 40 | title="This man refused to open his eyes" | ||
| 41 | alt="This man refused to open his eyes" | ||
| 42 | /> | ||
| 43 | </a> | ||
| 44 | </div> | ||
| 45 | |||
| 46 | <section class="content prose"> | ||
| 47 | <p><em>THIS MAN REFUSED TO OPEN HIS EYES</em></p> | ||
| 48 | <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p> | ||
| 49 | <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p> | ||
| 50 | <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p> | ||
| 51 | <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="man_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 60 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | 32 | ||
| 63 | <a class="prevlink" href="cereal.html" | 33 | </div> |
| 64 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 65 | Cereal | 35 | |
| 66 | </a> | 36 | <div class="ekphrastic"> |
| 67 | <a class="prevlink" href="leg.html" | 37 | <a href="http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&recno=31230"> |
| 68 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <img src="trunk/tbedemugshot.jpg" |
| 69 | Leg | 39 | title="This man refused to open his eyes" |
| 70 | </a> | 40 | alt="This man refused to open his eyes" |
| 71 | 41 | /> | |
| 72 | <a class="nextlink" href="snow.html" | 42 | </a> |
| 73 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </div> |
| 74 | Snow | 44 | |
| 75 | </a> | 45 | <section class="content prose"> |
| 76 | <a class="nextlink" href="notes.html" | 46 | <p><em>THIS MAN REFUSED TO OPEN HIS EYES</em></p> |
| 77 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p> |
| 78 | Notes | 48 | <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p> |
| 79 | </a> | 49 | <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p> |
| 80 | </nav> | 50 | <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p> |
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="backlinks/man.html" id="backlinks" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 59 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | <a class="prevlink" href="cereal.html" | ||
| 63 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Cereal | ||
| 65 | </a> | ||
| 66 | <a class="prevlink" href="leg.html" | ||
| 67 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Leg | ||
| 69 | </a> | ||
| 70 | |||
| 71 | <a class="nextlink" href="snow.html" | ||
| 72 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 73 | Snow | ||
| 74 | </a> | ||
| 75 | <a class="nextlink" href="notes.html" | ||
| 76 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 77 | Notes | ||
| 78 | </a> | ||
| 79 | </nav> | ||
| 81 | 80 | ||
| 82 | |||
| 83 | </body> | 81 | </body> |
| 84 | </html> | 82 | </html> |
| diff --git a/man_backlinks.htm b/man_backlinks.htm deleted file mode 100644 index c705012..0000000 --- a/man_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Man | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="man" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Man</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="building.html">Building</a></li> | ||
| 42 | <li><a href="hands.html">Hands</a></li> | ||
| 43 | <li><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a></li> | ||
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="man.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/manifesto_poetics.html b/manifesto_poetics.html index 641dd13..aa905a9 100644 --- a/manifesto_poetics.html +++ b/manifesto_poetics.html | |||
| @@ -4,59 +4,57 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Manifesto of poetics | Autocento of the breakfast table</title> | 12 | <title>Manifesto of poetics | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="manifesto_poetics" class="stark"> | 23 | <body id="manifesto_poetics" class="stark"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Manifesto of poetics</h1> |
| 29 | <h1 class="title">Manifesto of poetics</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content prose"> | |
| 38 | <section class="content prose"> | 38 | <p>What is a poem? I think it was Yeats that called a poem “the best words in the best order,” and that isn’t an inaccurate description, but I don’t think it captures all of what a poem is. <a href="prelude.html">Let me start</a> with communication.</p> |
| 39 | <p>What is a poem? I think it was Yeats that called a poem “the best words in the best order,” and that isn’t an inaccurate description, but I don’t think it captures all of what a poem is. <a href="prelude.html">Let me start</a> with communication.</p> | 39 | <p><span class="line">Communication is a transaction, an exchange between two people or entities, in which one (the Speaker/Writer/Communicator) gives the other (the Reader/Listener/Consumer) a</span><span class="line">set of ideas /</span><span class="line">a wireframe organization of a concept /</span><span class="line">a set of reasons/instructions for action. In many kinds of communication, for example speeches, reports, or advertisements, the kind of ideas transacted are generally factual/logical/brain-based in nature. In art, these ideas are emotional/heart-based. In short, Art is to Emotion as an <a href="README.html#fn1">Article</a> is to Information. I think art should strive to transmit the emotion the author feels as efficiently as possible to the reader of that art.</span></p> |
| 40 | <p><span class="line">Communication is a transaction, an exchange between two people or entities, in which one (the Speaker/Writer/Communicator) gives the other (the Reader/Listener/Consumer) a</span><span class="line">set of ideas /</span><span class="line">a wireframe organization of a concept /</span><span class="line">a set of reasons/instructions for action. In many kinds of communication, for example speeches, reports, or advertisements, the kind of ideas transacted are generally factual/logical/brain-based in nature. In art, these ideas are emotional/heart-based. In short, Art is to Emotion as an <a href="README.html#fn1">Article</a> is to Information. I think art should strive to transmit the emotion the author feels as efficiently as possible to the reader of that art.</span></p> | 40 | <p>In order to do this, multiple notation systems have been devised. Music is the most notable example that comes to mind, as it has the most rigid style, but grammar, as used self-consciously in writing, would be another example. Poetry has only a very loose set of rules and assumptions that allow it a sort of notational language, and this is complicated by the fact that when writing poetry, the author writes for a different medium: poetry is meant to be performed aloud. This makes the notation system even more important, but again, it’s hard to come up with a system that will be read mostly the same by most people.</p> |
| 41 | <p>In order to do this, multiple notation systems have been devised. Music is the most notable example that comes to mind, as it has the most rigid style, but grammar, as used self-consciously in writing, would be another example. Poetry has only a very loose set of rules and assumptions that allow it a sort of notational language, and this is complicated by the fact that when writing poetry, the author writes for a different medium: poetry is meant to be performed aloud. This makes the notation system even more important, but again, it’s hard to come up with a system that will be read mostly the same by most people.</p> | 41 | <p>What I’ve been trying to do since I began writing is develop a personal notation system, or what I think most would refer to as my “voice” as a poet/writer (I personally don’t like the word “poet,” as it sounds pretentious to me; I’m aware I should get over this).</p> |
| 42 | <p>What I’ve been trying to do since I began writing is develop a personal notation system, or what I think most would refer to as my “voice” as a poet/writer (I personally don’t like the word “poet,” as it sounds pretentious to me; I’m aware I should get over this).</p> | 42 | <p>However, there were some places that still needed improving from my draft manuscript: most notably, my prose in “Rip Tide of Memory” (now only “Rip Tide”) and “AMBER Alert.” I rewrote each to tighten their syntactic and idea rhythm, to make them move more lightly and gracefully.</p> |
| 43 | <p>However, there were some places that still needed improving from my draft manuscript: most notably, my prose in “Rip Tide of Memory” (now only “Rip Tide”) and “AMBER Alert.” I rewrote each to tighten their syntactic and idea rhythm, to make them move more lightly and gracefully.</p> | 43 | <p>The most notable difference in my series is the reordering of poems within it. I think that in my first draft, I spent so much time on getting my individual poems tight and polished that I threw them together somewhat haphazardly, using a loose thematic correspondence with the fake “Table of contents.” With the new order, I hope this has been fixed: the piece consists of six sections, each with three poems (A new one, “Everything stays the same,” makes the totals correct). Each section has a thematic/emotional/personal element that ties the sections together. They are ordered by the order in which I wrote the sestinas at the beginning of each section, which works out to make the series move from identity to memory to a feeling of universal justice, and from there to a discussion of death and (something like) love that culminates in an exploration of the nature of time and cosmology. The piece is bookended by the fake “Table of contents” (provided at the end as an ironic commentary on the rest of the text) and an “About the author” section. I think it works better this way, and I think the “About the author” at the beginning serves as a fair prelude poem to the piece.</p> |
| 44 | <p>The most notable difference in my series is the reordering of poems within it. I think that in my first draft, I spent so much time on getting my individual poems tight and polished that I threw them together somewhat haphazardly, using a loose thematic correspondence with the fake “Table of contents.” With the new order, I hope this has been fixed: the piece consists of six sections, each with three poems (A new one, “Everything stays the same,” makes the totals correct). Each section has a thematic/emotional/personal element that ties the sections together. They are ordered by the order in which I wrote the sestinas at the beginning of each section, which works out to make the series move from identity to memory to a feeling of universal justice, and from there to a discussion of death and (something like) love that culminates in an exploration of the nature of time and cosmology. The piece is bookended by the fake “Table of contents” (provided at the end as an ironic commentary on the rest of the text) and an “About the author” section. I think it works better this way, and I think the “About the author” at the beginning serves as a fair prelude poem to the piece.</p> | 44 | <p>I’m excited to be a writer like I haven’t been before.</p> |
| 45 | <p>I’m excited to be a writer like I haven’t been before.</p> | 45 | </section> |
| 46 | </section> | 46 | </article> |
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| 39 | <p><a href="island.htm"><em>island</em></a>.</p> | ||
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| 29 | <h1 class="title">The Moon is drowning</h1> | 28 | <h1 class="title">The Moon is drowning</h1> |
| 30 | |||
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| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line"><a href="moongone.html">The moon is drowning</a> the stars it pushes them</span><span class="line">under into the darkness they cannot breathe</span><span class="line">they are flailing the moon boasts to my shadow</span><span class="line">how powerful is the moon how great its light</span></p> | ||
| 40 | <p><span class="line">My shadow nods and calls the moon father though</span><span class="line">it acknowledges also the existence of others</span><span class="line">headlights are like little moons father my shadow says</span><span class="line">they pass like waves in a dark ocean</span></p> | ||
| 41 | <p><span class="line">Father moon becomes angry and threatens</span><span class="line">I can maroon you shadow I can trap you in darkness</span><span class="line">your strength comes from my own the little moons</span><span class="line">are fleeting like foam on a darkened sea</span></p> | ||
| 42 | <p><span class="line">My shadow fears the night as it fears death</span><span class="line">but it remembers the moon’s strength is from another</span><span class="line">my shadow wants the headlights like an ocean</span><span class="line">might want the moon as a seducer as a lover</span></p> | ||
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| 45 | <nav> | ||
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| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="poetry-time.html" | 33 | </div> |
| 55 | title="Previous article in Stark Raving"> | 34 | </header> |
| 56 | Something about the nature of poetry and time | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="big-dipper.html" | 37 | <section class="content verse"> |
| 59 | title="Previous article in Stark Raving"> | 38 | <p><span class="line"><a href="moongone.html">The moon is drowning</a> the stars it pushes them</span><span class="line">under into the darkness they cannot breathe</span><span class="line">they are flailing the moon boasts to my shadow</span><span class="line">how powerful is the moon how great its light</span></p> |
| 60 | The Big Dipper | 39 | <p><span class="line">My shadow nods and calls the moon father though</span><span class="line">it acknowledges also the existence of others</span><span class="line">headlights are like little moons father my shadow says</span><span class="line">they pass like waves in a dark ocean</span></p> |
| 61 | </a> | 40 | <p><span class="line">Father moon becomes angry and threatens</span><span class="line">I can maroon you shadow I can trap you in darkness</span><span class="line">your strength comes from my own the little moons</span><span class="line">are fleeting like foam on a darkened sea</span></p> |
| 62 | 41 | <p><span class="line">My shadow fears the night as it fears death</span><span class="line">but it remembers the moon’s strength is from another</span><span class="line">my shadow wants the headlights like an ocean</span><span class="line">might want the moon as a seducer as a lover</span></p> | |
| 63 | <a class="nextlink" href="music-433.html" | 42 | </section> |
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| 65 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | 44 | <nav> |
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| 69 | Worse looking over | 48 | </a> |
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| 52 | |||
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| 55 | Something about the nature of poetry and time | ||
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| 63 | title="Next article in Stark Raving"> | ||
| 64 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | ||
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| 68 | Worse looking over | ||
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| 72 | 71 | ||
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| 33 | |||
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| 39 | <ul> | ||
| 40 | <li><a href="boy_bus.html">Boy on the bus</a></li> | ||
| 41 | <li><a href="in-bed.html">In bed</a></li> | ||
| 42 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 43 | <li><a href="something-simple.html">“Let’s start with something simple:”</a></li> | ||
| 44 | <li><a href="statements-frag.html">Statements</a></li> | ||
| 45 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 46 | <li><a href="window.html">Window</a></li> | ||
| 47 | <li><a href="worse-looking-over.html">Worse looking over</a></li> | ||
| 48 | </ul> | ||
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| @@ -4,69 +4,67 @@ | |||
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| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 22 | </head> | 22 | </head> |
| 23 | <body id="moongone" class="elegies"> | 23 | <body id="moongone" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The moon is gone and in its place a mirror</h1> | 28 | <h1 class="title">The moon is gone and in its place a mirror</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | <div class="ekphrastic"> | 31 | <div class="header-extra"> |
| 38 | <a href="http://apod.nasa.gov/apod/ap120102.html"> | ||
| 39 | <img src="trunk/moongone.jpg" | ||
| 40 | title="The moon is gone" | ||
| 41 | alt="The moon is gone" | ||
| 42 | /> | ||
| 43 | </a> | ||
| 44 | </div> | ||
| 45 | |||
| 46 | <section class="content prose"> | ||
| 47 | <p>The moon is gone and in its place a mirror. Looking at the night sky now yields nothing but the viewer’s own face as viewed from a million miles, surrounded by the landscape he is only vaguely aware of being surrounded by. He believes that he is <a href="apollo11.html">alone</a>, surrounded by desert and mountain, but behind him—he now sees it—someone is sneaking up on him. He spins around fast, but no one is there on <a href="serengeti.html">Earth</a>. He looks back up and they are yet closer in the night sky. Again he looks over his shoulder but there is nothing, not even a desert mouse. As he looks up again he realizes it’s a cloud above him, which due to optics has looked like someone else. The cloud blocks out the moon which is now a mirror, and the viewer is completely alone.</p> | ||
| 48 | </section> | ||
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| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | 32 | ||
| 59 | <a class="prevlink" href="ronaldmcdonald.html" | 33 | </div> |
| 60 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 61 | Ronald McDonald | 35 | |
| 62 | </a> | 36 | <div class="ekphrastic"> |
| 63 | 37 | <a href="http://apod.nasa.gov/apod/ap120102.html"> | |
| 64 | <a class="nextlink" href="mountain.html" | 38 | <img src="trunk/moongone.jpg" |
| 65 | title="Next article in Elegies for alternate selves"> | 39 | title="The moon is gone" |
| 66 | The mountain | 40 | alt="The moon is gone" |
| 67 | </a> | 41 | /> |
| 68 | </nav> | 42 | </a> |
| 43 | </div> | ||
| 44 | |||
| 45 | <section class="content prose"> | ||
| 46 | <p>The moon is gone and in its place a mirror. Looking at the night sky now yields nothing but the viewer’s own face as viewed from a million miles, surrounded by the landscape he is only vaguely aware of being surrounded by. He believes that he is <a href="apollo11.html">alone</a>, surrounded by desert and mountain, but behind him—he now sees it—someone is sneaking up on him. He spins around fast, but no one is there on <a href="serengeti.html">Earth</a>. He looks back up and they are yet closer in the night sky. Again he looks over his shoulder but there is nothing, not even a desert mouse. As he looks up again he realizes it’s a cloud above him, which due to optics has looked like someone else. The cloud blocks out the moon which is now a mirror, and the viewer is completely alone.</p> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="backlinks/moongone.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | <a class="prevlink" href="ronaldmcdonald.html" | ||
| 59 | title="Previous article in Elegies for alternate selves"> | ||
| 60 | Ronald McDonald | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="mountain.html" | ||
| 64 | title="Next article in Elegies for alternate selves"> | ||
| 65 | The mountain | ||
| 66 | </a> | ||
| 67 | </nav> | ||
| 69 | 68 | ||
| 70 | |||
| 71 | </body> | 69 | </body> |
| 72 | </html> | 70 | </html> |
| diff --git a/moongone_backlinks.htm b/moongone_backlinks.htm deleted file mode 100644 index 4ae8840..0000000 --- a/moongone_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The moon is gone and in its place a mirror | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
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| 19 | <!--[if lt IE 9]> | ||
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| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="moongone" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The moon is gone and in its place a mirror</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="arspoetica.html">Ars poetica</a></li> | ||
| 41 | <li><a href="boy_bus.html">Boy on the bus</a></li> | ||
| 42 | <li><a href="deadman.html">Dead man</a></li> | ||
| 43 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 44 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
| 45 | <li><a href="moon-drowning.html">The Moon is drowning</a></li> | ||
| 46 | <li><a href="swansong.html">Swan song</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="moongone.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/mountain.html b/mountain.html index 91e5920..e44737f 100644 --- a/mountain.html +++ b/mountain.html | |||
| @@ -4,64 +4,62 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The mountain | Autocento of the breakfast table</title> | 12 | <title>The mountain | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="mountain" class="elegies"> | 23 | <body id="mountain" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The mountain</h1> | 28 | <h1 class="title">The mountain</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">The other side of this mountain</span><span class="line">is not the mountain. This side</span><span class="line">is honey-golden, sticky-sweet,</span><span class="line">full of phone conversations with mother.</span><span class="line">The other side is a bell,</span><span class="line">ringing in the church-steeple</span><span class="line">the day mother died.</span></p> | ||
| 40 | <p><span class="line">The other side of the mountain</span><span class="line"><a href="apollo11.html">is not a mountain. It is a dark</a></span><span class="line">valley crossed by a river.</span><span class="line">There is a ferry at the bottom.</span></p> | ||
| 41 | <p><span class="line">This mountain is not a mountain.</span><span class="line">I walked to the top, but it turned</span><span class="line">and was only a shelf halfway up.</span><span class="line">I felt like an unused Bible</span><span class="line">sitting on a <a href="and.html">dusty pew</a>.</span></p> | ||
| 42 | <p><span class="line">A hawk soars over the mountain.</span><span class="line">She is looking for home.</span></p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="mountain_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="moonegone.html" | 33 | </div> |
| 55 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 56 | The moon is gone and in its place a mirror | 35 | |
| 57 | </a> | 36 | |
| 58 | 37 | <section class="content verse"> | |
| 59 | <a class="nextlink" href="serengeti.html" | 38 | <p><span class="line">The other side of this mountain</span><span class="line">is not the mountain. This side</span><span class="line">is honey-golden, sticky-sweet,</span><span class="line">full of phone conversations with mother.</span><span class="line">The other side is a bell,</span><span class="line">ringing in the church-steeple</span><span class="line">the day mother died.</span></p> |
| 60 | title="Next article in Elegies for alternate selves"> | 39 | <p><span class="line">The other side of the mountain</span><span class="line"><a href="apollo11.html">is not a mountain. It is a dark</a></span><span class="line">valley crossed by a river.</span><span class="line">There is a ferry at the bottom.</span></p> |
| 61 | Serengeti | 40 | <p><span class="line">This mountain is not a mountain.</span><span class="line">I walked to the top, but it turned</span><span class="line">and was only a shelf halfway up.</span><span class="line">I felt like an unused Bible</span><span class="line">sitting on a <a href="and.html">dusty pew</a>.</span></p> |
| 62 | </a> | 41 | <p><span class="line">A hawk soars over the mountain.</span><span class="line">She is looking for home.</span></p> |
| 63 | </nav> | 42 | </section> |
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="backlinks/mountain.html" id="backlinks" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="moonegone.html" | ||
| 54 | title="Previous article in Elegies for alternate selves"> | ||
| 55 | The moon is gone and in its place a mirror | ||
| 56 | </a> | ||
| 57 | |||
| 58 | <a class="nextlink" href="serengeti.html" | ||
| 59 | title="Next article in Elegies for alternate selves"> | ||
| 60 | Serengeti | ||
| 61 | </a> | ||
| 62 | </nav> | ||
| 64 | 63 | ||
| 65 | |||
| 66 | </body> | 64 | </body> |
| 67 | </html> | 65 | </html> |
| diff --git a/mountain_backlinks.htm b/mountain_backlinks.htm deleted file mode 100644 index af5843b..0000000 --- a/mountain_backlinks.htm +++ /dev/null | |||
| @@ -1,66 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The mountain | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="mountain" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The mountain</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="boar.html">The boar</a></li> | ||
| 41 | <li><a href="boy_bus.html">Boy on the bus</a></li> | ||
| 42 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
| 43 | <li><a href="howtoread.html">How to read this</a></li> | ||
| 44 | <li><a href="in-bed.html">In bed</a></li> | ||
| 45 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 46 | <li><a href="squirrel.html">The squirrel</a></li> | ||
| 47 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 48 | <li><a href="telemarketer.html">Telemarketer</a></li> | ||
| 49 | </ul> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="mountain.html" id="back-link" title="Back to article"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 58 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | |||
| 61 | |||
| 62 | </nav> | ||
| 63 | |||
| 64 | |||
| 65 | </body> | ||
| 66 | </html> | ||
| diff --git a/movingsideways.html b/movingsideways.html index d1f2e33..6dd0957 100644 --- a/movingsideways.html +++ b/movingsideways.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Moving Sideways | Autocento of the breakfast table</title> | 12 | <title>Moving Sideways | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="movingsideways" class="hezekiah"> | 23 | <body id="movingsideways" class="hezekiah"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Moving Sideways</h1> | 28 | <h1 class="title">Moving Sideways</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>A dog moving sideways is sick; a man moving sideways is drunk. Thus if you want to be mindful of the movings of the universe sideways, become either drunk or sick. By doing this you remove yourself from the equation, and are able to observe, without being observed, the universe as it dances sideways drunkenly.</p> | ||
| 40 | <p>Shit wait. The problem is not that by observing you are observed (although quantum mechanics may disagree<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a>), because obviously dogs don’t know we’re observing them when we watch them through cameras in their little yard while they play and eat and poop—who poops knowingly on camera? The problem is <em>the actual act of observing that distorts the world into what we want it to be</em>.</p> | ||
| 41 | <p>What I want to know is this: Why is this necessarily a problem? The dog is made, by mankind, to frolic and poop and sniff and growl and dig. Why cannot the man be made to observe the world incorrectly around him, and worry about it? Men have always wandered about the earth; does it not make sense that also they should wonder in their minds what makes it all work?<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a> In fact this is the very center of the creative being: the ability to move sideways, to dance with reality and judge it as it judges you, much like teenagers at the junior prom.</p> | ||
| 42 | <p>Of course, reality doesn’t judge us back. But that doesn’t mean that it doesn’t! If you think it’s judging you, then <em>observe in your surroundings your own insecurities</em>. It is obvious that this way of doing things is far from vogue; usually projecting <a href="telemarketer.html">inner pain</a> onto the outer world is classified as pathology. However, this is because it is assumed that the outer world is <em>on its own terms</em>, which it obviously isn’t, as far as we know. It follows that as <a href="philosophy.html">there is no backdrop</a> against which to judge our quirks, the quirks must not exist. Thus all is right with the world.</p> | ||
| 43 | <section class="footnotes"> | ||
| 44 | <hr /> | ||
| 45 | <ol> | ||
| 46 | <li id="fn1"><p>Quantum mechanics, as is well known, are the most hornery and least agreeable of all mechanics. The cost to get one quantum serviced is usually at least eight times more expensive than the cost of an average automobile tune-up, for reasons not clearly known. The quantum mechanics themselves claim it’s the smallness of their work that justifies the price, but it doesn’t really look like they’re doing anything, and besides, my quantum always seems to break again within six months—maybe I’m just driving it too hard.<a href="#fnref1">↩</a></p></li> | ||
| 47 | <li id="fn2"><p>I attempted to strike this terrible pun from the account, but Hezekiah demanded I keep it if he were to continue the relation of his prophecy-slash-advice column.<a href="#fnref2">↩</a></p></li> | ||
| 48 | </ol> | ||
| 49 | </section> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="movingsideways_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 58 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | 32 | ||
| 61 | <a class="prevlink" href="proverbs.html" | 33 | </div> |
| 62 | title="Previous article in Book of Hezekiah"> | 34 | </header> |
| 63 | Proverbs | 35 | |
| 64 | </a> | 36 | |
| 65 | 37 | <section class="content prose"> | |
| 66 | <a class="nextlink" href="problems.html" | 38 | <p>A dog moving sideways is sick; a man moving sideways is drunk. Thus if you want to be mindful of the movings of the universe sideways, become either drunk or sick. By doing this you remove yourself from the equation, and are able to observe, without being observed, the universe as it dances sideways drunkenly.</p> |
| 67 | title="Next article in Book of Hezekiah"> | 39 | <p>Shit wait. The problem is not that by observing you are observed (although quantum mechanics may disagree<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a>), because obviously dogs don’t know we’re observing them when we watch them through cameras in their little yard while they play and eat and poop—who poops knowingly on camera? The problem is <em>the actual act of observing that distorts the world into what we want it to be</em>.</p> |
| 68 | Problems | 40 | <p>What I want to know is this: Why is this necessarily a problem? The dog is made, by mankind, to frolic and poop and sniff and growl and dig. Why cannot the man be made to observe the world incorrectly around him, and worry about it? Men have always wandered about the earth; does it not make sense that also they should wonder in their minds what makes it all work?<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a> In fact this is the very center of the creative being: the ability to move sideways, to dance with reality and judge it as it judges you, much like teenagers at the junior prom.</p> |
| 69 | </a> | 41 | <p>Of course, reality doesn’t judge us back. But that doesn’t mean that it doesn’t! If you think it’s judging you, then <em>observe in your surroundings your own insecurities</em>. It is obvious that this way of doing things is far from vogue; usually projecting <a href="telemarketer.html">inner pain</a> onto the outer world is classified as pathology. However, this is because it is assumed that the outer world is <em>on its own terms</em>, which it obviously isn’t, as far as we know. It follows that as <a href="philosophy.html">there is no backdrop</a> against which to judge our quirks, the quirks must not exist. Thus all is right with the world.</p> |
| 70 | </nav> | 42 | <section class="footnotes"> |
| 43 | <hr /> | ||
| 44 | <ol> | ||
| 45 | <li id="fn1"><p>Quantum mechanics, as is well known, are the most hornery and least agreeable of all mechanics. The cost to get one quantum serviced is usually at least eight times more expensive than the cost of an average automobile tune-up, for reasons not clearly known. The quantum mechanics themselves claim it’s the smallness of their work that justifies the price, but it doesn’t really look like they’re doing anything, and besides, my quantum always seems to break again within six months—maybe I’m just driving it too hard.<a href="#fnref1">↩</a></p></li> | ||
| 46 | <li id="fn2"><p>I attempted to strike this terrible pun from the account, but Hezekiah demanded I keep it if he were to continue the relation of his prophecy-slash-advice column.<a href="#fnref2">↩</a></p></li> | ||
| 47 | </ol> | ||
| 48 | </section> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="backlinks/movingsideways.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | <a class="prevlink" href="proverbs.html" | ||
| 61 | title="Previous article in Book of Hezekiah"> | ||
| 62 | Proverbs | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="problems.html" | ||
| 66 | title="Next article in Book of Hezekiah"> | ||
| 67 | Problems | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/movingsideways_backlinks.htm b/movingsideways_backlinks.htm deleted file mode 100644 index 4129742..0000000 --- a/movingsideways_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Moving Sideways | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="movingsideways" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Moving Sideways</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="creation-myth.html">Creation myth</a></li> | ||
| 41 | <li><a href="early.html">Early</a></li> | ||
| 42 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 43 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 44 | <li><a href="squirrel.html">The squirrel</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="movingsideways.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/music-433.html b/music-433.html index 1d52f90..360a193 100644 --- a/music-433.html +++ b/music-433.html | |||
| @@ -4,76 +4,74 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Something | Autocento of the breakfast table</title> | 12 | <title>Something | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="music-433" class="stark"> | 23 | <body id="music-433" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Something</h1> | 28 | <h1 class="title">Something</h1> |
| 30 | <h1 class="subtitle">about all music being performances of <em>4′33″</em> in places where other bands happen to be playing</h1> | 29 | <h1 class="subtitle">about all music being performances of <em>4′33″</em> in places where other bands happen to be playing</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | <!-- dedication --> | 32 | <!-- dedication --> |
| 34 | <div class="dedication"><a href="https://xkcd.com/1199/">Randall</a></div> | 33 | <div class="dedication"><a href="https://xkcd.com/1199/">Randall</a></div> |
| 35 | |||
| 36 | </div> | ||
| 37 | </header> | ||
| 38 | 34 | ||
| 39 | 35 | </div> | |
| 40 | <section class="content verse"> | 36 | </header> |
| 41 | <p><span class="line">Silence lies underneath us all in the same way</span><span class="line"><a href="http://members.authorsguild.net/svobodni/resonance_80307.htm" title="Personals">the Nile has a river underneath ten times as large</a></span><span class="line">(although this is an urban legend, apparently).</span></p> | ||
| 42 | <p><span class="line">So underneath <a href="phone.html">truth</a> or legend, flowing by</span><span class="line">the feel of their own <a href="nothing-is-ever-over.html">silence</a>, move the stars:</span><span class="line">silence lies underneath us all in the same way.</span></p> | ||
| 43 | <p><span class="line"><a href="https://www.youtube.com/watch?feature=player_detailpage&v=zY7UK-6aaNA#t=39">John Cage</a>, I think, understood this: the way</span><span class="line">that, in a silent room, one still hears the nerves</span><span class="line">(although this is an urban legend, apparently),</span></p> | ||
| 44 | <p><span class="line">or the heart, which I find more easily</span><span class="line">believable: there simply is no way that, by and large,</span><span class="line">silence lies underneath us all in the same way.</span></p> | ||
| 45 | <p><span class="line">There must be different silences, because we</span><span class="line">have different <a href="swansong.html">songs</a> to drown them out, different gods</span><span class="line">(although these are urban legends, apparently).</span></p> | ||
| 46 | <p><span class="line">But is not all <a href="swansong-alt.html">sound one sound</a>? You and I</span><span class="line">are two faces to the same head, the same body.</span><span class="line">Silence lies underneath us all in the same way—</span><span class="line">although this is an urban legend, apparently.</span></p> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="music-433_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | 37 | ||
| 58 | <a class="prevlink" href="moon-drowning.html" | ||
| 59 | title="Previous article in Stark Raving"> | ||
| 60 | The Moon is drowning | ||
| 61 | </a> | ||
| 62 | <a class="prevlink" href="sixteenth-chapel.html" | ||
| 63 | title="Previous article in Stark Raving"> | ||
| 64 | The Sixteenth Chapel | ||
| 65 | </a> | ||
| 66 | |||
| 67 | <a class="nextlink" href="riptide_memory.html" | ||
| 68 | title="Next article in Stark Raving"> | ||
| 69 | Riptide of memory | ||
| 70 | </a> | ||
| 71 | <a class="nextlink" href="about-the-author.html" | ||
| 72 | title="Next article in Stark Raving"> | ||
| 73 | About the author | ||
| 74 | </a> | ||
| 75 | </nav> | ||
| 76 | 38 | ||
| 77 | 39 | <section class="content verse"> | |
| 40 | <p><span class="line">Silence lies underneath us all in the same way</span><span class="line"><a href="http://members.authorsguild.net/svobodni/resonance_80307.htm" title="Personals">the Nile has a river underneath ten times as large</a></span><span class="line">(although this is an urban legend, apparently).</span></p> | ||
| 41 | <p><span class="line">So underneath <a href="phone.html">truth</a> or legend, flowing by</span><span class="line">the feel of their own <a href="nothing-is-ever-over.html">silence</a>, move the stars:</span><span class="line">silence lies underneath us all in the same way.</span></p> | ||
| 42 | <p><span class="line"><a href="https://www.youtube.com/watch?feature=player_detailpage&v=zY7UK-6aaNA#t=39">John Cage</a>, I think, understood this: the way</span><span class="line">that, in a silent room, one still hears the nerves</span><span class="line">(although this is an urban legend, apparently),</span></p> | ||
| 43 | <p><span class="line">or the heart, which I find more easily</span><span class="line">believable: there simply is no way that, by and large,</span><span class="line">silence lies underneath us all in the same way.</span></p> | ||
| 44 | <p><span class="line">There must be different silences, because we</span><span class="line">have different <a href="swansong.html">songs</a> to drown them out, different gods</span><span class="line">(although these are urban legends, apparently).</span></p> | ||
| 45 | <p><span class="line">But is not all <a href="swansong-alt.html">sound one sound</a>? You and I</span><span class="line">are two faces to the same head, the same body.</span><span class="line">Silence lies underneath us all in the same way—</span><span class="line">although this is an urban legend, apparently.</span></p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="backlinks/music-433.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | <a class="prevlink" href="moon-drowning.html" | ||
| 58 | title="Previous article in Stark Raving"> | ||
| 59 | The Moon is drowning | ||
| 60 | </a> | ||
| 61 | <a class="prevlink" href="sixteenth-chapel.html" | ||
| 62 | title="Previous article in Stark Raving"> | ||
| 63 | The Sixteenth Chapel | ||
| 64 | </a> | ||
| 65 | |||
| 66 | <a class="nextlink" href="riptide_memory.html" | ||
| 67 | title="Next article in Stark Raving"> | ||
| 68 | Riptide of memory | ||
| 69 | </a> | ||
| 70 | <a class="nextlink" href="about-the-author.html" | ||
| 71 | title="Next article in Stark Raving"> | ||
| 72 | About the author | ||
| 73 | </a> | ||
| 74 | </nav> | ||
| 75 | |||
| 78 | </body> | 76 | </body> |
| 79 | </html> | 77 | </html> |
| diff --git a/music-433_backlinks.htm b/music-433_backlinks.htm deleted file mode 100644 index 036911e..0000000 --- a/music-433_backlinks.htm +++ /dev/null | |||
| @@ -1,65 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Something | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="music-433" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Something</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 41 | <li><a href="art.html">Art</a></li> | ||
| 42 | <li><a href="dream.html">Dream</a></li> | ||
| 43 | <li><a href="last-bastion.html">Last bastion</a></li> | ||
| 44 | <li><a href="no-nothing.html">No nothing</a></li> | ||
| 45 | <li><a href="stump.html">Stump</a></li> | ||
| 46 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 47 | <li><a href="what-we-are-made-of.html">What we are made of</a></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="music-433.html" id="back-link" title="Back to article"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 57 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | |||
| 61 | </nav> | ||
| 62 | |||
| 63 | |||
| 64 | </body> | ||
| 65 | </html> | ||
| diff --git a/no-nothing.html b/no-nothing.html index 52c8176..aa3a0e8 100644 --- a/no-nothing.html +++ b/no-nothing.html | |||
| @@ -4,54 +4,52 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>No nothing | Autocento of the breakfast table</title> | 12 | <title>No nothing | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="no-nothing" class="autocento"> | 23 | <body id="no-nothing" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">No nothing</h1> |
| 29 | <h1 class="title">No nothing</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">While <a href="father.html">swimming in the river</a></span><span class="line">I saw <a href="music-433.html">underneath it a river</a></span><span class="line">of stars. Only there was no</span><span class="line">river: it was noon. You can</span><span class="line">say the sun is a river; you</span><span class="line">can argue the stars back it</span><span class="line">like <a href="lovessong.html">shirts behind a closet</a></span><span class="line">door; you can say <a href="big-dipper.html">the earth</a></span><span class="line">holds us up with its weight</span><span class="line">or that it means well or it</span><span class="line">means anything.</span><span class="line"> There is no</span><span class="line">closet, <a href="amber-alert.html">nor door</a>; there are</span><span class="line">no shirts hanging anywhere.</span><span class="line">There is no false wall that</span><span class="line">leads deep into the earth’s</span><span class="line">bowels, <a href="real-writer.html">growing warmer</a> with</span><span class="line">each step. Warmth as a con-</span><span class="line">cept has ceased to make any</span><span class="line">sense. In contraposition to</span><span class="line">cold, it might, but cold as</span><span class="line">well <a href="i-think-its-you.html">stepped out</a> last night</span><span class="line">and hasn’t returned.</span><span class="line"> Last I</span><span class="line">heard, it went out swimming</span><span class="line">and <a href="in-bed.html">might’ve drowned</a>. Trees</span><span class="line">were the pallbearers at the</span><span class="line">funeral, the train was long</span><span class="line">and wailful, there was much</span><span class="line"><a href="http://biblehub.com/luke/13-28.htm">wailing and gnashing</a> of all</span><span class="line">teeth–though there were no</span><span class="line">teeth, no train, no funeral</span><span class="line">or prayer or trees at all–</span><span class="line">nor a <a href="howtoread.html">river underneath</a> any-</span><span class="line">thing. There was nothing to</span><span class="line">be underneath anymore.</span><span class="line"> Look</span><span class="line">around, and tell me you see</span><span class="line">something. Look around, and</span><span class="line">tell me something that I do</span><span class="line">not know. I know, more than</span><span class="line">anything, that the world is</span><span class="line">always ending. Behind that,</span><span class="line">there is nothing, save that</span><span class="line">there is no nothing either.</span></p> |
| 39 | <p><span class="line">While <a href="father.html">swimming in the river</a></span><span class="line">I saw <a href="music-433.html">underneath it a river</a></span><span class="line">of stars. Only there was no</span><span class="line">river: it was noon. You can</span><span class="line">say the sun is a river; you</span><span class="line">can argue the stars back it</span><span class="line">like <a href="lovessong.html">shirts behind a closet</a></span><span class="line">door; you can say <a href="big-dipper.html">the earth</a></span><span class="line">holds us up with its weight</span><span class="line">or that it means well or it</span><span class="line">means anything.</span><span class="line"> There is no</span><span class="line">closet, <a href="amber-alert.html">nor door</a>; there are</span><span class="line">no shirts hanging anywhere.</span><span class="line">There is no false wall that</span><span class="line">leads deep into the earth’s</span><span class="line">bowels, <a href="real-writer.html">growing warmer</a> with</span><span class="line">each step. Warmth as a con-</span><span class="line">cept has ceased to make any</span><span class="line">sense. In contraposition to</span><span class="line">cold, it might, but cold as</span><span class="line">well <a href="i-think-its-you.html">stepped out</a> last night</span><span class="line">and hasn’t returned.</span><span class="line"> Last I</span><span class="line">heard, it went out swimming</span><span class="line">and <a href="in-bed.html">might’ve drowned</a>. Trees</span><span class="line">were the pallbearers at the</span><span class="line">funeral, the train was long</span><span class="line">and wailful, there was much</span><span class="line"><a href="http://biblehub.com/luke/13-28.htm">wailing and gnashing</a> of all</span><span class="line">teeth–though there were no</span><span class="line">teeth, no train, no funeral</span><span class="line">or prayer or trees at all–</span><span class="line">nor a <a href="howtoread.html">river underneath</a> any-</span><span class="line">thing. There was nothing to</span><span class="line">be underneath anymore.</span><span class="line"> Look</span><span class="line">around, and tell me you see</span><span class="line">something. Look around, and</span><span class="line">tell me something that I do</span><span class="line">not know. I know, more than</span><span class="line">anything, that the world is</span><span class="line">always ending. Behind that,</span><span class="line">there is nothing, save that</span><span class="line">there is no nothing either.</span></p> | 39 | <p><span class="line">Nothing somehow still turns</span><span class="line">and flows past us, past all</span><span class="line">time and beyond it, a river</span><span class="line">returning, to its forgotten</span><span class="line">origins deep within itself.</span></p> |
| 40 | <p><span class="line">Nothing somehow still turns</span><span class="line">and flows past us, past all</span><span class="line">time and beyond it, a river</span><span class="line">returning, to its forgotten</span><span class="line">origins deep within itself.</span></p> | 40 | </section> |
| 41 | </section> | 41 | </article> |
| 42 | </article> | 42 | <nav> |
| 43 | <nav> | 43 | <div class="anchors"> |
| 44 | <div class="anchors"> | 44 | <a href="backlinks/no-nothing.html" id="backlinks" title="Links to this page"> |
| 45 | <a href="no-nothing_backlinks.htm" id="back-link" title="Links to this page"> | 45 | φ |
| 46 | φ | 46 | </a> |
| 47 | </a> | 47 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 48 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 49 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 49 | </div> |
| 50 | </div> | 50 | |
| 51 | 51 | ||
| 52 | 52 | </nav> | |
| 53 | </nav> | 53 | |
| 54 | |||
| 55 | |||
| 56 | </body> | 54 | </body> |
| 57 | </html> | 55 | </html> |
| diff --git a/no-nothing_backlinks.htm b/no-nothing_backlinks.htm deleted file mode 100644 index 1ff5007..0000000 --- a/no-nothing_backlinks.htm +++ /dev/null | |||
| @@ -1,70 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>No nothing | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="no-nothing" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">No nothing</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="big-dipper.html">The Big Dipper</a></li> | ||
| 41 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 42 | <li><a href="ex-machina.html">Ex machina</a></li> | ||
| 43 | <li><a href="found-typewriter-poem.html">Look</a></li> | ||
| 44 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 45 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | ||
| 46 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 47 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 48 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 49 | <li><a href="swansong-alt.html">Swansong</a></li> | ||
| 50 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 51 | <li><a href="toothpaste.html">Toothpaste</a></li> | ||
| 52 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 53 | </ul> | ||
| 54 | </section> | ||
| 55 | </article> | ||
| 56 | <nav> | ||
| 57 | <div class="anchors"> | ||
| 58 | <a href="no-nothing.html" id="back-link" title="Back to article"> | ||
| 59 | φ | ||
| 60 | </a> | ||
| 61 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 62 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 63 | </div> | ||
| 64 | |||
| 65 | |||
| 66 | </nav> | ||
| 67 | |||
| 68 | |||
| 69 | </body> | ||
| 70 | </html> | ||
| diff --git a/notes.html b/notes.html index 3de7403..57625ff 100644 --- a/notes.html +++ b/notes.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Notes | Autocento of the breakfast table</title> | 12 | <title>Notes | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="notes" class="paul"> | 23 | <body id="notes" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Notes</h1> | 28 | <h1 class="title">Notes</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>Paul began typing on notecards. Somehow this felt right to his sensibilities. It was difficult to get the little cards into the typewriter. It was a pain to readjust the typewriter for regular paper when he wasn’t writing. He started typing everything on those little notecards: grocery lists, letters to his grandmother, <a href="telemarketer.html">even reports for work</a> (which is what got him in trouble).</p> | ||
| 40 | <p>But this was all later. For now he was writing his ideas, “notes” he now called them, something for him to combine later into something. He didn’t like to think about it. On this particular <a href="seasonal-affective-disorder.html">cold winter morning</a>, he wrote</p> | ||
| 41 | <blockquote> | ||
| 42 | <p>Woke up from a <a href="in-bed.html">dream</a> I was famous. One of the more famous people in fact. I had written something everyone could relate to and at the same time proved my parents wrong. Because I made a lot of money. Or not a lot, but enough and more than they thought I would. It was a good day. Woke up this morning and I was still cold. <a href="something-simple.html">Still Paul.</a> Still not good at furniture.</p> | ||
| 43 | </blockquote> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="notes_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="writing.html" | 33 | </div> |
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 57 | Writing | 35 | |
| 58 | </a> | 36 | |
| 59 | <a class="prevlink" href="man.html" | 37 | <section class="content prose"> |
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>Paul began typing on notecards. Somehow this felt right to his sensibilities. It was difficult to get the little cards into the typewriter. It was a pain to readjust the typewriter for regular paper when he wasn’t writing. He started typing everything on those little notecards: grocery lists, letters to his grandmother, <a href="telemarketer.html">even reports for work</a> (which is what got him in trouble).</p> |
| 61 | Man | 39 | <p>But this was all later. For now he was writing his ideas, “notes” he now called them, something for him to combine later into something. He didn’t like to think about it. On this particular <a href="seasonal-affective-disorder.html">cold winter morning</a>, he wrote</p> |
| 62 | </a> | 40 | <blockquote> |
| 63 | 41 | <p>Woke up from a <a href="in-bed.html">dream</a> I was famous. One of the more famous people in fact. I had written something everyone could relate to and at the same time proved my parents wrong. Because I made a lot of money. Or not a lot, but enough and more than they thought I would. It was a good day. Woke up this morning and I was still cold. <a href="something-simple.html">Still Paul.</a> Still not good at furniture.</p> | |
| 64 | <a class="nextlink" href="shed.html" | 42 | </blockquote> |
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </section> |
| 66 | Shed | 44 | </article> |
| 67 | </a> | 45 | <nav> |
| 68 | <a class="nextlink" href="options.html" | 46 | <div class="anchors"> |
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <a href="backlinks/notes.html" id="backlinks" title="Links to this page"> |
| 70 | Options | 48 | φ |
| 71 | </a> | 49 | </a> |
| 72 | </nav> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="writing.html" | ||
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 56 | Writing | ||
| 57 | </a> | ||
| 58 | <a class="prevlink" href="man.html" | ||
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 60 | Man | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="shed.html" | ||
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 65 | Shed | ||
| 66 | </a> | ||
| 67 | <a class="nextlink" href="options.html" | ||
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 69 | Options | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/nothing-is-ever-over.html b/nothing-is-ever-over.html index 8eae35c..ad4da8a 100644 --- a/nothing-is-ever-over.html +++ b/nothing-is-ever-over.html | |||
| @@ -4,53 +4,51 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Nothing is ever over | Autocento of the breakfast table</title> | 12 | <title>Nothing is ever over | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="nothing-is-ever-over" class="autocento"> | 23 | <body id="nothing-is-ever-over" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Nothing is ever over</h1> |
| 29 | <h1 class="title">Nothing is ever over</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line"><a href="no-nothing.html">Nothing is ever over</a>; nothing</span><span class="line">is ever even begun. The foundation</span><span class="line">hasn’t been laid; how can we hope</span><span class="line">to put in the plumbing? The bed</span><span class="line">is unmade, not even made; the wood</span><span class="line"><a href="axe.html">hasn’t been cleft from the tree</a>;</span><span class="line">the seed hasn’t been cast</span><span class="line">out of water and growth and sun,</span><span class="line">which itself hasn’t started shining.</span><span class="line">The cock has never stopped crowing</span><span class="line">because he never started. Peter</span><span class="line"><a href="spittle.html">betrays us again</a> and again with</span><span class="line">silence. Christ wakes up at night,</span><span class="line"><a href="in-bed.html">choking from a bad dream</a>, wrists</span><span class="line">aching from a dreamt, torturous pain.</span></p> |
| 39 | <p><span class="line"><a href="no-nothing.html">Nothing is ever over</a>; nothing</span><span class="line">is ever even begun. The foundation</span><span class="line">hasn’t been laid; how can we hope</span><span class="line">to put in the plumbing? The bed</span><span class="line">is unmade, not even made; the wood</span><span class="line"><a href="axe.html">hasn’t been cleft from the tree</a>;</span><span class="line">the seed hasn’t been cast</span><span class="line">out of water and growth and sun,</span><span class="line">which itself hasn’t started shining.</span><span class="line">The cock has never stopped crowing</span><span class="line">because he never started. Peter</span><span class="line"><a href="spittle.html">betrays us again</a> and again with</span><span class="line">silence. Christ wakes up at night,</span><span class="line"><a href="in-bed.html">choking from a bad dream</a>, wrists</span><span class="line">aching from a dreamt, torturous pain.</span></p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
| 41 | </article> | 41 | <nav> |
| 42 | <nav> | 42 | <div class="anchors"> |
| 43 | <div class="anchors"> | 43 | <a href="backlinks/nothing-is-ever-over.html" id="backlinks" title="Links to this page"> |
| 44 | <a href="nothing-is-ever-over_backlinks.htm" id="back-link" title="Links to this page"> | 44 | φ |
| 45 | φ | 45 | </a> |
| 46 | </a> | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | </div> |
| 49 | </div> | 49 | |
| 50 | 50 | ||
| 51 | 51 | </nav> | |
| 52 | </nav> | 52 | |
| 53 | |||
| 54 | |||
| 55 | </body> | 53 | </body> |
| 56 | </html> | 54 | </html> |
| diff --git a/nothing-is-ever-over_backlinks.htm b/nothing-is-ever-over_backlinks.htm deleted file mode 100644 index 6fbb2b5..0000000 --- a/nothing-is-ever-over_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Nothing is ever over | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
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| 39 | <p>How does one describe a poem?</p> | 36 | <p>How does one describe a poem?</p> |
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| 70 | <p>How does one describe a poem?</p> | ||
| 71 | <p>A genre is a set of creative outputs that fit a given set of criteria. Genres are useful as a sort of shorthand when describing a thing of art: instead of noting, for example, all of the objects depicted in a still-life that aren’t people or land-features, we call it a still-life and get on to describing how the objects interrelate to each other on the canvas. If you ask me what kind of painting I’m working on, and I say, “a still-life,” you have an expectation of certain elements the painting will contain. If you happen to be an agent and try to sell the painting later, you’ll say to your prospective buyers, “It’s a still-life,” and whether the buyer is over the phone or standing in the gallery, they’ll know whether they’ll like it or not based on whether they like still-lifes. In the same way, they can call you up and ask if you have any still-lifes for sale right now, and get a simple yes-or-no answer for it. This is the first kind of genre, and it applies well within separate types of fundamentally-different media, such as painting, sculpture, film, or the written word.</p> | ||
| 72 | <p>A poem, obviously, is in this last category, and for some reason its designation is hairier than others’. People refer to all sorts of art, or even dispassionate events, as poetry; dancing is called “poetry in motion,” for example. I think the confusion is caused in part by the nature of writing as a medium, namely in that it captures thoughts more clearly and communicably than other art forms. While a picture can be “worth a thousand words,” as the old cliché goes, when those words are actually written out they can contain shades of meaning impossible to capture in the picture itself, at least as quickly as they can be absorbed in writing. It seems as though writing is akin to the fundamental nature of thought, or at least of spoken language, which our thought is steeped in.</p> | ||
| 73 | <p>So we know what <em>writing</em> is. What is a <em>poem</em>? Especially in a world with such forms as prose poetry, flash fiction, short-shorts, lyrical essays, <a href="http://www.bartleby.com/39/36.html">lyrical <em>ballads</em></a>, et cetera, what makes a poem a poem?</p> | ||
| 74 | <p>I read an essay once that lamented the unidimensionality of writing. It posited that prose is really just a long, wrapped line of text that’s bound by time—when you read a novel, for example, you really must start at the beginning and read through to the end, in order. Some newer forms of fiction are changing this, such as the Choose-Your-Own-Adventure genre in the 1970s and 80s, or hyperfiction found online, which raises the question for me if these newer forms could be considered on some level to be poetry.</p> | ||
| 75 | <p>This is because poetry has more than one dimension, due to its linear nature—those line breaks are intentional, and the poem can’t just fit into any-sized book or web page. If prose is a liquid, filling any container it’s placed in with a constant volume, poetry is more like a crystallized form of prose, or to put it another way, poetry has between <a href="http://www.vanderbilt.edu/AnS/psychology/cogsci/chaos/workshop/Fractals.html">one and two dimensions</a>. I wouldn’t say that poetry has fully two dimensions, except for some of the more conceptually visual stuff that I’d call a word-picture anyway, because from line to line that unidimensionality of prose remains. Poetry has a higher dimensionality than prose, though, because it’s crystallized there on the page; this fractal-dimensionality of poetry has interesting side effects on the genre itself.</p> | ||
| 76 | <p>For one thing, poetry isn’t as bound by time as prose is. It can, as Marianne Boruch writes, resist “narrative sequence,” or “the forward press of <em>time</em> itself,” due to its repetitions and diversions, which are in turn made possible or more apparent by its line breaks. It’s able to meditate on a subject, or expand on it lyrically, exploring the emotions connected with the images in the poem, or the connections between images. Through repitition of sounds, the poem builds meaning through resonance and rhyming, something that’s harder to do in prose. Take, for example, the first lines of “<a href="http://www.bartleby.com/198/1.html">The Love Song of J. Alfred Prufrock</a>:”</p> | ||
| 77 | <blockquote> | ||
| 78 | <p><span class="line">Let us go then, you and I,</span><span class="line">When the evening is spread out against the sky</span><span class="line">Like a patient etherized upon a table;</span><span class="line">Let us go, through certain half-deserted streets,</span><span class="line">The muttering retreats</span><span class="line">Of restless nights in one-night cheap hotels</span><span class="line">And sawdust restaurants with oyster-shells:</span><span class="line">Streets that follow like a tedious argument</span><span class="line">Of insidious intent</span><span class="line">To lead you to an overwhelming question….</span><span class="line">Oh, do not ask, “What is it?”</span><span class="line">Let us go and make our visit.</span></p> | ||
| 79 | </blockquote> | ||
| 80 | <p>And here it is again, without line breaks:</p> | ||
| 81 | <blockquote> | ||
| 82 | <p>Let us go then, you and I, when the evening is spread out against the sky like a patient etherized upon a table; let us go, through certain half-deserted streets, the muttering retreats of restless nights in one-night cheap hotels and sawdust restaurants with oyster-shells: streets that follow like a tedious argument of insidious intent to lead you to an overwhelming question…. Oh, do not ask, “What is it?” Let us go and make our visit.</p> | ||
| 83 | </blockquote> | ||
| 84 | <p>The end-rhymes that do so much for the sound of the poem are gone, and so part of the meaning of the poem—its obsessive self-consciousness, its paranoia—are gone as well. Additionally, line breaks act as punctuation in the entirety of this <a href="statements-frag.html">fragment</a>; without them, the meaning becomes obscured in the long first sentence of the poem.</p> | ||
| 85 | <p>Perhaps due to this dwelling on scene, or on all aspects of a single scene at one time, poetry tends to be heavy on images, or lyrical. I think this is what’s generally meant when someone describes a dance as “poetic,” or a story or anything else: I think they really mean “lyrical,” or maybe “beautiful.” The images form sort of a narrative as the reader moves through them, as Cesare Pavese says, that’s nevertheless <a href="http://numerocinqmagazine.com/2011/03/07/translation-adaptation-and-transformation-the-poet-as-translator-an-essay-by-richard-jackson/">different than a traditional narrative</a>: this “image narrative” jumps from image to image not by a logical progression but by the resonances between the images that run underneath them, on almost a subliminal plane. Almost without noticing, the reader of a poem is taken on an emotional journey that’s not necessarily connected to the images of the poem, themselves.</p> | ||
| 86 | <p>Poetry is a manipulation of emotion, or a communication of it. Prose has the space, the time to describe what’s going on, even if the author stands by the old adage of “show, don’t tell.” <em>Showing</em> in prose inherently involves more telling than poetry does, as poetry communicates a feeling itself. This definition may be broad enough to include certain dance performances or paintings, but that’s okay. I’m of the opinion that the more useful genre distinctions are those which describe the thing technically: <em>verse</em>, for example, or <em>lyrical</em>. <em>Poetry</em> is almost a value judgement, and that makes me a little uncomfortable.</p> | ||
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| 38 | <section class="content verse"> | 38 | <p><span class="line">Whenever you call me friend</span><span class="line">I fall down on my knees and cry</span><span class="line">because I know it’s the only thing</span><span class="line">never to happen before in this</span><span class="line">life is something you can’t see</span><span class="line">it’s a pillow under a <a href="theoceanoverflowswithcamels.html">hook shot</a></span><span class="line"><a href="lovesong.html">I want to tell you something anything</a></span><span class="line">but you are there and I am here</span><span class="line">we are <a href="howtoread.html">trapped inside ourselves</a></span><span class="line">and the distance is too far</span><span class="line">you are something that I would tell</span><span class="line"><a href="no-nothing.html">would be nothing</a> before too long</span><span class="line">you are not the finisher of dreams</span><span class="line">you are the beginning of <a href="in-bed.html">nightmares</a></span><span class="line">or waking but I’m not sure which</span><span class="line">this <a href="poetry-time.html">letter is for you</a> in the future</span><span class="line">it will lead you on the path</span><span class="line">of goodness or of rightness or of</span><span class="line">wrong people and right meanings</span><span class="line">or the meaning will be hidden</span><span class="line">or wrestling the demon I will have become</span><span class="line">restless under the starlight</span><span class="line">it’s too bright here to think</span><span class="line">the negatives would be pitch black</span><span class="line">darkness of a silver mine</span><span class="line">there are <a href="plant.html">no trees</a> here</span><span class="line">where have you been where are you now</span><span class="line">I am no longer here or there</span><span class="line">you are anywhere or are you</span><span class="line">up in the clouds is a ghost</span><span class="line">he is white and blue like a cloud</span><span class="line">he paints with his teeth</span><span class="line">he paints the rainbow before midnight</span><span class="line">that you can see from your window</span><span class="line">staring out under the sunlight</span><span class="line">through the gauze curtains</span><span class="line"><a href="mountain.html">over the high mountain</a> far away</span><span class="line">that is covered over with snow</span><span class="line">past the rivers and forests</span><span class="line">that lie awake under Orion</span><span class="line">hunting the bull that runs forever</span><span class="line">just out of his reach</span><span class="line">pointing the way for the two of us</span><span class="line">to join together in song or dance</span><span class="line">or that other thing and sing</span><span class="line">the Grinch down off Mount Crumpet</span><span class="line"><a href="moon-drowning.html">his heart breaking his chest</a></span><span class="line">thumping with the beat</span><span class="line">his <a href="https://www.youtube.com/watch?v=jUpxmlZ2hyM">little dog too</a> running running</span><span class="line">with the bull full of laughter and blood</span><span class="line">he can’t see it anymore because it’s become him</span><span class="line">we are trapped he says we are</span><span class="line">trapped in ourselves it turns out</span><span class="line">that all along it wasn’t you or me</span><span class="line">but he and her or her and him or</span><span class="line">he and he or she and she or they</span><span class="line">even they tell us that nothing has happened</span><span class="line">even they know that it’s a big joke</span><span class="line">one more thing to know before the death</span><span class="line">we are crying like crocodiles</span><span class="line">before their loved ones’ coffins</span><span class="line">we are bellowing with grief like buffalo</span><span class="line">on a berth of wild oxen</span><span class="line">we are wailing our clothes are in rags</span><span class="line"><a href="i-wanted-to-tell-you-something.html">we want</a> <a href="fire.html">we want</a> <a href="lovesong.html">we want</a></span><span class="line">but never can we get</span><span class="line">what is it</span><span class="line">we don’t know what it is</span><span class="line">but it’s something it’s anything</span><span class="line">it’s too many people or not enough</span><span class="line">it’s too few trees we need more</span><span class="line">beavers to build riverdams we need</span><span class="line">grapes too or <a href="http://www.poetryfoundation.org/poem/245576">plums</a> from the ice box</span><span class="line">or an ice box even would be nice</span><span class="line">all I have is this cube isn’t that right</span><span class="line">or is a sphere a cube a donut a coffee</span><span class="line">cup your hands in mine yes that’s right</span><span class="line">now bring the water to your face</span><span class="line">clear and cool and</span><span class="line">full of something</span><span class="line">what is it wanting</span><span class="line">or yearning</span><span class="line">I can see in your eyes they’re clear now</span><span class="line">they are as clear as a running stream</span><span class="line">or the sky that’s clear right</span><span class="line">or the water that is in the Bahamas</span><span class="line">because I hear that’s clear</span><span class="line">you’re as clear as the sound of a bell</span><span class="line">you’re as clear as the <a href="table_contents.html">braying of horses</a></span><span class="line">you’re as clear as the glass in God’s eye</span><span class="line">and I</span><span class="line">I’m as dull as an ox plowing</span><span class="line"><a href="last-passenger.html">through fields in his yoke</a></span><span class="line">I’m as dull as clouded amber</span><span class="line">I’m dull as you find me</span><span class="line">tonight after dinner</span><span class="line">I’m reading the crossword</span><span class="line">you’re sitting beside me</span><span class="line">you’re watching TV.</span></p> |
| 39 | <p><span class="line">Whenever you call me friend</span><span class="line">I fall down on my knees and cry</span><span class="line">because I know it’s the only thing</span><span class="line">never to happen before in this</span><span class="line">life is something you can’t see</span><span class="line">it’s a pillow under a <a href="theoceanoverflowswithcamels.html">hook shot</a></span><span class="line"><a href="lovesong.html">I want to tell you something anything</a></span><span class="line">but you are there and I am here</span><span class="line">we are <a href="howtoread.html">trapped inside ourselves</a></span><span class="line">and the distance is too far</span><span class="line">you are something that I would tell</span><span class="line"><a href="no-nothing.html">would be nothing</a> before too long</span><span class="line">you are not the finisher of dreams</span><span class="line">you are the beginning of <a href="in-bed.html">nightmares</a></span><span class="line">or waking but I’m not sure which</span><span class="line">this <a href="poetry-time.html">letter is for you</a> in the future</span><span class="line">it will lead you on the path</span><span class="line">of goodness or of rightness or of</span><span class="line">wrong people and right meanings</span><span class="line">or the meaning will be hidden</span><span class="line">or wrestling the demon I will have become</span><span class="line">restless under the starlight</span><span class="line">it’s too bright here to think</span><span class="line">the negatives would be pitch black</span><span class="line">darkness of a silver mine</span><span class="line">there are <a href="plant.html">no trees</a> here</span><span class="line">where have you been where are you now</span><span class="line">I am no longer here or there</span><span class="line">you are anywhere or are you</span><span class="line">up in the clouds is a ghost</span><span class="line">he is white and blue like a cloud</span><span class="line">he paints with his teeth</span><span class="line">he paints the rainbow before midnight</span><span class="line">that you can see from your window</span><span class="line">staring out under the sunlight</span><span class="line">through the gauze curtains</span><span class="line"><a href="mountain.html">over the high mountain</a> far away</span><span class="line">that is covered over with snow</span><span class="line">past the rivers and forests</span><span class="line">that lie awake under Orion</span><span class="line">hunting the bull that runs forever</span><span class="line">just out of his reach</span><span class="line">pointing the way for the two of us</span><span class="line">to join together in song or dance</span><span class="line">or that other thing and sing</span><span class="line">the Grinch down off Mount Crumpet</span><span class="line"><a href="moon-drowning.html">his heart breaking his chest</a></span><span class="line">thumping with the beat</span><span class="line">his <a href="https://www.youtube.com/watch?v=jUpxmlZ2hyM">little dog too</a> running running</span><span class="line">with the bull full of laughter and blood</span><span class="line">he can’t see it anymore because it’s become him</span><span class="line">we are trapped he says we are</span><span class="line">trapped in ourselves it turns out</span><span class="line">that all along it wasn’t you or me</span><span class="line">but he and her or her and him or</span><span class="line">he and he or she and she or they</span><span class="line">even they tell us that nothing has happened</span><span class="line">even they know that it’s a big joke</span><span class="line">one more thing to know before the death</span><span class="line">we are crying like crocodiles</span><span class="line">before their loved ones’ coffins</span><span class="line">we are bellowing with grief like buffalo</span><span class="line">on a berth of wild oxen</span><span class="line">we are wailing our clothes are in rags</span><span class="line"><a href="i-wanted-to-tell-you-something.html">we want</a> <a href="fire.html">we want</a> <a href="lovesong.html">we want</a></span><span class="line">but never can we get</span><span class="line">what is it</span><span class="line">we don’t know what it is</span><span class="line">but it’s something it’s anything</span><span class="line">it’s too many people or not enough</span><span class="line">it’s too few trees we need more</span><span class="line">beavers to build riverdams we need</span><span class="line">grapes too or <a href="http://www.poetryfoundation.org/poem/245576">plums</a> from the ice box</span><span class="line">or an ice box even would be nice</span><span class="line">all I have is this cube isn’t that right</span><span class="line">or is a sphere a cube a donut a coffee</span><span class="line">cup your hands in mine yes that’s right</span><span class="line">now bring the water to your face</span><span class="line">clear and cool and</span><span class="line">full of something</span><span class="line">what is it wanting</span><span class="line">or yearning</span><span class="line">I can see in your eyes they’re clear now</span><span class="line">they are as clear as a running stream</span><span class="line">or the sky that’s clear right</span><span class="line">or the water that is in the Bahamas</span><span class="line">because I hear that’s clear</span><span class="line">you’re as clear as the sound of a bell</span><span class="line">you’re as clear as the <a href="table_contents.html">braying of horses</a></span><span class="line">you’re as clear as the glass in God’s eye</span><span class="line">and I</span><span class="line">I’m as dull as an ox plowing</span><span class="line"><a href="last-passenger.html">through fields in his yoke</a></span><span class="line">I’m as dull as clouded amber</span><span class="line">I’m dull as you find me</span><span class="line">tonight after dinner</span><span class="line">I’m reading the crossword</span><span class="line">you’re sitting beside me</span><span class="line">you’re watching TV.</span></p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
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| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="creation-myth.html">Creation myth</a></li> | ||
| 41 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 42 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 43 | <li><a href="punch.html">Punch</a></li> | ||
| 44 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | ||
| 45 | <li><a href="snow.html">Snow</a></li> | ||
| 46 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 47 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | ||
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| 28 | <h1 class="title">On formal poetry</h1> | ||
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| 29 | <h1 class="title">On formal poetry</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">I think that I could write formal poems</span><span class="line">exclusively, or at least inclusive</span><span class="line">with all the other stuff I write</span><span class="line">I guess. Of course, I’ve already written</span><span class="line">a few, this one included, though “formal”</span><span class="line">is maybe a stretch. Is blank verse a form?</span><span class="line">What is form anyway? I picture old</span><span class="line">women counting <a href="roughgloves.html">stitches on their knitting</a>,</span><span class="line">keeping iambs next to iambs in lines</span><span class="line">as straight and sure as arrows. But my sock</span><span class="line">is lumpy, poorly made: it’s beginning</span><span class="line">to unravel. Stresses don’t line up. Syl-</span><span class="line">lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.</span><span class="line">That cliché on the arrow? I’m aware.</span><span class="line">My prepositions too—God, where’s it stop?</span><span class="line">The answer: never. I will never stop</span><span class="line">writing poems, or hating what I write.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
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| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
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| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="feedingtheraven.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">I think that I could write formal poems</span><span class="line">exclusively, or at least inclusive</span><span class="line">with all the other stuff I write</span><span class="line">I guess. Of course, I’ve already written</span><span class="line">a few, this one included, though “formal”</span><span class="line">is maybe a stretch. Is blank verse a form?</span><span class="line">What is form anyway? I picture old</span><span class="line">women counting <a href="roughgloves.html">stitches on their knitting</a>,</span><span class="line">keeping iambs next to iambs in lines</span><span class="line">as straight and sure as arrows. But my sock</span><span class="line">is lumpy, poorly made: it’s beginning</span><span class="line">to unravel. Stresses don’t line up. Syl-</span><span class="line">lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.</span><span class="line">That cliché on the arrow? I’m aware.</span><span class="line">My prepositions too—God, where’s it stop?</span><span class="line">The answer: never. I will never stop</span><span class="line">writing poems, or hating what I write.</span></p> | 52 | Feeding the raven |
| 40 | </section> | 53 | </a> |
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| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
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| diff --git a/options.html b/options.html index 29057c5..09c0f9a 100644 --- a/options.html +++ b/options.html | |||
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| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>What did he do when he was in the woods? Where did he go? Was there always one spot, one clearing deep within the heart of them, that he would visit? Did he talk to the trees or only to himself? When he chopped down trees, did he leave them there to rot in the quiet or did he drag them out of the woods, behind his Shack, and <a href="weplayedthosegamestoo.html">dismember them</a>? Did he use any for firewood, or did the pieces rot behind his Shack, forgotten? When was the last time he built any furniture? Did he get any better at building it or did he just quit at some point, let the desire to create fall behind him like a forgotten felled tree?</p> | ||
| 40 | <p>A tree fell in the forest: did it make a noise? Paul typed his thoughts on cards, or wrote them in a book: did anyone read it? If anyone did, was his life changed? For the better or the worse? Did he glance at the mess in the top drawer of his Writing Desk as he cleaned the Shack out long after Paul had quit using it? Did he put tools in there or leave it empty? <a href="finding-the-lion.html">What did he do with the desk?</a> Did he add it to the pile of rotting wood out back, or did he chop it up for a bonfire with friends, or a cozy fire with his wife and children, or did he take it to the dump three miles away to rot there? Are these all the options?</p> | ||
| 41 | <p>Did Paul ever think about any of this? Walking in the woods one afternoon after becoming frustrated with his writing, did he sit on a stump and cry? Did he wonder whether he should have made other choices? Did he consider quitting smoking?</p> | ||
| 42 | </section> | ||
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| 52 | 32 | ||
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| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Swear | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="notes.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>What did he do when he was in the woods? Where did he go? Was there always one spot, one clearing deep within the heart of them, that he would visit? Did he talk to the trees or only to himself? When he chopped down trees, did he leave them there to rot in the quiet or did he drag them out of the woods, behind his Shack, and <a href="weplayedthosegamestoo.html">dismember them</a>? Did he use any for firewood, or did the pieces rot behind his Shack, forgotten? When was the last time he built any furniture? Did he get any better at building it or did he just quit at some point, let the desire to create fall behind him like a forgotten felled tree?</p> |
| 59 | Notes | 39 | <p>A tree fell in the forest: did it make a noise? Paul typed his thoughts on cards, or wrote them in a book: did anyone read it? If anyone did, was his life changed? For the better or the worse? Did he glance at the mess in the top drawer of his Writing Desk as he cleaned the Shack out long after Paul had quit using it? Did he put tools in there or leave it empty? <a href="finding-the-lion.html">What did he do with the desk?</a> Did he add it to the pile of rotting wood out back, or did he chop it up for a bonfire with friends, or a cozy fire with his wife and children, or did he take it to the dump three miles away to rot there? Are these all the options?</p> |
| 60 | </a> | 40 | <p>Did Paul ever think about any of this? Walking in the woods one afternoon after becoming frustrated with his writing, did he sit on a stump and cry? Did he wonder whether he should have made other choices? Did he consider quitting smoking?</p> |
| 61 | 41 | </section> | |
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| 68 | Paul | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
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| 58 | Notes | ||
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="ouroboros_memory" class="stark"> | 23 | <body id="ouroboros_memory" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Ouroboros of Memory</h1> | 28 | <h1 class="title">Ouroboros of Memory</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://www.bet-tal.com/index.aspx?id=2315"><p>He used his body to remember his body, but in the end could only remember the string.</p></a> | ||
| 37 | |||
| 38 | <div class="attrib">Jonathan Safran Foer</div> | ||
| 39 | </div> | ||
| 40 | </div> | ||
| 41 | </header> | ||
| 42 | 30 | ||
| 43 | 31 | <div class="header-extra"> | |
| 44 | <section class="content prose"> | ||
| 45 | <p><a href="joke.html">He said</a> at the beginning, “It’s like rolling yarn into a too-small ball. Sure, you can roll the memories around for a while, and maybe even use some of them. Eventually, though, you’ll wind them all the way out and you’ll be left with nothing but a small loop. You can tie this loop around your finger, and start wrapping your body, but this is an extension of the same problem. You’ll turn into a mummy of memory. There’ll be nothing left underneath but a dead body.</p> | ||
| 46 | <p>“But what does it mean, <em>To remember the body with the body?</em> I imagine a creature made of memory, putting its feet in its mouth, turning into a ball. In this way, it could roll all around the landscape of its memory. I’ve tried explaining this to other people, but it doesn’t make any sense to them. The task of eating one’s feet is, to them, an unsolvable problem. They seem to have forgotten that, as babies, they were able to make themselves into loops.</p> | ||
| 47 | <p>“So I increase the count to two: two snakes eating each other’s tales, forming a loop. In this way they are able to put two heads on one body. This doubles the number of memories, which really only exacerbates the problem. It’s like trying to roll two different materials up into a ball. The people I tell this to don’t understand this either, they say using two animals makes sense to them. They say there must be different types of memory.</p> | ||
| 48 | <p>“I disagree with this theory of memory. I think there is, at bottom, only one type of anything, with subtypes grouped together along the edge of a loop. Color becomes a good metaphor: look how many of them! yet they are all consumed by the same part of the body. Maybe two different materials are still made of material, and maybe they can be rolled into a ball. Maybe there actually never was a problem.</p> | ||
| 49 | <p>“Or maybe, and this is more likely, I need to restate the problem. I think it all boils down to the fact that I have a truly lousy memory. I’ve tried different mnemonic devices, like imagining each thing I need to remember being visited by a bouncing ball. I’ve tried trying string into finger-loops. I’ve even tried writing the things I need to remember on my body. If you asked me, ‘Do any of these work,’ I would have to answer, ‘None of them.’</p> | ||
| 50 | <p>“Sometimes in the morning I realize dumbly I’ve forgotten my words, all of them. They generally come back by around ten o’clock, but the frequency with which this is occurring is becoming a problem. I feel that my brain is being separated from my body. Is there a place in the universe for a misplaced memory? Does it eat its own tail and roll around the universe as it loops? Does it shrink down and become lost as a tiny ball?</p> | ||
| 51 | <p>No matter what happens, eventually <em>I</em> will become <em>them</em> as I lose the last of my memory. I won’t be able to solve the problem of my being, and my being will become my problem, in an eternal loop. I will roll my body into a prenatal ball.</p> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="ouroboros_memory_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 60 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | 32 | ||
| 63 | <a class="prevlink" href="table_contents.html" | 33 | <!-- epigraph --> |
| 64 | title="Previous article in Stark Raving"> | 34 | <div class="epigraph"> |
| 65 | Table of contents | 35 | <a href="http://www.bet-tal.com/index.aspx?id=2315"><p>He used his body to remember his body, but in the end could only remember the string.</p></a> |
| 66 | </a> | 36 | |
| 67 | <a class="prevlink" href="initial-conditions.html" | 37 | <div class="attrib">Jonathan Safran Foer</div> |
| 68 | title="Previous article in Stark Raving"> | 38 | </div> |
| 69 | Initial Conditions | 39 | </div> |
| 70 | </a> | 40 | </header> |
| 71 | 41 | ||
| 72 | <a class="nextlink" href="lappel-du-vide.html" | 42 | |
| 73 | title="Next article in Stark Raving"> | 43 | <section class="content prose"> |
| 74 | L’appel du vide | 44 | <p><a href="joke.html">He said</a> at the beginning, “It’s like rolling yarn into a too-small ball. Sure, you can roll the memories around for a while, and maybe even use some of them. Eventually, though, you’ll wind them all the way out and you’ll be left with nothing but a small loop. You can tie this loop around your finger, and start wrapping your body, but this is an extension of the same problem. You’ll turn into a mummy of memory. There’ll be nothing left underneath but a dead body.</p> |
| 75 | </a> | 45 | <p>“But what does it mean, <em>To remember the body with the body?</em> I imagine a creature made of memory, putting its feet in its mouth, turning into a ball. In this way, it could roll all around the landscape of its memory. I’ve tried explaining this to other people, but it doesn’t make any sense to them. The task of eating one’s feet is, to them, an unsolvable problem. They seem to have forgotten that, as babies, they were able to make themselves into loops.</p> |
| 76 | <a class="nextlink" href="love-as-god.html" | 46 | <p>“So I increase the count to two: two snakes eating each other’s tales, forming a loop. In this way they are able to put two heads on one body. This doubles the number of memories, which really only exacerbates the problem. It’s like trying to roll two different materials up into a ball. The people I tell this to don’t understand this either, they say using two animals makes sense to them. They say there must be different types of memory.</p> |
| 77 | title="Next article in Stark Raving"> | 47 | <p>“I disagree with this theory of memory. I think there is, at bottom, only one type of anything, with subtypes grouped together along the edge of a loop. Color becomes a good metaphor: look how many of them! yet they are all consumed by the same part of the body. Maybe two different materials are still made of material, and maybe they can be rolled into a ball. Maybe there actually never was a problem.</p> |
| 78 | Love as God | 48 | <p>“Or maybe, and this is more likely, I need to restate the problem. I think it all boils down to the fact that I have a truly lousy memory. I’ve tried different mnemonic devices, like imagining each thing I need to remember being visited by a bouncing ball. I’ve tried trying string into finger-loops. I’ve even tried writing the things I need to remember on my body. If you asked me, ‘Do any of these work,’ I would have to answer, ‘None of them.’</p> |
| 79 | </a> | 49 | <p>“Sometimes in the morning I realize dumbly I’ve forgotten my words, all of them. They generally come back by around ten o’clock, but the frequency with which this is occurring is becoming a problem. I feel that my brain is being separated from my body. Is there a place in the universe for a misplaced memory? Does it eat its own tail and roll around the universe as it loops? Does it shrink down and become lost as a tiny ball?</p> |
| 80 | </nav> | 50 | <p>No matter what happens, eventually <em>I</em> will become <em>them</em> as I lose the last of my memory. I won’t be able to solve the problem of my being, and my being will become my problem, in an eternal loop. I will roll my body into a prenatal ball.</p> |
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="backlinks/ouroboros_memory.html" id="backlinks" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 59 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | <a class="prevlink" href="table_contents.html" | ||
| 63 | title="Previous article in Stark Raving"> | ||
| 64 | Table of contents | ||
| 65 | </a> | ||
| 66 | <a class="prevlink" href="initial-conditions.html" | ||
| 67 | title="Previous article in Stark Raving"> | ||
| 68 | Initial Conditions | ||
| 69 | </a> | ||
| 70 | |||
| 71 | <a class="nextlink" href="lappel-du-vide.html" | ||
| 72 | title="Next article in Stark Raving"> | ||
| 73 | L’appel du vide | ||
| 74 | </a> | ||
| 75 | <a class="nextlink" href="love-as-god.html" | ||
| 76 | title="Next article in Stark Raving"> | ||
| 77 | Love as God | ||
| 78 | </a> | ||
| 79 | </nav> | ||
| 81 | 80 | ||
| 82 | |||
| 83 | </body> | 81 | </body> |
| 84 | </html> | 82 | </html> |
| diff --git a/ouroboros_memory_backlinks.htm b/ouroboros_memory_backlinks.htm deleted file mode 100644 index 4e82aca..0000000 --- a/ouroboros_memory_backlinks.htm +++ /dev/null | |||
| @@ -1,67 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Ouroboros of Memory | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="ouroboros_memory" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Ouroboros of Memory</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="art.html">Art</a></li> | ||
| 41 | <li><a href="building.html">Building</a></li> | ||
| 42 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
| 43 | <li><a href="in-bed.html">In bed</a></li> | ||
| 44 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 45 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 46 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | ||
| 47 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 48 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 49 | <li><a href="tapestry.html">Tapestry</a></li> | ||
| 50 | </ul> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="ouroboros_memory.html" id="back-link" title="Back to article"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 59 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | |||
| 63 | </nav> | ||
| 64 | |||
| 65 | |||
| 66 | </body> | ||
| 67 | </html> | ||
| diff --git a/paul.html b/paul.html index 8bcc78c..619c813 100644 --- a/paul.html +++ b/paul.html | |||
| @@ -4,99 +4,97 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Paul | Autocento of the breakfast table</title> | 12 | <title>Paul | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="paul" class="paul"> | 23 | <body id="paul" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Paul</h1> | 28 | <h1 class="title">Paul</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <blockquote> | ||
| 40 | <p>CONTENTS OF THE SHED</p> | ||
| 41 | <ul> | ||
| 42 | <li>typewriter</li> | ||
| 43 | <li>writing desk</li> | ||
| 44 | <li>notecards (top drawer of desk)</li> | ||
| 45 | <li><a href="howithappened.html">pen</a> (fountain)</li> | ||
| 46 | <li>inkpot (empty)</li> | ||
| 47 | <li>wood (a lot, more out back)</li> | ||
| 48 | <li>bare lightbulb</li> | ||
| 49 | <li>candle</li> | ||
| 50 | <li>wooden shelf with tools: | ||
| 51 | <ul> | ||
| 52 | <li>claw hammer</li> | ||
| 53 | <li>screwdriver</li> | ||
| 54 | <li>prybar</li> | ||
| 55 | <li>2x wrench (different kinds)</li> | ||
| 56 | </ul></li> | ||
| 57 | <li>tiller machine</li> | ||
| 58 | <li>push lawnmower</li> | ||
| 59 | <li>hatchet</li> | ||
| 60 | <li>axe</li> | ||
| 61 | </ul> | ||
| 62 | </blockquote> | ||
| 63 | <p>He typed the list in the typewriter and looked around some more. He wanted to make sure he didn’t miss anything. Finally it hit him and he smiled. He typed one more line, stood up, and went out of the shed.</p> | ||
| 64 | <blockquote> | ||
| 65 | <ul> | ||
| 66 | <li>Paul Bunyon</li> | ||
| 67 | </ul> | ||
| 68 | </blockquote> | ||
| 69 | <p>He got some kerosene from under the house, poured it around the base of the shed, lit a cigarette. He smoked half of it and threw it down to start the fire.</p> | ||
| 70 | </section> | ||
| 71 | </article> | ||
| 72 | <nav> | ||
| 73 | <div class="anchors"> | ||
| 74 | <a href="paul_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 75 | φ | ||
| 76 | </a> | ||
| 77 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 78 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 79 | </div> | ||
| 80 | 32 | ||
| 81 | <a class="prevlink" href="father.html" | 33 | </div> |
| 82 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 83 | Father | 35 | |
| 84 | </a> | 36 | |
| 85 | <a class="prevlink" href="options.html" | 37 | <section class="content prose"> |
| 86 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <blockquote> |
| 87 | Options | 39 | <p>CONTENTS OF THE SHED</p> |
| 88 | </a> | 40 | <ul> |
| 89 | 41 | <li>typewriter</li> | |
| 90 | <a class="nextlink" href="fire.html" | 42 | <li>writing desk</li> |
| 91 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <li>notecards (top drawer of desk)</li> |
| 92 | Fire | 44 | <li><a href="howithappened.html">pen</a> (fountain)</li> |
| 93 | </a> | 45 | <li>inkpot (empty)</li> |
| 94 | <a class="nextlink" href="phone.html" | 46 | <li>wood (a lot, more out back)</li> |
| 95 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <li>bare lightbulb</li> |
| 96 | Phone | 48 | <li>candle</li> |
| 97 | </a> | 49 | <li>wooden shelf with tools: |
| 98 | </nav> | 50 | <ul> |
| 51 | <li>claw hammer</li> | ||
| 52 | <li>screwdriver</li> | ||
| 53 | <li>prybar</li> | ||
| 54 | <li>2x wrench (different kinds)</li> | ||
| 55 | </ul></li> | ||
| 56 | <li>tiller machine</li> | ||
| 57 | <li>push lawnmower</li> | ||
| 58 | <li>hatchet</li> | ||
| 59 | <li>axe</li> | ||
| 60 | </ul> | ||
| 61 | </blockquote> | ||
| 62 | <p>He typed the list in the typewriter and looked around some more. He wanted to make sure he didn’t miss anything. Finally it hit him and he smiled. He typed one more line, stood up, and went out of the shed.</p> | ||
| 63 | <blockquote> | ||
| 64 | <ul> | ||
| 65 | <li>Paul Bunyon</li> | ||
| 66 | </ul> | ||
| 67 | </blockquote> | ||
| 68 | <p>He got some kerosene from under the house, poured it around the base of the shed, lit a cigarette. He smoked half of it and threw it down to start the fire.</p> | ||
| 69 | </section> | ||
| 70 | </article> | ||
| 71 | <nav> | ||
| 72 | <div class="anchors"> | ||
| 73 | <a href="backlinks/paul.html" id="backlinks" title="Links to this page"> | ||
| 74 | φ | ||
| 75 | </a> | ||
| 76 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 77 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 78 | </div> | ||
| 79 | |||
| 80 | <a class="prevlink" href="father.html" | ||
| 81 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 82 | Father | ||
| 83 | </a> | ||
| 84 | <a class="prevlink" href="options.html" | ||
| 85 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 86 | Options | ||
| 87 | </a> | ||
| 88 | |||
| 89 | <a class="nextlink" href="fire.html" | ||
| 90 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 91 | Fire | ||
| 92 | </a> | ||
| 93 | <a class="nextlink" href="phone.html" | ||
| 94 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 95 | Phone | ||
| 96 | </a> | ||
| 97 | </nav> | ||
| 99 | 98 | ||
| 100 | |||
| 101 | </body> | 99 | </body> |
| 102 | </html> | 100 | </html> |
| diff --git a/peaches.html b/peaches.html index f17409d..b726eba 100644 --- a/peaches.html +++ b/peaches.html | |||
| @@ -4,67 +4,65 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Peaches | Autocento of the breakfast table</title> | 12 | <title>Peaches | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="peaches" class="autocento"> | 23 | <body id="peaches" class="autocento"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Peaches</h1> | 28 | <h1 class="title">Peaches</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>“My anger is like a peach,” he said. He was trying to show how metaphors could be anything. I thought it worked. I wrote it down in my red notebook.</p> | ||
| 40 | <p>In my other class, there was a long discussion about the difference between metaphor and simile as they relate to <a href="http://www.bartleby.com/198/1.html">Prufrock</a>. I could only think about his peaches. I wonder if he dared.</p> | ||
| 41 | <p>A few years ago my friend dressed up as J. Alfred Prufrock for Halloween. Her costume consisted of rolled khaki trousers and a peach. (I wonder where she found that in <a href="axe.html">October</a>.) She was annoyed that she had to tell everyone who she was—“At a writers’ party!” I don’t remember if she ate that peach. I do remember the main meal was spaghetti.</p> | ||
| 42 | <p>That party was held in a house in Chattanooga, in the basement. There was a big back yard where people drank and talked and sat in the darkness. Somewhere someone was smoking weed with a visiting writer.</p> | ||
| 43 | <p>Earlier that day, <a href="http://www.32poems.com/blog/5158/weekly-prose-feature-an-interview-with-sebastian-matthews-by-justin-bigos">the writer had read a poem about his car accident</a> a year ago, in Georgia, on the interstate. It had broken him pretty badly, and his wife, but somehow their child was unharmed. He said something about the peach pit being the one place Georgia held sacred. He said it was the place where all new things grow.</p> | ||
| 44 | <p>I can see how anger could be like a peach: its juice runs out of the mouth and down the chin, dropping onto the pants and staining them. In the same way, I can see how <a href="statements-frag.html">anger is like sex</a>: they are both heightened states of emotional observation.</p> | ||
| 45 | <p>In Atlanta, there are something like five or ten <a href="https://www.google.com/maps/place/Peachtree+Rd+NE,+Atlanta,+GA/@33.7779425,-84.3843615">Peachtree Streets</a>. I’m not sure if they all connect at some point, but from what I could see, they would have to do some contorting to get to the same point. I like to think a giant peach tree grows there, like the Tree of the Knowledge of Good and Evil.</p> | ||
| 46 | <p>I was walking down one of Atlanta’s Peachtrees with my girlfriend when a man in tight pants, a runner, jogged past us. We both agreed he had a marvelous ass. I was annoyed, however, when she confessed that she wished I had one like his. Later, we ate at a taqueria with peach-habanero salsa.</p> | ||
| 47 | <p><a href="riptide_memory.html">My mother</a> would read to us as children. The first real books I remember, the first novels, are Island of the Blue Dolphins and James and the Giant Peach. I don’t remember Island of the Blue Dolphins as well, probably because no movie was made of it.</p> | ||
| 48 | <p>There’s an independent video rental store where I grew up called <a href="http://popcornvideo.net/">Popcorn Video</a>, one of the only stores I went to in my hometown that wasn’t a chain. Every time we went, my sister would rent two movies: <em>James and the Giant Peach</em> and <em>Home Alone 3</em>.</p> | ||
| 49 | <p>I wasn’t allowed to stay home alone, or I don’t remember it, until I was fifteen. I built a potato cannon out of PVC pipe and a barbecue lighter. I would load a potato, spray hairspray into the barrel, and light it. Once, the cannon wouldn’t light. I looked down the barrel and pushed the trigger button to see if I could see a light. I forgot that I had already primed the barrel with hairspray. I singed my eyebrows and bangs.</p> | ||
| 50 | <p>In peach season, my father would bring home a bag of the freestones every week or so. He always got the cheap ones, so they were usually dry and pithy, with a stone that fell apart and nearly broke my tooth. I don’t eat them anymore when I go home.</p> | ||
| 51 | <p>My mother would always eat canned peaches with cottage cheese. For some reason I didn’t think this was common knowledge. I showed people how good it was when we went to a buffet: they said “I know.”</p> | ||
| 52 | <p>To be honest, I’m not even sure what a peach tree looks like. I do know what an orange tree looks like, from a backyard in Phoenix, and a fig tree, from a back yard in Chattanooga. I also know what a cherry tree looks like, or at least a type of them, from my own backyard at home, as well as mulberry and apple. If, for some reason, I find myself lost in a sinister Garden of Eden, I’ll at least know a few of the trees I can eat from.</p> | ||
| 53 | <p>I always heard growing up that the Fruit of the Tree of the Knowledge of Good and Evil was an apple. Maybe I’ll luck out: maybe it’ll be a peach.</p> | ||
| 54 | </section> | ||
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| 35 | |||
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| 38 | <p>“My anger is like a peach,” he said. He was trying to show how metaphors could be anything. I thought it worked. I wrote it down in my red notebook.</p> | ||
| 39 | <p>In my other class, there was a long discussion about the difference between metaphor and simile as they relate to <a href="http://www.bartleby.com/198/1.html">Prufrock</a>. I could only think about his peaches. I wonder if he dared.</p> | ||
| 40 | <p>A few years ago my friend dressed up as J. Alfred Prufrock for Halloween. Her costume consisted of rolled khaki trousers and a peach. (I wonder where she found that in <a href="axe.html">October</a>.) She was annoyed that she had to tell everyone who she was—“At a writers’ party!” I don’t remember if she ate that peach. I do remember the main meal was spaghetti.</p> | ||
| 41 | <p>That party was held in a house in Chattanooga, in the basement. There was a big back yard where people drank and talked and sat in the darkness. Somewhere someone was smoking weed with a visiting writer.</p> | ||
| 42 | <p>Earlier that day, <a href="http://www.32poems.com/blog/5158/weekly-prose-feature-an-interview-with-sebastian-matthews-by-justin-bigos">the writer had read a poem about his car accident</a> a year ago, in Georgia, on the interstate. It had broken him pretty badly, and his wife, but somehow their child was unharmed. He said something about the peach pit being the one place Georgia held sacred. He said it was the place where all new things grow.</p> | ||
| 43 | <p>I can see how anger could be like a peach: its juice runs out of the mouth and down the chin, dropping onto the pants and staining them. In the same way, I can see how <a href="statements-frag.html">anger is like sex</a>: they are both heightened states of emotional observation.</p> | ||
| 44 | <p>In Atlanta, there are something like five or ten <a href="https://www.google.com/maps/place/Peachtree+Rd+NE,+Atlanta,+GA/@33.7779425,-84.3843615">Peachtree Streets</a>. I’m not sure if they all connect at some point, but from what I could see, they would have to do some contorting to get to the same point. I like to think a giant peach tree grows there, like the Tree of the Knowledge of Good and Evil.</p> | ||
| 45 | <p>I was walking down one of Atlanta’s Peachtrees with my girlfriend when a man in tight pants, a runner, jogged past us. We both agreed he had a marvelous ass. I was annoyed, however, when she confessed that she wished I had one like his. Later, we ate at a taqueria with peach-habanero salsa.</p> | ||
| 46 | <p><a href="riptide_memory.html">My mother</a> would read to us as children. The first real books I remember, the first novels, are Island of the Blue Dolphins and James and the Giant Peach. I don’t remember Island of the Blue Dolphins as well, probably because no movie was made of it.</p> | ||
| 47 | <p>There’s an independent video rental store where I grew up called <a href="http://popcornvideo.net/">Popcorn Video</a>, one of the only stores I went to in my hometown that wasn’t a chain. Every time we went, my sister would rent two movies: <em>James and the Giant Peach</em> and <em>Home Alone 3</em>.</p> | ||
| 48 | <p>I wasn’t allowed to stay home alone, or I don’t remember it, until I was fifteen. I built a potato cannon out of PVC pipe and a barbecue lighter. I would load a potato, spray hairspray into the barrel, and light it. Once, the cannon wouldn’t light. I looked down the barrel and pushed the trigger button to see if I could see a light. I forgot that I had already primed the barrel with hairspray. I singed my eyebrows and bangs.</p> | ||
| 49 | <p>In peach season, my father would bring home a bag of the freestones every week or so. He always got the cheap ones, so they were usually dry and pithy, with a stone that fell apart and nearly broke my tooth. I don’t eat them anymore when I go home.</p> | ||
| 50 | <p>My mother would always eat canned peaches with cottage cheese. For some reason I didn’t think this was common knowledge. I showed people how good it was when we went to a buffet: they said “I know.”</p> | ||
| 51 | <p>To be honest, I’m not even sure what a peach tree looks like. I do know what an orange tree looks like, from a backyard in Phoenix, and a fig tree, from a back yard in Chattanooga. I also know what a cherry tree looks like, or at least a type of them, from my own backyard at home, as well as mulberry and apple. If, for some reason, I find myself lost in a sinister Garden of Eden, I’ll at least know a few of the trees I can eat from.</p> | ||
| 52 | <p>I always heard growing up that the Fruit of the Tree of the Knowledge of Good and Evil was an apple. Maybe I’ll luck out: maybe it’ll be a peach.</p> | ||
| 53 | </section> | ||
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| 33 | 38 | <p>Importance is important. But meaning is meaningful. Here we are at the crux of the matter, for both meaning and importance are also human-formed. So it would seem that nothing is important or meaningful, if importance and meaning are of themselves only products of the fallible human intellect. But here is the great secret: <em>so is the fallibility of the human intellect a mere product of the fallible human intellect.</em> The question here arises: Is anything real, and not a mere invention of a mistaken human mind? By real of course I mean “that which is <em>on its own terms</em>,” that is, without any <a href="i-am.html">modification</a> on the part of mankind by observing it. But such a thing is impossible to be known, for if it be known it has certainly been observed by someone, and so it is not on its own terms but on the terms of the observer. So it cannot be known if anything exists on its own terms, for it exists on its own terms we certainly will not know anything about it.</p> | |
| 34 | </div> | 39 | <p>By this it is possible to see that nothing is knowable without the mediating factor of our mind fucking up the “<a href="spittle.html">raw</a>,” the “real” world. But by this time it would seem that this chapter is far far too philosophical, not to mention pretentious, so I must try again.</p> |
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| 39 | <p>Importance is important. But meaning is meaningful. Here we are at the crux of the matter, for both meaning and importance are also human-formed. So it would seem that nothing is important or meaningful, if importance and meaning are of themselves only products of the fallible human intellect. But here is the great secret: <em>so is the fallibility of the human intellect a mere product of the fallible human intellect.</em> The question here arises: Is anything real, and not a mere invention of a mistaken human mind? By real of course I mean “that which is <em>on its own terms</em>,” that is, without any <a href="i-am.html">modification</a> on the part of mankind by observing it. But such a thing is impossible to be known, for if it be known it has certainly been observed by someone, and so it is not on its own terms but on the terms of the observer. So it cannot be known if anything exists on its own terms, for it exists on its own terms we certainly will not know anything about it.</p> | 53 | The purpose of dogs |
| 40 | <p>By this it is possible to see that nothing is knowable without the mediating factor of our mind fucking up the “<a href="spittle.html">raw</a>,” the “real” world. But by this time it would seem that this chapter is far far too philosophical, not to mention pretentious, so I must try again.</p> | 54 | </a> |
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| 39 | <p>“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s. He nodded into the receiver. “Hello” Jill asked again “hello?” Paul remembered that phones work by talking and said “Hello Jill.”</p> | ||
| 40 | <p>“Do you remember me” she asked “we were in school together? How have you been?” “Pretty well” said Paul “I’ve been writing and making furniture.” “Oh that’s nice” <a href="telemarketer.html">said the woman’s voice</a> tinny in the phone “Listen I ran into your mother at the <a href="last-bastion.html">Supermarket</a> the other day and she said you need a job. You still need one?” Paul had to tell the truth. His mother was watching him out of the corner of her eye as she was playing dominoes at the kitchen table. “Yes” he said sighing “Although woodworking takes up much of my time.”</p> | ||
| 41 | <p>“OK” she laughed uncomortably “I actually have something you could do for me if you think you can get away from woodworking a bit. It’s just data entry really basic stuff entry-level.” “What’s it pay” he asked. “Minimum but there is room for movement.” “OK” he said. “Start on Monday okay?” “Sure” he said “bye” and the tin voice in the phone said “Goodbye Paul see you” by the time he put it back on the hook.</p> | ||
| 42 | <p>“Who was that” asked his mother. “Jill Noe” he said. “Oh her was she calling about a job for you?” “Yes starts Monday” he said. She smiled behind her glasses reflecting dominoes.</p> | ||
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| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s. He nodded into the receiver. “Hello” Jill asked again “hello?” Paul remembered that phones work by talking and said “Hello Jill.”</p> |
| 60 | Paul | 39 | <p>“Do you remember me” she asked “we were in school together? How have you been?” “Pretty well” said Paul “I’ve been writing and making furniture.” “Oh that’s nice” <a href="telemarketer.html">said the woman’s voice</a> tinny in the phone “Listen I ran into your mother at the <a href="last-bastion.html">Supermarket</a> the other day and she said you need a job. You still need one?” Paul had to tell the truth. His mother was watching him out of the corner of her eye as she was playing dominoes at the kitchen table. “Yes” he said sighing “Although woodworking takes up much of my time.”</p> |
| 61 | </a> | 40 | <p>“OK” she laughed uncomortably “I actually have something you could do for me if you think you can get away from woodworking a bit. It’s just data entry really basic stuff entry-level.” “What’s it pay” he asked. “Minimum but there is room for movement.” “OK” he said. “Start on Monday okay?” “Sure” he said “bye” and the tin voice in the phone said “Goodbye Paul see you” by the time he put it back on the hook.</p> |
| 62 | 41 | <p>“Who was that” asked his mother. “Jill Noe” he said. “Oh her was she calling about a job for you?” “Yes starts Monday” he said. She smiled behind her glasses reflecting dominoes.</p> | |
| 63 | <a class="nextlink" href="tapestry.html" | 42 | </section> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
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| 12 | <title>Planks | Autocento of the breakfast table</title> | 12 | <title>Planks | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="planks" class="paul"> | 23 | <body id="planks" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Planks</h1> | 28 | <h1 class="title">Planks</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <blockquote> | ||
| 40 | <p><a href="swear.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="howtoread.html">STAYS THE SAME</a></p> | ||
| 41 | </blockquote> | ||
| 42 | <p>This sat alone on a blank notecard in Paul’s typewriter. He stared at it, sipping at his too-hot coffee. This made sense to him.</p> | ||
| 43 | <p>He looked at the spot on the wall where he wanted a window to be, at the rough planks above his desk as they were lit by the bare hanging lightbulb. He sipped his coffee again. It was still too hot. His Woodworking Shack was becoming full of wood that was not furniture. He feared it would never become so.</p> | ||
| 44 | <p>He threw open the door to the snow and the ground below it. He reached for his axe on the wall. He reconsidered. He took a few tentative steps onto the <a href="in-bed.html">blankness</a> on his own. He wasn’t cold, not yet. He walked into the forest. The snow crunched under his feet and <a href="last-passenger.html">did not echo</a>.</p> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="planks_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | 32 | ||
| 56 | <a class="prevlink" href="leg.html" | 33 | </div> |
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 58 | Leg | 35 | |
| 59 | </a> | 36 | |
| 60 | <a class="prevlink" href="phone.html" | 37 | <section class="content prose"> |
| 61 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <blockquote> |
| 62 | Phone | 39 | <p><a href="swear.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="howtoread.html">STAYS THE SAME</a></p> |
| 63 | </a> | 40 | </blockquote> |
| 64 | 41 | <p>This sat alone on a blank notecard in Paul’s typewriter. He stared at it, sipping at his too-hot coffee. This made sense to him.</p> | |
| 65 | <a class="nextlink" href="hardware.html" | 42 | <p>He looked at the spot on the wall where he wanted a window to be, at the rough planks above his desk as they were lit by the bare hanging lightbulb. He sipped his coffee again. It was still too hot. His Woodworking Shack was becoming full of wood that was not furniture. He feared it would never become so.</p> |
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <p>He threw open the door to the snow and the ground below it. He reached for his axe on the wall. He reconsidered. He took a few tentative steps onto the <a href="in-bed.html">blankness</a> on his own. He wasn’t cold, not yet. He walked into the forest. The snow crunched under his feet and <a href="last-passenger.html">did not echo</a>.</p> |
| 67 | Hardware | 44 | </section> |
| 68 | </a> | 45 | </article> |
| 69 | <a class="nextlink" href="punch.html" | 46 | <nav> |
| 70 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <div class="anchors"> |
| 71 | Punch | 48 | <a href="backlinks/planks.html" id="backlinks" title="Links to this page"> |
| 72 | </a> | 49 | φ |
| 73 | </nav> | 50 | </a> |
| 51 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | <a class="prevlink" href="leg.html" | ||
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 57 | Leg | ||
| 58 | </a> | ||
| 59 | <a class="prevlink" href="phone.html" | ||
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 61 | Phone | ||
| 62 | </a> | ||
| 63 | |||
| 64 | <a class="nextlink" href="hardware.html" | ||
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 66 | Hardware | ||
| 67 | </a> | ||
| 68 | <a class="nextlink" href="punch.html" | ||
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 70 | Punch | ||
| 71 | </a> | ||
| 72 | </nav> | ||
| 74 | 73 | ||
| 75 | |||
| 76 | </body> | 74 | </body> |
| 77 | </html> | 75 | </html> |
| diff --git a/plant.html b/plant.html index 6d7a62b..5ee71b9 100644 --- a/plant.html +++ b/plant.html | |||
| @@ -4,54 +4,54 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Litany for a plant | Autocento of the breakfast table</title> | 12 | <title>Litany | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="plant" class="autocento"> | 23 | <body id="plant" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Litany</h1> |
| 29 | <h1 class="title">Litany for a plant</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | <!-- dedication --> |
| 33 | 33 | <div class="dedication">a plant</div> | |
| 34 | </div> | 34 | |
| 35 | </header> | 35 | </div> |
| 36 | 36 | </header> | |
| 37 | 37 | ||
| 38 | <section class="content verse"> | 38 | |
| 39 | <p><span class="line">I need a plant. I need a thing</span><span class="line">to take care of. I need</span><span class="line">a little green brownspotted</span><span class="line"><a href="building.html">blackdirt</a> growing</span><span class="line">quietness. I need a sunlit</span><span class="line">dawn knowing my name filtered</span><span class="line">through a <a href="window.html">thin green window</a>.</span><span class="line">I need chlorophyll</span><span class="line">working its <a href="cereal.html">magic</a> on beams of</span><span class="line">grassmade early morning dewdrop</span><span class="line">sweetmaking green. I need</span><span class="line">the dark earth sucking water</span><span class="line">from a black crevice</span><span class="line">its black magic churning</span><span class="line">wormilled rockturned starblind</span><span class="line">darkness and cold into</span><span class="line"><a href="https://samofthetenthousandthings.wordpress.com/2012/09/08/charles-wright-reads-james-wright-the-journey-audio-poem/">the opposite of dust</a>. I need the heat</span><span class="line">to blind me. I need the dumb making</span><span class="line">to charge my coldened blood. I need</span><span class="line">the dropturned leaves to turn again</span><span class="line">their <a href="no-nothing.html">faces to the windblown sun</a>.</span><span class="line">I need millions of tiny years</span><span class="line">summed up and burning out some unknown</span><span class="line">new growth into the air. I need four</span><span class="line">hundred feet of dark red gnarled wood</span><span class="line">and needles glistening wetly on goldheaded</span><span class="line">branches hoisting themselves</span><span class="line">to the sky. I need ten strong men</span><span class="line">to fail to bring you down. Old one</span><span class="line">I need the peace that comes with knowing</span><span class="line">something sacred holds still</span><span class="line">in the world. I need your green tongues</span><span class="line"><a href="fire.html">of flame to lick at old wounds</a></span><span class="line">stitching us together away from ourselves.</span><span class="line">I need your brownbranching grasp</span><span class="line">to keep me from drifting off</span><span class="line">into <a href="in-bed.html">unknowing terrible sleep</a>. I need</span><span class="line"><a href="ouroboros_memory.html">to know the snake</a> hanging</span><span class="line">from your branches. I need to watch</span><span class="line">the dropping of flesh massful</span><span class="line">onto the ground from a height. I need</span><span class="line">the gnawer at your root to strike</span><span class="line">a vein to quicken old brown stone</span><span class="line">to movement. I need jeweleyed venom</span><span class="line">barking new greennesses into the bark.</span><span class="line">I need a knocker of dark secrets hidden</span><span class="line">in the dark bark hiding a smallstone</span><span class="line">smoldering pearl in the knot. I need</span><span class="line">that <a href="roughgloves.html">pearl held out in a hand</a> like an offering.</span><span class="line">I need the hand to be a plant’s hand.</span></p> | 39 | <section class="content verse"> |
| 40 | <p><span class="line">I need a plant. I need a growing</span><span class="line">growler <a href="feedingtheraven.html">groaning</a> toward heat and air.</span><span class="line">I need a green thin stem surprisingly strong</span><span class="line">holding up the weight of a plain</span><span class="line">of fallow <a href="the-sea_the-beach.html">greennesses of creases and caresses</a></span><span class="line">of tiny worldmaking hardworking grandeur.</span><span class="line">I need a singer of life crying</span><span class="line">forward into old roads covered over</span><span class="line">by dead trees. I need the rasping of root</span><span class="line">in dirt. I need the unfurling of fiddleheads</span><span class="line">to sing forth a new symphony. I need</span><span class="line">fruits swelling large for the harvest.</span><span class="line">I need yellow light shining through white bark.</span><span class="line">I need juicecrush flowing waterlike</span><span class="line">through valleys percolating up</span><span class="line">through the ground. I need springs bubbling sap</span><span class="line">into cabins of wood fought for by labor.</span><span class="line">I need snow on the ground with shoots</span><span class="line">dotting the melting patches. I need two</span><span class="line">leaves on a thin stalk shivering</span><span class="line">in <a href="finding-the-lion.html">moonlight</a>. I need robinsong warbling</span><span class="line">over the heads of small seeds sprouting</span><span class="line">to enliven their growth. I need rings</span><span class="line">of woody material widening to push</span><span class="line">the ground out of their way. I need</span><span class="line">new greennesses pushing out from</span><span class="line">the brown dark bark gnarled. I</span><span class="line">need the robin to build its songfilled</span><span class="line">nest in a <a href="epigraph.html">branchcrotch</a>. I need</span><span class="line">the fecundity of fungi on the branches.</span><span class="line">I need quiet of the sunlight shooting</span><span class="line">through thousands of branched leaves</span><span class="line">quivering. <a href="apollo11.html">I need whisper at dawn.</a></span><span class="line">I need burrows underground foxholes.</span><span class="line">I need duff layers eaten through</span><span class="line">by worms. I need brooks murmuring</span><span class="line">through crooks of roots. I need small</span><span class="line"><a href="proverbs.html">fish swimming</a> in their schools at</span><span class="line">midnight. I need oldnesses giving way</span><span class="line"><a href="about-the-author.html">to youngnesses giving way to oldnesses</a>.</span><span class="line">I need dapplegray yellowshot ashbark.</span><span class="line">I need the crunch of dead leaves underfoot.</span><span class="line">I need <a href="one-hundred-lines.html">snowquiet deadbranch</a> mourning.</span><span class="line">I need those <a href="http://www.wrensworld.com/purpmount.htm">purple mountains majesty</a>.</span><span class="line">I need a walk between trees in the dark.</span><span class="line">I need that moment when stopping to rest</span><span class="line">it suddenly seems that all the weary</span><span class="line"><a href="http://www.bartleby.com/119/1.html">forestroads</a> in all their meandering come</span><span class="line"><a href="riptide_memory.html">to rest their heads</a> at my astonished</span><span class="line">feet, none of them needing more than me.</span></p> | 40 | <p><span class="line">I need a plant. I need a thing</span><span class="line">to take care of. I need</span><span class="line">a little green brownspotted</span><span class="line"><a href="building.html">blackdirt</a> growing</span><span class="line">quietness. I need a sunlit</span><span class="line">dawn knowing my name filtered</span><span class="line">through a <a href="window.html">thin green window</a>.</span><span class="line">I need chlorophyll</span><span class="line">working its <a href="cereal.html">magic</a> on beams of</span><span class="line">grassmade early morning dewdrop</span><span class="line">sweetmaking green. I need</span><span class="line">the dark earth sucking water</span><span class="line">from a black crevice</span><span class="line">its black magic churning</span><span class="line">wormilled rockturned starblind</span><span class="line">darkness and cold into</span><span class="line"><a href="https://samofthetenthousandthings.wordpress.com/2012/09/08/charles-wright-reads-james-wright-the-journey-audio-poem/">the opposite of dust</a>. I need the heat</span><span class="line">to blind me. I need the dumb making</span><span class="line">to charge my coldened blood. I need</span><span class="line">the dropturned leaves to turn again</span><span class="line">their <a href="no-nothing.html">faces to the windblown sun</a>.</span><span class="line">I need millions of tiny years</span><span class="line">summed up and burning out some unknown</span><span class="line">new growth into the air. I need four</span><span class="line">hundred feet of dark red gnarled wood</span><span class="line">and needles glistening wetly on goldheaded</span><span class="line">branches hoisting themselves</span><span class="line">to the sky. I need ten strong men</span><span class="line">to fail to bring you down. Old one</span><span class="line">I need the peace that comes with knowing</span><span class="line">something sacred holds still</span><span class="line">in the world. I need your green tongues</span><span class="line"><a href="fire.html">of flame to lick at old wounds</a></span><span class="line">stitching us together away from ourselves.</span><span class="line">I need your brownbranching grasp</span><span class="line">to keep me from drifting off</span><span class="line">into <a href="in-bed.html">unknowing terrible sleep</a>. I need</span><span class="line"><a href="ouroboros_memory.html">to know the snake</a> hanging</span><span class="line">from your branches. I need to watch</span><span class="line">the dropping of flesh massful</span><span class="line">onto the ground from a height. I need</span><span class="line">the gnawer at your root to strike</span><span class="line">a vein to quicken old brown stone</span><span class="line">to movement. I need jeweleyed venom</span><span class="line">barking new greennesses into the bark.</span><span class="line">I need a knocker of dark secrets hidden</span><span class="line">in the dark bark hiding a smallstone</span><span class="line">smoldering pearl in the knot. I need</span><span class="line">that <a href="roughgloves.html">pearl held out in a hand</a> like an offering.</span><span class="line">I need the hand to be a plant’s hand.</span></p> |
| 41 | </section> | 41 | <p><span class="line">I need a plant. I need a growing</span><span class="line">growler <a href="feedingtheraven.html">groaning</a> toward heat and air.</span><span class="line">I need a green thin stem surprisingly strong</span><span class="line">holding up the weight of a plain</span><span class="line">of fallow <a href="the-sea_the-beach.html">greennesses of creases and caresses</a></span><span class="line">of tiny worldmaking hardworking grandeur.</span><span class="line">I need a singer of life crying</span><span class="line">forward into old roads covered over</span><span class="line">by dead trees. I need the rasping of root</span><span class="line">in dirt. I need the unfurling of fiddleheads</span><span class="line">to sing forth a new symphony. I need</span><span class="line">fruits swelling large for the harvest.</span><span class="line">I need yellow light shining through white bark.</span><span class="line">I need juicecrush flowing waterlike</span><span class="line">through valleys percolating up</span><span class="line">through the ground. I need springs bubbling sap</span><span class="line">into cabins of wood fought for by labor.</span><span class="line">I need snow on the ground with shoots</span><span class="line">dotting the melting patches. I need two</span><span class="line">leaves on a thin stalk shivering</span><span class="line">in <a href="finding-the-lion.html">moonlight</a>. I need robinsong warbling</span><span class="line">over the heads of small seeds sprouting</span><span class="line">to enliven their growth. I need rings</span><span class="line">of woody material widening to push</span><span class="line">the ground out of their way. I need</span><span class="line">new greennesses pushing out from</span><span class="line">the brown dark bark gnarled. I</span><span class="line">need the robin to build its songfilled</span><span class="line">nest in a <a href="epigraph.html">branchcrotch</a>. I need</span><span class="line">the fecundity of fungi on the branches.</span><span class="line">I need quiet of the sunlight shooting</span><span class="line">through thousands of branched leaves</span><span class="line">quivering. <a href="apollo11.html">I need whisper at dawn.</a></span><span class="line">I need burrows underground foxholes.</span><span class="line">I need duff layers eaten through</span><span class="line">by worms. I need brooks murmuring</span><span class="line">through crooks of roots. I need small</span><span class="line"><a href="proverbs.html">fish swimming</a> in their schools at</span><span class="line">midnight. I need oldnesses giving way</span><span class="line"><a href="about-the-author.html">to youngnesses giving way to oldnesses</a>.</span><span class="line">I need dapplegray yellowshot ashbark.</span><span class="line">I need the crunch of dead leaves underfoot.</span><span class="line">I need <a href="one-hundred-lines.html">snowquiet deadbranch</a> mourning.</span><span class="line">I need those <a href="http://www.wrensworld.com/purpmount.htm">purple mountains majesty</a>.</span><span class="line">I need a walk between trees in the dark.</span><span class="line">I need that moment when stopping to rest</span><span class="line">it suddenly seems that all the weary</span><span class="line"><a href="http://www.bartleby.com/119/1.html">forestroads</a> in all their meandering come</span><span class="line"><a href="riptide_memory.html">to rest their heads</a> at my astonished</span><span class="line">feet, none of them needing more than me.</span></p> |
| 42 | </article> | 42 | </section> |
| 43 | <nav> | 43 | </article> |
| 44 | <div class="anchors"> | 44 | <nav> |
| 45 | <a href="plant_backlinks.htm" id="back-link" title="Links to this page"> | 45 | <div class="anchors"> |
| 46 | φ | 46 | <a href="backlinks/plant.html" id="backlinks" title="Links to this page"> |
| 47 | </a> | 47 | φ |
| 48 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 48 | </a> |
| 49 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 50 | </div> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | 51 | </div> | |
| 52 | 52 | ||
| 53 | </nav> | 53 | |
| 54 | 54 | </nav> | |
| 55 | 55 | ||
| 56 | </body> | 56 | </body> |
| 57 | </html> | 57 | </html> |
| diff --git a/plant_backlinks.htm b/plant_backlinks.htm deleted file mode 100644 index c1362c7..0000000 --- a/plant_backlinks.htm +++ /dev/null | |||
| @@ -1,69 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Litany for a plant | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="plant" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Litany for a plant</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="building.html">Building</a></li> | ||
| 41 | <li><a href="creation-myth.html">Creation myth</a></li> | ||
| 42 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 43 | <li><a href="found-typewriter-poem.html">Look</a></li> | ||
| 44 | <li><a href="i-am.html">I am</a></li> | ||
| 45 | <li><a href="i-want-to-say.html">I want to say</a></li> | ||
| 46 | <li><a href="in-bed.html">In bed</a></li> | ||
| 47 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 48 | <li><a href="listen.html">Listen</a></li> | ||
| 49 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 50 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | ||
| 51 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> | ||
| 52 | </ul> | ||
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="plant.html" id="back-link" title="Back to article"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 61 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | |||
| 64 | |||
| 65 | </nav> | ||
| 66 | |||
| 67 | |||
| 68 | </body> | ||
| 69 | </html> | ||
| diff --git a/poetry-time.html b/poetry-time.html index 316ec41..cc68ed6 100644 --- a/poetry-time.html +++ b/poetry-time.html | |||
| @@ -4,75 +4,73 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Something | Autocento of the breakfast table</title> | 12 | <title>Something | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="poetry-time" class="stark"> | 23 | <body id="poetry-time" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Something</h1> | 28 | <h1 class="title">Something</h1> |
| 30 | <h1 class="subtitle">about the nature of poetry and time</h1> | 29 | <h1 class="subtitle">about the nature of poetry and time</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 37 | 33 | </div> | |
| 38 | <section class="content verse"> | 34 | </header> |
| 39 | <p><span class="line">I’m writing this now because I have to.</span><span class="line">Not in some “my soul yearns for this and</span><span class="line">I can’t help it" way, but in the way that this</span><span class="line">moment is structured as such, that it is</span><span class="line">crystallized this way, me writing this, and later</span><span class="line">you reading it, now for you, later for me,</span></p> | ||
| 40 | <p><span class="line">and this tenuous connection mates me</span><span class="line">and you forever, combined with each other, two</span><span class="line"><a href="treatise.html">electrons momentarily entwined</a>. Later,</span><span class="line">when I’m dead or far too famous for you, and</span><span class="line">you’re in school, reading my words because it is</span><span class="line">required reading, I want you to remember this</span></p> | ||
| 41 | <p><span class="line">connection we’ve always had, this</span><span class="line"><a href="last-passenger.html">spider’s thread</a> hanging between you and me.</span><span class="line">Which of us is the spider and which is</span><span class="line">the fly still remains to be seen. To</span><span class="line">eat, perchance to fly: all of that and</span><span class="line">more. We can settle all of this later.</span></p> | ||
| 42 | <p><span class="line">Yes, it is you I’m thinking of in your later</span><span class="line">time: you specifically, not another. This</span><span class="line">is true for all <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><semantics><mi>x</mi><annotation encoding="application/x-tex">x</annotation></semantics></math> such that <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><semantics><mrow><mi>x</mi><mo>></mo><mn>0</mn></mrow><annotation encoding="application/x-tex">x > 0</annotation></semantics></math> and</span><span class="line"><math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><semantics><mi>x</mi><annotation encoding="application/x-tex">x</annotation></semantics></math> is a real person, though it doesn’t bother me</span><span class="line">to write to a fictional figure or to</span><span class="line"><a href="epigraph.html">a figment</a>, maybe, of my imagination. This is</span></p> | ||
| 43 | <p><span class="line">what you are right now, anyway, <a href="real-writer.html">dear Reader</a>, is</span><span class="line">it not? I’m talking about my now, of course, not later,</span><span class="line">which is your now. Later will be my now too,</span><span class="line">and maybe I’m ultimately writing to a future part of this</span><span class="line">self: you could very well be me.</span><span class="line">In fact, you probably are me, <a href="elegyforanalternateself.html">some other version</a>, and</span></p> | ||
| 44 | <p><span class="line">I am you in the past, or what you could’ve been, and</span><span class="line">at the same time, this isn’t true. Everything is,</span><span class="line">and nothing isn’t. The difference between “you” and “me”</span><span class="line">is in name only. Maybe you’ll get this later,</span><span class="line"><a href="found-typewriter-poem.html">when you’re older</a>, when I’m older, when all of this</span><span class="line">is something we’ll look fondly back to,</span></p> | ||
| 45 | <p><span class="line">because I do hope to meet you, although much later,</span><span class="line">and I hope your feeling is the same. All this</span><span class="line">talk on me and you and you and me we’ll keep between us two.</span></p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="poetry-time_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | 35 | ||
| 57 | <a class="prevlink" href="big-dipper.html" | ||
| 58 | title="Previous article in Stark Raving"> | ||
| 59 | The Big Dipper | ||
| 60 | </a> | ||
| 61 | <a class="prevlink" href="worse-looking-over.html" | ||
| 62 | title="Previous article in Stark Raving"> | ||
| 63 | Worse looking over | ||
| 64 | </a> | ||
| 65 | |||
| 66 | <a class="nextlink" href="moon-drowning.html" | ||
| 67 | title="Next article in Stark Raving"> | ||
| 68 | The Moon is drowning | ||
| 69 | </a> | ||
| 70 | <a class="nextlink" href="amber-alert.html" | ||
| 71 | title="Next article in Stark Raving"> | ||
| 72 | AMBER alert | ||
| 73 | </a> | ||
| 74 | </nav> | ||
| 75 | 36 | ||
| 76 | 37 | <section class="content verse"> | |
| 38 | <p><span class="line">I’m writing this now because I have to.</span><span class="line">Not in some “my soul yearns for this and</span><span class="line">I can’t help it" way, but in the way that this</span><span class="line">moment is structured as such, that it is</span><span class="line">crystallized this way, me writing this, and later</span><span class="line">you reading it, now for you, later for me,</span></p> | ||
| 39 | <p><span class="line">and this tenuous connection mates me</span><span class="line">and you forever, combined with each other, two</span><span class="line"><a href="treatise.html">electrons momentarily entwined</a>. Later,</span><span class="line">when I’m dead or far too famous for you, and</span><span class="line">you’re in school, reading my words because it is</span><span class="line">required reading, I want you to remember this</span></p> | ||
| 40 | <p><span class="line">connection we’ve always had, this</span><span class="line"><a href="last-passenger.html">spider’s thread</a> hanging between you and me.</span><span class="line">Which of us is the spider and which is</span><span class="line">the fly still remains to be seen. To</span><span class="line">eat, perchance to fly: all of that and</span><span class="line">more. We can settle all of this later.</span></p> | ||
| 41 | <p><span class="line">Yes, it is you I’m thinking of in your later</span><span class="line">time: you specifically, not another. This</span><span class="line">is true for all <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><semantics><mi>x</mi><annotation encoding="application/x-tex">x</annotation></semantics></math> such that <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><semantics><mrow><mi>x</mi><mo>></mo><mn>0</mn></mrow><annotation encoding="application/x-tex">x > 0</annotation></semantics></math> and</span><span class="line"><math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><semantics><mi>x</mi><annotation encoding="application/x-tex">x</annotation></semantics></math> is a real person, though it doesn’t bother me</span><span class="line">to write to a fictional figure or to</span><span class="line"><a href="epigraph.html">a figment</a>, maybe, of my imagination. This is</span></p> | ||
| 42 | <p><span class="line">what you are right now, anyway, <a href="real-writer.html">dear Reader</a>, is</span><span class="line">it not? I’m talking about my now, of course, not later,</span><span class="line">which is your now. Later will be my now too,</span><span class="line">and maybe I’m ultimately writing to a future part of this</span><span class="line">self: you could very well be me.</span><span class="line">In fact, you probably are me, <a href="elegyforanalternateself.html">some other version</a>, and</span></p> | ||
| 43 | <p><span class="line">I am you in the past, or what you could’ve been, and</span><span class="line">at the same time, this isn’t true. Everything is,</span><span class="line">and nothing isn’t. The difference between “you” and “me”</span><span class="line">is in name only. Maybe you’ll get this later,</span><span class="line"><a href="found-typewriter-poem.html">when you’re older</a>, when I’m older, when all of this</span><span class="line">is something we’ll look fondly back to,</span></p> | ||
| 44 | <p><span class="line">because I do hope to meet you, although much later,</span><span class="line">and I hope your feeling is the same. All this</span><span class="line">talk on me and you and you and me we’ll keep between us two.</span></p> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="backlinks/poetry-time.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | <a class="prevlink" href="big-dipper.html" | ||
| 57 | title="Previous article in Stark Raving"> | ||
| 58 | The Big Dipper | ||
| 59 | </a> | ||
| 60 | <a class="prevlink" href="worse-looking-over.html" | ||
| 61 | title="Previous article in Stark Raving"> | ||
| 62 | Worse looking over | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="moon-drowning.html" | ||
| 66 | title="Next article in Stark Raving"> | ||
| 67 | The Moon is drowning | ||
| 68 | </a> | ||
| 69 | <a class="nextlink" href="amber-alert.html" | ||
| 70 | title="Next article in Stark Raving"> | ||
| 71 | AMBER alert | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 74 | |||
| 77 | </body> | 75 | </body> |
| 78 | </html> | 76 | </html> |
| diff --git a/poetry-time_backlinks.htm b/poetry-time_backlinks.htm deleted file mode 100644 index 19672ba..0000000 --- a/poetry-time_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
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| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Something | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
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| 23 | <body id="poetry-time" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Something</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="building.html">Building</a></li> | ||
| 41 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
| 42 | <li><a href="lovesong.html">Love Song</a></li> | ||
| 43 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 44 | <li><a href="roughgloves.html">Rough gloves</a></li> | ||
| 45 | <li><a href="swansong-alt.html">Swansong</a></li> | ||
| 46 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="poetry-time.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/prelude.html b/prelude.html index e5b4765..1dce828 100644 --- a/prelude.html +++ b/prelude.html | |||
| @@ -4,57 +4,55 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Prelude | Autocento of the breakfast table</title> | 12 | <title>Prelude | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="prelude" class="hezekiah"> | 23 | <body id="prelude" class="hezekiah"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Prelude</h1> |
| 29 | <h1 class="title">Prelude</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content prose"> | |
| 38 | <section class="content prose"> | 38 | <p>Of course, <a href="boar.html">there is a God</a>. Of course, <a href="TODO_BONNIE_PRINCE_BILLIE_YOUTUBE">there is no God</a>. Of course, what’s really <a href="building.html">important</a> is that these aren’t important. No, they are; but not really important. All that’s important is the relative importance of non-important things. <a href="january.html">Shit.</a> Never mind; let’s start over.</p> |
| 39 | <p>Of course, <a href="boar.html">there is a God</a>. Of course, <a href="TODO_BONNIE_PRINCE_BILLIE_YOUTUBE">there is no God</a>. Of course, what’s really <a href="building.html">important</a> is that these aren’t important. No, they are; but not really important. All that’s important is the relative importance of non-important things. <a href="january.html">Shit.</a> Never mind; let’s start over.</p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
| 41 | </article> | 41 | <nav> |
| 42 | <nav> | 42 | <div class="anchors"> |
| 43 | <div class="anchors"> | 43 | <a href="backlinks/prelude.html" id="backlinks" title="Links to this page"> |
| 44 | <a href="prelude_backlinks.htm" id="back-link" title="Links to this page"> | 44 | φ |
| 45 | φ | 45 | </a> |
| 46 | </a> | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | </div> |
| 49 | </div> | 49 | |
| 50 | 50 | ||
| 51 | 51 | <a class="nextlink" href="purpose-dogs.html" | |
| 52 | <a class="nextlink" href="purpose-dogs.html" | 52 | title="Next article in Book of Hezekiah"> |
| 53 | title="Next article in Book of Hezekiah"> | 53 | The purpose of dogs |
| 54 | The purpose of dogs | 54 | </a> |
| 55 | </a> | 55 | </nav> |
| 56 | </nav> | 56 | |
| 57 | |||
| 58 | |||
| 59 | </body> | 57 | </body> |
| 60 | </html> | 58 | </html> |
| diff --git a/prelude_backlinks.htm b/prelude_backlinks.htm deleted file mode 100644 index 2787f3a..0000000 --- a/prelude_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Prelude | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
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| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
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| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="prelude" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Prelude</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about.html">Autocento of the breakfast table</a></li> | ||
| 41 | <li><a href="ex-machina.html">Ex machina</a></li> | ||
| 42 | <li><a href="manifesto_poetics.html">Manifesto of poetics</a></li> | ||
| 43 | <li><a href="purpose-dogs.html">The purpose of dogs</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="prelude.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/problems.html b/problems.html index 590f73f..8d86adb 100644 --- a/problems.html +++ b/problems.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Problems | Autocento of the breakfast table</title> | 12 | <title>Problems | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="problems" class="hezekiah"> | 23 | <body id="problems" class="hezekiah"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Problems</h1> | 28 | <h1 class="title">Problems</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>The problem with people is this: we cannot be happy. No matter how hard or easy we try, it is not to be. It seems sometimes that, just as the dog was made for jumping in mud and sniffing out foxholes and having a good time all around, man was made for sadness, loneliness and heartache.</p> | ||
| 40 | <p>Being the observant and judgmental people they are, people have for a long time tried to figure out why they aren’t happy. Some say it’s because we’re obviously doing something wrong. Some say it’s because we think too much. Some insist that it’s because other people have more stuff than we do. These people don’t have a clue any more than any of the rest of us. At least I don’t think they do, and that’s good enough for me.<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> I think that the reason why people are unhappy (and this is a personal opinion) is that they realize on some level (for some it’s a pretty shallow level, others it’s way down there next to their love for women’s stockings<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a>) that there is no background to put themselves against, no “<a href="ronaldmcdonald.html">big picture</a>” to get painted into. This makes sense, because on one level, the level of everyday life, the level of <em>observation</em>, there is always a background—look in a pair of binoculars sometime. But on another level, that of … shit, wait. There are no other levels.<a href="#fn3" class="footnoteRef" id="fnref3"><sup>3</sup></a></p> | ||
| 41 | <p>What’s more, people try to explain how to get happy again (although it’s doubtful they were ever happy in the first place—people are very good at fooling). Some say standing or [sitting in a building][] with a lot of other unhappy people helps. Some say that you can’t stop there; you also need to sing with those other unhappy people about how unhappy you are, and how you wish someone would come along and help you out, I guess by giving you money or something. I say all you really need to be happy is a good stiff drink.<a href="#fn4" class="footnoteRef" id="fnref4"><sup>4</sup></a></p> | ||
| 42 | <p>In any case, people have for some reason or another, and to some end or another, always been unhappy. And people have always tried to figure out ways to be less unhappy—one of the most important things to people everywhere is called “the pursuit of happiness.” I think that calling it a pursuit makes people feel more like dogs, who are the most happy beings most people can think of. By pursuing happiness, they’re like a dog pursuing a possum or a bone on a fishing rod: two activities that sound like a lot of fun to most people. I think most people wish they were dogs.</p> | ||
| 43 | <section class="footnotes"> | ||
| 44 | <hr /> | ||
| 45 | <ol> | ||
| 46 | <li id="fn1"><p>This seems to be an attempt on Hezzy’s part to set an example for mankind. It should be noted that he is an alcoholic, and not in any shape to be an example to anyone.<a href="#fnref1">↩</a></p></li> | ||
| 47 | <li id="fn2"><p>It is thought that only the leg coverings of the female sex are here referenced<a href="#fnref2">↩</a></p></li> | ||
| 48 | <li id="fn3"><p>You have hereby found the super special secret cheat code room. Yes, this is just like Super Mario Brothers—you can skip right to the end. Go and face the final boss already!<a href="#fnref3">↩</a></p></li> | ||
| 49 | <li id="fn4"><p>See footnote, above<a href="#fnref4">↩</a></p></li> | ||
| 50 | </ol> | ||
| 51 | </section> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="problems_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 60 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | 32 | ||
| 63 | <a class="prevlink" href="movingsideways.html" | 33 | </div> |
| 64 | title="Previous article in Book of Hezekiah"> | 34 | </header> |
| 65 | Moving sideways | 35 | |
| 66 | </a> | 36 | |
| 67 | 37 | <section class="content prose"> | |
| 68 | <a class="nextlink" href="likingthings.html" | 38 | <p>The problem with people is this: we cannot be happy. No matter how hard or easy we try, it is not to be. It seems sometimes that, just as the dog was made for jumping in mud and sniffing out foxholes and having a good time all around, man was made for sadness, loneliness and heartache.</p> |
| 69 | title="Next article in Book of Hezekiah"> | 39 | <p>Being the observant and judgmental people they are, people have for a long time tried to figure out why they aren’t happy. Some say it’s because we’re obviously doing something wrong. Some say it’s because we think too much. Some insist that it’s because other people have more stuff than we do. These people don’t have a clue any more than any of the rest of us. At least I don’t think they do, and that’s good enough for me.<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> I think that the reason why people are unhappy (and this is a personal opinion) is that they realize on some level (for some it’s a pretty shallow level, others it’s way down there next to their love for women’s stockings<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a>) that there is no background to put themselves against, no “<a href="ronaldmcdonald.html">big picture</a>” to get painted into. This makes sense, because on one level, the level of everyday life, the level of <em>observation</em>, there is always a background—look in a pair of binoculars sometime. But on another level, that of … shit, wait. There are no other levels.<a href="#fn3" class="footnoteRef" id="fnref3"><sup>3</sup></a></p> |
| 70 | Liking things | 40 | <p>What’s more, people try to explain how to get happy again (although it’s doubtful they were ever happy in the first place—people are very good at fooling). Some say standing or [sitting in a building][] with a lot of other unhappy people helps. Some say that you can’t stop there; you also need to sing with those other unhappy people about how unhappy you are, and how you wish someone would come along and help you out, I guess by giving you money or something. I say all you really need to be happy is a good stiff drink.<a href="#fn4" class="footnoteRef" id="fnref4"><sup>4</sup></a></p> |
| 71 | </a> | 41 | <p>In any case, people have for some reason or another, and to some end or another, always been unhappy. And people have always tried to figure out ways to be less unhappy—one of the most important things to people everywhere is called “the pursuit of happiness.” I think that calling it a pursuit makes people feel more like dogs, who are the most happy beings most people can think of. By pursuing happiness, they’re like a dog pursuing a possum or a bone on a fishing rod: two activities that sound like a lot of fun to most people. I think most people wish they were dogs.</p> |
| 72 | </nav> | 42 | <section class="footnotes"> |
| 43 | <hr /> | ||
| 44 | <ol> | ||
| 45 | <li id="fn1"><p>This seems to be an attempt on Hezzy’s part to set an example for mankind. It should be noted that he is an alcoholic, and not in any shape to be an example to anyone.<a href="#fnref1">↩</a></p></li> | ||
| 46 | <li id="fn2"><p>It is thought that only the leg coverings of the female sex are here referenced<a href="#fnref2">↩</a></p></li> | ||
| 47 | <li id="fn3"><p>You have hereby found the super special secret cheat code room. Yes, this is just like Super Mario Brothers—you can skip right to the end. Go and face the final boss already!<a href="#fnref3">↩</a></p></li> | ||
| 48 | <li id="fn4"><p>See footnote, above<a href="#fnref4">↩</a></p></li> | ||
| 49 | </ol> | ||
| 50 | </section> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="backlinks/problems.html" id="backlinks" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 59 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | |||
| 62 | <a class="prevlink" href="movingsideways.html" | ||
| 63 | title="Previous article in Book of Hezekiah"> | ||
| 64 | Moving sideways | ||
| 65 | </a> | ||
| 66 | |||
| 67 | <a class="nextlink" href="likingthings.html" | ||
| 68 | title="Next article in Book of Hezekiah"> | ||
| 69 | Liking things | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/process.html b/process.html index 26f21d7..79d9613 100644 --- a/process.html +++ b/process.html | |||
| @@ -4,110 +4,108 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="process" class="meta"> | 23 | <body id="process" class="front-matter"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | 28 | <h1 class="title">Autocento of the breakfast table</h1> |
| 30 | <h1 class="subtitle">process narrative</h1> | 29 | <h1 class="subtitle">process narrative</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 37 | 33 | </div> | |
| 38 | <section class="content prose"> | 34 | </header> |
| 39 | <section id="hi.-my-name-is-case-duckworth.-this-is-my-thesis." class="level2"> | ||
| 40 | <h2>Hi. My name is Case Duckworth. This is my thesis.</h2> | ||
| 41 | <p><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. I’ve compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. To make this easier than collating everything by hand, I’ve relied on a process that leverages open-source technologies to publish my work onto a web platform.</p> | ||
| 42 | </section> | ||
| 43 | <section id="process-steps" class="level2"> | ||
| 44 | <h2>Process steps</h2> | ||
| 45 | <ol type="1"> | ||
| 46 | <li>Write poems.</li> | ||
| 47 | <li>Convert to Markdown. | ||
| 48 | <ul> | ||
| 49 | <li>Markdown, originally by <a href="http://daringfireball.net/projects/markdown/">John Gruber</a>, is a lightweight markup language that allows me to focus on the <em>content</em> of my writing, knowing that I can work on the <em>presentation</em> later.</li> | ||
| 50 | <li>The original <code>markdown.pl</code> program is buggy and inconsistent with how it applies styles to markup. It also only works to convert text to HTML.</li> | ||
| 51 | <li>Because of these limitations, I’ve used John MacFarlane’s <a href="http://johnmacfarlane.net/pandoc/README.html#pandocs-markdown">extended Markdown syntax</a>, which lets me write richer documents and programmatically compile my work into multiple formats.</li> | ||
| 52 | </ul></li> | ||
| 53 | <li>Compile to HTML with Pandoc. | ||
| 54 | <ul> | ||
| 55 | <li><p>At first, I used this code in the shell to generate my HTML:</p> | ||
| 56 | <pre class="sourceCode bash"><code class="sourceCode bash"><span class="kw">for</span> <span class="kw">file</span> in *.txt<span class="kw">;</span> <span class="kw">do</span> | ||
| 57 | <span class="kw">pandoc</span> <span class="st">"</span><span class="ot">$file</span><span class="st">"</span> -f markdown -t html5 \ | ||
| 58 | --template=template.html -o <span class="st">"</span><span class="ot">${file%</span>txt<span class="ot">}</span><span class="st">html"</span> | ||
| 59 | <span class="kw">done</span></code></pre> | ||
| 60 | but this proved tedious with time.</li> | ||
| 61 | <li>After a lot of experimenting with different scripting languages, I finally realized that <a href="https://www.gnu.org/software/make/manual/make.html"><code>GNU make</code></a> would fit this task perfectly.</li> | ||
| 62 | <li>You can see my makefile <a href="https://github.com/duckwork/autocento/blob/gh-pages/makefile">here</a>—it’s kind of a mess, but it does the job. See below for a more detailed explanation of the makefile.</li> | ||
| 63 | </ul></li> | ||
| 64 | <li>Style the pages with CSS. | ||
| 65 | <ul> | ||
| 66 | <li>I use a pretty basic style for <em>Autocento</em>. You can see my stylesheet <a href="https://github.com/duckwork/autocento/blob/gh-pages/style.css">here</a>.</li> | ||
| 67 | </ul></li> | ||
| 68 | <li>Use <a href="https://github.com">Github</a> to put them online. | ||
| 69 | <ul> | ||
| 70 | <li>Github uses <code>git</code> under the hood—a Version Control System developed for keeping track of large code projects.</li> | ||
| 71 | <li>My workflow with <code>git</code> looks like this: | ||
| 72 | <ul> | ||
| 73 | <li>Change files in the project directory—revise a poem, change the makefile, add a style, etc.</li> | ||
| 74 | <li>(If necessary, re-compile with <code>make</code>.)</li> | ||
| 75 | <li><code>git status</code> tells me which files have changed, which have been added, and if any have been deleted.</li> | ||
| 76 | <li><code>git add -A</code> adds all the changes to the <em>staging area</em>, or I can add individual files, depending on what I want to commit.</li> | ||
| 77 | <li><code>git commit -m "[message]"</code> commits the changes to git. This means they’re “saved”—if I do something I want to revert, I can <code>git revert</code> back to a commit and start again.</li> | ||
| 78 | <li><code>git push</code> pushes the changes to the <em>remote repository</em>—in this case, the Github repo that serves <a href="http://autocento.me" class="uri">http://autocento.me</a>.</li> | ||
| 79 | <li>Lather, rinse, repeat.</li> | ||
| 80 | </ul></li> | ||
| 81 | </ul></li> | ||
| 82 | <li>Write Makefile to extend build capabilities. | ||
| 83 | <ul> | ||
| 84 | <li>As of now, I’ve completed a <em><a href="hapax.html">Hapax legomenon</a></em> compiler, a <a href="makefile">back-link</a> compiler, and an updater for the <a href="trunk/lozenge.js">random link functionality</a> that’s on this site.</li> | ||
| 85 | <li>I’d like to build a compiler for the <a href="first-lines.html">Index of first lines</a> and <a href="common-titles.html">Index of common titles</a> once I have time.</li> | ||
| 86 | </ul></li> | ||
| 87 | </ol> | ||
| 88 | </section> | ||
| 89 | <section id="the-beauty-of-this-system" class="level2"> | ||
| 90 | <h2>The beauty of this system</h2> | ||
| 91 | <ul> | ||
| 92 | <li>I can compile these poems into (almost) any format: <code>pandoc</code> supports a lot.</li> | ||
| 93 | <li>Once I complete the above process once, I can focus on revising my poems.</li> | ||
| 94 | <li>These poems are online for anyone to see and use for their own work.</li> | ||
| 95 | </ul> | ||
| 96 | </section> | ||
| 97 | </section> | ||
| 98 | </article> | ||
| 99 | <nav> | ||
| 100 | <div class="anchors"> | ||
| 101 | <a href="process_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 102 | φ | ||
| 103 | </a> | ||
| 104 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 105 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 106 | </div> | ||
| 107 | 35 | ||
| 108 | |||
| 109 | </nav> | ||
| 110 | 36 | ||
| 111 | 37 | <section class="content prose"> | |
| 38 | <section id="hi.-my-name-is-case-duckworth.-this-is-my-thesis." class="level2"> | ||
| 39 | <h2>Hi. My name is Case Duckworth. This is my thesis.</h2> | ||
| 40 | <p><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. I’ve compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. To make this easier than collating everything by hand, I’ve relied on a process that leverages open-source technologies to publish my work onto a web platform.</p> | ||
| 41 | </section> | ||
| 42 | <section id="process-steps" class="level2"> | ||
| 43 | <h2>Process steps</h2> | ||
| 44 | <ol type="1"> | ||
| 45 | <li>Write poems.</li> | ||
| 46 | <li>Convert to Markdown. | ||
| 47 | <ul> | ||
| 48 | <li>Markdown, originally by <a href="http://daringfireball.net/projects/markdown/">John Gruber</a>, is a lightweight markup language that allows me to focus on the <em>content</em> of my writing, knowing that I can work on the <em>presentation</em> later.</li> | ||
| 49 | <li>The original <code>markdown.pl</code> program is buggy and inconsistent with how it applies styles to markup. It also only works to convert text to HTML.</li> | ||
| 50 | <li>Because of these limitations, I’ve used John MacFarlane’s <a href="http://johnmacfarlane.net/pandoc/README.html#pandocs-markdown">extended Markdown syntax</a>, which lets me write richer documents and programmatically compile my work into multiple formats.</li> | ||
| 51 | </ul></li> | ||
| 52 | <li>Compile to HTML with Pandoc. | ||
| 53 | <ul> | ||
| 54 | <li><p>At first, I used this code in the shell to generate my HTML:</p> | ||
| 55 | <pre class="sourceCode bash"><code class="sourceCode bash"><span class="kw">for</span> <span class="kw">file</span> in *.txt<span class="kw">;</span> <span class="kw">do</span> | ||
| 56 | <span class="kw">pandoc</span> <span class="st">"</span><span class="ot">$file</span><span class="st">"</span> -f markdown -t html5 \ | ||
| 57 | --template=template.html -o <span class="st">"</span><span class="ot">${file%</span>txt<span class="ot">}</span><span class="st">html"</span> | ||
| 58 | <span class="kw">done</span></code></pre> | ||
| 59 | but this proved tedious with time.</li> | ||
| 60 | <li>After a lot of experimenting with different scripting languages, I finally realized that <a href="https://www.gnu.org/software/make/manual/make.html"><code>GNU make</code></a> would fit this task perfectly.</li> | ||
| 61 | <li>You can see my makefile <a href="https://github.com/duckwork/autocento/blob/gh-pages/makefile">here</a>—it’s kind of a mess, but it does the job. See below for a more detailed explanation of the makefile.</li> | ||
| 62 | </ul></li> | ||
| 63 | <li>Style the pages with CSS. | ||
| 64 | <ul> | ||
| 65 | <li>I use a pretty basic style for <em>Autocento</em>. You can see my stylesheet <a href="https://github.com/duckwork/autocento/blob/gh-pages/style.css">here</a>.</li> | ||
| 66 | </ul></li> | ||
| 67 | <li>Use <a href="https://github.com">Github</a> to put them online. | ||
| 68 | <ul> | ||
| 69 | <li>Github uses <code>git</code> under the hood—a Version Control System developed for keeping track of large code projects.</li> | ||
| 70 | <li>My workflow with <code>git</code> looks like this: | ||
| 71 | <ul> | ||
| 72 | <li>Change files in the project directory—revise a poem, change the makefile, add a style, etc.</li> | ||
| 73 | <li>(If necessary, re-compile with <code>make</code>.)</li> | ||
| 74 | <li><code>git status</code> tells me which files have changed, which have been added, and if any have been deleted.</li> | ||
| 75 | <li><code>git add -A</code> adds all the changes to the <em>staging area</em>, or I can add individual files, depending on what I want to commit.</li> | ||
| 76 | <li><code>git commit -m "[message]"</code> commits the changes to git. This means they’re “saved”—if I do something I want to revert, I can <code>git revert</code> back to a commit and start again.</li> | ||
| 77 | <li><code>git push</code> pushes the changes to the <em>remote repository</em>—in this case, the Github repo that serves <a href="http://autocento.me" class="uri">http://autocento.me</a>.</li> | ||
| 78 | <li>Lather, rinse, repeat.</li> | ||
| 79 | </ul></li> | ||
| 80 | </ul></li> | ||
| 81 | <li>Write Makefile to extend build capabilities. | ||
| 82 | <ul> | ||
| 83 | <li>As of now, I’ve completed a <em><a href="hapax.html">Hapax legomenon</a></em> compiler, a <a href="makefile">back-link</a> compiler, and an updater for the <a href="trunk/lozenge.js">random link functionality</a> that’s on this site.</li> | ||
| 84 | <li>I’d like to build a compiler for the <a href="first-lines.html">Index of first lines</a> and <a href="common-titles.html">Index of common titles</a> once I have time.</li> | ||
| 85 | </ul></li> | ||
| 86 | </ol> | ||
| 87 | </section> | ||
| 88 | <section id="the-beauty-of-this-system" class="level2"> | ||
| 89 | <h2>The beauty of this system</h2> | ||
| 90 | <ul> | ||
| 91 | <li>I can compile these poems into (almost) any format: <code>pandoc</code> supports a lot.</li> | ||
| 92 | <li>Once I complete the above process once, I can focus on revising my poems.</li> | ||
| 93 | <li>These poems are online for anyone to see and use for their own work.</li> | ||
| 94 | </ul> | ||
| 95 | </section> | ||
| 96 | </section> | ||
| 97 | </article> | ||
| 98 | <nav> | ||
| 99 | <div class="anchors"> | ||
| 100 | <a href="backlinks/process.html" id="backlinks" title="Links to this page"> | ||
| 101 | φ | ||
| 102 | </a> | ||
| 103 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 104 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 105 | </div> | ||
| 106 | |||
| 107 | |||
| 108 | </nav> | ||
| 109 | |||
| 112 | </body> | 110 | </body> |
| 113 | </html> | 111 | </html> |
| diff --git a/process_backlinks.htm b/process_backlinks.htm deleted file mode 100644 index 58453a4..0000000 --- a/process_backlinks.htm +++ /dev/null | |||
| @@ -1,58 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
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| 23 | <body id="process" class="meta"> | ||
| 24 | |||
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| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Autocento of the breakfast table</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="abstract.html">Autocento of the breakfast table</a></li> | ||
| 41 | </ul> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="process.html" id="back-link" title="Back to article"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | |||
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| 55 | |||
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| diff --git a/proverbs.html b/proverbs.html index 00b6d5b..862f916 100644 --- a/proverbs.html +++ b/proverbs.html | |||
| @@ -4,68 +4,66 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
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| 22 | </head> | 22 | </head> |
| 23 | <body id="proverbs" class="hezekiah"> | 23 | <body id="proverbs" class="hezekiah"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Proverbs</h1> | 28 | <h1 class="title">Proverbs</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p><a href="words-meaning.html">Nothing matters; everything is sacred. Everything matters; nothing is sacred</a>.<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> This is the only way we can move forward: by moving sideways. Life is a great big rugby game, and the entire field has to be run for a goal. The fact that the beginning two verses of this chapter have the same number of characters proves that they are a tautological pair, that is, they <em>complete each other</em>. Sometimes life seems like a dog wagging its tail, smiling up at you and wanting you to love it, just wanting that, simple simple love, oblivious to the fact that it just ran through your immaculately groomed flower garden and tracked all the mud in onto your freshly steamed carpet. Life is not life in a suburb. <a href="lovesong.html">There are no rosebushes, groomed never. There is no carpet, steamed at any time.</a> The dog looks at you wanting you to love it. It wants to know that you know that it’s there. <em>It wants to be observed</em>.<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a></p> | ||
| 40 | <section class="footnotes"> | ||
| 41 | <hr /> | ||
| 42 | <ol> | ||
| 43 | <li id="fn1"><p>Thank you <a href="http://www.thesatirist.com/books/CowGirlBlues.html">Tom Stoppard</a>. Ha ha ho ho and hee hee.<a href="#fnref1">↩</a></p></li> | ||
| 44 | <li id="fn2"><p>Ah ha! I knew this was going to happen at some point. Now things are going to get more interesting because the dog wants what we thought was a bad thing, right? Right? Didn’t we go through that part about how observing made it impossible to really know anything, and I had to start over because it’s really hard to figure out what you’re talking about when reality slips out of your hands like a fish, but you’re not a cat with claws so it just flops right outta your hand back into the lake. (By the way, Nirvana is thought to be what a drop of water feels upon flopping into a lake—doesn’t that seem important? Doesn’t it seem like a fish and a drop of water here are connected? It helps, of course, that the fish represents Reality here.)<a href="#fnref2">↩</a></p></li> | ||
| 45 | </ol> | ||
| 46 | </section> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="proverbs_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | 32 | ||
| 58 | <a class="prevlink" href="philosophy.html" | 33 | </div> |
| 59 | title="Previous article in Book of Hezekiah"> | 34 | </header> |
| 60 | Philosophy | 35 | |
| 61 | </a> | 36 | |
| 62 | 37 | <section class="content prose"> | |
| 63 | <a class="nextlink" href="movingsideways.html" | 38 | <p><a href="words-meaning.html">Nothing matters; everything is sacred. Everything matters; nothing is sacred</a>.<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> This is the only way we can move forward: by moving sideways. Life is a great big rugby game, and the entire field has to be run for a goal. The fact that the beginning two verses of this chapter have the same number of characters proves that they are a tautological pair, that is, they <em>complete each other</em>. Sometimes life seems like a dog wagging its tail, smiling up at you and wanting you to love it, just wanting that, simple simple love, oblivious to the fact that it just ran through your immaculately groomed flower garden and tracked all the mud in onto your freshly steamed carpet. Life is not life in a suburb. <a href="lovesong.html">There are no rosebushes, groomed never. There is no carpet, steamed at any time.</a> The dog looks at you wanting you to love it. It wants to know that you know that it’s there. <em>It wants to be observed</em>.<a href="#fn2" class="footnoteRef" id="fnref2"><sup>2</sup></a></p> |
| 64 | title="Next article in Book of Hezekiah"> | 39 | <section class="footnotes"> |
| 65 | Moving sideways | 40 | <hr /> |
| 66 | </a> | 41 | <ol> |
| 67 | </nav> | 42 | <li id="fn1"><p>Thank you <a href="http://www.thesatirist.com/books/CowGirlBlues.html">Tom Stoppard</a>. Ha ha ho ho and hee hee.<a href="#fnref1">↩</a></p></li> |
| 43 | <li id="fn2"><p>Ah ha! I knew this was going to happen at some point. Now things are going to get more interesting because the dog wants what we thought was a bad thing, right? Right? Didn’t we go through that part about how observing made it impossible to really know anything, and I had to start over because it’s really hard to figure out what you’re talking about when reality slips out of your hands like a fish, but you’re not a cat with claws so it just flops right outta your hand back into the lake. (By the way, Nirvana is thought to be what a drop of water feels upon flopping into a lake—doesn’t that seem important? Doesn’t it seem like a fish and a drop of water here are connected? It helps, of course, that the fish represents Reality here.)<a href="#fnref2">↩</a></p></li> | ||
| 44 | </ol> | ||
| 45 | </section> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="backlinks/proverbs.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | <a class="prevlink" href="philosophy.html" | ||
| 58 | title="Previous article in Book of Hezekiah"> | ||
| 59 | Philosophy | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="movingsideways.html" | ||
| 63 | title="Next article in Book of Hezekiah"> | ||
| 64 | Moving sideways | ||
| 65 | </a> | ||
| 66 | </nav> | ||
| 68 | 67 | ||
| 69 | |||
| 70 | </body> | 68 | </body> |
| 71 | </html> | 69 | </html> |
| diff --git a/punch.html b/punch.html index cbf9486..5089c50 100644 --- a/punch.html +++ b/punch.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Punch | Autocento of the breakfast table</title> | 12 | <title>Punch | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="punch" class="paul"> | 23 | <body id="punch" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Punch</h1> | 28 | <h1 class="title">Punch</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>When he finally got back to work he was surprised they threw him a party. <em><strong>WELCOME BACK PAUL!</strong></em> was written on a big banner across the back wall. Someone had ordered a confectioner’s-sugar cake with <a href="big-dipper.html">frosting flowers</a> on the corners. It said the same thing as the banner. “Welcome back, Paul” said Jill as he was at the punch bowl. The cup was on the table as he ladled punch in with his right hand. His left was wrapped in <a href="one-hundred-lines.html">gauze</a>.</p> | ||
| 40 | <p>“Let me help you with that” said Jill. Paul had a strange feeling this had happened before. She took the ladle and their hands touched. She picked the cup up in her right hand and used her left to lift the spoon. “You know” she said “we were worried about you. When Jerry heard about your hand he said ‘There goes one of our best data entry men.’” “I still can’t really move my left hand” said Paul. “That’s alright you can take your time with the entry.” “I’m sorry.”</p> | ||
| 41 | <p>“Sorry for what” she looked at his eyes. He imagined her seeing <a href="hands.html">fisheye</a> versions of herself in them. “I don’t know” he said because it was true. “It’s alright anyway” she said and placed the full punch cup in his right hand.</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="punch_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="wallpaper.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Wallpaper | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="planks.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>When he finally got back to work he was surprised they threw him a party. <em><strong>WELCOME BACK PAUL!</strong></em> was written on a big banner across the back wall. Someone had ordered a confectioner’s-sugar cake with <a href="big-dipper.html">frosting flowers</a> on the corners. It said the same thing as the banner. “Welcome back, Paul” said Jill as he was at the punch bowl. The cup was on the table as he ladled punch in with his right hand. His left was wrapped in <a href="one-hundred-lines.html">gauze</a>.</p> |
| 59 | Planks | 39 | <p>“Let me help you with that” said Jill. Paul had a strange feeling this had happened before. She took the ladle and their hands touched. She picked the cup up in her right hand and used her left to lift the spoon. “You know” she said “we were worried about you. When Jerry heard about your hand he said ‘There goes one of our best data entry men.’” “I still can’t really move my left hand” said Paul. “That’s alright you can take your time with the entry.” “I’m sorry.”</p> |
| 60 | </a> | 40 | <p>“Sorry for what” she looked at his eyes. He imagined her seeing <a href="hands.html">fisheye</a> versions of herself in them. “I don’t know” he said because it was true. “It’s alright anyway” she said and placed the full punch cup in his right hand.</p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="joke.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | Joke | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/punch.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="question.html" | 46 | φ |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </a> |
| 68 | Question | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="wallpaper.html" | ||
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 54 | Wallpaper | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="planks.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Planks | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="joke.html" | ||
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Joke | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="question.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Question | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/purpose-dogs.html b/purpose-dogs.html index a72bdc1..b692bf7 100644 --- a/purpose-dogs.html +++ b/purpose-dogs.html | |||
| @@ -4,63 +4,61 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
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| 12 | <title>The purpose of dogs | Autocento of the breakfast table</title> | 12 | <title>The purpose of dogs | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="purpose-dogs" class="hezekiah"> | 23 | <body id="purpose-dogs" class="hezekiah"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The purpose of dogs</h1> | 28 | <h1 class="title">The purpose of dogs</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>Okay, so as we said in <a href="prelude.html">the Prelude</a>, there either is or isn’t a God. This has been one of the main past times of humanity, ever since … since the first man (or woman) climbed out of whatever slime or swamp he thumbed his way out of. What humanity has failed to realize is that an incredibly plausible third, and heretofore unknown, hypothesis also exists: There is a dog.</p> | ||
| 40 | <p>In fact, there are many dogs, and not only that. There are also many types of dogs; these are called breeds, and each breed was created by man in order to fulfill some use that man thought he needed. Some dogs are for chasing birds, and some are for chasing badgers. Some are for laying in your lap and being petted all day. Some dogs don’t seem to be really for anything, besides being fucking stupid and chewing up your one-of-a-kind collectible individually-numbered King Kong figurine from the Peter Jackson film. But the important thing is, (and here we go with important things again) all dogs have been bred by people for performing some certain function that we think is important.</p> | ||
| 41 | <p>Note: <em>Just because we think it’s important doesn’t mean it is important.</em> But it might as well be, because what we as humans think is important is important. But be careful! Just because something’s important doesn’t mean it means anything, or that it actually makes anything happen. Even though just because something makes something else happen doesn’t mean it’s important. <a href="feedingtheraven.html">Shit</a>. Let me start again.</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
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| 52 | 32 | ||
| 53 | <a class="prevlink" href="prelude.html" | 33 | </div> |
| 54 | title="Previous article in Book of Hezekiah"> | 34 | </header> |
| 55 | Prelude | 35 | |
| 56 | </a> | 36 | |
| 57 | 37 | <section class="content prose"> | |
| 58 | <a class="nextlink" href="philosophy.html" | 38 | <p>Okay, so as we said in <a href="prelude.html">the Prelude</a>, there either is or isn’t a God. This has been one of the main past times of humanity, ever since … since the first man (or woman) climbed out of whatever slime or swamp he thumbed his way out of. What humanity has failed to realize is that an incredibly plausible third, and heretofore unknown, hypothesis also exists: There is a dog.</p> |
| 59 | title="Next article in Book of Hezekiah"> | 39 | <p>In fact, there are many dogs, and not only that. There are also many types of dogs; these are called breeds, and each breed was created by man in order to fulfill some use that man thought he needed. Some dogs are for chasing birds, and some are for chasing badgers. Some are for laying in your lap and being petted all day. Some dogs don’t seem to be really for anything, besides being fucking stupid and chewing up your one-of-a-kind collectible individually-numbered King Kong figurine from the Peter Jackson film. But the important thing is, (and here we go with important things again) all dogs have been bred by people for performing some certain function that we think is important.</p> |
| 60 | Philosophy | 40 | <p>Note: <em>Just because we think it’s important doesn’t mean it is important.</em> But it might as well be, because what we as humans think is important is important. But be careful! Just because something’s important doesn’t mean it means anything, or that it actually makes anything happen. Even though just because something makes something else happen doesn’t mean it’s important. <a href="feedingtheraven.html">Shit</a>. Let me start again.</p> |
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| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work. It was in the city and his mother told him she wouldn’t drive him so he’d had to take the bus. Number 3 he thought it was. <a href="riptide_memory.html">He couldn’t quite remember.</a> Jill said “Sorry what?” Paul realized that she hadn’t really noticed him there in the break room as he was hunched behind the refrigerator a little and she was busy pouring coffee and exactly two tablespoons of both milk and sugar into her mug before she put the coffee in. He decided to repeat the question.</p> | ||
| 40 | <p>“How do you think” he asked. “Like everyone else I guess” she said “I have a thought and if it’s important I write it down.” “Do you have to say them out loud for them to make sense?” “Are you asking if I talk to myself?” A pause. “I guess so” he said looking down. He had a feeling this was a bad thing. “Sometimes” she said and walked out of the break room. She didn’t understand the importance of his question. She popped her head back in a moment later and his heart leaped in his chest.</p> | ||
| 41 | <p>“How’s your first day going so far” she asked. “Can you understand everything okay?” “Yes” he said “you were right it’s pretty basic.” “Good” she said. “Paul?” “Yes.” “Do you have to say all of your thoughts out loud to remember them?” He shook his head.</p> | ||
| 42 | <p>Only all of the time, Paul thought to himself but didn’t speak.</p> | ||
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| 56 | Window | 35 | |
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| 58 | <a class="prevlink" href="punch.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work. It was in the city and his mother told him she wouldn’t drive him so he’d had to take the bus. Number 3 he thought it was. <a href="riptide_memory.html">He couldn’t quite remember.</a> Jill said “Sorry what?” Paul realized that she hadn’t really noticed him there in the break room as he was hunched behind the refrigerator a little and she was busy pouring coffee and exactly two tablespoons of both milk and sugar into her mug before she put the coffee in. He decided to repeat the question.</p> |
| 60 | Punch | 39 | <p>“How do you think” he asked. “Like everyone else I guess” she said “I have a thought and if it’s important I write it down.” “Do you have to say them out loud for them to make sense?” “Are you asking if I talk to myself?” A pause. “I guess so” he said looking down. He had a feeling this was a bad thing. “Sometimes” she said and walked out of the break room. She didn’t understand the importance of his question. She popped her head back in a moment later and his heart leaped in his chest.</p> |
| 61 | </a> | 40 | <p>“How’s your first day going so far” she asked. “Can you understand everything okay?” “Yes” he said “you were right it’s pretty basic.” “Good” she said. “Paul?” “Yes.” “Do you have to say all of your thoughts out loud to remember them?” He shook his head.</p> |
| 62 | 41 | <p>Only all of the time, Paul thought to himself but didn’t speak.</p> | |
| 63 | <a class="nextlink" href="sapling.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
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| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
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| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
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| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">A real writer</h1> |
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| 32 | <div class="header-extra"> | 32 | |
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| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">Sometimes I feel as though I am not a real writer.</span><span class="line"><a href="cereal.html">I don’t smoke</a>. I don’t wake up early but I don’t sleep</span><span class="line">all day either. I find myself increasingly interested</span><span class="line">in dumb luck. Chance: I’ve found two dimes in as many</span><span class="line">days. Does this mean I’ve found twenty lucky pennies?</span><span class="line">I want you to participate. You the reader. You,</span><span class="line">the probabilistic god of my dreams. I’ve been having</span><span class="line"><a href="in-bed.html">strange dreams</a> lately. I don’t remember them but</span><span class="line">they leave impressions. A bare foot. A tunnel</span><span class="line">of hair from her face to mine. A boat stranded</span><span class="line">in a living-room. Something warm. Something like the sun</span><span class="line">through my eyelids. <a href="roughgloves.html">A hand, with all its dead symbology</a>.</span><span class="line"><a href="no-nothing.html">My teeth have fallen out</a>. No, you pulled them out</span><span class="line">with your hands, threw them over your left shoulder</span><span class="line"><a href="i-am.html">like salt</a>, to wish away bad luck. I have something</span><span class="line">to tell you: bad luck follows like a dog. It lets you</span><span class="line">get ahead for a few days, a week, a year. You’ll see,</span><span class="line">it’ll bite your sleeping face when you’re not looking.</span><span class="line">I’ve been dreaming about the future, I know. In my dream</span><span class="line">I am not a writer, <a href="riptide_memory.html">I live in a place with rain</a>. You</span><span class="line">are sunning yourself as you read this, on a beach or</span><span class="line">maybe a desert. Let me move in with you. I can cook</span><span class="line"><a href="when-im-sorry-i.html">or clean</a> or take care of your dog while you’re out.</span><span class="line">I’ll never have to write again. <a href="about-the-author.html">I’ll watch television</a>.</span><span class="line">Do I want to become a writer? Tell me. Should I smoke?</span><span class="line">I can sleep all day in your attic if you want, become</span><span class="line"><a href="love-as-god.html">your god</a>, lose my own, settle to the bottom of the bed</span><span class="line">like a boat in a river, dream about nothing but <a href="leaf.html">furniture</a>.</span></p> |
| 39 | <p><span class="line">Sometimes I feel as though I am not a real writer.</span><span class="line"><a href="cereal.html">I don’t smoke</a>. I don’t wake up early but I don’t sleep</span><span class="line">all day either. I find myself increasingly interested</span><span class="line">in dumb luck. Chance: I’ve found two dimes in as many</span><span class="line">days. Does this mean I’ve found twenty lucky pennies?</span><span class="line">I want you to participate. You the reader. You,</span><span class="line">the probabilistic god of my dreams. I’ve been having</span><span class="line"><a href="in-bed.html">strange dreams</a> lately. I don’t remember them but</span><span class="line">they leave impressions. A bare foot. A tunnel</span><span class="line">of hair from her face to mine. A boat stranded</span><span class="line">in a living-room. Something warm. Something like the sun</span><span class="line">through my eyelids. <a href="roughgloves.html">A hand, with all its dead symbology</a>.</span><span class="line"><a href="no-nothing.html">My teeth have fallen out</a>. No, you pulled them out</span><span class="line">with your hands, threw them over your left shoulder</span><span class="line"><a href="i-am.html">like salt</a>, to wish away bad luck. I have something</span><span class="line">to tell you: bad luck follows like a dog. It lets you</span><span class="line">get ahead for a few days, a week, a year. You’ll see,</span><span class="line">it’ll bite your sleeping face when you’re not looking.</span><span class="line">I’ve been dreaming about the future, I know. In my dream</span><span class="line">I am not a writer, <a href="riptide_memory.html">I live in a place with rain</a>. You</span><span class="line">are sunning yourself as you read this, on a beach or</span><span class="line">maybe a desert. Let me move in with you. I can cook</span><span class="line"><a href="when-im-sorry-i.html">or clean</a> or take care of your dog while you’re out.</span><span class="line">I’ll never have to write again. <a href="about-the-author.html">I’ll watch television</a>.</span><span class="line">Do I want to become a writer? Tell me. Should I smoke?</span><span class="line">I can sleep all day in your attic if you want, become</span><span class="line"><a href="love-as-god.html">your god</a>, lose my own, settle to the bottom of the bed</span><span class="line">like a boat in a river, dream about nothing but <a href="leaf.html">furniture</a>.</span></p> | 39 | </section> |
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| 40 | <li><a href="early.html">Early</a></li> | ||
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| 11 | 11 | ||
| 12 | <title>Reports | Autocento of the breakfast table</title> | 12 | <title>Reports | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="reports" class="paul"> | 23 | <body id="reports" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Reports</h1> | 28 | <h1 class="title">Reports</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards. He had spent the weekend</p> | ||
| 40 | <ol type="1"> | ||
| 41 | <li>going to the Office Supply Store to buy notecards and typewriter ribbon (he found it surprisingly easily) after his first payday</li> | ||
| 42 | <li>replacing the ribbon in his typewriter (this took approximately half an hour, because he had to figure it all out on his own)</li> | ||
| 43 | <li>opening the package of notecards (this took approximately four seconds, although he still had to figure out how to do it on his own. It was just easier)</li> | ||
| 44 | <li>carefully typing the reports he’d handwritten on letter paper onto the notecards (he made many mistakes and threw away many notecards, though later he used them for kindling)</li> | ||
| 45 | </ol> | ||
| 46 | <p>so understandably he was upset. He told Jill all the work he’d gone to to type those notecard reports for her, for the company. <a href="seasonal-affective-disorder.html">She shook her head.</a> “Paul, you don’t have to do all that work at home. Just type it up on the computers here, that’s all you need to do. Thanks for the work though.” He nodded as she threw the notecards into the trashcan and left his cubicle.</p> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="reports_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | 32 | ||
| 58 | <a class="prevlink" href="snow.html" | 33 | </div> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 60 | Snow | 35 | |
| 61 | </a> | 36 | |
| 62 | <a class="prevlink" href="question.html" | 37 | <section class="content prose"> |
| 63 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards. He had spent the weekend</p> |
| 64 | Question | 39 | <ol type="1"> |
| 65 | </a> | 40 | <li>going to the Office Supply Store to buy notecards and typewriter ribbon (he found it surprisingly easily) after his first payday</li> |
| 66 | 41 | <li>replacing the ribbon in his typewriter (this took approximately half an hour, because he had to figure it all out on his own)</li> | |
| 67 | <a class="nextlink" href="swear.html" | 42 | <li>opening the package of notecards (this took approximately four seconds, although he still had to figure out how to do it on his own. It was just easier)</li> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <li>carefully typing the reports he’d handwritten on letter paper onto the notecards (he made many mistakes and threw away many notecards, though later he used them for kindling)</li> |
| 69 | Swear | 44 | </ol> |
| 70 | </a> | 45 | <p>so understandably he was upset. He told Jill all the work he’d gone to to type those notecard reports for her, for the company. <a href="seasonal-affective-disorder.html">She shook her head.</a> “Paul, you don’t have to do all that work at home. Just type it up on the computers here, that’s all you need to do. Thanks for the work though.” He nodded as she threw the notecards into the trashcan and left his cubicle.</p> |
| 71 | <a class="nextlink" href="sapling.html" | 46 | </section> |
| 72 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </article> |
| 73 | Sapling | 48 | <nav> |
| 74 | </a> | 49 | <div class="anchors"> |
| 75 | </nav> | 50 | <a href="backlinks/reports.html" id="backlinks" title="Links to this page"> |
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | <a class="prevlink" href="snow.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Snow | ||
| 60 | </a> | ||
| 61 | <a class="prevlink" href="question.html" | ||
| 62 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Question | ||
| 64 | </a> | ||
| 65 | |||
| 66 | <a class="nextlink" href="swear.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Swear | ||
| 69 | </a> | ||
| 70 | <a class="nextlink" href="sapling.html" | ||
| 71 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 72 | Sapling | ||
| 73 | </a> | ||
| 74 | </nav> | ||
| 76 | 75 | ||
| 77 | |||
| 78 | </body> | 76 | </body> |
| 79 | </html> | 77 | </html> |
| diff --git a/riptide_memory.html b/riptide_memory.html index 9488412..b5a3559 100644 --- a/riptide_memory.html +++ b/riptide_memory.html | |||
| @@ -4,74 +4,72 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Riptide of memory | Autocento of the breakfast table</title> | 12 | <title>Riptide of memory | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="riptide_memory" class="stark"> | 23 | <body id="riptide_memory" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Riptide of memory</h1> | 28 | <h1 class="title">Riptide of memory</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">Inside of my memory, the poem is another memory.</span><span class="line">The air up here is thin, but the wind blows harder</span><span class="line">than anywhere else I know. It threatens to rip</span><span class="line">my body away, like <a href="angeltoabraham.html">an angel of death</a>, to the stars.</span></p> | ||
| 40 | <p><span class="line">In Arizona, I thought I would forget the rain,</span><span class="line">forget its sound on a roof like a hard wind, forget</span><span class="line">its smell like a far away ocean. Luckily for me</span><span class="line">it rains here. Luckily, because I forget too easily.</span></p> | ||
| 41 | <p><span class="line">In a dream, <a href="father.html">my father is caught by a riptide</a> off-shore.</span><span class="line">He’s pulled far out, far enough that the shoreline’s</span><span class="line">a line in his <a href="ouroboros_memory.html">memory</a> on the horizon. I can see him</span><span class="line">swimming, hand over hand, pulling his small weight</span></p> | ||
| 42 | <p><span class="line">back to land. I see him as <a href="shipwright.html">another shipwreck</a> victim,</span><span class="line">coughing sand and seawater, beard woven with seaweed.</span><span class="line">I see him lying there a long time. I see all this</span><span class="line">as he tells me the story, years later, the riptide</span></p> | ||
| 43 | <p><span class="line">only a <a href="one-hundred-lines.html">ghost</a> in his memory, I only a child falling</span><span class="line">asleep. My mother’s making mayonnaise rolls</span><span class="line">in the kitchen, a recipe I’ll send for years later,</span><span class="line">in Arizona, in the monsoon season, when my thirst</span></p> | ||
| 44 | <p><span class="line">pulls me back home, my memory’s lonesome twinkle</span><span class="line">like <a href="finding-the-lion.html">stars above the mountains</a>. I’ll send for it</span><span class="line">and try to make them, but in the thin air they’ll</span><span class="line">crumble into dust like desert air, like a memory.</span></p> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="riptide_memory_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | 32 | ||
| 56 | <a class="prevlink" href="music-433.html" | 33 | </div> |
| 57 | title="Previous article in Stark Raving"> | 34 | </header> |
| 58 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | 35 | |
| 59 | </a> | 36 | |
| 60 | <a class="prevlink" href="i-think-its-you.html" | 37 | <section class="content verse"> |
| 61 | title="Previous article in Stark Raving"> | 38 | <p><span class="line">Inside of my memory, the poem is another memory.</span><span class="line">The air up here is thin, but the wind blows harder</span><span class="line">than anywhere else I know. It threatens to rip</span><span class="line">my body away, like <a href="angeltoabraham.html">an angel of death</a>, to the stars.</span></p> |
| 62 | I think it’s you (but it’s not) | 39 | <p><span class="line">In Arizona, I thought I would forget the rain,</span><span class="line">forget its sound on a roof like a hard wind, forget</span><span class="line">its smell like a far away ocean. Luckily for me</span><span class="line">it rains here. Luckily, because I forget too easily.</span></p> |
| 63 | </a> | 40 | <p><span class="line">In a dream, <a href="father.html">my father is caught by a riptide</a> off-shore.</span><span class="line">He’s pulled far out, far enough that the shoreline’s</span><span class="line">a line in his <a href="ouroboros_memory.html">memory</a> on the horizon. I can see him</span><span class="line">swimming, hand over hand, pulling his small weight</span></p> |
| 64 | 41 | <p><span class="line">back to land. I see him as <a href="shipwright.html">another shipwreck</a> victim,</span><span class="line">coughing sand and seawater, beard woven with seaweed.</span><span class="line">I see him lying there a long time. I see all this</span><span class="line">as he tells me the story, years later, the riptide</span></p> | |
| 65 | <a class="nextlink" href="about-the-author.html" | 42 | <p><span class="line">only a <a href="one-hundred-lines.html">ghost</a> in his memory, I only a child falling</span><span class="line">asleep. My mother’s making mayonnaise rolls</span><span class="line">in the kitchen, a recipe I’ll send for years later,</span><span class="line">in Arizona, in the monsoon season, when my thirst</span></p> |
| 66 | title="Next article in Stark Raving"> | 43 | <p><span class="line">pulls me back home, my memory’s lonesome twinkle</span><span class="line">like <a href="finding-the-lion.html">stars above the mountains</a>. I’ll send for it</span><span class="line">and try to make them, but in the thin air they’ll</span><span class="line">crumble into dust like desert air, like a memory.</span></p> |
| 67 | About the author | 44 | </section> |
| 68 | </a> | 45 | </article> |
| 69 | <a class="nextlink" href="sixteenth-chapel.html" | 46 | <nav> |
| 70 | title="Next article in Stark Raving"> | 47 | <div class="anchors"> |
| 71 | The Sixteenth Chapel | 48 | <a href="backlinks/riptide_memory.html" id="backlinks" title="Links to this page"> |
| 72 | </a> | 49 | φ |
| 73 | </nav> | 50 | </a> |
| 51 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | <a class="prevlink" href="music-433.html" | ||
| 56 | title="Previous article in Stark Raving"> | ||
| 57 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | ||
| 58 | </a> | ||
| 59 | <a class="prevlink" href="i-think-its-you.html" | ||
| 60 | title="Previous article in Stark Raving"> | ||
| 61 | I think it’s you (but it’s not) | ||
| 62 | </a> | ||
| 63 | |||
| 64 | <a class="nextlink" href="about-the-author.html" | ||
| 65 | title="Next article in Stark Raving"> | ||
| 66 | About the author | ||
| 67 | </a> | ||
| 68 | <a class="nextlink" href="sixteenth-chapel.html" | ||
| 69 | title="Next article in Stark Raving"> | ||
| 70 | The Sixteenth Chapel | ||
| 71 | </a> | ||
| 72 | </nav> | ||
| 74 | 73 | ||
| 75 | |||
| 76 | </body> | 74 | </body> |
| 77 | </html> | 75 | </html> |
| diff --git a/riptide_memory_backlinks.htm b/riptide_memory_backlinks.htm deleted file mode 100644 index 91fb118..0000000 --- a/riptide_memory_backlinks.htm +++ /dev/null | |||
| @@ -1,71 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Riptide of memory | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
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| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="riptide_memory" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Riptide of memory</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="axe.html">Axe</a></li> | ||
| 41 | <li><a href="building.html">Building</a></li> | ||
| 42 | <li><a href="collage-instrument.html">Instrumented</a></li> | ||
| 43 | <li><a href="father.html">Father</a></li> | ||
| 44 | <li><a href="peaches.html">Peaches</a></li> | ||
| 45 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 46 | <li><a href="question.html">Question</a></li> | ||
| 47 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 48 | <li><a href="sixteenth-chapel.html">The Sixteenth Chapel</a></li> | ||
| 49 | <li><a href="statements-frag.html">Statements</a></li> | ||
| 50 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 51 | <li><a href="the-night-we-met.html">The night we met, I was out of my mind</a></li> | ||
| 52 | <li><a href="underwear.html">Underwear</a></li> | ||
| 53 | <li><a href="what-we-are-made-of.html">What we are made of</a></li> | ||
| 54 | </ul> | ||
| 55 | </section> | ||
| 56 | </article> | ||
| 57 | <nav> | ||
| 58 | <div class="anchors"> | ||
| 59 | <a href="riptide_memory.html" id="back-link" title="Back to article"> | ||
| 60 | φ | ||
| 61 | </a> | ||
| 62 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 63 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 64 | </div> | ||
| 65 | |||
| 66 | |||
| 67 | </nav> | ||
| 68 | |||
| 69 | |||
| 70 | </body> | ||
| 71 | </html> | ||
| diff --git a/ronaldmcdonald.html b/ronaldmcdonald.html index a51b799..bd70793 100644 --- a/ronaldmcdonald.html +++ b/ronaldmcdonald.html | |||
| @@ -4,68 +4,66 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Ronald McDonald | Autocento of the breakfast table</title> | 12 | <title>Ronald McDonald | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="ronaldmcdonald" class="elegies"> | 23 | <body id="ronaldmcdonald" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Ronald McDonald</h1> | 28 | <h1 class="title">Ronald McDonald</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line">When Ronald McDonald takes off his <a href="theoceanoverflowswithcamels.html">striped shirt</a>,</span><span class="line">his coveralls, his painted face: when he no longer looks</span><span class="line">like anyone or anything special, sitting next to women</span></p> | ||
| 40 | <p><span class="line">in bars or standing in the aisle at the grocery,</span><span class="line">is he no longer Ronald? Is he no longer happy to kick</span><span class="line">a soccer ball around with the kids in the park,</span></p> | ||
| 41 | <p><span class="line">is he suddenly unable to enjoy the french fries</span><span class="line">he gets for his fifty percent off? I’d like to think</span><span class="line">that he takes Ronald off like a shirt, hangs him</span></p> | ||
| 42 | <p><span class="line">in a closet where he breathes darkly in the musk.</span><span class="line">I’d like to believe that we are able to slough off selves</span><span class="line">like old skin and still retain some base self.</span></p> | ||
| 43 | <p><span class="line">Of course we all know this is not what happens.</span><span class="line">The Ronald leering at women drunkenly is the same who</span><span class="line">the next day kicks at a ball the size of a head.</span></p> | ||
| 44 | <p><span class="line">He is the same that hugs his children at night,</span><span class="line">who has sex with his wife on the weekends when they’re</span><span class="line">not so tired to make it work, who smiles holding</span></p> | ||
| 45 | <p><span class="line">a basket of fries in front of a field. He cannot</span><span class="line">take off the facepaint or the <a href="roughgloves.html">yellow gloves</a>. They are</span><span class="line">stuck to him like so many feathers with the tar</span></p> | ||
| 46 | <p><span class="line">of his everyday associations. His plight is that</span><span class="line">of everyone’s—we are what we do who we are.</span></p> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="ronaldmcdonald_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | 32 | ||
| 58 | <a class="prevlink" href="roughgloves.html" | 33 | </div> |
| 59 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 60 | Rough gloves | 35 | |
| 61 | </a> | 36 | |
| 62 | 37 | <section class="content verse"> | |
| 63 | <a class="nextlink" href="moongone.html" | 38 | <p><span class="line">When Ronald McDonald takes off his <a href="theoceanoverflowswithcamels.html">striped shirt</a>,</span><span class="line">his coveralls, his painted face: when he no longer looks</span><span class="line">like anyone or anything special, sitting next to women</span></p> |
| 64 | title="Next article in Elegies for alternate selves"> | 39 | <p><span class="line">in bars or standing in the aisle at the grocery,</span><span class="line">is he no longer Ronald? Is he no longer happy to kick</span><span class="line">a soccer ball around with the kids in the park,</span></p> |
| 65 | The moon is gone and in its place a mirror | 40 | <p><span class="line">is he suddenly unable to enjoy the french fries</span><span class="line">he gets for his fifty percent off? I’d like to think</span><span class="line">that he takes Ronald off like a shirt, hangs him</span></p> |
| 66 | </a> | 41 | <p><span class="line">in a closet where he breathes darkly in the musk.</span><span class="line">I’d like to believe that we are able to slough off selves</span><span class="line">like old skin and still retain some base self.</span></p> |
| 67 | </nav> | 42 | <p><span class="line">Of course we all know this is not what happens.</span><span class="line">The Ronald leering at women drunkenly is the same who</span><span class="line">the next day kicks at a ball the size of a head.</span></p> |
| 43 | <p><span class="line">He is the same that hugs his children at night,</span><span class="line">who has sex with his wife on the weekends when they’re</span><span class="line">not so tired to make it work, who smiles holding</span></p> | ||
| 44 | <p><span class="line">a basket of fries in front of a field. He cannot</span><span class="line">take off the facepaint or the <a href="roughgloves.html">yellow gloves</a>. They are</span><span class="line">stuck to him like so many feathers with the tar</span></p> | ||
| 45 | <p><span class="line">of his everyday associations. His plight is that</span><span class="line">of everyone’s—we are what we do who we are.</span></p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="backlinks/ronaldmcdonald.html" id="backlinks" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 54 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | <a class="prevlink" href="roughgloves.html" | ||
| 58 | title="Previous article in Elegies for alternate selves"> | ||
| 59 | Rough gloves | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="moongone.html" | ||
| 63 | title="Next article in Elegies for alternate selves"> | ||
| 64 | The moon is gone and in its place a mirror | ||
| 65 | </a> | ||
| 66 | </nav> | ||
| 68 | 67 | ||
| 69 | |||
| 70 | </body> | 68 | </body> |
| 71 | </html> | 69 | </html> |
| diff --git a/ronaldmcdonald_backlinks.htm b/ronaldmcdonald_backlinks.htm deleted file mode 100644 index d43ea0e..0000000 --- a/ronaldmcdonald_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Ronald McDonald | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="ronaldmcdonald" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Ronald McDonald</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="lovesong.html">Love Song</a></li> | ||
| 41 | <li><a href="onformalpoetry.html">On formal poetry</a></li> | ||
| 42 | <li><a href="problems.html">Problems</a></li> | ||
| 43 | <li><a href="window.html">Window</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="ronaldmcdonald.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/roughgloves.html b/roughgloves.html index ed78f0b..75a0e58 100644 --- a/roughgloves.html +++ b/roughgloves.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>Rough gloves | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="roughgloves" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>Rough gloves | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Rough gloves</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="roughgloves" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Rough gloves</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">I lost my hands & knit replacement ones</span><span class="line">from <a href="poetry-time.html">spiders’ threads</a>, stronger than steel but soft</span><span class="line">as lambs’ wool. Catching as they do on nails</span><span class="line">& your collarbone, you don’t seem to like</span><span class="line">their rough warm presence on your <a href="feedingtheraven.html">cheek or thigh</a>.</span><span class="line">I’ve asked you if you minded, you’ve said no</span><span class="line">(your face a table laid with burnt meat, bread</span><span class="line">so stale it could <a href="weplayedthosegamestoo.html">break a hand</a>). Remember</span><span class="line">your senile mother’s face above that table?</span><span class="line">I’d say she got the meaning of that look.</span><span class="line">You’d rather not be touched by these rough gloves,</span><span class="line">the only way I have to knit a love</span><span class="line">against whatever winters we may enter</span><span class="line">like a silkworm in a spider’s blackened <a href="serengeti.html">maw</a>.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/roughgloves.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="lovesong.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">I lost my hands & knit replacement ones</span><span class="line">from <a href="poetry-time.html">spiders’ threads</a>, stronger than steel but soft</span><span class="line">as lambs’ wool. Catching as they do on nails</span><span class="line">& your collarbone, you don’t seem to like</span><span class="line">their rough warm presence on your <a href="feedingtheraven.html">cheek or thigh</a>.</span><span class="line">I’ve asked you if you minded, you’ve said no</span><span class="line">(your face a table laid with burnt meat, bread</span><span class="line">so stale it could <a href="weplayedthosegamestoo.html">break a hand</a>). Remember</span><span class="line">your senile mother’s face above that table?</span><span class="line">I’d say she got the meaning of that look.</span><span class="line">You’d rather not be touched by these rough gloves,</span><span class="line">the only way I have to knit a love</span><span class="line">against whatever winters we may enter</span><span class="line">like a silkworm in a spider’s blackened <a href="serengeti.html">maw</a>.</span></p> | 52 | Love Song |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="roughgloves_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="lovesong.html" | 55 | <a class="nextlink" href="ronaldmcdonald.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | Love Song | 57 | Ronald McDonald |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="ronaldmcdonald.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | Ronald McDonald | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/roughgloves_backlinks.htm b/roughgloves_backlinks.htm deleted file mode 100644 index f99c282..0000000 --- a/roughgloves_backlinks.htm +++ /dev/null | |||
| @@ -1,68 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Rough gloves | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="roughgloves" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Rough gloves</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="and.html">And</a></li> | ||
| 41 | <li><a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a></li> | ||
| 42 | <li><a href="call-me-aural-pleasure.html">Call me</a></li> | ||
| 43 | <li><a href="last-passenger.html">Last passenger</a></li> | ||
| 44 | <li><a href="onformalpoetry.html">On formal poetry</a></li> | ||
| 45 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 46 | <li><a href="real-writer.html">A real writer</a></li> | ||
| 47 | <li><a href="ronaldmcdonald.html">Ronald McDonald</a></li> | ||
| 48 | <li><a href="tapestry.html">Tapestry</a></li> | ||
| 49 | <li><a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a></li> | ||
| 50 | <li><a href="x-ray.html">X-ray</a></li> | ||
| 51 | </ul> | ||
| 52 | </section> | ||
| 53 | </article> | ||
| 54 | <nav> | ||
| 55 | <div class="anchors"> | ||
| 56 | <a href="roughgloves.html" id="back-link" title="Back to article"> | ||
| 57 | φ | ||
| 58 | </a> | ||
| 59 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 60 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 61 | </div> | ||
| 62 | |||
| 63 | |||
| 64 | </nav> | ||
| 65 | |||
| 66 | |||
| 67 | </body> | ||
| 68 | </html> | ||
| diff --git a/sapling.html b/sapling.html index 0d538e1..b0ada73 100644 --- a/sapling.html +++ b/sapling.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Sapling | Autocento of the breakfast table</title> | 12 | <title>Sapling | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="sapling" class="paul"> | 23 | <body id="sapling" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Sapling</h1> | 28 | <h1 class="title">Sapling</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He chopped down a sapling pine tree and looked at his watch. From first chop to fall it had taken him eight minutes and something like twenty seconds. Maybe a little change. He leaned against another tree and fished in his pocket for a cigarette. He lifted it out of its box and fished in his other pocket for his lighter, failing to find it. He searched his other pockets. He came to the realization that he had forgotten it in his Shack (in confusion over his True Vocation, he’d resorted to calling it simply the Shack until he could figure it out). He sighed and put his hands in his pockets.</p> | ||
| 40 | <p>“I wonder if trees are protective of their young” he said to himself, then wondered if why he had to think his thoughts out loud, then remembered he always did this, then remembered his conversation with Jill. He hoped she didn’t. He hoped that conversation was like <a href="options.html">the tree that fell in the forest</a> with no one around. “I wonder if a thought said out loud isn’t heard by anyone, if it was made. I think maybe this is what Literature (big L) is all about, if it’s trying to make a connection because no idea matters unless it’s connected to something else, or to someone else. Maybe no wood matters unless it’s <a href="last-passenger.html">bound to another</a> by upholstery nails. If ‘the devil is in the details,’ as they say (who are ‘they’ anyway?), the details are the connections? That doesn’t make sense. Details are details. Connections are connections.</p> | ||
| 41 | <p>“Still, a neuron by itself means nothing. Put them all together though and connect them. You’ve got a brain.”</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="sapling_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="question.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Question | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="reports.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He chopped down a sapling pine tree and looked at his watch. From first chop to fall it had taken him eight minutes and something like twenty seconds. Maybe a little change. He leaned against another tree and fished in his pocket for a cigarette. He lifted it out of its box and fished in his other pocket for his lighter, failing to find it. He searched his other pockets. He came to the realization that he had forgotten it in his Shack (in confusion over his True Vocation, he’d resorted to calling it simply the Shack until he could figure it out). He sighed and put his hands in his pockets.</p> |
| 59 | Reports | 39 | <p>“I wonder if trees are protective of their young” he said to himself, then wondered if why he had to think his thoughts out loud, then remembered he always did this, then remembered his conversation with Jill. He hoped she didn’t. He hoped that conversation was like <a href="options.html">the tree that fell in the forest</a> with no one around. “I wonder if a thought said out loud isn’t heard by anyone, if it was made. I think maybe this is what Literature (big L) is all about, if it’s trying to make a connection because no idea matters unless it’s connected to something else, or to someone else. Maybe no wood matters unless it’s <a href="last-passenger.html">bound to another</a> by upholstery nails. If ‘the devil is in the details,’ as they say (who are ‘they’ anyway?), the details are the connections? That doesn’t make sense. Details are details. Connections are connections.</p> |
| 60 | </a> | 40 | <p>“Still, a neuron by itself means nothing. Put them all together though and connect them. You’ve got a brain.”</p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="cereal.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | Cereal | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/sapling.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="shed.html" | 46 | φ |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </a> |
| 68 | Shed | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="question.html" | ||
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 54 | Question | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="reports.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Reports | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="cereal.html" | ||
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Cereal | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="shed.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Shed | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/scripts/compile.sh b/scripts/compile.sh new file mode 100644 index 0000000..ba89f5a --- /dev/null +++ b/scripts/compile.sh | |||
| @@ -0,0 +1,85 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | # vim: fdm=marker | ||
| 3 | |||
| 4 | getMeta() { # getMeta <metafield> <file> #{{{ | ||
| 5 | local field="$1" file="$2"; | ||
| 6 | sed -n '/^---$/,/^\.\.\.$/p' $file | \ | ||
| 7 | grep "^${field}:" | \ | ||
| 8 | cut -d' ' -f2- \ | ||
| 9 | || return 1; | ||
| 10 | } #}}} | ||
| 11 | firstLineOf() { # firstLineOf <file> #{{{ | ||
| 12 | local endOfYaml=$(sed -n '/^\.\.\.$/=' "$1") | ||
| 13 | local tryLine="" tryNum=$((endOfYaml + 1)) | ||
| 14 | while [[ -z $tryLine ]]; do | ||
| 15 | tryLine=$(sed -n -e "${tryNum}p" "$1" | \ | ||
| 16 | sed -e 's/^[|>] //' \ | ||
| 17 | -e 's/[][]//g' \ | ||
| 18 | -e 's/^#.*//' \ | ||
| 19 | -e 's/^--.*//'); | ||
| 20 | (( tryNum ++ )); | ||
| 21 | done | ||
| 22 | echo "$tryLine"; | ||
| 23 | } #}}} | ||
| 24 | backLinksOf() { # backLinksOf <file> <in files> #{{{ | ||
| 25 | local search="${1}"; shift; local glob="$@"; | ||
| 26 | grep -ql "$search" $glob || return 1; | ||
| 27 | } #}}} | ||
| 28 | |||
| 29 | FILE="$1"; shift; | ||
| 30 | case "$FILE" in | ||
| 31 | *.back) # backlinks: compile.sh a.back a.txt #{{{ | ||
| 32 | found=( $(backLinksOf "$(basename ${FILE%.*}).html" ${1%/*}/*.${1##*.}) ); | ||
| 33 | if [[ $? -ne 0 ]]; then | ||
| 34 | echo "[_island._](../islands.html) <!--__ISLAND__-->"; exit; | ||
| 35 | fi | ||
| 36 | for f in "${found[@]}"; do | ||
| 37 | echo -n "- [$(getMeta title "$f")](../$(basename ${f%.*}).html)"; | ||
| 38 | echo -n '<span class="daisy">' | ||
| 39 | echo -n "[φ]($(basename ${f%.*}).html)"; | ||
| 40 | echo '</span>' | ||
| 41 | done | ||
| 42 | ;; #}}} | ||
| 43 | *island*) # islands: compile.sh islands.txt *.txt #{{{ | ||
| 44 | for f in $(grep -l "__ISLAND__" "$@"); do | ||
| 45 | echo "- [$(getMeta title "$f")]($(basename ${f%.*}).html)"; | ||
| 46 | done | ||
| 47 | ;; #}}} | ||
| 48 | *hapax*) # hapax: compile.sh hapax.txt *.hapax #{{{ | ||
| 49 | for word in $(sort $FILE); do | ||
| 50 | f=$(grep -liwq "^$word$" "$@"); | ||
| 51 | grep -qv "^[^0-9A-Za-z]" <<< $word && \ | ||
| 52 | echo "[$word]($(basename ${f%.*}).html)"; | ||
| 53 | done | ||
| 54 | ;; #}}} | ||
| 55 | *first-*) # first-lines: compile.sh first-lines.txt *.txt #{{{ | ||
| 56 | for f in "$@"; do | ||
| 57 | echo "[$(firstLineOf "$f")]($(basename ${f%.*}).html)"; | ||
| 58 | done | ||
| 59 | ;; #}}} | ||
| 60 | *common-*) # common-titles: compile.sh common-titles.txt *.txt #{{{ | ||
| 61 | for f in "$@"; do | ||
| 62 | echo "[$(getMeta title "$f")]($(basename ${f%.*}).html)"; | ||
| 63 | done | ||
| 64 | ;; #}}} | ||
| 65 | *toc*) # table of contents: compile.sh toc.txt *.txt #{{{ | ||
| 66 | for f in "$@"; do | ||
| 67 | echo "#. [$(getMeta toc "$f")]($(basename ${f%.*}).html)" >> $FILE; | ||
| 68 | done | ||
| 69 | ;; #}}} | ||
| 70 | *random*) # randomize.js: compile.sh randomize.js *.html #{{{ | ||
| 71 | rlist=$(echo "$@" | sed -e 's/\(\S\+.html\) \?/"\1",/g' \ | ||
| 72 | -e 's/^\(.*\),$/var files=[\1]/') | ||
| 73 | sed -i "s/var files=.*/$rlist/" $FILE; | ||
| 74 | ;; #}}} | ||
| 75 | --fix-head) # fix backlink head: compile.sh --fix-head a.back a.txt #{{{ | ||
| 76 | title="$(getMeta toc "$2")"; | ||
| 77 | id="$(getMeta id "$2")"; | ||
| 78 | sed -i "s/__TITLE__/$title/" "$1"; | ||
| 79 | sed -i "s/__ID__/$id/" "$1"; | ||
| 80 | ;; #}}} | ||
| 81 | *) # bad argument {{{ | ||
| 82 | echo "Bad argument"; | ||
| 83 | exit 1; | ||
| 84 | ;; #}}} | ||
| 85 | esac | ||
| diff --git a/scripts/delink.hs b/scripts/delink.hs new file mode 100644 index 0000000..735e829 --- /dev/null +++ b/scripts/delink.hs | |||
| @@ -0,0 +1,8 @@ | |||
| 1 | #!/usr/bin/env runhaskell | ||
| 2 | import Text.Pandoc.JSON | ||
| 3 | |||
| 4 | main = toJSONFilter delink | ||
| 5 | |||
| 6 | delink :: Inline -> [Inline] | ||
| 7 | delink (Link txt _) = txt | ||
| 8 | delink x = [x] | ||
| diff --git a/trunk/forceascii.hs b/scripts/forceascii.hs index b5f1645..b5f1645 100644 --- a/trunk/forceascii.hs +++ b/scripts/forceascii.hs | |||
| diff --git a/trunk/hapax.lua b/scripts/hapax.lua index af59e59..1cabbaa 100644 --- a/trunk/hapax.lua +++ b/scripts/hapax.lua | |||
| @@ -48,6 +48,7 @@ function nude(s) | |||
| 48 | s = s:gsub("i'm", " i am ") | 48 | s = s:gsub("i'm", " i am ") |
| 49 | s = s:gsub("it's", "it is") | 49 | s = s:gsub("it's", "it is") |
| 50 | s = s:gsub("n't", " not ") | 50 | s = s:gsub("n't", " not ") |
| 51 | s = s:gsub("'d", " would ") -- can be "had", but still no hapax | ||
| 51 | s = s:gsub("&", " and ") | 52 | s = s:gsub("&", " and ") |
| 52 | -- -- Remove dashes (not hyphens) | 53 | -- -- Remove dashes (not hyphens) |
| 53 | s = s:gsub('%-[%-%s]+', ' ') | 54 | s = s:gsub('%-[%-%s]+', ' ') |
| diff --git a/trunk/hylo.js b/scripts/hylo.js index 5a39427..5a39427 100644 --- a/trunk/hylo.js +++ b/scripts/hylo.js | |||
| diff --git a/trunk/lozenge.js b/scripts/randomize.js index 62fcfd0..0ad9bf9 100644 --- a/trunk/lozenge.js +++ b/scripts/randomize.js | |||
| @@ -3,8 +3,8 @@ | |||
| 3 | * vim: fdm=marker | 3 | * vim: fdm=marker |
| 4 | */ | 4 | */ |
| 5 | 5 | ||
| 6 | function _lozenge() { | 6 | function _randomize() { |
| 7 | var lozenge = document.getElementById('lozenge'); | 7 | var randomlink = document.getElementById('randomizelink'); |
| 8 | // array with all files {{{ | 8 | // array with all files {{{ |
| 9 | var files=["about-the-author.html","about.html","about_author.html","abstract.html","amber-alert.html","and.html","angeltoabraham.html","apollo11.html","arspoetica.html","art.html","axe.html","big-dipper.html","boar.html","boy_bus.html","building.html","call-me-aural-pleasure.html","cereal.html","cold-wind.html","collage-instrument.html","creation-myth.html","deadman.html","death-zone.html","deathstrumpet.html","dollywood.html","dream.html","early.html","elegyforanalternateself.html","epigraph.html","ex-machina.html","exasperated.html","father.html","feedingtheraven.html","finding-the-lion.html","fire.html","found-typewriter-poem.html","hands.html","hard-game.html","hardware.html","howithappened.html","howtoread.html","hymnal.html","i-am.html","i-think-its-you.html","i-want-to-say.html","i-wanted-to-tell-you-something.html","in-bed.html","initial-conditions.html","january.html","joke.html","lappel-du-vide.html","largest-asteroid.html","last-bastion.html","last-passenger.html","leaf.html","leg.html","likingthings.html","listen.html","love-as-god.html","lovesong.html","man.html","manifesto_poetics.html","moon-drowning.html","moongone.html","mountain.html","movingsideways.html","music-433.html","no-nothing.html","notes.html","nothing-is-ever-over.html","on-genre-dimension.html","one-hundred-lines.html","onformalpoetry.html","options.html","ouroboros_memory.html","paul.html","peaches.html","philosophy.html","phone.html","planks.html","plant.html","poetry-time.html","prelude.html","problems.html","process.html","proverbs.html","punch.html","purpose-dogs.html","question.html","real-writer.html","reports.html","riptide_memory.html","ronaldmcdonald.html","roughgloves.html","sapling.html","seasonal-affective-disorder.html","sense-of-it.html","serengeti.html","shed.html","shipwright.html","sixteenth-chapel.html","snow.html","something-simple.html","spittle.html","squirrel.html","stagnant.html","statements-frag.html","stayed-on-the-bus.html","stump.html","swansong-alt.html","swansong.html","swear.html","table_contents.html","tapestry.html","telemarketer.html","the-night-we-met.html","the-sea_the-beach.html","theoceanoverflowswithcamels.html","time-looks-up-to-the-sky.html","todaniel.html","toilet.html","toothpaste.html","treatise.html","underwear.html","walking-in-the-rain.html","wallpaper.html","weplayedthosegamestoo.html","what-we-are-made-of.html","when-im-sorry-i.html","window.html","words-irritable-reaching.html","words-meaning.html","worse-looking-over.html","writing.html","x-ray.html","yellow.html"] | 9 | var files=["about-the-author.html","about.html","about_author.html","abstract.html","amber-alert.html","and.html","angeltoabraham.html","apollo11.html","arspoetica.html","art.html","axe.html","big-dipper.html","boar.html","boy_bus.html","building.html","call-me-aural-pleasure.html","cereal.html","cold-wind.html","collage-instrument.html","creation-myth.html","deadman.html","death-zone.html","deathstrumpet.html","dollywood.html","dream.html","early.html","elegyforanalternateself.html","epigraph.html","ex-machina.html","exasperated.html","father.html","feedingtheraven.html","finding-the-lion.html","fire.html","found-typewriter-poem.html","hands.html","hard-game.html","hardware.html","howithappened.html","howtoread.html","hymnal.html","i-am.html","i-think-its-you.html","i-want-to-say.html","i-wanted-to-tell-you-something.html","in-bed.html","initial-conditions.html","january.html","joke.html","lappel-du-vide.html","largest-asteroid.html","last-bastion.html","last-passenger.html","leaf.html","leg.html","likingthings.html","listen.html","love-as-god.html","lovesong.html","man.html","manifesto_poetics.html","moon-drowning.html","moongone.html","mountain.html","movingsideways.html","music-433.html","no-nothing.html","notes.html","nothing-is-ever-over.html","on-genre-dimension.html","one-hundred-lines.html","onformalpoetry.html","options.html","ouroboros_memory.html","paul.html","peaches.html","philosophy.html","phone.html","planks.html","plant.html","poetry-time.html","prelude.html","problems.html","process.html","proverbs.html","punch.html","purpose-dogs.html","question.html","real-writer.html","reports.html","riptide_memory.html","ronaldmcdonald.html","roughgloves.html","sapling.html","seasonal-affective-disorder.html","sense-of-it.html","serengeti.html","shed.html","shipwright.html","sixteenth-chapel.html","snow.html","something-simple.html","spittle.html","squirrel.html","stagnant.html","statements-frag.html","stayed-on-the-bus.html","stump.html","swansong-alt.html","swansong.html","swear.html","table_contents.html","tapestry.html","telemarketer.html","the-night-we-met.html","the-sea_the-beach.html","theoceanoverflowswithcamels.html","time-looks-up-to-the-sky.html","todaniel.html","toilet.html","toothpaste.html","treatise.html","underwear.html","walking-in-the-rain.html","wallpaper.html","weplayedthosegamestoo.html","what-we-are-made-of.html","when-im-sorry-i.html","window.html","words-irritable-reaching.html","words-meaning.html","worse-looking-over.html","writing.html","x-ray.html","yellow.html"] |
| 10 | // }}} | 10 | // }}} |
| @@ -12,16 +12,23 @@ function _lozenge() { | |||
| 12 | var index = Math.floor(Math.random() * files.length); | 12 | var index = Math.floor(Math.random() * files.length); |
| 13 | 13 | ||
| 14 | var url = window.location.pathname; | 14 | var url = window.location.pathname; |
| 15 | var current = "../" + url.substring(url.lastIndexOf('/')+1); | ||
| 15 | var current = url.substring(url.lastIndexOf('/')+1); | 16 | var current = url.substring(url.lastIndexOf('/')+1); |
| 16 | 17 | ||
| 17 | if (current != files[index]) { | 18 | if (current != files[index]) { |
| 18 | lozenge.setAttribute("href", files[index]); | 19 | var blre = /backlinks/ |
| 19 | lozenge.setAttribute("title", "To random article"); | 20 | if (!blre.test(url)) { |
| 21 | randomlink.setAttribute("href", files[index]); | ||
| 22 | randomlink.setAttribute("title", "To random article"); | ||
| 23 | } else { | ||
| 24 | randomlink.setAttribute("href", '../' + files[index]); | ||
| 25 | randomlink.setAttribute("title", "To random article"); | ||
| 26 | } | ||
| 20 | } else { | 27 | } else { |
| 21 | _lozenge() | 28 | _randomize() |
| 22 | } | 29 | } |
| 23 | } | 30 | } |
| 24 | 31 | ||
| 25 | window.onload = function () { | 32 | window.onload = function () { |
| 26 | _lozenge() | 33 | _randomize() |
| 27 | }; | 34 | }; |
| diff --git a/trunk/versify.hs b/scripts/versify.hs index 48e9c00..48e9c00 100644 --- a/trunk/versify.hs +++ b/scripts/versify.hs | |||
| diff --git a/seasonal-affective-disorder.html b/seasonal-affective-disorder.html index 8228923..ce18253 100644 --- a/seasonal-affective-disorder.html +++ b/seasonal-affective-disorder.html | |||
| @@ -4,59 +4,57 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Seasonal affective disorder | Autocento of the breakfast table</title> | 12 | <title>Seasonal affective disorder | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="seasonal-affective-disorder" class="autocento"> | 23 | <body id="seasonal-affective-disorder" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Seasonal affective disorder</h1> |
| 29 | <h1 class="title">Seasonal affective disorder</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">On your desk I set a tangerine:</span><span class="line">a relic of a <a href="january.html">winter</a> quickly passing.</span></p> |
| 39 | <p><span class="line">On your desk I set a tangerine:</span><span class="line">a relic of a <a href="january.html">winter</a> quickly passing.</span></p> | 39 | <p><span class="line">I’m reminded, fiercely, of a summer:</span><span class="line">I watched the <a href="death-zone.html">cemetery grass</a> on my stomach.</span></p> |
| 40 | <p><span class="line">I’m reminded, fiercely, of a summer:</span><span class="line">I watched the <a href="death-zone.html">cemetery grass</a> on my stomach.</span></p> | 40 | <p><span class="line">You hate the wind <a href="building.html">blowing through buildings</a>:</span><span class="line">the coldness of fire, blister of a mountain stream.</span></p> |
| 41 | <p><span class="line">You hate the wind <a href="building.html">blowing through buildings</a>:</span><span class="line">the coldness of fire, blister of a mountain stream.</span></p> | 41 | <p><span class="line">When you broke down that night: your aunt / you</span><span class="line">never have been / <a href="the-night-we-met.html">you shook that night</a> /</span></p> |
| 42 | <p><span class="line">When you broke down that night: your aunt / you</span><span class="line">never have been / <a href="the-night-we-met.html">you shook that night</a> /</span></p> | 42 | <p><span class="line">Seasonal affective disorder is real: you</span><span class="line"><a href="last-bastion.html">mutter under your breath on the highway</a>.</span></p> |
| 43 | <p><span class="line">Seasonal affective disorder is real: you</span><span class="line"><a href="last-bastion.html">mutter under your breath on the highway</a>.</span></p> | 43 | <p><span class="line">The ant carries an orange peel past a headstone:</span><span class="line">it carries her nearly as often.</span></p> |
| 44 | <p><span class="line">The ant carries an orange peel past a headstone:</span><span class="line">it carries her nearly as often.</span></p> | 44 | <p><span class="line">I set a tangerine on your desk:</span><span class="line">an engagement ring, winter-returned.</span></p> |
| 45 | <p><span class="line">I set a tangerine on your desk:</span><span class="line">an engagement ring, winter-returned.</span></p> | 45 | </section> |
| 46 | </section> | 46 | </article> |
| 47 | </article> | 47 | <nav> |
| 48 | <nav> | 48 | <div class="anchors"> |
| 49 | <div class="anchors"> | 49 | <a href="backlinks/seasonal-affective-disorder.html" id="backlinks" title="Links to this page"> |
| 50 | <a href="seasonal-affective-disorder_backlinks.htm" id="back-link" title="Links to this page"> | 50 | φ |
| 51 | φ | 51 | </a> |
| 52 | </a> | 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 54 | </div> |
| 55 | </div> | 55 | |
| 56 | 56 | ||
| 57 | 57 | </nav> | |
| 58 | </nav> | 58 | |
| 59 | |||
| 60 | |||
| 61 | </body> | 59 | </body> |
| 62 | </html> | 60 | </html> |
| diff --git a/seasonal-affective-disorder_backlinks.htm b/seasonal-affective-disorder_backlinks.htm deleted file mode 100644 index ba7b994..0000000 --- a/seasonal-affective-disorder_backlinks.htm +++ /dev/null | |||
| @@ -1,63 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Seasonal affective disorder | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="seasonal-affective-disorder" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Seasonal affective disorder</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="january.html">January</a></li> | ||
| 41 | <li><a href="notes.html">Notes</a></li> | ||
| 42 | <li><a href="reports.html">Reports</a></li> | ||
| 43 | <li><a href="statements-frag.html">Statements</a></li> | ||
| 44 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 45 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="seasonal-affective-disorder.html" id="back-link" title="Back to article"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/sense-of-it.html b/sense-of-it.html index 16dc866..63732d7 100644 --- a/sense-of-it.html +++ b/sense-of-it.html | |||
| @@ -4,56 +4,54 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Sense of it | Autocento of the breakfast table</title> | 12 | <title>Sense of it | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="sense-of-it" class="autocento"> | 23 | <body id="sense-of-it" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Sense of it</h1> |
| 29 | <h1 class="title">Sense of it</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">I only write poems on <a href="stagnant.html">the bus</a> anymore.</span><span class="line">I sit far in the back to be alone.</span><span class="line">I mark black things on white things in a black thing.</span><span class="line">I try to make sense of it.</span></p> |
| 39 | <p><span class="line">I only write poems on <a href="stagnant.html">the bus</a> anymore.</span><span class="line">I sit far in the back to be alone.</span><span class="line">I mark black things on white things in a black thing.</span><span class="line">I try to make sense of it.</span></p> | 39 | <p><span class="line">Every time I see a plastic bag in the wind I think:</span><span class="line"><a href="https://www.youtube.com/watch?v=Qssvnjj5Moo">This is the most beautiful thing I’ve ever seen.</a></span><span class="line">Most of my life I relate to something on the TV:</span><span class="line">This is how I try to make sense of it.</span></p> |
| 40 | <p><span class="line">Every time I see a plastic bag in the wind I think:</span><span class="line"><a href="https://www.youtube.com/watch?v=Qssvnjj5Moo">This is the most beautiful thing I’ve ever seen.</a></span><span class="line">Most of my life I relate to something on the TV:</span><span class="line">This is how I try to make sense of it.</span></p> | 40 | <p><span class="line">The Talking Heads song <a href="https://www.youtube.com/watch?v=9r7X3f2gFz4">“Stop Making Sense”</a></span><span class="line">is about a girlfriend caught cheating and willed oblivion.</span><span class="line">The song’s real title is “Girlfriend is Better”</span><span class="line">but <a href="the-night-we-met.html">lying</a> about it is a way I try to make sense of it.</span></p> |
| 41 | <p><span class="line">The Talking Heads song <a href="https://www.youtube.com/watch?v=9r7X3f2gFz4">“Stop Making Sense”</a></span><span class="line">is about a girlfriend caught cheating and willed oblivion.</span><span class="line">The song’s real title is “Girlfriend is Better”</span><span class="line">but <a href="the-night-we-met.html">lying</a> about it is a way I try to make sense of it.</span></p> | 41 | <p><span class="line">The day after I lost her I found you again.</span><span class="line">Your face made a plastic bag of my heart.</span><span class="line">Your eyes were <a href="cold-wind.html">the wind</a> pushing the bus forward.</span><span class="line">I couldn’t make sense of it.</span></p> |
| 42 | <p><span class="line">The day after I lost her I found you again.</span><span class="line">Your face made a plastic bag of my heart.</span><span class="line">Your eyes were <a href="cold-wind.html">the wind</a> pushing the bus forward.</span><span class="line">I couldn’t make sense of it.</span></p> | 42 | </section> |
| 43 | </section> | 43 | </article> |
| 44 | </article> | 44 | <nav> |
| 45 | <nav> | 45 | <div class="anchors"> |
| 46 | <div class="anchors"> | 46 | <a href="backlinks/sense-of-it.html" id="backlinks" title="Links to this page"> |
| 47 | <a href="sense-of-it_backlinks.htm" id="back-link" title="Links to this page"> | 47 | φ |
| 48 | φ | 48 | </a> |
| 49 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 51 | </div> |
| 52 | </div> | 52 | |
| 53 | 53 | ||
| 54 | 54 | </nav> | |
| 55 | </nav> | 55 | |
| 56 | |||
| 57 | |||
| 58 | </body> | 56 | </body> |
| 59 | </html> | 57 | </html> |
| diff --git a/sense-of-it_backlinks.htm b/sense-of-it_backlinks.htm deleted file mode 100644 index ff71636..0000000 --- a/sense-of-it_backlinks.htm +++ /dev/null | |||
| @@ -1,63 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
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| 8 | <meta name="generator" content="pandoc"> | ||
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| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Sense of it | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
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| 23 | <body id="sense-of-it" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Sense of it</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="art.html">Art</a></li> | ||
| 41 | <li><a href="fire.html">Fire</a></li> | ||
| 42 | <li><a href="hard-game.html">A hard game</a></li> | ||
| 43 | <li><a href="lappel-du-vide.html">L’appel du vide</a></li> | ||
| 44 | <li><a href="last-bastion.html">Last bastion</a></li> | ||
| 45 | <li><a href="stagnant.html">Stagnant</a></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="sense-of-it.html" id="back-link" title="Back to article"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/serengeti.html b/serengeti.html index 8280389..71e1c05 100644 --- a/serengeti.html +++ b/serengeti.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>Serengeti | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
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| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="serengeti" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>Serengeti | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Serengeti</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="serengeti" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Serengeti</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">The self is a serengeti</span><span class="line">a wide grassland with baobab trees</span><span class="line">reaching their roots deep into earth</span><span class="line">like a child into a clay pot</span><span class="line">A wind blows there or seems to blow</span><span class="line">if he holds it up to his ear the air shifts</span><span class="line">like stones in a stream uncovering a crawfish</span><span class="line">it finds another hiding place watching you</span><span class="line">Its eyes are blacker than wind</span><span class="line">on the serengeti they are the <a href="onformalpoetry.html">eyes of a predator</a></span><span class="line">they are coming toward you or receding</span><span class="line">a storm cloud builds on the horizon</span><span class="line">Are you <a href="squirrel.html">running</a> toward the rain or away from it</span><span class="line">Do you stand still and crouch hoping for silence</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/serengeti.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="mountain.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">The self is a serengeti</span><span class="line">a wide grassland with baobab trees</span><span class="line">reaching their roots deep into earth</span><span class="line">like a child into a clay pot</span><span class="line">A wind blows there or seems to blow</span><span class="line">if he holds it up to his ear the air shifts</span><span class="line">like stones in a stream uncovering a crawfish</span><span class="line">it finds another hiding place watching you</span><span class="line">Its eyes are blacker than wind</span><span class="line">on the serengeti they are the <a href="onformalpoetry.html">eyes of a predator</a></span><span class="line">they are coming toward you or receding</span><span class="line">a storm cloud builds on the horizon</span><span class="line">Are you <a href="squirrel.html">running</a> toward the rain or away from it</span><span class="line">Do you stand still and crouch hoping for silence</span></p> | 52 | The mountain |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="serengeti_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="mountain.html" | 55 | <a class="nextlink" href="shipwright.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | The mountain | 57 | The shipwright |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="shipwright.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | The shipwright | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/serengeti_backlinks.htm b/serengeti_backlinks.htm deleted file mode 100644 index 56e819e..0000000 --- a/serengeti_backlinks.htm +++ /dev/null | |||
| @@ -1,63 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Serengeti | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
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| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="serengeti" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Serengeti</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="early.html">Early</a></li> | ||
| 41 | <li><a href="listen.html">Listen</a></li> | ||
| 42 | <li><a href="moongone.html">The moon is gone and in its place a mirror</a></li> | ||
| 43 | <li><a href="roughgloves.html">Rough gloves</a></li> | ||
| 44 | <li><a href="snow.html">Snow</a></li> | ||
| 45 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="serengeti.html" id="back-link" title="Back to article"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/shed.html b/shed.html index 94f6ec9..79cfad8 100644 --- a/shed.html +++ b/shed.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Shed | Autocento of the breakfast table</title> | 12 | <title>Shed | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="shed" class="paul"> | 23 | <body id="shed" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Shed</h1> | 28 | <h1 class="title">Shed</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV. “Write” he answered. “Write what” she asked in that way that means he’d better not say I don’t know. “I don’t know” he said.</p> | ||
| 40 | <p>“Goddammit Paul” his mother said. “You’re <a href="http://www.poetryfoundation.org/poem/177229">wasting your life</a> out in that shed. You need to go out and get—” “I chop down trees too” he said. “I make furniture out of them.” His mother’s face did a Hitchcock zoom as she considered this new information. “Is it any good” she asked, eyes narrowed.</p> | ||
| 41 | <p>“It’s getting there” he answered. “I’m getting better every day.” “When is it going to be there” she asked. “When are you going to sell <a href="real-writer.html">this furniture</a> of yours?” “It’ll be a while” he answered.</p> | ||
| 42 | <p>“Then you’d better get a job until then” she said.</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="shed_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="notes.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Notes | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="sapling.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV. “Write” he answered. “Write what” she asked in that way that means he’d better not say I don’t know. “I don’t know” he said.</p> |
| 60 | Sapling | 39 | <p>“Goddammit Paul” his mother said. “You’re <a href="http://www.poetryfoundation.org/poem/177229">wasting your life</a> out in that shed. You need to go out and get—” “I chop down trees too” he said. “I make furniture out of them.” His mother’s face did a Hitchcock zoom as she considered this new information. “Is it any good” she asked, eyes narrowed.</p> |
| 61 | </a> | 40 | <p>“It’s getting there” he answered. “I’m getting better every day.” “When is it going to be there” she asked. “When are you going to sell <a href="real-writer.html">this furniture</a> of yours?” “It’ll be a while” he answered.</p> |
| 62 | 41 | <p>“Then you’d better get a job until then” she said.</p> | |
| 63 | <a class="nextlink" href="hands.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Hands | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="snow.html" | 46 | <a href="backlinks/shed.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Snow | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="notes.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Notes | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="sapling.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Sapling | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="hands.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Hands | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="snow.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Snow | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/shipwright.html b/shipwright.html index ecdb498..eeaa1b7 100644 --- a/shipwright.html +++ b/shipwright.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 12 | <title>The shipwright | Autocento of the breakfast table</title> | ||
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| 23 | <body id="shipwright" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>The shipwright | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">The shipwright</h1> | ||
| 14 | 29 | ||
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| 23 | <body id="shipwright" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The shipwright</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">He builds a ship as if it were the last thing</span><span class="line">holding him together, as if, when he stops,</span><span class="line">his body will fall onto the plate-glass water</span><span class="line">and shatter into sand. To keep his morale up</span><span class="line">he whistles and sings, but the wind whistles <a href="apollo11.html">louder</a></span><span class="line">and taunts him: Your ship will build itself</span><span class="line">if you throw yourself into the sea; time</span><span class="line">has a way of growing your beard for you.</span><span class="line">Soon, you’ll find yourself on a rocking chair</span><span class="line">on some porch made from your ship’s timbers.</span><span class="line">The window behind you is made from a sail, thick</span><span class="line">canvas, and no one inside will hear your calling</span><span class="line">for milk or a chamberpot. Your children</span><span class="line">will have all sailed to the New World and left you.</span><span class="line">But he tries not to listen, continues to hammer</span><span class="line">nail after nail into timber after timber,</span><span class="line">but the wind <a href="theoceanoverflowswithcamels.html">finally blows</a> him into the growling ocean</span><span class="line">and the ship falls apart on its own.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/shipwright.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="serengeti.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">He builds a ship as if it were the last thing</span><span class="line">holding him together, as if, when he stops,</span><span class="line">his body will fall onto the plate-glass water</span><span class="line">and shatter into sand. To keep his morale up</span><span class="line">he whistles and sings, but the wind whistles <a href="apollo11.html">louder</a></span><span class="line">and taunts him: Your ship will build itself</span><span class="line">if you throw yourself into the sea; time</span><span class="line">has a way of growing your beard for you.</span><span class="line">Soon, you’ll find yourself on a rocking chair</span><span class="line">on some porch made from your ship’s timbers.</span><span class="line">The window behind you is made from a sail, thick</span><span class="line">canvas, and no one inside will hear your calling</span><span class="line">for milk or a chamberpot. Your children</span><span class="line">will have all sailed to the New World and left you.</span><span class="line">But he tries not to listen, continues to hammer</span><span class="line">nail after nail into timber after timber,</span><span class="line">but the wind <a href="theoceanoverflowswithcamels.html">finally blows</a> him into the growling ocean</span><span class="line">and the ship falls apart on its own.</span></p> | 52 | Serengeti |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="shipwright_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="serengeti.html" | 55 | <a class="nextlink" href="spittle.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | Serengeti | 57 | Spittle |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="spittle.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | Spittle | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/shipwright_backlinks.htm b/shipwright_backlinks.htm deleted file mode 100644 index 9fea4c6..0000000 --- a/shipwright_backlinks.htm +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The shipwright | Autocento of the breakfast table</title> | ||
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| 23 | <body id="shipwright" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The shipwright</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="early.html">Early</a></li> | ||
| 41 | <li><a href="howithappened.html">How it happened</a></li> | ||
| 42 | <li><a href="riptide_memory.html">Riptide of memory</a></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="shipwright.html" id="back-link" title="Back to article"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/sixteenth-chapel.html b/sixteenth-chapel.html index 4887b71..d765a37 100644 --- a/sixteenth-chapel.html +++ b/sixteenth-chapel.html | |||
| @@ -4,83 +4,81 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>The Sixteenth Chapel | Autocento of the breakfast table</title> | 12 | <title>The Sixteenth Chapel | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="sixteenth-chapel" class="stark"> | 23 | <body id="sixteenth-chapel" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">The Sixteenth Chapel</h1> | 28 | <h1 class="title">The Sixteenth Chapel</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | <!-- dedication --> | ||
| 34 | <div class="dedication">Max</div> | ||
| 35 | |||
| 36 | <!-- epigraph --> | ||
| 37 | <div class="epigraph"> | ||
| 38 | <a href="https://www.youtube.com/watch?v=PI_pwLyeoqk">Canadian High School!</a> | ||
| 39 | |||
| 40 | <div class="attrib">David Letterman</div> | ||
| 41 | </div> | ||
| 42 | </div> | ||
| 43 | </header> | ||
| 44 | 30 | ||
| 45 | 31 | <div class="header-extra"> | |
| 46 | <section class="content verse"> | 32 | <!-- dedication --> |
| 47 | <p><span class="line">If Justin Bieber isn’t going for the sixteenth</span><span class="line">chapel, I’m not either. I admit he is my role</span><span class="line">model. He’s so current, so fresh and so new,</span><span class="line">and Michelangelo is so old, his art so dated.</span><span class="line">Where is the love in those old paintings? All</span><span class="line">I see is <a href="creation-myth.html">creation</a>, <a href="movingsideways.html">judgment</a>, and <a href="deathstrumpet.html">death</a>—</span></p> | 33 | <div class="dedication">Max</div> |
| 48 | <p><span class="line">and I don’t get the preoccupation with death.</span><span class="line">I’m about life! Ever since my sixteenth</span><span class="line">birthday, when me and my two sisters all</span><span class="line">nearly died when the car I was driving rolled</span><span class="line">into a creek. Even though I’ve <a href="riptide_memory.html">forgotten the date</a>,</span><span class="line">I think it keeps me thinking on the new,</span></p> | ||
| 49 | <p><span class="line">something Biebs would be proud of if he knew.</span><span class="line">I look at him, and see the <a href="death-zone.html">opposite of death</a></span><span class="line">in his eyes, his youthful smile: though someday</span><span class="line">he may <a href="i-am.html">be a father</a>, and later host a Sweet Sixteen</span><span class="line">for his daughter (for whom I know he’ll buy a Rolls),</span><span class="line">death will never find him. Living will be all</span></p> | ||
| 50 | <p><span class="line">he’ll ever do, because it will be all</span><span class="line">he’ll ever need to do. He is the eternal new,</span><span class="line">the <a href="about-the-author.html">forever youth:</a> this is the simple <a href="words-meaning.html">role</a></span><span class="line">of every celebrity, to let us forget death.</span><span class="line">Bieber didn’t make a mistake on the Sistine</span><span class="line">Chapel’s name. He merely showed that someday</span></p> | ||
| 51 | <p><span class="line">all old names must go, that on some day</span><span class="line">a name must die so that the thing, which is all</span><span class="line">that matters, can stay as it was in the sixteenth</span><span class="line">century: fresh, ostentatious, and brand new.</span><span class="line">In a way, <a href="nothing-is-ever-over.html">the name becomes a Christ</a>, experiencing death</span><span class="line">so the world doesn’t have to. But I am wary of this role</span></p> | ||
| 52 | <p><span class="line">for a name. It seems a name gives meaning, rolls</span><span class="line">the general idea together with the concrete, daily</span><span class="line">toil of the mundane. Are not life and death</span><span class="line">intertwined? Is not everything tied up all</span><span class="line">with everything? I guess I’m saying the new</span><span class="line">necessarily comes from the old, as every sixteen-</span></p> | ||
| 53 | <p><span class="line">year-old has a parent. <a href="ouroboros_memory.html">Life rolls to death</a>, and all</span><span class="line">is tied together. Each day is born of night, and dies so new</span><span class="line">morning can occur. Even the sixteenth chapel holds death.</span></p> | ||
| 54 | </section> | ||
| 55 | </article> | ||
| 56 | <nav> | ||
| 57 | <div class="anchors"> | ||
| 58 | <a href="sixteenth-chapel_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 59 | φ | ||
| 60 | </a> | ||
| 61 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 62 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 63 | </div> | ||
| 64 | 34 | ||
| 65 | <a class="prevlink" href="worse-looking-over.html" | 35 | <!-- epigraph --> |
| 66 | title="Previous article in Stark Raving"> | 36 | <div class="epigraph"> |
| 67 | Worse looking over | 37 | <a href="https://www.youtube.com/watch?v=PI_pwLyeoqk">Canadian High School!</a> |
| 68 | </a> | 38 | |
| 69 | <a class="prevlink" href="riptide_memory.html" | 39 | <div class="attrib">David Letterman</div> |
| 70 | title="Previous article in Stark Raving"> | 40 | </div> |
| 71 | Riptide of memory | 41 | </div> |
| 72 | </a> | 42 | </header> |
| 73 | 43 | ||
| 74 | <a class="nextlink" href="last-bastion.html" | 44 | |
| 75 | title="Next article in Stark Raving"> | 45 | <section class="content verse"> |
| 76 | Last bastion | 46 | <p><span class="line">If Justin Bieber isn’t going for the sixteenth</span><span class="line">chapel, I’m not either. I admit he is my role</span><span class="line">model. He’s so current, so fresh and so new,</span><span class="line">and Michelangelo is so old, his art so dated.</span><span class="line">Where is the love in those old paintings? All</span><span class="line">I see is <a href="creation-myth.html">creation</a>, <a href="movingsideways.html">judgment</a>, and <a href="deathstrumpet.html">death</a>—</span></p> |
| 77 | </a> | 47 | <p><span class="line">and I don’t get the preoccupation with death.</span><span class="line">I’m about life! Ever since my sixteenth</span><span class="line">birthday, when me and my two sisters all</span><span class="line">nearly died when the car I was driving rolled</span><span class="line">into a creek. Even though I’ve <a href="riptide_memory.html">forgotten the date</a>,</span><span class="line">I think it keeps me thinking on the new,</span></p> |
| 78 | <a class="nextlink" href="music-433.html" | 48 | <p><span class="line">something Biebs would be proud of if he knew.</span><span class="line">I look at him, and see the <a href="death-zone.html">opposite of death</a></span><span class="line">in his eyes, his youthful smile: though someday</span><span class="line">he may <a href="i-am.html">be a father</a>, and later host a Sweet Sixteen</span><span class="line">for his daughter (for whom I know he’ll buy a Rolls),</span><span class="line">death will never find him. Living will be all</span></p> |
| 79 | title="Next article in Stark Raving"> | 49 | <p><span class="line">he’ll ever do, because it will be all</span><span class="line">he’ll ever need to do. He is the eternal new,</span><span class="line">the <a href="about-the-author.html">forever youth:</a> this is the simple <a href="words-meaning.html">role</a></span><span class="line">of every celebrity, to let us forget death.</span><span class="line">Bieber didn’t make a mistake on the Sistine</span><span class="line">Chapel’s name. He merely showed that someday</span></p> |
| 80 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | 50 | <p><span class="line">all old names must go, that on some day</span><span class="line">a name must die so that the thing, which is all</span><span class="line">that matters, can stay as it was in the sixteenth</span><span class="line">century: fresh, ostentatious, and brand new.</span><span class="line">In a way, <a href="nothing-is-ever-over.html">the name becomes a Christ</a>, experiencing death</span><span class="line">so the world doesn’t have to. But I am wary of this role</span></p> |
| 81 | </a> | 51 | <p><span class="line">for a name. It seems a name gives meaning, rolls</span><span class="line">the general idea together with the concrete, daily</span><span class="line">toil of the mundane. Are not life and death</span><span class="line">intertwined? Is not everything tied up all</span><span class="line">with everything? I guess I’m saying the new</span><span class="line">necessarily comes from the old, as every sixteen-</span></p> |
| 82 | </nav> | 52 | <p><span class="line">year-old has a parent. <a href="ouroboros_memory.html">Life rolls to death</a>, and all</span><span class="line">is tied together. Each day is born of night, and dies so new</span><span class="line">morning can occur. Even the sixteenth chapel holds death.</span></p> |
| 53 | </section> | ||
| 54 | </article> | ||
| 55 | <nav> | ||
| 56 | <div class="anchors"> | ||
| 57 | <a href="backlinks/sixteenth-chapel.html" id="backlinks" title="Links to this page"> | ||
| 58 | φ | ||
| 59 | </a> | ||
| 60 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 61 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 62 | </div> | ||
| 63 | |||
| 64 | <a class="prevlink" href="worse-looking-over.html" | ||
| 65 | title="Previous article in Stark Raving"> | ||
| 66 | Worse looking over | ||
| 67 | </a> | ||
| 68 | <a class="prevlink" href="riptide_memory.html" | ||
| 69 | title="Previous article in Stark Raving"> | ||
| 70 | Riptide of memory | ||
| 71 | </a> | ||
| 72 | |||
| 73 | <a class="nextlink" href="last-bastion.html" | ||
| 74 | title="Next article in Stark Raving"> | ||
| 75 | Last bastion | ||
| 76 | </a> | ||
| 77 | <a class="nextlink" href="music-433.html" | ||
| 78 | title="Next article in Stark Raving"> | ||
| 79 | Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing | ||
| 80 | </a> | ||
| 81 | </nav> | ||
| 83 | 82 | ||
| 84 | |||
| 85 | </body> | 83 | </body> |
| 86 | </html> | 84 | </html> |
| diff --git a/sixteenth-chapel_backlinks.htm b/sixteenth-chapel_backlinks.htm deleted file mode 100644 index 253e479..0000000 --- a/sixteenth-chapel_backlinks.htm +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The Sixteenth Chapel | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="sixteenth-chapel" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The Sixteenth Chapel</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="hardware.html">Hardware</a></li> | ||
| 42 | <li><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a></li> | ||
| 43 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="sixteenth-chapel.html" id="back-link" title="Back to article"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/snow.html b/snow.html index 01eb54d..42d4d39 100644 --- a/snow.html +++ b/snow.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Snow | Autocento of the breakfast table</title> | 12 | <title>Snow | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="snow" class="paul"> | 23 | <body id="snow" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Snow</h1> | 28 | <h1 class="title">Snow</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p><em><a href="fire.html">I don’t care if they burn</a></em> he wrote on his last blank notecard. He’d have to go to the Office Supply Store tomorrow after work.</p> | ||
| 40 | <p>He looked at what he’d written. He’d been thinking about this for a while, felt the frustration build slowly like a <a href="serengeti.html">thundercloud</a> in the back of his mind. He thought he should write something else on the card, but everything he thought of seemed too confessional or too real compromising. <a href="lappel-du-vide.html">He didn’t want anyone, not even the notecards, to know what he was thinking.</a> He decided to try for more of an interview with the paper.</p> | ||
| 41 | <p><em>Why?</em> asked the notecard. <em>Because there is nothing important on any of them</em> he wrote back. <em>What do you mean? You have some good stuff in that top drawer there.</em> He looked in the top drawer. It was stuffed full of notecards in no organization. He could see bits and pieces of thoughts like leaves crunched underfoot in autumn. <em>It will take so much organization</em> he wrote.</p> | ||
| 42 | <p><em>Why is organization important? Remember the trees, <a href="axe.html">how they formed rows</a> without trying. No matter how the ideas fall, they make something. <a href="one-hundred-lines.html">The snow</a> <a href="weplayedthosegamestoo.html">does that too</a></em> he wrote. <em>It doesn’t try to make anything but it does.</em></p> | ||
| 43 | <p><em>No the snow is different</em> the notecard was annoyed. <em>The snow is a blank canvas that humans build into shapes or doppelgangers. It makes nothing on its own.</em></p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="snow_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="man.html" | 33 | </div> |
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 57 | Man | 35 | |
| 58 | </a> | 36 | |
| 59 | <a class="prevlink" href="shed.html" | 37 | <section class="content prose"> |
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p><em><a href="fire.html">I don’t care if they burn</a></em> he wrote on his last blank notecard. He’d have to go to the Office Supply Store tomorrow after work.</p> |
| 61 | Shed | 39 | <p>He looked at what he’d written. He’d been thinking about this for a while, felt the frustration build slowly like a <a href="serengeti.html">thundercloud</a> in the back of his mind. He thought he should write something else on the card, but everything he thought of seemed too confessional or too real compromising. <a href="lappel-du-vide.html">He didn’t want anyone, not even the notecards, to know what he was thinking.</a> He decided to try for more of an interview with the paper.</p> |
| 62 | </a> | 40 | <p><em>Why?</em> asked the notecard. <em>Because there is nothing important on any of them</em> he wrote back. <em>What do you mean? You have some good stuff in that top drawer there.</em> He looked in the top drawer. It was stuffed full of notecards in no organization. He could see bits and pieces of thoughts like leaves crunched underfoot in autumn. <em>It will take so much organization</em> he wrote.</p> |
| 63 | 41 | <p><em>Why is organization important? Remember the trees, <a href="axe.html">how they formed rows</a> without trying. No matter how the ideas fall, they make something. <a href="one-hundred-lines.html">The snow</a> <a href="weplayedthosegamestoo.html">does that too</a></em> he wrote. <em>It doesn’t try to make anything but it does.</em></p> | |
| 64 | <a class="nextlink" href="reports.html" | 42 | <p><em>No the snow is different</em> the notecard was annoyed. <em>The snow is a blank canvas that humans build into shapes or doppelgangers. It makes nothing on its own.</em></p> |
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </section> |
| 66 | Reports | 44 | </article> |
| 67 | </a> | 45 | <nav> |
| 68 | <a class="nextlink" href="stagnant.html" | 46 | <div class="anchors"> |
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <a href="backlinks/snow.html" id="backlinks" title="Links to this page"> |
| 70 | Stagnant | 48 | φ |
| 71 | </a> | 49 | </a> |
| 72 | </nav> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="man.html" | ||
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 56 | Man | ||
| 57 | </a> | ||
| 58 | <a class="prevlink" href="shed.html" | ||
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 60 | Shed | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="reports.html" | ||
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 65 | Reports | ||
| 66 | </a> | ||
| 67 | <a class="nextlink" href="stagnant.html" | ||
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 69 | Stagnant | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/something-simple.html b/something-simple.html index 73e472a..bd50bef 100644 --- a/something-simple.html +++ b/something-simple.html | |||
| @@ -4,53 +4,51 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Let’s start with something simple: | Autocento of the breakfast table</title> | 12 | <title>Let’s start with something simple: | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="something-simple" class="autocento"> | 23 | <body id="something-simple" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Let’s start with something simple:</h1> |
| 29 | <h1 class="title">Let’s start with something simple:</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">in mammals the ratio between bladder size</span><span class="line">and urethra is such that it takes</span><span class="line">all of them the same time to piss. Take</span><span class="line">for example the fact that Fibonnacci</span><span class="line">numbers show up everywhere. How can you</span><span class="line">look at this at all of this all of</span><span class="line">these facts and tell me to my face there</span><span class="line">is no God? And yet there isn’t</span><span class="line">you murmer quietly into my ear over</span><span class="line">and over like a low tide sounding</span><span class="line">its lonely waves on an abandoned beach.</span><span class="line">The ocean that birthed us holds us</span><span class="line">still. We are tied, you and I, together</span><span class="line">in her arms. The <a href="moon-drowning.html">moon, caring father,</a></span><span class="line">looks down from a dispassionate sky.</span></p> |
| 39 | <p><span class="line">in mammals the ratio between bladder size</span><span class="line">and urethra is such that it takes</span><span class="line">all of them the same time to piss. Take</span><span class="line">for example the fact that Fibonnacci</span><span class="line">numbers show up everywhere. How can you</span><span class="line">look at this at all of this all of</span><span class="line">these facts and tell me to my face there</span><span class="line">is no God? And yet there isn’t</span><span class="line">you murmer quietly into my ear over</span><span class="line">and over like a low tide sounding</span><span class="line">its lonely waves on an abandoned beach.</span><span class="line">The ocean that birthed us holds us</span><span class="line">still. We are tied, you and I, together</span><span class="line">in her arms. The <a href="moon-drowning.html">moon, caring father,</a></span><span class="line">looks down from a dispassionate sky.</span></p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
| 41 | </article> | 41 | <nav> |
| 42 | <nav> | 42 | <div class="anchors"> |
| 43 | <div class="anchors"> | 43 | <a href="backlinks/something-simple.html" id="backlinks" title="Links to this page"> |
| 44 | <a href="something-simple_backlinks.htm" id="back-link" title="Links to this page"> | 44 | φ |
| 45 | φ | 45 | </a> |
| 46 | </a> | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | </div> |
| 49 | </div> | 49 | |
| 50 | 50 | ||
| 51 | 51 | </nav> | |
| 52 | </nav> | 52 | |
| 53 | |||
| 54 | |||
| 55 | </body> | 53 | </body> |
| 56 | </html> | 54 | </html> |
| diff --git a/something-simple_backlinks.htm b/something-simple_backlinks.htm deleted file mode 100644 index ebad760..0000000 --- a/something-simple_backlinks.htm +++ /dev/null | |||
| @@ -1,59 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Let’s start with something simple: | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="something-simple" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Let’s start with something simple:</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="notes.html">Notes</a></li> | ||
| 41 | <li><a href="the-sea_the-beach.html">The sea and the beach</a></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="something-simple.html" id="back-link" title="Back to article"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/spittle.html b/spittle.html index e16b537..3161691 100644 --- a/spittle.html +++ b/spittle.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>Spittle | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="spittle" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>Spittle | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Spittle</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="spittle" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Spittle</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">My body is attached to your body by a thin spittle of thought.</span><span class="line">When you turn away from me, my thought is broken</span><span class="line">and forms anew with something else. Ideas are drool.</span><span class="line">Beauty has been slobbered over far too long. <a href="howithappened.html">God</a></span><span class="line">is a tidal wave of bodily fluid. Even the flea has some</span><span class="line">vestigial wetness. We live in a world fleshy and dark,</span><span class="line">and moist as a nostril. Is conciousness only a watery-eyed</span><span class="line">romantic, crying softly into his <a href="lovesong.html">shirt-sleeve</a>? Is not reason</span><span class="line">a square-jawed businessman with a briefcase full of memory?</span><span class="line">I want to kiss the world to make it mine. I want to become</span><span class="line">a Judas to reality, betray it with the wetness of emotion.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/spittle.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="shipwright.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">My body is attached to your body by a thin spittle of thought.</span><span class="line">When you turn away from me, my thought is broken</span><span class="line">and forms anew with something else. Ideas are drool.</span><span class="line">Beauty has been slobbered over far too long. <a href="howithappened.html">God</a></span><span class="line">is a tidal wave of bodily fluid. Even the flea has some</span><span class="line">vestigial wetness. We live in a world fleshy and dark,</span><span class="line">and moist as a nostril. Is conciousness only a watery-eyed</span><span class="line">romantic, crying softly into his <a href="lovesong.html">shirt-sleeve</a>? Is not reason</span><span class="line">a square-jawed businessman with a briefcase full of memory?</span><span class="line">I want to kiss the world to make it mine. I want to become</span><span class="line">a Judas to reality, betray it with the wetness of emotion.</span></p> | 52 | The shipwright |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="spittle_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="shipwright.html" | 55 | <a class="nextlink" href="squirrel.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | The shipwright | 57 | The squirrel |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="squirrel.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | The squirrel | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/spittle_backlinks.htm b/spittle_backlinks.htm deleted file mode 100644 index d55c0f0..0000000 --- a/spittle_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Spittle | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
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| 19 | <!--[if lt IE 9]> | ||
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| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="spittle" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Spittle</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="call-me-aural-pleasure.html">Call me</a></li> | ||
| 41 | <li><a href="deadman.html">Dead man</a></li> | ||
| 42 | <li><a href="epigraph.html">epigraph</a></li> | ||
| 43 | <li><a href="nothing-is-ever-over.html">Nothing is ever over</a></li> | ||
| 44 | <li><a href="philosophy.html">Philosophy</a></li> | ||
| 45 | <li><a href="statements-frag.html">Statements</a></li> | ||
| 46 | <li><a href="weplayedthosegamestoo.html">We played those games too</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="spittle.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/squirrel.html b/squirrel.html index 37fd839..d8b10dd 100644 --- a/squirrel.html +++ b/squirrel.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>The squirrel | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
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| 18 | |||
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| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="squirrel" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>The squirrel | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">The squirrel</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="squirrel" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The squirrel</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">He is so full in himself:</span><span class="line">how far down the branch to run,</span><span class="line">how long to jump, when to grab the air</span><span class="line">and catch in it and turn, and land on branch</span><span class="line">so gracefully it’s like dying, alone</span><span class="line">and warm in a bed next to a summer window</span><span class="line">and the <a href="mountain.html">birds singing</a>. And on that branch there</span><span class="line">is the squirrel dancing among the branches</span><span class="line">and you think <em>What if he fell?</em> but he won’t</span><span class="line">because he’s a squirrel and that’s what</span><span class="line">they do, <a href="movingsideways.html">dance</a> and never fall. It was erased</span><span class="line">long ago from the squirrel, even</span><span class="line">the possibility of falling was erased</span><span class="line">from his being by the slow inexorable evolution</span><span class="line">of squirrels, that is why all squirrels</span><span class="line">are so full in themselves, full in who they are.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/squirrel.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="spittle.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">He is so full in himself:</span><span class="line">how far down the branch to run,</span><span class="line">how long to jump, when to grab the air</span><span class="line">and catch in it and turn, and land on branch</span><span class="line">so gracefully it’s like dying, alone</span><span class="line">and warm in a bed next to a summer window</span><span class="line">and the <a href="mountain.html">birds singing</a>. And on that branch there</span><span class="line">is the squirrel dancing among the branches</span><span class="line">and you think <em>What if he fell?</em> but he won’t</span><span class="line">because he’s a squirrel and that’s what</span><span class="line">they do, <a href="movingsideways.html">dance</a> and never fall. It was erased</span><span class="line">long ago from the squirrel, even</span><span class="line">the possibility of falling was erased</span><span class="line">from his being by the slow inexorable evolution</span><span class="line">of squirrels, that is why all squirrels</span><span class="line">are so full in themselves, full in who they are.</span></p> | 52 | Spittle |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="squirrel_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="spittle.html" | 55 | <a class="nextlink" href="swansong.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | Spittle | 57 | Swan song |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="swansong.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | Swan song | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/stagnant.html b/stagnant.html index 4e396a7..97ed636 100644 --- a/stagnant.html +++ b/stagnant.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Stagnant | Autocento of the breakfast table</title> | 12 | <title>Stagnant | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="stagnant" class="paul"> | 23 | <body id="stagnant" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Stagnant</h1> | 28 | <h1 class="title">Stagnant</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work. His thoughts couldn’t become real to him because he didn’t want to look insane to everyone else on the bus. His thoughts came to him like someone <a href="sense-of-it.html">yelling over a hard wind</a>. He was trying to write them on his memory but the act of writing was easier and more immediate than that of listening. He was afraid that when he looked at his memory later he wouldn’t be able to read what was written.</p> | ||
| 40 | <p>“Thoughts are like the wind outside a moving bus” he thought “or rather the bus is a brain slamming into columns of stagnant air causing them to whistle past in a confusion of something.” He could barely hear the voice <a href="cold-wind.html">yelling to him over the wind</a>. “Speak up” he thought to the voice, then remembered it was his own. He wished he’d remembered a book to read.</p> | ||
| 41 | <p>He looked at his hands to pass the time. <a href="hands.html">They were dry in the winter air</a> that had seeped its way into the bus. He tried to figure out how many hours they would make it before cracking and bleeding. “Maybe three or four” he thought accidentally out loud. He looked around expecting stares from everyone on the seat. <a href="stayed-on-the-bus.html">He was surprised that he was the only one on the bus.</a></p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="stagnant_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="options.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Options | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="snow.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work. His thoughts couldn’t become real to him because he didn’t want to look insane to everyone else on the bus. His thoughts came to him like someone <a href="sense-of-it.html">yelling over a hard wind</a>. He was trying to write them on his memory but the act of writing was easier and more immediate than that of listening. He was afraid that when he looked at his memory later he wouldn’t be able to read what was written.</p> |
| 59 | Snow | 39 | <p>“Thoughts are like the wind outside a moving bus” he thought “or rather the bus is a brain slamming into columns of stagnant air causing them to whistle past in a confusion of something.” He could barely hear the voice <a href="cold-wind.html">yelling to him over the wind</a>. “Speak up” he thought to the voice, then remembered it was his own. He wished he’d remembered a book to read.</p> |
| 60 | </a> | 40 | <p>He looked at his hands to pass the time. <a href="hands.html">They were dry in the winter air</a> that had seeped its way into the bus. He tried to figure out how many hours they would make it before cracking and bleeding. “Maybe three or four” he thought accidentally out loud. He looked around expecting stares from everyone on the seat. <a href="stayed-on-the-bus.html">He was surprised that he was the only one on the bus.</a></p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="building.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | Building | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/stagnant.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="stump.html" | 46 | φ |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </a> |
| 68 | Stump | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="options.html" | ||
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 54 | Options | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="snow.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Snow | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="building.html" | ||
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Building | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="stump.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Stump | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/statements-frag.html b/statements-frag.html index 86fde59..62784c0 100644 --- a/statements-frag.html +++ b/statements-frag.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Statements | Autocento of the breakfast table</title> | 12 | <title>Statements | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="statements-frag" class="autocento"> | 23 | <body id="statements-frag" class="autocento"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Statements</h1> | 28 | <h1 class="title">Statements</h1> |
| 30 | <h1 class="subtitle">a fragment</h1> | 29 | <h1 class="subtitle">a fragment</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 37 | 33 | </div> | |
| 38 | <section class="content prose"> | 34 | </header> |
| 39 | <section id="eli" class="level2"> | ||
| 40 | <h2>I. Eli</h2> | ||
| 41 | <p>“Can one truly describe an emotion?” Eli asked me over the walkie-talkie. He was in the bathroom, & had taken the walkie-talkie in with him absent-mindedly. I could hear sounds of his piss hitting the toilet water.</p> | ||
| 42 | <p>“I can hear you peeing,” I said. He didn’t answer so I said in apology, “It’s okay. Humans are sexually dimorphic.” I was sitting on my blue baby blanket texting Jon, who was funny and amicable over the phone. He made a three-message joke about greedy lawyers and I would have been laughing if not for my embarrassment toward Eli. He finally came out of the bathroom and kept his eyes straight ahead, toward the wall calendar and not at me, as he passed through the family room into his bedroom, were he shut the door quietly. Presently I heard some muffled noise as he turned on his iPod. I guessed he didn’t feel like talking so I stayed on my blanket watching the <em>Price is Right</em> and texting Jon.</p> | ||
| 43 | <p>Drew Carrey was doing his wrap-up speech on TV when Eli finally came out of his room, red puffy streaks covering his face. His eyes and nose were red too, which was almost festive against the pale green and white of the <a href="wallpaper.html">wallpaper</a>. I had been laughing at the goofy costumes on the <em>Price is Right</em> and the jokes Jon was texting me, but when Eli came out of the room I stopped and just looked at him as well as I could. He was staring at my right shoulder as he said, “Go home now.”</p> | ||
| 44 | <p>“What?”</p> | ||
| 45 | <p>“<a href="lappel-du-vide.html">I said go home now</a>. I don’t want you here anymore, because I just remembered I have someone coming over and I have to clean.”</p> | ||
| 46 | <p>“Look, Eli, I’m sorry—”</p> | ||
| 47 | <p>“It doesn’t have anything to do with you, I swear. Just go, okay? <a href="riptide_memory.html">Go home now</a>.”</p> | ||
| 48 | <p>I got up and tried to give him a hug but he withdrew from me sharply. So I walked around the coffee table as he sat down, not looking at me anymore, and stared at the blank TV. The blanket I had been sitting in was crumpled next to him like a dead bird. I opened my mouth but thought better of talking, and closed the door behind me slowly.</p> | ||
| 49 | </section> | ||
| 50 | <section id="dimorphic" class="level2 verse"> | ||
| 51 | <h2>II. Dimorphic</h2> | ||
| 52 | <p><span class="line"><a href="seasonal-affective-disorder.html">Oranges</a>. Poison. A compromise</span><span class="line">between Mary & <a href="spittle.html">Judas</a>. Blue</span><span class="line">baby blankets swaddling greedy lawyers.</span></p> | ||
| 53 | <p><span class="line">Can one truly describe an emotion?</span><span class="line">I cut my ankle with a razor blade.</span><span class="line">I can only go one at a time. Humanity</span><span class="line">has a seething mass of eels</span><span class="line">for a brain, mating in the water so forcefully</span><span class="line">that it could <a href="moon-drowning.html">drown you under the moon</a>.</span></p> | ||
| 54 | </section> | ||
| 55 | <section id="declaration-of-poetry" class="level2"> | ||
| 56 | <h2>III. Declaration of Poetry</h2> | ||
| 57 | <p>You have to go one line at a time, and you have to start on the first or second line.</p> | ||
| 58 | </section> | ||
| 59 | </section> | ||
| 60 | </article> | ||
| 61 | <nav> | ||
| 62 | <div class="anchors"> | ||
| 63 | <a href="statements-frag_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 64 | φ | ||
| 65 | </a> | ||
| 66 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 67 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 68 | </div> | ||
| 69 | 35 | ||
| 70 | |||
| 71 | </nav> | ||
| 72 | 36 | ||
| 73 | 37 | <section class="content prose"> | |
| 38 | <section id="eli" class="level2"> | ||
| 39 | <h2>I. Eli</h2> | ||
| 40 | <p>“Can one truly describe an emotion?” Eli asked me over the walkie-talkie. He was in the bathroom, & had taken the walkie-talkie in with him absent-mindedly. I could hear sounds of his piss hitting the toilet water.</p> | ||
| 41 | <p>“I can hear you peeing,” I said. He didn’t answer so I said in apology, “It’s okay. Humans are sexually dimorphic.” I was sitting on my blue baby blanket texting Jon, who was funny and amicable over the phone. He made a three-message joke about greedy lawyers and I would have been laughing if not for my embarrassment toward Eli. He finally came out of the bathroom and kept his eyes straight ahead, toward the wall calendar and not at me, as he passed through the family room into his bedroom, were he shut the door quietly. Presently I heard some muffled noise as he turned on his iPod. I guessed he didn’t feel like talking so I stayed on my blanket watching the <em>Price is Right</em> and texting Jon.</p> | ||
| 42 | <p>Drew Carrey was doing his wrap-up speech on TV when Eli finally came out of his room, red puffy streaks covering his face. His eyes and nose were red too, which was almost festive against the pale green and white of the <a href="wallpaper.html">wallpaper</a>. I had been laughing at the goofy costumes on the <em>Price is Right</em> and the jokes Jon was texting me, but when Eli came out of the room I stopped and just looked at him as well as I could. He was staring at my right shoulder as he said, “Go home now.”</p> | ||
| 43 | <p>“What?”</p> | ||
| 44 | <p>“<a href="lappel-du-vide.html">I said go home now</a>. I don’t want you here anymore, because I just remembered I have someone coming over and I have to clean.”</p> | ||
| 45 | <p>“Look, Eli, I’m sorry—”</p> | ||
| 46 | <p>“It doesn’t have anything to do with you, I swear. Just go, okay? <a href="riptide_memory.html">Go home now</a>.”</p> | ||
| 47 | <p>I got up and tried to give him a hug but he withdrew from me sharply. So I walked around the coffee table as he sat down, not looking at me anymore, and stared at the blank TV. The blanket I had been sitting in was crumpled next to him like a dead bird. I opened my mouth but thought better of talking, and closed the door behind me slowly.</p> | ||
| 48 | </section> | ||
| 49 | <section id="dimorphic" class="level2 verse"> | ||
| 50 | <h2>II. Dimorphic</h2> | ||
| 51 | <p><span class="line"><a href="seasonal-affective-disorder.html">Oranges</a>. Poison. A compromise</span><span class="line">between Mary & <a href="spittle.html">Judas</a>. Blue</span><span class="line">baby blankets swaddling greedy lawyers.</span></p> | ||
| 52 | <p><span class="line">Can one truly describe an emotion?</span><span class="line">I cut my ankle with a razor blade.</span><span class="line">I can only go one at a time. Humanity</span><span class="line">has a seething mass of eels</span><span class="line">for a brain, mating in the water so forcefully</span><span class="line">that it could <a href="moon-drowning.html">drown you under the moon</a>.</span></p> | ||
| 53 | </section> | ||
| 54 | <section id="declaration-of-poetry" class="level2"> | ||
| 55 | <h2>III. Declaration of Poetry</h2> | ||
| 56 | <p>You have to go one line at a time, and you have to start on the first or second line.</p> | ||
| 57 | </section> | ||
| 58 | </section> | ||
| 59 | </article> | ||
| 60 | <nav> | ||
| 61 | <div class="anchors"> | ||
| 62 | <a href="backlinks/statements-frag.html" id="backlinks" title="Links to this page"> | ||
| 63 | φ | ||
| 64 | </a> | ||
| 65 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 66 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 67 | </div> | ||
| 68 | |||
| 69 | |||
| 70 | </nav> | ||
| 71 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/statements-frag_backlinks.htm b/statements-frag_backlinks.htm deleted file mode 100644 index 7bde9fa..0000000 --- a/statements-frag_backlinks.htm +++ /dev/null | |||
| @@ -1,63 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Statements | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
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| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
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| 21 | <![endif]--> | ||
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| 23 | <body id="statements-frag" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Statements</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="amber-alert.html">AMBER alert</a></li> | ||
| 41 | <li><a href="collage-instrument.html">Instrumented</a></li> | ||
| 42 | <li><a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a></li> | ||
| 43 | <li><a href="peaches.html">Peaches</a></li> | ||
| 44 | <li><a href="toothpaste.html">Toothpaste</a></li> | ||
| 45 | <li><a href="wallpaper.html">Wallpaper</a></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="statements-frag.html" id="back-link" title="Back to article"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/stayed-on-the-bus.html b/stayed-on-the-bus.html index a12b0ab..8c4948c 100644 --- a/stayed-on-the-bus.html +++ b/stayed-on-the-bus.html | |||
| @@ -4,53 +4,51 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Stayed on the bus too long | Autocento of the breakfast table</title> | 12 | <title>Stayed on the bus too long | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="stayed-on-the-bus" class="autocento"> | 23 | <body id="stayed-on-the-bus" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Stayed on the bus too long</h1> |
| 29 | <h1 class="title">Stayed on the bus too long</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">It was a <a href="hard-game.html">gamble</a></span><span class="line">I lost—thought I could get closer</span><span class="line">than the library, stayed</span><span class="line">on past the admin building,</span><span class="line">back down the hill to my beginning,</span><span class="line">the driver’s second-to-last stop.</span><span class="line"><a href="lappel-du-vide.html">I have to walk now</a>,</span><span class="line">through the wind and sun, past</span><span class="line"><a href="theoceanoverflowswithcamels.html">traffic</a> moving merrily along</span><span class="line">taking their own gambles</span><span class="line">staying on or getting off</span><span class="line">too soon.</span></p> |
| 39 | <p><span class="line">It was a <a href="hard-game.html">gamble</a></span><span class="line">I lost—thought I could get closer</span><span class="line">than the library, stayed</span><span class="line">on past the admin building,</span><span class="line">back down the hill to my beginning,</span><span class="line">the driver’s second-to-last stop.</span><span class="line"><a href="lappel-du-vide.html">I have to walk now</a>,</span><span class="line">through the wind and sun, past</span><span class="line"><a href="theoceanoverflowswithcamels.html">traffic</a> moving merrily along</span><span class="line">taking their own gambles</span><span class="line">staying on or getting off</span><span class="line">too soon.</span></p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
| 41 | </article> | 41 | <nav> |
| 42 | <nav> | 42 | <div class="anchors"> |
| 43 | <div class="anchors"> | 43 | <a href="backlinks/stayed-on-the-bus.html" id="backlinks" title="Links to this page"> |
| 44 | <a href="stayed-on-the-bus_backlinks.htm" id="back-link" title="Links to this page"> | 44 | φ |
| 45 | φ | 45 | </a> |
| 46 | </a> | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | </div> |
| 49 | </div> | 49 | |
| 50 | 50 | ||
| 51 | 51 | </nav> | |
| 52 | </nav> | 52 | |
| 53 | |||
| 54 | |||
| 55 | </body> | 53 | </body> |
| 56 | </html> | 54 | </html> |
| diff --git a/stump.html b/stump.html index 65bf1a4..af77a77 100644 --- a/stump.html +++ b/stump.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Stump | Autocento of the breakfast table</title> | 12 | <title>Stump | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
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| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="stump" class="paul"> | 23 | <body id="stump" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Stump</h1> | 28 | <h1 class="title">Stump</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He walked into the woods for the first time in months. It was a bright summer day but under the canopy of leaves it was cool and quiet and twilight. <a href="music-433.html">There was no sound but his footsteps, his breathing.</a> Instead of an axe, his right hand clutched his notebook. His left was in his pocket. A pencil perched behind his ear.</p> | ||
| 40 | <p>He walked aimlessly until coming over a short rise he saw a stump. He recognized his handiwork in the way the stump made a kind of chair back—flat until the axe had gone through far enough, then a frayed edge like a torn page. Paul walked over to the stump and sat down.</p> | ||
| 41 | <p>He looked up and tried to find a pattern in the placement of the trees. There was none. They grew randomly, beginning nowhere and ending in the same place. <a href="squirrel.html">A squirrel</a> ran down one and up another for no reason. He opened his notebook and took his pencil from his ear but could think of nothing to write.</p> | ||
| 42 | <p>A crow called hoarsely to another, something important. Paul looked up but could not see the black bird in the <a href="death-zone.html">leaves of the trees</a>. He looked back down to the cream-colored pages of his notebook.</p> | ||
| 43 | <p>He was surprised that he’d written <em>YOU CANNOT DISCOVER ART</em>.</p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="stump_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="joke.html" | 33 | </div> |
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 57 | Joke | 35 | |
| 58 | </a> | 36 | |
| 59 | <a class="prevlink" href="stagnant.html" | 37 | <section class="content prose"> |
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He walked into the woods for the first time in months. It was a bright summer day but under the canopy of leaves it was cool and quiet and twilight. <a href="music-433.html">There was no sound but his footsteps, his breathing.</a> Instead of an axe, his right hand clutched his notebook. His left was in his pocket. A pencil perched behind his ear.</p> |
| 61 | Stagnant | 39 | <p>He walked aimlessly until coming over a short rise he saw a stump. He recognized his handiwork in the way the stump made a kind of chair back—flat until the axe had gone through far enough, then a frayed edge like a torn page. Paul walked over to the stump and sat down.</p> |
| 62 | </a> | 40 | <p>He looked up and tried to find a pattern in the placement of the trees. There was none. They grew randomly, beginning nowhere and ending in the same place. <a href="squirrel.html">A squirrel</a> ran down one and up another for no reason. He opened his notebook and took his pencil from his ear but could think of nothing to write.</p> |
| 63 | 41 | <p>A crow called hoarsely to another, something important. Paul looked up but could not see the black bird in the <a href="death-zone.html">leaves of the trees</a>. He looked back down to the cream-colored pages of his notebook.</p> | |
| 64 | <a class="nextlink" href="early.html" | 42 | <p>He was surprised that he’d written <em>YOU CANNOT DISCOVER ART</em>.</p> |
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </section> |
| 66 | Early | 44 | </article> |
| 67 | </a> | 45 | <nav> |
| 68 | <a class="nextlink" href="swear.html" | 46 | <div class="anchors"> |
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <a href="backlinks/stump.html" id="backlinks" title="Links to this page"> |
| 70 | Swear | 48 | φ |
| 71 | </a> | 49 | </a> |
| 72 | </nav> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="joke.html" | ||
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 56 | Joke | ||
| 57 | </a> | ||
| 58 | <a class="prevlink" href="stagnant.html" | ||
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 60 | Stagnant | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="early.html" | ||
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 65 | Early | ||
| 66 | </a> | ||
| 67 | <a class="nextlink" href="swear.html" | ||
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 69 | Swear | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/swansong-alt.html b/swansong-alt.html index d600baa..4d3e7b3 100644 --- a/swansong-alt.html +++ b/swansong-alt.html | |||
| @@ -4,53 +4,51 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Swansong | Autocento of the breakfast table</title> | 12 | <title>Swansong | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="swansong-alt" class="autocento"> | 23 | <body id="swansong-alt" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Swansong</h1> |
| 29 | <h1 class="title">Swansong</h1> | 29 | <h1 class="subtitle">alternate version</h1> |
| 30 | <h1 class="subtitle">alternate version</h1> | 30 | |
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">This poem is dry like <a href="time-looks-up-to-the-sky.html">chapped lips</a>.</span><span class="line"><a href="no-nothing.html">It is hard as teeth</a>—hear the tapping?</span><span class="line">It is the swan song of beauty, as all</span><span class="line">swan songs are. <a href="poetry-time.html">Reading</a> it, you are</span><span class="line">puzzled, perhaps a little repulsed.</span><span class="line">Swans do not have teeth, nor do they sing.</span><span class="line">A honking over the cliff is all</span><span class="line">they can do, and that they do</span><span class="line">badly. You don’t know where I’m going.</span><span class="line">You want to tell me, <a href="about-the-author.html">You are not you</a>.</span><span class="line"><a href="swansong.html">You are the air the swan walks on.</a></span><span class="line">You are the fringe of the curtain</span><span class="line"><a href="elegyforanalternateself.html">that separates me from you</a>. I say</span><span class="line">that you are no longer the temple,</span><span class="line">that you have been through <a href="fire.html">fire</a></span><span class="line">and are now less than ash. You are</span><span class="line">the subtraction of yourself from</span><span class="line">the world, <a href="finding-the-lion.html">the air without a swan</a>.</span><span class="line">Together, we are each other. You</span><span class="line">and I have both nothing and everything</span><span class="line">at once, we own the world and nothing in it.</span></p> |
| 39 | <p><span class="line">This poem is dry like <a href="time-looks-up-to-the-sky.html">chapped lips</a>.</span><span class="line"><a href="no-nothing.html">It is hard as teeth</a>—hear the tapping?</span><span class="line">It is the swan song of beauty, as all</span><span class="line">swan songs are. <a href="poetry-time.html">Reading</a> it, you are</span><span class="line">puzzled, perhaps a little repulsed.</span><span class="line">Swans do not have teeth, nor do they sing.</span><span class="line">A honking over the cliff is all</span><span class="line">they can do, and that they do</span><span class="line">badly. You don’t know where I’m going.</span><span class="line">You want to tell me, <a href="about-the-author.html">You are not you</a>.</span><span class="line"><a href="swansong.html">You are the air the swan walks on.</a></span><span class="line">You are the fringe of the curtain</span><span class="line"><a href="elegyforanalternateself.html">that separates me from you</a>. I say</span><span class="line">that you are no longer the temple,</span><span class="line">that you have been through <a href="fire.html">fire</a></span><span class="line">and are now less than ash. You are</span><span class="line">the subtraction of yourself from</span><span class="line">the world, <a href="finding-the-lion.html">the air without a swan</a>.</span><span class="line">Together, we are each other. You</span><span class="line">and I have both nothing and everything</span><span class="line">at once, we own the world and nothing in it.</span></p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
| 41 | </article> | 41 | <nav> |
| 42 | <nav> | 42 | <div class="anchors"> |
| 43 | <div class="anchors"> | 43 | <a href="backlinks/swansong-alt.html" id="backlinks" title="Links to this page"> |
| 44 | <a href="swansong-alt_backlinks.htm" id="back-link" title="Links to this page"> | 44 | φ |
| 45 | φ | 45 | </a> |
| 46 | </a> | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | </div> |
| 49 | </div> | 49 | |
| 50 | 50 | ||
| 51 | 51 | </nav> | |
| 52 | </nav> | 52 | |
| 53 | |||
| 54 | |||
| 55 | </body> | 53 | </body> |
| 56 | </html> | 54 | </html> |
| diff --git a/swansong-alt_backlinks.htm b/swansong-alt_backlinks.htm deleted file mode 100644 index d51b9bc..0000000 --- a/swansong-alt_backlinks.htm +++ /dev/null | |||
| @@ -1,62 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Swansong | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="swansong-alt" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Swansong</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="elegyforanalternateself.html">Elegy for an alternate self</a></li> | ||
| 41 | <li><a href="music-433.html">Something</a></li> | ||
| 42 | <li><a href="swansong.html">Swan song</a></li> | ||
| 43 | <li><a href="walking-in-the-rain.html">Walking in the rain</a></li> | ||
| 44 | <li><a href="writing.html">Writing</a></li> | ||
| 45 | </ul> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="swansong-alt.html" id="back-link" title="Back to article"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | |||
| 57 | |||
| 58 | </nav> | ||
| 59 | |||
| 60 | |||
| 61 | </body> | ||
| 62 | </html> | ||
| diff --git a/swansong.html b/swansong.html index 13d581b..15ac4d8 100644 --- a/swansong.html +++ b/swansong.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>Swan song | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="swansong" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>Swan song | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Swan song</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="swansong" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Swan song</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">Swans fly overhead singing goodbye</span><span class="line">to we <a href="howithappened.html">walkers of the earth</a>. You point</span><span class="line">to them in formation, you tell me</span><span class="line">you are not you. [You are the air the swans</span><span class="line">walk on]<a href="swansong-alt.html">alt</a> as they journey like pilgrims</span><span class="line">to a temple in the south. A curtain</span><span class="line">there separates me from you, swans</span><span class="line">from the air they fly through. I say</span><span class="line">that you are no longer the temple,</span><span class="line">that you have been through fire</span><span class="line">and are now less than ash. You are</span><span class="line">a <a href="moongone.html">mirror</a> of me, the <a href="deathstrumpet.html">air without a swan</a>.</span><span class="line">Together, we are each other. You</span><span class="line">and I have both nothing and everything</span><span class="line">at once. We own the world and nothing in it.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/swansong.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="squirrel.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">Swans fly overhead singing goodbye</span><span class="line">to we <a href="howithappened.html">walkers of the earth</a>. You point</span><span class="line">to them in formation, you tell me</span><span class="line">you are not you. [You are the air the swans</span><span class="line">walk on]<a href="swansong-alt.html">alt</a> as they journey like pilgrims</span><span class="line">to a temple in the south. A curtain</span><span class="line">there separates me from you, swans</span><span class="line">from the air they fly through. I say</span><span class="line">that you are no longer the temple,</span><span class="line">that you have been through fire</span><span class="line">and are now less than ash. You are</span><span class="line">a <a href="moongone.html">mirror</a> of me, the <a href="deathstrumpet.html">air without a swan</a>.</span><span class="line">Together, we are each other. You</span><span class="line">and I have both nothing and everything</span><span class="line">at once. We own the world and nothing in it.</span></p> | 52 | The squirrel |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="swansong_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="squirrel.html" | 55 | <a class="nextlink" href="telemarketer.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | The squirrel | 57 | Telemarketer |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="telemarketer.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | Telemarketer | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/swear.html b/swear.html index 87d4ae1..7bc675d 100644 --- a/swear.html +++ b/swear.html | |||
| @@ -4,75 +4,73 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Swear | Autocento of the breakfast table</title> | 12 | <title>Swear | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="swear" class="paul"> | 23 | <body id="swear" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Swear</h1> | 28 | <h1 class="title">Swear</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <blockquote> | ||
| 40 | <p><a href="planks.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a></p> | ||
| 41 | <p>First, a history: I was writing my thoughts in a book. I got a typewriter and typing things in a book became impossible. I began typing on 4x6 notecards. I ran out of ribbon in my typewriter. I wrote on the 4x6 notecards. I bought a new ribbon and new notecards. Now again I am typing on notecards.</p> | ||
| 42 | <p>What have I been typing? Thoughts, impressions maybe, a log of changes to my mental state. I waited long enough and I began recording them in the same way. If I wait longer the ribbon will run out again and I’ll write again, on notecards or in my book. The same thoughts in different bodies.</p> | ||
| 43 | <p>That’s what it means, “Every thing changes or everything stays the same.” It might as well be “and.” Local differences add up to global identities. It’s a <a href="ourobors_memory.html">hoop</a>, right? And we keep going around and we think it’s flat but it’s round like the Earth.</p> | ||
| 44 | </blockquote> | ||
| 45 | <p>Paul pushed his chair away from the <a href="finding-the-lion.html">Writing Desk</a> and stared at the notecard. He stood up, knocked his head on the lightbulb, swore. He pulled the notecard from his typewriter and crumpled it up with his left hand. With his right hand he reached in his pocket and pulled out his cigarettes. He put one in his mouth, threw the paper in the corner, grabbed his axe, went out into the woods.</p> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="swear_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | 32 | ||
| 57 | <a class="prevlink" href="reports.html" | 33 | </div> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 59 | Reports | 35 | |
| 60 | </a> | 36 | |
| 61 | <a class="prevlink" href="stump.html" | 37 | <section class="content prose"> |
| 62 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <blockquote> |
| 63 | Stump | 39 | <p><a href="planks.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a></p> |
| 64 | </a> | 40 | <p>First, a history: I was writing my thoughts in a book. I got a typewriter and typing things in a book became impossible. I began typing on 4x6 notecards. I ran out of ribbon in my typewriter. I wrote on the 4x6 notecards. I bought a new ribbon and new notecards. Now again I am typing on notecards.</p> |
| 65 | 41 | <p>What have I been typing? Thoughts, impressions maybe, a log of changes to my mental state. I waited long enough and I began recording them in the same way. If I wait longer the ribbon will run out again and I’ll write again, on notecards or in my book. The same thoughts in different bodies.</p> | |
| 66 | <a class="nextlink" href="options.html" | 42 | <p>That’s what it means, “Every thing changes or everything stays the same.” It might as well be “and.” Local differences add up to global identities. It’s a <a href="ourobors_memory.html">hoop</a>, right? And we keep going around and we think it’s flat but it’s round like the Earth.</p> |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </blockquote> |
| 68 | Options | 44 | <p>Paul pushed his chair away from the <a href="finding-the-lion.html">Writing Desk</a> and stared at the notecard. He stood up, knocked his head on the lightbulb, swore. He pulled the notecard from his typewriter and crumpled it up with his left hand. With his right hand he reached in his pocket and pulled out his cigarettes. He put one in his mouth, threw the paper in the corner, grabbed his axe, went out into the woods.</p> |
| 69 | </a> | 45 | </section> |
| 70 | <a class="nextlink" href="tapestry.html" | 46 | </article> |
| 71 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <nav> |
| 72 | Tapestry | 48 | <div class="anchors"> |
| 73 | </a> | 49 | <a href="backlinks/swear.html" id="backlinks" title="Links to this page"> |
| 74 | </nav> | 50 | φ |
| 51 | </a> | ||
| 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | <a class="prevlink" href="reports.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Reports | ||
| 59 | </a> | ||
| 60 | <a class="prevlink" href="stump.html" | ||
| 61 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 62 | Stump | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="options.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Options | ||
| 68 | </a> | ||
| 69 | <a class="nextlink" href="tapestry.html" | ||
| 70 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 71 | Tapestry | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 75 | 74 | ||
| 76 | |||
| 77 | </body> | 75 | </body> |
| 78 | </html> | 76 | </html> |
| diff --git a/table_contents.html b/table_contents.html index a96f765..b7fded6 100644 --- a/table_contents.html +++ b/table_contents.html | |||
| @@ -4,183 +4,181 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Table of contents | Autocento of the breakfast table</title> | 12 | <title>Table of contents | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="table_contents" class="stark"> | 23 | <body id="table_contents" class="stark"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Table of contents</h1> | 28 | <h1 class="title">Table of contents</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | <!-- epigraph --> | ||
| 35 | <div class="epigraph"> | ||
| 36 | <a href="http://www.npr.org/blogs/13.7/2013/11/05/243081116/dark-matter-eludes-capture-science-and-the-unseen">We are awash in the unseen and science has made us aware of the flood.</a> | ||
| 37 | |||
| 38 | </div> | ||
| 39 | </div> | ||
| 40 | </header> | ||
| 41 | 30 | ||
| 42 | 31 | <div class="header-extra"> | |
| 43 | <section class="content table"> | ||
| 44 | <table> | ||
| 45 | <colgroup> | ||
| 46 | <col style="width: 4%" /> | ||
| 47 | <col style="width: 48%" /> | ||
| 48 | <col style="width: 4%" /> | ||
| 49 | <col style="width: 42%" /> | ||
| 50 | </colgroup> | ||
| 51 | <tbody> | ||
| 52 | <tr class="odd"> | ||
| 53 | <td style="text-align: right;">4.</td> | ||
| 54 | <td style="text-align: left;"><a href="ouroboros_memory.html">The look she gave me</a></td> | ||
| 55 | <td style="text-align: right;">4.</td> | ||
| 56 | <td style="text-align: left;">Half-hours in heaven are three times <a href="telemarketer.html">that in hell</a></td> | ||
| 57 | </tr> | ||
| 58 | <tr class="even"> | ||
| 59 | <td style="text-align: right;">5.</td> | ||
| 60 | <td style="text-align: left;"><a href="lappel-du-vide.html">Not out of anger</a></td> | ||
| 61 | <td style="text-align: right;">5.</td> | ||
| 62 | <td style="text-align: left;"><a href="no-nothing.html">Pay the toll</a>, mister, or nothing can get done</td> | ||
| 63 | </tr> | ||
| 64 | <tr class="odd"> | ||
| 65 | <td style="text-align: right;">6.</td> | ||
| 66 | <td style="text-align: left;"><a href="boy_bus.html">A desire to understand</a></td> | ||
| 67 | <td style="text-align: right;">6.</td> | ||
| 68 | <td style="text-align: left;"><a href="howithappened.html">Misattributed</a></td> | ||
| 69 | </tr> | ||
| 70 | <tr class="even"> | ||
| 71 | <td style="text-align: right;">7.</td> | ||
| 72 | <td style="text-align: left;"><a href="i-think-its-you.html">Seven syllables amble</a></td> | ||
| 73 | <td style="text-align: right;">7.</td> | ||
| 74 | <td style="text-align: left;"><a href="howtoread.html">Disassociated</a></td> | ||
| 75 | </tr> | ||
| 76 | <tr class="odd"> | ||
| 77 | <td style="text-align: right;">8.</td> | ||
| 78 | <td style="text-align: left;"><a href="initial-conditions.html">To drink at the pond</a></td> | ||
| 79 | <td style="text-align: right;">8.</td> | ||
| 80 | <td style="text-align: left;"><a href="cereal.html">Advice from a cereal box</a></td> | ||
| 81 | </tr> | ||
| 82 | <tr class="even"> | ||
| 83 | <td style="text-align: right;">9.</td> | ||
| 84 | <td style="text-align: left;"><a href="love-as-god.html">Two fall in and drown</a></td> | ||
| 85 | <td style="text-align: right;">9.</td> | ||
| 86 | <td style="text-align: left;"><a href="call-me-aural-pleasure.html">The challenges of</a> a modern life</td> | ||
| 87 | </tr> | ||
| 88 | <tr class="odd"> | ||
| 89 | <td style="text-align: right;">10.</td> | ||
| 90 | <td style="text-align: left;"><a href="worse-looking-over.html">Odd-numbered ponies</a></td> | ||
| 91 | <td style="text-align: right;">10.</td> | ||
| 92 | <td style="text-align: left;">Probability and the American <a href="in-bed.html">Dream</a></td> | ||
| 93 | </tr> | ||
| 94 | <tr class="even"> | ||
| 95 | <td style="text-align: right;">11.</td> | ||
| 96 | <td style="text-align: left;"><a href="sixteenth-chapel.html">Buck and Whinny in the moonlight</a></td> | ||
| 97 | <td style="text-align: right;">11.</td> | ||
| 98 | <td style="text-align: left;"><a href="deadman.html">Two friends throw dice</a></td> | ||
| 99 | </tr> | ||
| 100 | <tr class="odd"> | ||
| 101 | <td style="text-align: right;">12.</td> | ||
| 102 | <td style="text-align: left;"><a href="last-bastion.html">To die tomorrow</a></td> | ||
| 103 | <td style="text-align: right;">12.</td> | ||
| 104 | <td style="text-align: left;"><a href="seasonal-affective-disorder.html">Fears of death</a></td> | ||
| 105 | </tr> | ||
| 106 | <tr class="even"> | ||
| 107 | <td style="text-align: right;">13.</td> | ||
| 108 | <td style="text-align: left;"><a href="amber-alert.html">To be everywhere</a></td> | ||
| 109 | <td style="text-align: right;">13.</td> | ||
| 110 | <td style="text-align: left;">The <a href="boar.html">solipsist talks to God</a></td> | ||
| 111 | </tr> | ||
| 112 | <tr class="odd"> | ||
| 113 | <td style="text-align: right;">14.</td> | ||
| 114 | <td style="text-align: left;"><a href="exasperated.html">All at one time: my motto</a></td> | ||
| 115 | <td style="text-align: right;">14.</td> | ||
| 116 | <td style="text-align: left;"><a href="phone.html">A phone conversation</a> following receipt of an ill-timed love letter</td> | ||
| 117 | </tr> | ||
| 118 | <tr class="even"> | ||
| 119 | <td style="text-align: right;">15.</td> | ||
| 120 | <td style="text-align: left;"><a href="death-zone.html">Of a perfect world</a></td> | ||
| 121 | <td style="text-align: right;">15.</td> | ||
| 122 | <td style="text-align: left;">Woody Allen at <a href="one-hundred-lines.html">the horse races</a></td> | ||
| 123 | </tr> | ||
| 124 | <tr class="odd"> | ||
| 125 | <td style="text-align: right;">16.</td> | ||
| 126 | <td style="text-align: left;"><a href="big-dipper.html">This morning the sun</a></td> | ||
| 127 | <td style="text-align: right;">16.</td> | ||
| 128 | <td style="text-align: left;">Whether you say <a href="big-dipper.html">good morning</a> or good night</td> | ||
| 129 | </tr> | ||
| 130 | <tr class="even"> | ||
| 131 | <td style="text-align: right;">17.</td> | ||
| 132 | <td style="text-align: left;"><a href="poetry-time.html">Wandering through the window</a></td> | ||
| 133 | <td style="text-align: right;">17.</td> | ||
| 134 | <td style="text-align: left;">A traveler <a href="mountain.html">waiting on the mountain</a></td> | ||
| 135 | </tr> | ||
| 136 | <tr class="odd"> | ||
| 137 | <td style="text-align: right;">18.</td> | ||
| 138 | <td style="text-align: left;"><a href="moon-drowning.html">Alights on my shoulder</a></td> | ||
| 139 | <td style="text-align: right;">18.</td> | ||
| 140 | <td style="text-align: left;">The impenetrable object falls in <a href="lovesong.html">love</a></td> | ||
| 141 | </tr> | ||
| 142 | <tr class="even"> | ||
| 143 | <td style="text-align: right;"></td> | ||
| 144 | <td style="text-align: left;"></td> | ||
| 145 | <td style="text-align: right;">1.</td> | ||
| 146 | <td style="text-align: left;"><a href="music-433.html">Liquid messenger</a></td> | ||
| 147 | </tr> | ||
| 148 | <tr class="odd"> | ||
| 149 | <td style="text-align: right;"></td> | ||
| 150 | <td style="text-align: left;"></td> | ||
| 151 | <td style="text-align: right;">2.</td> | ||
| 152 | <td style="text-align: left;"><a href="riptide_memory.html">After a gate closes, dogs bark</a></td> | ||
| 153 | </tr> | ||
| 154 | <tr class="even"> | ||
| 155 | <td style="text-align: right;"></td> | ||
| 156 | <td style="text-align: left;"></td> | ||
| 157 | <td style="text-align: right;">3.</td> | ||
| 158 | <td style="text-align: left;"><a href="about-the-author.html">Finding old men at dusk</a></td> | ||
| 159 | </tr> | ||
| 160 | </tbody> | ||
| 161 | </table> | ||
| 162 | </section> | ||
| 163 | </article> | ||
| 164 | <nav> | ||
| 165 | <div class="anchors"> | ||
| 166 | <a href="table_contents_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 167 | φ | ||
| 168 | </a> | ||
| 169 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 170 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 171 | </div> | ||
| 172 | 32 | ||
| 173 | 33 | <!-- epigraph --> | |
| 174 | <a class="nextlink" href="ouroboros_memory.html" | 34 | <div class="epigraph"> |
| 175 | title="Next article in Stark Raving"> | 35 | <a href="http://www.npr.org/blogs/13.7/2013/11/05/243081116/dark-matter-eludes-capture-science-and-the-unseen">We are awash in the unseen and science has made us aware of the flood.</a> |
| 176 | Ouroboros of memory | 36 | |
| 177 | </a> | 37 | </div> |
| 178 | <a class="nextlink" href="big-dipper.html" | 38 | </div> |
| 179 | title="Next article in Stark Raving"> | 39 | </header> |
| 180 | The Big Dipper | 40 | |
| 181 | </a> | 41 | |
| 182 | </nav> | 42 | <section class="content table"> |
| 43 | <table> | ||
| 44 | <colgroup> | ||
| 45 | <col style="width: 4%" /> | ||
| 46 | <col style="width: 48%" /> | ||
| 47 | <col style="width: 4%" /> | ||
| 48 | <col style="width: 42%" /> | ||
| 49 | </colgroup> | ||
| 50 | <tbody> | ||
| 51 | <tr class="odd"> | ||
| 52 | <td style="text-align: right;">4.</td> | ||
| 53 | <td style="text-align: left;"><a href="ouroboros_memory.html">The look she gave me</a></td> | ||
| 54 | <td style="text-align: right;">4.</td> | ||
| 55 | <td style="text-align: left;">Half-hours in heaven are three times <a href="telemarketer.html">that in hell</a></td> | ||
| 56 | </tr> | ||
| 57 | <tr class="even"> | ||
| 58 | <td style="text-align: right;">5.</td> | ||
| 59 | <td style="text-align: left;"><a href="lappel-du-vide.html">Not out of anger</a></td> | ||
| 60 | <td style="text-align: right;">5.</td> | ||
| 61 | <td style="text-align: left;"><a href="no-nothing.html">Pay the toll</a>, mister, or nothing can get done</td> | ||
| 62 | </tr> | ||
| 63 | <tr class="odd"> | ||
| 64 | <td style="text-align: right;">6.</td> | ||
| 65 | <td style="text-align: left;"><a href="boy_bus.html">A desire to understand</a></td> | ||
| 66 | <td style="text-align: right;">6.</td> | ||
| 67 | <td style="text-align: left;"><a href="howithappened.html">Misattributed</a></td> | ||
| 68 | </tr> | ||
| 69 | <tr class="even"> | ||
| 70 | <td style="text-align: right;">7.</td> | ||
| 71 | <td style="text-align: left;"><a href="i-think-its-you.html">Seven syllables amble</a></td> | ||
| 72 | <td style="text-align: right;">7.</td> | ||
| 73 | <td style="text-align: left;"><a href="howtoread.html">Disassociated</a></td> | ||
| 74 | </tr> | ||
| 75 | <tr class="odd"> | ||
| 76 | <td style="text-align: right;">8.</td> | ||
| 77 | <td style="text-align: left;"><a href="initial-conditions.html">To drink at the pond</a></td> | ||
| 78 | <td style="text-align: right;">8.</td> | ||
| 79 | <td style="text-align: left;"><a href="cereal.html">Advice from a cereal box</a></td> | ||
| 80 | </tr> | ||
| 81 | <tr class="even"> | ||
| 82 | <td style="text-align: right;">9.</td> | ||
| 83 | <td style="text-align: left;"><a href="love-as-god.html">Two fall in and drown</a></td> | ||
| 84 | <td style="text-align: right;">9.</td> | ||
| 85 | <td style="text-align: left;"><a href="call-me-aural-pleasure.html">The challenges of</a> a modern life</td> | ||
| 86 | </tr> | ||
| 87 | <tr class="odd"> | ||
| 88 | <td style="text-align: right;">10.</td> | ||
| 89 | <td style="text-align: left;"><a href="worse-looking-over.html">Odd-numbered ponies</a></td> | ||
| 90 | <td style="text-align: right;">10.</td> | ||
| 91 | <td style="text-align: left;">Probability and the American <a href="in-bed.html">Dream</a></td> | ||
| 92 | </tr> | ||
| 93 | <tr class="even"> | ||
| 94 | <td style="text-align: right;">11.</td> | ||
| 95 | <td style="text-align: left;"><a href="sixteenth-chapel.html">Buck and Whinny in the moonlight</a></td> | ||
| 96 | <td style="text-align: right;">11.</td> | ||
| 97 | <td style="text-align: left;"><a href="deadman.html">Two friends throw dice</a></td> | ||
| 98 | </tr> | ||
| 99 | <tr class="odd"> | ||
| 100 | <td style="text-align: right;">12.</td> | ||
| 101 | <td style="text-align: left;"><a href="last-bastion.html">To die tomorrow</a></td> | ||
| 102 | <td style="text-align: right;">12.</td> | ||
| 103 | <td style="text-align: left;"><a href="seasonal-affective-disorder.html">Fears of death</a></td> | ||
| 104 | </tr> | ||
| 105 | <tr class="even"> | ||
| 106 | <td style="text-align: right;">13.</td> | ||
| 107 | <td style="text-align: left;"><a href="amber-alert.html">To be everywhere</a></td> | ||
| 108 | <td style="text-align: right;">13.</td> | ||
| 109 | <td style="text-align: left;">The <a href="boar.html">solipsist talks to God</a></td> | ||
| 110 | </tr> | ||
| 111 | <tr class="odd"> | ||
| 112 | <td style="text-align: right;">14.</td> | ||
| 113 | <td style="text-align: left;"><a href="exasperated.html">All at one time: my motto</a></td> | ||
| 114 | <td style="text-align: right;">14.</td> | ||
| 115 | <td style="text-align: left;"><a href="phone.html">A phone conversation</a> following receipt of an ill-timed love letter</td> | ||
| 116 | </tr> | ||
| 117 | <tr class="even"> | ||
| 118 | <td style="text-align: right;">15.</td> | ||
| 119 | <td style="text-align: left;"><a href="death-zone.html">Of a perfect world</a></td> | ||
| 120 | <td style="text-align: right;">15.</td> | ||
| 121 | <td style="text-align: left;">Woody Allen at <a href="one-hundred-lines.html">the horse races</a></td> | ||
| 122 | </tr> | ||
| 123 | <tr class="odd"> | ||
| 124 | <td style="text-align: right;">16.</td> | ||
| 125 | <td style="text-align: left;"><a href="big-dipper.html">This morning the sun</a></td> | ||
| 126 | <td style="text-align: right;">16.</td> | ||
| 127 | <td style="text-align: left;">Whether you say <a href="big-dipper.html">good morning</a> or good night</td> | ||
| 128 | </tr> | ||
| 129 | <tr class="even"> | ||
| 130 | <td style="text-align: right;">17.</td> | ||
| 131 | <td style="text-align: left;"><a href="poetry-time.html">Wandering through the window</a></td> | ||
| 132 | <td style="text-align: right;">17.</td> | ||
| 133 | <td style="text-align: left;">A traveler <a href="mountain.html">waiting on the mountain</a></td> | ||
| 134 | </tr> | ||
| 135 | <tr class="odd"> | ||
| 136 | <td style="text-align: right;">18.</td> | ||
| 137 | <td style="text-align: left;"><a href="moon-drowning.html">Alights on my shoulder</a></td> | ||
| 138 | <td style="text-align: right;">18.</td> | ||
| 139 | <td style="text-align: left;">The impenetrable object falls in <a href="lovesong.html">love</a></td> | ||
| 140 | </tr> | ||
| 141 | <tr class="even"> | ||
| 142 | <td style="text-align: right;"></td> | ||
| 143 | <td style="text-align: left;"></td> | ||
| 144 | <td style="text-align: right;">1.</td> | ||
| 145 | <td style="text-align: left;"><a href="music-433.html">Liquid messenger</a></td> | ||
| 146 | </tr> | ||
| 147 | <tr class="odd"> | ||
| 148 | <td style="text-align: right;"></td> | ||
| 149 | <td style="text-align: left;"></td> | ||
| 150 | <td style="text-align: right;">2.</td> | ||
| 151 | <td style="text-align: left;"><a href="riptide_memory.html">After a gate closes, dogs bark</a></td> | ||
| 152 | </tr> | ||
| 153 | <tr class="even"> | ||
| 154 | <td style="text-align: right;"></td> | ||
| 155 | <td style="text-align: left;"></td> | ||
| 156 | <td style="text-align: right;">3.</td> | ||
| 157 | <td style="text-align: left;"><a href="about-the-author.html">Finding old men at dusk</a></td> | ||
| 158 | </tr> | ||
| 159 | </tbody> | ||
| 160 | </table> | ||
| 161 | </section> | ||
| 162 | </article> | ||
| 163 | <nav> | ||
| 164 | <div class="anchors"> | ||
| 165 | <a href="backlinks/table_contents.html" id="backlinks" title="Links to this page"> | ||
| 166 | φ | ||
| 167 | </a> | ||
| 168 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 169 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 170 | </div> | ||
| 171 | |||
| 172 | |||
| 173 | <a class="nextlink" href="ouroboros_memory.html" | ||
| 174 | title="Next article in Stark Raving"> | ||
| 175 | Ouroboros of memory | ||
| 176 | </a> | ||
| 177 | <a class="nextlink" href="big-dipper.html" | ||
| 178 | title="Next article in Stark Raving"> | ||
| 179 | The Big Dipper | ||
| 180 | </a> | ||
| 181 | </nav> | ||
| 183 | 182 | ||
| 184 | |||
| 185 | </body> | 183 | </body> |
| 186 | </html> | 184 | </html> |
| diff --git a/table_contents_backlinks.htm b/table_contents_backlinks.htm deleted file mode 100644 index 90af218..0000000 --- a/table_contents_backlinks.htm +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Table of contents | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="table_contents" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Table of contents</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about.html">Autocento of the breakfast table</a></li> | ||
| 41 | <li><a href="ex-machina.html">Ex machina</a></li> | ||
| 42 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="table_contents.html" id="back-link" title="Back to article"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/tapestry.html b/tapestry.html index a879387..7c3fdbc 100644 --- a/tapestry.html +++ b/tapestry.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Tapestry | Autocento of the breakfast table</title> | 12 | <title>Tapestry | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="tapestry" class="paul"> | 23 | <body id="tapestry" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Tapestry</h1> | 28 | <h1 class="title">Tapestry</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p><em>Apparently typewriters need ribbon. Apparently ribbon is incredibly hard to find anymore because no one uses typewriters. Apparently I am writing my hymns from now on.</em> So he was back to calling his notes “hymns.” He looked up “hymns” in the dictionary. It said that a hymn was “an ode or song of praise or adoration.” Praise or adoration to what? he asked himself. He thought maybe furniture. There was still a lot of notfurniture in what he was again calling his Writing Shack.</p> | ||
| 40 | <p>The dictionary also had this to say about “hymn”: that it was possibly related to the old Greek word for “<a href="likingthings.html">weave</a>.” “<a href="roughgloves.html">Weave what</a>” Paul wondered to himself. He wrote this down on a new notecard. <em>Apparently “hymn” means weave somehow. Or it used to. Or its cousin did. What is it weaving? Who is it weaving for? I remember in school we talked about Odysseus and his wife Penelope, who wove a tapestry every day just to take it apart at night. I forget why.</em></p> | ||
| 41 | <p><em>Maybe she wove the tapestry for Odysseus. Maybe she wove it for herself. What did she weave it of? <a href="ouroboros_memory.html">Memory</a>, maybe? <a href="in-bed.html">Or dream</a>? I think these words make a kind of tapestry, or at least the thread it will be made of. I will weave a hymn to the gods of Literature, out of fiction. My furniture was a try at weaving, but I am shit at furniture. So writing it is again.</em></p> | ||
| 42 | <p>He wrote <em><strong>NOTES FOR A HYMN</strong></em> at the top of this notecard.</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="tapestry_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
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| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="phone.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Phone | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="swear.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p><em>Apparently typewriters need ribbon. Apparently ribbon is incredibly hard to find anymore because no one uses typewriters. Apparently I am writing my hymns from now on.</em> So he was back to calling his notes “hymns.” He looked up “hymns” in the dictionary. It said that a hymn was “an ode or song of praise or adoration.” Praise or adoration to what? he asked himself. He thought maybe furniture. There was still a lot of notfurniture in what he was again calling his Writing Shack.</p> |
| 60 | Swear | 39 | <p>The dictionary also had this to say about “hymn”: that it was possibly related to the old Greek word for “<a href="likingthings.html">weave</a>.” “<a href="roughgloves.html">Weave what</a>” Paul wondered to himself. He wrote this down on a new notecard. <em>Apparently “hymn” means weave somehow. Or it used to. Or its cousin did. What is it weaving? Who is it weaving for? I remember in school we talked about Odysseus and his wife Penelope, who wove a tapestry every day just to take it apart at night. I forget why.</em></p> |
| 61 | </a> | 40 | <p><em>Maybe she wove the tapestry for Odysseus. Maybe she wove it for herself. What did she weave it of? <a href="ouroboros_memory.html">Memory</a>, maybe? <a href="in-bed.html">Or dream</a>? I think these words make a kind of tapestry, or at least the thread it will be made of. I will weave a hymn to the gods of Literature, out of fiction. My furniture was a try at weaving, but I am shit at furniture. So writing it is again.</em></p> |
| 62 | 41 | <p>He wrote <em><strong>NOTES FOR A HYMN</strong></em> at the top of this notecard.</p> | |
| 63 | <a class="nextlink" href="window.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Window | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="toilet.html" | 46 | <a href="backlinks/tapestry.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Toilet | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
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| 53 | <a class="prevlink" href="phone.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Phone | ||
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| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Swear | ||
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| 62 | <a class="nextlink" href="window.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Window | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="toilet.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Toilet | ||
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| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/telemarketer.html b/telemarketer.html index f7f3c15..cb70575 100644 --- a/telemarketer.html +++ b/telemarketer.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Telemarketer | Autocento of the breakfast table</title> | 12 | <title>Telemarketer | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="telemarketer" class="elegies"> | 23 | <body id="telemarketer" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Telemarketer</h1> | 28 | <h1 class="title">Telemarketer</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical. He never had, of course, having heard when he first arrived in the city that only tourists unaccustomed to tall buildings did so. He’d never thought about it until he’d heard the social injunction against such a thing; it was now one of the things he thought about almost every day as he rode to and from work in gritty blue buses.</p> | ||
| 40 | <p>Inside the building, the constant sound of recirculating dry air made Larry feel as though he were at some beach in hell, listening to the <a href="theoceanoverflowswithcamels.html">ocean</a>, or more accurately at a gift shop in a landlocked state in hell listening to the ocean as represented by the sound a conch shell makes when he holds it up to his ear. The buzz of the fluorescent bulbs overhead sounded like the hot sun bearing down all day in this metaphor, a favorite of Larry’s.</p> | ||
| 41 | <p>His cubicle was made of that cheap, grayish-blue plywood that cubicles are made of; inside it, his computer sat on his desk as Larry liked to think an <a href="mountain.html">eagle perched</a> on a mountainous crag much like the crag that was his desktop wallpaper. The walls were unadorned except for a few tacked-up papers in <a href="reports.html">report</a> covers explaining his script. When Larry made a call to a potential customer it always went the same way:</p> | ||
| 42 | <p>“Hi, Mr/Mrs (customer’s name). My name is Larry and I’m with (client’s name), and was just wondering if I could have a minute of your time?”</p> | ||
| 43 | <p>“Oh, no, sir; I don’t want whatever it is you’re selling.” (customer terminates call).</p> | ||
| 44 | <p>Larry had only ever read the first line of the script on the wall. Sometimes he had an urge to read more of it, to be ready when a customer expressed interest in whatever it was Larry was selling, but something in him—he liked to think it was an actor’s intuition that told him it was best to improvise, though he worried it was the futility of it—kept him from reading further into the script. So when Jane said, “Sure, I have nothing better to do,” he was thrown completely off guard.</p> | ||
| 45 | <p>“Um, alright Mrs … Mrs. Loring, I was wondering—”</p> | ||
| 46 | <p>“It’s Ms, not Mrs. Em ess. Miz. No ‘r,’ Larry.” She sounded patient, as if she were used to correcting people about the particulars of her title. But how often can that happen? Larry thought, and he was suddenly deeply confused.</p> | ||
| 47 | <p>“Oh, sorry, ma’am, uh, Miz Loring, but I wanted to know whether you’d like to, ah, buy some…” Larry put his head in his hand and started twirling his hair in his finger, a nervous habit he’d had since childhood, and closed his eyes tightly. “Why don’t you have anything better to do?”</p> | ||
| 48 | <p>Immediately he knew it was the wrong question. Even before the silence on the other end moved past impatience and into stunned, Larry had a mini-drama written and staged within his mind: she would call customer service and complain loudly into the representative’s ear. The rep would send a memo to the head of telemarketing requesting disciplinary action, and the head would delegate the action to Larry’s immediate supervisor, David. David would saunter over to Larry’s cubicle sometime within the next week, depending on when he got the memo and when he felt like crossing fifty feet of office space, and have one of what David liked to call “chats” but what Larry knew were lectures. After about half an hour of “chatting” David would give Larry a warning and ask him to come in for overtime to make up for the discretion, and walk back slowly to his office, making small talk with the cubicled workers on the way. The world suddenly felt too small for Larry, or he too big for it.</p> | ||
| 49 | <p>Quietly, with the same patience but with a <a href="arspoetica.html">bigger pain</a>, Jane said, “My husband just left me and I thought you could take my mind off of him for just a minute,” and hung up.</p> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="telemarketer_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 58 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
| 60 | 32 | ||
| 61 | <a class="prevlink" href="swansong.html" | 33 | </div> |
| 62 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
| 63 | Swan song | 35 | |
| 64 | </a> | 36 | |
| 65 | 37 | <section class="content prose"> | |
| 66 | <a class="nextlink" href="weplayedthosegamestoo.html" | 38 | <p>It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical. He never had, of course, having heard when he first arrived in the city that only tourists unaccustomed to tall buildings did so. He’d never thought about it until he’d heard the social injunction against such a thing; it was now one of the things he thought about almost every day as he rode to and from work in gritty blue buses.</p> |
| 67 | title="Next article in Elegies for alternate selves"> | 39 | <p>Inside the building, the constant sound of recirculating dry air made Larry feel as though he were at some beach in hell, listening to the <a href="theoceanoverflowswithcamels.html">ocean</a>, or more accurately at a gift shop in a landlocked state in hell listening to the ocean as represented by the sound a conch shell makes when he holds it up to his ear. The buzz of the fluorescent bulbs overhead sounded like the hot sun bearing down all day in this metaphor, a favorite of Larry’s.</p> |
| 68 | We played those games too | 40 | <p>His cubicle was made of that cheap, grayish-blue plywood that cubicles are made of; inside it, his computer sat on his desk as Larry liked to think an <a href="mountain.html">eagle perched</a> on a mountainous crag much like the crag that was his desktop wallpaper. The walls were unadorned except for a few tacked-up papers in <a href="reports.html">report</a> covers explaining his script. When Larry made a call to a potential customer it always went the same way:</p> |
| 69 | </a> | 41 | <p>“Hi, Mr/Mrs (customer’s name). My name is Larry and I’m with (client’s name), and was just wondering if I could have a minute of your time?”</p> |
| 70 | </nav> | 42 | <p>“Oh, no, sir; I don’t want whatever it is you’re selling.” (customer terminates call).</p> |
| 43 | <p>Larry had only ever read the first line of the script on the wall. Sometimes he had an urge to read more of it, to be ready when a customer expressed interest in whatever it was Larry was selling, but something in him—he liked to think it was an actor’s intuition that told him it was best to improvise, though he worried it was the futility of it—kept him from reading further into the script. So when Jane said, “Sure, I have nothing better to do,” he was thrown completely off guard.</p> | ||
| 44 | <p>“Um, alright Mrs … Mrs. Loring, I was wondering—”</p> | ||
| 45 | <p>“It’s Ms, not Mrs. Em ess. Miz. No ‘r,’ Larry.” She sounded patient, as if she were used to correcting people about the particulars of her title. But how often can that happen? Larry thought, and he was suddenly deeply confused.</p> | ||
| 46 | <p>“Oh, sorry, ma’am, uh, Miz Loring, but I wanted to know whether you’d like to, ah, buy some…” Larry put his head in his hand and started twirling his hair in his finger, a nervous habit he’d had since childhood, and closed his eyes tightly. “Why don’t you have anything better to do?”</p> | ||
| 47 | <p>Immediately he knew it was the wrong question. Even before the silence on the other end moved past impatience and into stunned, Larry had a mini-drama written and staged within his mind: she would call customer service and complain loudly into the representative’s ear. The rep would send a memo to the head of telemarketing requesting disciplinary action, and the head would delegate the action to Larry’s immediate supervisor, David. David would saunter over to Larry’s cubicle sometime within the next week, depending on when he got the memo and when he felt like crossing fifty feet of office space, and have one of what David liked to call “chats” but what Larry knew were lectures. After about half an hour of “chatting” David would give Larry a warning and ask him to come in for overtime to make up for the discretion, and walk back slowly to his office, making small talk with the cubicled workers on the way. The world suddenly felt too small for Larry, or he too big for it.</p> | ||
| 48 | <p>Quietly, with the same patience but with a <a href="arspoetica.html">bigger pain</a>, Jane said, “My husband just left me and I thought you could take my mind off of him for just a minute,” and hung up.</p> | ||
| 49 | </section> | ||
| 50 | </article> | ||
| 51 | <nav> | ||
| 52 | <div class="anchors"> | ||
| 53 | <a href="backlinks/telemarketer.html" id="backlinks" title="Links to this page"> | ||
| 54 | φ | ||
| 55 | </a> | ||
| 56 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 57 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 58 | </div> | ||
| 59 | |||
| 60 | <a class="prevlink" href="swansong.html" | ||
| 61 | title="Previous article in Elegies for alternate selves"> | ||
| 62 | Swan song | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="weplayedthosegamestoo.html" | ||
| 66 | title="Next article in Elegies for alternate selves"> | ||
| 67 | We played those games too | ||
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| 71 | 70 | ||
| 72 | |||
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| diff --git a/telemarketer_backlinks.htm b/telemarketer_backlinks.htm deleted file mode 100644 index 83665fc..0000000 --- a/telemarketer_backlinks.htm +++ /dev/null | |||
| @@ -1,65 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
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| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Telemarketer | Autocento of the breakfast table</title> | ||
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| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Telemarketer</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
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| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="boar.html">The boar</a></li> | ||
| 41 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 42 | <li><a href="lappel-du-vide.html">L’appel du vide</a></li> | ||
| 43 | <li><a href="movingsideways.html">Moving Sideways</a></li> | ||
| 44 | <li><a href="notes.html">Notes</a></li> | ||
| 45 | <li><a href="phone.html">Phone</a></li> | ||
| 46 | <li><a href="table_contents.html">Table of contents</a></li> | ||
| 47 | <li><a href="writing.html">Writing</a></li> | ||
| 48 | </ul> | ||
| 49 | </section> | ||
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| 51 | <nav> | ||
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| 53 | <a href="telemarketer.html" id="back-link" title="Back to article"> | ||
| 54 | φ | ||
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| 56 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 57 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
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| diff --git a/_backlinks_template.htm b/templates/backlinks.html index c68e032..136eb4c 100644 --- a/_backlinks_template.htm +++ b/templates/backlinks.html | |||
| @@ -10,11 +10,11 @@ | |||
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>$title$ | Autocento of the breakfast table</title> | 12 | <title>$title$ | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> |
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| @@ -23,7 +23,7 @@ | |||
| 23 | $headerincludes$ | 23 | $headerincludes$ |
| 24 | $endfor$ | 24 | $endfor$ |
| 25 | </head> | 25 | </head> |
| 26 | <body id="$id$"$if(project.class)$ class="$project.class$"$endif$> | 26 | <body id="$id$-backlinks"$if(project.class)$ class="$project.class$"$endif$> |
| 27 | $for(include-before)$ $include-before$ $endfor$ | 27 | $for(include-before)$ $include-before$ $endfor$ |
| 28 | 28 | ||
| 29 | <article class="container"> | 29 | <article class="container"> |
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| 97 | </article> | 97 | </article> |
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| 100 | <a href="$id$.html" id="back-link" title="Back to article"> | 100 | <a href="../$id$.html" id="backlinks" title="Links to this page"> |
| 101 | φ | 101 | φ |
| 102 | </a> | 102 | </a> |
| 103 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 103 | <a href="../index.html" id="coverlink" title="To cover">◊</a> |
| 104 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 104 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 105 | </div> | 105 | </div> |
| 106 | 106 | ||
| 107 | $for(project.prev)$ | 107 | $for(project.prev)$ |
| diff --git a/templates/page.html b/templates/page.html new file mode 100644 index 0000000..dda13e1 --- /dev/null +++ b/templates/page.html | |||
| @@ -0,0 +1,128 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
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| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | $for(header-includes)$ | ||
| 23 | $headerincludes$ | ||
| 24 | $endfor$ | ||
| 25 | </head> | ||
| 26 | <body id="$id$"$if(project.class)$ class="$project.class$"$endif$> | ||
| 27 | $for(include-before)$ | ||
| 28 | $include-before$ | ||
| 29 | $endfor$ | ||
| 30 | |||
| 31 | <article class="container"> | ||
| 32 | <header> | ||
| 33 | <!-- title --> | ||
| 34 | $if(title)$<h1 class="title">$title$</h1>$endif$ | ||
| 35 | $if(subtitle)$<h1 class="subtitle">$subtitle$</h1>$endif$ | ||
| 36 | |||
| 37 | <div class="header-extra"> | ||
| 38 | $if(dedication)$ | ||
| 39 | <!-- dedication --> | ||
| 40 | <div class="dedication">$dedication$</div> | ||
| 41 | $endif$ | ||
| 42 | |||
| 43 | $if(epigraph.content)$ | ||
| 44 | <!-- epigraph --> | ||
| 45 | <div class="epigraph"> | ||
| 46 | $if(epigraph.link)$ | ||
| 47 | <a href="$epigraph.link$">$epigraph.content$</a> | ||
| 48 | $else$ | ||
| 49 | $epigraph.content$ | ||
| 50 | $endif$ | ||
| 51 | |||
| 52 | $if(epigraph.attrib)$ | ||
| 53 | <div class="attrib">$epigraph.attrib$</div> | ||
| 54 | $endif$ | ||
| 55 | </div> | ||
| 56 | $endif$ | ||
| 57 | </div> | ||
| 58 | </header> | ||
| 59 | |||
| 60 | $if(ekphrastic.image)$ | ||
| 61 | <div class="ekphrastic"> | ||
| 62 | $if(ekphrastic.link)$ | ||
| 63 | <a href="$ekphrastic.link$"> | ||
| 64 | <img src="trunk/$ekphrastic.image$" | ||
| 65 | $if(ekphrastic.title)$ | ||
| 66 | title="$ekphrastic.title$" | ||
| 67 | $endif$ | ||
| 68 | $if(ekphrastic.alt)$ | ||
| 69 | alt="$ekphrastic.alt$" | ||
| 70 | $else$ | ||
| 71 | alt="$ekphrastic.title$" | ||
| 72 | $endif$ | ||
| 73 | $if(ekphrastic.class)$ | ||
| 74 | class="$ekphrastic.class$" | ||
| 75 | $endif$ | ||
| 76 | /> | ||
| 77 | </a> | ||
| 78 | $else$ | ||
| 79 | <img src="trunk/$ekphrastic.image$" | ||
| 80 | $if(ekphrastic.title)$ | ||
| 81 | title="$ekphrastic.title$" | ||
| 82 | $endif$ | ||
| 83 | $if(ekphrastic.alt)$ | ||
| 84 | alt="$ekphrastic.alt$" | ||
| 85 | $else$ | ||
| 86 | alt="$ekphrastic.title$" | ||
| 87 | $endif$ | ||
| 88 | $if(ekphrastic.class)$ | ||
| 89 | class="$ekphrastic.class$" | ||
| 90 | $endif$ | ||
| 91 | /> | ||
| 92 | $endif$ | ||
| 93 | </div> | ||
| 94 | $endif$ | ||
| 95 | |||
| 96 | <section class="content $genre$"> | ||
| 97 | $body$ | ||
| 98 | </section> | ||
| 99 | </article> | ||
| 100 | <nav> | ||
| 101 | <div class="anchors"> | ||
| 102 | <a href="backlinks/$id$.html" id="backlinks" title="Links to this page"> | ||
| 103 | φ | ||
| 104 | </a> | ||
| 105 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 106 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 107 | </div> | ||
| 108 | |||
| 109 | $for(project.prev)$ | ||
| 110 | <a class="prevlink" href="$project.prev.link$.html" | ||
| 111 | title="Previous article$if(project.title)$ in $project.title$$endif$"> | ||
| 112 | $project.prev.title$ | ||
| 113 | </a> | ||
| 114 | $endfor$ | ||
| 115 | |||
| 116 | $for(project.next)$ | ||
| 117 | <a class="nextlink" href="$project.next.link$.html" | ||
| 118 | title="Next article$if(project.title)$ in $project.title$$endif$"> | ||
| 119 | $project.next.title$ | ||
| 120 | </a> | ||
| 121 | $endfor$ | ||
| 122 | </nav> | ||
| 123 | |||
| 124 | $for(include-after)$ | ||
| 125 | $include-after$ | ||
| 126 | $endfor$ | ||
| 127 | </body> | ||
| 128 | </html> | ||
| diff --git a/about-the-author.txt b/text/about-the-author.txt index 91e90a5..91e90a5 100644 --- a/about-the-author.txt +++ b/text/about-the-author.txt | |||
| diff --git a/about.txt b/text/about.txt index 86ebd2a..0ebc369 100644 --- a/about.txt +++ b/text/about.txt | |||
| @@ -132,6 +132,10 @@ As I've compiled them into this project, I've linked them together based on comm | |||
| 132 | What I hope to have accomplished with this hypertext is an approximation of my self as it's evolved, but [all at one time][]. | 132 | What I hope to have accomplished with this hypertext is an approximation of my self as it's evolved, but [all at one time][]. |
| 133 | Ultimately, _Autocento of the breakfast table_ is a [long-exposure photograph][] of my mind. | 133 | Ultimately, _Autocento of the breakfast table_ is a [long-exposure photograph][] of my mind. |
| 134 | 134 | ||
| 135 | [elegies-link]: elegyforanalternateself.html | ||
| 136 | [hez-link]: prelude.html | ||
| 137 | [stark-link]: table_contents.html | ||
| 138 | [paul-link]: art.html | ||
| 135 | [new poems]: last-passenger.html | 139 | [new poems]: last-passenger.html |
| 136 | [long-exposure photograph]: building.html | 140 | [long-exposure photograph]: building.html |
| 137 | [all at one time]: https://www.youtube.com/watch?v=oJjcF2DmFFY | 141 | [all at one time]: https://www.youtube.com/watch?v=oJjcF2DmFFY |
| @@ -159,12 +163,12 @@ A text written with markup can then be passed to a compiler, such as John Gruber | |||
| 159 | As an example, here's the previous paragraph as I typed it: | 163 | As an example, here's the previous paragraph as I typed it: |
| 160 | 164 | ||
| 161 | ~~~markdown | 165 | ~~~markdown |
| 162 | First, I typed all of the objects present into a human-readable markup | 166 | First, I typed all of the objects present into a human-readable markup format |
| 163 | format called [Markdown][] by John Gruber, using a plain-text editor called | 167 | called [Markdown][] by John Gruber, using a plain-text editor called [Vim][]. |
| 164 | [Vim][].[^5] Markdown is a plain-text format that uses unobtrusive mark-up to | 168 | [^5] Markdown is a plain-text format that uses unobtrusive mark-up to signal |
| 165 | signal semantic meaning around a text. A text written with markup can then be | 169 | semantic meaning around a text. A text written with markup can then be passed |
| 166 | passed to a compiler, such as John Gruber's original Markdown.pl script, to | 170 | to a compiler, such as John Gruber's original Markdown.pl script, to turn it |
| 167 | turn it into functioning HTML for viewing in a browser. | 171 | into functioning HTML for viewing in a browser. |
| 168 | 172 | ||
| 169 | [Markdown]: http://daringfireball.net/projects/markdown/ | 173 | [Markdown]: http://daringfireball.net/projects/markdown/ |
| 170 | [Vim]: http://www.vim.org | 174 | [Vim]: http://www.vim.org |
| @@ -177,12 +181,29 @@ turn it into functioning HTML for viewing in a browser. | |||
| 177 | And here it is as a compiled HTML file: | 181 | And here it is as a compiled HTML file: |
| 178 | 182 | ||
| 179 | ~~~html | 183 | ~~~html |
| 180 | <p>First, I typed all of the objects present into a human-readable markup format called <a href="http://daringfireball.net/projects/markdown/">Markdown</a> by John Gruber, using a plain-text editor called <a href="http://www.vim.org">Vim</a>.<a href="#fn1" class="footnoteRef" id="fnref1"><sup>1</sup></a> Markdown is a plain-text format that uses unobtrusive mark-up to signal semantic meaning around a text. A text written with markup can then be passed to a compiler, such as John Gruber's original Markdown.pl script, to turn it into functioning HTML for viewing in a browser.</p> | 184 | <p> |
| 185 | First, I typed all of the objects present into a human-readable markup format | ||
| 186 | called <a href="http://daringfireball.net/projects/markdown/">Markdown</a> | ||
| 187 | by John Gruber, using a plain-text editor called <a href="http://www.vim.org"> | ||
| 188 | Vim</a>. <a href="#fn1" class="footnoteRef" id="fnref1"> <sup>1</sup></a> | ||
| 189 | Markdown is a plain-text format that uses unobtrusive mark-up to signal | ||
| 190 | semantic meaning around a text. A text written with markup can then be passed | ||
| 191 | to a compiler, such as John Gruber's original Markdown.pl script, to turn it | ||
| 192 | into functioning HTML for viewing in a browser. | ||
| 193 | </p> | ||
| 194 | |||
| 181 | <section class="footnotes"> | 195 | <section class="footnotes"> |
| 182 | <hr /> | 196 | <hr /> |
| 183 | <ol> | 197 | <ol> |
| 184 | <li id="fn1"><p>I could've used any text editor for the composition step, including Notepad, but I personally like Vim for its extensibility, composability, and honestly its colorschemes.<a href="#fnref1">↩</a></p></li> | 198 | <li id="fn1"> |
| 185 | </ol> | 199 | <p> |
| 200 | I could've used any text editor for the composition step, including | ||
| 201 | Notepad, but I personally like Vim for its extensibility, composability, | ||
| 202 | and honestly its colorschemes. | ||
| 203 | <a href="#fnref1">↩</a> | ||
| 204 | </p> | ||
| 205 | </li> | ||
| 206 | </ol> | ||
| 186 | </section> | 207 | </section> |
| 187 | ~~~ | 208 | ~~~ |
| 188 | 209 | ||
| @@ -230,6 +251,8 @@ Although `git` and the other tools I use were developed or are mostly used by pr | |||
| 230 | I use open-source, or libre, tools like `vim`, `pandoc`, and `make` because information should be free. | 251 | I use open-source, or libre, tools like `vim`, `pandoc`, and `make` because information should be free. |
| 231 | This is also the reason why I'm releasing _Autocento of the breakfast table_ under a Creative Commons [license][]. | 252 | This is also the reason why I'm releasing _Autocento of the breakfast table_ under a Creative Commons [license][]. |
| 232 | 253 | ||
| 254 | [And]: and.html | ||
| 255 | [old-and]: https://github.com/duckwork/autocento/commit/61baf210a9d0d4fffcd82751ba3419dd2feb349d#diff-8814290de165531212020a537e341e44 | ||
| 233 | [license]: license.html | 256 | [license]: license.html |
| 234 | 257 | ||
| 235 | ## _Autocento of the breakfast table_ and you | 258 | ## _Autocento of the breakfast table_ and you |
| @@ -254,7 +277,9 @@ But if you find yourself lost as in a funhouse maze, looping around and around t | |||
| 254 | 277 | ||
| 255 | ### Contact me | 278 | ### Contact me |
| 256 | 279 | ||
| 257 | If you'd like to contact me about the state of this work, its history, or its future; or about my writing in general, email me at [case dot duckworth plus autocento at gmail dot com][]. | 280 | If you'd like to contact me about the state of this work, its history, or its future; or about my writing in general, email me at [case dot duckworth plus autocento at gmail dot com][email]. |
| 281 | |||
| 282 | [email]: mailto:case.duckworth+autocento@gmail.com | ||
| 258 | 283 | ||
| 259 | [^1]: Which apparently, though not really surprisingly given the nature of the Internet, has its roots in [this][born-blog] blog post. | 284 | [^1]: Which apparently, though not really surprisingly given the nature of the Internet, has its roots in [this][born-blog] blog post. |
| 260 | 285 | ||
| diff --git a/about_author.txt b/text/about_author.txt index 4b6c42f..4b6c42f 100644 --- a/about_author.txt +++ b/text/about_author.txt | |||
| diff --git a/abstract.txt b/text/abstract.txt index ea30fbb..ea30fbb 100644 --- a/abstract.txt +++ b/text/abstract.txt | |||
| diff --git a/amber-alert.txt b/text/amber-alert.txt index 305aec4..305aec4 100644 --- a/amber-alert.txt +++ b/text/amber-alert.txt | |||
| diff --git a/and.txt b/text/and.txt index 718b3fc..b673dc7 100644 --- a/and.txt +++ b/text/and.txt | |||
| @@ -15,7 +15,7 @@ epigraph: | |||
| 15 | 15 | ||
| 16 | project: | 16 | project: |
| 17 | title: Elegies for alternate selves | 17 | title: Elegies for alternate selves |
| 18 | css: elegies | 18 | class: elegies |
| 19 | order: 3 | 19 | order: 3 |
| 20 | next: | 20 | next: |
| 21 | - title: Words and meaning | 21 | - title: Words and meaning |
| diff --git a/angeltoabraham.txt b/text/angeltoabraham.txt index aec33ce..aec33ce 100644 --- a/angeltoabraham.txt +++ b/text/angeltoabraham.txt | |||
| diff --git a/apollo11.txt b/text/apollo11.txt index f07dec2..f07dec2 100644 --- a/apollo11.txt +++ b/text/apollo11.txt | |||
| diff --git a/arspoetica.txt b/text/arspoetica.txt index 2ca9033..2ca9033 100644 --- a/arspoetica.txt +++ b/text/arspoetica.txt | |||
| diff --git a/art.txt b/text/art.txt index 4571fcc..4571fcc 100644 --- a/art.txt +++ b/text/art.txt | |||
| diff --git a/axe.txt b/text/axe.txt index d53d58e..d53d58e 100644 --- a/axe.txt +++ b/text/axe.txt | |||
| diff --git a/big-dipper.txt b/text/big-dipper.txt index bd3423e..bd3423e 100644 --- a/big-dipper.txt +++ b/text/big-dipper.txt | |||
| diff --git a/boar.txt b/text/boar.txt index 70e199b..70e199b 100644 --- a/boar.txt +++ b/text/boar.txt | |||
| diff --git a/boy_bus.txt b/text/boy_bus.txt index b8e1dd5..b8e1dd5 100644 --- a/boy_bus.txt +++ b/text/boy_bus.txt | |||
| diff --git a/building.txt b/text/building.txt index 64e69b9..64e69b9 100644 --- a/building.txt +++ b/text/building.txt | |||
| diff --git a/call-me-aural-pleasure.txt b/text/call-me-aural-pleasure.txt index d17127d..d17127d 100644 --- a/call-me-aural-pleasure.txt +++ b/text/call-me-aural-pleasure.txt | |||
| diff --git a/cereal.txt b/text/cereal.txt index c12f561..c12f561 100644 --- a/cereal.txt +++ b/text/cereal.txt | |||
| diff --git a/cold-wind.txt b/text/cold-wind.txt index a0ab094..a0ab094 100644 --- a/cold-wind.txt +++ b/text/cold-wind.txt | |||
| diff --git a/collage-instrument.txt b/text/collage-instrument.txt index d39ad08..d39ad08 100644 --- a/collage-instrument.txt +++ b/text/collage-instrument.txt | |||
| diff --git a/creation-myth.txt b/text/creation-myth.txt index 6524193..6524193 100644 --- a/creation-myth.txt +++ b/text/creation-myth.txt | |||
| diff --git a/deadman.txt b/text/deadman.txt index e860ba3..e860ba3 100644 --- a/deadman.txt +++ b/text/deadman.txt | |||
| diff --git a/death-zone.txt b/text/death-zone.txt index 8087130..8087130 100644 --- a/death-zone.txt +++ b/text/death-zone.txt | |||
| diff --git a/deathstrumpet.txt b/text/deathstrumpet.txt index 8e53d15..8e53d15 100644 --- a/deathstrumpet.txt +++ b/text/deathstrumpet.txt | |||
| diff --git a/dollywood.txt b/text/dollywood.txt index 2408f5d..2408f5d 100644 --- a/dollywood.txt +++ b/text/dollywood.txt | |||
| diff --git a/dream.txt b/text/dream.txt index 14fdb3f..14fdb3f 100644 --- a/dream.txt +++ b/text/dream.txt | |||
| diff --git a/early.txt b/text/early.txt index 38ddbcd..38ddbcd 100644 --- a/early.txt +++ b/text/early.txt | |||
| diff --git a/elegyforanalternateself.txt b/text/elegyforanalternateself.txt index 4ea61d9..4ea61d9 100644 --- a/elegyforanalternateself.txt +++ b/text/elegyforanalternateself.txt | |||
| diff --git a/epigraph.txt b/text/epigraph.txt index 2dc2c13..2dc2c13 100644 --- a/epigraph.txt +++ b/text/epigraph.txt | |||
| diff --git a/ex-machina.txt b/text/ex-machina.txt index 70f879e..70f879e 100644 --- a/ex-machina.txt +++ b/text/ex-machina.txt | |||
| diff --git a/exasperated.txt b/text/exasperated.txt index 81fdc7a..81fdc7a 100644 --- a/exasperated.txt +++ b/text/exasperated.txt | |||
| diff --git a/father.txt b/text/father.txt index 71103be..71103be 100644 --- a/father.txt +++ b/text/father.txt | |||
| diff --git a/feedingtheraven.txt b/text/feedingtheraven.txt index bded466..bded466 100644 --- a/feedingtheraven.txt +++ b/text/feedingtheraven.txt | |||
| diff --git a/finding-the-lion.txt b/text/finding-the-lion.txt index c34af84..c34af84 100644 --- a/finding-the-lion.txt +++ b/text/finding-the-lion.txt | |||
| diff --git a/fire.txt b/text/fire.txt index 1bd70e0..1bd70e0 100644 --- a/fire.txt +++ b/text/fire.txt | |||
| diff --git a/found-typewriter-poem.txt b/text/found-typewriter-poem.txt index 2d45a1a..2d45a1a 100644 --- a/found-typewriter-poem.txt +++ b/text/found-typewriter-poem.txt | |||
| diff --git a/hands.txt b/text/hands.txt index 9a79aeb..9a79aeb 100644 --- a/hands.txt +++ b/text/hands.txt | |||
| diff --git a/hard-game.txt b/text/hard-game.txt index 4a2aab5..4a2aab5 100644 --- a/hard-game.txt +++ b/text/hard-game.txt | |||
| diff --git a/hardware.txt b/text/hardware.txt index d403d30..d403d30 100644 --- a/hardware.txt +++ b/text/hardware.txt | |||
| diff --git a/howithappened.txt b/text/howithappened.txt index 2fd39fe..2fd39fe 100644 --- a/howithappened.txt +++ b/text/howithappened.txt | |||
| diff --git a/howtoread.txt b/text/howtoread.txt index d03b1b2..d03b1b2 100644 --- a/howtoread.txt +++ b/text/howtoread.txt | |||
| diff --git a/hymnal.txt b/text/hymnal.txt index 5978cd5..5978cd5 100644 --- a/hymnal.txt +++ b/text/hymnal.txt | |||
| diff --git a/i-am.txt b/text/i-am.txt index 5540ff2..5540ff2 100644 --- a/i-am.txt +++ b/text/i-am.txt | |||
| diff --git a/i-think-its-you.txt b/text/i-think-its-you.txt index 83af30d..83af30d 100644 --- a/i-think-its-you.txt +++ b/text/i-think-its-you.txt | |||
| diff --git a/i-want-to-say.txt b/text/i-want-to-say.txt index 3df48af..3df48af 100644 --- a/i-want-to-say.txt +++ b/text/i-want-to-say.txt | |||
| diff --git a/i-wanted-to-tell-you-something.txt b/text/i-wanted-to-tell-you-something.txt index c9e4964..c9e4964 100644 --- a/i-wanted-to-tell-you-something.txt +++ b/text/i-wanted-to-tell-you-something.txt | |||
| diff --git a/in-bed.txt b/text/in-bed.txt index b7be002..b7be002 100644 --- a/in-bed.txt +++ b/text/in-bed.txt | |||
| diff --git a/initial-conditions.txt b/text/initial-conditions.txt index 5ee00b9..5ee00b9 100644 --- a/initial-conditions.txt +++ b/text/initial-conditions.txt | |||
| diff --git a/january.txt b/text/january.txt index 385d944..385d944 100644 --- a/january.txt +++ b/text/january.txt | |||
| diff --git a/joke.txt b/text/joke.txt index 991d9b6..991d9b6 100644 --- a/joke.txt +++ b/text/joke.txt | |||
| diff --git a/lappel-du-vide.txt b/text/lappel-du-vide.txt index 67faae8..67faae8 100644 --- a/lappel-du-vide.txt +++ b/text/lappel-du-vide.txt | |||
| diff --git a/largest-asteroid.txt b/text/largest-asteroid.txt index aaf4ed9..aaf4ed9 100644 --- a/largest-asteroid.txt +++ b/text/largest-asteroid.txt | |||
| diff --git a/last-bastion.txt b/text/last-bastion.txt index 887f089..887f089 100644 --- a/last-bastion.txt +++ b/text/last-bastion.txt | |||
| diff --git a/last-passenger.txt b/text/last-passenger.txt index a7157f3..a7157f3 100644 --- a/last-passenger.txt +++ b/text/last-passenger.txt | |||
| diff --git a/leaf.txt b/text/leaf.txt index 9251278..9251278 100644 --- a/leaf.txt +++ b/text/leaf.txt | |||
| diff --git a/leg.txt b/text/leg.txt index 339e71b..339e71b 100644 --- a/leg.txt +++ b/text/leg.txt | |||
| diff --git a/likingthings.txt b/text/likingthings.txt index a7578ad..a7578ad 100644 --- a/likingthings.txt +++ b/text/likingthings.txt | |||
| diff --git a/listen.txt b/text/listen.txt index 6dbc53e..6dbc53e 100644 --- a/listen.txt +++ b/text/listen.txt | |||
| diff --git a/love-as-god.txt b/text/love-as-god.txt index 0eecee7..0eecee7 100644 --- a/love-as-god.txt +++ b/text/love-as-god.txt | |||
| diff --git a/lovesong.txt b/text/lovesong.txt index 15970bd..15970bd 100644 --- a/lovesong.txt +++ b/text/lovesong.txt | |||
| diff --git a/man.txt b/text/man.txt index eff160b..eff160b 100644 --- a/man.txt +++ b/text/man.txt | |||
| diff --git a/manifesto_poetics.txt b/text/manifesto_poetics.txt index 5b5181e..5b5181e 100644 --- a/manifesto_poetics.txt +++ b/text/manifesto_poetics.txt | |||
| diff --git a/moon-drowning.txt b/text/moon-drowning.txt index a5ce50c..a5ce50c 100644 --- a/moon-drowning.txt +++ b/text/moon-drowning.txt | |||
| diff --git a/moongone.txt b/text/moongone.txt index 88302d5..88302d5 100644 --- a/moongone.txt +++ b/text/moongone.txt | |||
| diff --git a/mountain.txt b/text/mountain.txt index 28a0882..28a0882 100644 --- a/mountain.txt +++ b/text/mountain.txt | |||
| diff --git a/movingsideways.txt b/text/movingsideways.txt index dc56c57..dc56c57 100644 --- a/movingsideways.txt +++ b/text/movingsideways.txt | |||
| diff --git a/music-433.txt b/text/music-433.txt index 82eed21..82eed21 100644 --- a/music-433.txt +++ b/text/music-433.txt | |||
| diff --git a/no-nothing.txt b/text/no-nothing.txt index 459e717..459e717 100644 --- a/no-nothing.txt +++ b/text/no-nothing.txt | |||
| diff --git a/notes.txt b/text/notes.txt index a14e53b..a14e53b 100644 --- a/notes.txt +++ b/text/notes.txt | |||
| diff --git a/nothing-is-ever-over.txt b/text/nothing-is-ever-over.txt index f2f1a25..f2f1a25 100644 --- a/nothing-is-ever-over.txt +++ b/text/nothing-is-ever-over.txt | |||
| diff --git a/on-genre-dimension.txt b/text/on-genre-dimension.txt index 65d305d..65d305d 100644 --- a/on-genre-dimension.txt +++ b/text/on-genre-dimension.txt | |||
| diff --git a/one-hundred-lines.txt b/text/one-hundred-lines.txt index 758a1e1..758a1e1 100644 --- a/one-hundred-lines.txt +++ b/text/one-hundred-lines.txt | |||
| diff --git a/onformalpoetry.txt b/text/onformalpoetry.txt index f8acacd..f8acacd 100644 --- a/onformalpoetry.txt +++ b/text/onformalpoetry.txt | |||
| diff --git a/options.txt b/text/options.txt index 2c051fe..2c051fe 100644 --- a/options.txt +++ b/text/options.txt | |||
| diff --git a/ouroboros_memory.txt b/text/ouroboros_memory.txt index e1529ca..e1529ca 100644 --- a/ouroboros_memory.txt +++ b/text/ouroboros_memory.txt | |||
| diff --git a/paul.txt b/text/paul.txt index 54b45ef..54b45ef 100644 --- a/paul.txt +++ b/text/paul.txt | |||
| diff --git a/peaches.txt b/text/peaches.txt index 81c37a2..81c37a2 100644 --- a/peaches.txt +++ b/text/peaches.txt | |||
| diff --git a/philosophy.txt b/text/philosophy.txt index 1ff2039..1ff2039 100644 --- a/philosophy.txt +++ b/text/philosophy.txt | |||
| diff --git a/phone.txt b/text/phone.txt index 3058ae9..3058ae9 100644 --- a/phone.txt +++ b/text/phone.txt | |||
| diff --git a/planks.txt b/text/planks.txt index 0b5a54d..0b5a54d 100644 --- a/planks.txt +++ b/text/planks.txt | |||
| diff --git a/plant.txt b/text/plant.txt index 61c706f..61c706f 100644 --- a/plant.txt +++ b/text/plant.txt | |||
| diff --git a/poetry-time.txt b/text/poetry-time.txt index 3dea687..3dea687 100644 --- a/poetry-time.txt +++ b/text/poetry-time.txt | |||
| diff --git a/prelude.txt b/text/prelude.txt index 03165bb..03165bb 100644 --- a/prelude.txt +++ b/text/prelude.txt | |||
| diff --git a/problems.txt b/text/problems.txt index 191016d..191016d 100644 --- a/problems.txt +++ b/text/problems.txt | |||
| diff --git a/process.txt b/text/process.txt index 955f0f3..955f0f3 100644 --- a/process.txt +++ b/text/process.txt | |||
| diff --git a/proverbs.txt b/text/proverbs.txt index 4f0e508..4f0e508 100644 --- a/proverbs.txt +++ b/text/proverbs.txt | |||
| diff --git a/punch.txt b/text/punch.txt index 9b318f8..9b318f8 100644 --- a/punch.txt +++ b/text/punch.txt | |||
| diff --git a/purpose-dogs.txt b/text/purpose-dogs.txt index 53ac2b0..53ac2b0 100644 --- a/purpose-dogs.txt +++ b/text/purpose-dogs.txt | |||
| diff --git a/question.txt b/text/question.txt index 4f02258..4f02258 100644 --- a/question.txt +++ b/text/question.txt | |||
| diff --git a/real-writer.txt b/text/real-writer.txt index cb204df..cb204df 100644 --- a/real-writer.txt +++ b/text/real-writer.txt | |||
| diff --git a/reports.txt b/text/reports.txt index 19d26cf..19d26cf 100644 --- a/reports.txt +++ b/text/reports.txt | |||
| diff --git a/riptide_memory.txt b/text/riptide_memory.txt index 177a586..177a586 100644 --- a/riptide_memory.txt +++ b/text/riptide_memory.txt | |||
| diff --git a/ronaldmcdonald.txt b/text/ronaldmcdonald.txt index 87b57c1..87b57c1 100644 --- a/ronaldmcdonald.txt +++ b/text/ronaldmcdonald.txt | |||
| diff --git a/roughgloves.txt b/text/roughgloves.txt index ebe32b8..ebe32b8 100644 --- a/roughgloves.txt +++ b/text/roughgloves.txt | |||
| diff --git a/sapling.txt b/text/sapling.txt index 29c4c8a..29c4c8a 100644 --- a/sapling.txt +++ b/text/sapling.txt | |||
| diff --git a/seasonal-affective-disorder.txt b/text/seasonal-affective-disorder.txt index d997e91..d997e91 100644 --- a/seasonal-affective-disorder.txt +++ b/text/seasonal-affective-disorder.txt | |||
| diff --git a/sense-of-it.txt b/text/sense-of-it.txt index b0868f8..b0868f8 100644 --- a/sense-of-it.txt +++ b/text/sense-of-it.txt | |||
| diff --git a/serengeti.txt b/text/serengeti.txt index 14ad409..14ad409 100644 --- a/serengeti.txt +++ b/text/serengeti.txt | |||
| diff --git a/shed.txt b/text/shed.txt index 832291d..832291d 100644 --- a/shed.txt +++ b/text/shed.txt | |||
| diff --git a/shipwright.txt b/text/shipwright.txt index 4fe3500..4fe3500 100644 --- a/shipwright.txt +++ b/text/shipwright.txt | |||
| diff --git a/sixteenth-chapel.txt b/text/sixteenth-chapel.txt index 179765c..179765c 100644 --- a/sixteenth-chapel.txt +++ b/text/sixteenth-chapel.txt | |||
| diff --git a/snow.txt b/text/snow.txt index a565778..a565778 100644 --- a/snow.txt +++ b/text/snow.txt | |||
| diff --git a/something-simple.txt b/text/something-simple.txt index 1c5f328..1c5f328 100644 --- a/something-simple.txt +++ b/text/something-simple.txt | |||
| diff --git a/spittle.txt b/text/spittle.txt index 9251580..9251580 100644 --- a/spittle.txt +++ b/text/spittle.txt | |||
| diff --git a/squirrel.txt b/text/squirrel.txt index 25ab46e..25ab46e 100644 --- a/squirrel.txt +++ b/text/squirrel.txt | |||
| diff --git a/stagnant.txt b/text/stagnant.txt index 0ff676b..0ff676b 100644 --- a/stagnant.txt +++ b/text/stagnant.txt | |||
| diff --git a/statements-frag.txt b/text/statements-frag.txt index eae6f8f..eae6f8f 100644 --- a/statements-frag.txt +++ b/text/statements-frag.txt | |||
| diff --git a/stayed-on-the-bus.txt b/text/stayed-on-the-bus.txt index 9e69491..9e69491 100644 --- a/stayed-on-the-bus.txt +++ b/text/stayed-on-the-bus.txt | |||
| diff --git a/stump.txt b/text/stump.txt index 7f4e4fd..7f4e4fd 100644 --- a/stump.txt +++ b/text/stump.txt | |||
| diff --git a/swansong-alt.txt b/text/swansong-alt.txt index 523d937..523d937 100644 --- a/swansong-alt.txt +++ b/text/swansong-alt.txt | |||
| diff --git a/swansong.txt b/text/swansong.txt index feae305..feae305 100644 --- a/swansong.txt +++ b/text/swansong.txt | |||
| diff --git a/swear.txt b/text/swear.txt index cfecab3..cfecab3 100644 --- a/swear.txt +++ b/text/swear.txt | |||
| diff --git a/table_contents.txt b/text/table_contents.txt index b239979..b239979 100644 --- a/table_contents.txt +++ b/text/table_contents.txt | |||
| diff --git a/tapestry.txt b/text/tapestry.txt index e621d90..e621d90 100644 --- a/tapestry.txt +++ b/text/tapestry.txt | |||
| diff --git a/telemarketer.txt b/text/telemarketer.txt index 64f0dd2..64f0dd2 100644 --- a/telemarketer.txt +++ b/text/telemarketer.txt | |||
| diff --git a/the-night-we-met.txt b/text/the-night-we-met.txt index aa6d89c..aa6d89c 100644 --- a/the-night-we-met.txt +++ b/text/the-night-we-met.txt | |||
| diff --git a/the-sea_the-beach.txt b/text/the-sea_the-beach.txt index ef295dd..ef295dd 100644 --- a/the-sea_the-beach.txt +++ b/text/the-sea_the-beach.txt | |||
| diff --git a/theoceanoverflowswithcamels.txt b/text/theoceanoverflowswithcamels.txt index 451d652..451d652 100644 --- a/theoceanoverflowswithcamels.txt +++ b/text/theoceanoverflowswithcamels.txt | |||
| diff --git a/time-looks-up-to-the-sky.txt b/text/time-looks-up-to-the-sky.txt index fa21d0a..fa21d0a 100644 --- a/time-looks-up-to-the-sky.txt +++ b/text/time-looks-up-to-the-sky.txt | |||
| diff --git a/todaniel.txt b/text/todaniel.txt index d8e5788..d8e5788 100644 --- a/todaniel.txt +++ b/text/todaniel.txt | |||
| diff --git a/toilet.txt b/text/toilet.txt index 29bea22..29bea22 100644 --- a/toilet.txt +++ b/text/toilet.txt | |||
| diff --git a/toothpaste.txt b/text/toothpaste.txt index 3803496..3803496 100644 --- a/toothpaste.txt +++ b/text/toothpaste.txt | |||
| diff --git a/treatise.txt b/text/treatise.txt index 54c2c2c..54c2c2c 100644 --- a/treatise.txt +++ b/text/treatise.txt | |||
| diff --git a/underwear.txt b/text/underwear.txt index be60ebe..be60ebe 100644 --- a/underwear.txt +++ b/text/underwear.txt | |||
| diff --git a/walking-in-the-rain.txt b/text/walking-in-the-rain.txt index e8b3287..e8b3287 100644 --- a/walking-in-the-rain.txt +++ b/text/walking-in-the-rain.txt | |||
| diff --git a/wallpaper.txt b/text/wallpaper.txt index 364e166..364e166 100644 --- a/wallpaper.txt +++ b/text/wallpaper.txt | |||
| diff --git a/weplayedthosegamestoo.txt b/text/weplayedthosegamestoo.txt index a96dd98..a96dd98 100644 --- a/weplayedthosegamestoo.txt +++ b/text/weplayedthosegamestoo.txt | |||
| diff --git a/what-we-are-made-of.txt b/text/what-we-are-made-of.txt index 2bbceef..2bbceef 100644 --- a/what-we-are-made-of.txt +++ b/text/what-we-are-made-of.txt | |||
| diff --git a/when-im-sorry-i.txt b/text/when-im-sorry-i.txt index aaf7f30..aaf7f30 100644 --- a/when-im-sorry-i.txt +++ b/text/when-im-sorry-i.txt | |||
| diff --git a/window.txt b/text/window.txt index bf4b2aa..bf4b2aa 100644 --- a/window.txt +++ b/text/window.txt | |||
| diff --git a/words-irritable-reaching.txt b/text/words-irritable-reaching.txt index 07b5ef9..07b5ef9 100644 --- a/words-irritable-reaching.txt +++ b/text/words-irritable-reaching.txt | |||
| diff --git a/words-meaning.txt b/text/words-meaning.txt index 06747a1..06747a1 100644 --- a/words-meaning.txt +++ b/text/words-meaning.txt | |||
| diff --git a/worse-looking-over.txt b/text/worse-looking-over.txt index 08a32db..08a32db 100644 --- a/worse-looking-over.txt +++ b/text/worse-looking-over.txt | |||
| diff --git a/writing.txt b/text/writing.txt index 12381ab..12381ab 100644 --- a/writing.txt +++ b/text/writing.txt | |||
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| diff --git a/yellow.txt b/text/yellow.txt index 7b7dcdb..7b7dcdb 100644 --- a/yellow.txt +++ b/text/yellow.txt | |||
| diff --git a/the-night-we-met.html b/the-night-we-met.html index 20f27a1..bb7141b 100644 --- a/the-night-we-met.html +++ b/the-night-we-met.html | |||
| @@ -4,57 +4,55 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
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| 12 | <title>The night we met, I was out of my mind | Autocento of the breakfast table</title> | 12 | <title>The night we met, I was out of my mind | Autocento of the breakfast table</title> |
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| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">The night we met, I was out of my mind</h1> |
| 29 | <h1 class="title">The night we met, I was out of my mind</h1> | 29 | <h1 class="subtitle">or lying in the dark</h1> |
| 30 | <h1 class="subtitle">or lying in the dark</h1> | 30 | |
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">My head is <a href="found-typewriter-poem.html">full of fire</a>, my tongue swollen,</span><span class="line">pregnant with all the things I should’ve said</span><span class="line">but didn’t. Last night, we met each other</span><span class="line">in the dark, remember? You told me time was</span></p> |
| 39 | <p><span class="line">My head is <a href="found-typewriter-poem.html">full of fire</a>, my tongue swollen,</span><span class="line">pregnant with all the things I should’ve said</span><span class="line">but didn’t. Last night, we met each other</span><span class="line">in the dark, remember? You told me time was</span></p> | 39 | <p><span class="line">pregnant with all things. I should’ve said</span><span class="line">something, to draw you out from your place</span><span class="line">in the dark. Remember, you told me time was</span><span class="line">only an illusion, <a href="riptide_memory.html">and memory was</a> only</span></p> |
| 40 | <p><span class="line">pregnant with all things. I should’ve said</span><span class="line">something, to draw you out from your place</span><span class="line">in the dark. Remember, you told me time was</span><span class="line">only an illusion, <a href="riptide_memory.html">and memory was</a> only</span></p> | 40 | <p><span class="line">something to draw. You, out from your place,</span><span class="line">I out from mine, that night, I believed in you.</span><span class="line">Only illusion and memory were one, lying</span><span class="line"><a href="early.html">down on your couch</a>, through the night you drew</span></p> |
| 41 | <p><span class="line">something to draw. You, out from your place,</span><span class="line">I out from mine, that night, I believed in you.</span><span class="line">Only illusion and memory were one, lying</span><span class="line"><a href="early.html">down on your couch</a>, through the night you drew</span></p> | 41 | <p><span class="line">me out from mine. That night, I believed in you</span><span class="line">when you told me you loved me. I lay</span><span class="line">down on your couch. Through the night, you drew</span><span class="line">a picture of our <a href="one-hundred-lines.html">future together</a>.</span></p> |
| 42 | <p><span class="line">me out from mine. That night, I believed in you</span><span class="line">when you told me you loved me. I lay</span><span class="line">down on your couch. Through the night, you drew</span><span class="line">a picture of our <a href="one-hundred-lines.html">future together</a>.</span></p> | 42 | <p><span class="line">When you told me you loved me, I lied</span><span class="line"><a href="apollo11.html">in the dark</a>. Remember, you told me time was</span><span class="line"><a href="last-passenger.html">a picture of our future</a> together.</span><span class="line">My head is full of fire, <a href="plant.html">my tongue swollen</a>.</span></p> |
| 43 | <p><span class="line">When you told me you loved me, I lied</span><span class="line"><a href="apollo11.html">in the dark</a>. Remember, you told me time was</span><span class="line"><a href="last-passenger.html">a picture of our future</a> together.</span><span class="line">My head is full of fire, <a href="plant.html">my tongue swollen</a>.</span></p> | 43 | </section> |
| 44 | </section> | 44 | </article> |
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| 48 | <a href="the-night-we-met_backlinks.htm" id="back-link" title="Links to this page"> | 48 | φ |
| 49 | φ | 49 | </a> |
| 50 | </a> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | </div> |
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| 40 | <li><a href="finding-the-lion.html">Finding the Lion</a></li> | ||
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| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">Waiting for a reading to start</span><span class="line">when there’s nobody coming anyway</span><span class="line">is like waiting <a href="cold-wind.html">for the tide</a></span><span class="line">to make some meaning of the beach.</span></p> |
| 39 | <p><span class="line">Waiting for a reading to start</span><span class="line">when there’s nobody coming anyway</span><span class="line">is like waiting <a href="cold-wind.html">for the tide</a></span><span class="line">to make some meaning of the beach.</span></p> | 39 | <p><span class="line">The sea doesn’t know or care</span><span class="line">what the beach even is, let alone</span><span class="line">its cares or its troubles, its</span><span class="line">little nagging under-the-skin annoyances</span><span class="line"><a href="real-writer.html">that make the beach the beach</a>.</span></p> |
| 40 | <p><span class="line">The sea doesn’t know or care</span><span class="line">what the beach even is, let alone</span><span class="line">its cares or its troubles, its</span><span class="line">little nagging under-the-skin annoyances</span><span class="line"><a href="real-writer.html">that make the beach the beach</a>.</span></p> | 40 | <p><span class="line">Sandworms, for example, or those crabs</span><span class="line">with big pincers on one side</span><span class="line">but not the other. Those really get</span><span class="line">the beach’s gander up, but the sea</span><span class="line">doesn’t care. The sea</span></p> |
| 41 | <p><span class="line">Sandworms, for example, or those crabs</span><span class="line">with big pincers on one side</span><span class="line">but not the other. Those really get</span><span class="line">the beach’s gander up, but the sea</span><span class="line">doesn’t care. The sea</span></p> | 41 | <p><span class="line">only wants to <a href="plant.html">caress</a> the beach</span><span class="line">with its <a href="something-simple.html">soft arms</a>, to tell the beach</span><span class="line">how much it’s loved by the sea,</span><span class="line">that complex of water, salt, and</span><span class="line">the moon’s gravity, the mercury</span><span class="line">rising up and down slowly, like a <a href="serengeti.html">yawn</a>.</span></p> |
| 42 | <p><span class="line">only wants to <a href="plant.html">caress</a> the beach</span><span class="line">with its <a href="something-simple.html">soft arms</a>, to tell the beach</span><span class="line">how much it’s loved by the sea,</span><span class="line">that complex of water, salt, and</span><span class="line">the moon’s gravity, the mercury</span><span class="line">rising up and down slowly, like a <a href="serengeti.html">yawn</a>.</span></p> | 42 | <p><span class="line">The sea only cares about itself.</span><span class="line">The beach lays there and takes it.</span></p> |
| 43 | <p><span class="line">The sea only cares about itself.</span><span class="line">The beach lays there and takes it.</span></p> | 43 | </section> |
| 44 | </section> | 44 | </article> |
| 45 | </article> | 45 | <nav> |
| 46 | <nav> | 46 | <div class="anchors"> |
| 47 | <div class="anchors"> | 47 | <a href="backlinks/the-sea_the-beach.html" id="backlinks" title="Links to this page"> |
| 48 | <a href="the-sea_the-beach_backlinks.htm" id="back-link" title="Links to this page"> | 48 | φ |
| 49 | φ | 49 | </a> |
| 50 | </a> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 52 | </div> |
| 53 | </div> | 53 | |
| 54 | 54 | ||
| 55 | 55 | </nav> | |
| 56 | </nav> | 56 | |
| 57 | |||
| 58 | |||
| 59 | </body> | 57 | </body> |
| 60 | </html> | 58 | </html> |
| diff --git a/the-sea_the-beach_backlinks.htm b/the-sea_the-beach_backlinks.htm deleted file mode 100644 index 96e3bd5..0000000 --- a/the-sea_the-beach_backlinks.htm +++ /dev/null | |||
| @@ -1,63 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The sea and the beach | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="the-sea_the-beach" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The sea and the beach</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="about-the-author.html">About the author</a></li> | ||
| 41 | <li><a href="in-bed.html">In bed</a></li> | ||
| 42 | <li><a href="initial-conditions.html">Initial conditions</a></li> | ||
| 43 | <li><a href="joke.html">Joke</a></li> | ||
| 44 | <li><a href="listen.html">Listen</a></li> | ||
| 45 | <li><a href="plant.html">Litany for a plant</a></li> | ||
| 46 | </ul> | ||
| 47 | </section> | ||
| 48 | </article> | ||
| 49 | <nav> | ||
| 50 | <div class="anchors"> | ||
| 51 | <a href="the-sea_the-beach.html" id="back-link" title="Back to article"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 55 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
| 57 | |||
| 58 | |||
| 59 | </nav> | ||
| 60 | |||
| 61 | |||
| 62 | </body> | ||
| 63 | </html> | ||
| diff --git a/theoceanoverflowswithcamels.html b/theoceanoverflowswithcamels.html index 97fe471..86b22a9 100644 --- a/theoceanoverflowswithcamels.html +++ b/theoceanoverflowswithcamels.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>The ocean overflows with camels | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="theoceanoverflowswithcamels" class="elegies"> | ||
| 11 | 24 | ||
| 12 | <title>The ocean overflows with camels | Autocento of the breakfast table</title> | 25 | <article class="container"> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 26 | <header> |
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">The ocean overflows with camels</h1> | ||
| 14 | 29 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | 30 | ||
| 19 | <!--[if lt IE 9]> | 31 | <div class="header-extra"> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 32 | |
| 21 | <![endif]--> | 33 | </div> |
| 22 | </head> | 34 | </header> |
| 23 | <body id="theoceanoverflowswithcamels" class="elegies"> | ||
| 24 | |||
| 25 | 35 | ||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The ocean overflows with camels</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">We found your <a href="lovesong.html">shirt</a> deep in the dark water,</span><span class="line">caught on the clothesline of sleeping pills.</span><span class="line">Your head on the shore was streaming tears</span><span class="line">like sleeves or the coronas of saints saved</span><span class="line">from fire. The burning bush began crying</span><span class="line">like a child who misses his mother. Traffic</span><span class="line">slammed shut like an eye. God’s mean <a href="roughgloves.html">left hook</a></span><span class="line">knocked us out, and we began swimming.</span><span class="line">Bruises bloomed like algae on a lake.</span><span class="line">Your <a href="angeltoabraham.html">father</a> beat your chest and screamed</span><span class="line">for someone to open a window. The air</span><span class="line">stopped breathing. Fish clogged its gills.</span><span class="line">Birds sang too loudly, trying to drown out</span><span class="line">your father’s cries, but all their sweetness</span><span class="line">was not enough. No polite noises will be made</span><span class="line">anymore, he told us, clawing your breastbone.</span><span class="line">He opened your heart to air again. Camels</span><span class="line">flowed from you both like water from the rock.</span><span class="line">God spoke up, but nobody listened to him.</span><span class="line">We hung you up on the line to dry.</span></p> | |
| 34 | </div> | 39 | </section> |
| 35 | </header> | 40 | </article> |
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/theoceanoverflowswithcamels.html" id="backlinks" title="Links to this page"> | ||
| 44 | φ | ||
| 45 | </a> | ||
| 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="arspoetica.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">We found your <a href="lovesong.html">shirt</a> deep in the dark water,</span><span class="line">caught on the clothesline of sleeping pills.</span><span class="line">Your head on the shore was streaming tears</span><span class="line">like sleeves or the coronas of saints saved</span><span class="line">from fire. The burning bush began crying</span><span class="line">like a child who misses his mother. Traffic</span><span class="line">slammed shut like an eye. God’s mean <a href="roughgloves.html">left hook</a></span><span class="line">knocked us out, and we began swimming.</span><span class="line">Bruises bloomed like algae on a lake.</span><span class="line">Your <a href="angeltoabraham.html">father</a> beat your chest and screamed</span><span class="line">for someone to open a window. The air</span><span class="line">stopped breathing. Fish clogged its gills.</span><span class="line">Birds sang too loudly, trying to drown out</span><span class="line">your father’s cries, but all their sweetness</span><span class="line">was not enough. No polite noises will be made</span><span class="line">anymore, he told us, clawing your breastbone.</span><span class="line">He opened your heart to air again. Camels</span><span class="line">flowed from you both like water from the rock.</span><span class="line">God spoke up, but nobody listened to him.</span><span class="line">We hung you up on the line to dry.</span></p> | 52 | Ars poetica |
| 40 | </section> | 53 | </a> |
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="theoceanoverflowswithcamels_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | 54 | ||
| 51 | <a class="prevlink" href="arspoetica.html" | 55 | <a class="nextlink" href="boar.html" |
| 52 | title="Previous article in Elegies for alternate selves"> | 56 | title="Next article in Elegies for alternate selves"> |
| 53 | Ars poetica | 57 | The boar |
| 54 | </a> | 58 | </a> |
| 55 | 59 | </nav> | |
| 56 | <a class="nextlink" href="boar.html" | ||
| 57 | title="Next article in Elegies for alternate selves"> | ||
| 58 | The boar | ||
| 59 | </a> | ||
| 60 | </nav> | ||
| 61 | 60 | ||
| 62 | |||
| 63 | </body> | 61 | </body> |
| 64 | </html> | 62 | </html> |
| diff --git a/theoceanoverflowswithcamels_backlinks.htm b/theoceanoverflowswithcamels_backlinks.htm deleted file mode 100644 index d505ff2..0000000 --- a/theoceanoverflowswithcamels_backlinks.htm +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>The ocean overflows with camels | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="theoceanoverflowswithcamels" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">The ocean overflows with camels</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="in-bed.html">In bed</a></li> | ||
| 41 | <li><a href="likingthings.html">Liking Things</a></li> | ||
| 42 | <li><a href="one-hundred-lines.html">One hundred lines</a></li> | ||
| 43 | <li><a href="ronaldmcdonald.html">Ronald McDonald</a></li> | ||
| 44 | <li><a href="shipwright.html">The shipwright</a></li> | ||
| 45 | <li><a href="stayed-on-the-bus.html">Stayed on the bus too long</a></li> | ||
| 46 | <li><a href="telemarketer.html">Telemarketer</a></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="theoceanoverflowswithcamels.html" id="back-link" title="Back to article"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 56 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/time-looks-up-to-the-sky.html b/time-looks-up-to-the-sky.html index 37ff1ab..54c551e 100644 --- a/time-looks-up-to-the-sky.html +++ b/time-looks-up-to-the-sky.html | |||
| @@ -4,58 +4,56 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Time looks up to the sky | Autocento of the breakfast table</title> | 12 | <title>Time looks up to the sky | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="time-looks-up-to-the-sky" class="autocento"> | 23 | <body id="time-looks-up-to-the-sky" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Time looks up to the sky</h1> |
| 29 | <h1 class="title">Time looks up to the sky</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">I wish I’d kissed you when I had the chance.</span><span class="line">Your face hovering there, so near to mine,</span><span class="line">your mouth pursed—what word was it you pronounced?</span></p> |
| 39 | <p><span class="line">I wish I’d kissed you when I had the chance.</span><span class="line">Your face hovering there, so near to mine,</span><span class="line">your mouth pursed—what word was it you pronounced?</span></p> | 39 | <p><span class="line">When I think about you, <a href="howithappened.html">something in my pants</a></span><span class="line">tightens, and my thoughts run, and I realize</span><span class="line">I should’ve kissed you when I had the chance.</span></p> |
| 40 | <p><span class="line">When I think about you, <a href="howithappened.html">something in my pants</a></span><span class="line">tightens, and my thoughts run, and I realize</span><span class="line">I should’ve kissed you when I had the chance.</span></p> | 40 | <p><span class="line">I want that moment never to be past</span><span class="line">like Keats’s lovers on the grecian urn:</span><span class="line">his mouth pursed, her figure turned to pronounce</span></p> |
| 41 | <p><span class="line">I want that moment never to be past</span><span class="line">like Keats’s lovers on the grecian urn:</span><span class="line">his mouth pursed, her figure turned to pronounce</span></p> | 41 | <p><span class="line">her hips in ways that are not feminist.</span><span class="line">But time strolls mildly on, not glancing at my</span><span class="line">wish to kiss you when I had the chance,</span></p> |
| 42 | <p><span class="line">her hips in ways that are not feminist.</span><span class="line">But time strolls mildly on, not glancing at my</span><span class="line">wish to kiss you when I had the chance,</span></p> | 42 | <p><span class="line">whispered like a <a href="about-the-author.html">beggar to a prince</a></span><span class="line">outside his palace: time looks up to the sky,</span><span class="line">purses his lips, and hears what I pronounce</span></p> |
| 43 | <p><span class="line">whispered like a <a href="about-the-author.html">beggar to a prince</a></span><span class="line">outside his palace: time looks up to the sky,</span><span class="line">purses his lips, and hears what I pronounce</span></p> | 43 | <p><span class="line">but pays it little mind. If he would just</span><span class="line">turn back, bend down, and follow my design,</span><span class="line">I would have kissed you when I had the chance,</span><span class="line">as your mouth pursed and you pronounced goodbye.</span></p> |
| 44 | <p><span class="line">but pays it little mind. If he would just</span><span class="line">turn back, bend down, and follow my design,</span><span class="line">I would have kissed you when I had the chance,</span><span class="line">as your mouth pursed and you pronounced goodbye.</span></p> | 44 | </section> |
| 45 | </section> | 45 | </article> |
| 46 | </article> | 46 | <nav> |
| 47 | <nav> | 47 | <div class="anchors"> |
| 48 | <div class="anchors"> | 48 | <a href="backlinks/time-looks-up-to-the-sky.html" id="backlinks" title="Links to this page"> |
| 49 | <a href="time-looks-up-to-the-sky_backlinks.htm" id="back-link" title="Links to this page"> | 49 | φ |
| 50 | φ | 50 | </a> |
| 51 | </a> | 51 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 52 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 53 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 53 | </div> |
| 54 | </div> | 54 | |
| 55 | 55 | ||
| 56 | 56 | </nav> | |
| 57 | </nav> | 57 | |
| 58 | |||
| 59 | |||
| 60 | </body> | 58 | </body> |
| 61 | </html> | 59 | </html> |
| diff --git a/toc.html b/toc.html new file mode 100644 index 0000000..3267311 --- /dev/null +++ b/toc.html | |||
| @@ -0,0 +1,190 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Table of contents | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="toc"> | ||
| 24 | |||
| 25 | <article class="container"> | ||
| 26 | <header> | ||
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Table of contents</h1> | ||
| 29 | |||
| 30 | |||
| 31 | <div class="header-extra"> | ||
| 32 | |||
| 33 | </div> | ||
| 34 | </header> | ||
| 35 | |||
| 36 | |||
| 37 | <section class="content list"> | ||
| 38 | <ol> | ||
| 39 | <li><a href="about-the-author.html">“About the author (not pictured)”</a></li> | ||
| 40 | <li><a href="about.html">“<em>about Autocento</em>”</a></li> | ||
| 41 | <li><a href="about_author.html">“About the author”</a></li> | ||
| 42 | <li><a href="abstract.html">“<em>abstract</em>”</a></li> | ||
| 43 | <li><a href="amber-alert.html">“AMBER alert”</a></li> | ||
| 44 | <li><a href="and.html">“And”</a></li> | ||
| 45 | <li><a href="angeltoabraham.html">“The angel to Abraham”</a></li> | ||
| 46 | <li><a href="apollo11.html">“On seeing the panorama of the Apollo 11 landing site”</a></li> | ||
| 47 | <li><a href="arspoetica.html">“Ars poetica”</a></li> | ||
| 48 | <li><a href="art.html">“Art”</a></li> | ||
| 49 | <li><a href="axe.html">“Axe”</a></li> | ||
| 50 | <li><a href="big-dipper.html">“The big dipper”</a></li> | ||
| 51 | <li><a href="boar.html">“The boar”</a></li> | ||
| 52 | <li><a href="boy_bus.html">“Boy on the bus”</a></li> | ||
| 53 | <li><a href="building.html">“Building”</a></li> | ||
| 54 | <li><a href="call-me-aural-pleasure.html">“Call me aural pleasure”</a></li> | ||
| 55 | <li><a href="cereal.html">“Cereal”</a></li> | ||
| 56 | <li><a href="cold-wind.html">“Cold wind”</a></li> | ||
| 57 | <li><a href="collage-instrument.html">“Instrumented: a collage”</a></li> | ||
| 58 | <li><a href="creation-myth.html">“Creation myth”</a></li> | ||
| 59 | <li><a href="deadman.html">“Dead man”</a></li> | ||
| 60 | <li><a href="death-zone.html">“The death zone”</a></li> | ||
| 61 | <li><a href="deathstrumpet.html">“Death’s trumpet”</a></li> | ||
| 62 | <li><a href="dollywood.html">“Something about my tenure as a bear”</a></li> | ||
| 63 | <li><a href="dream.html">“Dream”</a></li> | ||
| 64 | <li><a href="early.html">“Early”</a></li> | ||
| 65 | <li><a href="elegyforanalternateself.html">“Elegy for an alternate self”</a></li> | ||
| 66 | <li><a href="epigraph.html">“<em>epigraph</em>”</a></li> | ||
| 67 | <li><a href="ex-machina.html">“Ex machina”</a></li> | ||
| 68 | <li><a href="exasperated.html">“Exasperated”</a></li> | ||
| 69 | <li><a href="father.html">“Father”</a></li> | ||
| 70 | <li><a href="feedingtheraven.html">“Feeding the raven”</a></li> | ||
| 71 | <li><a href="finding-the-lion.html">“Finding the lion”</a></li> | ||
| 72 | <li><a href="fire.html">“Fire”</a></li> | ||
| 73 | <li><a href="found-typewriter-poem.html">“Look: a found typewriter poem”</a></li> | ||
| 74 | <li><a href="hands.html">“Hands”</a></li> | ||
| 75 | <li><a href="hard-game.html">“A hard game”</a></li> | ||
| 76 | <li><a href="hardware.html">“Hardware”</a></li> | ||
| 77 | <li><a href="howithappened.html">“How it happened”</a></li> | ||
| 78 | <li><a href="howtoread.html">“How to read this”</a></li> | ||
| 79 | <li><a href="hymnal.html">“Hymnal”</a></li> | ||
| 80 | <li><a href="i-am.html">“I am”</a></li> | ||
| 81 | <li><a href="i-think-its-you.html">“I think it’s you (but it’s not)”</a></li> | ||
| 82 | <li><a href="i-want-to-say.html">“I want to say”</a></li> | ||
| 83 | <li><a href="i-wanted-to-tell-you-something.html">“I wanted to tell you something”</a></li> | ||
| 84 | <li><a href="in-bed.html">“In bed”</a></li> | ||
| 85 | <li><a href="initial-conditions.html">“Initial conditions”</a></li> | ||
| 86 | <li><a href="january.html">“January”</a></li> | ||
| 87 | <li><a href="joke.html">“Joke”</a></li> | ||
| 88 | <li><a href="lappel-du-vide.html">“L’appel du vide”</a></li> | ||
| 89 | <li><a href="largest-asteroid.html">“The largest asteroid in the asteroid belt”</a></li> | ||
| 90 | <li><a href="last-bastion.html">“Last bastion”</a></li> | ||
| 91 | <li><a href="last-passenger.html">“Last passenger”</a></li> | ||
| 92 | <li><a href="leaf.html">“Leaf”</a></li> | ||
| 93 | <li><a href="leg.html">“Leg”</a></li> | ||
| 94 | <li><a href="likingthings.html">“Liking things”</a></li> | ||
| 95 | <li><a href="listen.html">“Listen”</a></li> | ||
| 96 | <li><a href="love-as-god.html">“Love as god”</a></li> | ||
| 97 | <li><a href="lovesong.html">“Love song”</a></li> | ||
| 98 | <li><a href="man.html">“Man”</a></li> | ||
| 99 | <li><a href="manifesto_poetics.html">“A manifesto of poetics”</a></li> | ||
| 100 | <li><a href="moon-drowning.html">“The moon is drowning”</a></li> | ||
| 101 | <li><a href="moongone.html">“The moon is gone and in its place a mirror”</a></li> | ||
| 102 | <li><a href="mountain.html">“The mountain”</a></li> | ||
| 103 | <li><a href="movingsideways.html">“Moving sideways”</a></li> | ||
| 104 | <li><a href="music-433.html">“Something about all music being performances of <em>4′33″</em> in places where other bands happen to be playing”</a></li> | ||
| 105 | <li><a href="no-nothing.html">“No nothing”</a></li> | ||
| 106 | <li><a href="notes.html">“Notes”</a></li> | ||
| 107 | <li><a href="nothing-is-ever-over.html">“Nothing is ever over”</a></li> | ||
| 108 | <li><a href="on-genre-dimension.html">“On genre and the dimensionality of poetry”</a></li> | ||
| 109 | <li><a href="one-hundred-lines.html">“100 lines”</a></li> | ||
| 110 | <li><a href="onformalpoetry.html">“On formal poetry”</a></li> | ||
| 111 | <li><a href="options.html">“Options”</a></li> | ||
| 112 | <li><a href="ouroboros_memory.html">“Ouroboros of memory”</a></li> | ||
| 113 | <li><a href="paul.html">“Paul”</a></li> | ||
| 114 | <li><a href="peaches.html">“Peaches”</a></li> | ||
| 115 | <li><a href="philosophy.html">“Philosophy”</a></li> | ||
| 116 | <li><a href="phone.html">“Phone”</a></li> | ||
| 117 | <li><a href="planks.html">“Planks”</a></li> | ||
| 118 | <li><a href="plant.html">“Litany for a plant”</a></li> | ||
| 119 | <li><a href="poetry-time.html">“Something about the nature of poetry and time”</a></li> | ||
| 120 | <li><a href="prelude.html">“Prelude”</a></li> | ||
| 121 | <li><a href="problems.html">“Problems”</a></li> | ||
| 122 | <li><a href="process.html">“Process narrative”</a></li> | ||
| 123 | <li><a href="proverbs.html">“Proverbs”</a></li> | ||
| 124 | <li><a href="punch.html">“Punch”</a></li> | ||
| 125 | <li><a href="purpose-dogs.html">“The purpose of dogs”</a></li> | ||
| 126 | <li><a href="question.html">“Question”</a></li> | ||
| 127 | <li><a href="real-writer.html">“A real writer”</a></li> | ||
| 128 | <li><a href="reports.html">“Reports”</a></li> | ||
| 129 | <li><a href="riptide_memory.html">“Riptide of memory”</a></li> | ||
| 130 | <li><a href="ronaldmcdonald.html">“Ronald McDonald”</a></li> | ||
| 131 | <li><a href="roughgloves.html">“Rough gloves”</a></li> | ||
| 132 | <li><a href="sapling.html">“Sapling”</a></li> | ||
| 133 | <li><a href="seasonal-affective-disorder.html">“Seasonal affective disorder”</a></li> | ||
| 134 | <li><a href="sense-of-it.html">“Sense of it”</a></li> | ||
| 135 | <li><a href="serengeti.html">“Serengeti”</a></li> | ||
| 136 | <li><a href="shed.html">“Shed”</a></li> | ||
| 137 | <li><a href="shipwright.html">“Shipwright”</a></li> | ||
| 138 | <li><a href="sixteenth-chapel.html">“The sixteenth chapel”</a></li> | ||
| 139 | <li><a href="snow.html">“Snow”</a></li> | ||
| 140 | <li><a href="something-simple.html">“Something simple”</a></li> | ||
| 141 | <li><a href="spittle.html">“Spittle”</a></li> | ||
| 142 | <li><a href="squirrel.html">“The squirrel”</a></li> | ||
| 143 | <li><a href="stagnant.html">“Stagnant”</a></li> | ||
| 144 | <li><a href="statements-frag.html">“Statements”</a></li> | ||
| 145 | <li><a href="stayed-on-the-bus.html">“Stayed on the bus too long”</a></li> | ||
| 146 | <li><a href="stump.html">“Stump”</a></li> | ||
| 147 | <li><a href="swansong-alt.html">“Swan song (alternate)”</a></li> | ||
| 148 | <li><a href="swansong.html">“Swan song”</a></li> | ||
| 149 | <li><a href="swear.html">“Swear”</a></li> | ||
| 150 | <li><a href="table_contents.html">“A table of contents”</a></li> | ||
| 151 | <li><a href="tapestry.html">“Tapestry”</a></li> | ||
| 152 | <li><a href="telemarketer.html">“Telemarketer”</a></li> | ||
| 153 | <li><a href="the-night-we-met.html">“The night we met, I was out of my mind”</a></li> | ||
| 154 | <li><a href="the-sea_the-beach.html">“The sea and the beach”</a></li> | ||
| 155 | <li><a href="theoceanoverflowswithcamels.html">“The ocean overflows with camels”</a></li> | ||
| 156 | <li><a href="time-looks-up-to-the-sky.html">“Time looks up to the sky”</a></li> | ||
| 157 | <li><a href="todaniel.html">“To Daniel”</a></li> | ||
| 158 | <li><a href="toilet.html">“Toilet”</a></li> | ||
| 159 | <li><a href="toothpaste.html">“Toothpaste”</a></li> | ||
| 160 | <li><a href="treatise.html">“Treatise”</a></li> | ||
| 161 | <li><a href="underwear.html">“Underwear”</a></li> | ||
| 162 | <li><a href="walking-in-the-rain.html">“Walking in the rain”</a></li> | ||
| 163 | <li><a href="wallpaper.html">“Wallpaper”</a></li> | ||
| 164 | <li><a href="weplayedthosegamestoo.html">“We played those games too”</a></li> | ||
| 165 | <li><a href="what-we-are-made-of.html">“What we are made of”</a></li> | ||
| 166 | <li><a href="when-im-sorry-i.html">“Whem I’m sorry I wash dishes”</a></li> | ||
| 167 | <li><a href="window.html">“Window”</a></li> | ||
| 168 | <li><a href="words-irritable-reaching.html">“Words and their irritable reaching”</a></li> | ||
| 169 | <li><a href="words-meaning.html">“Words and meaning”</a></li> | ||
| 170 | <li><a href="worse-looking-over.html">“Worse looking over”</a></li> | ||
| 171 | <li><a href="writing.html">“Writing”</a></li> | ||
| 172 | <li><a href="x-ray.html">“X-ray”</a></li> | ||
| 173 | <li><a href="yellow.html">“Yellow”</a></li> | ||
| 174 | </ol> | ||
| 175 | </section> | ||
| 176 | </article> | ||
| 177 | <nav> | ||
| 178 | <div class="anchors"> | ||
| 179 | <a href="backlinks/toc.html" id="backlinks" title="Links to this page"> | ||
| 180 | φ | ||
| 181 | </a> | ||
| 182 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 183 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 184 | </div> | ||
| 185 | |||
| 186 | |||
| 187 | </nav> | ||
| 188 | |||
| 189 | </body> | ||
| 190 | </html> | ||
| diff --git a/todaniel.html b/todaniel.html index 665f92b..6ef940e 100644 --- a/todaniel.html +++ b/todaniel.html | |||
| @@ -4,64 +4,62 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>To Daniel | Autocento of the breakfast table</title> | 12 | <title>To Daniel | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="todaniel" class="elegies"> | 23 | <body id="todaniel" class="elegies"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">To Daniel</h1> | 28 | <h1 class="title">To Daniel</h1> |
| 30 | <h1 class="subtitle">an elaboration of a previous comment</h1> | 29 | <h1 class="subtitle">an elaboration of a previous comment</h1> |
| 31 | 30 | ||
| 32 | <div class="header-extra"> | 31 | <div class="header-extra"> |
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 32 | ||
| 37 | 33 | </div> | |
| 38 | <section class="content verse"> | 34 | </header> |
| 39 | <p><span class="line">There are more modern ideals of beauty</span><span class="line">than yours, young padawan. Jessica has</span><span class="line">some assets, that I’ll give you easily,</span><span class="line">but in my women I prefer pizzazz.</span></p> | ||
| 40 | <p><span class="line">I don’t want to bring you down, or make you think</span><span class="line"><a href="deathstrumpet.html">that your perfected woman isn’t so</a>.</span><span class="line">It’s just that, like Adam said, 2006</span><span class="line">has come and gone. What did she do</span></p> | ||
| 41 | <p><span class="line">in that year anyway? IMDB</span><span class="line">has, surprisingly, none, though in ’05</span><span class="line">she’s in four titles. <em>Sin City</em></span><span class="line">I’ve never seen, although from many I’ve</span></p> | ||
| 42 | <p><span class="line">heard it’s good. But it’s still irrelevant—</span><span class="line">no matter how comely, she lacks talent.</span></p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="todaniel_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 35 | ||
| 54 | <a class="prevlink" href="weplayedthosegamestoo.html" | ||
| 55 | title="Previous article in Elegies for alternate selves"> | ||
| 56 | We played those games too | ||
| 57 | </a> | ||
| 58 | |||
| 59 | <a class="nextlink" href="deathstrumpet.html" | ||
| 60 | title="Next article in Elegies for alternate selves"> | ||
| 61 | Death’s trumpet | ||
| 62 | </a> | ||
| 63 | </nav> | ||
| 64 | 36 | ||
| 65 | 37 | <section class="content verse"> | |
| 38 | <p><span class="line">There are more modern ideals of beauty</span><span class="line">than yours, young padawan. Jessica has</span><span class="line">some assets, that I’ll give you easily,</span><span class="line">but in my women I prefer pizzazz.</span></p> | ||
| 39 | <p><span class="line">I don’t want to bring you down, or make you think</span><span class="line"><a href="deathstrumpet.html">that your perfected woman isn’t so</a>.</span><span class="line">It’s just that, like Adam said, 2006</span><span class="line">has come and gone. What did she do</span></p> | ||
| 40 | <p><span class="line">in that year anyway? IMDB</span><span class="line">has, surprisingly, none, though in ’05</span><span class="line">she’s in four titles. <em>Sin City</em></span><span class="line">I’ve never seen, although from many I’ve</span></p> | ||
| 41 | <p><span class="line">heard it’s good. But it’s still irrelevant—</span><span class="line">no matter how comely, she lacks talent.</span></p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="backlinks/todaniel.html" id="backlinks" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="weplayedthosegamestoo.html" | ||
| 54 | title="Previous article in Elegies for alternate selves"> | ||
| 55 | We played those games too | ||
| 56 | </a> | ||
| 57 | |||
| 58 | <a class="nextlink" href="deathstrumpet.html" | ||
| 59 | title="Next article in Elegies for alternate selves"> | ||
| 60 | Death’s trumpet | ||
| 61 | </a> | ||
| 62 | </nav> | ||
| 63 | |||
| 66 | </body> | 64 | </body> |
| 67 | </html> | 65 | </html> |
| diff --git a/toilet.html b/toilet.html index 6901537..f264073 100644 --- a/toilet.html +++ b/toilet.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Toilet | Autocento of the breakfast table</title> | 12 | <title>Toilet | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="toilet" class="paul"> | 23 | <body id="toilet" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Toilet</h1> | 28 | <h1 class="title">Toilet</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>Paul only did his reading on the toilet.</p> | ||
| 40 | <p>He read in a magazine that the universe as we know it is actually a hologram, a three-dimensional projection of a lower, two-dimensional, “realer” reality. The article said that this model explains things like quantum entanglement, what it called “spooky action at a distance.”</p> | ||
| 41 | <p>After he finished, he ran back out to his Writing Shack and hammered out a Treatise on Literature as Spooky Action. His mind was reeling. He typed out an entire <a href="treatise.html">notecard</a> on the subject.</p> | ||
| 42 | <p>He stopped to catch his breath. Reading it over, he realized he was completely wrong. “Paper is made from trees” he thought “and so is furniture.” He had thought that ART and CRAFT were two separate enterprises but he realized in a flash that they were two sides of the same building. Were there other walls?</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="toilet_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="hands.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Hands | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="tapestry.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>Paul only did his reading on the toilet.</p> |
| 60 | Tapestry | 39 | <p>He read in a magazine that the universe as we know it is actually a hologram, a three-dimensional projection of a lower, two-dimensional, “realer” reality. The article said that this model explains things like quantum entanglement, what it called “spooky action at a distance.”</p> |
| 61 | </a> | 40 | <p>After he finished, he ran back out to his Writing Shack and hammered out a Treatise on Literature as Spooky Action. His mind was reeling. He typed out an entire <a href="treatise.html">notecard</a> on the subject.</p> |
| 62 | 41 | <p>He stopped to catch his breath. Reading it over, he realized he was completely wrong. “Paper is made from trees” he thought “and so is furniture.” He had thought that ART and CRAFT were two separate enterprises but he realized in a flash that they were two sides of the same building. Were there other walls?</p> | |
| 63 | <a class="nextlink" href="leg.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Leg | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="toothpaste.html" | 46 | <a href="backlinks/toilet.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Toothpaste | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="hands.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Hands | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="tapestry.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Tapestry | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="leg.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Leg | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="toothpaste.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Toothpaste | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/toilet_backlinks.htm b/toilet_backlinks.htm deleted file mode 100644 index 87196fe..0000000 --- a/toilet_backlinks.htm +++ /dev/null | |||
| @@ -1,59 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Toilet | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | ||
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | ||
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="toilet" class="meta"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Toilet</h1> | ||
| 30 | <h1 class="subtitle">back-links</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="building.html">Building</a></li> | ||
| 41 | <li><a href="treatise.html">Treatise</a></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="toilet.html" id="back-link" title="Back to article"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/toothpaste.html b/toothpaste.html index 8e83c0a..0447344 100644 --- a/toothpaste.html +++ b/toothpaste.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Toothpaste | Autocento of the breakfast table</title> | 12 | <title>Toothpaste | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="toothpaste" class="paul"> | 23 | <body id="toothpaste" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Toothpaste</h1> | 28 | <h1 class="title">Toothpaste</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He couldn’t <a href="no-nothing.html">find a shirt</a> to go to work in. They all had stains on them somewhere. He pulled out a vest to put on over the stains but somehow all of them were still visible. Most of them were unidentifiable but one he thought could have come from <a href="http://www.bartleby.com/198/1.html">that peach</a> he ate two weeks before. Another looked like toothpaste but he was paranoid it was something else.</p> | ||
| 40 | <p>When he took the bus into work he couldn’t relax. He was paranoid everyone was staring at his stain and kept looking out the corners of his eyes to make sure they weren’t. They didn’t seem to be but they could also be looking away just as he looked at them. “The <a href="problems.html">Observation</a> Paradox” he muttered to himself.</p> | ||
| 41 | <p>Jill was the only one to notice the stain at work. She came around to his cubicle during a break because he dared not show his stain in the break room. “You have a stain on your shoulder” she said “it looks like toothpaste.” “Do I” he feigned ignorance but <a href="statements-frag.html">went red</a> at the same time “I didn’t see that there this morning.” “How do you get toothpaste on your shoulder?” “I don’t know skills I guess” he said and she grinned. “You know vinegar will take that out” she said “although I think I like it. You should start a museum of shirt stains!” “I don’t have that many shirts with stains” he said frowning. “Yes you do” she said.</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="toothpaste_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="early.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Early | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="toilet.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He couldn’t <a href="no-nothing.html">find a shirt</a> to go to work in. They all had stains on them somewhere. He pulled out a vest to put on over the stains but somehow all of them were still visible. Most of them were unidentifiable but one he thought could have come from <a href="http://www.bartleby.com/198/1.html">that peach</a> he ate two weeks before. Another looked like toothpaste but he was paranoid it was something else.</p> |
| 59 | Toilet | 39 | <p>When he took the bus into work he couldn’t relax. He was paranoid everyone was staring at his stain and kept looking out the corners of his eyes to make sure they weren’t. They didn’t seem to be but they could also be looking away just as he looked at them. “The <a href="problems.html">Observation</a> Paradox” he muttered to himself.</p> |
| 60 | </a> | 40 | <p>Jill was the only one to notice the stain at work. She came around to his cubicle during a break because he dared not show his stain in the break room. “You have a stain on your shoulder” she said “it looks like toothpaste.” “Do I” he feigned ignorance but <a href="statements-frag.html">went red</a> at the same time “I didn’t see that there this morning.” “How do you get toothpaste on your shoulder?” “I don’t know skills I guess” he said and she grinned. “You know vinegar will take that out” she said “although I think I like it. You should start a museum of shirt stains!” “I don’t have that many shirts with stains” he said frowning. “Yes you do” she said.</p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="father.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | Father | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/toothpaste.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="treatise.html" | 46 | φ |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </a> |
| 68 | Treatise | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="early.html" | ||
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 54 | Early | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="toilet.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Toilet | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="father.html" | ||
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Father | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="treatise.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Treatise | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/treatise.html b/treatise.html index 37c5e47..59d9bb5 100644 --- a/treatise.html +++ b/treatise.html | |||
| @@ -4,75 +4,73 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Treatise | Autocento of the breakfast table</title> | 12 | <title>Treatise | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="treatise" class="paul"> | 23 | <body id="treatise" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Treatise</h1> | 28 | <h1 class="title">Treatise</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <blockquote> | ||
| 40 | <p>TREATISE ON LITERATURE AS “SPOOKY ACTION FROM A DISTANCE”</p> | ||
| 41 | <p>There is this thing called “spooky action at a distance.” Einstein mentioned it first I believe. It is about how two electrons can act like they are right next to each other although they are very far away (lightyears even). For a long time this puzzled scientists until someone (not Einstein) figured out that maybe the universe is a hologram or projection. So what appears to be very far apart in the hologram might actually be very close in the substrate reality.</p> | ||
| 42 | <p>I want to talk about this effect in literature. In literature the writer writes words on a substrate (paper) and later the reader reads the same words off the substrate. Although the writer and reader might be very far apart from each other in time and space, they experience the same effect from reading the words. Even the writer reading his own words after he has written them becomes a reader and feels who he was at that time, <a href="howtoread.html">like a ghost</a>.</p> | ||
| 43 | <p>PROBLEMS:</p> | ||
| 44 | <p>Maybe the substrate isn’t paper it’s what the writing is about. <a href="toilet.html">Where is the hologram</a>? Are physics and literature comparable? What if the universe isn’t a hologram what then?</p> | ||
| 45 | </blockquote> | ||
| 46 | </section> | ||
| 47 | </article> | ||
| 48 | <nav> | ||
| 49 | <div class="anchors"> | ||
| 50 | <a href="treatise_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 51 | φ | ||
| 52 | </a> | ||
| 53 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 54 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 55 | </div> | ||
| 56 | 32 | ||
| 57 | <a class="prevlink" href="hardware.html" | 33 | </div> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 59 | Hardware | 35 | |
| 60 | </a> | 36 | |
| 61 | <a class="prevlink" href="toothpaste.html" | 37 | <section class="content prose"> |
| 62 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <blockquote> |
| 63 | Toothpaste | 39 | <p>TREATISE ON LITERATURE AS “SPOOKY ACTION FROM A DISTANCE”</p> |
| 64 | </a> | 40 | <p>There is this thing called “spooky action at a distance.” Einstein mentioned it first I believe. It is about how two electrons can act like they are right next to each other although they are very far away (lightyears even). For a long time this puzzled scientists until someone (not Einstein) figured out that maybe the universe is a hologram or projection. So what appears to be very far apart in the hologram might actually be very close in the substrate reality.</p> |
| 65 | 41 | <p>I want to talk about this effect in literature. In literature the writer writes words on a substrate (paper) and later the reader reads the same words off the substrate. Although the writer and reader might be very far apart from each other in time and space, they experience the same effect from reading the words. Even the writer reading his own words after he has written them becomes a reader and feels who he was at that time, <a href="howtoread.html">like a ghost</a>.</p> | |
| 66 | <a class="nextlink" href="phone.html" | 42 | <p>PROBLEMS:</p> |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <p>Maybe the substrate isn’t paper it’s what the writing is about. <a href="toilet.html">Where is the hologram</a>? Are physics and literature comparable? What if the universe isn’t a hologram what then?</p> |
| 68 | Phone | 44 | </blockquote> |
| 69 | </a> | 45 | </section> |
| 70 | <a class="nextlink" href="underwear.html" | 46 | </article> |
| 71 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <nav> |
| 72 | Underwear | 48 | <div class="anchors"> |
| 73 | </a> | 49 | <a href="backlinks/treatise.html" id="backlinks" title="Links to this page"> |
| 74 | </nav> | 50 | φ |
| 51 | </a> | ||
| 52 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | <a class="prevlink" href="hardware.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Hardware | ||
| 59 | </a> | ||
| 60 | <a class="prevlink" href="toothpaste.html" | ||
| 61 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 62 | Toothpaste | ||
| 63 | </a> | ||
| 64 | |||
| 65 | <a class="nextlink" href="phone.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Phone | ||
| 68 | </a> | ||
| 69 | <a class="nextlink" href="underwear.html" | ||
| 70 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 71 | Underwear | ||
| 72 | </a> | ||
| 73 | </nav> | ||
| 75 | 74 | ||
| 76 | |||
| 77 | </body> | 75 | </body> |
| 78 | </html> | 76 | </html> |
| diff --git a/trunk/backlink.head b/trunk/backlink.head index 816ee7d..4537545 100644 --- a/trunk/backlink.head +++ b/trunk/backlink.head | |||
| @@ -1,11 +1,11 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: _TITLE_ | 2 | title: __TITLE__ |
| 3 | id: _ID_ | 3 | subtitle: backlinks |
| 4 | subtitle: back-links | 4 | id: __ID__ |
| 5 | genre: list | 5 | genre: list |
| 6 | 6 | ||
| 7 | project: | 7 | project: |
| 8 | title: About autocento | 8 | title: Backlinks to Autocento |
| 9 | class: meta | 9 | class: backlinks |
| 10 | ... | 10 | ... |
| 11 | 11 | ||
| diff --git a/trunk/backlink.sh b/trunk/backlink.sh deleted file mode 100644 index f6feb7d..0000000 --- a/trunk/backlink.sh +++ /dev/null | |||
| @@ -1,38 +0,0 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | |||
| 3 | # Command-line variables | ||
| 4 | searchQuery="$1"; # .html file to backlink | ||
| 5 | outFile="$2"; # .back file to create | ||
| 6 | headerFile="$3"; # header information file | ||
| 7 | shift 3; | ||
| 8 | glob="$@"; # where to search for backlinks | ||
| 9 | |||
| 10 | # Find backlinkers | ||
| 11 | echo -n "Back-linking \"$searchQuery\"" | ||
| 12 | cat "$headerFile" > "$outFile"; | ||
| 13 | if ! grep -ql "$searchQuery" $glob >> "$outFile"; then | ||
| 14 | echo "[_island_](${islandLink}.htm)." >> "$outFile"; | ||
| 15 | title=`grep '^title:' "${searchQuery%.html}.txt" | cut -d' ' -f2-`; | ||
| 16 | echo "- [$title]($searchQuery)" >> "${islandLink}.txt" | ||
| 17 | fi | ||
| 18 | |||
| 19 | # Change title & id of $outFile | ||
| 20 | inText="`basename $searchQuery .html`.txt"; | ||
| 21 | title=`grep '^title:' "$inText" | cut -d' ' -f2-`; | ||
| 22 | id=`grep '^id:' "${searchQuery%.html}.txt" | cut -d' ' -f2`; | ||
| 23 | sed -i "s/_TITLE_/$title/" "$outFile"; | ||
| 24 | sed -i "s/_ID_/$id/" "$outFile"; | ||
| 25 | echo -n "." | ||
| 26 | |||
| 27 | # Change *.txt to *.html | ||
| 28 | sed -i 's/^\(.*\)\.txt/\1.html/g' "$outFile"; | ||
| 29 | |||
| 30 | # Link to backlinks | ||
| 31 | for file in `grep '.html$' "$outFile"`; do | ||
| 32 | fText="`basename $file .html`.txt"; | ||
| 33 | title=`grep '^title:' $fText | cut -d' ' -f2-`; | ||
| 34 | sed -i "s/^$file$/- [$title](&)/" "$outFile"; | ||
| 35 | echo -n "." | ||
| 36 | done | ||
| 37 | |||
| 38 | echo "Done." | ||
| diff --git a/trunk/common-titles.head b/trunk/common-titles.head index 705647d..784ca4d 100644 --- a/trunk/common-titles.head +++ b/trunk/common-titles.head | |||
| @@ -1,17 +1,17 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: Autocento of the breakfast table | 2 | title: Appendix C |
| 3 | id: common-titles | ||
| 4 | subtitle: index of common titles | 3 | subtitle: index of common titles |
| 4 | id: common-titles | ||
| 5 | genre: prose | 5 | genre: prose |
| 6 | 6 | ||
| 7 | project: | 7 | project: |
| 8 | title: About Autocento | 8 | title: Appendices |
| 9 | class: meta | 9 | class: appendices |
| 10 | next: | 10 | next: |
| 11 | - title: Index of first lines | 11 | - title: Index of first lines |
| 12 | link: first-lines | 12 | link: first-lines |
| 13 | prev: | 13 | prev: |
| 14 | - title: About _Autocento_ | 14 | - title: Index of islands |
| 15 | link: about | 15 | link: islands |
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| diff --git a/trunk/common-titles.sh b/trunk/common-titles.sh deleted file mode 100644 index bae8a10..0000000 --- a/trunk/common-titles.sh +++ /dev/null | |||
| @@ -1,20 +0,0 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | |||
| 3 | outFile="$1"; | ||
| 4 | shift 1; | ||
| 5 | glob="$@"; | ||
| 6 | |||
| 7 | echo -n "Compiling ${outFile}"; | ||
| 8 | |||
| 9 | for file in $glob; do | ||
| 10 | # Copy title to $outFile & link | ||
| 11 | title="$(grep '^title:' "$file" | cut -d' ' -f2- | sed 's/"//g')"; | ||
| 12 | if (( $RANDOM % 13 == 0 )); then | ||
| 13 | echo -n "| " >> "$outFile"; | ||
| 14 | else | ||
| 15 | echo -n " " >> "$outFile"; | ||
| 16 | fi | ||
| 17 | echo "[$title](${file%.*}.html)" >> "$outFile"; | ||
| 18 | echo -n "."; | ||
| 19 | done | ||
| 20 | echo "Done."; | ||
| diff --git a/trunk/external.js b/trunk/external.js deleted file mode 100644 index ee425cd..0000000 --- a/trunk/external.js +++ /dev/null | |||
| @@ -1,5 +0,0 @@ | |||
| 1 | /* External.js for Autocento of the breakfast table | ||
| 2 | * this gives external links the class "external." | ||
| 3 | */ | ||
| 4 | |||
| 5 | |||
| diff --git a/trunk/first-lines.head b/trunk/first-lines.head index f73b410..d2b9eca 100644 --- a/trunk/first-lines.head +++ b/trunk/first-lines.head | |||
| @@ -1,15 +1,15 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: Autocento of the breakfast table | 2 | title: Appendix F |
| 3 | id: first-lines | ||
| 4 | subtitle: index of first lines | 3 | subtitle: index of first lines |
| 4 | id: first-lines | ||
| 5 | genre: prose | 5 | genre: prose |
| 6 | 6 | ||
| 7 | project: | 7 | project: |
| 8 | title: About Autocento | 8 | title: Appendices |
| 9 | class: meta | 9 | class: appendices |
| 10 | next: | 10 | next: |
| 11 | - title: About _Autocento_ | 11 | - title: Index of hapax legomena |
| 12 | link: about | 12 | link: hapax |
| 13 | prev: | 13 | prev: |
| 14 | - title: Index of common titles | 14 | - title: Index of common titles |
| 15 | link: common-titles | 15 | link: common-titles |
| diff --git a/trunk/first-lines.sh b/trunk/first-lines.sh deleted file mode 100644 index 1378a82..0000000 --- a/trunk/first-lines.sh +++ /dev/null | |||
| @@ -1,26 +0,0 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | |||
| 3 | outFile="$1"; | ||
| 4 | shift 1; | ||
| 5 | glob="$@"; | ||
| 6 | |||
| 7 | firstLineOf() { # $1 = file | ||
| 8 | endOfYaml=$(sed -n '/^\.\.\.$/=' "$1") | ||
| 9 | tryLineNumber=$((endOfYaml + 1)) | ||
| 10 | try="" | ||
| 11 | while [[ -z $try ]]; do | ||
| 12 | try=$(head -n $tryLineNumber "$1" | tail -n 1 |\ | ||
| 13 | sed -e 's/^[|>] //' -e 's/[][]//g' -e 's/^#.*//' -e 's/^--.*//') | ||
| 14 | (( tryLineNumber += 1 )) | ||
| 15 | done | ||
| 16 | echo "$try" | ||
| 17 | } | ||
| 18 | |||
| 19 | echo -n "Compiling ${outFile}" | ||
| 20 | |||
| 21 | for file in $glob; do | ||
| 22 | # Copy first line to $outFile & link | ||
| 23 | echo "[$(firstLineOf "$file")](${file%.*}.html)" >> $outFile; | ||
| 24 | echo -n "."; | ||
| 25 | done | ||
| 26 | echo "Done." | ||
| diff --git a/trunk/hapax.head b/trunk/hapax.head index 88b23bf..c07e79c 100644 --- a/trunk/hapax.head +++ b/trunk/hapax.head | |||
| @@ -1,11 +1,17 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: Autocento of the breakfast table | 2 | title: Appendix H |
| 3 | subtitle: index of hapax legomena | ||
| 3 | id: hapax | 4 | id: hapax |
| 4 | subtitle: hapax legomena | ||
| 5 | genre: prose | 5 | genre: prose |
| 6 | 6 | ||
| 7 | project: | 7 | project: |
| 8 | title: About autocento | 8 | title: Appendices |
| 9 | class: meta | 9 | class: appendices |
| 10 | next: | ||
| 11 | - title: Index of islands | ||
| 12 | link: islands | ||
| 13 | prev: | ||
| 14 | - title: Index of first lines | ||
| 15 | link: first-lines | ||
| 10 | ... | 16 | ... |
| 11 | 17 | ||
| diff --git a/trunk/hapaxlink.sh b/trunk/hapaxlink.sh deleted file mode 100644 index 286c43d..0000000 --- a/trunk/hapaxlink.sh +++ /dev/null | |||
| @@ -1,26 +0,0 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | |||
| 3 | file="$1"; | ||
| 4 | headFile="$2"; | ||
| 5 | shift 2; | ||
| 6 | glob="$@"; # *.hapax | ||
| 7 | |||
| 8 | tempFile="${RANDOM}.tmp" | ||
| 9 | |||
| 10 | echo -n "Linking \"$file\"" | ||
| 11 | # Begin | ||
| 12 | cat "$headFile" > "$tempFile"; | ||
| 13 | echo -n "." | ||
| 14 | # Link words to files they appear in | ||
| 15 | for word in `sort "$file"`; do | ||
| 16 | f=`grep -liwq "^$word$" $glob`; | ||
| 17 | link="`basename $f .hapax`.html" | ||
| 18 | echo "[$word]($link)" >> "$tempFile"; | ||
| 19 | echo -n "." | ||
| 20 | done | ||
| 21 | |||
| 22 | # Make the changes happen | ||
| 23 | rm "$file" | ||
| 24 | mv "$tempFile" "$file" | ||
| 25 | |||
| 26 | echo "Done." | ||
| diff --git a/trunk/island.head b/trunk/island.head deleted file mode 100644 index 1a9b454..0000000 --- a/trunk/island.head +++ /dev/null | |||
| @@ -1,9 +0,0 @@ | |||
| 1 | --- | ||
| 2 | title: Islands | ||
| 3 | genre: list | ||
| 4 | |||
| 5 | project: | ||
| 6 | title: About autocento | ||
| 7 | class: meta | ||
| 8 | ... | ||
| 9 | |||
| diff --git a/trunk/islands.head b/trunk/islands.head new file mode 100644 index 0000000..ec04b14 --- /dev/null +++ b/trunk/islands.head | |||
| @@ -0,0 +1,17 @@ | |||
| 1 | --- | ||
| 2 | title: Appendix I | ||
| 3 | subtitle: islands | ||
| 4 | id: islands | ||
| 5 | genre: list | ||
| 6 | |||
| 7 | project: | ||
| 8 | title: Appendices | ||
| 9 | class: appendices | ||
| 10 | next: | ||
| 11 | - title: Index of common titles | ||
| 12 | link: common-titles | ||
| 13 | prev: | ||
| 14 | - title: Index of hapax legomena | ||
| 15 | link: hapax | ||
| 16 | ... | ||
| 17 | |||
| diff --git a/trunk/lozenge.sh b/trunk/lozenge.sh deleted file mode 100644 index 9f0cd55..0000000 --- a/trunk/lozenge.sh +++ /dev/null | |||
| @@ -1,15 +0,0 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | |||
| 3 | outFile="$1"; | ||
| 4 | shift; | ||
| 5 | fileList="$@"; | ||
| 6 | |||
| 7 | echo -n "Updating \"lozenge.js\"..." | ||
| 8 | |||
| 9 | list=`echo ${fileList[@]} |\ | ||
| 10 | sed -e 's/\(\S\+.html\) \?/"\1",/g'\ | ||
| 11 | -e 's/^\(.*\),$/var files=[\1]/'` | ||
| 12 | |||
| 13 | sed -i "s/var files=.*/$list/" "$outFile"; | ||
| 14 | |||
| 15 | echo "Done." | ||
| diff --git a/trunk/river.lua b/trunk/river.lua deleted file mode 100644 index 4abb6d8..0000000 --- a/trunk/river.lua +++ /dev/null | |||
| @@ -1,230 +0,0 @@ | |||
| 1 | -- Pandoc River writer | ||
| 2 | -- it takes out all formatting, leaving only a river of text | ||
| 3 | -- running down the page: one word per line | ||
| 4 | -- vim: fdm=marker | ||
| 5 | -- invoke with: pandoc -t river.lua | ||
| 6 | |||
| 7 | os.setlocale("en_US.UTF-8") | ||
| 8 | |||
| 9 | local function flow(s) | ||
| 10 | return s:gsub("%s+", "\n") | ||
| 11 | end | ||
| 12 | |||
| 13 | local function nude(s) | ||
| 14 | -- Expand contractions | ||
| 15 | s = s:gsub("'%a+%s", function (x) | ||
| 16 | if x == "'ll" then | ||
| 17 | return " will " | ||
| 18 | elseif x == "'ve" then | ||
| 19 | return " have " | ||
| 20 | elseif x == "'re" then | ||
| 21 | return " are " | ||
| 22 | else | ||
| 23 | return x | ||
| 24 | end | ||
| 25 | end) | ||
| 26 | s = s:gsub("it's", "it is") | ||
| 27 | s = s:gsub("n't", " not ") | ||
| 28 | -- Get rid of quotes around words | ||
| 29 | s = s:gsub('"', ' ') | ||
| 30 | s = s:gsub("%s+'", ' ') | ||
| 31 | s = s:gsub("'%s+", ' ') | ||
| 32 | -- Remove HTML entities | ||
| 33 | s = s:gsub('&.-;', ' ') | ||
| 34 | s = s:gsub('%b<>', ' ') | ||
| 35 | -- Remove end-of-line backslashes | ||
| 36 | s = s:gsub('%s+\\$', ' ') | ||
| 37 | -- Remove dashes (not hyphens) | ||
| 38 | s = s:gsub('%-%-+', ' ') | ||
| 39 | s = s:gsub('%-%s', ' ') | ||
| 40 | -- Remove everything that is not letters or numbers | ||
| 41 | s = s:gsub('[%.!%?:;,%[%]%(%)<>]', ' ') | ||
| 42 | -- Remove extra spaces | ||
| 43 | s = s:gsub('%s+', ' ') | ||
| 44 | return s:lower() | ||
| 45 | end | ||
| 46 | |||
| 47 | -- This function is called once for the whole document. Parameters: | ||
| 48 | -- body is a string, metadata is a table, variables is a table. | ||
| 49 | -- One could use some kind of templating | ||
| 50 | -- system here; this just gives you a simple standalone HTML file. | ||
| 51 | function Doc(body, metadata, variables) | ||
| 52 | local buffer = "" | ||
| 53 | local function add(s) | ||
| 54 | buffer = buffer .. nude(s) .. "\n" | ||
| 55 | end | ||
| 56 | if metadata['title'] then | ||
| 57 | add(metadata['title']) | ||
| 58 | end | ||
| 59 | if metadata['subtitle'] then | ||
| 60 | add(metadata['subtitle']) | ||
| 61 | end | ||
| 62 | -- TODO: epigraph.content, epigraph.attrib, dedication, other metadata? | ||
| 63 | add(body) | ||
| 64 | return flow(buffer) | ||
| 65 | end | ||
| 66 | |||
| 67 | -- Remove all formatting {{{ | ||
| 68 | function Note(s) | ||
| 69 | return nude(s) | ||
| 70 | end | ||
| 71 | |||
| 72 | function Blocksep() | ||
| 73 | return "\n" | ||
| 74 | end | ||
| 75 | function Emph(s) | ||
| 76 | return nude(s) | ||
| 77 | end | ||
| 78 | |||
| 79 | function Strong(s) | ||
| 80 | return nude(s) | ||
| 81 | end | ||
| 82 | |||
| 83 | function Subscript(s) | ||
| 84 | return nude(s) | ||
| 85 | end | ||
| 86 | |||
| 87 | function Superscript(s) | ||
| 88 | return nude(s) | ||
| 89 | end | ||
| 90 | |||
| 91 | function SmallCaps(s) | ||
| 92 | return nude(s) | ||
| 93 | end | ||
| 94 | |||
| 95 | function Strikeout(s) | ||
| 96 | return nude(s) | ||
| 97 | end | ||
| 98 | |||
| 99 | function Code(s, attr) | ||
| 100 | return nude(s) | ||
| 101 | end | ||
| 102 | |||
| 103 | function CodeBlock(s, attr) | ||
| 104 | return nude(s) | ||
| 105 | end | ||
| 106 | |||
| 107 | function InlineMath(s) | ||
| 108 | return nude(s) | ||
| 109 | end | ||
| 110 | |||
| 111 | function DisplayMath(s) | ||
| 112 | return nude(s) | ||
| 113 | end | ||
| 114 | |||
| 115 | function Span(s, attr) | ||
| 116 | return nude(s) | ||
| 117 | end | ||
| 118 | |||
| 119 | function Cite(s) | ||
| 120 | return nude(s) | ||
| 121 | end | ||
| 122 | |||
| 123 | function Plain(s) | ||
| 124 | return nude(s) | ||
| 125 | end | ||
| 126 | |||
| 127 | -- Links only include the link text | ||
| 128 | function Link(s, src, tit) | ||
| 129 | return nude(s) | ||
| 130 | end | ||
| 131 | |||
| 132 | -- Images have nothing to give us | ||
| 133 | -- (but add a space just in case) | ||
| 134 | function Image(s, src, tit) | ||
| 135 | return "\n" | ||
| 136 | end | ||
| 137 | |||
| 138 | function CaptionedImage(s, src, tit) | ||
| 139 | return "\n" | ||
| 140 | end | ||
| 141 | |||
| 142 | function Str(s) | ||
| 143 | return nude(s) | ||
| 144 | end | ||
| 145 | |||
| 146 | function Div(s, attr) | ||
| 147 | return nude(s) | ||
| 148 | end | ||
| 149 | |||
| 150 | function Space(s) | ||
| 151 | return "\n" | ||
| 152 | end | ||
| 153 | |||
| 154 | function LineBreak() | ||
| 155 | return "\n" | ||
| 156 | end | ||
| 157 | |||
| 158 | function Para(s) | ||
| 159 | return nude(s) | ||
| 160 | end | ||
| 161 | |||
| 162 | function Header(lev, s, attr) | ||
| 163 | return nude(s) | ||
| 164 | end | ||
| 165 | |||
| 166 | function BlockQuote(s) | ||
| 167 | return nude(s) | ||
| 168 | end | ||
| 169 | |||
| 170 | function HorizontalRule() | ||
| 171 | return "\n" | ||
| 172 | end | ||
| 173 | |||
| 174 | function BulletList(items) | ||
| 175 | local buffer = "" | ||
| 176 | for _, item in pairs(items) do | ||
| 177 | buffer = buffer .. nude(item) .. "\n" | ||
| 178 | end | ||
| 179 | return buffer .. "\n" | ||
| 180 | end | ||
| 181 | |||
| 182 | function OrderedList(items) | ||
| 183 | local buffer = "" | ||
| 184 | for _, item in pairs(items) do | ||
| 185 | buffer = buffer .. nude(item) .. "\n" | ||
| 186 | end | ||
| 187 | return buffer .. "\n" | ||
| 188 | end | ||
| 189 | |||
| 190 | function DefinitionList(items) | ||
| 191 | local buffer = "" | ||
| 192 | for _, item in pairs(items) do | ||
| 193 | for k, v in pairs(item) do | ||
| 194 | buffer = buffer .. nude(k) .. "\n" .. nude(v) .. "\n" | ||
| 195 | end | ||
| 196 | end | ||
| 197 | return buffer .. "\n" | ||
| 198 | end | ||
| 199 | |||
| 200 | function Table(caption, aligns, widths, headers, rows) | ||
| 201 | local buffer = "" | ||
| 202 | local function add(s) | ||
| 203 | buffer = buffer .. nude(s) .. "\n" | ||
| 204 | end | ||
| 205 | if caption ~= "" then | ||
| 206 | add(caption) | ||
| 207 | end | ||
| 208 | for _,h in pairs(headers) do | ||
| 209 | add(h) | ||
| 210 | end | ||
| 211 | for _, row in pairs(rows) do | ||
| 212 | for _, cell in pairs(row) do | ||
| 213 | add(cell) | ||
| 214 | end | ||
| 215 | end | ||
| 216 | return buffer | ||
| 217 | end | ||
| 218 | -- }}} | ||
| 219 | |||
| 220 | -- The following code will produce runtime warnings when you haven't defined | ||
| 221 | -- all of the functions you need for the custom writer, so it's useful | ||
| 222 | -- to include when you're working on a writer. | ||
| 223 | local meta = {} | ||
| 224 | meta.__index = | ||
| 225 | function(_, key) | ||
| 226 | io.stderr:write(string.format("WARNING: Undefined function '%s'\n",key)) | ||
| 227 | return function() return "" end | ||
| 228 | end | ||
| 229 | setmetatable(_G, meta) | ||
| 230 | |||
| diff --git a/_style.css b/trunk/style.css index eb7654b..5f6a289 100644 --- a/_style.css +++ b/trunk/style.css | |||
| @@ -262,7 +262,7 @@ nav .nextlink::after { | |||
| 262 | padding-right: 0.5em; | 262 | padding-right: 0.5em; |
| 263 | width: 1em; | 263 | width: 1em; |
| 264 | } | 264 | } |
| 265 | #lozenge { | 265 | #randomlink { |
| 266 | text-decoration: none; | 266 | text-decoration: none; |
| 267 | } | 267 | } |
| 268 | nav .anchors { | 268 | nav .anchors { |
| @@ -295,6 +295,56 @@ a.footnoteRef { | |||
| 295 | border: none; | 295 | border: none; |
| 296 | } | 296 | } |
| 297 | /* .footnotes elements }}} */ | 297 | /* .footnotes elements }}} */ |
| 298 | /* /1* CODE {{{ *1/ */ | ||
| 299 | /* .sourceCode { */ | ||
| 300 | /* max-width: 100%; */ | ||
| 301 | /* overflow: auto; */ | ||
| 302 | /* background-color: #303030; */ | ||
| 303 | /* color: #cccccc; */ | ||
| 304 | /* font-family: "Courier Prime", "Courier New", Courier, monospace; */ | ||
| 305 | /* font-size: 10pt; */ | ||
| 306 | /* } */ | ||
| 307 | /* .sourceCode .kw { /1* keywords *1/ */ | ||
| 308 | /* color: #f0dfaf; */ | ||
| 309 | /* font-weight: bold; */ | ||
| 310 | /* } */ | ||
| 311 | /* .sourceCode .dt { /1* datatype *1/ */ | ||
| 312 | /* color: #dfdfbf; */ | ||
| 313 | /* } */ | ||
| 314 | /* .sourceCode .dv { /1* decimal value *1/ */ | ||
| 315 | /* color: #dcdccc; */ | ||
| 316 | /* } */ | ||
| 317 | /* .sourceCode .bn { /1* base N *1/ */ | ||
| 318 | /* color: #dca3a3; */ | ||
| 319 | /* } */ | ||
| 320 | /* .sourceCode .fl { /1* float *1/ */ | ||
| 321 | /* color: #c0bed1; */ | ||
| 322 | /* } */ | ||
| 323 | /* .sourceCode .ch { /1* char *1/ */ | ||
| 324 | /* color: #dca3a3; */ | ||
| 325 | /* } */ | ||
| 326 | /* .sourceCode .st { /1* string *1/ */ | ||
| 327 | /* color: #cc9393; */ | ||
| 328 | /* } */ | ||
| 329 | /* .sourceCode .co { /1* comment *1/ */ | ||
| 330 | /* color: #7f9f7f; */ | ||
| 331 | /* font-style: italic; */ | ||
| 332 | /* } */ | ||
| 333 | /* .sourceCode .ot { /1* other token *1/ */ | ||
| 334 | /* color: #efef8f; */ | ||
| 335 | /* } */ | ||
| 336 | /* .sourceCode .at { /1* alert token *1/ */ | ||
| 337 | /* color: #ffcfaf; */ | ||
| 338 | /* } */ | ||
| 339 | /* .sourceCode .fu { /1* function *1/ */ | ||
| 340 | /* color: #efef8f; */ | ||
| 341 | /* } */ | ||
| 342 | /* .sourceCode .re { /1* region marker *1/ */ | ||
| 343 | /* } */ | ||
| 344 | /* .sourceCode .er { /1* error token *1/ */ | ||
| 345 | /* color: #c3bf9f; */ | ||
| 346 | /* } */ | ||
| 347 | /* /1* code }}} *1/ */ | ||
| 298 | /* GENRE CSS */ | 348 | /* GENRE CSS */ |
| 299 | /* .PROSE {{{ */ | 349 | /* .PROSE {{{ */ |
| 300 | .prose { | 350 | .prose { |
| @@ -428,7 +478,7 @@ a.footnoteRef { | |||
| 428 | /* }}} */ | 478 | /* }}} */ |
| 429 | #cover { | 479 | #cover { |
| 430 | color: #b2d9e5; | 480 | color: #b2d9e5; |
| 431 | background-image: url('trunk/black-streak.jpg'); | 481 | background-image: url('black-streak.jpg'); |
| 432 | background-position: 0 0; | 482 | background-position: 0 0; |
| 433 | background-size: 100% 100%; | 483 | background-size: 100% 100%; |
| 434 | background-repeat: no-repeat; | 484 | background-repeat: no-repeat; |
| @@ -482,7 +532,7 @@ a.footnoteRef { | |||
| 482 | margin-left: 0.25em; | 532 | margin-left: 0.25em; |
| 483 | margin-right: 0.25em; | 533 | margin-right: 0.25em; |
| 484 | } | 534 | } |
| 485 | #cover .lozenge { | 535 | #cover .randomlink { |
| 486 | text-align: center; | 536 | text-align: center; |
| 487 | font-size: 1em; | 537 | font-size: 1em; |
| 488 | color: #e5bfb2; | 538 | color: #e5bfb2; |
| @@ -543,6 +593,26 @@ tr { | |||
| 543 | background-color: white; | 593 | background-color: white; |
| 544 | } | 594 | } |
| 545 | /* .autocento }}} */ | 595 | /* .autocento }}} */ |
| 596 | /* .BACKLINKS {{{ */ | ||
| 597 | .backlinks .daisy a:link { | ||
| 598 | font-size: 0.5em; | ||
| 599 | font-style: italic; | ||
| 600 | margin-left: 0.5em; | ||
| 601 | color: gray; | ||
| 602 | border: none; | ||
| 603 | position: relative; | ||
| 604 | top: -1em; | ||
| 605 | } | ||
| 606 | .backlinks .daisy a:visited { | ||
| 607 | color: #b2b2e5; | ||
| 608 | } | ||
| 609 | .backlinks .daisy a:hover { | ||
| 610 | color: #e5bfb2; | ||
| 611 | } | ||
| 612 | .backlinks .daisy a:active { | ||
| 613 | color: #e5e5b2; | ||
| 614 | } | ||
| 615 | /* .backlinks }}} */ | ||
| 546 | /* ARTICLE CSS */ | 616 | /* ARTICLE CSS */ |
| 547 | /* #TABLE_CONTENTS {{{ */ | 617 | /* #TABLE_CONTENTS {{{ */ |
| 548 | #table_contents table { | 618 | #table_contents table { |
| diff --git a/trunk/toc.head b/trunk/toc.head index 29cb69e..83b41d6 100644 --- a/trunk/toc.head +++ b/trunk/toc.head | |||
| @@ -1,11 +1,6 @@ | |||
| 1 | --- | 1 | --- |
| 2 | title: Autocento of the breakfast table | 2 | title: Table of contents |
| 3 | id: toc | 3 | id: toc |
| 4 | subtitle: table of contents | ||
| 5 | genre: list | 4 | genre: list |
| 6 | |||
| 7 | project: | ||
| 8 | title: About autocento | ||
| 9 | class: meta | ||
| 10 | ... | 5 | ... |
| 11 | 6 | ||
| diff --git a/trunk/toc.sh b/trunk/toc.sh deleted file mode 100644 index fe440cb..0000000 --- a/trunk/toc.sh +++ /dev/null | |||
| @@ -1,26 +0,0 @@ | |||
| 1 | #!/bin/bash | ||
| 2 | |||
| 3 | outFile="$1"; | ||
| 4 | shift 1; | ||
| 5 | glob="$@"; | ||
| 6 | |||
| 7 | echo -n "Compiling $outFile" | ||
| 8 | |||
| 9 | for file in $glob; do | ||
| 10 | title=$(grep '^title: ' $file | cut -d' ' -f2-); | ||
| 11 | subtitle=$(grep '^subtitle: ' $file | cut -d' ' -f2-); | ||
| 12 | htmlFile="${file%.txt}.html" | ||
| 13 | # if [[ "$title" == "Autocento of the breakfast table" ]]; then | ||
| 14 | # echo "#. [$subtitle]($htmlFile)" >> "$outFile"; | ||
| 15 | # else | ||
| 16 | # echo "#. [$title]($htmlFile)" >> "$outFile"; | ||
| 17 | # fi | ||
| 18 | if [[ -n "$subtitle" ]]; then | ||
| 19 | echo "#. [$title: $subtitle]($htmlFile)" >> "$outFile" | ||
| 20 | else | ||
| 21 | echo "#. [$title]($htmlFile)" >> "$outFile"; | ||
| 22 | fi | ||
| 23 | echo -n "." | ||
| 24 | done | ||
| 25 | |||
| 26 | echo "Done." | ||
| diff --git a/trunk/versify.exe b/trunk/versify.exe deleted file mode 100644 index d479c80..0000000 --- a/trunk/versify.exe +++ /dev/null | |||
| Binary files differ | |||
| diff --git a/trunk/white-streak.jpg b/trunk/white-streak.jpg deleted file mode 100644 index 318f654..0000000 --- a/trunk/white-streak.jpg +++ /dev/null | |||
| Binary files differ | |||
| diff --git a/underwear.html b/underwear.html index e8377a2..5ef8817 100644 --- a/underwear.html +++ b/underwear.html | |||
| @@ -4,72 +4,70 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Underwear | Autocento of the breakfast table</title> | 12 | <title>Underwear | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="underwear" class="paul"> | 23 | <body id="underwear" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Underwear</h1> | 28 | <h1 class="title">Underwear</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He dropped the penny in the dryer, turned it on, and turned around. “What” he called upstairs, pretending not to hear his mother’s <a href="exasperated.html">question</a> over the noise of the dryer. He had heard her ask “Could you bring up my underwear from the dryer” but didn’t want to touch her underwear any more than he had to. “I don’t want to bring up your underwear” he said to himself, and walked back upstairs as his mother was calling down again for her underwear.</p> | ||
| 40 | <p>“Did you get them” she asked when he opened the basement door to the kitchen. She was sitting at the table playing <a href="phone.html">dominoes</a>. “Get what” he asked. She peered at him and said “my underwear.”</p> | ||
| 41 | <p>“Oh I didn’t see them” he answered. He reflexively opened the refrigerator, reflexively bent down, reflexively tried to feign non-disappointment (appointment? he thought) at seeing the same disappointing empty pickle jar, old head of lettuce, <a href="riptide_memory.html">crusty mayonnaise</a> he’d seen already on the way down to switch his laundry over. “Paul” she said in that way that means <a href="found-typewriter-poem.html">Look at me</a>. Paul <a href="angeltoabraham.html">looked at her</a>.</p> | ||
| 42 | <p>“You had to get them out of the dryer to put your clothes in. Where did you put them?”</p> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="underwear_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 51 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | 32 | ||
| 54 | <a class="prevlink" href="hymnal.html" | 33 | </div> |
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 56 | Hymnal | 35 | |
| 57 | </a> | 36 | |
| 58 | <a class="prevlink" href="treatise.html" | 37 | <section class="content prose"> |
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He dropped the penny in the dryer, turned it on, and turned around. “What” he called upstairs, pretending not to hear his mother’s <a href="exasperated.html">question</a> over the noise of the dryer. He had heard her ask “Could you bring up my underwear from the dryer” but didn’t want to touch her underwear any more than he had to. “I don’t want to bring up your underwear” he said to himself, and walked back upstairs as his mother was calling down again for her underwear.</p> |
| 60 | Treatise | 39 | <p>“Did you get them” she asked when he opened the basement door to the kitchen. She was sitting at the table playing <a href="phone.html">dominoes</a>. “Get what” he asked. She peered at him and said “my underwear.”</p> |
| 61 | </a> | 40 | <p>“Oh I didn’t see them” he answered. He reflexively opened the refrigerator, reflexively bent down, reflexively tried to feign non-disappointment (appointment? he thought) at seeing the same disappointing empty pickle jar, old head of lettuce, <a href="riptide_memory.html">crusty mayonnaise</a> he’d seen already on the way down to switch his laundry over. “Paul” she said in that way that means <a href="found-typewriter-poem.html">Look at me</a>. Paul <a href="angeltoabraham.html">looked at her</a>.</p> |
| 62 | 41 | <p>“You had to get them out of the dryer to put your clothes in. Where did you put them?”</p> | |
| 63 | <a class="nextlink" href="dream.html" | 42 | </section> |
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </article> |
| 65 | Dream | 44 | <nav> |
| 66 | </a> | 45 | <div class="anchors"> |
| 67 | <a class="nextlink" href="wallpaper.html" | 46 | <a href="backlinks/underwear.html" id="backlinks" title="Links to this page"> |
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | φ |
| 69 | Wallpaper | 48 | </a> |
| 70 | </a> | 49 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 71 | </nav> | 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 51 | </div> | ||
| 52 | |||
| 53 | <a class="prevlink" href="hymnal.html" | ||
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Hymnal | ||
| 56 | </a> | ||
| 57 | <a class="prevlink" href="treatise.html" | ||
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Treatise | ||
| 60 | </a> | ||
| 61 | |||
| 62 | <a class="nextlink" href="dream.html" | ||
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 64 | Dream | ||
| 65 | </a> | ||
| 66 | <a class="nextlink" href="wallpaper.html" | ||
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 68 | Wallpaper | ||
| 69 | </a> | ||
| 70 | </nav> | ||
| 72 | 71 | ||
| 73 | |||
| 74 | </body> | 72 | </body> |
| 75 | </html> | 73 | </html> |
| diff --git a/walking-in-the-rain.html b/walking-in-the-rain.html index 8ea09f9..0150ae6 100644 --- a/walking-in-the-rain.html +++ b/walking-in-the-rain.html | |||
| @@ -4,53 +4,51 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Walking in the rain | Autocento of the breakfast table</title> | 12 | <title>Walking in the rain | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="walking-in-the-rain" class="autocento"> | 23 | <body id="walking-in-the-rain" class="autocento"> |
| 24 | 24 | ||
| 25 | 25 | <article class="container"> | |
| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">Walking in the rain</h1> |
| 29 | <h1 class="title">Walking in the rain</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">I can walk through the rain, <a href="collage-instrument.html">that rare occurrence</a></span><span class="line">and never be hit by a drop. There is a space around me</span><span class="line">that refuses to be <a href="lovesong.html">penetrated</a> by weather of any kind</span><span class="line">be it rain or snow or sunshine. <a href="seasonal-affective-disorder.html">Is it cold I hear you</a></span><span class="line">asking in your voice soft as a breeze. No it is not</span><span class="line"><a href="cold-wind.html">particularly cold</a>. If I were to describe it as warm</span><span class="line"><a href="todaniel.html">I would be lying as well</a>. If I were to pretend I heard</span><span class="line">you, far-off, mirage, breeze on the horizon, <a href="no-nothing.html">no truth</a></span><span class="line">would ever be said to have come from <a href="swansong-alt.html">my frozen lips</a>.</span></p> |
| 39 | <p><span class="line">I can walk through the rain, <a href="collage-instrument.html">that rare occurrence</a></span><span class="line">and never be hit by a drop. There is a space around me</span><span class="line">that refuses to be <a href="lovesong.html">penetrated</a> by weather of any kind</span><span class="line">be it rain or snow or sunshine. <a href="seasonal-affective-disorder.html">Is it cold I hear you</a></span><span class="line">asking in your voice soft as a breeze. No it is not</span><span class="line"><a href="cold-wind.html">particularly cold</a>. If I were to describe it as warm</span><span class="line"><a href="todaniel.html">I would be lying as well</a>. If I were to pretend I heard</span><span class="line">you, far-off, mirage, breeze on the horizon, <a href="no-nothing.html">no truth</a></span><span class="line">would ever be said to have come from <a href="swansong-alt.html">my frozen lips</a>.</span></p> | 39 | </section> |
| 40 | </section> | 40 | </article> |
| 41 | </article> | 41 | <nav> |
| 42 | <nav> | 42 | <div class="anchors"> |
| 43 | <div class="anchors"> | 43 | <a href="backlinks/walking-in-the-rain.html" id="backlinks" title="Links to this page"> |
| 44 | <a href="walking-in-the-rain_backlinks.htm" id="back-link" title="Links to this page"> | 44 | φ |
| 45 | φ | 45 | </a> |
| 46 | </a> | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 47 | <a href="index.html" id="cover-link" title="To cover">◊</a> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | 48 | </div> |
| 49 | </div> | 49 | |
| 50 | 50 | ||
| 51 | 51 | </nav> | |
| 52 | </nav> | 52 | |
| 53 | |||
| 54 | |||
| 55 | </body> | 53 | </body> |
| 56 | </html> | 54 | </html> |
| diff --git a/wallpaper.html b/wallpaper.html index a866e23..d344933 100644 --- a/wallpaper.html +++ b/wallpaper.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Wallpaper | Autocento of the breakfast table</title> | 12 | <title>Wallpaper | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="wallpaper" class="paul"> | 23 | <body id="wallpaper" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Wallpaper</h1> | 28 | <h1 class="title">Wallpaper</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He didn’t go back into the shed for a long time. His hatchet was in there, and his axe. He didn’t want to face them. His papers, he decided, could wait in the top drawer for a while before being looked at again. The pain medication made him loopy. He couldn’t think as well as he was used to, which wasn’t well to begin with. Even saying his thoughts out loud, it was as though they were on the <a href="statements-frag.html">TV in the next room</a>. Someone was cheering. They had just won a car.</p> | ||
| 40 | <p>His mother came in with lunch on a tray. It was hot tomato soup and a grilled cheese sandwich. “What have you been doing all day” she asked “you haven’t just been staring at the wall have you?” He had been staring at the wall most of the day. <a href="in-bed.html">The wall without the window on it, with the woodgrain wallpaper.</a> “No” he said. “What have you been doing then” she asked setting the tray down on his lap. He sat up and almost upset it, but she caught it before it spilled anything. “Composing in my head” he lied. “A novel of my experience.”</p> | ||
| 41 | <p>“<a href="http://www.confederacyofdunces.com/">Do you really think anyone will want to read about you</a>” she asked and walked out of the room.</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="wallpaper_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="x-ray.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | X-ray | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="underwear.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He didn’t go back into the shed for a long time. His hatchet was in there, and his axe. He didn’t want to face them. His papers, he decided, could wait in the top drawer for a while before being looked at again. The pain medication made him loopy. He couldn’t think as well as he was used to, which wasn’t well to begin with. Even saying his thoughts out loud, it was as though they were on the <a href="statements-frag.html">TV in the next room</a>. Someone was cheering. They had just won a car.</p> |
| 59 | Underwear | 39 | <p>His mother came in with lunch on a tray. It was hot tomato soup and a grilled cheese sandwich. “What have you been doing all day” she asked “you haven’t just been staring at the wall have you?” He had been staring at the wall most of the day. <a href="in-bed.html">The wall without the window on it, with the woodgrain wallpaper.</a> “No” he said. “What have you been doing then” she asked setting the tray down on his lap. He sat up and almost upset it, but she caught it before it spilled anything. “Composing in my head” he lied. “A novel of my experience.”</p> |
| 60 | </a> | 40 | <p>“<a href="http://www.confederacyofdunces.com/">Do you really think anyone will want to read about you</a>” she asked and walked out of the room.</p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="punch.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | Punch | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/wallpaper.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="window.html" | 46 | φ |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </a> |
| 68 | Window | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="x-ray.html" | ||
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 54 | X-ray | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="underwear.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Underwear | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="punch.html" | ||
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Punch | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="window.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | Window | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/weplayedthosegamestoo.html b/weplayedthosegamestoo.html index 7344f33..9565d6f 100644 --- a/weplayedthosegamestoo.html +++ b/weplayedthosegamestoo.html | |||
| @@ -4,61 +4,59 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | |||
| 12 | <title>We played those games too | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
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| 12 | <title>We played those games too | Autocento of the breakfast table</title> | 25 | <article class="container"> |
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| 28 | <h1 class="title">We played those games too</h1> | ||
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| 29 | <h1 class="title">We played those games too</h1> | ||
| 30 | |||
| 31 | 36 | ||
| 32 | <div class="header-extra"> | 37 | <section class="content verse"> |
| 33 | 38 | <p><span class="line">I saw two Eskimo girls playing a game</span><span class="line">blowing on each other’s’ vocal cords to make music</span><span class="line">on the tundra. I thought about how</span><span class="line">once we played the same game</span><span class="line">and the sounds blowing over the cords of our throats</span><span class="line">was the same as a wind over frozen prairie.</span><span class="line">We are the Eskimo girls who played</span><span class="line">the game that night to keep ourselves warm.</span><span class="line">I run my hands over <a href="and.html">my daughter</a>’s</span><span class="line">voicebox as she hums a song</span><span class="line">about a seal and about killing the seal and about</span><span class="line">skinning it and rendering the blubber</span><span class="line">into clear oil to light lamps.</span><span class="line">I remember you are my lamp. She remembers</span><span class="line">you although you left before she arrived.</span><span class="line">I can never tell her about you.</span><span class="line">I will never be able to express that taste of your oil</span><span class="line">as we <a href="spittle.html">pushed our throats together</a>.</span><span class="line">I will never be able to say how</span><span class="line">we share this blemish like conjoined twins.</span><span class="line">I will fail you always to remember you.</span></p> | |
| 34 | </div> | 39 | </section> |
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| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
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| 36 | 49 | ||
| 37 | 50 | <a class="prevlink" href="telemarketer.html" | |
| 38 | <section class="content verse"> | 51 | title="Previous article in Elegies for alternate selves"> |
| 39 | <p><span class="line">I saw two Eskimo girls playing a game</span><span class="line">blowing on each other’s’ vocal cords to make music</span><span class="line">on the tundra. I thought about how</span><span class="line">once we played the same game</span><span class="line">and the sounds blowing over the cords of our throats</span><span class="line">was the same as a wind over frozen prairie.</span><span class="line">We are the Eskimo girls who played</span><span class="line">the game that night to keep ourselves warm.</span><span class="line">I run my hands over <a href="and.html">my daughter</a>’s</span><span class="line">voicebox as she hums a song</span><span class="line">about a seal and about killing the seal and about</span><span class="line">skinning it and rendering the blubber</span><span class="line">into clear oil to light lamps.</span><span class="line">I remember you are my lamp. She remembers</span><span class="line">you although you left before she arrived.</span><span class="line">I can never tell her about you.</span><span class="line">I will never be able to express that taste of your oil</span><span class="line">as we <a href="spittle.html">pushed our throats together</a>.</span><span class="line">I will never be able to say how</span><span class="line">we share this blemish like conjoined twins.</span><span class="line">I will fail you always to remember you.</span></p> | 52 | Telemarketer |
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| 48 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
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| @@ -1,62 +0,0 @@ | |||
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| 40 | <li><a href="hands.html">Hands</a></li> | ||
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| diff --git a/what-we-are-made-of.html b/what-we-are-made-of.html index 462d188..ec42d37 100644 --- a/what-we-are-made-of.html +++ b/what-we-are-made-of.html | |||
| @@ -4,64 +4,62 @@ | |||
| 4 | --> | 4 | --> |
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| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
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| 12 | <title>What we are made of | Autocento of the breakfast table</title> | 12 | <title>What we are made of | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
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| 23 | <body id="what-we-are-made-of" class="autocento"> | 23 | <body id="what-we-are-made-of" class="autocento"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">What we are made of</h1> | 28 | <h1 class="title">What we are made of</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>There is a cave just outside of Flagstaff made from ancient lava flows. We went inside it to where the darkness was a presence, it walked with us like a Christ, our footsteps fell dead on its walls. We learned what space felt like, and drowning, and being crushed, and going blind and deaf. We made up words to push the feeling away, to goad it like mockingbirds fighting hawks. We called it creepy to its face. It stared back dispassionate.</p> | ||
| 40 | <p>In a bathroom I know there is a low thrumming that comes from the air ducts in the ceiling. It comforts me in the same way the smell of toilet-water calms my stomach, it is a sound so close to quiet, so close to the porcelain whiteness of the toilet, it pushes all other noise away. It is deafening quiet in its most real form, its most realizable form.</p> | ||
| 41 | <p>The eggs on the floor, broken. Not the eggs in their journey to the floor or from the farm or from the hen on the farm, in the cage, glowing under fluorescent lights, its neighbors pressed to its body, rotten-smelling, grotesque. Not the fateful meeting with the floor. Not the long wait in darkness for the fluorescent dawn, cacophonous with pain and smell. None of this: the sunlight on the kitchen tile, the refrigerator softly humming, the eggs on the floor. The yolks glistening.</p> | ||
| 42 | <p>I compose with music best. Under its meaninglessness <a href="music-433.html">I am able to hear the silence</a>, a different meaninglessness, a somehow-deeper meaninglessness, the inverse of repeating a word until it is only sound. I can hear the taboo, the never-spoken, unacknowledged. I write to drown its sound, with the scratching of my pen.</p> | ||
| 43 | <p><span class="line">Silence lies underneath us all in the same way</span><span class="line">the Nile has a river underneath ten times as large</span><span class="line">(though this is an urban legend, apparently)</span><span class="line"> I threw a party in my dream and went to the bathroom, down a long dark hallway. I began to leave and noticed the bathtub full of stuffed animals in a heap. I examined them each in turn: an elephant, a tiger, each backgrounded by white tile. A warthog sat at the top of the heap. It caught my eye, I stared, it slowly winked, sneering. I reached out my finger and poked it, like the Pillsbury Doughboy. It responded in kind, chuckling. I woke with a start, terrified. It had made no sound.</span></p> | ||
| 44 | <p>There are at least two kinds of silence, in the same way that there are at least two kinds of sadness. There is the silence of after, the staring, open-mouthed silence, the what-do-we-do-now silence. There is the silence of before, the still before rainfall, the just-woken-up.</p> | ||
| 45 | <p>There is, now I’m thinking about it, the silence of between: the waiting room after the heart attack, after the phone call, after the hurried drive, the fast walking down hospital hallways, the finding the room, my family, their faces the silence of after, the TV quietly playing <em>Maurie</em>, the silence underneath that; the waiting room <em>before</em> the doctor comes in, tells us what happened, the chances, before my parents drive down, their three long hours in the car, before we become the Hospital People for five days, camped-out, loud, cackling, crying, doing crosswords, watching her die.</p> | ||
| 46 | <p>The silence of wondering whether we could’ve known each other better.</p> | ||
| 47 | <p>The silence of the long trip we prefer to believe she’s gone on, which is really the silence of her absence.</p> | ||
| 48 | <p>The eggs on the floor, broken.</p> | ||
| 49 | <p>In other dreams, all I’ve watched all of my family dying. My father I remember best: he was on the wicker rocking chair on the porch, staring at the back yard, the evergreen trees in a magic triangle, their branches intertwined. We were all on the porch, and I heard like a far-away bell the moment of his death. I woke up crying, my throat closed with grief.</p> | ||
| 50 | <p>Leaving after the goodbye at the hotel, <a href="lappel-du-vide.html">realizing I won’t be home</a> until Christmas, that I’m on my own long trip, someone on the radio station I’m listening to in the car screws up transferring tapes, broadcasts dead air. The silence yawns like a chasm, lasting for years. <a href="riptide_memory.html">The wind picks me up and carries me away</a>, I see everything from a great height, I see the future. I’m waiting.</p> | ||
| 51 | </section> | ||
| 52 | </article> | ||
| 53 | <nav> | ||
| 54 | <div class="anchors"> | ||
| 55 | <a href="what-we-are-made-of_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 56 | φ | ||
| 57 | </a> | ||
| 58 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 59 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 60 | </div> | ||
| 61 | 32 | ||
| 62 | 33 | </div> | |
| 63 | </nav> | 34 | </header> |
| 35 | |||
| 36 | |||
| 37 | <section class="content prose"> | ||
| 38 | <p>There is a cave just outside of Flagstaff made from ancient lava flows. We went inside it to where the darkness was a presence, it walked with us like a Christ, our footsteps fell dead on its walls. We learned what space felt like, and drowning, and being crushed, and going blind and deaf. We made up words to push the feeling away, to goad it like mockingbirds fighting hawks. We called it creepy to its face. It stared back dispassionate.</p> | ||
| 39 | <p>In a bathroom I know there is a low thrumming that comes from the air ducts in the ceiling. It comforts me in the same way the smell of toilet-water calms my stomach, it is a sound so close to quiet, so close to the porcelain whiteness of the toilet, it pushes all other noise away. It is deafening quiet in its most real form, its most realizable form.</p> | ||
| 40 | <p>The eggs on the floor, broken. Not the eggs in their journey to the floor or from the farm or from the hen on the farm, in the cage, glowing under fluorescent lights, its neighbors pressed to its body, rotten-smelling, grotesque. Not the fateful meeting with the floor. Not the long wait in darkness for the fluorescent dawn, cacophonous with pain and smell. None of this: the sunlight on the kitchen tile, the refrigerator softly humming, the eggs on the floor. The yolks glistening.</p> | ||
| 41 | <p>I compose with music best. Under its meaninglessness <a href="music-433.html">I am able to hear the silence</a>, a different meaninglessness, a somehow-deeper meaninglessness, the inverse of repeating a word until it is only sound. I can hear the taboo, the never-spoken, unacknowledged. I write to drown its sound, with the scratching of my pen.</p> | ||
| 42 | <p><span class="line">Silence lies underneath us all in the same way</span><span class="line">the Nile has a river underneath ten times as large</span><span class="line">(though this is an urban legend, apparently)</span><span class="line"> I threw a party in my dream and went to the bathroom, down a long dark hallway. I began to leave and noticed the bathtub full of stuffed animals in a heap. I examined them each in turn: an elephant, a tiger, each backgrounded by white tile. A warthog sat at the top of the heap. It caught my eye, I stared, it slowly winked, sneering. I reached out my finger and poked it, like the Pillsbury Doughboy. It responded in kind, chuckling. I woke with a start, terrified. It had made no sound.</span></p> | ||
| 43 | <p>There are at least two kinds of silence, in the same way that there are at least two kinds of sadness. There is the silence of after, the staring, open-mouthed silence, the what-do-we-do-now silence. There is the silence of before, the still before rainfall, the just-woken-up.</p> | ||
| 44 | <p>There is, now I’m thinking about it, the silence of between: the waiting room after the heart attack, after the phone call, after the hurried drive, the fast walking down hospital hallways, the finding the room, my family, their faces the silence of after, the TV quietly playing <em>Maurie</em>, the silence underneath that; the waiting room <em>before</em> the doctor comes in, tells us what happened, the chances, before my parents drive down, their three long hours in the car, before we become the Hospital People for five days, camped-out, loud, cackling, crying, doing crosswords, watching her die.</p> | ||
| 45 | <p>The silence of wondering whether we could’ve known each other better.</p> | ||
| 46 | <p>The silence of the long trip we prefer to believe she’s gone on, which is really the silence of her absence.</p> | ||
| 47 | <p>The eggs on the floor, broken.</p> | ||
| 48 | <p>In other dreams, all I’ve watched all of my family dying. My father I remember best: he was on the wicker rocking chair on the porch, staring at the back yard, the evergreen trees in a magic triangle, their branches intertwined. We were all on the porch, and I heard like a far-away bell the moment of his death. I woke up crying, my throat closed with grief.</p> | ||
| 49 | <p>Leaving after the goodbye at the hotel, <a href="lappel-du-vide.html">realizing I won’t be home</a> until Christmas, that I’m on my own long trip, someone on the radio station I’m listening to in the car screws up transferring tapes, broadcasts dead air. The silence yawns like a chasm, lasting for years. <a href="riptide_memory.html">The wind picks me up and carries me away</a>, I see everything from a great height, I see the future. I’m waiting.</p> | ||
| 50 | </section> | ||
| 51 | </article> | ||
| 52 | <nav> | ||
| 53 | <div class="anchors"> | ||
| 54 | <a href="backlinks/what-we-are-made-of.html" id="backlinks" title="Links to this page"> | ||
| 55 | φ | ||
| 56 | </a> | ||
| 57 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 58 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 59 | </div> | ||
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| diff --git a/when-im-sorry-i.html b/when-im-sorry-i.html index 809c21f..42fa2c9 100644 --- a/when-im-sorry-i.html +++ b/when-im-sorry-i.html | |||
| @@ -4,56 +4,54 @@ | |||
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| 23 | <body id="when-im-sorry-i" class="autocento"> | 23 | <body id="when-im-sorry-i" class="autocento"> |
| 24 | 24 | ||
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| 26 | <article class="container"> | 26 | <header> |
| 27 | <header> | 27 | <!-- title --> |
| 28 | <!-- title --> | 28 | <h1 class="title">When I’m sorry I wash dishes</h1> |
| 29 | <h1 class="title">When I’m sorry I wash dishes</h1> | 29 | |
| 30 | 30 | ||
| 31 | 31 | <div class="header-extra"> | |
| 32 | <div class="header-extra"> | 32 | |
| 33 | 33 | </div> | |
| 34 | </div> | 34 | </header> |
| 35 | </header> | 35 | |
| 36 | 36 | ||
| 37 | 37 | <section class="content verse"> | |
| 38 | <section class="content verse"> | 38 | <p><span class="line">Your casserole dish takes the longest:</span><span class="line">it has some baked-in crust from when you</span><span class="line">cooked chicken last night. Washing it</span><span class="line">allows me to think about this poem’s title</span><span class="line">and the first few lines. Now that I’ve</span><span class="line">written them down, I’ve <a href="elegyforanalternateself.html">forgotten the rest</a>.</span></p> |
| 39 | <p><span class="line">Your casserole dish takes the longest:</span><span class="line">it has some baked-in crust from when you</span><span class="line">cooked chicken last night. Washing it</span><span class="line">allows me to think about this poem’s title</span><span class="line">and the first few lines. Now that I’ve</span><span class="line">written them down, I’ve <a href="elegyforanalternateself.html">forgotten the rest</a>.</span></p> | 39 | <p><span class="line">While scraping at something with my finger-</span><span class="line">nail, I catch myself wondering again whether</span><span class="line">you’ll thank me for washing your dishes.</span><span class="line">I realize that this would defeat the point</span><span class="line">of my gesture, that this has destroyed</span><span class="line">all good thoughts I’ve had about saying</span></p> |
| 40 | <p><span class="line">While scraping at something with my finger-</span><span class="line">nail, I catch myself wondering again whether</span><span class="line">you’ll thank me for washing your dishes.</span><span class="line">I realize that this would defeat the point</span><span class="line">of my gesture, that this has destroyed</span><span class="line">all good thoughts I’ve had about saying</span></p> | 40 | <p><span class="line">“I’m sorry.” This, <a href="http://plagiarist.com/poetry/1703/">this is the reason</a> why</span><span class="line">I am always apologizing: because I never</span><span class="line">mean it, because there is always, in [some</span><span class="line">attic]<a href="real-writer.html">attic</a>, a thought roaming that says, insists:</span></p> |
| 41 | <p><span class="line">“I’m sorry.” This, <a href="http://plagiarist.com/poetry/1703/">this is the reason</a> why</span><span class="line">I am always apologizing: because I never</span><span class="line">mean it, because there is always, in [some</span><span class="line">attic]<a href="real-writer.html">attic</a>, a thought roaming that says, insists:</span></p> | 41 | <p><span class="line">“I’ve done nothing wrong, and I deserve</span><span class="line">all I can take, and more than that.“</span></p> |
| 42 | <p><span class="line">“I’ve done nothing wrong, and I deserve</span><span class="line">all I can take, and more than that.“</span></p> | 42 | </section> |
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| 39 | <p><em><strong><a href="hymnal.html">HYMN 386: JOKES</a></strong></em></p> | ||
| 40 | <p><em>“<a href="joke.html">Tell us a joke</a>” everyone asks of the clown. He sits on a log and begins to think. Everyone waits gap-mouthed in anticipation. A slight breeze ruffles the clown’s coat, his pompom buttons, <a href="ronaldmcdonald.html">his bright red hair</a>. His nose becomes redder in the cold. Hours pass. All but the most dedicated of joke listeners leave him to rot <del>for all they may care</del>.</em></p> | ||
| 41 | <p><em>The clown opens his mouth to speak but no words come out. A tear falls down his cheek, and another. He begins to sob. The last joke listener comes over to comfort him. She puts a hand on his shoulder. He looks up at her, red face, red nose, white lips, and says <del>“Thank you.”</del> He vanishes from the clearing. The last joke listener sits on the log and looks up at the sky. <a href="moon-drowning.html">The moon is full.</a> The world creaks on its axis.</em></p> | ||
| 42 | <p>Paul looked up to the space on the wall where a window should be. The shadow of his face wavered in the candle light. He looked back down at the card he’d been writing on. He read the card. He crossed out the <em>for all they may care</em> in the first paragraph, and <em>“Thank you”</em> from the second one. “<a href="elegyforanalternateself.html">What could he say</a>” he thought to himself. “What could he possibly say to her.” He went outside to clear his head with a cigarette. He took his axe with him this time.</p> | ||
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| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p><em><strong><a href="hymnal.html">HYMN 386: JOKES</a></strong></em></p> |
| 60 | Wallpaper | 39 | <p><em>“<a href="joke.html">Tell us a joke</a>” everyone asks of the clown. He sits on a log and begins to think. Everyone waits gap-mouthed in anticipation. A slight breeze ruffles the clown’s coat, his pompom buttons, <a href="ronaldmcdonald.html">his bright red hair</a>. His nose becomes redder in the cold. Hours pass. All but the most dedicated of joke listeners leave him to rot <del>for all they may care</del>.</em></p> |
| 61 | </a> | 40 | <p><em>The clown opens his mouth to speak but no words come out. A tear falls down his cheek, and another. He begins to sob. The last joke listener comes over to comfort him. She puts a hand on his shoulder. He looks up at her, red face, red nose, white lips, and says <del>“Thank you.”</del> He vanishes from the clearing. The last joke listener sits on the log and looks up at the sky. <a href="moon-drowning.html">The moon is full.</a> The world creaks on its axis.</em></p> |
| 62 | 41 | <p>Paul looked up to the space on the wall where a window should be. The shadow of his face wavered in the candle light. He looked back down at the card he’d been writing on. He read the card. He crossed out the <em>for all they may care</em> in the first paragraph, and <em>“Thank you”</em> from the second one. “<a href="elegyforanalternateself.html">What could he say</a>” he thought to himself. “What could he possibly say to her.” He went outside to clear his head with a cigarette. He took his axe with him this time.</p> | |
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| 1 | stuff = i-am | ||
| 2 | grump = $(patsubst %,%*,$(stuff)) | ||
| 3 | |||
| 4 | test: | ||
| 5 | @echo $(grump) | ||
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| 33 | 38 | <p>Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages. The author argued that it took all of the power out of the idea, like a pressure-release valve, before any of that creative power got to be applied to the page. It made me think of “<a href="http://www.poetryfoundation.org/poem/177014">Meditation at Legunitas</a>,” when Hass writes “that each particular erases / the luminous clarity of a general idea.” As a self-confessed General Idea person, I identify with the remark: it does seem as though, no matter how lofty the idea I originally have for a poem, once I sit down to write the thing I quickly get bogged down in the details, the particulars. I guess the writer of that lost article must work the same way, leading to their advice: if the “luminous clarity of a general idea” is so fragile that just beginning to write it down ruins it somehow, <em>telling</em> people about it is even worse.</p> | |
| 34 | </div> | 39 | <p>But back to that Robert Hass poem: while he does say that thing about the “luminous clarity of a general idea,” and he adds to it that “<a href="words-meaning.html">a word is elegy</a> to what it signifies,” his tone is lightly chiding this philosophy. He opens his poem with “All the new thinking is about loss. / In this it resembles all the old thinking,” which to my mind lampoons both the new and the old thinking for not having anything new, ultimately, to say. He attributes these thoughts to a friend, whose voice carried “a thin wire of grief, a tone / almost querulous” about that loss of luminous clarity. The speaker of Hass’s poem remembers a woman he made love to, once, and this image takes over the poem in all its specificity, from “her small shoulders” to his “childhood river / with its island willows,” to “the way her hands dismantled bread.”</p> |
| 35 | </header> | 40 | <p>Even in disproving his friend’s remarks through his imagery, the speaker of “Meditation at Legunitas” admits that “It hardly had to do with her”—and here is the heart of what Hass is saying about poetry. A poem hardly has to do with what it’s written about, on the surface level; as Richard Hugo says it in <a href="http://ualr.edu/rmburns/RB/hugosubj.html">a famous essay</a>, a poem has a “triggering subject” and it has a “real or generated subject,” which for Hugo in “Meditation at Legunitas” is something about the way that not only general ideas, but particulars, such as the body or hands or “the thing her father said that hurt her,” which is such a beautiful generality that is somehow also a particular truth, are luminous to poetry and to life-as-lived. The philosophers can say what they want, but we experience the world bodily and particularly to ourselves.</p> |
| 41 | <p>There’s still a problem with language, however, to which Hass speaks by the end of his poem, with those repetitions of “blackberry, blackberry, blackberry,” in that, as Jack Gilbert says in his poem “<a href="http://www.smith.edu/poetrycenter/poets/theforgottendialect.html">The Forgotten Dialect of the Heart</a>,” “How astonishing it is that language can almost mean, / but frightening that it does not quite.” There is still that “<a href="http://www.mrbauld.com/negcap.html">irritable reaching</a> after fact & reason” that language, as communication, requires—I think Keats would agree that he wrote about a near-unattainable ideal in his letter that only Shakespeare and maybe Coleridge and a few others could achieve, this “Negative Capability.” Gilbert furthers Keats in asserting that no matter what we write, “the words / Get it wrong,” that utterance is itself that irritable reaching.</p> | ||
| 42 | <p>In Gilbert’s poem, though, he does reach after something. In the second half of the poem he begins to imagine what the “mysterious Sumerian tablets” could be as poetry, instead of just “business records:”</p> | ||
| 43 | <blockquote> | ||
| 44 | <p><span class="line">[…] My joy is the same as twelve</span><span class="line">Ethiopian goats standing in the morning light.</span><span class="line">O Lord, thou art slabs of salt and ingots of copper,</span><span class="line">as grand as ripe barley under the wind’s labor.</span><span class="line">Her breasts are six white oxen loaded with bolts</span><span class="line">of long-fibered Egyptian cotton. My love is a hundred</span><span class="line">pitchers of honey. Shiploads of thuya are what</span><span class="line">my body wants to say to your body. Giraffes are this</span><span class="line">desire in the dark.</span></p> | ||
| 45 | </blockquote> | ||
| 46 | <p>This is my favorite part of the poem, and I think it’s because Gilbert, like Hass, reaches for the specific in the general; he brings huge ideas like the Lord or Love or Joy into the specific images of salt, copper, or honey, or like he says at the end of his poem: “What we feel most has / no name but amber, archers, cinnamon, horses and birds.” This, ultimately, is what Keats was getting at, and Hugo, too: that the real subject of any poetry is not capturable in the words of the poem, but that rather a poem speaks around its subject. To be honest, all <a href="art.html">art</a> may do this. What sets a poem apart is its honesty about that fact.</p> | ||
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| 38 | <section class="content prose"> | ||
| 39 | <p>Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages. The author argued that it took all of the power out of the idea, like a pressure-release valve, before any of that creative power got to be applied to the page. It made me think of “<a href="http://www.poetryfoundation.org/poem/177014">Meditation at Legunitas</a>,” when Hass writes “that each particular erases / the luminous clarity of a general idea.” As a self-confessed General Idea person, I identify with the remark: it does seem as though, no matter how lofty the idea I originally have for a poem, once I sit down to write the thing I quickly get bogged down in the details, the particulars. I guess the writer of that lost article must work the same way, leading to their advice: if the “luminous clarity of a general idea” is so fragile that just beginning to write it down ruins it somehow, <em>telling</em> people about it is even worse.</p> | ||
| 40 | <p>But back to that Robert Hass poem: while he does say that thing about the “luminous clarity of a general idea,” and he adds to it that “<a href="words-meaning.html">a word is elegy</a> to what it signifies,” his tone is lightly chiding this philosophy. He opens his poem with “All the new thinking is about loss. / In this it resembles all the old thinking,” which to my mind lampoons both the new and the old thinking for not having anything new, ultimately, to say. He attributes these thoughts to a friend, whose voice carried “a thin wire of grief, a tone / almost querulous” about that loss of luminous clarity. The speaker of Hass’s poem remembers a woman he made love to, once, and this image takes over the poem in all its specificity, from “her small shoulders” to his “childhood river / with its island willows,” to “the way her hands dismantled bread.”</p> | ||
| 41 | <p>Even in disproving his friend’s remarks through his imagery, the speaker of “Meditation at Legunitas” admits that “It hardly had to do with her”—and here is the heart of what Hass is saying about poetry. A poem hardly has to do with what it’s written about, on the surface level; as Richard Hugo says it in <a href="http://ualr.edu/rmburns/RB/hugosubj.html">a famous essay</a>, a poem has a “triggering subject” and it has a “real or generated subject,” which for Hugo in “Meditation at Legunitas” is something about the way that not only general ideas, but particulars, such as the body or hands or “the thing her father said that hurt her,” which is such a beautiful generality that is somehow also a particular truth, are luminous to poetry and to life-as-lived. The philosophers can say what they want, but we experience the world bodily and particularly to ourselves.</p> | ||
| 42 | <p>There’s still a problem with language, however, to which Hass speaks by the end of his poem, with those repetitions of “blackberry, blackberry, blackberry,” in that, as Jack Gilbert says in his poem “<a href="http://www.smith.edu/poetrycenter/poets/theforgottendialect.html">The Forgotten Dialect of the Heart</a>,” “How astonishing it is that language can almost mean, / but frightening that it does not quite.” There is still that “<a href="http://www.mrbauld.com/negcap.html">irritable reaching</a> after fact & reason” that language, as communication, requires—I think Keats would agree that he wrote about a near-unattainable ideal in his letter that only Shakespeare and maybe Coleridge and a few others could achieve, this “Negative Capability.” Gilbert furthers Keats in asserting that no matter what we write, “the words / Get it wrong,” that utterance is itself that irritable reaching.</p> | ||
| 43 | <p>In Gilbert’s poem, though, he does reach after something. In the second half of the poem he begins to imagine what the “mysterious Sumerian tablets” could be as poetry, instead of just “business records:”</p> | ||
| 44 | <blockquote> | ||
| 45 | <p><span class="line">[…] My joy is the same as twelve</span><span class="line">Ethiopian goats standing in the morning light.</span><span class="line">O Lord, thou art slabs of salt and ingots of copper,</span><span class="line">as grand as ripe barley under the wind’s labor.</span><span class="line">Her breasts are six white oxen loaded with bolts</span><span class="line">of long-fibered Egyptian cotton. My love is a hundred</span><span class="line">pitchers of honey. Shiploads of thuya are what</span><span class="line">my body wants to say to your body. Giraffes are this</span><span class="line">desire in the dark.</span></p> | ||
| 46 | </blockquote> | ||
| 47 | <p>This is my favorite part of the poem, and I think it’s because Gilbert, like Hass, reaches for the specific in the general; he brings huge ideas like the Lord or Love or Joy into the specific images of salt, copper, or honey, or like he says at the end of his poem: “What we feel most has / no name but amber, archers, cinnamon, horses and birds.” This, ultimately, is what Keats was getting at, and Hugo, too: that the real subject of any poetry is not capturable in the words of the poem, but that rather a poem speaks around its subject. To be honest, all <a href="art.html">art</a> may do this. What sets a poem apart is its honesty about that fact.</p> | ||
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| 39 | <p>“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.” In a similar vein, Hass’s “Meditation at Legunitas” states, “A word is elegy to what it signifies.” These poems get to the heart of language, and express the old duality of thought: by giving a word to an entity, it is both tethered and made meaningful.</p> | ||
| 40 | <p>Words are the inevitable byproduct of an analytic mind. Humans are constantly classifying and reclassifying ideas, objects, animals, people, into ten thousand arbitrary categories. A favorite saying of mine is that “Everything is everything,” a tautology that I like, because it gets to the core of the human linguistic machine, and because every time I say it people think I’m being <a href="likingthings.html">disingenuous</a>. But what I mean by “everything is everything” is that there is a continuity to existence that works beyond, or rather underneath, our capacity to understand it through language. Language by definition compartmentalizes reality, sets this bit apart from that bit, sets up boundaries as to what is and is not a stone, a leaf, a door. Most of the time I think of language as limiting, as defining a thing as the <a href="i-am.html">inverse of everything</a> is not.</p> | ||
| 41 | <p>In this way, “everything is everything” becomes “everything is nothing,” which is another thing I like to say and something that pisses people off. To me, infinity and zero are the same, two ways of looking at the same point on the circle—of numbers, of the universe, whatever. Maybe it’s because I wear an analogue watch, and so my view of time is cyclical, or maybe it’s some brain trauma I had in vitro, but whatever it is that’s how I see the world, because I’m working against the limitations that language sets upon us. I think that’s the role of the poet, or of any artist: to take the over-expansive experience of existing and to boil it down, boil and boil away until there is the ultimate concentrate at the center that is what the poem talks around, at, etc., but never of, because it is ultimately made of language and cannot get to it. A poem is getting as close as possible to the speed of light, to absolute zero, to God, while knowing that it can’t get all the way there, and never will. A poem is doing this and coming back and showing what happened as it happened. Exegesis is hard because a really good poem will be just that, it will be the most basic and best way to say what it’s saying, so attempts to say the same thing differently will fail. A poem is a kernel of existence. It is a description of the kernel. <a href="arspoetica.html">It is</a>.</p> | ||
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| 58 | <a class="nextlink" href="apollo11.html" | 38 | <p>“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.” In a similar vein, Hass’s “Meditation at Legunitas” states, “A word is elegy to what it signifies.” These poems get to the heart of language, and express the old duality of thought: by giving a word to an entity, it is both tethered and made meaningful.</p> |
| 59 | title="Next article in Elegies for alternate selves"> | 39 | <p>Words are the inevitable byproduct of an analytic mind. Humans are constantly classifying and reclassifying ideas, objects, animals, people, into ten thousand arbitrary categories. A favorite saying of mine is that “Everything is everything,” a tautology that I like, because it gets to the core of the human linguistic machine, and because every time I say it people think I’m being <a href="likingthings.html">disingenuous</a>. But what I mean by “everything is everything” is that there is a continuity to existence that works beyond, or rather underneath, our capacity to understand it through language. Language by definition compartmentalizes reality, sets this bit apart from that bit, sets up boundaries as to what is and is not a stone, a leaf, a door. Most of the time I think of language as limiting, as defining a thing as the <a href="i-am.html">inverse of everything</a> is not.</p> |
| 60 | On seeing the panorama of the Apollo 11 landing site | 40 | <p>In this way, “everything is everything” becomes “everything is nothing,” which is another thing I like to say and something that pisses people off. To me, infinity and zero are the same, two ways of looking at the same point on the circle—of numbers, of the universe, whatever. Maybe it’s because I wear an analogue watch, and so my view of time is cyclical, or maybe it’s some brain trauma I had in vitro, but whatever it is that’s how I see the world, because I’m working against the limitations that language sets upon us. I think that’s the role of the poet, or of any artist: to take the over-expansive experience of existing and to boil it down, boil and boil away until there is the ultimate concentrate at the center that is what the poem talks around, at, etc., but never of, because it is ultimately made of language and cannot get to it. A poem is getting as close as possible to the speed of light, to absolute zero, to God, while knowing that it can’t get all the way there, and never will. A poem is doing this and coming back and showing what happened as it happened. Exegesis is hard because a really good poem will be just that, it will be the most basic and best way to say what it’s saying, so attempts to say the same thing differently will fail. A poem is a kernel of existence. It is a description of the kernel. <a href="arspoetica.html">It is</a>.</p> |
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| 38 | <section class="content verse"> | ||
| 39 | <p><span class="line"><a href="moon-drowning.html">The radio is screaming the man</a></span><span class="line">on the radio will not be quiet he is</span><span class="line">pushed far into the background</span><span class="line">while some NPR talkers murmur over</span><span class="line">his screaming he lost something</span><span class="line">very important. He says it over</span><span class="line">and over but they do not listen</span><span class="line">they think of their children at home</span><span class="line">lying <a href="in-bed.html">in bed</a> dreaming sweet</span><span class="line">childhood one of them is staying over</span><span class="line">at a friend’s house they are staying</span><span class="line">up late they never want it to be over</span><span class="line">not like the man. His life on the radio</span><span class="line">will be the only one he ever has</span><span class="line">his life it is wasted he’s being spoken over</span><span class="line">such pain is in his voice. I wish you</span><span class="line">could hear it. <a href="nothing-is-ever-over.html">It’s something never over</a>.</span><span class="line">Suffering everywhere always and over it</span><span class="line">the same serene murmur of the comfortable</span><span class="line">distracted or worse looking over</span><span class="line">the <a href="last-passenger.html">shoulder</a> and quietly looking away.</span></p> | ||
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| 54 | </a> | 36 | |
| 55 | <a class="prevlink" href="moon-drowning.html" | 37 | <section class="content verse"> |
| 56 | title="Previous article in Stark Raving"> | 38 | <p><span class="line"><a href="moon-drowning.html">The radio is screaming the man</a></span><span class="line">on the radio will not be quiet he is</span><span class="line">pushed far into the background</span><span class="line">while some NPR talkers murmur over</span><span class="line">his screaming he lost something</span><span class="line">very important. He says it over</span><span class="line">and over but they do not listen</span><span class="line">they think of their children at home</span><span class="line">lying <a href="in-bed.html">in bed</a> dreaming sweet</span><span class="line">childhood one of them is staying over</span><span class="line">at a friend’s house they are staying</span><span class="line">up late they never want it to be over</span><span class="line">not like the man. His life on the radio</span><span class="line">will be the only one he ever has</span><span class="line">his life it is wasted he’s being spoken over</span><span class="line">such pain is in his voice. I wish you</span><span class="line">could hear it. <a href="nothing-is-ever-over.html">It’s something never over</a>.</span><span class="line">Suffering everywhere always and over it</span><span class="line">the same serene murmur of the comfortable</span><span class="line">distracted or worse looking over</span><span class="line">the <a href="last-passenger.html">shoulder</a> and quietly looking away.</span></p> |
| 57 | The moon is drowning | 39 | </section> |
| 58 | </a> | 40 | </article> |
| 59 | 41 | <nav> | |
| 60 | <a class="nextlink" href="sixteenth-chapel.html" | 42 | <div class="anchors"> |
| 61 | title="Next article in Stark Raving"> | 43 | <a href="backlinks/worse-looking-over.html" id="backlinks" title="Links to this page"> |
| 62 | The Sixteenth Chapel | 44 | φ |
| 63 | </a> | 45 | </a> |
| 64 | <a class="nextlink" href="poetry-time.html" | 46 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 65 | title="Next article in Stark Raving"> | 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 66 | Something about the nature of poetry and time | 48 | </div> |
| 67 | </a> | 49 | |
| 68 | </nav> | 50 | <a class="prevlink" href="love-as-god.html" |
| 51 | title="Previous article in Stark Raving"> | ||
| 52 | Love as God | ||
| 53 | </a> | ||
| 54 | <a class="prevlink" href="moon-drowning.html" | ||
| 55 | title="Previous article in Stark Raving"> | ||
| 56 | The moon is drowning | ||
| 57 | </a> | ||
| 58 | |||
| 59 | <a class="nextlink" href="sixteenth-chapel.html" | ||
| 60 | title="Next article in Stark Raving"> | ||
| 61 | The Sixteenth Chapel | ||
| 62 | </a> | ||
| 63 | <a class="nextlink" href="poetry-time.html" | ||
| 64 | title="Next article in Stark Raving"> | ||
| 65 | Something about the nature of poetry and time | ||
| 66 | </a> | ||
| 67 | </nav> | ||
| 69 | 68 | ||
| 70 | |||
| 71 | </body> | 69 | </body> |
| 72 | </html> | 70 | </html> |
| diff --git a/writing.html b/writing.html index b66995f..bfa86c4 100644 --- a/writing.html +++ b/writing.html | |||
| @@ -4,71 +4,69 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Writing | Autocento of the breakfast table</title> | 12 | <title>Writing | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="writing" class="paul"> | 23 | <body id="writing" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Writing</h1> | 28 | <h1 class="title">Writing</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He sat down at his writing desk and removed his new pen from its plastic wrapping. He remembered how to fill it from <em><a href="http://www.elkonigsburg.com/">The View from Saturday</a></em>, which he’d read as a kid. It had been one of his favorite books. He remembered the <a href="swansong-alt.html">heart</a> puzzle they completed, the origin of the word “posh,” and most of all his fourth-grade teacher <a href="telemarketer.html">Ms. (Mrs? He could never remember)</a> Samovar. He smiled as he opened the lid on the ink well he’d just bought.</p> | ||
| 40 | <p>He dipped his pen in the inkwell, screwed the converter piston up, and watched as nothing entered the chamber. He screwed it back down and up again, while dipping the nib more deeply into the ink well. He watched as again nothing filled the capsule. He screwed it down a third time. His thumb knocked the inkwell over somehow by accident.</p> | ||
| 41 | <p>As he <a href="swear.html">swore</a>, stood up and away from the table, and went into the house proper for paper towels, he resolved to buy a typewriter.</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="writing_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="leaf.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Leaf | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="window.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He sat down at his writing desk and removed his new pen from its plastic wrapping. He remembered how to fill it from <em><a href="http://www.elkonigsburg.com/">The View from Saturday</a></em>, which he’d read as a kid. It had been one of his favorite books. He remembered the <a href="swansong-alt.html">heart</a> puzzle they completed, the origin of the word “posh,” and most of all his fourth-grade teacher <a href="telemarketer.html">Ms. (Mrs? He could never remember)</a> Samovar. He smiled as he opened the lid on the ink well he’d just bought.</p> |
| 59 | Window | 39 | <p>He dipped his pen in the inkwell, screwed the converter piston up, and watched as nothing entered the chamber. He screwed it back down and up again, while dipping the nib more deeply into the ink well. He watched as again nothing filled the capsule. He screwed it down a third time. His thumb knocked the inkwell over somehow by accident.</p> |
| 60 | </a> | 40 | <p>As he <a href="swear.html">swore</a>, stood up and away from the table, and went into the house proper for paper towels, he resolved to buy a typewriter.</p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="notes.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | Notes | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/writing.html" id="backlinks" title="Links to this page"> |
| 66 | <a class="nextlink" href="x-ray.html" | 46 | φ |
| 67 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | </a> |
| 68 | X-ray | 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 69 | </a> | 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> |
| 70 | </nav> | 50 | </div> |
| 51 | |||
| 52 | <a class="prevlink" href="leaf.html" | ||
| 53 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 54 | Leaf | ||
| 55 | </a> | ||
| 56 | <a class="prevlink" href="window.html" | ||
| 57 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 58 | Window | ||
| 59 | </a> | ||
| 60 | |||
| 61 | <a class="nextlink" href="notes.html" | ||
| 62 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 63 | Notes | ||
| 64 | </a> | ||
| 65 | <a class="nextlink" href="x-ray.html" | ||
| 66 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 67 | X-ray | ||
| 68 | </a> | ||
| 69 | </nav> | ||
| 71 | 70 | ||
| 72 | |||
| 73 | </body> | 71 | </body> |
| 74 | </html> | 72 | </html> |
| diff --git a/x-ray.html b/x-ray.html index 1fc4bcd..8636a92 100644 --- a/x-ray.html +++ b/x-ray.html | |||
| @@ -4,73 +4,71 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>X-ray | Autocento of the breakfast table</title> | 12 | <title>X-ray | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="x-ray" class="paul"> | 23 | <body id="x-ray" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">X-ray</h1> | 28 | <h1 class="title">X-ray</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out. He jerked his head up and to the right as the hatchet fell down and to the left. It cut deep into the back of his left hand. A low thud didn’t echo in the forest because all the needles and snow absorbed <del>sound well</del> the sound.</p> | ||
| 40 | <p>When he got back to the house his hand wrapped in the end of his shirt he still felt no pain. He called for his mother and found her watching TV in the main room. He stayed in the kitchen not wanting to get blood on the carpet. She turned around cigarette dangling from her open mouth said “Oh god what happened.”</p> | ||
| 41 | <p>She drove him to the hospital in the car. <a href="worse-looking-over.html">The radio stayed off the entire way.</a> Paul wanted to turn it on but <del>he didn’t want</del> the desire not to annoy his mother was stronger. They drove in silence.</p> | ||
| 42 | <p>At the hospital after the X-rays and stitching and pain medication prescription the doctor said “You got lucky, son. If that axe had hit a half-inch lower you’d <a href="roughgloves.html">have lost your hand</a>. You won’t get full mobility back because we had to tie the tendons, but with therapy you should be able to work it pretty well.”</p> | ||
| 43 | <p>On the drive back home all he could think was that he was glad he didn’t hit his writing hand.</p> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="x-ray_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 52 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | 32 | ||
| 55 | <a class="prevlink" href="yellow.html" | 33 | </div> |
| 56 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 57 | Yellow | 35 | |
| 58 | </a> | 36 | |
| 59 | <a class="prevlink" href="writing.html" | 37 | <section class="content prose"> |
| 60 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out. He jerked his head up and to the right as the hatchet fell down and to the left. It cut deep into the back of his left hand. A low thud didn’t echo in the forest because all the needles and snow absorbed <del>sound well</del> the sound.</p> |
| 61 | Writing | 39 | <p>When he got back to the house his hand wrapped in the end of his shirt he still felt no pain. He called for his mother and found her watching TV in the main room. He stayed in the kitchen not wanting to get blood on the carpet. She turned around cigarette dangling from her open mouth said “Oh god what happened.”</p> |
| 62 | </a> | 40 | <p>She drove him to the hospital in the car. <a href="worse-looking-over.html">The radio stayed off the entire way.</a> Paul wanted to turn it on but <del>he didn’t want</del> the desire not to annoy his mother was stronger. They drove in silence.</p> |
| 63 | 41 | <p>At the hospital after the X-rays and stitching and pain medication prescription the doctor said “You got lucky, son. If that axe had hit a half-inch lower you’d <a href="roughgloves.html">have lost your hand</a>. You won’t get full mobility back because we had to tie the tendons, but with therapy you should be able to work it pretty well.”</p> | |
| 64 | <a class="nextlink" href="wallpaper.html" | 42 | <p>On the drive back home all he could think was that he was glad he didn’t hit his writing hand.</p> |
| 65 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | </section> |
| 66 | Wallpaper | 44 | </article> |
| 67 | </a> | 45 | <nav> |
| 68 | <a class="nextlink" href="yellow.html" | 46 | <div class="anchors"> |
| 69 | title="Next article in Buildings out of air: Paul in the Woods"> | 47 | <a href="backlinks/x-ray.html" id="backlinks" title="Links to this page"> |
| 70 | Yellow | 48 | φ |
| 71 | </a> | 49 | </a> |
| 72 | </nav> | 50 | <a href="index.html" id="coverlink" title="To cover">◊</a> |
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | <a class="prevlink" href="yellow.html" | ||
| 55 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 56 | Yellow | ||
| 57 | </a> | ||
| 58 | <a class="prevlink" href="writing.html" | ||
| 59 | title="Previous article in Buildings out of air: Paul in the Woods"> | ||
| 60 | Writing | ||
| 61 | </a> | ||
| 62 | |||
| 63 | <a class="nextlink" href="wallpaper.html" | ||
| 64 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 65 | Wallpaper | ||
| 66 | </a> | ||
| 67 | <a class="nextlink" href="yellow.html" | ||
| 68 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 69 | Yellow | ||
| 70 | </a> | ||
| 71 | </nav> | ||
| 73 | 72 | ||
| 74 | |||
| 75 | </body> | 73 | </body> |
| 76 | </html> | 74 | </html> |
| diff --git a/yellow.html b/yellow.html index 1d7715e..58d3b2c 100644 --- a/yellow.html +++ b/yellow.html | |||
| @@ -4,67 +4,65 @@ | |||
| 4 | --> | 4 | --> |
| 5 | <html lang="en"> | 5 | <html lang="en"> |
| 6 | <head> | 6 | <head> |
| 7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
| 8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
| 10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
| 11 | 11 | ||
| 12 | <title>Yellow | Autocento of the breakfast table</title> | 12 | <title>Yellow | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
| 16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
| 17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 21 | <![endif]--> | 21 | <![endif]--> |
| 22 | </head> | 22 | </head> |
| 23 | <body id="yellow" class="paul"> | 23 | <body id="yellow" class="paul"> |
| 24 | |||
| 25 | 24 | ||
| 26 | <article class="container"> | 25 | <article class="container"> |
| 27 | <header> | 26 | <header> |
| 28 | <!-- title --> | 27 | <!-- title --> |
| 29 | <h1 class="title">Yellow</h1> | 28 | <h1 class="title">Yellow</h1> |
| 30 | |||
| 31 | 29 | ||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | 30 | ||
| 37 | 31 | <div class="header-extra"> | |
| 38 | <section class="content prose"> | ||
| 39 | <p>He would enter data at work for fifty minutes and then go on break. He would walk down the hallway to the breakroom, which had a white <a href="feedingtheraven.html">refrigerator</a>, a black microwave on a brown plyboard cart stocked with powdered creamer, sugar, and swizzle sticks, a dark red coffee maker, and yellow paint on the wall. He’d remember that somewhere he’d read an article about yellow walls being calming. “They use yellow in asylums” he’d say to himself.</p> | ||
| 40 | <p>He would sit down at the round table covered in newspapers that took up the half of the room not occupied by the refrigerator, microwave, or counter with coffee pot and sink. He didn’t drink coffee but he would think about starting. He would shuffle the newspapers around on the table and see they were all the same ones as an hour ago. “Or technically fifty minutes ago” he would say to himself. Sometimes Jill would come in for a cup of coffee. She would always check that her lunch, which she brought each morning in a Tupperware container with a blue lid with her name written on it in black sharpie, was still there. Once he asked her why she checked.</p> | ||
| 41 | <p>“Why do you always check if your lunch is in the fridge” he asked. “I don’t” she said. “Oh I thought you did.” “I don’t think so.” “Why do you check at all?” “Once it was stolen out of the fridge and returned empty before I had a chance to eat my lunch” she said. “So you make sure it won’t happen again.” “No I’m waiting for the day that it does.”</p> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="yellow_backlinks.htm" id="back-link" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
| 50 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | 32 | ||
| 53 | <a class="prevlink" href="building.html" | 33 | </div> |
| 54 | title="Previous article in Buildings out of air: Paul in the Woods"> | 34 | </header> |
| 55 | Building | 35 | |
| 56 | </a> | 36 | |
| 57 | <a class="prevlink" href="x-ray.html" | 37 | <section class="content prose"> |
| 58 | title="Previous article in Buildings out of air: Paul in the Woods"> | 38 | <p>He would enter data at work for fifty minutes and then go on break. He would walk down the hallway to the breakroom, which had a white <a href="feedingtheraven.html">refrigerator</a>, a black microwave on a brown plyboard cart stocked with powdered creamer, sugar, and swizzle sticks, a dark red coffee maker, and yellow paint on the wall. He’d remember that somewhere he’d read an article about yellow walls being calming. “They use yellow in asylums” he’d say to himself.</p> |
| 59 | X-ray | 39 | <p>He would sit down at the round table covered in newspapers that took up the half of the room not occupied by the refrigerator, microwave, or counter with coffee pot and sink. He didn’t drink coffee but he would think about starting. He would shuffle the newspapers around on the table and see they were all the same ones as an hour ago. “Or technically fifty minutes ago” he would say to himself. Sometimes Jill would come in for a cup of coffee. She would always check that her lunch, which she brought each morning in a Tupperware container with a blue lid with her name written on it in black sharpie, was still there. Once he asked her why she checked.</p> |
| 60 | </a> | 40 | <p>“Why do you always check if your lunch is in the fridge” he asked. “I don’t” she said. “Oh I thought you did.” “I don’t think so.” “Why do you check at all?” “Once it was stolen out of the fridge and returned empty before I had a chance to eat my lunch” she said. “So you make sure it won’t happen again.” “No I’m waiting for the day that it does.”</p> |
| 61 | 41 | </section> | |
| 62 | <a class="nextlink" href="x-ray.html" | 42 | </article> |
| 63 | title="Next article in Buildings out of air: Paul in the Woods"> | 43 | <nav> |
| 64 | X-ray | 44 | <div class="anchors"> |
| 65 | </a> | 45 | <a href="backlinks/yellow.html" id="backlinks" title="Links to this page"> |
| 66 | </nav> | 46 | φ |
| 47 | </a> | ||
| 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
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