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| -rw-r--r-- | backlinks/epigraph.html | 60 | ||||
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| -rw-r--r-- | common-titles.html | 2 | ||||
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205 files changed, 446 insertions, 1393 deletions
| diff --git a/appendix/common-titles.txt b/appendix/common-titles.txt index 2ab15d6..28b0b27 100644 --- a/appendix/common-titles.txt +++ b/appendix/common-titles.txt | |||
| @@ -16,14 +16,11 @@ project: | |||
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| 18 | [About the author](about-the-author.html) | 18 | [About the author](about-the-author.html) |
| 19 | [Autocento of the breakfast table](about.html) | ||
| 20 | [About Case Duckworth](about_author.html) | 19 | [About Case Duckworth](about_author.html) |
| 21 | [Autocento of the breakfast table](abstract.html) | ||
| 22 | [AMBER alert](amber-alert.html) | 20 | [AMBER alert](amber-alert.html) |
| 23 | [And](and.html) | 21 | [And](and.html) |
| 24 | [The angel to Abraham](angeltoabraham.html) | 22 | [The angel to Abraham](angeltoabraham.html) |
| 25 | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) | 23 | [On seeing the panorama of the Apollo 11 landing site](apollo11.html) |
| 26 | [Ars poetica](arspoetica.html) | ||
| 27 | [Art](art.html) | 24 | [Art](art.html) |
| 28 | [Axe](axe.html) | 25 | [Axe](axe.html) |
| 29 | [The Big Dipper](big-dipper.html) | 26 | [The Big Dipper](big-dipper.html) |
| @@ -42,7 +39,6 @@ project: | |||
| 42 | [Dream](dream.html) | 39 | [Dream](dream.html) |
| 43 | [Early](early.html) | 40 | [Early](early.html) |
| 44 | [Elegy for an alternate self](elegyforanalternateself.html) | 41 | [Elegy for an alternate self](elegyforanalternateself.html) |
| 45 | [epigraph](epigraph.html) | ||
| 46 | [Ex machina](ex-machina.html) | 42 | [Ex machina](ex-machina.html) |
| 47 | [Exasperated](exasperated.html) | 43 | [Exasperated](exasperated.html) |
| 48 | [Father](father.html) | 44 | [Father](father.html) |
| @@ -54,7 +50,6 @@ project: | |||
| 54 | [A hard game](hard-game.html) | 50 | [A hard game](hard-game.html) |
| 55 | [Hardware](hardware.html) | 51 | [Hardware](hardware.html) |
| 56 | [How it happened](howithappened.html) | 52 | [How it happened](howithappened.html) |
| 57 | [How to read this](howtoread.html) | ||
| 58 | [Hymnal](hymnal.html) | 53 | [Hymnal](hymnal.html) |
| 59 | [I am](i-am.html) | 54 | [I am](i-am.html) |
| 60 | [I think it's you](i-think-its-you.html) | 55 | [I think it's you](i-think-its-you.html) |
| @@ -75,7 +70,6 @@ project: | |||
| 75 | [Love as God](love-as-god.html) | 70 | [Love as God](love-as-god.html) |
| 76 | [Love Song](lovesong.html) | 71 | [Love Song](lovesong.html) |
| 77 | [Man](man.html) | 72 | [Man](man.html) |
| 78 | [Manifesto of poetics](manifesto_poetics.html) | ||
| 79 | [The Moon is drowning](moon-drowning.html) | 73 | [The Moon is drowning](moon-drowning.html) |
| 80 | [The moon is gone and in its place a mirror](moongone.html) | 74 | [The moon is gone and in its place a mirror](moongone.html) |
| 81 | [The mountain](mountain.html) | 75 | [The mountain](mountain.html) |
| @@ -84,7 +78,6 @@ project: | |||
| 84 | [No nothing](no-nothing.html) | 78 | [No nothing](no-nothing.html) |
| 85 | [Notes](notes.html) | 79 | [Notes](notes.html) |
| 86 | [Nothing is ever over](nothing-is-ever-over.html) | 80 | [Nothing is ever over](nothing-is-ever-over.html) |
| 87 | [On genre and the dimensionality of poetry](on-genre-dimension.html) | ||
| 88 | [One hundred lines](one-hundred-lines.html) | 81 | [One hundred lines](one-hundred-lines.html) |
| 89 | [On formal poetry](onformalpoetry.html) | 82 | [On formal poetry](onformalpoetry.html) |
| 90 | [Options](options.html) | 83 | [Options](options.html) |
| @@ -98,7 +91,6 @@ project: | |||
| 98 | [Something](poetry-time.html) | 91 | [Something](poetry-time.html) |
| 99 | [Prelude](prelude.html) | 92 | [Prelude](prelude.html) |
| 100 | [Problems](problems.html) | 93 | [Problems](problems.html) |
| 101 | [Autocento of the breakfast table](process.html) | ||
| 102 | [Proverbs](proverbs.html) | 94 | [Proverbs](proverbs.html) |
| 103 | [Punch](punch.html) | 95 | [Punch](punch.html) |
| 104 | [The purpose of dogs](purpose-dogs.html) | 96 | [The purpose of dogs](purpose-dogs.html) |
| @@ -144,8 +136,6 @@ project: | |||
| 144 | [What we are made of](what-we-are-made-of.html) | 136 | [What we are made of](what-we-are-made-of.html) |
| 145 | [When I'm sorry I wash dishes](when-im-sorry-i.html) | 137 | [When I'm sorry I wash dishes](when-im-sorry-i.html) |
| 146 | [Window](window.html) | 138 | [Window](window.html) |
| 147 | [Words and their irritable reaching](words-irritable-reaching.html) | ||
| 148 | [Words and meaning](words-meaning.html) | ||
| 149 | [Worse looking over](worse-looking-over.html) | 139 | [Worse looking over](worse-looking-over.html) |
| 150 | [Writing](writing.html) | 140 | [Writing](writing.html) |
| 151 | [X-ray](x-ray.html) | 141 | [X-ray](x-ray.html) |
| diff --git a/appendix/first-lines.txt b/appendix/first-lines.txt index de4a00f..3a74ad6 100644 --- a/appendix/first-lines.txt +++ b/appendix/first-lines.txt | |||
| @@ -16,14 +16,11 @@ project: | |||
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| 18 | [He was born on a few separate occasions _green traffic lights at night_](about-the-author.html) | 18 | [He was born on a few separate occasions _green traffic lights at night_](about-the-author.html) |
| 19 | [_Autocento of the breakfast table_ is a hypertextual exploration of the workings of revision across time.](about.html) | ||
| 20 | [Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.](about_author.html) | 19 | [Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.](about_author.html) |
| 21 | [_Autocento of the breakfast table_ is my Master's thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.](abstract.html) | ||
| 22 | [Lost things have a way of staying lost.](amber-alert.html) | 20 | [Lost things have a way of staying lost.](amber-alert.html) |
| 23 | [And you were there at the start of it all](and.html) | 21 | [And you were there at the start of it all](and.html) |
| 24 | [Abraham, Abraham, you are old and cannot hear:](angeltoabraham.html) | 22 | [Abraham, Abraham, you are old and cannot hear:](angeltoabraham.html) |
| 25 | [So it's the fucking moon. Big deal. As if](apollo11.html) | 23 | [So it's the fucking moon. Big deal. As if](apollo11.html) |
| 26 | [What is poetry?](arspoetica.html) | ||
| 27 | [Paul was writing in his diary about art.](art.html) | 24 | [Paul was writing in his diary about art.](art.html) |
| 28 | [Paul took his axe and went out into the woods to chop trees.](axe.html) | 25 | [Paul took his axe and went out into the woods to chop trees.](axe.html) |
| 29 | [After searching for days or even months](big-dipper.html) | 26 | [After searching for days or even months](big-dipper.html) |
| @@ -42,7 +39,6 @@ project: | |||
| 42 | [It had gotten cold.](dream.html) | 39 | [It had gotten cold.](dream.html) |
| 43 | [_YOU CANNOT DISCOVER ART ART MUST BE CREATED_ he sat on the couch at home while his mother watched TV and smoked.](early.html) | 40 | [_YOU CANNOT DISCOVER ART ART MUST BE CREATED_ he sat on the couch at home while his mother watched TV and smoked.](early.html) |
| 44 | [Say there are no words. Say that we are conjoined](elegyforanalternateself.html) | 41 | [Say there are no words. Say that we are conjoined](elegyforanalternateself.html) |
| 45 | [I saw my life branching out before me like the green fig tree in the story.](epigraph.html) | ||
| 46 | [Bottom of the drink: they had](ex-machina.html) | 42 | [Bottom of the drink: they had](ex-machina.html) |
| 47 | [I didn't write this sestina yesterday.](exasperated.html) | 43 | [I didn't write this sestina yesterday.](exasperated.html) |
| 48 | ["Is man the natural thing that makes unnatural things" he thought to himself as he looked out the kitchen window at the shed.](father.html) | 44 | ["Is man the natural thing that makes unnatural things" he thought to himself as he looked out the kitchen window at the shed.](father.html) |
| @@ -54,7 +50,6 @@ project: | |||
| 54 | [You think building Hoggle's a hard game?](hard-game.html) | 50 | [You think building Hoggle's a hard game?](hard-game.html) |
| 55 | [His mother drove him to the Hardware Store on a Tuesday.](hardware.html) | 51 | [His mother drove him to the Hardware Store on a Tuesday.](hardware.html) |
| 56 | [I was away on vacation when I heard---](howithappened.html) | 52 | [I was away on vacation when I heard---](howithappened.html) |
| 57 | [This book is an exploration of life, of all possible lives that could be lived.](howtoread.html) | ||
| 58 | [_It's all jokes_ Paul wrote in what he was now calling his Hymnal.](hymnal.html) | 53 | [_It's all jokes_ Paul wrote in what he was now calling his Hymnal.](hymnal.html) |
| 59 | [I am a great pillar of white smoke.](i-am.html) | 54 | [I am a great pillar of white smoke.](i-am.html) |
| 60 | [I thought I saw you walking](i-think-its-you.html) | 55 | [I thought I saw you walking](i-think-its-you.html) |
| @@ -75,7 +70,6 @@ project: | |||
| 75 | [God is love, they say, but there is](love-as-god.html) | 70 | [God is love, they say, but there is](love-as-god.html) |
| 76 | [Walking along in the dark is a good way to begin a song.](lovesong.html) | 71 | [Walking along in the dark is a good way to begin a song.](lovesong.html) |
| 77 | [_THIS MAN REFUSED TO OPEN HIS EYES_](man.html) | 72 | [_THIS MAN REFUSED TO OPEN HIS EYES_](man.html) |
| 78 | [What is a poem?](manifesto_poetics.html) | ||
| 79 | [The moon is drowning the stars it pushes them](moon-drowning.html) | 73 | [The moon is drowning the stars it pushes them](moon-drowning.html) |
| 80 | [The moon is gone and in its place a mirror.](moongone.html) | 74 | [The moon is gone and in its place a mirror.](moongone.html) |
| 81 | [The other side of this mountain](mountain.html) | 75 | [The other side of this mountain](mountain.html) |
| @@ -84,7 +78,6 @@ project: | |||
| 84 | [While swimming in the river](no-nothing.html) | 78 | [While swimming in the river](no-nothing.html) |
| 85 | [Paul began typing on notecards.](notes.html) | 79 | [Paul began typing on notecards.](notes.html) |
| 86 | [Nothing is ever over; nothing](nothing-is-ever-over.html) | 80 | [Nothing is ever over; nothing](nothing-is-ever-over.html) |
| 87 | [How does one describe a poem?](on-genre-dimension.html) | ||
| 88 | [Whenever you call me friend](one-hundred-lines.html) | 81 | [Whenever you call me friend](one-hundred-lines.html) |
| 89 | [I think that I could write formal poems](onformalpoetry.html) | 82 | [I think that I could write formal poems](onformalpoetry.html) |
| 90 | [What did he do when he was in the woods?](options.html) | 83 | [What did he do when he was in the woods?](options.html) |
| @@ -98,7 +91,6 @@ project: | |||
| 98 | [I'm writing this now because I have to.](poetry-time.html) | 91 | [I'm writing this now because I have to.](poetry-time.html) |
| 99 | [Of course, there is a God.](prelude.html) | 92 | [Of course, there is a God.](prelude.html) |
| 100 | [The problem with people is this: we cannot be happy.](problems.html) | 93 | [The problem with people is this: we cannot be happy.](problems.html) |
| 101 | [_Autocento of the breakfast table_ is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.](process.html) | ||
| 102 | [Nothing matters; everything is sacred.](proverbs.html) | 94 | [Nothing matters; everything is sacred.](proverbs.html) |
| 103 | [When he finally got back to work he was surprised they threw him a party.](punch.html) | 95 | [When he finally got back to work he was surprised they threw him a party.](punch.html) |
| 104 | [Okay, so as we said in the Prelude, there either is or isn't a God.](purpose-dogs.html) | 96 | [Okay, so as we said in the Prelude, there either is or isn't a God.](purpose-dogs.html) |
| @@ -144,8 +136,6 @@ project: | |||
| 144 | [There is a cave just outside of Flagstaff made from ancient lava flows.](what-we-are-made-of.html) | 136 | [There is a cave just outside of Flagstaff made from ancient lava flows.](what-we-are-made-of.html) |
| 145 | [Your casserole dish takes the longest:](when-im-sorry-i.html) | 137 | [Your casserole dish takes the longest:](when-im-sorry-i.html) |
| 146 | [_**HYMN 386: JOKES**_](window.html) | 138 | [_**HYMN 386: JOKES**_](window.html) |
| 147 | [Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.](words-irritable-reaching.html) | ||
| 148 | ["How astonishing it is that language can almost mean, / and frightening that it does not quite," Jack Gilbert opens his poem "The Forgotten Dialect of the Heart."](words-meaning.html) | ||
| 149 | [The radio is screaming the man](worse-looking-over.html) | 139 | [The radio is screaming the man](worse-looking-over.html) |
| 150 | [He sat down at his writing desk and removed his new pen from its plastic wrapping.](writing.html) | 140 | [He sat down at his writing desk and removed his new pen from its plastic wrapping.](writing.html) |
| 151 | [While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he'd never heard before cried out.](x-ray.html) | 141 | [While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he'd never heard before cried out.](x-ray.html) |
| diff --git a/appendix/hapax.txt b/appendix/hapax.txt index 3403383..5b2c4db 100644 --- a/appendix/hapax.txt +++ b/appendix/hapax.txt | |||
| @@ -16,17 +16,13 @@ project: | |||
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| 18 | [0](poetry-time.html) | 18 | [0](poetry-time.html) |
| 19 | [10](about.html) | 19 | [1](table_contents.html) |
| 20 | [130](about.html) | ||
| 21 | [19](dollywood.html) | 20 | [19](dollywood.html) |
| 22 | [1970s](on-genre-dimension.html) | ||
| 23 | [1977](collage-instrument.html) | 21 | [1977](collage-instrument.html) |
| 24 | [1994](about-the-author.html) | 22 | [1994](about-the-author.html) |
| 25 | [1997](about_author.html) | 23 | [1997](about_author.html) |
| 26 | [20](dollywood.html) | 24 | [20](dollywood.html) |
| 27 | [2000](howtoread.html) | ||
| 28 | [2006](todaniel.html) | 25 | [2006](todaniel.html) |
| 29 | [2015](about.html) | ||
| 30 | [203](man.html) | 26 | [203](man.html) |
| 31 | [22](man.html) | 27 | [22](man.html) |
| 32 | [28](man.html) | 28 | [28](man.html) |
| @@ -39,156 +35,128 @@ project: | |||
| 39 | [50](dollywood.html) | 35 | [50](dollywood.html) |
| 40 | [55](dollywood.html) | 36 | [55](dollywood.html) |
| 41 | [58](dollywood.html) | 37 | [58](dollywood.html) |
| 42 | [6](about.html) | ||
| 43 | [7](about.html) | ||
| 44 | [70s](collage-instrument.html) | 38 | [70s](collage-instrument.html) |
| 45 | [8](dollywood.html) | 39 | [8](dollywood.html) |
| 46 | [80s](on-genre-dimension.html) | ||
| 47 | [9](about.html) | ||
| 48 | [a-z](collage-instrument.html) | 40 | [a-z](collage-instrument.html) |
| 49 | [abandoned](something-simple.html) | 41 | [abandoned](something-simple.html) |
| 50 | [abel](howithappened.html) | 42 | [abel](howithappened.html) |
| 51 | [abounds](likingthings.html) | 43 | [abounds](likingthings.html) |
| 52 | [absence](what-we-are-made-of.html) | 44 | [absence](what-we-are-made-of.html) |
| 53 | [absent-mindedly](statements-frag.html) | 45 | [absent-mindedly](statements-frag.html) |
| 54 | [absolute](words-meaning.html) | 46 | [absolutely](i-wanted-to-tell-you-something.html) |
| 55 | [absolution](i-want-to-say.html) | 47 | [absolution](i-want-to-say.html) |
| 56 | [abstract](abstract.html) | 48 | [absorbed](x-ray.html) |
| 57 | [accent](boy_bus.html) | 49 | [accent](boy_bus.html) |
| 58 | [accentuated](man.html) | 50 | [accentuated](man.html) |
| 59 | [accept](death-zone.html) | 51 | [accept](death-zone.html) |
| 60 | [accomplish](about.html) | 52 | [access](collage-instrument.html) |
| 61 | [accomplished](about.html) | ||
| 62 | [account](movingsideways.html) | 53 | [account](movingsideways.html) |
| 63 | [accounting](lappel-du-vide.html) | 54 | [accounting](lappel-du-vide.html) |
| 64 | [accounts](about-the-author.html) | 55 | [accounts](about-the-author.html) |
| 65 | [accurate](about.html) | ||
| 66 | [accurately](telemarketer.html) | 56 | [accurately](telemarketer.html) |
| 67 | [ache](cold-wind.html) | 57 | [ache](cold-wind.html) |
| 68 | [aching](nothing-is-ever-over.html) | 58 | [aching](nothing-is-ever-over.html) |
| 69 | [acknowledges](moon-drowning.html) | 59 | [acknowledges](moon-drowning.html) |
| 70 | [activities](problems.html) | 60 | [activities](problems.html) |
| 71 | [actor's](telemarketer.html) | 61 | [actor's](telemarketer.html) |
| 72 | [adage](on-genre-dimension.html) | ||
| 73 | [adam](todaniel.html) | 62 | [adam](todaniel.html) |
| 74 | [adapting](howtoread.html) | 63 | [added](elegyforanalternateself.html) |
| 75 | [additionally](on-genre-dimension.html) | 64 | [addition](about_author.html) |
| 76 | [additive](howtoread.html) | ||
| 77 | [adjust](lappel-du-vide.html) | 65 | [adjust](lappel-du-vide.html) |
| 78 | [adjusted](dream.html) | 66 | [adjusted](dream.html) |
| 79 | [admin](stayed-on-the-bus.html) | 67 | [admin](stayed-on-the-bus.html) |
| 80 | [admired](axe.html) | 68 | [admired](axe.html) |
| 81 | [admits](words-irritable-reaching.html) | ||
| 82 | [advantages](building.html) | 69 | [advantages](building.html) |
| 83 | [advertisements](manifesto_poetics.html) | ||
| 84 | [affairs](apollo11.html) | 70 | [affairs](apollo11.html) |
| 85 | [afford](about-the-author.html) | 71 | [afford](about-the-author.html) |
| 86 | [afloat](about.html) | ||
| 87 | [africa](epigraph.html) | ||
| 88 | [afterbend](call-me-aural-pleasure.html) | 72 | [afterbend](call-me-aural-pleasure.html) |
| 89 | [afterbirth](call-me-aural-pleasure.html) | 73 | [afterbirth](call-me-aural-pleasure.html) |
| 90 | [afterthought](and.html) | 74 | [afterthought](and.html) |
| 91 | [age](boy_bus.html) | 75 | [age](boy_bus.html) |
| 92 | [agent](on-genre-dimension.html) | ||
| 93 | [agree](words-irritable-reaching.html) | ||
| 94 | [agreeable](movingsideways.html) | 76 | [agreeable](movingsideways.html) |
| 95 | [agreed](peaches.html) | 77 | [agreed](peaches.html) |
| 96 | [aimed](largest-asteroid.html) | 78 | [aimed](largest-asteroid.html) |
| 97 | [aisle](ronaldmcdonald.html) | 79 | [aisle](ronaldmcdonald.html) |
| 98 | [akin](on-genre-dimension.html) | ||
| 99 | [al](about.html) | ||
| 100 | [alarm](dollywood.html) | 80 | [alarm](dollywood.html) |
| 101 | [alberto](howtoread.html) | ||
| 102 | [alcoholic](problems.html) | 81 | [alcoholic](problems.html) |
| 82 | [alert](amber-alert.html) | ||
| 83 | [alfred](peaches.html) | ||
| 103 | [algae](theoceanoverflowswithcamels.html) | 84 | [algae](theoceanoverflowswithcamels.html) |
| 104 | [alien](about-the-author.html) | 85 | [alien](about-the-author.html) |
| 105 | [alight](last-passenger.html) | 86 | [alight](last-passenger.html) |
| 106 | [alights](table_contents.html) | 87 | [alights](table_contents.html) |
| 107 | [alike](father.html) | 88 | [alike](father.html) |
| 108 | [allen](table_contents.html) | 89 | [allen](table_contents.html) |
| 90 | [allow](angeltoabraham.html) | ||
| 109 | [allowing](dollywood.html) | 91 | [allowing](dollywood.html) |
| 110 | [alonefor](about.html) | 92 | [allows](when-im-sorry-i.html) |
| 111 | [aloof](dollywood.html) | 93 | [aloof](dollywood.html) |
| 94 | [aloud](leaf.html) | ||
| 112 | [alpha](collage-instrument.html) | 95 | [alpha](collage-instrument.html) |
| 113 | [alright](telemarketer.html) | 96 | [alright](telemarketer.html) |
| 114 | [alt](swansong.html) | 97 | [alt](swansong.html) |
| 115 | [amazing](epigraph.html) | ||
| 116 | [amble](table_contents.html) | 98 | [amble](table_contents.html) |
| 117 | [america](epigraph.html) | 99 | [american](table_contents.html) |
| 118 | [amicable](statements-frag.html) | 100 | [amicable](statements-frag.html) |
| 119 | [amongst](finding-the-lion.html) | 101 | [amongst](finding-the-lion.html) |
| 120 | [amount](about.html) | 102 | [ancient](what-we-are-made-of.html) |
| 121 | [analogue](words-meaning.html) | ||
| 122 | [analytic](words-meaning.html) | ||
| 123 | [anemones](lappel-du-vide.html) | 103 | [anemones](lappel-du-vide.html) |
| 104 | [anew](spittle.html) | ||
| 124 | [animal](elegyforanalternateself.html) | 105 | [animal](elegyforanalternateself.html) |
| 125 | [ankle](statements-frag.html) | 106 | [ankle](statements-frag.html) |
| 126 | [anniversary](about.html) | 107 | [annie](collage-instrument.html) |
| 127 | [annoy](x-ray.html) | 108 | [annoy](x-ray.html) |
| 128 | [annoyances](the-sea_the-beach.html) | 109 | [annoyances](the-sea_the-beach.html) |
| 129 | [annoyed](snow.html) | 110 | [annoyed](snow.html) |
| 130 | [annoying](about.html) | ||
| 131 | [ant](seasonal-affective-disorder.html) | 111 | [ant](seasonal-affective-disorder.html) |
| 132 | [anticipation](window.html) | 112 | [anticipation](window.html) |
| 133 | [any-sized](on-genre-dimension.html) | ||
| 134 | [apollo](apollo11.html) | 113 | [apollo](apollo11.html) |
| 135 | [apologize](in-bed.html) | 114 | [apologize](in-bed.html) |
| 136 | [apologizing](when-im-sorry-i.html) | 115 | [apologizing](when-im-sorry-i.html) |
| 137 | [apology](statements-frag.html) | 116 | [apology](statements-frag.html) |
| 138 | [appear](initial-conditions.html) | 117 | [appear](initial-conditions.html) |
| 139 | [appeared](i-want-to-say.html) | 118 | [appeared](i-want-to-say.html) |
| 140 | [apple](about.html) | 119 | [appears](treatise.html) |
| 141 | [applied](words-irritable-reaching.html) | ||
| 142 | [apply](about.html) | ||
| 143 | [appointment](underwear.html) | 120 | [appointment](underwear.html) |
| 144 | [appreciate](likingthings.html) | 121 | [appreciate](likingthings.html) |
| 145 | [approximation](about.html) | ||
| 146 | [april](about.html) | ||
| 147 | [aquarium](deadman.html) | 122 | [aquarium](deadman.html) |
| 148 | [arabic](dream.html) | 123 | [arabic](dream.html) |
| 149 | [arcade](deathstrumpet.html) | 124 | [arcade](deathstrumpet.html) |
| 150 | [archers](words-irritable-reaching.html) | 125 | [area](dollywood.html) |
| 151 | [arefor](about.html) | ||
| 152 | [argument](january.html) | 126 | [argument](january.html) |
| 153 | [arguments](call-me-aural-pleasure.html) | 127 | [arguments](call-me-aural-pleasure.html) |
| 154 | [arises](philosophy.html) | 128 | [arises](philosophy.html) |
| 129 | [arizona](collage-instrument.html) | ||
| 155 | [ark](howithappened.html) | 130 | [ark](howithappened.html) |
| 156 | [arm](dollywood.html) | 131 | [arm](dollywood.html) |
| 157 | [arrive](about.html) | 132 | [arrangement](dollywood.html) |
| 158 | [arrow](onformalpoetry.html) | 133 | [arrow](onformalpoetry.html) |
| 134 | [arrows](onformalpoetry.html) | ||
| 159 | [arson](fire.html) | 135 | [arson](fire.html) |
| 160 | [artist's](abstract.html) | 136 | [artist](leaf.html) |
| 161 | [ascribing](apollo11.html) | 137 | [ascribing](apollo11.html) |
| 162 | [ashbark](plant.html) | 138 | [ashbark](plant.html) |
| 163 | [asleep](riptide_memory.html) | 139 | [asleep](riptide_memory.html) |
| 164 | [aspects](on-genre-dimension.html) | ||
| 165 | [aspiration](building.html) | 140 | [aspiration](building.html) |
| 166 | [ass](peaches.html) | 141 | [ass](peaches.html) |
| 167 | [asserting](words-irritable-reaching.html) | ||
| 168 | [assertion](collage-instrument.html) | 142 | [assertion](collage-instrument.html) |
| 169 | [assets](todaniel.html) | 143 | [assets](todaniel.html) |
| 170 | [associations](ronaldmcdonald.html) | 144 | [associations](ronaldmcdonald.html) |
| 171 | [assumptions](manifesto_poetics.html) | ||
| 172 | [asteroid](howtoread.html) | ||
| 173 | [astonished](plant.html) | 145 | [astonished](plant.html) |
| 174 | [asylums](yellow.html) | 146 | [asylums](yellow.html) |
| 175 | [atlanta](peaches.html) | 147 | [atlanta](peaches.html) |
| 176 | [atlanta's](peaches.html) | 148 | [atlanta's](peaches.html) |
| 177 | [atlassian](about.html) | ||
| 178 | [atmosphere](dollywood.html) | 149 | [atmosphere](dollywood.html) |
| 179 | [atom](howtoread.html) | ||
| 180 | [attached](spittle.html) | 150 | [attached](spittle.html) |
| 181 | [attack](what-we-are-made-of.html) | 151 | [attack](what-we-are-made-of.html) |
| 152 | [attempt](problems.html) | ||
| 182 | [attempted](movingsideways.html) | 153 | [attempted](movingsideways.html) |
| 183 | [attic](real-writer.html) | 154 | [attic](real-writer.html) |
| 184 | [attila](epigraph.html) | ||
| 185 | [attributes](words-irritable-reaching.html) | ||
| 186 | [audience](last-bastion.html) | 155 | [audience](last-bastion.html) |
| 187 | [aunt](seasonal-affective-disorder.html) | 156 | [aunt](seasonal-affective-disorder.html) |
| 188 | [aural](call-me-aural-pleasure.html) | 157 | [aural](call-me-aural-pleasure.html) |
| 189 | [authorship](about.html) | 158 | [author](about-the-author.html) |
| 190 | [autograph](dollywood.html) | 159 | [autograph](dollywood.html) |
| 191 | [automates](about.html) | ||
| 192 | [automobile](movingsideways.html) | 160 | [automobile](movingsideways.html) |
| 193 | [average](movingsideways.html) | 161 | [average](movingsideways.html) |
| 194 | [averted](apollo11.html) | 162 | [averted](apollo11.html) |
| @@ -200,7 +168,6 @@ project: | |||
| 200 | [axis](window.html) | 168 | [axis](window.html) |
| 201 | [babel](howithappened.html) | 169 | [babel](howithappened.html) |
| 202 | [babies](ouroboros_memory.html) | 170 | [babies](ouroboros_memory.html) |
| 203 | [back-to-front](howtoread.html) | ||
| 204 | [backdrop](movingsideways.html) | 171 | [backdrop](movingsideways.html) |
| 205 | [backfires](collage-instrument.html) | 172 | [backfires](collage-instrument.html) |
| 206 | [backgrounded](what-we-are-made-of.html) | 173 | [backgrounded](what-we-are-made-of.html) |
| @@ -210,7 +177,6 @@ project: | |||
| 210 | [bahamas](one-hundred-lines.html) | 177 | [bahamas](one-hundred-lines.html) |
| 211 | [baked-in](when-im-sorry-i.html) | 178 | [baked-in](when-im-sorry-i.html) |
| 212 | [baking](death-zone.html) | 179 | [baking](death-zone.html) |
| 213 | [ballads](on-genre-dimension.html) | ||
| 214 | [balloons](dollywood.html) | 180 | [balloons](dollywood.html) |
| 215 | [bands](music-433.html) | 181 | [bands](music-433.html) |
| 216 | [bang](initial-conditions.html) | 182 | [bang](initial-conditions.html) |
| @@ -222,11 +188,11 @@ project: | |||
| 222 | [bark](table_contents.html) | 188 | [bark](table_contents.html) |
| 223 | [barkeep](creation-myth.html) | 189 | [barkeep](creation-myth.html) |
| 224 | [barking](plant.html) | 190 | [barking](plant.html) |
| 225 | [barley](words-irritable-reaching.html) | ||
| 226 | [barrels](dollywood.html) | 191 | [barrels](dollywood.html) |
| 227 | [barrier](dollywood.html) | 192 | [barrier](dollywood.html) |
| 228 | [bars](ronaldmcdonald.html) | 193 | [bars](ronaldmcdonald.html) |
| 229 | [bartenders](creation-myth.html) | 194 | [bartenders](creation-myth.html) |
| 195 | [based](dollywood.html) | ||
| 230 | [bastards](ex-machina.html) | 196 | [bastards](ex-machina.html) |
| 231 | [bathtub](what-we-are-made-of.html) | 197 | [bathtub](what-we-are-made-of.html) |
| 232 | [bats](deadman.html) | 198 | [bats](deadman.html) |
| @@ -234,14 +200,12 @@ project: | |||
| 234 | [bawls](i-wanted-to-tell-you-something.html) | 200 | [bawls](i-wanted-to-tell-you-something.html) |
| 235 | [beach's](the-sea_the-beach.html) | 201 | [beach's](the-sea_the-beach.html) |
| 236 | [beached](collage-instrument.html) | 202 | [beached](collage-instrument.html) |
| 237 | [beaches](about.html) | ||
| 238 | [beam](largest-asteroid.html) | 203 | [beam](largest-asteroid.html) |
| 239 | [beams](plant.html) | 204 | [beams](plant.html) |
| 240 | [bear](dollywood.html) | 205 | [bear](dollywood.html) |
| 241 | [bearded](collage-instrument.html) | 206 | [bearded](collage-instrument.html) |
| 242 | [bearing](telemarketer.html) | 207 | [bearing](telemarketer.html) |
| 243 | [beavers](one-hundred-lines.html) | 208 | [beavers](one-hundred-lines.html) |
| 244 | [beckoned](epigraph.html) | ||
| 245 | [beckons](in-bed.html) | 209 | [beckons](in-bed.html) |
| 246 | [bede](man.html) | 210 | [bede](man.html) |
| 247 | [bedside](feedingtheraven.html) | 211 | [bedside](feedingtheraven.html) |
| @@ -250,6 +214,7 @@ project: | |||
| 250 | [beetles](in-bed.html) | 214 | [beetles](in-bed.html) |
| 251 | [beggar](time-looks-up-to-the-sky.html) | 215 | [beggar](time-looks-up-to-the-sky.html) |
| 252 | [begging](deathstrumpet.html) | 216 | [begging](deathstrumpet.html) |
| 217 | [begins](collage-instrument.html) | ||
| 253 | [begun](nothing-is-ever-over.html) | 218 | [begun](nothing-is-ever-over.html) |
| 254 | [belfries](boar.html) | 219 | [belfries](boar.html) |
| 255 | [belie](in-bed.html) | 220 | [belie](in-bed.html) |
| @@ -263,12 +228,10 @@ project: | |||
| 263 | [beside](one-hundred-lines.html) | 228 | [beside](one-hundred-lines.html) |
| 264 | [betray](spittle.html) | 229 | [betray](spittle.html) |
| 265 | [betrays](nothing-is-ever-over.html) | 230 | [betrays](nothing-is-ever-over.html) |
| 231 | [beyond](no-nothing.html) | ||
| 266 | [biebs](sixteenth-chapel.html) | 232 | [biebs](sixteenth-chapel.html) |
| 267 | [biggest](likingthings.html) | 233 | [biggest](likingthings.html) |
| 268 | [bigrams](about.html) | ||
| 269 | [billion](about.html) | ||
| 270 | [binoculars](problems.html) | 234 | [binoculars](problems.html) |
| 271 | [biological](howtoread.html) | ||
| 272 | [birth](elegyforanalternateself.html) | 235 | [birth](elegyforanalternateself.html) |
| 273 | [birthed](something-simple.html) | 236 | [birthed](something-simple.html) |
| 274 | [bite](real-writer.html) | 237 | [bite](real-writer.html) |
| @@ -292,22 +255,19 @@ project: | |||
| 292 | [blink](last-passenger.html) | 255 | [blink](last-passenger.html) |
| 293 | [blister](seasonal-affective-disorder.html) | 256 | [blister](seasonal-affective-disorder.html) |
| 294 | [blocks](moongone.html) | 257 | [blocks](moongone.html) |
| 295 | [blog](about.html) | ||
| 296 | [bloomed](theoceanoverflowswithcamels.html) | 258 | [bloomed](theoceanoverflowswithcamels.html) |
| 297 | [blown](last-bastion.html) | 259 | [blown](last-bastion.html) |
| 298 | [blubber](weplayedthosegamestoo.html) | 260 | [blubber](weplayedthosegamestoo.html) |
| 299 | [blushed](deathstrumpet.html) | 261 | [blushed](deathstrumpet.html) |
| 300 | [boasts](moon-drowning.html) | 262 | [boasts](moon-drowning.html) |
| 301 | [bodies](swear.html) | 263 | [bodies](swear.html) |
| 302 | [bogged](words-irritable-reaching.html) | 264 | [bodily](spittle.html) |
| 303 | [boggle's](hard-game.html) | 265 | [boggle's](hard-game.html) |
| 304 | [boils](ouroboros_memory.html) | 266 | [boils](ouroboros_memory.html) |
| 305 | [bold](hymnal.html) | 267 | [bold](hymnal.html) |
| 306 | [bolts](words-irritable-reaching.html) | ||
| 307 | [bone](problems.html) | 268 | [bone](problems.html) |
| 308 | [bones](deadman.html) | 269 | [bones](deadman.html) |
| 309 | [bonfire](options.html) | 270 | [bonfire](options.html) |
| 310 | [bookended](manifesto_poetics.html) | ||
| 311 | [bookstores](dollywood.html) | 271 | [bookstores](dollywood.html) |
| 312 | [boomed](last-bastion.html) | 272 | [boomed](last-bastion.html) |
| 313 | [boot](dollywood.html) | 273 | [boot](dollywood.html) |
| @@ -316,26 +276,23 @@ project: | |||
| 316 | [boredom](dollywood.html) | 276 | [boredom](dollywood.html) |
| 317 | [born](sixteenth-chapel.html) | 277 | [born](sixteenth-chapel.html) |
| 318 | [borrow](creation-myth.html) | 278 | [borrow](creation-myth.html) |
| 319 | [boruch](on-genre-dimension.html) | ||
| 320 | [boss](problems.html) | 279 | [boss](problems.html) |
| 321 | [bother](poetry-time.html) | 280 | [bother](poetry-time.html) |
| 322 | [bottle](arspoetica.html) | ||
| 323 | [bouncing](ouroboros_memory.html) | 281 | [bouncing](ouroboros_memory.html) |
| 324 | [boundaries](words-meaning.html) | ||
| 325 | [bounded](feedingtheraven.html) | 282 | [bounded](feedingtheraven.html) |
| 326 | [bowels](no-nothing.html) | 283 | [bowels](no-nothing.html) |
| 327 | [bowl](punch.html) | 284 | [bowl](punch.html) |
| 328 | [bowler](likingthings.html) | 285 | [bowler](likingthings.html) |
| 329 | [bowls](cereal.html) | 286 | [bowls](cereal.html) |
| 330 | [boy's](boy_bus.html) | 287 | [boy's](boy_bus.html) |
| 288 | [branch](in-bed.html) | ||
| 331 | [branchcrotch](plant.html) | 289 | [branchcrotch](plant.html) |
| 332 | [branched](plant.html) | 290 | [branched](plant.html) |
| 333 | [branching](epigraph.html) | ||
| 334 | [braying](one-hundred-lines.html) | 291 | [braying](one-hundred-lines.html) |
| 292 | [bread](roughgloves.html) | ||
| 335 | [breakroom](yellow.html) | 293 | [breakroom](yellow.html) |
| 336 | [breast](i-wanted-to-tell-you-something.html) | 294 | [breast](i-wanted-to-tell-you-something.html) |
| 337 | [breastbone](theoceanoverflowswithcamels.html) | 295 | [breastbone](theoceanoverflowswithcamels.html) |
| 338 | [breasts](words-irritable-reaching.html) | ||
| 339 | [breathe](moon-drowning.html) | 296 | [breathe](moon-drowning.html) |
| 340 | [breathes](ronaldmcdonald.html) | 297 | [breathes](ronaldmcdonald.html) |
| 341 | [bred](purpose-dogs.html) | 298 | [bred](purpose-dogs.html) |
| @@ -343,17 +300,16 @@ project: | |||
| 343 | [breeds](purpose-dogs.html) | 300 | [breeds](purpose-dogs.html) |
| 344 | [brick](collage-instrument.html) | 301 | [brick](collage-instrument.html) |
| 345 | [bride](death-zone.html) | 302 | [bride](death-zone.html) |
| 346 | [brief](abstract.html) | ||
| 347 | [briefcase](spittle.html) | 303 | [briefcase](spittle.html) |
| 348 | [brilliant](epigraph.html) | 304 | [brings](january.html) |
| 349 | [bro](call-me-aural-pleasure.html) | 305 | [bro](call-me-aural-pleasure.html) |
| 350 | [broad](on-genre-dimension.html) | ||
| 351 | [broadcasts](what-we-are-made-of.html) | 306 | [broadcasts](what-we-are-made-of.html) |
| 352 | [brooks](plant.html) | 307 | [brooks](plant.html) |
| 353 | [brothel](hard-game.html) | 308 | [brothel](hard-game.html) |
| 309 | [brothers](problems.html) | ||
| 310 | [brought](yellow.html) | ||
| 354 | [brownbranching](plant.html) | 311 | [brownbranching](plant.html) |
| 355 | [brownspotted](plant.html) | 312 | [brownspotted](plant.html) |
| 356 | [browsers](about.html) | ||
| 357 | [bruises](theoceanoverflowswithcamels.html) | 313 | [bruises](theoceanoverflowswithcamels.html) |
| 358 | [brush](dollywood.html) | 314 | [brush](dollywood.html) |
| 359 | [brushed](dollywood.html) | 315 | [brushed](dollywood.html) |
| @@ -362,8 +318,8 @@ project: | |||
| 362 | [buck](table_contents.html) | 318 | [buck](table_contents.html) |
| 363 | [buck-fifty](creation-myth.html) | 319 | [buck-fifty](creation-myth.html) |
| 364 | [buffet](peaches.html) | 320 | [buffet](peaches.html) |
| 365 | [buggy](process.html) | ||
| 366 | [bugs](dollywood.html) | 321 | [bugs](dollywood.html) |
| 322 | [buildings](seasonal-affective-disorder.html) | ||
| 367 | [bulbs](telemarketer.html) | 323 | [bulbs](telemarketer.html) |
| 368 | [bunk](hard-game.html) | 324 | [bunk](hard-game.html) |
| 369 | [bunny](dollywood.html) | 325 | [bunny](dollywood.html) |
| @@ -374,27 +330,22 @@ project: | |||
| 374 | [burrows](plant.html) | 330 | [burrows](plant.html) |
| 375 | [buses](telemarketer.html) | 331 | [buses](telemarketer.html) |
| 376 | [bush](theoceanoverflowswithcamels.html) | 332 | [bush](theoceanoverflowswithcamels.html) |
| 377 | [business](words-irritable-reaching.html) | ||
| 378 | [businessman](spittle.html) | 333 | [businessman](spittle.html) |
| 379 | [busy](question.html) | 334 | [busy](question.html) |
| 380 | [butter](about-the-author.html) | 335 | [butter](about-the-author.html) |
| 381 | [button](peaches.html) | 336 | [button](peaches.html) |
| 382 | [buttons](window.html) | 337 | [buttons](window.html) |
| 383 | [buy-one-pair-get-two-pair-free](dollywood.html) | 338 | [buy-one-pair-get-two-pair-free](dollywood.html) |
| 384 | [buyer](on-genre-dimension.html) | ||
| 385 | [buyers](on-genre-dimension.html) | ||
| 386 | [buying](about-the-author.html) | 339 | [buying](about-the-author.html) |
| 387 | [buys](collage-instrument.html) | 340 | [buys](collage-instrument.html) |
| 388 | [buzz](telemarketer.html) | 341 | [buzz](telemarketer.html) |
| 389 | [bye](phone.html) | 342 | [bye](phone.html) |
| 390 | [byproduct](words-meaning.html) | ||
| 391 | [byte](collage-instrument.html) | 343 | [byte](collage-instrument.html) |
| 392 | [cabin](dollywood.html) | 344 | [cabin](dollywood.html) |
| 393 | [cabins](plant.html) | 345 | [cabins](plant.html) |
| 394 | [cackle](last-bastion.html) | 346 | [cackle](last-bastion.html) |
| 395 | [cackling](what-we-are-made-of.html) | 347 | [cackling](what-we-are-made-of.html) |
| 396 | [cacophonous](what-we-are-made-of.html) | 348 | [cacophonous](what-we-are-made-of.html) |
| 397 | [caeiro](howtoread.html) | ||
| 398 | [cafe](i-want-to-say.html) | 349 | [cafe](i-want-to-say.html) |
| 399 | [cain](howithappened.html) | 350 | [cain](howithappened.html) |
| 400 | [cake](punch.html) | 351 | [cake](punch.html) |
| @@ -405,17 +356,12 @@ project: | |||
| 405 | [calms](what-we-are-made-of.html) | 356 | [calms](what-we-are-made-of.html) |
| 406 | [cameras](movingsideways.html) | 357 | [cameras](movingsideways.html) |
| 407 | [camped-out](what-we-are-made-of.html) | 358 | [camped-out](what-we-are-made-of.html) |
| 408 | [candidate](about.html) | ||
| 409 | [canned](peaches.html) | 359 | [canned](peaches.html) |
| 410 | [canopy](stump.html) | 360 | [canopy](stump.html) |
| 411 | [capabilities](process.html) | ||
| 412 | [capability](words-irritable-reaching.html) | ||
| 413 | [capacity](words-meaning.html) | ||
| 414 | [capital-l](love-as-god.html) | 361 | [capital-l](love-as-god.html) |
| 415 | [capitalist](about_author.html) | 362 | [capitalist](about_author.html) |
| 416 | [capitalize](love-as-god.html) | 363 | [capitalize](love-as-god.html) |
| 417 | [capsule](writing.html) | 364 | [capsule](writing.html) |
| 418 | [capturable](words-irritable-reaching.html) | ||
| 419 | [card](snow.html) | 365 | [card](snow.html) |
| 420 | [careful](purpose-dogs.html) | 366 | [careful](purpose-dogs.html) |
| 421 | [carefully](feedingtheraven.html) | 367 | [carefully](feedingtheraven.html) |
| @@ -425,37 +371,29 @@ project: | |||
| 425 | [caring](something-simple.html) | 371 | [caring](something-simple.html) |
| 426 | [carpet](x-ray.html) | 372 | [carpet](x-ray.html) |
| 427 | [carrey](statements-frag.html) | 373 | [carrey](statements-frag.html) |
| 428 | [carried](words-irritable-reaching.html) | ||
| 429 | [carries](what-we-are-made-of.html) | 374 | [carries](what-we-are-made-of.html) |
| 430 | [carry](collage-instrument.html) | 375 | [carry](collage-instrument.html) |
| 431 | [cart](yellow.html) | 376 | [cart](yellow.html) |
| 432 | [cartoons](cereal.html) | 377 | [cartoons](cereal.html) |
| 378 | [cases](last-bastion.html) | ||
| 433 | [casket](death-zone.html) | 379 | [casket](death-zone.html) |
| 434 | [casserole](when-im-sorry-i.html) | 380 | [casserole](when-im-sorry-i.html) |
| 435 | [cat](proverbs.html) | 381 | [cat](proverbs.html) |
| 436 | [catalogued](howtoread.html) | ||
| 437 | [catches](last-passenger.html) | 382 | [catches](last-passenger.html) |
| 438 | [catching](roughgloves.html) | 383 | [catching](roughgloves.html) |
| 439 | [categories](words-meaning.html) | ||
| 440 | [category](on-genre-dimension.html) | ||
| 441 | [catered](death-zone.html) | 384 | [catered](death-zone.html) |
| 442 | [causes](howtoread.html) | ||
| 443 | [causing](stagnant.html) | 385 | [causing](stagnant.html) |
| 444 | [cave](what-we-are-made-of.html) | 386 | [cave](what-we-are-made-of.html) |
| 445 | [cease](i-want-to-say.html) | 387 | [cease](i-want-to-say.html) |
| 446 | [ceased](no-nothing.html) | 388 | [ceased](no-nothing.html) |
| 447 | [celebrate](call-me-aural-pleasure.html) | 389 | [celebrate](call-me-aural-pleasure.html) |
| 448 | [celebrities](about.html) | ||
| 449 | [cemetery](seasonal-affective-disorder.html) | 390 | [cemetery](seasonal-affective-disorder.html) |
| 450 | [census](howtoread.html) | 391 | [center](movingsideways.html) |
| 451 | [centi](about.html) | ||
| 452 | [century](sixteenth-chapel.html) | 392 | [century](sixteenth-chapel.html) |
| 453 | [cept](no-nothing.html) | 393 | [cept](no-nothing.html) |
| 454 | [cereal](table_contents.html) | 394 | [cereal](table_contents.html) |
| 455 | [cereals](last-bastion.html) | 395 | [cereals](last-bastion.html) |
| 456 | [certainly](death-zone.html) | 396 | [certainly](death-zone.html) |
| 457 | [cesare](on-genre-dimension.html) | ||
| 458 | [cetera](on-genre-dimension.html) | ||
| 459 | [chairback](dollywood.html) | 397 | [chairback](dollywood.html) |
| 460 | [chairs](boar.html) | 398 | [chairs](boar.html) |
| 461 | [challenge](call-me-aural-pleasure.html) | 399 | [challenge](call-me-aural-pleasure.html) |
| @@ -463,7 +401,6 @@ project: | |||
| 463 | [challenging](lappel-du-vide.html) | 401 | [challenging](lappel-du-vide.html) |
| 464 | [chamber](writing.html) | 402 | [chamber](writing.html) |
| 465 | [chamberpot](shipwright.html) | 403 | [chamberpot](shipwright.html) |
| 466 | [champion](epigraph.html) | ||
| 467 | [chances](what-we-are-made-of.html) | 404 | [chances](what-we-are-made-of.html) |
| 468 | [chapel's](sixteenth-chapel.html) | 405 | [chapel's](sixteenth-chapel.html) |
| 469 | [chapped](swansong-alt.html) | 406 | [chapped](swansong-alt.html) |
| @@ -482,18 +419,13 @@ project: | |||
| 482 | [cheering](wallpaper.html) | 419 | [cheering](wallpaper.html) |
| 483 | [chemistry](love-as-god.html) | 420 | [chemistry](love-as-god.html) |
| 484 | [chewing](purpose-dogs.html) | 421 | [chewing](purpose-dogs.html) |
| 485 | [chiding](words-irritable-reaching.html) | ||
| 486 | [chin](peaches.html) | 422 | [chin](peaches.html) |
| 487 | [chlorophyll](plant.html) | 423 | [chlorophyll](plant.html) |
| 488 | [chocolate](death-zone.html) | 424 | [chocolate](death-zone.html) |
| 489 | [choices](options.html) | 425 | [choices](options.html) |
| 490 | [choir](boar.html) | 426 | [choir](boar.html) |
| 491 | [choking](nothing-is-ever-over.html) | 427 | [choking](nothing-is-ever-over.html) |
| 492 | [choose](epigraph.html) | ||
| 493 | [choose-your-own-adventure](on-genre-dimension.html) | ||
| 494 | [choosing](epigraph.html) | ||
| 495 | [chopping](x-ray.html) | 428 | [chopping](x-ray.html) |
| 496 | [chose](howtoread.html) | ||
| 497 | [christ's](i-am.html) | 429 | [christ's](i-am.html) |
| 498 | [christian](dollywood.html) | 430 | [christian](dollywood.html) |
| 499 | [chuckled](axe.html) | 431 | [chuckled](axe.html) |
| @@ -502,16 +434,11 @@ project: | |||
| 502 | [churning](plant.html) | 434 | [churning](plant.html) |
| 503 | [cigarettes](swear.html) | 435 | [cigarettes](swear.html) |
| 504 | [cincinnati](last-passenger.html) | 436 | [cincinnati](last-passenger.html) |
| 505 | [cinnamon](words-irritable-reaching.html) | ||
| 506 | [circles](art.html) | 437 | [circles](art.html) |
| 507 | [circuit](howtoread.html) | ||
| 508 | [circumstance](howtoread.html) | ||
| 509 | [cirrus](dollywood.html) | 438 | [cirrus](dollywood.html) |
| 510 | [citation](about.html) | ||
| 511 | [claim](movingsideways.html) | 439 | [claim](movingsideways.html) |
| 512 | [claimed](about-the-author.html) | 440 | [claimed](about-the-author.html) |
| 513 | [class](peaches.html) | 441 | [class](peaches.html) |
| 514 | [classifying](words-meaning.html) | ||
| 515 | [claus](dollywood.html) | 442 | [claus](dollywood.html) |
| 516 | [claw](paul.html) | 443 | [claw](paul.html) |
| 517 | [clawing](theoceanoverflowswithcamels.html) | 444 | [clawing](theoceanoverflowswithcamels.html) |
| @@ -519,8 +446,10 @@ project: | |||
| 519 | [clay](serengeti.html) | 446 | [clay](serengeti.html) |
| 520 | [cleaned](options.html) | 447 | [cleaned](options.html) |
| 521 | [cleaners](about_author.html) | 448 | [cleaners](about_author.html) |
| 449 | [clearly](movingsideways.html) | ||
| 522 | [cleft](nothing-is-ever-over.html) | 450 | [cleft](nothing-is-ever-over.html) |
| 523 | [clenched](angeltoabraham.html) | 451 | [clenched](angeltoabraham.html) |
| 452 | [clich](onformalpoetry.html) | ||
| 524 | [client's](telemarketer.html) | 453 | [client's](telemarketer.html) |
| 525 | [cliff](swansong-alt.html) | 454 | [cliff](swansong-alt.html) |
| 526 | [climbed](purpose-dogs.html) | 455 | [climbed](purpose-dogs.html) |
| @@ -534,68 +463,50 @@ project: | |||
| 534 | [coat](window.html) | 463 | [coat](window.html) |
| 535 | [cock](nothing-is-ever-over.html) | 464 | [cock](nothing-is-ever-over.html) |
| 536 | [cocky](call-me-aural-pleasure.html) | 465 | [cocky](call-me-aural-pleasure.html) |
| 537 | [code-collaboration](about.html) | 466 | [code](problems.html) |
| 538 | [coffins](one-hundred-lines.html) | 467 | [coffins](one-hundred-lines.html) |
| 539 | [cognac](deadman.html) | 468 | [cognac](deadman.html) |
| 540 | [cola](lovesong.html) | 469 | [cola](lovesong.html) |
| 541 | [colbert](dollywood.html) | 470 | [colbert](dollywood.html) |
| 542 | [coldened](plant.html) | 471 | [coldened](plant.html) |
| 543 | [coldness](seasonal-affective-disorder.html) | 472 | [coldness](seasonal-affective-disorder.html) |
| 544 | [coleridge](words-irritable-reaching.html) | ||
| 545 | [collage](collage-instrument.html) | 473 | [collage](collage-instrument.html) |
| 546 | [collapses](collage-instrument.html) | 474 | [collapses](collage-instrument.html) |
| 547 | [collarbone](roughgloves.html) | 475 | [collarbone](roughgloves.html) |
| 548 | [collected](about.html) | 476 | [collect](apollo11.html) |
| 549 | [collectible](purpose-dogs.html) | 477 | [collectible](purpose-dogs.html) |
| 550 | [collective](collage-instrument.html) | 478 | [collective](collage-instrument.html) |
| 551 | [college](collage-instrument.html) | 479 | [college](collage-instrument.html) |
| 552 | [column](movingsideways.html) | 480 | [column](movingsideways.html) |
| 553 | [columns](stagnant.html) | 481 | [columns](stagnant.html) |
| 554 | [combination](about.html) | ||
| 555 | [combine](notes.html) | 482 | [combine](notes.html) |
| 556 | [combined](poetry-time.html) | 483 | [combined](poetry-time.html) |
| 557 | [comely](todaniel.html) | 484 | [comely](todaniel.html) |
| 558 | [comfortable](worse-looking-over.html) | 485 | [comfortable](worse-looking-over.html) |
| 559 | [comfortably](dollywood.html) | 486 | [comfortably](dollywood.html) |
| 560 | [comforting](about.html) | ||
| 561 | [comforts](what-we-are-made-of.html) | 487 | [comforts](what-we-are-made-of.html) |
| 562 | [command-line](collage-instrument.html) | 488 | [command-line](collage-instrument.html) |
| 563 | [comment](todaniel.html) | 489 | [comment](todaniel.html) |
| 564 | [commentators](howtoread.html) | ||
| 565 | [commercials](about_author.html) | 490 | [commercials](about_author.html) |
| 566 | [commits](process.html) | ||
| 567 | [committed](man.html) | 491 | [committed](man.html) |
| 568 | [commons](about.html) | 492 | [common](peaches.html) |
| 569 | [communicably](on-genre-dimension.html) | ||
| 570 | [communicate](howtoread.html) | ||
| 571 | [communicates](on-genre-dimension.html) | ||
| 572 | [communion](dollywood.html) | 493 | [communion](dollywood.html) |
| 573 | [commute](dollywood.html) | 494 | [commute](dollywood.html) |
| 574 | [comparable](treatise.html) | 495 | [comparable](treatise.html) |
| 575 | [compare](big-dipper.html) | 496 | [compare](big-dipper.html) |
| 576 | [compartmentalizes](words-meaning.html) | ||
| 577 | [compile](about.html) | ||
| 578 | [compiles](about.html) | ||
| 579 | [complain](telemarketer.html) | 497 | [complain](telemarketer.html) |
| 580 | [complaining](exasperated.html) | 498 | [complaining](exasperated.html) |
| 581 | [complexities](howtoread.html) | 499 | [complete](proverbs.html) |
| 582 | [complicated](manifesto_poetics.html) | 500 | [completed](writing.html) |
| 501 | [complex](the-sea_the-beach.html) | ||
| 583 | [compose](what-we-are-made-of.html) | 502 | [compose](what-we-are-made-of.html) |
| 584 | [composed](about.html) | ||
| 585 | [composing](wallpaper.html) | 503 | [composing](wallpaper.html) |
| 586 | [compositions](about.html) | ||
| 587 | [compresses](arspoetica.html) | ||
| 588 | [comprising](initial-conditions.html) | 504 | [comprising](initial-conditions.html) |
| 589 | [compromise](statements-frag.html) | 505 | [compromise](statements-frag.html) |
| 590 | [compromising](snow.html) | 506 | [compromising](snow.html) |
| 591 | [computational](about.html) | ||
| 592 | [computers](reports.html) | 507 | [computers](reports.html) |
| 593 | [con](no-nothing.html) | 508 | [con](no-nothing.html) |
| 594 | [concentrate](words-meaning.html) | ||
| 595 | [conception](about-the-author.html) | 509 | [conception](about-the-author.html) |
| 596 | [concepts](about.html) | ||
| 597 | [conceptually](on-genre-dimension.html) | ||
| 598 | [concerned](howtoread.html) | ||
| 599 | [concession](dollywood.html) | 510 | [concession](dollywood.html) |
| 600 | [conch](telemarketer.html) | 511 | [conch](telemarketer.html) |
| 601 | [conciousness](spittle.html) | 512 | [conciousness](spittle.html) |
| @@ -607,29 +518,21 @@ project: | |||
| 607 | [confessional](snow.html) | 518 | [confessional](snow.html) |
| 608 | [congratulate](deathstrumpet.html) | 519 | [congratulate](deathstrumpet.html) |
| 609 | [connection](sapling.html) | 520 | [connection](sapling.html) |
| 610 | [connections](on-genre-dimension.html) | 521 | [considered](shed.html) |
| 611 | [considers](creation-myth.html) | 522 | [considers](creation-myth.html) |
| 612 | [consisted](peaches.html) | 523 | [consisted](peaches.html) |
| 613 | [consistent](about.html) | 524 | [constant](telemarketer.html) |
| 614 | [consistently](about.html) | ||
| 615 | [consists](manifesto_poetics.html) | ||
| 616 | [constantin](epigraph.html) | ||
| 617 | [constantly](words-meaning.html) | ||
| 618 | [constructed](howtoread.html) | ||
| 619 | [consumable](arspoetica.html) | ||
| 620 | [consumed](ouroboros_memory.html) | 525 | [consumed](ouroboros_memory.html) |
| 621 | [contain](art.html) | 526 | [contain](art.html) |
| 622 | [contains](howtoread.html) | 527 | [container](yellow.html) |
| 623 | [contempt](arspoetica.html) | 528 | [content](collage-instrument.html) |
| 624 | [contemptibly](arspoetica.html) | 529 | [continue](movingsideways.html) |
| 625 | [context](about.html) | ||
| 626 | [contiguous](about.html) | ||
| 627 | [continued](fire.html) | 530 | [continued](fire.html) |
| 628 | [continues](shipwright.html) | 531 | [continues](shipwright.html) |
| 629 | [continuity](words-meaning.html) | ||
| 630 | [contorting](peaches.html) | 532 | [contorting](peaches.html) |
| 631 | [contract](ex-machina.html) | 533 | [contract](ex-machina.html) |
| 632 | [contraposition](no-nothing.html) | 534 | [contraposition](no-nothing.html) |
| 535 | [control](dollywood.html) | ||
| 633 | [conversations](mountain.html) | 536 | [conversations](mountain.html) |
| 634 | [converter](writing.html) | 537 | [converter](writing.html) |
| 635 | [cooked](when-im-sorry-i.html) | 538 | [cooked](when-im-sorry-i.html) |
| @@ -638,29 +541,20 @@ project: | |||
| 638 | [cooler](call-me-aural-pleasure.html) | 541 | [cooler](call-me-aural-pleasure.html) |
| 639 | [coolness](axe.html) | 542 | [coolness](axe.html) |
| 640 | [cop](howithappened.html) | 543 | [cop](howithappened.html) |
| 641 | [copulation](howtoread.html) | ||
| 642 | [coronas](theoceanoverflowswithcamels.html) | 544 | [coronas](theoceanoverflowswithcamels.html) |
| 643 | [coroner's](father.html) | 545 | [coroner's](father.html) |
| 644 | [corpora](about.html) | ||
| 645 | [correct](manifesto_poetics.html) | ||
| 646 | [correcting](telemarketer.html) | 546 | [correcting](telemarketer.html) |
| 647 | [correctly](about.html) | ||
| 648 | [correspondence](manifesto_poetics.html) | ||
| 649 | [cosmology](manifesto_poetics.html) | ||
| 650 | [cost](howtoread.html) | ||
| 651 | [costume](peaches.html) | 547 | [costume](peaches.html) |
| 652 | [costumed](dollywood.html) | 548 | [costumed](dollywood.html) |
| 653 | [costumes](statements-frag.html) | 549 | [costumes](statements-frag.html) |
| 654 | [cotton](words-irritable-reaching.html) | ||
| 655 | [couch](hardware.html) | 550 | [couch](hardware.html) |
| 656 | [couches](dollywood.html) | 551 | [couches](dollywood.html) |
| 657 | [counter](yellow.html) | 552 | [counter](yellow.html) |
| 658 | [counting](onformalpoetry.html) | 553 | [counting](onformalpoetry.html) |
| 659 | [counts](howtoread.html) | ||
| 660 | [coupled](howtoread.html) | ||
| 661 | [courage](call-me-aural-pleasure.html) | 554 | [courage](call-me-aural-pleasure.html) |
| 662 | [court](ex-machina.html) | 555 | [court](ex-machina.html) |
| 663 | [cousin](tapestry.html) | 556 | [cousin](tapestry.html) |
| 557 | [cover](art.html) | ||
| 664 | [coveralls](ronaldmcdonald.html) | 558 | [coveralls](ronaldmcdonald.html) |
| 665 | [coverings](problems.html) | 559 | [coverings](problems.html) |
| 666 | [covers](telemarketer.html) | 560 | [covers](telemarketer.html) |
| @@ -688,27 +582,23 @@ project: | |||
| 688 | [cream-colored](stump.html) | 582 | [cream-colored](stump.html) |
| 689 | [creamer](yellow.html) | 583 | [creamer](yellow.html) |
| 690 | [creases](plant.html) | 584 | [creases](plant.html) |
| 585 | [creating](last-passenger.html) | ||
| 586 | [creative](movingsideways.html) | ||
| 691 | [creativity's](hard-game.html) | 587 | [creativity's](hard-game.html) |
| 692 | [creator](about.html) | ||
| 693 | [creatures](lappel-du-vide.html) | 588 | [creatures](lappel-du-vide.html) |
| 694 | [credits](dollywood.html) | 589 | [credits](dollywood.html) |
| 590 | [creek](sixteenth-chapel.html) | ||
| 695 | [creeks](dollywood.html) | 591 | [creeks](dollywood.html) |
| 696 | [creep](about.html) | ||
| 697 | [creepy](what-we-are-made-of.html) | 592 | [creepy](what-we-are-made-of.html) |
| 698 | [crevice](plant.html) | 593 | [crevice](plant.html) |
| 699 | [crew](epigraph.html) | ||
| 700 | [cried](x-ray.html) | 594 | [cried](x-ray.html) |
| 701 | [cries](theoceanoverflowswithcamels.html) | 595 | [cries](theoceanoverflowswithcamels.html) |
| 702 | [crime-ridden](arspoetica.html) | ||
| 703 | [criminal](lovesong.html) | 596 | [criminal](lovesong.html) |
| 704 | [criminals](lovesong.html) | 597 | [criminals](lovesong.html) |
| 705 | [criteria](on-genre-dimension.html) | ||
| 706 | [croaks](i-think-its-you.html) | 598 | [croaks](i-think-its-you.html) |
| 707 | [crocodiles](one-hundred-lines.html) | 599 | [crocodiles](one-hundred-lines.html) |
| 708 | [cross-references](howtoread.html) | ||
| 709 | [crossword](one-hundred-lines.html) | 600 | [crossword](one-hundred-lines.html) |
| 710 | [crosswords](what-we-are-made-of.html) | 601 | [crosswords](what-we-are-made-of.html) |
| 711 | [crotch](epigraph.html) | ||
| 712 | [crouch](serengeti.html) | 602 | [crouch](serengeti.html) |
| 713 | [crowing](nothing-is-ever-over.html) | 603 | [crowing](nothing-is-ever-over.html) |
| 714 | [crown](death-zone.html) | 604 | [crown](death-zone.html) |
| @@ -720,19 +610,16 @@ project: | |||
| 720 | [crust](when-im-sorry-i.html) | 610 | [crust](when-im-sorry-i.html) |
| 721 | [crusty](underwear.html) | 611 | [crusty](underwear.html) |
| 722 | [crux](philosophy.html) | 612 | [crux](philosophy.html) |
| 723 | [css](process.html) | ||
| 724 | [cubicled](telemarketer.html) | 613 | [cubicled](telemarketer.html) |
| 725 | [cubicles](telemarketer.html) | 614 | [cubicles](telemarketer.html) |
| 726 | [culminates](manifesto_poetics.html) | 615 | [culture](about-the-author.html) |
| 727 | [curious](about.html) | ||
| 728 | [curled](cereal.html) | 616 | [curled](cereal.html) |
| 729 | [currently](howtoread.html) | ||
| 730 | [curtains](one-hundred-lines.html) | 617 | [curtains](one-hundred-lines.html) |
| 731 | [customer's](telemarketer.html) | 618 | [customer's](telemarketer.html) |
| 732 | [cycle](collage-instrument.html) | 619 | [cycle](collage-instrument.html) |
| 733 | [cyclical](words-meaning.html) | ||
| 734 | [dairy](last-bastion.html) | 620 | [dairy](last-bastion.html) |
| 735 | [dances](movingsideways.html) | 621 | [dances](movingsideways.html) |
| 622 | [dancing](squirrel.html) | ||
| 736 | [dangling](x-ray.html) | 623 | [dangling](x-ray.html) |
| 737 | [daniel](todaniel.html) | 624 | [daniel](todaniel.html) |
| 738 | [dappled](dollywood.html) | 625 | [dappled](dollywood.html) |
| @@ -753,94 +640,75 @@ project: | |||
| 753 | [decaying](in-bed.html) | 640 | [decaying](in-bed.html) |
| 754 | [decency](howithappened.html) | 641 | [decency](howithappened.html) |
| 755 | [decent](exasperated.html) | 642 | [decent](exasperated.html) |
| 756 | [decide](epigraph.html) | ||
| 757 | [declaration](statements-frag.html) | 643 | [declaration](statements-frag.html) |
| 758 | [decompress](arspoetica.html) | ||
| 759 | [dedicated](window.html) | 644 | [dedicated](window.html) |
| 760 | [deepened](dollywood.html) | 645 | [deepened](dollywood.html) |
| 646 | [deeper](lappel-du-vide.html) | ||
| 761 | [defeat](when-im-sorry-i.html) | 647 | [defeat](when-im-sorry-i.html) |
| 762 | [define](love-as-god.html) | 648 | [define](love-as-god.html) |
| 763 | [defining](words-meaning.html) | ||
| 764 | [definitely](call-me-aural-pleasure.html) | 649 | [definitely](call-me-aural-pleasure.html) |
| 650 | [definition](love-as-god.html) | ||
| 765 | [deflate](dollywood.html) | 651 | [deflate](dollywood.html) |
| 766 | [deigned](exasperated.html) | 652 | [deigned](exasperated.html) |
| 767 | [delegate](telemarketer.html) | 653 | [delegate](telemarketer.html) |
| 768 | [deleted](process.html) | 654 | [delicious](collage-instrument.html) |
| 769 | [demand](collage-instrument.html) | 655 | [demand](collage-instrument.html) |
| 770 | [demanded](movingsideways.html) | 656 | [demanded](movingsideways.html) |
| 771 | [demolished](building.html) | 657 | [demolished](building.html) |
| 772 | [demon](one-hundred-lines.html) | 658 | [demon](one-hundred-lines.html) |
| 773 | [depicted](on-genre-dimension.html) | 659 | [depending](telemarketer.html) |
| 774 | [depiction](collage-instrument.html) | 660 | [depiction](collage-instrument.html) |
| 661 | [depressed](deathstrumpet.html) | ||
| 662 | [describe](walking-in-the-rain.html) | ||
| 775 | [described](last-bastion.html) | 663 | [described](last-bastion.html) |
| 776 | [describes](on-genre-dimension.html) | ||
| 777 | [deserve](when-im-sorry-i.html) | 664 | [deserve](when-im-sorry-i.html) |
| 778 | [design](time-looks-up-to-the-sky.html) | 665 | [design](time-looks-up-to-the-sky.html) |
| 779 | [designation](on-genre-dimension.html) | ||
| 780 | [desired](building.html) | 666 | [desired](building.html) |
| 781 | [desktop](telemarketer.html) | 667 | [desktop](telemarketer.html) |
| 782 | [desperate](about.html) | ||
| 783 | [destroy](i-am.html) | 668 | [destroy](i-am.html) |
| 784 | [destroyed](when-im-sorry-i.html) | 669 | [destroyed](when-im-sorry-i.html) |
| 785 | [destruction](angeltoabraham.html) | 670 | [destruction](angeltoabraham.html) |
| 786 | [detailed](process.html) | ||
| 787 | [detergent](cereal.html) | 671 | [detergent](cereal.html) |
| 788 | [detractors](january.html) | 672 | [detractors](january.html) |
| 789 | [devastating](about-the-author.html) | 673 | [devastating](about-the-author.html) |
| 790 | [develop](manifesto_poetics.html) | ||
| 791 | [devices](ouroboros_memory.html) | 674 | [devices](ouroboros_memory.html) |
| 792 | [devil](sapling.html) | 675 | [devil](sapling.html) |
| 793 | [devised](manifesto_poetics.html) | ||
| 794 | [devotion](last-bastion.html) | 676 | [devotion](last-bastion.html) |
| 795 | [dewdrop](plant.html) | 677 | [dewdrop](plant.html) |
| 796 | [dialectic](howtoread.html) | 678 | [dial](cereal.html) |
| 797 | [diary](art.html) | 679 | [diary](art.html) |
| 798 | [dice](table_contents.html) | 680 | [dice](table_contents.html) |
| 799 | [differentiated](about.html) | ||
| 800 | [difficult](notes.html) | 681 | [difficult](notes.html) |
| 801 | [dig](movingsideways.html) | 682 | [dig](movingsideways.html) |
| 802 | [dillard](howtoread.html) | ||
| 803 | [dimension](on-genre-dimension.html) | ||
| 804 | [dimes](real-writer.html) | 683 | [dimes](real-writer.html) |
| 805 | [dimly](last-bastion.html) | 684 | [dimly](last-bastion.html) |
| 806 | [dimming](largest-asteroid.html) | 685 | [dimming](largest-asteroid.html) |
| 807 | [dipped](writing.html) | 686 | [dipped](writing.html) |
| 808 | [dipping](writing.html) | 687 | [dipping](writing.html) |
| 809 | [directly](man.html) | 688 | [directly](man.html) |
| 810 | [directory](process.html) | ||
| 811 | [dirty](cereal.html) | 689 | [dirty](cereal.html) |
| 812 | [disagree](ouroboros_memory.html) | 690 | [disagree](ouroboros_memory.html) |
| 813 | [disagreequantum](movingsideways.html) | 691 | [disagreequantum](movingsideways.html) |
| 814 | [disallowed](dollywood.html) | 692 | [disallowed](dollywood.html) |
| 815 | [disallows](howtoread.html) | ||
| 816 | [disappearing](howtoread.html) | ||
| 817 | [disappears](joke.html) | 693 | [disappears](joke.html) |
| 818 | [disappointing](underwear.html) | 694 | [disappointing](underwear.html) |
| 695 | [disappointment](dollywood.html) | ||
| 819 | [disassociated](table_contents.html) | 696 | [disassociated](table_contents.html) |
| 820 | [disband](call-me-aural-pleasure.html) | 697 | [disband](call-me-aural-pleasure.html) |
| 821 | [disciplinary](telemarketer.html) | 698 | [disciplinary](telemarketer.html) |
| 822 | [discontent](found-typewriter-poem.html) | 699 | [discontent](found-typewriter-poem.html) |
| 823 | [discretion](telemarketer.html) | 700 | [discretion](telemarketer.html) |
| 701 | [discussion](peaches.html) | ||
| 824 | [dish](when-im-sorry-i.html) | 702 | [dish](when-im-sorry-i.html) |
| 825 | [disingenuous](words-meaning.html) | ||
| 826 | [disintegrating](building.html) | 703 | [disintegrating](building.html) |
| 827 | [disinterested](finding-the-lion.html) | 704 | [disinterested](finding-the-lion.html) |
| 828 | [dismantled](words-irritable-reaching.html) | ||
| 829 | [dismay](about_author.html) | 705 | [dismay](about_author.html) |
| 830 | [dismember](options.html) | 706 | [dismember](options.html) |
| 831 | [disproving](words-irritable-reaching.html) | ||
| 832 | [disregard](howtoread.html) | ||
| 833 | [disregarding](about.html) | ||
| 834 | [distant](boy_bus.html) | 707 | [distant](boy_bus.html) |
| 835 | [distinct](howtoread.html) | ||
| 836 | [distinctions](on-genre-dimension.html) | ||
| 837 | [distorts](movingsideways.html) | 708 | [distorts](movingsideways.html) |
| 838 | [distracting](early.html) | 709 | [distracting](early.html) |
| 839 | [diversions](on-genre-dimension.html) | ||
| 840 | [divine](ex-machina.html) | 710 | [divine](ex-machina.html) |
| 841 | [doctor's](dollywood.html) | 711 | [doctor's](dollywood.html) |
| 842 | [documents](process.html) | ||
| 843 | [docx](about.html) | ||
| 844 | [doe-eyed](last-bastion.html) | 712 | [doe-eyed](last-bastion.html) |
| 845 | [dog's](feedingtheraven.html) | 713 | [dog's](feedingtheraven.html) |
| 846 | [doggedly](apollo11.html) | 714 | [doggedly](apollo11.html) |
| @@ -881,7 +749,6 @@ project: | |||
| 881 | [drum](cereal.html) | 749 | [drum](cereal.html) |
| 882 | [drums](ex-machina.html) | 750 | [drums](ex-machina.html) |
| 883 | [dryer](cereal.html) | 751 | [dryer](cereal.html) |
| 884 | [duality](words-meaning.html) | ||
| 885 | [dub](likingthings.html) | 752 | [dub](likingthings.html) |
| 886 | [ducts](what-we-are-made-of.html) | 753 | [ducts](what-we-are-made-of.html) |
| 887 | [dude](call-me-aural-pleasure.html) | 754 | [dude](call-me-aural-pleasure.html) |
| @@ -893,7 +760,6 @@ project: | |||
| 893 | [dumpster](about-the-author.html) | 760 | [dumpster](about-the-author.html) |
| 894 | [dungeons](likingthings.html) | 761 | [dungeons](likingthings.html) |
| 895 | [dusk](table_contents.html) | 762 | [dusk](table_contents.html) |
| 896 | [dwelling](on-genre-dimension.html) | ||
| 897 | [earthworms](about-the-author.html) | 763 | [earthworms](about-the-author.html) |
| 898 | [eaten](plant.html) | 764 | [eaten](plant.html) |
| 899 | [eclipse](in-bed.html) | 765 | [eclipse](in-bed.html) |
| @@ -901,112 +767,80 @@ project: | |||
| 901 | [economically](collage-instrument.html) | 767 | [economically](collage-instrument.html) |
| 902 | [ecstatic](likingthings.html) | 768 | [ecstatic](likingthings.html) |
| 903 | [eden](peaches.html) | 769 | [eden](peaches.html) |
| 904 | [editable](about.html) | ||
| 905 | [editor](epigraph.html) | ||
| 906 | [edo](about_author.html) | 770 | [edo](about_author.html) |
| 907 | [ee](epigraph.html) | ||
| 908 | [eel](deadman.html) | 771 | [eel](deadman.html) |
| 909 | [effect](howtoread.html) | 772 | [effects](january.html) |
| 910 | [efficiently](manifesto_poetics.html) | ||
| 911 | [effort](exasperated.html) | 773 | [effort](exasperated.html) |
| 912 | [ego](howtoread.html) | 774 | [egg](in-bed.html) |
| 913 | [egyptian](words-irritable-reaching.html) | ||
| 914 | [eight-fold](i-wanted-to-tell-you-something.html) | 775 | [eight-fold](i-wanted-to-tell-you-something.html) |
| 915 | [eighty](apollo11.html) | 776 | [eighty](apollo11.html) |
| 916 | [elaboration](todaniel.html) | 777 | [elaboration](todaniel.html) |
| 917 | [electricity](cereal.html) | 778 | [electricity](cereal.html) |
| 918 | [elegies](about.html) | 779 | [elegy](elegyforanalternateself.html) |
| 919 | [element](manifesto_poetics.html) | ||
| 920 | [elementary](ex-machina.html) | 780 | [elementary](ex-machina.html) |
| 921 | [elements](on-genre-dimension.html) | ||
| 922 | [elephant](what-we-are-made-of.html) | 781 | [elephant](what-we-are-made-of.html) |
| 923 | [elevated](dollywood.html) | 782 | [elevated](dollywood.html) |
| 924 | [eleven](cereal.html) | 783 | [eleven](cereal.html) |
| 925 | [em](telemarketer.html) | 784 | [em](telemarketer.html) |
| 926 | [email](about.html) | ||
| 927 | [embarrassed](deadman.html) | 785 | [embarrassed](deadman.html) |
| 928 | [embarrassment](statements-frag.html) | 786 | [embarrassment](statements-frag.html) |
| 929 | [embodiment](ex-machina.html) | 787 | [embodiment](ex-machina.html) |
| 930 | [emotional/heart-based](manifesto_poetics.html) | 788 | [emotion](spittle.html) |
| 931 | [empire](last-bastion.html) | 789 | [empire](last-bastion.html) |
| 932 | [employ](exasperated.html) | 790 | [employ](exasperated.html) |
| 933 | [encased](i-am.html) | 791 | [encased](i-am.html) |
| 934 | [end-rhymes](on-genre-dimension.html) | ||
| 935 | [endeared](collage-instrument.html) | 792 | [endeared](collage-instrument.html) |
| 936 | [ended](last-bastion.html) | 793 | [ended](last-bastion.html) |
| 937 | [enemy](about_author.html) | 794 | [enemy](about_author.html) |
| 938 | [engagement](seasonal-affective-disorder.html) | 795 | [engagement](seasonal-affective-disorder.html) |
| 939 | [engineers](about.html) | ||
| 940 | [english](about.html) | ||
| 941 | [enigma](about.html) | ||
| 942 | [enliven](plant.html) | 796 | [enliven](plant.html) |
| 943 | [ensured](about.html) | ||
| 944 | [entanglement](toilet.html) | 797 | [entanglement](toilet.html) |
| 945 | [enterprises](toilet.html) | 798 | [enterprises](toilet.html) |
| 946 | [enters](howtoread.html) | ||
| 947 | [entirely](i-wanted-to-tell-you-something.html) | 799 | [entirely](i-wanted-to-tell-you-something.html) |
| 948 | [entirety](on-genre-dimension.html) | ||
| 949 | [entities](manifesto_poetics.html) | ||
| 950 | [entity](words-meaning.html) | ||
| 951 | [entrance](about.html) | ||
| 952 | [entry](phone.html) | 800 | [entry](phone.html) |
| 953 | [entry-level](phone.html) | 801 | [entry-level](phone.html) |
| 954 | [entwined](poetry-time.html) | 802 | [entwined](poetry-time.html) |
| 955 | [environment](howtoread.html) | ||
| 956 | [environments](howtoread.html) | ||
| 957 | [eously](creation-myth.html) | 803 | [eously](creation-myth.html) |
| 958 | [epicenter](axe.html) | 804 | [epicenter](axe.html) |
| 805 | [epigraph](love-as-god.html) | ||
| 959 | [epitome](call-me-aural-pleasure.html) | 806 | [epitome](call-me-aural-pleasure.html) |
| 960 | [equation](movingsideways.html) | 807 | [equation](movingsideways.html) |
| 961 | [era](lappel-du-vide.html) | 808 | [era](lappel-du-vide.html) |
| 962 | [eraser](building.html) | 809 | [eraser](building.html) |
| 963 | [erases](words-irritable-reaching.html) | ||
| 964 | [errant](death-zone.html) | 810 | [errant](death-zone.html) |
| 965 | [escapes](apollo11.html) | 811 | [escapes](apollo11.html) |
| 966 | [esoteric](about.html) | ||
| 967 | [ess](telemarketer.html) | 812 | [ess](telemarketer.html) |
| 968 | [essays](on-genre-dimension.html) | ||
| 969 | [estimate](father.html) | 813 | [estimate](father.html) |
| 970 | [ethiopian](words-irritable-reaching.html) | 814 | [etc](i-wanted-to-tell-you-something.html) |
| 971 | [europe](epigraph.html) | ||
| 972 | [evaporate](dollywood.html) | 815 | [evaporate](dollywood.html) |
| 973 | [eve](largest-asteroid.html) | 816 | [eve](largest-asteroid.html) |
| 974 | [evening](big-dipper.html) | 817 | [evening](big-dipper.html) |
| 975 | [event](about.html) | ||
| 976 | [evergreen](what-we-are-made-of.html) | 818 | [evergreen](what-we-are-made-of.html) |
| 819 | [everyone's](ronaldmcdonald.html) | ||
| 820 | [evolved](collage-instrument.html) | ||
| 977 | [ex](ex-machina.html) | 821 | [ex](ex-machina.html) |
| 978 | [exacerbates](ouroboros_memory.html) | 822 | [exacerbates](ouroboros_memory.html) |
| 979 | [examined](what-we-are-made-of.html) | 823 | [examined](what-we-are-made-of.html) |
| 980 | [exasperated](exasperated.html) | 824 | [exasperated](exasperated.html) |
| 981 | [exchange](manifesto_poetics.html) | 825 | [excited](dollywood.html) |
| 982 | [exciting](last-bastion.html) | 826 | [exciting](last-bastion.html) |
| 983 | [exclaiming](creation-myth.html) | 827 | [exclaiming](creation-myth.html) |
| 984 | [excused](feedingtheraven.html) | 828 | [excused](feedingtheraven.html) |
| 985 | [exe](about.html) | ||
| 986 | [exegesis](words-meaning.html) | ||
| 987 | [exercise](i-wanted-to-tell-you-something.html) | 829 | [exercise](i-wanted-to-tell-you-something.html) |
| 988 | [exhausted](father.html) | 830 | [exhausted](father.html) |
| 989 | [existed](howtoread.html) | 831 | [existing](initial-conditions.html) |
| 990 | [expand](on-genre-dimension.html) | 832 | [exists](purpose-dogs.html) |
| 991 | [expanded](about.html) | ||
| 992 | [expect](boy_bus.html) | 833 | [expect](boy_bus.html) |
| 993 | [expectation](on-genre-dimension.html) | ||
| 994 | [expel](collage-instrument.html) | 834 | [expel](collage-instrument.html) |
| 995 | [experienced](howtoread.html) | ||
| 996 | [experiencing](sixteenth-chapel.html) | 835 | [experiencing](sixteenth-chapel.html) |
| 997 | [experimenting](process.html) | ||
| 998 | [experiments](howtoread.html) | ||
| 999 | [expertly](creation-myth.html) | 836 | [expertly](creation-myth.html) |
| 1000 | [explained](collage-instrument.html) | 837 | [explained](collage-instrument.html) |
| 1001 | [explains](toilet.html) | 838 | [explains](toilet.html) |
| 1002 | [explore](about.html) | 839 | [explanation](collage-instrument.html) |
| 840 | [exploring](lappel-du-vide.html) | ||
| 841 | [express](weplayedthosegamestoo.html) | ||
| 1003 | [expressed](telemarketer.html) | 842 | [expressed](telemarketer.html) |
| 1004 | [expression](last-bastion.html) | 843 | [expression](last-bastion.html) |
| 1005 | [extend](process.html) | ||
| 1006 | [extended](process.html) | ||
| 1007 | [extract](howtoread.html) | ||
| 1008 | [extrapolate](howtoread.html) | ||
| 1009 | [extrapolating](howtoread.html) | ||
| 1010 | [eye-contact](dollywood.html) | 844 | [eye-contact](dollywood.html) |
| 1011 | [eyelid](in-bed.html) | 845 | [eyelid](in-bed.html) |
| 1012 | [eyelids](real-writer.html) | 846 | [eyelids](real-writer.html) |
| @@ -1014,26 +848,24 @@ project: | |||
| 1014 | [facebook](call-me-aural-pleasure.html) | 848 | [facebook](call-me-aural-pleasure.html) |
| 1015 | [facepaint](ronaldmcdonald.html) | 849 | [facepaint](ronaldmcdonald.html) |
| 1016 | [facial](last-bastion.html) | 850 | [facial](last-bastion.html) |
| 1017 | [facilitation](about.html) | ||
| 1018 | [factor](philosophy.html) | 851 | [factor](philosophy.html) |
| 1019 | [factories](about_author.html) | 852 | [factories](about_author.html) |
| 1020 | [factory](dollywood.html) | 853 | [factory](dollywood.html) |
| 1021 | [facts](something-simple.html) | 854 | [facts](something-simple.html) |
| 1022 | [factual/logical/brain-based](manifesto_poetics.html) | ||
| 1023 | [fade](likingthings.html) | 855 | [fade](likingthings.html) |
| 1024 | [fails](howtoread.html) | ||
| 1025 | [fairly](axe.html) | 856 | [fairly](axe.html) |
| 1026 | [faithfully](cold-wind.html) | 857 | [faithfully](cold-wind.html) |
| 1027 | [fallibility](philosophy.html) | 858 | [fallibility](philosophy.html) |
| 1028 | [fallow](plant.html) | 859 | [fallow](plant.html) |
| 1029 | [false](no-nothing.html) | 860 | [false](no-nothing.html) |
| 1030 | [familiar](about-the-author.html) | 861 | [familiar](about-the-author.html) |
| 1031 | [famously](howtoread.html) | 862 | [famous](poetry-time.html) |
| 1032 | [fan](dollywood.html) | 863 | [fan](dollywood.html) |
| 1033 | [far-away](what-we-are-made-of.html) | 864 | [far-away](what-we-are-made-of.html) |
| 1034 | [far-off](walking-in-the-rain.html) | 865 | [far-off](walking-in-the-rain.html) |
| 1035 | [farming](about_author.html) | 866 | [farming](about_author.html) |
| 1036 | [farms](dollywood.html) | 867 | [farms](dollywood.html) |
| 868 | [fat](collage-instrument.html) | ||
| 1037 | [fateful](what-we-are-made-of.html) | 869 | [fateful](what-we-are-made-of.html) |
| 1038 | [father's](theoceanoverflowswithcamels.html) | 870 | [father's](theoceanoverflowswithcamels.html) |
| 1039 | [favor](collage-instrument.html) | 871 | [favor](collage-instrument.html) |
| @@ -1063,14 +895,11 @@ project: | |||
| 1063 | [figment](poetry-time.html) | 895 | [figment](poetry-time.html) |
| 1064 | [figurine](purpose-dogs.html) | 896 | [figurine](purpose-dogs.html) |
| 1065 | [filled](writing.html) | 897 | [filled](writing.html) |
| 1066 | [filling](on-genre-dimension.html) | ||
| 1067 | [filter](about.html) | ||
| 1068 | [filtering](lappel-du-vide.html) | 898 | [filtering](lappel-du-vide.html) |
| 1069 | [final](problems.html) | 899 | [final](problems.html) |
| 1070 | [finger-loops](ouroboros_memory.html) | 900 | [finger-loops](ouroboros_memory.html) |
| 1071 | [finish](exasperated.html) | 901 | [finish](exasperated.html) |
| 1072 | [finisher](one-hundred-lines.html) | 902 | [finisher](one-hundred-lines.html) |
| 1073 | [finite](howtoread.html) | ||
| 1074 | [fins](lappel-du-vide.html) | 903 | [fins](lappel-du-vide.html) |
| 1075 | [firestarter](about_author.html) | 904 | [firestarter](about_author.html) |
| 1076 | [firewood](options.html) | 905 | [firewood](options.html) |
| @@ -1079,7 +908,9 @@ project: | |||
| 1079 | [fish-eyed](hands.html) | 908 | [fish-eyed](hands.html) |
| 1080 | [fisheye](punch.html) | 909 | [fisheye](punch.html) |
| 1081 | [fishing](problems.html) | 910 | [fishing](problems.html) |
| 911 | [fit](onformalpoetry.html) | ||
| 1082 | [fitting](love-as-god.html) | 912 | [fitting](love-as-god.html) |
| 913 | [fixed](dollywood.html) | ||
| 1083 | [fixtures](hardware.html) | 914 | [fixtures](hardware.html) |
| 1084 | [flagellum](elegyforanalternateself.html) | 915 | [flagellum](elegyforanalternateself.html) |
| 1085 | [flagstaff](what-we-are-made-of.html) | 916 | [flagstaff](what-we-are-made-of.html) |
| @@ -1094,13 +925,11 @@ project: | |||
| 1094 | [flex](last-passenger.html) | 925 | [flex](last-passenger.html) |
| 1095 | [flicked](dollywood.html) | 926 | [flicked](dollywood.html) |
| 1096 | [flies](joke.html) | 927 | [flies](joke.html) |
| 1097 | [flip](howtoread.html) | ||
| 1098 | [flipping](about-the-author.html) | 928 | [flipping](about-the-author.html) |
| 1099 | [float](collage-instrument.html) | 929 | [float](collage-instrument.html) |
| 1100 | [flocks](cold-wind.html) | 930 | [flocks](cold-wind.html) |
| 1101 | [flopping](proverbs.html) | 931 | [flopping](proverbs.html) |
| 1102 | [flops](proverbs.html) | 932 | [flops](proverbs.html) |
| 1103 | [flotsam](about.html) | ||
| 1104 | [flowed](theoceanoverflowswithcamels.html) | 933 | [flowed](theoceanoverflowswithcamels.html) |
| 1105 | [flower](proverbs.html) | 934 | [flower](proverbs.html) |
| 1106 | [flung](cold-wind.html) | 935 | [flung](cold-wind.html) |
| @@ -1110,17 +939,15 @@ project: | |||
| 1110 | [fold](i-wanted-to-tell-you-something.html) | 939 | [fold](i-wanted-to-tell-you-something.html) |
| 1111 | [folded](and.html) | 940 | [folded](and.html) |
| 1112 | [folk](about-the-author.html) | 941 | [folk](about-the-author.html) |
| 942 | [folks](dollywood.html) | ||
| 1113 | [fondly](poetry-time.html) | 943 | [fondly](poetry-time.html) |
| 1114 | [food](about_author.html) | 944 | [food](about_author.html) |
| 1115 | [fool](love-as-god.html) | 945 | [fool](love-as-god.html) |
| 1116 | [fooling](problems.html) | 946 | [fooling](problems.html) |
| 1117 | [footnote](problems.html) | 947 | [footnote](problems.html) |
| 1118 | [footnoteref](about.html) | ||
| 1119 | [footnotes](about.html) | ||
| 1120 | [footprints](art.html) | 948 | [footprints](art.html) |
| 1121 | [footrest](dollywood.html) | 949 | [footrest](dollywood.html) |
| 1122 | [forcefully](statements-frag.html) | 950 | [forcefully](statements-frag.html) |
| 1123 | [forces](arspoetica.html) | ||
| 1124 | [forestroads](plant.html) | 951 | [forestroads](plant.html) |
| 1125 | [forests](one-hundred-lines.html) | 952 | [forests](one-hundred-lines.html) |
| 1126 | [forgetful](lappel-du-vide.html) | 953 | [forgetful](lappel-du-vide.html) |
| @@ -1128,21 +955,18 @@ project: | |||
| 1128 | [forgive](deadman.html) | 955 | [forgive](deadman.html) |
| 1129 | [forgot](peaches.html) | 956 | [forgot](peaches.html) |
| 1130 | [forlorn](ex-machina.html) | 957 | [forlorn](ex-machina.html) |
| 1131 | [format](process.html) | 958 | [form](dollywood.html) |
| 1132 | [formation](swansong.html) | 959 | [formation](swansong.html) |
| 1133 | [formatting](about.html) | 960 | [formats](collage-instrument.html) |
| 1134 | [formula](howtoread.html) | ||
| 1135 | [fortinis](collage-instrument.html) | 961 | [fortinis](collage-instrument.html) |
| 1136 | [fortress](howtoread.html) | 962 | [forty](leg.html) |
| 1137 | [fossil](howtoread.html) | ||
| 1138 | [fought](plant.html) | 963 | [fought](plant.html) |
| 1139 | [founding](about-the-author.html) | 964 | [founding](about-the-author.html) |
| 1140 | [four-wheeler](about-the-author.html) | 965 | [four-wheeler](about-the-author.html) |
| 1141 | [fourth-grade](writing.html) | 966 | [fourth-grade](writing.html) |
| 1142 | [fox](deadman.html) | 967 | [fox](deadman.html) |
| 1143 | [fozzie](hard-game.html) | 968 | [fozzie](hard-game.html) |
| 1144 | [fractal-dimensionality](on-genre-dimension.html) | 969 | [fragment](statements-frag.html) |
| 1145 | [fragile](words-irritable-reaching.html) | ||
| 1146 | [fragrance](call-me-aural-pleasure.html) | 970 | [fragrance](call-me-aural-pleasure.html) |
| 1147 | [frail](lappel-du-vide.html) | 971 | [frail](lappel-du-vide.html) |
| 1148 | [francis](call-me-aural-pleasure.html) | 972 | [francis](call-me-aural-pleasure.html) |
| @@ -1150,15 +974,14 @@ project: | |||
| 1150 | [frank](about_author.html) | 974 | [frank](about_author.html) |
| 1151 | [franksgiving](call-me-aural-pleasure.html) | 975 | [franksgiving](call-me-aural-pleasure.html) |
| 1152 | [frayed](stump.html) | 976 | [frayed](stump.html) |
| 1153 | [free](about.html) | ||
| 1154 | [freestones](peaches.html) | 977 | [freestones](peaches.html) |
| 1155 | [freezing](initial-conditions.html) | 978 | [freezing](initial-conditions.html) |
| 1156 | [french](ronaldmcdonald.html) | 979 | [french](ronaldmcdonald.html) |
| 1157 | [frequency](ouroboros_memory.html) | 980 | [frequency](ouroboros_memory.html) |
| 1158 | [freshly](proverbs.html) | 981 | [freshly](proverbs.html) |
| 982 | [friend's](worse-looking-over.html) | ||
| 1159 | [fringe](swansong-alt.html) | 983 | [fringe](swansong-alt.html) |
| 1160 | [frolic](movingsideways.html) | 984 | [frolic](movingsideways.html) |
| 1161 | [front-to-back](howtoread.html) | ||
| 1162 | [frost-cold](cold-wind.html) | 985 | [frost-cold](cold-wind.html) |
| 1163 | [frosted](dollywood.html) | 986 | [frosted](dollywood.html) |
| 1164 | [frosting](punch.html) | 987 | [frosting](punch.html) |
| @@ -1167,19 +990,13 @@ project: | |||
| 1167 | [fruit](peaches.html) | 990 | [fruit](peaches.html) |
| 1168 | [fruits](plant.html) | 991 | [fruits](plant.html) |
| 1169 | [frustrated](options.html) | 992 | [frustrated](options.html) |
| 993 | [frustration](snow.html) | ||
| 1170 | [ftw](call-me-aural-pleasure.html) | 994 | [ftw](call-me-aural-pleasure.html) |
| 1171 | [fulfill](purpose-dogs.html) | 995 | [fulfill](purpose-dogs.html) |
| 1172 | [full-throated](last-passenger.html) | 996 | [full-throated](last-passenger.html) |
| 1173 | [fully](on-genre-dimension.html) | ||
| 1174 | [functionality](process.html) | ||
| 1175 | [fundamental](on-genre-dimension.html) | ||
| 1176 | [fundamentally-different](on-genre-dimension.html) | ||
| 1177 | [fungi](plant.html) | 997 | [fungi](plant.html) |
| 1178 | [funhouse](about.html) | ||
| 1179 | [further](telemarketer.html) | 998 | [further](telemarketer.html) |
| 1180 | [furthers](words-irritable-reaching.html) | ||
| 1181 | [futility](telemarketer.html) | 999 | [futility](telemarketer.html) |
| 1182 | [gallery](on-genre-dimension.html) | ||
| 1183 | [gamble](stayed-on-the-bus.html) | 1000 | [gamble](stayed-on-the-bus.html) |
| 1184 | [gambles](stayed-on-the-bus.html) | 1001 | [gambles](stayed-on-the-bus.html) |
| 1185 | [game](proverbs.html) | 1002 | [game](proverbs.html) |
| @@ -1188,30 +1005,23 @@ project: | |||
| 1188 | [gang](about_author.html) | 1005 | [gang](about_author.html) |
| 1189 | [gangs](about_author.html) | 1006 | [gangs](about_author.html) |
| 1190 | [garbage](ex-machina.html) | 1007 | [garbage](ex-machina.html) |
| 1191 | [garment](about.html) | ||
| 1192 | [gasping](dream.html) | 1008 | [gasping](dream.html) |
| 1193 | [gate](table_contents.html) | 1009 | [gate](table_contents.html) |
| 1194 | [gather](joke.html) | 1010 | [gather](joke.html) |
| 1195 | [gazebo](dollywood.html) | 1011 | [gazebo](dollywood.html) |
| 1196 | [gee](epigraph.html) | 1012 | [general](sixteenth-chapel.html) |
| 1197 | [generality](words-irritable-reaching.html) | 1013 | [generally](ouroboros_memory.html) |
| 1198 | [generate](process.html) | ||
| 1199 | [generated](words-irritable-reaching.html) | ||
| 1200 | [generations](building.html) | 1014 | [generations](building.html) |
| 1201 | [genetics](howtoread.html) | ||
| 1202 | [gently](lappel-du-vide.html) | 1015 | [gently](lappel-du-vide.html) |
| 1203 | [genuine](dollywood.html) | 1016 | [genuine](dollywood.html) |
| 1204 | [germ](found-typewriter-poem.html) | 1017 | [germ](found-typewriter-poem.html) |
| 1205 | [german](deadman.html) | 1018 | [german](deadman.html) |
| 1206 | [ghazal's](hard-game.html) | 1019 | [ghazal's](hard-game.html) |
| 1207 | [ghosts](howtoread.html) | ||
| 1208 | [gilbert](words-meaning.html) | ||
| 1209 | [gilbert's](words-irritable-reaching.html) | ||
| 1210 | [gilded](last-bastion.html) | 1020 | [gilded](last-bastion.html) |
| 1211 | [gills](theoceanoverflowswithcamels.html) | 1021 | [gills](theoceanoverflowswithcamels.html) |
| 1212 | [gina](lappel-du-vide.html) | 1022 | [gina](lappel-du-vide.html) |
| 1213 | [giraffes](words-irritable-reaching.html) | ||
| 1214 | [girlfriend](peaches.html) | 1023 | [girlfriend](peaches.html) |
| 1024 | [given](about_author.html) | ||
| 1215 | [glance](options.html) | 1025 | [glance](options.html) |
| 1216 | [glancing](time-looks-up-to-the-sky.html) | 1026 | [glancing](time-looks-up-to-the-sky.html) |
| 1217 | [glare](apollo11.html) | 1027 | [glare](apollo11.html) |
| @@ -1221,11 +1031,9 @@ project: | |||
| 1221 | [gloves](ronaldmcdonald.html) | 1031 | [gloves](ronaldmcdonald.html) |
| 1222 | [glowing](what-we-are-made-of.html) | 1032 | [glowing](what-we-are-made-of.html) |
| 1223 | [gluing](dollywood.html) | 1033 | [gluing](dollywood.html) |
| 1224 | [gmail](about.html) | ||
| 1225 | [gnashing](no-nothing.html) | 1034 | [gnashing](no-nothing.html) |
| 1226 | [gnawer](plant.html) | 1035 | [gnawer](plant.html) |
| 1227 | [goad](what-we-are-made-of.html) | 1036 | [goad](what-we-are-made-of.html) |
| 1228 | [goats](words-irritable-reaching.html) | ||
| 1229 | [god-lover](love-as-god.html) | 1037 | [god-lover](love-as-god.html) |
| 1230 | [goddammit](shed.html) | 1038 | [goddammit](shed.html) |
| 1231 | [goddamn](likingthings.html) | 1039 | [goddamn](likingthings.html) |
| @@ -1237,8 +1045,7 @@ project: | |||
| 1237 | [gotta](call-me-aural-pleasure.html) | 1045 | [gotta](call-me-aural-pleasure.html) |
| 1238 | [gotten](dream.html) | 1046 | [gotten](dream.html) |
| 1239 | [grab](squirrel.html) | 1047 | [grab](squirrel.html) |
| 1240 | [grammar](manifesto_poetics.html) | 1048 | [gracefully](squirrel.html) |
| 1241 | [grand](words-irritable-reaching.html) | ||
| 1242 | [grandeur](plant.html) | 1049 | [grandeur](plant.html) |
| 1243 | [grasp](plant.html) | 1050 | [grasp](plant.html) |
| 1244 | [grasping](hands.html) | 1051 | [grasping](hands.html) |
| @@ -1262,13 +1069,10 @@ project: | |||
| 1262 | [growling](shipwright.html) | 1069 | [growling](shipwright.html) |
| 1263 | [grown](in-bed.html) | 1070 | [grown](in-bed.html) |
| 1264 | [grows](peaches.html) | 1071 | [grows](peaches.html) |
| 1265 | [gruber](process.html) | ||
| 1266 | [guessed](statements-frag.html) | 1072 | [guessed](statements-frag.html) |
| 1267 | [guide](dollywood.html) | 1073 | [guide](dollywood.html) |
| 1268 | [gut](i-wanted-to-tell-you-something.html) | 1074 | [gut](i-wanted-to-tell-you-something.html) |
| 1269 | [guy](about.html) | ||
| 1270 | [guys](dollywood.html) | 1075 | [guys](dollywood.html) |
| 1271 | [hairier](on-genre-dimension.html) | ||
| 1272 | [half-empty](feedingtheraven.html) | 1076 | [half-empty](feedingtheraven.html) |
| 1273 | [half-gallon](feedingtheraven.html) | 1077 | [half-gallon](feedingtheraven.html) |
| 1274 | [half-heartedly](likingthings.html) | 1078 | [half-heartedly](likingthings.html) |
| @@ -1285,10 +1089,8 @@ project: | |||
| 1285 | [handle](dollywood.html) | 1089 | [handle](dollywood.html) |
| 1286 | [handwritten](reports.html) | 1090 | [handwritten](reports.html) |
| 1287 | [hang](amber-alert.html) | 1091 | [hang](amber-alert.html) |
| 1288 | [hang-ups](about.html) | ||
| 1289 | [hangs](ronaldmcdonald.html) | 1092 | [hangs](ronaldmcdonald.html) |
| 1290 | [hapax](process.html) | 1093 | [happening](father.html) |
| 1291 | [haphazardly](manifesto_poetics.html) | ||
| 1292 | [happier](man.html) | 1094 | [happier](man.html) |
| 1293 | [harboring](largest-asteroid.html) | 1095 | [harboring](largest-asteroid.html) |
| 1294 | [hardworking](plant.html) | 1096 | [hardworking](plant.html) |
| @@ -1307,32 +1109,29 @@ project: | |||
| 1307 | [heartwarming](feedingtheraven.html) | 1109 | [heartwarming](feedingtheraven.html) |
| 1308 | [heat](initial-conditions.html) | 1110 | [heat](initial-conditions.html) |
| 1309 | [heaven](table_contents.html) | 1111 | [heaven](table_contents.html) |
| 1310 | [heavy](on-genre-dimension.html) | ||
| 1311 | [hefted](cereal.html) | 1112 | [hefted](cereal.html) |
| 1312 | [heightened](peaches.html) | 1113 | [heightened](peaches.html) |
| 1313 | [helped](axe.html) | 1114 | [helped](axe.html) |
| 1314 | [hen](what-we-are-made-of.html) | 1115 | [hen](what-we-are-made-of.html) |
| 1315 | [heraclitus](howtoread.html) | ||
| 1316 | [herculean](exasperated.html) | 1116 | [herculean](exasperated.html) |
| 1317 | [here'](early.html) | 1117 | [here'](early.html) |
| 1318 | [here's](about.html) | ||
| 1319 | [hereby](problems.html) | 1118 | [hereby](problems.html) |
| 1320 | [heretofore](purpose-dogs.html) | 1119 | [heretofore](purpose-dogs.html) |
| 1321 | [hers](collage-instrument.html) | 1120 | [hers](collage-instrument.html) |
| 1322 | [hey](creation-myth.html) | 1121 | [hey](creation-myth.html) |
| 1122 | [hezekiah](movingsideways.html) | ||
| 1323 | [hezzy's](problems.html) | 1123 | [hezzy's](problems.html) |
| 1324 | [hid](dollywood.html) | 1124 | [hid](dollywood.html) |
| 1325 | [hide](finding-the-lion.html) | 1125 | [hide](finding-the-lion.html) |
| 1326 | [hiding-place](finding-the-lion.html) | 1126 | [hiding-place](finding-the-lion.html) |
| 1327 | [hierarchy](dollywood.html) | 1127 | [hierarchy](dollywood.html) |
| 1328 | [higher](on-genre-dimension.html) | ||
| 1329 | [highly](about.html) | ||
| 1330 | [highway](seasonal-affective-disorder.html) | 1128 | [highway](seasonal-affective-disorder.html) |
| 1331 | [highways](last-bastion.html) | 1129 | [highways](last-bastion.html) |
| 1332 | [hijack](call-me-aural-pleasure.html) | 1130 | [hijack](call-me-aural-pleasure.html) |
| 1333 | [hills](dollywood.html) | 1131 | [hills](dollywood.html) |
| 1334 | [hips](time-looks-up-to-the-sky.html) | 1132 | [hips](time-looks-up-to-the-sky.html) |
| 1335 | [hiss](dollywood.html) | 1133 | [hiss](dollywood.html) |
| 1134 | [history](swear.html) | ||
| 1336 | [hitchcock](shed.html) | 1135 | [hitchcock](shed.html) |
| 1337 | [hitting](statements-frag.html) | 1136 | [hitting](statements-frag.html) |
| 1338 | [hoarsely](stump.html) | 1137 | [hoarsely](stump.html) |
| @@ -1347,50 +1146,46 @@ project: | |||
| 1347 | [homecoming](lappel-du-vide.html) | 1146 | [homecoming](lappel-du-vide.html) |
| 1348 | [homeless](ex-machina.html) | 1147 | [homeless](ex-machina.html) |
| 1349 | [hometown](peaches.html) | 1148 | [hometown](peaches.html) |
| 1350 | [honesty](words-irritable-reaching.html) | ||
| 1351 | [honey-golden](mountain.html) | 1149 | [honey-golden](mountain.html) |
| 1352 | [honking](swansong-alt.html) | 1150 | [honking](swansong-alt.html) |
| 1353 | [honor](i-am.html) | 1151 | [honor](i-am.html) |
| 1152 | [hood](about_author.html) | ||
| 1354 | [hooks](amber-alert.html) | 1153 | [hooks](amber-alert.html) |
| 1355 | [hoop](swear.html) | 1154 | [hoop](swear.html) |
| 1356 | [hoped](leaf.html) | 1155 | [hoped](leaf.html) |
| 1156 | [hopefully](exasperated.html) | ||
| 1357 | [hopes](largest-asteroid.html) | 1157 | [hopes](largest-asteroid.html) |
| 1358 | [horizontal](dollywood.html) | 1158 | [horizontal](dollywood.html) |
| 1359 | [horn](deathstrumpet.html) | 1159 | [horn](deathstrumpet.html) |
| 1360 | [hornery](movingsideways.html) | 1160 | [hornery](movingsideways.html) |
| 1361 | [horror](in-bed.html) | 1161 | [horror](in-bed.html) |
| 1362 | [horse](table_contents.html) | 1162 | [horse](table_contents.html) |
| 1163 | [horses](one-hundred-lines.html) | ||
| 1363 | [hose](hard-game.html) | 1164 | [hose](hard-game.html) |
| 1364 | [host](sixteenth-chapel.html) | 1165 | [host](sixteenth-chapel.html) |
| 1365 | [hosts](about.html) | ||
| 1366 | [hotel](what-we-are-made-of.html) | 1166 | [hotel](what-we-are-made-of.html) |
| 1367 | [hovering](time-looks-up-to-the-sky.html) | 1167 | [hovering](time-looks-up-to-the-sky.html) |
| 1368 | [hr](about.html) | 1168 | [huge](deadman.html) |
| 1369 | [http](process.html) | ||
| 1370 | [hugging](dollywood.html) | 1169 | [hugging](dollywood.html) |
| 1371 | [huh](call-me-aural-pleasure.html) | 1170 | [huh](call-me-aural-pleasure.html) |
| 1171 | [human](building.html) | ||
| 1372 | [human-formed](philosophy.html) | 1172 | [human-formed](philosophy.html) |
| 1373 | [humming](what-we-are-made-of.html) | 1173 | [humming](what-we-are-made-of.html) |
| 1374 | [hums](weplayedthosegamestoo.html) | 1174 | [hums](weplayedthosegamestoo.html) |
| 1375 | [hunk](apollo11.html) | 1175 | [hunk](apollo11.html) |
| 1376 | [hunt](early.html) | 1176 | [hunt](early.html) |
| 1377 | [hurried](what-we-are-made-of.html) | 1177 | [hurried](what-we-are-made-of.html) |
| 1178 | [husband](telemarketer.html) | ||
| 1378 | [husks](last-bastion.html) | 1179 | [husks](last-bastion.html) |
| 1379 | [hybrid](about.html) | ||
| 1380 | [hyperfiction](on-genre-dimension.html) | ||
| 1381 | [hypertextual](about.html) | ||
| 1382 | [hypothesis](purpose-dogs.html) | 1180 | [hypothesis](purpose-dogs.html) |
| 1383 | [i's](apollo11.html) | 1181 | [i's](apollo11.html) |
| 1384 | [ice-skater](likingthings.html) | 1182 | [ice-skater](likingthings.html) |
| 1385 | [id](dollywood.html) | 1183 | [id](dollywood.html) |
| 1386 | [ideal](words-irritable-reaching.html) | ||
| 1387 | [ideals](todaniel.html) | 1184 | [ideals](todaniel.html) |
| 1185 | [identify](dollywood.html) | ||
| 1388 | [identities](swear.html) | 1186 | [identities](swear.html) |
| 1389 | [identity](manifesto_poetics.html) | ||
| 1390 | [ignorance](toothpaste.html) | 1187 | [ignorance](toothpaste.html) |
| 1391 | [ill-timed](table_contents.html) | 1188 | [ill-timed](table_contents.html) |
| 1392 | [image](words-irritable-reaching.html) | ||
| 1393 | [imagery](words-irritable-reaching.html) | ||
| 1394 | [imagination](poetry-time.html) | 1189 | [imagination](poetry-time.html) |
| 1395 | [imagining](ouroboros_memory.html) | 1190 | [imagining](ouroboros_memory.html) |
| 1396 | [imdb](todaniel.html) | 1191 | [imdb](todaniel.html) |
| @@ -1402,83 +1197,66 @@ project: | |||
| 1402 | [imperceptibly](collage-instrument.html) | 1197 | [imperceptibly](collage-instrument.html) |
| 1403 | [implementations](collage-instrument.html) | 1198 | [implementations](collage-instrument.html) |
| 1404 | [implements](cereal.html) | 1199 | [implements](cereal.html) |
| 1405 | [improving](manifesto_poetics.html) | ||
| 1406 | [improvise](telemarketer.html) | 1200 | [improvise](telemarketer.html) |
| 1407 | [inability](howtoread.html) | ||
| 1408 | [inaccurate](manifesto_poetics.html) | ||
| 1409 | [inasmuch](arspoetica.html) | ||
| 1410 | [inborn](hymnal.html) | 1201 | [inborn](hymnal.html) |
| 1411 | [incarnation](ex-machina.html) | 1202 | [incarnation](ex-machina.html) |
| 1412 | [incidences](collage-instrument.html) | 1203 | [incidences](collage-instrument.html) |
| 1413 | [incidentally](likingthings.html) | 1204 | [incidentally](likingthings.html) |
| 1205 | [include](collage-instrument.html) | ||
| 1414 | [included](onformalpoetry.html) | 1206 | [included](onformalpoetry.html) |
| 1415 | [includes](collage-instrument.html) | 1207 | [includes](collage-instrument.html) |
| 1416 | [including](dollywood.html) | 1208 | [including](dollywood.html) |
| 1417 | [inclusive](onformalpoetry.html) | 1209 | [inclusive](onformalpoetry.html) |
| 1418 | [inconsistent](process.html) | ||
| 1419 | [increase](ouroboros_memory.html) | 1210 | [increase](ouroboros_memory.html) |
| 1420 | [increasingly](real-writer.html) | 1211 | [increasingly](real-writer.html) |
| 1421 | [independent](peaches.html) | 1212 | [independent](peaches.html) |
| 1422 | [indescribable](dollywood.html) | 1213 | [indescribable](dollywood.html) |
| 1423 | [indicating](dollywood.html) | 1214 | [indicating](dollywood.html) |
| 1215 | [individual](collage-instrument.html) | ||
| 1424 | [individually-numbered](purpose-dogs.html) | 1216 | [individually-numbered](purpose-dogs.html) |
| 1425 | [inexorable](squirrel.html) | 1217 | [inexorable](squirrel.html) |
| 1426 | [infinity](words-meaning.html) | ||
| 1427 | [inflatable](dollywood.html) | 1218 | [inflatable](dollywood.html) |
| 1428 | [inflate](dollywood.html) | 1219 | [inflate](dollywood.html) |
| 1429 | [influenced](howtoread.html) | 1220 | [information](shed.html) |
| 1430 | [infographic](about.html) | ||
| 1431 | [ingots](words-irritable-reaching.html) | ||
| 1432 | [inhaled](leaf.html) | 1221 | [inhaled](leaf.html) |
| 1433 | [inherently](on-genre-dimension.html) | ||
| 1434 | [inherited](last-bastion.html) | 1222 | [inherited](last-bastion.html) |
| 1435 | [inigo](exasperated.html) | 1223 | [inigo](exasperated.html) |
| 1436 | [injunction](telemarketer.html) | 1224 | [injunction](telemarketer.html) |
| 1437 | [inkpot](paul.html) | 1225 | [inkpot](paul.html) |
| 1438 | [insane](stagnant.html) | 1226 | [insane](stagnant.html) |
| 1439 | [insecurities](movingsideways.html) | 1227 | [insecurities](movingsideways.html) |
| 1440 | [insecurity](howtoread.html) | ||
| 1441 | [inside-out](dollywood.html) | 1228 | [inside-out](dollywood.html) |
| 1442 | [insist](problems.html) | 1229 | [insist](problems.html) |
| 1443 | [insists](when-im-sorry-i.html) | 1230 | [insists](when-im-sorry-i.html) |
| 1444 | [inspirations](abstract.html) | 1231 | [inspiration](collage-instrument.html) |
| 1445 | [instrumented](collage-instrument.html) | 1232 | [instrumented](collage-instrument.html) |
| 1446 | [insults](joke.html) | 1233 | [insults](joke.html) |
| 1447 | [intellectual](about.html) | ||
| 1448 | [intended](initial-conditions.html) | 1234 | [intended](initial-conditions.html) |
| 1449 | [intense](arspoetica.html) | ||
| 1450 | [intent](angeltoabraham.html) | 1235 | [intent](angeltoabraham.html) |
| 1451 | [intentional](on-genre-dimension.html) | ||
| 1452 | [interactions](arspoetica.html) | ||
| 1453 | [interactive](about.html) | ||
| 1454 | [interest](telemarketer.html) | 1236 | [interest](telemarketer.html) |
| 1455 | [interested](real-writer.html) | 1237 | [interested](real-writer.html) |
| 1238 | [interesting](proverbs.html) | ||
| 1456 | [interior](dollywood.html) | 1239 | [interior](dollywood.html) |
| 1457 | [internetwhich](about.html) | ||
| 1458 | [interpreted](collage-instrument.html) | 1240 | [interpreted](collage-instrument.html) |
| 1459 | [interrelate](on-genre-dimension.html) | ||
| 1460 | [interstate](peaches.html) | 1241 | [interstate](peaches.html) |
| 1461 | [intertext](about.html) | ||
| 1462 | [intervals](early.html) | 1242 | [intervals](early.html) |
| 1243 | [interview](snow.html) | ||
| 1463 | [intimately](about-the-author.html) | 1244 | [intimately](about-the-author.html) |
| 1464 | [introduction](about.html) | ||
| 1465 | [intuition](telemarketer.html) | 1245 | [intuition](telemarketer.html) |
| 1466 | [invariably](collage-instrument.html) | 1246 | [invariably](collage-instrument.html) |
| 1467 | [invention](philosophy.html) | 1247 | [invention](philosophy.html) |
| 1468 | [inventory](father.html) | 1248 | [inventory](father.html) |
| 1249 | [inverse](what-we-are-made-of.html) | ||
| 1469 | [invest](about_author.html) | 1250 | [invest](about_author.html) |
| 1470 | [invests](about_author.html) | 1251 | [invests](about_author.html) |
| 1471 | [involves](on-genre-dimension.html) | ||
| 1472 | [ipod](statements-frag.html) | 1252 | [ipod](statements-frag.html) |
| 1473 | [ironic](manifesto_poetics.html) | ||
| 1474 | [irreducible](howtoread.html) | ||
| 1475 | [irrelevant](todaniel.html) | 1253 | [irrelevant](todaniel.html) |
| 1476 | [isaac's](angeltoabraham.html) | 1254 | [isaac's](angeltoabraham.html) |
| 1477 | [israel](angeltoabraham.html) | 1255 | [israel](angeltoabraham.html) |
| 1478 | [issue](hymnal.html) | 1256 | [issue](hymnal.html) |
| 1479 | [items](about.html) | ||
| 1480 | [iv](in-bed.html) | 1257 | [iv](in-bed.html) |
| 1481 | [ix](in-bed.html) | 1258 | [ix](in-bed.html) |
| 1259 | [j](peaches.html) | ||
| 1482 | [jack-of-all-trades](about_author.html) | 1260 | [jack-of-all-trades](about_author.html) |
| 1483 | [jackson](purpose-dogs.html) | 1261 | [jackson](purpose-dogs.html) |
| 1484 | [japanese](feedingtheraven.html) | 1262 | [japanese](feedingtheraven.html) |
| @@ -1491,15 +1269,14 @@ project: | |||
| 1491 | [jerry](punch.html) | 1269 | [jerry](punch.html) |
| 1492 | [jerry's](call-me-aural-pleasure.html) | 1270 | [jerry's](call-me-aural-pleasure.html) |
| 1493 | [jessica](todaniel.html) | 1271 | [jessica](todaniel.html) |
| 1494 | [jetsam](about.html) | ||
| 1495 | [jewel](largest-asteroid.html) | 1272 | [jewel](largest-asteroid.html) |
| 1496 | [jeweleyed](plant.html) | 1273 | [jeweleyed](plant.html) |
| 1274 | [job](shed.html) | ||
| 1497 | [joey](largest-asteroid.html) | 1275 | [joey](largest-asteroid.html) |
| 1498 | [jogged](peaches.html) | 1276 | [jogged](peaches.html) |
| 1499 | [john](music-433.html) | 1277 | [john](music-433.html) |
| 1500 | [join](one-hundred-lines.html) | 1278 | [join](one-hundred-lines.html) |
| 1501 | [jon](call-me-aural-pleasure.html) | 1279 | [jon](call-me-aural-pleasure.html) |
| 1502 | [judgement](on-genre-dimension.html) | ||
| 1503 | [judges](movingsideways.html) | 1280 | [judges](movingsideways.html) |
| 1504 | [judging](movingsideways.html) | 1281 | [judging](movingsideways.html) |
| 1505 | [judgment](sixteenth-chapel.html) | 1282 | [judgment](sixteenth-chapel.html) |
| @@ -1510,26 +1287,23 @@ project: | |||
| 1510 | [jukebox](dollywood.html) | 1287 | [jukebox](dollywood.html) |
| 1511 | [jump](squirrel.html) | 1288 | [jump](squirrel.html) |
| 1512 | [jumped](in-bed.html) | 1289 | [jumped](in-bed.html) |
| 1513 | [jumps](on-genre-dimension.html) | ||
| 1514 | [junction](dollywood.html) | 1290 | [junction](dollywood.html) |
| 1515 | [junior](movingsideways.html) | 1291 | [junior](movingsideways.html) |
| 1516 | [junk](january.html) | 1292 | [junk](january.html) |
| 1517 | [just-completed](exasperated.html) | 1293 | [just-completed](exasperated.html) |
| 1518 | [just-woken-up](what-we-are-made-of.html) | 1294 | [just-woken-up](what-we-are-made-of.html) |
| 1519 | [justice](manifesto_poetics.html) | ||
| 1520 | [justifiable](ex-machina.html) | 1295 | [justifiable](ex-machina.html) |
| 1521 | [justifies](movingsideways.html) | 1296 | [justifies](movingsideways.html) |
| 1522 | [justin](sixteenth-chapel.html) | 1297 | [justin](sixteenth-chapel.html) |
| 1523 | [keats's](time-looks-up-to-the-sky.html) | 1298 | [keats's](time-looks-up-to-the-sky.html) |
| 1524 | [kernel](about.html) | ||
| 1525 | [kerosene](paul.html) | 1299 | [kerosene](paul.html) |
| 1526 | [key](about.html) | ||
| 1527 | [khaki](peaches.html) | 1300 | [khaki](peaches.html) |
| 1528 | [kick](ronaldmcdonald.html) | 1301 | [kick](ronaldmcdonald.html) |
| 1529 | [kicks](ronaldmcdonald.html) | 1302 | [kicks](ronaldmcdonald.html) |
| 1530 | [kill](angeltoabraham.html) | 1303 | [kill](angeltoabraham.html) |
| 1531 | [killed](dollywood.html) | 1304 | [killed](dollywood.html) |
| 1532 | [kindling](reports.html) | 1305 | [kindling](reports.html) |
| 1306 | [kinds](paul.html) | ||
| 1533 | [knee](in-bed.html) | 1307 | [knee](in-bed.html) |
| 1534 | [knees](one-hundred-lines.html) | 1308 | [knees](one-hundred-lines.html) |
| 1535 | [knelt](feedingtheraven.html) | 1309 | [knelt](feedingtheraven.html) |
| @@ -1542,38 +1316,30 @@ project: | |||
| 1542 | [knot](plant.html) | 1316 | [knot](plant.html) |
| 1543 | [knowable](philosophy.html) | 1317 | [knowable](philosophy.html) |
| 1544 | [knowingly](movingsideways.html) | 1318 | [knowingly](movingsideways.html) |
| 1545 | [knowledge](howtoread.html) | 1319 | [known](what-we-are-made-of.html) |
| 1546 | [kong](purpose-dogs.html) | 1320 | [kong](purpose-dogs.html) |
| 1547 | [kristeva](about.html) | ||
| 1548 | [kudzu](dollywood.html) | 1321 | [kudzu](dollywood.html) |
| 1549 | [l](sapling.html) | 1322 | [l](sapling.html) |
| 1550 | [la](about.html) | ||
| 1551 | [la-z-boy](dollywood.html) | 1323 | [la-z-boy](dollywood.html) |
| 1552 | [lables](onformalpoetry.html) | 1324 | [lables](onformalpoetry.html) |
| 1553 | [labored](i-want-to-say.html) | 1325 | [labored](i-want-to-say.html) |
| 1326 | [lack](lappel-du-vide.html) | ||
| 1554 | [lacks](todaniel.html) | 1327 | [lacks](todaniel.html) |
| 1555 | [ladle](punch.html) | 1328 | [ladle](punch.html) |
| 1556 | [ladled](punch.html) | 1329 | [ladled](punch.html) |
| 1557 | [lady](epigraph.html) | ||
| 1558 | [lake](theoceanoverflowswithcamels.html) | 1330 | [lake](theoceanoverflowswithcamels.html) |
| 1559 | [lambs'](roughgloves.html) | 1331 | [lambs'](roughgloves.html) |
| 1560 | [lame](call-me-aural-pleasure.html) | 1332 | [lame](call-me-aural-pleasure.html) |
| 1561 | [lament](about.html) | ||
| 1562 | [lamented](on-genre-dimension.html) | ||
| 1563 | [lamp](weplayedthosegamestoo.html) | 1333 | [lamp](weplayedthosegamestoo.html) |
| 1564 | [lampoons](words-irritable-reaching.html) | ||
| 1565 | [lamps](weplayedthosegamestoo.html) | 1334 | [lamps](weplayedthosegamestoo.html) |
| 1566 | [land-features](on-genre-dimension.html) | ||
| 1567 | [land-like](lappel-du-vide.html) | 1335 | [land-like](lappel-du-vide.html) |
| 1568 | [landing](apollo11.html) | 1336 | [landing](apollo11.html) |
| 1569 | [landlocked](telemarketer.html) | 1337 | [landlocked](telemarketer.html) |
| 1570 | [languages](process.html) | 1338 | [largely](collage-instrument.html) |
| 1571 | [larry's](dollywood.html) | 1339 | [larry's](dollywood.html) |
| 1572 | [las](dollywood.html) | 1340 | [las](dollywood.html) |
| 1573 | [lasting](what-we-are-made-of.html) | 1341 | [lasting](what-we-are-made-of.html) |
| 1574 | [lately](real-writer.html) | 1342 | [lately](real-writer.html) |
| 1575 | [lather](process.html) | ||
| 1576 | [latin](about.html) | ||
| 1577 | [laughed](phone.html) | 1343 | [laughed](phone.html) |
| 1578 | [laughter](one-hundred-lines.html) | 1344 | [laughter](one-hundred-lines.html) |
| 1579 | [launches](largest-asteroid.html) | 1345 | [launches](largest-asteroid.html) |
| @@ -1582,7 +1348,6 @@ project: | |||
| 1582 | [layers](plant.html) | 1348 | [layers](plant.html) |
| 1583 | [laying](purpose-dogs.html) | 1349 | [laying](purpose-dogs.html) |
| 1584 | [lazily](big-dipper.html) | 1350 | [lazily](big-dipper.html) |
| 1585 | [leading](words-irritable-reaching.html) | ||
| 1586 | [leaking](death-zone.html) | 1351 | [leaking](death-zone.html) |
| 1587 | [leaned](sapling.html) | 1352 | [leaned](sapling.html) |
| 1588 | [leans](joke.html) | 1353 | [leans](joke.html) |
| @@ -1594,94 +1359,70 @@ project: | |||
| 1594 | [leering](ronaldmcdonald.html) | 1359 | [leering](ronaldmcdonald.html) |
| 1595 | [legend](what-we-are-made-of.html) | 1360 | [legend](what-we-are-made-of.html) |
| 1596 | [legends](music-433.html) | 1361 | [legends](music-433.html) |
| 1597 | [legmonenon](about.html) | ||
| 1598 | [legomenon](process.html) | ||
| 1599 | [legs](i-think-its-you.html) | 1362 | [legs](i-think-its-you.html) |
| 1600 | [legunitas](words-meaning.html) | ||
| 1601 | [lengths](about.html) | ||
| 1602 | [lent](collage-instrument.html) | 1363 | [lent](collage-instrument.html) |
| 1603 | [lessons](howithappened.html) | 1364 | [lessons](howithappened.html) |
| 1365 | [lets](real-writer.html) | ||
| 1604 | [letters](notes.html) | 1366 | [letters](notes.html) |
| 1605 | [letting](leaf.html) | 1367 | [letting](leaf.html) |
| 1606 | [lettuce](underwear.html) | 1368 | [lettuce](underwear.html) |
| 1607 | [levelly](feedingtheraven.html) | 1369 | [levelly](feedingtheraven.html) |
| 1608 | [levels](problems.html) | 1370 | [levels](problems.html) |
| 1609 | [lever](dollywood.html) | 1371 | [lever](dollywood.html) |
| 1610 | [li](about.html) | ||
| 1611 | [libre](about.html) | ||
| 1612 | [license](about.html) | ||
| 1613 | [lick](plant.html) | 1372 | [lick](plant.html) |
| 1614 | [lie](one-hundred-lines.html) | 1373 | [lie](one-hundred-lines.html) |
| 1615 | [lies](what-we-are-made-of.html) | 1374 | [lies](what-we-are-made-of.html) |
| 1616 | [life-as-lived](words-irritable-reaching.html) | ||
| 1617 | [lifetime](howtoread.html) | ||
| 1618 | [lifetimes](howtoread.html) | ||
| 1619 | [lift](punch.html) | 1375 | [lift](punch.html) |
| 1620 | [lightweight](process.html) | 1376 | [lightly](i-wanted-to-tell-you-something.html) |
| 1621 | [likes](deadman.html) | 1377 | [likes](deadman.html) |
| 1622 | [liking](likingthings.html) | 1378 | [liking](likingthings.html) |
| 1623 | [limbaugh](call-me-aural-pleasure.html) | 1379 | [limbaugh](call-me-aural-pleasure.html) |
| 1624 | [limiting](words-meaning.html) | ||
| 1625 | [linear](on-genre-dimension.html) | ||
| 1626 | [linguistic](words-meaning.html) | ||
| 1627 | [linguists](about.html) | ||
| 1628 | [link](process.html) | ||
| 1629 | [linking](about.html) | ||
| 1630 | [linoleum](in-bed.html) | 1380 | [linoleum](in-bed.html) |
| 1631 | [linus](about.html) | ||
| 1632 | [lion's](finding-the-lion.html) | 1381 | [lion's](finding-the-lion.html) |
| 1633 | [lip](building.html) | 1382 | [lip](building.html) |
| 1383 | [liquid](table_contents.html) | ||
| 1634 | [list](paul.html) | 1384 | [list](paul.html) |
| 1635 | [listeners](window.html) | 1385 | [listeners](window.html) |
| 1636 | [lists](notes.html) | 1386 | [lists](notes.html) |
| 1637 | [litany](plant.html) | 1387 | [litany](plant.html) |
| 1638 | [literary](about.html) | ||
| 1639 | [littered](howtoread.html) | ||
| 1640 | [lived](dollywood.html) | 1388 | [lived](dollywood.html) |
| 1389 | [lives](i-am.html) | ||
| 1641 | [living-room](real-writer.html) | 1390 | [living-room](real-writer.html) |
| 1642 | [load](peaches.html) | 1391 | [load](peaches.html) |
| 1643 | [loaded](words-irritable-reaching.html) | ||
| 1644 | [loathe](exasperated.html) | 1392 | [loathe](exasperated.html) |
| 1645 | [local](swear.html) | 1393 | [local](swear.html) |
| 1646 | [location](howtoread.html) | ||
| 1647 | [locked](boar.html) | 1394 | [locked](boar.html) |
| 1648 | [lofty](words-irritable-reaching.html) | 1395 | [logical](collage-instrument.html) |
| 1649 | [logarithms](howtoread.html) | ||
| 1650 | [loneliness](problems.html) | 1396 | [loneliness](problems.html) |
| 1651 | [lonely](something-simple.html) | 1397 | [lonely](something-simple.html) |
| 1652 | [lonesome](riptide_memory.html) | 1398 | [lonesome](riptide_memory.html) |
| 1653 | [long-exposure](about.html) | ||
| 1654 | [long-fibered](words-irritable-reaching.html) | ||
| 1655 | [longest](when-im-sorry-i.html) | 1399 | [longest](when-im-sorry-i.html) |
| 1656 | [longing](love-as-god.html) | 1400 | [longing](love-as-god.html) |
| 1657 | [longish](leg.html) | 1401 | [longish](leg.html) |
| 1658 | [looms](likingthings.html) | 1402 | [looms](likingthings.html) |
| 1659 | [loop](deadman.html) | 1403 | [loop](deadman.html) |
| 1660 | [looping](about.html) | ||
| 1661 | [loopy](wallpaper.html) | 1404 | [loopy](wallpaper.html) |
| 1405 | [losing](in-bed.html) | ||
| 1662 | [lot's](i-am.html) | 1406 | [lot's](i-am.html) |
| 1663 | [lotion](collage-instrument.html) | 1407 | [lotion](collage-instrument.html) |
| 1664 | [lots](about.html) | ||
| 1665 | [louder](shipwright.html) | 1408 | [louder](shipwright.html) |
| 1666 | [lousy](ouroboros_memory.html) | 1409 | [lousy](ouroboros_memory.html) |
| 1667 | [lovable](about_author.html) | 1410 | [lovable](about_author.html) |
| 1668 | [lover](moon-drowning.html) | 1411 | [lover](moon-drowning.html) |
| 1412 | [lovers](time-looks-up-to-the-sky.html) | ||
| 1669 | [loves](collage-instrument.html) | 1413 | [loves](collage-instrument.html) |
| 1670 | [loving](dollywood.html) | 1414 | [loving](dollywood.html) |
| 1671 | [luck](peaches.html) | 1415 | [luck](peaches.html) |
| 1672 | [lumpy](onformalpoetry.html) | 1416 | [lumpy](onformalpoetry.html) |
| 1673 | [lunch](wallpaper.html) | 1417 | [lunch](wallpaper.html) |
| 1674 | [lure](about_author.html) | 1418 | [lure](about_author.html) |
| 1675 | [lvaro](howtoread.html) | 1419 | [luxury](i-wanted-to-tell-you-something.html) |
| 1676 | [lyrically](on-genre-dimension.html) | ||
| 1677 | [ma'am](telemarketer.html) | 1420 | [ma'am](telemarketer.html) |
| 1678 | [macfarlane's](process.html) | ||
| 1679 | [machina](ex-machina.html) | 1421 | [machina](ex-machina.html) |
| 1680 | [machinations](collage-instrument.html) | 1422 | [machinations](collage-instrument.html) |
| 1681 | [machine's](ex-machina.html) | 1423 | [machine's](ex-machina.html) |
| 1682 | [machines](hands.html) | 1424 | [machines](hands.html) |
| 1683 | [mad](i-wanted-to-tell-you-something.html) | 1425 | [mad](i-wanted-to-tell-you-something.html) |
| 1684 | [magazines](howtoread.html) | ||
| 1685 | [majesty](plant.html) | 1426 | [majesty](plant.html) |
| 1686 | [major](fire.html) | 1427 | [major](fire.html) |
| 1687 | [maker](yellow.html) | 1428 | [maker](yellow.html) |
| @@ -1691,13 +1432,8 @@ project: | |||
| 1691 | [managing](feedingtheraven.html) | 1432 | [managing](feedingtheraven.html) |
| 1692 | [mane](finding-the-lion.html) | 1433 | [mane](finding-the-lion.html) |
| 1693 | [manic](angeltoabraham.html) | 1434 | [manic](angeltoabraham.html) |
| 1694 | [manipulation](on-genre-dimension.html) | ||
| 1695 | [manner](howtoread.html) | ||
| 1696 | [manufacturers](collage-instrument.html) | 1435 | [manufacturers](collage-instrument.html) |
| 1697 | [manuscript](manifesto_poetics.html) | ||
| 1698 | [mapping](abstract.html) | ||
| 1699 | [marianas](lappel-du-vide.html) | 1436 | [marianas](lappel-du-vide.html) |
| 1700 | [marianne](on-genre-dimension.html) | ||
| 1701 | [mario](problems.html) | 1437 | [mario](problems.html) |
| 1702 | [mark](sense-of-it.html) | 1438 | [mark](sense-of-it.html) |
| 1703 | [marked](death-zone.html) | 1439 | [marked](death-zone.html) |
| @@ -1708,34 +1444,25 @@ project: | |||
| 1708 | [marvelous](peaches.html) | 1444 | [marvelous](peaches.html) |
| 1709 | [mary](statements-frag.html) | 1445 | [mary](statements-frag.html) |
| 1710 | [mascots](dollywood.html) | 1446 | [mascots](dollywood.html) |
| 1711 | [mash-up](about.html) | ||
| 1712 | [massful](plant.html) | 1447 | [massful](plant.html) |
| 1713 | [master's](abstract.html) | ||
| 1714 | [masturbation](in-bed.html) | 1448 | [masturbation](in-bed.html) |
| 1715 | [mates](poetry-time.html) | 1449 | [mates](poetry-time.html) |
| 1716 | [mathematical](howtoread.html) | 1450 | [matters](sixteenth-chapel.html) |
| 1717 | [mathml](about.html) | ||
| 1718 | [maudlin](apollo11.html) | 1451 | [maudlin](apollo11.html) |
| 1719 | [maurie](what-we-are-made-of.html) | 1452 | [maurie](what-we-are-made-of.html) |
| 1720 | [maw](roughgloves.html) | 1453 | [maw](roughgloves.html) |
| 1721 | [mayan](about.html) | ||
| 1722 | [maybe2](love-as-god.html) | 1454 | [maybe2](love-as-god.html) |
| 1723 | [maze](about.html) | ||
| 1724 | [mcfarlane's](about.html) | ||
| 1725 | [mcnugget](onformalpoetry.html) | 1455 | [mcnugget](onformalpoetry.html) |
| 1726 | [meacham](call-me-aural-pleasure.html) | 1456 | [meacham](call-me-aural-pleasure.html) |
| 1457 | [meal](peaches.html) | ||
| 1727 | [meandering](plant.html) | 1458 | [meandering](plant.html) |
| 1728 | [meaningful](words-meaning.html) | ||
| 1729 | [measured](cereal.html) | 1459 | [measured](cereal.html) |
| 1730 | [meddling](about_author.html) | 1460 | [meddling](about_author.html) |
| 1731 | [media](on-genre-dimension.html) | ||
| 1732 | [mediating](philosophy.html) | 1461 | [mediating](philosophy.html) |
| 1733 | [meditate](on-genre-dimension.html) | 1462 | [meeting](what-we-are-made-of.html) |
| 1734 | [meditation](words-meaning.html) | ||
| 1735 | [meets](deathstrumpet.html) | 1463 | [meets](deathstrumpet.html) |
| 1736 | [melted](ex-machina.html) | 1464 | [melted](ex-machina.html) |
| 1737 | [melting](plant.html) | 1465 | [melting](plant.html) |
| 1738 | [memento](howtoread.html) | ||
| 1739 | [memory's](riptide_memory.html) | 1466 | [memory's](riptide_memory.html) |
| 1740 | [mental](swear.html) | 1467 | [mental](swear.html) |
| 1741 | [mention](philosophy.html) | 1468 | [mention](philosophy.html) |
| @@ -1743,13 +1470,12 @@ project: | |||
| 1743 | [mentions](deadman.html) | 1470 | [mentions](deadman.html) |
| 1744 | [mercury](the-sea_the-beach.html) | 1471 | [mercury](the-sea_the-beach.html) |
| 1745 | [merrily](stayed-on-the-bus.html) | 1472 | [merrily](stayed-on-the-bus.html) |
| 1746 | [merseinne](howtoread.html) | 1473 | [mess](options.html) |
| 1474 | [message](building.html) | ||
| 1747 | [messick](about_author.html) | 1475 | [messick](about_author.html) |
| 1748 | [metal](howtoread.html) | ||
| 1749 | [metaphors](peaches.html) | 1476 | [metaphors](peaches.html) |
| 1750 | [mfa](about.html) | 1477 | [method](building.html) |
| 1751 | [michelangelo](sixteenth-chapel.html) | 1478 | [michelangelo](sixteenth-chapel.html) |
| 1752 | [microsoft](about.html) | ||
| 1753 | [midair](deathstrumpet.html) | 1479 | [midair](deathstrumpet.html) |
| 1754 | [middle](creation-myth.html) | 1480 | [middle](creation-myth.html) |
| 1755 | [midway](dollywood.html) | 1481 | [midway](dollywood.html) |
| @@ -1764,7 +1490,6 @@ project: | |||
| 1764 | [mini-bar](deadman.html) | 1490 | [mini-bar](deadman.html) |
| 1765 | [mini-drama](telemarketer.html) | 1491 | [mini-drama](telemarketer.html) |
| 1766 | [mini-wheats](dollywood.html) | 1492 | [mini-wheats](dollywood.html) |
| 1767 | [minimized](about.html) | ||
| 1768 | [minimum](phone.html) | 1493 | [minimum](phone.html) |
| 1769 | [minute](hardware.html) | 1494 | [minute](hardware.html) |
| 1770 | [mirage](walking-in-the-rain.html) | 1495 | [mirage](walking-in-the-rain.html) |
| @@ -1797,12 +1522,10 @@ project: | |||
| 1797 | [moonfaced](apollo11.html) | 1522 | [moonfaced](apollo11.html) |
| 1798 | [morale](shipwright.html) | 1523 | [morale](shipwright.html) |
| 1799 | [more-than-a-fortnight](i-wanted-to-tell-you-something.html) | 1524 | [more-than-a-fortnight](i-wanted-to-tell-you-something.html) |
| 1800 | [mori](howtoread.html) | ||
| 1801 | [mortal](about_author.html) | 1525 | [mortal](about_author.html) |
| 1526 | [mostly](dream.html) | ||
| 1802 | [mostly-empty](creation-myth.html) | 1527 | [mostly-empty](creation-myth.html) |
| 1803 | [motes](i-am.html) | 1528 | [motes](i-am.html) |
| 1804 | [motion](on-genre-dimension.html) | ||
| 1805 | [motivation](about.html) | ||
| 1806 | [motoring](elegyforanalternateself.html) | 1529 | [motoring](elegyforanalternateself.html) |
| 1807 | [motto](table_contents.html) | 1530 | [motto](table_contents.html) |
| 1808 | [mount](one-hundred-lines.html) | 1531 | [mount](one-hundred-lines.html) |
| @@ -1810,6 +1533,7 @@ project: | |||
| 1810 | [mounted](dollywood.html) | 1533 | [mounted](dollywood.html) |
| 1811 | [mourning](plant.html) | 1534 | [mourning](plant.html) |
| 1812 | [mouse](moongone.html) | 1535 | [mouse](moongone.html) |
| 1536 | [moves](big-dipper.html) | ||
| 1813 | [movies](peaches.html) | 1537 | [movies](peaches.html) |
| 1814 | [movings](movingsideways.html) | 1538 | [movings](movingsideways.html) |
| 1815 | [mozzarella](deathstrumpet.html) | 1539 | [mozzarella](deathstrumpet.html) |
| @@ -1821,7 +1545,6 @@ project: | |||
| 1821 | [mug](question.html) | 1545 | [mug](question.html) |
| 1822 | [mulberry](peaches.html) | 1546 | [mulberry](peaches.html) |
| 1823 | [multitudes'](art.html) | 1547 | [multitudes'](art.html) |
| 1824 | [multiversity](howtoread.html) | ||
| 1825 | [mummy](ouroboros_memory.html) | 1548 | [mummy](ouroboros_memory.html) |
| 1826 | [mundane](sixteenth-chapel.html) | 1549 | [mundane](sixteenth-chapel.html) |
| 1827 | [murder](howithappened.html) | 1550 | [murder](howithappened.html) |
| @@ -1829,39 +1552,27 @@ project: | |||
| 1829 | [museum](toothpaste.html) | 1552 | [museum](toothpaste.html) |
| 1830 | [musk](ronaldmcdonald.html) | 1553 | [musk](ronaldmcdonald.html) |
| 1831 | [mutter](seasonal-affective-disorder.html) | 1554 | [mutter](seasonal-affective-disorder.html) |
| 1832 | [myriad](arspoetica.html) | 1555 | [mysterious](collage-instrument.html) |
| 1833 | [myth](creation-myth.html) | 1556 | [myth](creation-myth.html) |
| 1834 | [n](about.html) | ||
| 1835 | [nagging](the-sea_the-beach.html) | 1557 | [nagging](the-sea_the-beach.html) |
| 1836 | [namely](on-genre-dimension.html) | 1558 | [names](sixteenth-chapel.html) |
| 1837 | [namesake](last-passenger.html) | 1559 | [namesake](last-passenger.html) |
| 1838 | [nanowrimo](exasperated.html) | 1560 | [nanowrimo](exasperated.html) |
| 1839 | [narrowed](shed.html) | 1561 | [narrowed](shed.html) |
| 1840 | [navigable](abstract.html) | 1562 | [nature](poetry-time.html) |
| 1841 | [navigate](abstract.html) | ||
| 1842 | [navigation](abstract.html) | ||
| 1843 | [near-unattainable](words-irritable-reaching.html) | ||
| 1844 | [necessary](process.html) | ||
| 1845 | [neck](telemarketer.html) | 1563 | [neck](telemarketer.html) |
| 1846 | [necks](last-passenger.html) | 1564 | [necks](last-passenger.html) |
| 1847 | [needing](plant.html) | 1565 | [needing](plant.html) |
| 1848 | [needs](about.html) | ||
| 1849 | [negation](i-want-to-say.html) | 1566 | [negation](i-want-to-say.html) |
| 1850 | [negative](words-irritable-reaching.html) | ||
| 1851 | [negatives](one-hundred-lines.html) | 1567 | [negatives](one-hundred-lines.html) |
| 1852 | [neglected](art.html) | 1568 | [neglected](art.html) |
| 1853 | [neighbor's](in-bed.html) | 1569 | [neighbor's](in-bed.html) |
| 1854 | [neither](arspoetica.html) | ||
| 1855 | [nemesis](ex-machina.html) | 1570 | [nemesis](ex-machina.html) |
| 1856 | [nerves](music-433.html) | 1571 | [nerves](music-433.html) |
| 1857 | [nest](plant.html) | 1572 | [nest](plant.html) |
| 1858 | [neuron](sapling.html) | 1573 | [neuron](sapling.html) |
| 1859 | [never-spoken](what-we-are-made-of.html) | 1574 | [never-spoken](what-we-are-made-of.html) |
| 1860 | [neverending](howtoread.html) | ||
| 1861 | [nevertheless](on-genre-dimension.html) | ||
| 1862 | [nextfor](about.html) | ||
| 1863 | [nezzer](dollywood.html) | 1575 | [nezzer](dollywood.html) |
| 1864 | [ngram](about.html) | ||
| 1865 | [nib](writing.html) | 1576 | [nib](writing.html) |
| 1866 | [nightgown](fire.html) | 1577 | [nightgown](fire.html) |
| 1867 | [nightly](big-dipper.html) | 1578 | [nightly](big-dipper.html) |
| @@ -1874,93 +1585,77 @@ project: | |||
| 1874 | [non-disappointment](underwear.html) | 1585 | [non-disappointment](underwear.html) |
| 1875 | [non-important](prelude.html) | 1586 | [non-important](prelude.html) |
| 1876 | [non-stop](hymnal.html) | 1587 | [non-stop](hymnal.html) |
| 1877 | [nonetheless](about.html) | ||
| 1878 | [nonexistent](finding-the-lion.html) | 1588 | [nonexistent](finding-the-lion.html) |
| 1879 | [noon](no-nothing.html) | 1589 | [noon](no-nothing.html) |
| 1880 | [noose](deadman.html) | 1590 | [noose](deadman.html) |
| 1881 | [normandy](about.html) | ||
| 1882 | [northern](about.html) | ||
| 1883 | [nose](statements-frag.html) | 1591 | [nose](statements-frag.html) |
| 1884 | [nostril](spittle.html) | 1592 | [nostril](spittle.html) |
| 1885 | [not-wings](cold-wind.html) | 1593 | [not-wings](cold-wind.html) |
| 1886 | [notably](manifesto_poetics.html) | ||
| 1887 | [notational](manifesto_poetics.html) | ||
| 1888 | [noted](problems.html) | 1594 | [noted](problems.html) |
| 1889 | [notfurniture](tapestry.html) | 1595 | [notfurniture](tapestry.html) |
| 1890 | [noting](on-genre-dimension.html) | 1596 | [noticing](dollywood.html) |
| 1891 | [notions](ex-machina.html) | 1597 | [notions](ex-machina.html) |
| 1598 | [novel](wallpaper.html) | ||
| 1892 | [novels](peaches.html) | 1599 | [novels](peaches.html) |
| 1893 | [novelty](about.html) | ||
| 1894 | [now-empty](last-bastion.html) | 1600 | [now-empty](last-bastion.html) |
| 1895 | [nozzle](fire.html) | 1601 | [nozzle](fire.html) |
| 1896 | [nozzle's](hard-game.html) | 1602 | [nozzle's](hard-game.html) |
| 1897 | [npr](worse-looking-over.html) | 1603 | [npr](worse-looking-over.html) |
| 1898 | [nuances](collage-instrument.html) | 1604 | [nuances](collage-instrument.html) |
| 1899 | [nuclear](initial-conditions.html) | 1605 | [nuclear](initial-conditions.html) |
| 1606 | [numbers](something-simple.html) | ||
| 1900 | [nurses](feedingtheraven.html) | 1607 | [nurses](feedingtheraven.html) |
| 1901 | [nuzzling](apollo11.html) | 1608 | [nuzzling](apollo11.html) |
| 1609 | [o](ouroboros_memory.html) | ||
| 1902 | [o'clock](ouroboros_memory.html) | 1610 | [o'clock](ouroboros_memory.html) |
| 1903 | [oblivion](sense-of-it.html) | 1611 | [oblivion](sense-of-it.html) |
| 1904 | [oblivious](proverbs.html) | 1612 | [oblivious](proverbs.html) |
| 1613 | [obscured](boy_bus.html) | ||
| 1905 | [observant](problems.html) | 1614 | [observant](problems.html) |
| 1906 | [observer](philosophy.html) | 1615 | [observer](philosophy.html) |
| 1907 | [obsessive](on-genre-dimension.html) | ||
| 1908 | [obstructs](howtoread.html) | ||
| 1909 | [obtain](collage-instrument.html) | 1616 | [obtain](collage-instrument.html) |
| 1910 | [occasion](about.html) | 1617 | [obviously](problems.html) |
| 1911 | [occasions](about-the-author.html) | 1618 | [occasions](about-the-author.html) |
| 1912 | [occupied](yellow.html) | 1619 | [occupied](yellow.html) |
| 1913 | [occur](sixteenth-chapel.html) | 1620 | [occur](sixteenth-chapel.html) |
| 1914 | [occurrence](walking-in-the-rain.html) | 1621 | [occurrence](walking-in-the-rain.html) |
| 1915 | [occurring](ouroboros_memory.html) | 1622 | [occurring](ouroboros_memory.html) |
| 1916 | [occurs](about.html) | ||
| 1917 | [odd-numbered](table_contents.html) | 1623 | [odd-numbered](table_contents.html) |
| 1918 | [ode](tapestry.html) | 1624 | [ode](tapestry.html) |
| 1919 | [odes](howtoread.html) | ||
| 1920 | [odt](about.html) | ||
| 1921 | [off-brand](dollywood.html) | 1625 | [off-brand](dollywood.html) |
| 1922 | [off-shore](riptide_memory.html) | 1626 | [off-shore](riptide_memory.html) |
| 1923 | [offbeat](epigraph.html) | ||
| 1924 | [offense](fire.html) | 1627 | [offense](fire.html) |
| 1925 | [offering](plant.html) | 1628 | [offering](plant.html) |
| 1926 | [official](dollywood.html) | 1629 | [official](dollywood.html) |
| 1927 | [oil](ex-machina.html) | 1630 | [oil](ex-machina.html) |
| 1928 | [ol](about.html) | ||
| 1929 | [older](about.html) | ||
| 1930 | [olds](likingthings.html) | 1631 | [olds](likingthings.html) |
| 1632 | [olympic](likingthings.html) | ||
| 1931 | [omission](deadman.html) | 1633 | [omission](deadman.html) |
| 1932 | [one's](ouroboros_memory.html) | 1634 | [one's](ouroboros_memory.html) |
| 1933 | [one-of-a-kind](purpose-dogs.html) | 1635 | [one-of-a-kind](purpose-dogs.html) |
| 1934 | [one-set-of-footprints-in-the-sand](love-as-god.html) | 1636 | [one-set-of-footprints-in-the-sand](love-as-god.html) |
| 1935 | [ones'](one-hundred-lines.html) | 1637 | [ones'](one-hundred-lines.html) |
| 1936 | [online](on-genre-dimension.html) | ||
| 1937 | [open-mouthed](what-we-are-made-of.html) | 1638 | [open-mouthed](what-we-are-made-of.html) |
| 1938 | [opportunities](howtoread.html) | ||
| 1939 | [opposed](howtoread.html) | ||
| 1940 | [opposing](about.html) | ||
| 1941 | [opted](about.html) | ||
| 1942 | [optics](moongone.html) | 1639 | [optics](moongone.html) |
| 1943 | [options](collage-instrument.html) | 1640 | [options](collage-instrument.html) |
| 1944 | [opulent](last-bastion.html) | 1641 | [opulent](last-bastion.html) |
| 1945 | [orange-glo](about_author.html) | 1642 | [orange-glo](about_author.html) |
| 1946 | [oranges](statements-frag.html) | 1643 | [oranges](statements-frag.html) |
| 1947 | [orbiting](initial-conditions.html) | 1644 | [orbiting](initial-conditions.html) |
| 1948 | [orchid](arspoetica.html) | 1645 | [ordered](punch.html) |
| 1646 | [organization](axe.html) | ||
| 1949 | [origin](writing.html) | 1647 | [origin](writing.html) |
| 1950 | [originality](about.html) | 1648 | [originally](collage-instrument.html) |
| 1951 | [origins](no-nothing.html) | 1649 | [origins](no-nothing.html) |
| 1952 | [orion](one-hundred-lines.html) | 1650 | [orion](one-hundred-lines.html) |
| 1953 | [ostentatious](sixteenth-chapel.html) | 1651 | [ostentatious](sixteenth-chapel.html) |
| 1954 | [other's'](weplayedthosegamestoo.html) | 1652 | [other's'](weplayedthosegamestoo.html) |
| 1955 | [others'](on-genre-dimension.html) | ||
| 1956 | [ouroboros](ouroboros_memory.html) | 1653 | [ouroboros](ouroboros_memory.html) |
| 1957 | [ours](deadman.html) | 1654 | [ours](deadman.html) |
| 1958 | [out-of-state](dollywood.html) | 1655 | [out-of-state](dollywood.html) |
| 1959 | [outfit](dollywood.html) | 1656 | [outfit](dollywood.html) |
| 1960 | [outputs](on-genre-dimension.html) | ||
| 1961 | [outstretched](apollo11.html) | 1657 | [outstretched](apollo11.html) |
| 1962 | [outta](proverbs.html) | 1658 | [outta](proverbs.html) |
| 1963 | [over-expansive](words-meaning.html) | ||
| 1964 | [overalls](dollywood.html) | 1659 | [overalls](dollywood.html) |
| 1965 | [overflows](theoceanoverflowswithcamels.html) | 1660 | [overflows](theoceanoverflowswithcamels.html) |
| 1966 | [overnight](i-want-to-say.html) | 1661 | [overnight](i-want-to-say.html) |
| @@ -1970,13 +1665,14 @@ project: | |||
| 1970 | [owned](collage-instrument.html) | 1665 | [owned](collage-instrument.html) |
| 1971 | [owner](boy_bus.html) | 1666 | [owner](boy_bus.html) |
| 1972 | [ox](one-hundred-lines.html) | 1667 | [ox](one-hundred-lines.html) |
| 1973 | [pace](howtoread.html) | 1668 | [oxen](one-hundred-lines.html) |
| 1669 | [pack](dollywood.html) | ||
| 1974 | [package](reports.html) | 1670 | [package](reports.html) |
| 1975 | [packed](howtoread.html) | ||
| 1976 | [padawan](todaniel.html) | 1671 | [padawan](todaniel.html) |
| 1977 | [page's](about.html) | 1672 | [pages](stump.html) |
| 1978 | [painfully](dollywood.html) | 1673 | [painfully](dollywood.html) |
| 1979 | [paint](yellow.html) | 1674 | [paint](yellow.html) |
| 1675 | [paintings](sixteenth-chapel.html) | ||
| 1980 | [pairs](collage-instrument.html) | 1676 | [pairs](collage-instrument.html) |
| 1981 | [palace](time-looks-up-to-the-sky.html) | 1677 | [palace](time-looks-up-to-the-sky.html) |
| 1982 | [pale](statements-frag.html) | 1678 | [pale](statements-frag.html) |
| @@ -1984,36 +1680,29 @@ project: | |||
| 1984 | [panic](initial-conditions.html) | 1680 | [panic](initial-conditions.html) |
| 1985 | [panorama](apollo11.html) | 1681 | [panorama](apollo11.html) |
| 1986 | [paradox](toothpaste.html) | 1682 | [paradox](toothpaste.html) |
| 1987 | [paranoia](on-genre-dimension.html) | 1683 | [paragraph](window.html) |
| 1988 | [paraphrase](howtoread.html) | ||
| 1989 | [parceled](howtoread.html) | ||
| 1990 | [parent](sixteenth-chapel.html) | 1684 | [parent](sixteenth-chapel.html) |
| 1991 | [parity](creation-myth.html) | 1685 | [parity](creation-myth.html) |
| 1992 | [parking](hardware.html) | 1686 | [parking](hardware.html) |
| 1993 | [participate](real-writer.html) | 1687 | [participate](real-writer.html) |
| 1688 | [particular](notes.html) | ||
| 1689 | [particularly](walking-in-the-rain.html) | ||
| 1994 | [particulars](telemarketer.html) | 1690 | [particulars](telemarketer.html) |
| 1995 | [parties](about.html) | ||
| 1996 | [partitioned](dollywood.html) | 1691 | [partitioned](dollywood.html) |
| 1997 | [parts](arspoetica.html) | ||
| 1998 | [passion](angeltoabraham.html) | 1692 | [passion](angeltoabraham.html) |
| 1999 | [pastor's](boy_bus.html) | 1693 | [pastor's](boy_bus.html) |
| 2000 | [pastorals](howtoread.html) | ||
| 2001 | [pastors](boy_bus.html) | 1694 | [pastors](boy_bus.html) |
| 2002 | [patches](plant.html) | 1695 | [patches](plant.html) |
| 2003 | [patchwork](about.html) | ||
| 2004 | [patchwork-style](about.html) | ||
| 2005 | [pathology](movingsideways.html) | 1696 | [pathology](movingsideways.html) |
| 2006 | [patient](telemarketer.html) | 1697 | [patient](telemarketer.html) |
| 2007 | [patrons'](creation-myth.html) | 1698 | [patrons'](creation-myth.html) |
| 2008 | [patting](death-zone.html) | 1699 | [patting](death-zone.html) |
| 2009 | [pause](question.html) | 1700 | [pause](question.html) |
| 2010 | [pavese](on-genre-dimension.html) | ||
| 2011 | [pawed](listen.html) | 1701 | [pawed](listen.html) |
| 2012 | [paws](finding-the-lion.html) | 1702 | [paws](finding-the-lion.html) |
| 2013 | [payday](reports.html) | 1703 | [payday](reports.html) |
| 2014 | [paying](dollywood.html) | 1704 | [paying](dollywood.html) |
| 2015 | [pays](time-looks-up-to-the-sky.html) | 1705 | [pays](time-looks-up-to-the-sky.html) |
| 2016 | [pdf](about.html) | ||
| 2017 | [peace](plant.html) | 1706 | [peace](plant.html) |
| 2018 | [peaceful](dollywood.html) | 1707 | [peaceful](dollywood.html) |
| 2019 | [peach](toothpaste.html) | 1708 | [peach](toothpaste.html) |
| @@ -2036,25 +1725,26 @@ project: | |||
| 2036 | [perchance](poetry-time.html) | 1725 | [perchance](poetry-time.html) |
| 2037 | [percolating](plant.html) | 1726 | [percolating](plant.html) |
| 2038 | [perfected](todaniel.html) | 1727 | [perfected](todaniel.html) |
| 2039 | [period](howtoread.html) | 1728 | [perfectly](collage-instrument.html) |
| 1729 | [performances](music-433.html) | ||
| 1730 | [performed](dollywood.html) | ||
| 2040 | [perk](deadman.html) | 1731 | [perk](deadman.html) |
| 2041 | [perl](collage-instrument.html) | 1732 | [perl](collage-instrument.html) |
| 2042 | [perl's](collage-instrument.html) | 1733 | [perl's](collage-instrument.html) |
| 2043 | [personally](manifesto_poetics.html) | 1734 | [personal](problems.html) |
| 2044 | [pessoa's](howtoread.html) | ||
| 2045 | [pet](likingthings.html) | 1735 | [pet](likingthings.html) |
| 2046 | [petals](found-typewriter-poem.html) | 1736 | [petals](found-typewriter-poem.html) |
| 2047 | [petted](purpose-dogs.html) | 1737 | [petted](purpose-dogs.html) |
| 2048 | [pew](mountain.html) | 1738 | [pew](mountain.html) |
| 2049 | [pg](dream.html) | 1739 | [pg](dream.html) |
| 2050 | [phase](lappel-du-vide.html) | 1740 | [phase](lappel-du-vide.html) |
| 2051 | [phenomena](about.html) | ||
| 2052 | [philosophers](words-irritable-reaching.html) | ||
| 2053 | [philosophical](philosophy.html) | 1741 | [philosophical](philosophy.html) |
| 1742 | [philosophy](philosophy.html) | ||
| 2054 | [phineas](call-me-aural-pleasure.html) | 1743 | [phineas](call-me-aural-pleasure.html) |
| 2055 | [phoenix](peaches.html) | 1744 | [phoenix](peaches.html) |
| 2056 | [phones](phone.html) | 1745 | [phones](phone.html) |
| 2057 | [photo](about-the-author.html) | 1746 | [photo](about-the-author.html) |
| 1747 | [photograph](man.html) | ||
| 2058 | [phrase](howithappened.html) | 1748 | [phrase](howithappened.html) |
| 2059 | [physical](collage-instrument.html) | 1749 | [physical](collage-instrument.html) |
| 2060 | [physics](treatise.html) | 1750 | [physics](treatise.html) |
| @@ -2067,7 +1757,6 @@ project: | |||
| 2067 | [pigs](boar.html) | 1757 | [pigs](boar.html) |
| 2068 | [pile](options.html) | 1758 | [pile](options.html) |
| 2069 | [piled](last-bastion.html) | 1759 | [piled](last-bastion.html) |
| 2070 | [pilgrim](howtoread.html) | ||
| 2071 | [pilgrims](swansong.html) | 1760 | [pilgrims](swansong.html) |
| 2072 | [pillar](i-am.html) | 1761 | [pillar](i-am.html) |
| 2073 | [pillow](one-hundred-lines.html) | 1762 | [pillow](one-hundred-lines.html) |
| @@ -2080,44 +1769,37 @@ project: | |||
| 2080 | [pinstripe](man.html) | 1769 | [pinstripe](man.html) |
| 2081 | [pipe](peaches.html) | 1770 | [pipe](peaches.html) |
| 2082 | [pipes](hardware.html) | 1771 | [pipes](hardware.html) |
| 2083 | [pisses](words-meaning.html) | ||
| 2084 | [piston](writing.html) | 1772 | [piston](writing.html) |
| 2085 | [pit](peaches.html) | 1773 | [pit](peaches.html) |
| 2086 | [pitchers](words-irritable-reaching.html) | ||
| 2087 | [pithy](peaches.html) | 1774 | [pithy](peaches.html) |
| 2088 | [pizzazz](todaniel.html) | 1775 | [pizzazz](todaniel.html) |
| 2089 | [pl](process.html) | 1776 | [placed](punch.html) |
| 2090 | [plane](on-genre-dimension.html) | ||
| 2091 | [planet](howtoread.html) | ||
| 2092 | [planets](initial-conditions.html) | 1777 | [planets](initial-conditions.html) |
| 2093 | [planks](hardware.html) | 1778 | [planks](hardware.html) |
| 2094 | [planning](initial-conditions.html) | 1779 | [planning](initial-conditions.html) |
| 2095 | [plant](elegyforanalternateself.html) | 1780 | [plant](elegyforanalternateself.html) |
| 2096 | [plant's](plant.html) | 1781 | [plant's](plant.html) |
| 1782 | [plants](lappel-du-vide.html) | ||
| 2097 | [plate-glass](shipwright.html) | 1783 | [plate-glass](shipwright.html) |
| 2098 | [plath](epigraph.html) | ||
| 2099 | [plausible](purpose-dogs.html) | 1784 | [plausible](purpose-dogs.html) |
| 2100 | [pleasure](call-me-aural-pleasure.html) | 1785 | [pleasure](call-me-aural-pleasure.html) |
| 2101 | [plexus](i-want-to-say.html) | 1786 | [plexus](i-want-to-say.html) |
| 2102 | [plight](ronaldmcdonald.html) | 1787 | [plight](ronaldmcdonald.html) |
| 2103 | [plod](likingthings.html) | 1788 | [plod](likingthings.html) |
| 2104 | [plopped](epigraph.html) | ||
| 2105 | [plowing](one-hundred-lines.html) | 1789 | [plowing](one-hundred-lines.html) |
| 2106 | [plumbing](nothing-is-ever-over.html) | 1790 | [plumbing](nothing-is-ever-over.html) |
| 2107 | [plums](one-hundred-lines.html) | 1791 | [plums](one-hundred-lines.html) |
| 1792 | [plus](collage-instrument.html) | ||
| 2108 | [plyboard](yellow.html) | 1793 | [plyboard](yellow.html) |
| 2109 | [plywood](telemarketer.html) | 1794 | [plywood](telemarketer.html) |
| 2110 | [pockets](death-zone.html) | 1795 | [pockets](death-zone.html) |
| 2111 | [poem's](when-im-sorry-i.html) | 1796 | [poem's](when-im-sorry-i.html) |
| 2112 | [poet/writer](manifesto_poetics.html) | ||
| 2113 | [poetic](on-genre-dimension.html) | ||
| 2114 | [pointing](one-hundred-lines.html) | 1797 | [pointing](one-hundred-lines.html) |
| 2115 | [poison](statements-frag.html) | 1798 | [poison](statements-frag.html) |
| 2116 | [poked](what-we-are-made-of.html) | 1799 | [poked](what-we-are-made-of.html) |
| 2117 | [poking](feedingtheraven.html) | 1800 | [poking](feedingtheraven.html) |
| 2118 | [policy](howithappened.html) | 1801 | [policy](howithappened.html) |
| 2119 | [polish](deathstrumpet.html) | 1802 | [polish](deathstrumpet.html) |
| 2120 | [polished](manifesto_poetics.html) | ||
| 2121 | [pompom](window.html) | 1803 | [pompom](window.html) |
| 2122 | [pond](table_contents.html) | 1804 | [pond](table_contents.html) |
| 2123 | [ponies](table_contents.html) | 1805 | [ponies](table_contents.html) |
| @@ -2130,14 +1812,13 @@ project: | |||
| 2130 | [porch](shipwright.html) | 1812 | [porch](shipwright.html) |
| 2131 | [pork](about_author.html) | 1813 | [pork](about_author.html) |
| 2132 | [posh](writing.html) | 1814 | [posh](writing.html) |
| 2133 | [posited](on-genre-dimension.html) | ||
| 2134 | [position](dream.html) | 1815 | [position](dream.html) |
| 2135 | [posix](collage-instrument.html) | 1816 | [posix](collage-instrument.html) |
| 2136 | [posix-compliant](collage-instrument.html) | 1817 | [posix-compliant](collage-instrument.html) |
| 2137 | [possibilities](howtoread.html) | ||
| 2138 | [possibility](squirrel.html) | 1818 | [possibility](squirrel.html) |
| 1819 | [possible](philosophy.html) | ||
| 2139 | [possum](problems.html) | 1820 | [possum](problems.html) |
| 2140 | [postage](howtoread.html) | 1821 | [post](dollywood.html) |
| 2141 | [posterity](death-zone.html) | 1822 | [posterity](death-zone.html) |
| 2142 | [potential](telemarketer.html) | 1823 | [potential](telemarketer.html) |
| 2143 | [pound](i-think-its-you.html) | 1824 | [pound](i-think-its-you.html) |
| @@ -2158,67 +1839,56 @@ project: | |||
| 2158 | [premeasured](collage-instrument.html) | 1839 | [premeasured](collage-instrument.html) |
| 2159 | [prenatal](ouroboros_memory.html) | 1840 | [prenatal](ouroboros_memory.html) |
| 2160 | [preoccupation](sixteenth-chapel.html) | 1841 | [preoccupation](sixteenth-chapel.html) |
| 2161 | [preoccupations](about.html) | ||
| 2162 | [prepositions](onformalpoetry.html) | 1842 | [prepositions](onformalpoetry.html) |
| 2163 | [prescription](x-ray.html) | 1843 | [prescription](x-ray.html) |
| 2164 | [presentation](process.html) | 1844 | [present](art.html) |
| 2165 | [pressure-release](words-irritable-reaching.html) | 1845 | [press](dollywood.html) |
| 2166 | [pretend](walking-in-the-rain.html) | 1846 | [pretend](walking-in-the-rain.html) |
| 2167 | [pretended](early.html) | 1847 | [pretended](early.html) |
| 2168 | [pretending](underwear.html) | 1848 | [pretending](underwear.html) |
| 1849 | [pretentious](philosophy.html) | ||
| 2169 | [prevalent](collage-instrument.html) | 1850 | [prevalent](collage-instrument.html) |
| 1851 | [previous](todaniel.html) | ||
| 2170 | [price](movingsideways.html) | 1852 | [price](movingsideways.html) |
| 2171 | [prices](creation-myth.html) | 1853 | [prices](creation-myth.html) |
| 2172 | [priest](dollywood.html) | 1854 | [priest](dollywood.html) |
| 2173 | [primed](peaches.html) | 1855 | [primed](peaches.html) |
| 2174 | [primes](howtoread.html) | ||
| 2175 | [prince](time-looks-up-to-the-sky.html) | 1856 | [prince](time-looks-up-to-the-sky.html) |
| 2176 | [princess](death-zone.html) | 1857 | [princess](death-zone.html) |
| 2177 | [privately](ex-machina.html) | 1858 | [privately](ex-machina.html) |
| 2178 | [probabilistic](real-writer.html) | 1859 | [probabilistic](real-writer.html) |
| 2179 | [processing](about.html) | 1860 | [probability](table_contents.html) |
| 2180 | [processor](about.html) | 1861 | [process](dollywood.html) |
| 2181 | [produce](call-me-aural-pleasure.html) | 1862 | [produce](call-me-aural-pleasure.html) |
| 2182 | [produced](last-bastion.html) | 1863 | [produced](last-bastion.html) |
| 2183 | [production](initial-conditions.html) | 1864 | [production](initial-conditions.html) |
| 2184 | [products](philosophy.html) | 1865 | [products](philosophy.html) |
| 2185 | [professor](epigraph.html) | 1866 | [professions](hard-game.html) |
| 2186 | [program](process.html) | ||
| 2187 | [programmatically](process.html) | ||
| 2188 | [programmers](about.html) | ||
| 2189 | [progresses](collage-instrument.html) | 1867 | [progresses](collage-instrument.html) |
| 2190 | [progression](on-genre-dimension.html) | ||
| 2191 | [project](process.html) | ||
| 2192 | [project-order](abstract.html) | ||
| 2193 | [projecting](movingsideways.html) | 1868 | [projecting](movingsideways.html) |
| 2194 | [prom](movingsideways.html) | 1869 | [prom](movingsideways.html) |
| 2195 | [proofness](about.html) | ||
| 2196 | [proper](writing.html) | 1870 | [proper](writing.html) |
| 2197 | [property](about.html) | ||
| 2198 | [prophecy-slash-advice](movingsideways.html) | 1871 | [prophecy-slash-advice](movingsideways.html) |
| 2199 | [propose](love-as-god.html) | 1872 | [propose](love-as-god.html) |
| 2200 | [proprietary](about.html) | ||
| 2201 | [prospective](on-genre-dimension.html) | ||
| 2202 | [protagonist](collage-instrument.html) | 1873 | [protagonist](collage-instrument.html) |
| 2203 | [protective](sapling.html) | 1874 | [protective](sapling.html) |
| 1875 | [proved](notes.html) | ||
| 2204 | [proven](collage-instrument.html) | 1876 | [proven](collage-instrument.html) |
| 2205 | [proverbs](proverbs.html) | 1877 | [proverbs](proverbs.html) |
| 2206 | [proves](proverbs.html) | 1878 | [proves](proverbs.html) |
| 2207 | [provided](manifesto_poetics.html) | ||
| 2208 | [prufrock](on-genre-dimension.html) | ||
| 2209 | [prybar](paul.html) | 1879 | [prybar](paul.html) |
| 2210 | [pseudonyms](howtoread.html) | ||
| 2211 | [psych](january.html) | 1880 | [psych](january.html) |
| 1881 | [publish](exasperated.html) | ||
| 2212 | [published](man.html) | 1882 | [published](man.html) |
| 2213 | [puffy](statements-frag.html) | 1883 | [puffy](statements-frag.html) |
| 2214 | [pulls](riptide_memory.html) | 1884 | [pulls](riptide_memory.html) |
| 2215 | [pun](movingsideways.html) | 1885 | [pun](movingsideways.html) |
| 2216 | [punched](i-want-to-say.html) | 1886 | [punched](i-want-to-say.html) |
| 2217 | [punches](i-wanted-to-tell-you-something.html) | 1887 | [punches](i-wanted-to-tell-you-something.html) |
| 2218 | [punctuation](on-genre-dimension.html) | ||
| 2219 | [punished](dollywood.html) | 1888 | [punished](dollywood.html) |
| 2220 | [pupils](hands.html) | 1889 | [pupils](hands.html) |
| 2221 | [puppet](hard-game.html) | 1890 | [puppet](hard-game.html) |
| 1891 | [purple](plant.html) | ||
| 2222 | [purpose](purpose-dogs.html) | 1892 | [purpose](purpose-dogs.html) |
| 2223 | [purses](time-looks-up-to-the-sky.html) | 1893 | [purses](time-looks-up-to-the-sky.html) |
| 2224 | [pursuit](boar.html) | 1894 | [pursuit](boar.html) |
| @@ -2228,51 +1898,44 @@ project: | |||
| 2228 | [quaking](in-bed.html) | 1898 | [quaking](in-bed.html) |
| 2229 | [quality](likingthings.html) | 1899 | [quality](likingthings.html) |
| 2230 | [quantum](toilet.html) | 1900 | [quantum](toilet.html) |
| 2231 | [queer](epigraph.html) | ||
| 2232 | [querulous](words-irritable-reaching.html) | ||
| 2233 | [questionable](about_author.html) | 1901 | [questionable](about_author.html) |
| 2234 | [questionably](about.html) | ||
| 2235 | [quick](collage-instrument.html) | 1902 | [quick](collage-instrument.html) |
| 2236 | [quicken](plant.html) | 1903 | [quicken](plant.html) |
| 2237 | [quickness](lappel-du-vide.html) | 1904 | [quickness](lappel-du-vide.html) |
| 2238 | [quietness](plant.html) | 1905 | [quietness](plant.html) |
| 2239 | [quit](i-wanted-to-tell-you-something.html) | 1906 | [quit](i-wanted-to-tell-you-something.html) |
| 1907 | [quite](question.html) | ||
| 2240 | [quitting](options.html) | 1908 | [quitting](options.html) |
| 2241 | [quivering](plant.html) | 1909 | [quivering](plant.html) |
| 2242 | [r](about_author.html) | 1910 | [r](about_author.html) |
| 2243 | [rabbi](about.html) | ||
| 2244 | [race](i-am.html) | 1911 | [race](i-am.html) |
| 2245 | [races](table_contents.html) | 1912 | [races](table_contents.html) |
| 2246 | [radiate](axe.html) | 1913 | [radiate](axe.html) |
| 2247 | [rags](one-hundred-lines.html) | 1914 | [rags](one-hundred-lines.html) |
| 2248 | [railroad](howtoread.html) | ||
| 2249 | [rainbow](one-hundred-lines.html) | 1915 | [rainbow](one-hundred-lines.html) |
| 2250 | [rainfall](what-we-are-made-of.html) | 1916 | [rainfall](what-we-are-made-of.html) |
| 2251 | [rains](riptide_memory.html) | 1917 | [rains](riptide_memory.html) |
| 1918 | [raises](collage-instrument.html) | ||
| 2252 | [ram](angeltoabraham.html) | 1919 | [ram](angeltoabraham.html) |
| 2253 | [rampage](dollywood.html) | 1920 | [rampage](dollywood.html) |
| 1921 | [randomly](stump.html) | ||
| 2254 | [randomness](fire.html) | 1922 | [randomness](fire.html) |
| 2255 | [ranges](collage-instrument.html) | 1923 | [ranges](collage-instrument.html) |
| 2256 | [rarest](about.html) | ||
| 2257 | [rasping](plant.html) | 1924 | [rasping](plant.html) |
| 2258 | [ratio](something-simple.html) | 1925 | [ratio](something-simple.html) |
| 2259 | [rats](last-bastion.html) | 1926 | [rats](last-bastion.html) |
| 2260 | [ratty](dollywood.html) | 1927 | [ratty](dollywood.html) |
| 2261 | [raving](about.html) | ||
| 2262 | [raw](philosophy.html) | 1928 | [raw](philosophy.html) |
| 2263 | [razor](statements-frag.html) | 1929 | [razor](statements-frag.html) |
| 2264 | [re-compile](process.html) | ||
| 2265 | [reaching](serengeti.html) | 1930 | [reaching](serengeti.html) |
| 2266 | [reaching-out](building.html) | 1931 | [reaching-out](building.html) |
| 2267 | [reader/listener/consumer](manifesto_poetics.html) | ||
| 2268 | [readjust](notes.html) | 1932 | [readjust](notes.html) |
| 2269 | [reads](treatise.html) | 1933 | [reads](treatise.html) |
| 2270 | [realer](toilet.html) | 1934 | [realer](toilet.html) |
| 2271 | [realizable](what-we-are-made-of.html) | 1935 | [realizable](what-we-are-made-of.html) |
| 2272 | [realization](sapling.html) | 1936 | [realization](sapling.html) |
| 2273 | [realm](about.html) | ||
| 2274 | [reasoned](call-me-aural-pleasure.html) | 1937 | [reasoned](call-me-aural-pleasure.html) |
| 2275 | [reasons/instructions](manifesto_poetics.html) | 1938 | [reasons](movingsideways.html) |
| 2276 | [receded](collage-instrument.html) | 1939 | [receded](collage-instrument.html) |
| 2277 | [receding](serengeti.html) | 1940 | [receding](serengeti.html) |
| 2278 | [receipt](table_contents.html) | 1941 | [receipt](table_contents.html) |
| @@ -2280,17 +1943,15 @@ project: | |||
| 2280 | [received](collage-instrument.html) | 1943 | [received](collage-instrument.html) |
| 2281 | [receiver](phone.html) | 1944 | [receiver](phone.html) |
| 2282 | [recent](collage-instrument.html) | 1945 | [recent](collage-instrument.html) |
| 2283 | [receptacle](arspoetica.html) | ||
| 2284 | [recipe](riptide_memory.html) | 1946 | [recipe](riptide_memory.html) |
| 2285 | [recirculating](telemarketer.html) | 1947 | [recirculating](telemarketer.html) |
| 2286 | [reclassifying](words-meaning.html) | ||
| 2287 | [reclining](big-dipper.html) | 1948 | [reclining](big-dipper.html) |
| 2288 | [recognize](and.html) | 1949 | [recognize](and.html) |
| 2289 | [recoils](big-dipper.html) | 1950 | [recoils](big-dipper.html) |
| 2290 | [reconciling](about.html) | 1951 | [recommend](leg.html) |
| 2291 | [reconsidered](planks.html) | 1952 | [reconsidered](planks.html) |
| 1953 | [record](collage-instrument.html) | ||
| 2292 | [recording](swear.html) | 1954 | [recording](swear.html) |
| 2293 | [records](words-irritable-reaching.html) | ||
| 2294 | [recycle](likingthings.html) | 1955 | [recycle](likingthings.html) |
| 2295 | [redder](window.html) | 1956 | [redder](window.html) |
| 2296 | [reduced](last-bastion.html) | 1957 | [reduced](last-bastion.html) |
| @@ -2301,58 +1962,46 @@ project: | |||
| 2301 | [reflecting](phone.html) | 1962 | [reflecting](phone.html) |
| 2302 | [regex](collage-instrument.html) | 1963 | [regex](collage-instrument.html) |
| 2303 | [regular](notes.html) | 1964 | [regular](notes.html) |
| 2304 | [reis](howtoread.html) | ||
| 2305 | [relation](movingsideways.html) | 1965 | [relation](movingsideways.html) |
| 2306 | [relative](prelude.html) | 1966 | [relative](prelude.html) |
| 2307 | [relax](toothpaste.html) | 1967 | [relax](toothpaste.html) |
| 2308 | [relaxed](dollywood.html) | 1968 | [relaxed](dollywood.html) |
| 2309 | [relaxing](initial-conditions.html) | 1969 | [relaxing](initial-conditions.html) |
| 2310 | [releasing](about.html) | ||
| 2311 | [relic](seasonal-affective-disorder.html) | 1970 | [relic](seasonal-affective-disorder.html) |
| 2312 | [remark](words-irritable-reaching.html) | 1971 | [remain](collage-instrument.html) |
| 1972 | [remains](poetry-time.html) | ||
| 2313 | [remarkable](about_author.html) | 1973 | [remarkable](about_author.html) |
| 2314 | [remarks](words-irritable-reaching.html) | ||
| 2315 | [remind](likingthings.html) | 1974 | [remind](likingthings.html) |
| 2316 | [reminded](seasonal-affective-disorder.html) | 1975 | [reminded](seasonal-affective-disorder.html) |
| 2317 | [reminding](likingthings.html) | 1976 | [reminding](likingthings.html) |
| 2318 | [reminds](boy_bus.html) | 1977 | [reminds](boy_bus.html) |
| 2319 | [reminiscent](about.html) | ||
| 2320 | [remix](art.html) | 1978 | [remix](art.html) |
| 2321 | [remnants](feedingtheraven.html) | 1979 | [remnants](feedingtheraven.html) |
| 2322 | [remote](process.html) | ||
| 2323 | [removed](writing.html) | 1980 | [removed](writing.html) |
| 2324 | [rendering](weplayedthosegamestoo.html) | 1981 | [rendering](weplayedthosegamestoo.html) |
| 2325 | [rent](peaches.html) | 1982 | [rent](peaches.html) |
| 2326 | [rental](peaches.html) | 1983 | [rental](peaches.html) |
| 2327 | [reordering](manifesto_poetics.html) | ||
| 2328 | [rep](telemarketer.html) | 1984 | [rep](telemarketer.html) |
| 1985 | [repeating](what-we-are-made-of.html) | ||
| 2329 | [repertoire](about_author.html) | 1986 | [repertoire](about_author.html) |
| 2330 | [repitition](on-genre-dimension.html) | ||
| 2331 | [replaced](collage-instrument.html) | 1987 | [replaced](collage-instrument.html) |
| 2332 | [replacement](roughgloves.html) | 1988 | [replacement](roughgloves.html) |
| 2333 | [replaces](collage-instrument.html) | 1989 | [replaces](collage-instrument.html) |
| 2334 | [replacing](reports.html) | 1990 | [replacing](reports.html) |
| 2335 | [replies](creation-myth.html) | 1991 | [replies](creation-myth.html) |
| 2336 | [repo](process.html) | ||
| 2337 | [report](telemarketer.html) | 1992 | [report](telemarketer.html) |
| 1993 | [reports](notes.html) | ||
| 2338 | [representative's](telemarketer.html) | 1994 | [representative's](telemarketer.html) |
| 2339 | [represented](telemarketer.html) | 1995 | [represented](telemarketer.html) |
| 2340 | [represents](proverbs.html) | 1996 | [represents](proverbs.html) |
| 2341 | [repulsed](swansong-alt.html) | 1997 | [repulsed](swansong-alt.html) |
| 2342 | [requesting](telemarketer.html) | 1998 | [requesting](telemarketer.html) |
| 1999 | [require](initial-conditions.html) | ||
| 2343 | [resemblance](i-think-its-you.html) | 2000 | [resemblance](i-think-its-you.html) |
| 2344 | [resembles](words-irritable-reaching.html) | ||
| 2345 | [resembling](largest-asteroid.html) | 2001 | [resembling](largest-asteroid.html) |
| 2346 | [resist](on-genre-dimension.html) | ||
| 2347 | [resistant](howtoread.html) | ||
| 2348 | [resolve](about.html) | ||
| 2349 | [resonance](on-genre-dimension.html) | ||
| 2350 | [resonances](on-genre-dimension.html) | ||
| 2351 | [resonate](howtoread.html) | ||
| 2352 | [resorted](sapling.html) | 2002 | [resorted](sapling.html) |
| 2353 | [resorts](dollywood.html) | 2003 | [resorts](dollywood.html) |
| 2354 | [respect](about-the-author.html) | 2004 | [respect](about-the-author.html) |
| 2355 | [respective](howtoread.html) | ||
| 2356 | [resplendent](hardware.html) | 2005 | [resplendent](hardware.html) |
| 2357 | [responded](what-we-are-made-of.html) | 2006 | [responded](what-we-are-made-of.html) |
| 2358 | [restate](ouroboros_memory.html) | 2007 | [restate](ouroboros_memory.html) |
| @@ -2364,27 +2013,16 @@ project: | |||
| 2364 | [returning](no-nothing.html) | 2013 | [returning](no-nothing.html) |
| 2365 | [revealed](about-the-author.html) | 2014 | [revealed](about-the-author.html) |
| 2366 | [revenging](exasperated.html) | 2015 | [revenging](exasperated.html) |
| 2367 | [revising](process.html) | ||
| 2368 | [revisions](about.html) | ||
| 2369 | [reward](last-bastion.html) | 2016 | [reward](last-bastion.html) |
| 2370 | [rewrote](manifesto_poetics.html) | ||
| 2371 | [rhyming](on-genre-dimension.html) | ||
| 2372 | [rhythm](manifesto_poetics.html) | ||
| 2373 | [ribcage](man.html) | 2017 | [ribcage](man.html) |
| 2374 | [ricardo](howtoread.html) | ||
| 2375 | [richard](words-irritable-reaching.html) | ||
| 2376 | [richer](process.html) | ||
| 2377 | [ride](stagnant.html) | 2018 | [ride](stagnant.html) |
| 2378 | [rides](lappel-du-vide.html) | 2019 | [rides](lappel-du-vide.html) |
| 2379 | [ridges](hardware.html) | 2020 | [ridges](hardware.html) |
| 2380 | [right-side-out](dollywood.html) | 2021 | [right-side-out](dollywood.html) |
| 2381 | [rightly](boy_bus.html) | 2022 | [rightly](boy_bus.html) |
| 2382 | [rightness](one-hundred-lines.html) | 2023 | [rightness](one-hundred-lines.html) |
| 2383 | [rigid](manifesto_poetics.html) | ||
| 2384 | [ring](seasonal-affective-disorder.html) | 2024 | [ring](seasonal-affective-disorder.html) |
| 2385 | [rings](plant.html) | 2025 | [rings](plant.html) |
| 2386 | [rinse](process.html) | ||
| 2387 | [ripe](words-irritable-reaching.html) | ||
| 2388 | [rippled](cold-wind.html) | 2026 | [rippled](cold-wind.html) |
| 2389 | [ripples](in-bed.html) | 2027 | [ripples](in-bed.html) |
| 2390 | [riptide](father.html) | 2028 | [riptide](father.html) |
| @@ -2396,7 +2034,6 @@ project: | |||
| 2396 | [roads](plant.html) | 2034 | [roads](plant.html) |
| 2397 | [roadway](dollywood.html) | 2035 | [roadway](dollywood.html) |
| 2398 | [roaming](when-im-sorry-i.html) | 2036 | [roaming](when-im-sorry-i.html) |
| 2399 | [robert](words-irritable-reaching.html) | ||
| 2400 | [robinsong](plant.html) | 2037 | [robinsong](plant.html) |
| 2401 | [robust](collage-instrument.html) | 2038 | [robust](collage-instrument.html) |
| 2402 | [rockin'](dollywood.html) | 2039 | [rockin'](dollywood.html) |
| @@ -2404,9 +2041,7 @@ project: | |||
| 2404 | [rod](problems.html) | 2041 | [rod](problems.html) |
| 2405 | [rode](telemarketer.html) | 2042 | [rode](telemarketer.html) |
| 2406 | [rogue](lappel-du-vide.html) | 2043 | [rogue](lappel-du-vide.html) |
| 2407 | [role](words-meaning.html) | ||
| 2408 | [roll](i-want-to-say.html) | 2044 | [roll](i-want-to-say.html) |
| 2409 | [roller](about.html) | ||
| 2410 | [rollercoaster](call-me-aural-pleasure.html) | 2045 | [rollercoaster](call-me-aural-pleasure.html) |
| 2411 | [rolls](riptide_memory.html) | 2046 | [rolls](riptide_memory.html) |
| 2412 | [roof](riptide_memory.html) | 2047 | [roof](riptide_memory.html) |
| @@ -2418,10 +2053,10 @@ project: | |||
| 2418 | [rotting](options.html) | 2053 | [rotting](options.html) |
| 2419 | [rough](planks.html) | 2054 | [rough](planks.html) |
| 2420 | [row](i-wanted-to-tell-you-something.html) | 2055 | [row](i-wanted-to-tell-you-something.html) |
| 2421 | [rubbed](about.html) | 2056 | [rub](hard-game.html) |
| 2422 | [rugby](proverbs.html) | 2057 | [rugby](proverbs.html) |
| 2423 | [ruins](words-irritable-reaching.html) | ||
| 2424 | [rule](dollywood.html) | 2058 | [rule](dollywood.html) |
| 2059 | [rules](deathstrumpet.html) | ||
| 2425 | [rumor](big-dipper.html) | 2060 | [rumor](big-dipper.html) |
| 2426 | [runner](peaches.html) | 2061 | [runner](peaches.html) |
| 2427 | [rural](dollywood.html) | 2062 | [rural](dollywood.html) |
| @@ -2429,7 +2064,6 @@ project: | |||
| 2429 | [sail](shipwright.html) | 2064 | [sail](shipwright.html) |
| 2430 | [sailed](shipwright.html) | 2065 | [sailed](shipwright.html) |
| 2431 | [saints](theoceanoverflowswithcamels.html) | 2066 | [saints](theoceanoverflowswithcamels.html) |
| 2432 | [sale](on-genre-dimension.html) | ||
| 2433 | [salsa](peaches.html) | 2067 | [salsa](peaches.html) |
| 2434 | [saltwater](collage-instrument.html) | 2068 | [saltwater](collage-instrument.html) |
| 2435 | [samovar](writing.html) | 2069 | [samovar](writing.html) |
| @@ -2450,30 +2084,25 @@ project: | |||
| 2450 | [schedule](dollywood.html) | 2084 | [schedule](dollywood.html) |
| 2451 | [scheduled](dollywood.html) | 2085 | [scheduled](dollywood.html) |
| 2452 | [schools](plant.html) | 2086 | [schools](plant.html) |
| 2087 | [scientists](treatise.html) | ||
| 2453 | [scope](love-as-god.html) | 2088 | [scope](love-as-god.html) |
| 2454 | [scopes](about.html) | ||
| 2455 | [scouts](deadman.html) | 2089 | [scouts](deadman.html) |
| 2456 | [scowled](hymnal.html) | 2090 | [scowled](hymnal.html) |
| 2457 | [scrambled](about.html) | ||
| 2458 | [scraping](when-im-sorry-i.html) | 2091 | [scraping](when-im-sorry-i.html) |
| 2459 | [screwdriver](paul.html) | 2092 | [screwdriver](paul.html) |
| 2460 | [screwed](fire.html) | 2093 | [screwed](fire.html) |
| 2461 | [screws](what-we-are-made-of.html) | 2094 | [screws](what-we-are-made-of.html) |
| 2462 | [script](hymnal.html) | 2095 | [script](hymnal.html) |
| 2463 | [scripting](process.html) | ||
| 2464 | [sculpture](on-genre-dimension.html) | ||
| 2465 | [seagulls](collage-instrument.html) | 2096 | [seagulls](collage-instrument.html) |
| 2466 | [search](collage-instrument.html) | 2097 | [search](collage-instrument.html) |
| 2467 | [search-and-replace](collage-instrument.html) | 2098 | [search-and-replace](collage-instrument.html) |
| 2468 | [searched](sapling.html) | 2099 | [searched](sapling.html) |
| 2469 | [searches](about.html) | ||
| 2470 | [searching](big-dipper.html) | 2100 | [searching](big-dipper.html) |
| 2471 | [seasoning](january.html) | 2101 | [seasoning](january.html) |
| 2472 | [seasons](january.html) | 2102 | [seasons](january.html) |
| 2473 | [seat](stagnant.html) | 2103 | [seat](stagnant.html) |
| 2474 | [second-to-last](stayed-on-the-bus.html) | 2104 | [second-to-last](stayed-on-the-bus.html) |
| 2475 | [section](man.html) | 2105 | [section](man.html) |
| 2476 | [section-divs](about.html) | ||
| 2477 | [security](dollywood.html) | 2106 | [security](dollywood.html) |
| 2478 | [sed](collage-instrument.html) | 2107 | [sed](collage-instrument.html) |
| 2479 | [sed's](collage-instrument.html) | 2108 | [sed's](collage-instrument.html) |
| @@ -2484,43 +2113,40 @@ project: | |||
| 2484 | [seething](statements-frag.html) | 2113 | [seething](statements-frag.html) |
| 2485 | [select](leaf.html) | 2114 | [select](leaf.html) |
| 2486 | [selected](cereal.html) | 2115 | [selected](cereal.html) |
| 2487 | [self-confessed](words-irritable-reaching.html) | ||
| 2488 | [self-consciously](manifesto_poetics.html) | ||
| 2489 | [self-consciousness](on-genre-dimension.html) | ||
| 2490 | [self-deception](collage-instrument.html) | 2116 | [self-deception](collage-instrument.html) |
| 2491 | [self-extracting](arspoetica.html) | ||
| 2492 | [self-soothing](leaf.html) | 2117 | [self-soothing](leaf.html) |
| 2118 | [sell](shed.html) | ||
| 2493 | [semblance](dollywood.html) | 2119 | [semblance](dollywood.html) |
| 2494 | [send](telemarketer.html) | 2120 | [send](telemarketer.html) |
| 2495 | [sends](about.html) | ||
| 2496 | [senile](roughgloves.html) | 2121 | [senile](roughgloves.html) |
| 2497 | [senselessness](arspoetica.html) | ||
| 2498 | [sensibilities](notes.html) | 2122 | [sensibilities](notes.html) |
| 2499 | [sentence](on-genre-dimension.html) | ||
| 2500 | [separation](elegyforanalternateself.html) | 2123 | [separation](elegyforanalternateself.html) |
| 2501 | [serene](worse-looking-over.html) | 2124 | [serene](worse-looking-over.html) |
| 2502 | [sermon](boar.html) | 2125 | [sermon](boar.html) |
| 2503 | [served](dollywood.html) | 2126 | [served](dollywood.html) |
| 2127 | [serves](initial-conditions.html) | ||
| 2504 | [service](telemarketer.html) | 2128 | [service](telemarketer.html) |
| 2505 | [serviced](movingsideways.html) | 2129 | [serviced](movingsideways.html) |
| 2506 | [sessions](dollywood.html) | 2130 | [sessions](dollywood.html) |
| 2507 | [sestina's](exasperated.html) | 2131 | [sestina's](exasperated.html) |
| 2132 | [sestinas](exasperated.html) | ||
| 2133 | [sets](creation-myth.html) | ||
| 2508 | [setting](wallpaper.html) | 2134 | [setting](wallpaper.html) |
| 2135 | [seven](table_contents.html) | ||
| 2509 | [sexually](statements-frag.html) | 2136 | [sexually](statements-frag.html) |
| 2510 | [shades](on-genre-dimension.html) | ||
| 2511 | [shadow](window.html) | 2137 | [shadow](window.html) |
| 2512 | [shallow](problems.html) | 2138 | [shallow](problems.html) |
| 2513 | [shame](finding-the-lion.html) | 2139 | [shame](finding-the-lion.html) |
| 2514 | [shapes](snow.html) | 2140 | [shapes](snow.html) |
| 2515 | [share](weplayedthosegamestoo.html) | 2141 | [share](weplayedthosegamestoo.html) |
| 2142 | [shared](dollywood.html) | ||
| 2516 | [sharply](statements-frag.html) | 2143 | [sharply](statements-frag.html) |
| 2517 | [shatter](shipwright.html) | 2144 | [shatter](shipwright.html) |
| 2518 | [shaving](deathstrumpet.html) | 2145 | [shaving](deathstrumpet.html) |
| 2519 | [sheen](feedingtheraven.html) | 2146 | [sheen](feedingtheraven.html) |
| 2520 | [sheets](hardware.html) | 2147 | [sheets](hardware.html) |
| 2521 | [shift](howtoread.html) | 2148 | [shell](telemarketer.html) |
| 2522 | [ship's](shipwright.html) | 2149 | [ship's](shipwright.html) |
| 2523 | [shiploads](words-irritable-reaching.html) | ||
| 2524 | [ships](largest-asteroid.html) | 2150 | [ships](largest-asteroid.html) |
| 2525 | [shipwreck](riptide_memory.html) | 2151 | [shipwreck](riptide_memory.html) |
| 2526 | [shipwrecked](collage-instrument.html) | 2152 | [shipwrecked](collage-instrument.html) |
| @@ -2535,14 +2161,11 @@ project: | |||
| 2535 | [shoots](plant.html) | 2161 | [shoots](plant.html) |
| 2536 | [shop](telemarketer.html) | 2162 | [shop](telemarketer.html) |
| 2537 | [shoreline's](riptide_memory.html) | 2163 | [shoreline's](riptide_memory.html) |
| 2538 | [short-shorts](on-genre-dimension.html) | ||
| 2539 | [shorthand](on-genre-dimension.html) | ||
| 2540 | [shot](one-hundred-lines.html) | 2164 | [shot](one-hundred-lines.html) |
| 2541 | [shouldered](axe.html) | 2165 | [shouldered](axe.html) |
| 2542 | [shower](dollywood.html) | 2166 | [shower](dollywood.html) |
| 2543 | [shower's](initial-conditions.html) | 2167 | [shower's](initial-conditions.html) |
| 2544 | [showering](initial-conditions.html) | 2168 | [showering](initial-conditions.html) |
| 2545 | [shows](abstract.html) | ||
| 2546 | [shrink](ouroboros_memory.html) | 2169 | [shrink](ouroboros_memory.html) |
| 2547 | [shrugged](leaf.html) | 2170 | [shrugged](leaf.html) |
| 2548 | [shuffled](feedingtheraven.html) | 2171 | [shuffled](feedingtheraven.html) |
| @@ -2551,6 +2174,7 @@ project: | |||
| 2551 | [shuttle](dollywood.html) | 2174 | [shuttle](dollywood.html) |
| 2552 | [sick](exasperated.html) | 2175 | [sick](exasperated.html) |
| 2553 | [sickly](initial-conditions.html) | 2176 | [sickly](initial-conditions.html) |
| 2177 | [sides](toilet.html) | ||
| 2554 | [sideways](proverbs.html) | 2178 | [sideways](proverbs.html) |
| 2555 | [sigh](leaf.html) | 2179 | [sigh](leaf.html) |
| 2556 | [sighed](sapling.html) | 2180 | [sighed](sapling.html) |
| @@ -2569,6 +2193,7 @@ project: | |||
| 2569 | [sin](todaniel.html) | 2193 | [sin](todaniel.html) |
| 2570 | [singed](peaches.html) | 2194 | [singed](peaches.html) |
| 2571 | [singer](plant.html) | 2195 | [singer](plant.html) |
| 2196 | [single](howithappened.html) | ||
| 2572 | [singles](creation-myth.html) | 2197 | [singles](creation-myth.html) |
| 2573 | [sings](shipwright.html) | 2198 | [sings](shipwright.html) |
| 2574 | [sinister](peaches.html) | 2199 | [sinister](peaches.html) |
| @@ -2576,13 +2201,13 @@ project: | |||
| 2576 | [sipped](planks.html) | 2201 | [sipped](planks.html) |
| 2577 | [sipping](planks.html) | 2202 | [sipping](planks.html) |
| 2578 | [sir](telemarketer.html) | 2203 | [sir](telemarketer.html) |
| 2204 | [sister](peaches.html) | ||
| 2579 | [sistine](sixteenth-chapel.html) | 2205 | [sistine](sixteenth-chapel.html) |
| 2206 | [site](apollo11.html) | ||
| 2580 | [sites](initial-conditions.html) | 2207 | [sites](initial-conditions.html) |
| 2581 | [sits](joke.html) | 2208 | [sits](joke.html) |
| 2582 | [situation](lappel-du-vide.html) | 2209 | [situation](lappel-du-vide.html) |
| 2583 | [six-foot-long](howtoread.html) | ||
| 2584 | [sizzle's](hard-game.html) | 2210 | [sizzle's](hard-game.html) |
| 2585 | [skates](about.html) | ||
| 2586 | [skeletons](about-the-author.html) | 2211 | [skeletons](about-the-author.html) |
| 2587 | [skies](ex-machina.html) | 2212 | [skies](ex-machina.html) |
| 2588 | [skill](exasperated.html) | 2213 | [skill](exasperated.html) |
| @@ -2591,7 +2216,6 @@ project: | |||
| 2591 | [skinny](call-me-aural-pleasure.html) | 2216 | [skinny](call-me-aural-pleasure.html) |
| 2592 | [skins](dollywood.html) | 2217 | [skins](dollywood.html) |
| 2593 | [skip](problems.html) | 2218 | [skip](problems.html) |
| 2594 | [slabs](words-irritable-reaching.html) | ||
| 2595 | [slammed](theoceanoverflowswithcamels.html) | 2219 | [slammed](theoceanoverflowswithcamels.html) |
| 2596 | [slamming](stagnant.html) | 2220 | [slamming](stagnant.html) |
| 2597 | [slathering](collage-instrument.html) | 2221 | [slathering](collage-instrument.html) |
| @@ -2608,10 +2232,8 @@ project: | |||
| 2608 | [slogging](exasperated.html) | 2232 | [slogging](exasperated.html) |
| 2609 | [slough](ronaldmcdonald.html) | 2233 | [slough](ronaldmcdonald.html) |
| 2610 | [slow](squirrel.html) | 2234 | [slow](squirrel.html) |
| 2611 | [smallest](howtoread.html) | ||
| 2612 | [smallness](movingsideways.html) | 2235 | [smallness](movingsideways.html) |
| 2613 | [smallstone](plant.html) | 2236 | [smallstone](plant.html) |
| 2614 | [smart](about.html) | ||
| 2615 | [smell](riptide_memory.html) | 2237 | [smell](riptide_memory.html) |
| 2616 | [smiles](ronaldmcdonald.html) | 2238 | [smiles](ronaldmcdonald.html) |
| 2617 | [smoldering](plant.html) | 2239 | [smoldering](plant.html) |
| @@ -2621,9 +2243,9 @@ project: | |||
| 2621 | [snare](and.html) | 2243 | [snare](and.html) |
| 2622 | [sneaking](moongone.html) | 2244 | [sneaking](moongone.html) |
| 2623 | [sneering](what-we-are-made-of.html) | 2245 | [sneering](what-we-are-made-of.html) |
| 2246 | [sniff](movingsideways.html) | ||
| 2624 | [sniffing](problems.html) | 2247 | [sniffing](problems.html) |
| 2625 | [sniffling](feedingtheraven.html) | 2248 | [sniffling](feedingtheraven.html) |
| 2626 | [snowflakes](about.html) | ||
| 2627 | [snowquiet](plant.html) | 2249 | [snowquiet](plant.html) |
| 2628 | [soap](initial-conditions.html) | 2250 | [soap](initial-conditions.html) |
| 2629 | [soars](mountain.html) | 2251 | [soars](mountain.html) |
| @@ -2633,44 +2255,35 @@ project: | |||
| 2633 | [society's](collage-instrument.html) | 2255 | [society's](collage-instrument.html) |
| 2634 | [sock](onformalpoetry.html) | 2256 | [sock](onformalpoetry.html) |
| 2635 | [socks](amber-alert.html) | 2257 | [socks](amber-alert.html) |
| 2636 | [socrates](epigraph.html) | ||
| 2637 | [soggy](deathstrumpet.html) | 2258 | [soggy](deathstrumpet.html) |
| 2638 | [solar](i-want-to-say.html) | 2259 | [solar](i-want-to-say.html) |
| 2639 | [solipsist](table_contents.html) | 2260 | [solipsist](table_contents.html) |
| 2640 | [solomon](axe.html) | 2261 | [solomon](axe.html) |
| 2641 | [solomon's](about.html) | ||
| 2642 | [solution](about.html) | ||
| 2643 | [solve](ouroboros_memory.html) | 2262 | [solve](ouroboros_memory.html) |
| 2644 | [solves](about_author.html) | 2263 | [solves](about_author.html) |
| 2645 | [somebody](about.html) | ||
| 2646 | [someday](exasperated.html) | 2264 | [someday](exasperated.html) |
| 2647 | [somehow-deeper](what-we-are-made-of.html) | 2265 | [somehow-deeper](what-we-are-made-of.html) |
| 2648 | [someone's](i-want-to-say.html) | 2266 | [someone's](i-want-to-say.html) |
| 2649 | [something's](purpose-dogs.html) | 2267 | [something's](purpose-dogs.html) |
| 2650 | [somewhat](manifesto_poetics.html) | ||
| 2651 | [son](x-ray.html) | 2268 | [son](x-ray.html) |
| 2652 | [song's](sense-of-it.html) | 2269 | [song's](sense-of-it.html) |
| 2653 | [songfilled](plant.html) | 2270 | [songfilled](plant.html) |
| 2654 | [soooo](call-me-aural-pleasure.html) | 2271 | [soooo](call-me-aural-pleasure.html) |
| 2272 | [sort](leaf.html) | ||
| 2655 | [soul](poetry-time.html) | 2273 | [soul](poetry-time.html) |
| 2656 | [sounded](i-think-its-you.html) | 2274 | [sounded](i-think-its-you.html) |
| 2657 | [sounding](something-simple.html) | 2275 | [sounding](something-simple.html) |
| 2276 | [south](swansong.html) | ||
| 2658 | [southern](boy_bus.html) | 2277 | [southern](boy_bus.html) |
| 2659 | [spaghetti](peaches.html) | 2278 | [spaghetti](peaches.html) |
| 2660 | [spare](likingthings.html) | 2279 | [spare](likingthings.html) |
| 2661 | [sparkle](big-dipper.html) | 2280 | [sparkle](big-dipper.html) |
| 2662 | [speaker](howtoread.html) | ||
| 2663 | [speaker/writer/communicator](manifesto_poetics.html) | ||
| 2664 | [speaks](howtoread.html) | ||
| 2665 | [specific](howtoread.html) | ||
| 2666 | [specifically](poetry-time.html) | 2281 | [specifically](poetry-time.html) |
| 2667 | [specificity](words-irritable-reaching.html) | ||
| 2668 | [speculate](lappel-du-vide.html) | 2282 | [speculate](lappel-du-vide.html) |
| 2669 | [speculations](lappel-du-vide.html) | 2283 | [speculations](lappel-du-vide.html) |
| 2670 | [speeches](manifesto_poetics.html) | 2284 | [speech](statements-frag.html) |
| 2671 | [speed](words-meaning.html) | ||
| 2672 | [spend](initial-conditions.html) | 2285 | [spend](initial-conditions.html) |
| 2673 | [spends](howtoread.html) | 2286 | [spent](reports.html) |
| 2674 | [sperm](likingthings.html) | 2287 | [sperm](likingthings.html) |
| 2675 | [sphere](one-hundred-lines.html) | 2288 | [sphere](one-hundred-lines.html) |
| 2676 | [spider](poetry-time.html) | 2289 | [spider](poetry-time.html) |
| @@ -2680,6 +2293,7 @@ project: | |||
| 2680 | [spins](moongone.html) | 2293 | [spins](moongone.html) |
| 2681 | [spit-shined](deathstrumpet.html) | 2294 | [spit-shined](deathstrumpet.html) |
| 2682 | [split](initial-conditions.html) | 2295 | [split](initial-conditions.html) |
| 2296 | [spoken](worse-looking-over.html) | ||
| 2683 | [spooling](last-passenger.html) | 2297 | [spooling](last-passenger.html) |
| 2684 | [spoon](punch.html) | 2298 | [spoon](punch.html) |
| 2685 | [spots](deathstrumpet.html) | 2299 | [spots](deathstrumpet.html) |
| @@ -2687,37 +2301,31 @@ project: | |||
| 2687 | [spread](cereal.html) | 2301 | [spread](cereal.html) |
| 2688 | [springs](plant.html) | 2302 | [springs](plant.html) |
| 2689 | [sprouting](plant.html) | 2303 | [sprouting](plant.html) |
| 2690 | [square](howtoread.html) | ||
| 2691 | [square-jawed](spittle.html) | 2304 | [square-jawed](spittle.html) |
| 2692 | [squeal](boar.html) | 2305 | [squeal](boar.html) |
| 2693 | [squirrel](stump.html) | 2306 | [squirrel](stump.html) |
| 2694 | [stage](death-zone.html) | 2307 | [stage](death-zone.html) |
| 2695 | [staged](telemarketer.html) | 2308 | [staged](telemarketer.html) |
| 2696 | [stages](words-irritable-reaching.html) | ||
| 2697 | [staging](process.html) | ||
| 2698 | [staining](peaches.html) | 2309 | [staining](peaches.html) |
| 2699 | [stairs](cereal.html) | 2310 | [stairs](cereal.html) |
| 2700 | [stalk](plant.html) | 2311 | [stalk](plant.html) |
| 2701 | [stamp](howtoread.html) | ||
| 2702 | [standard](collage-instrument.html) | 2312 | [standard](collage-instrument.html) |
| 2703 | [standards](collage-instrument.html) | 2313 | [standards](collage-instrument.html) |
| 2314 | [stands](art.html) | ||
| 2704 | [star](big-dipper.html) | 2315 | [star](big-dipper.html) |
| 2705 | [starblind](plant.html) | 2316 | [starblind](plant.html) |
| 2706 | [stares](stagnant.html) | 2317 | [stares](stagnant.html) |
| 2707 | [stark](about.html) | ||
| 2708 | [starlight](one-hundred-lines.html) | 2318 | [starlight](one-hundred-lines.html) |
| 2709 | [starvation](last-bastion.html) | 2319 | [starvation](last-bastion.html) |
| 2710 | [starving](epigraph.html) | 2320 | [statements](statements-frag.html) |
| 2711 | [station](what-we-are-made-of.html) | 2321 | [station](what-we-are-made-of.html) |
| 2712 | [status](process.html) | ||
| 2713 | [statuses](call-me-aural-pleasure.html) | 2322 | [statuses](call-me-aural-pleasure.html) |
| 2323 | [stays](planks.html) | ||
| 2714 | [steak](hard-game.html) | 2324 | [steak](hard-game.html) |
| 2715 | [steals](about_author.html) | 2325 | [steals](about_author.html) |
| 2716 | [steam](initial-conditions.html) | 2326 | [steam](initial-conditions.html) |
| 2717 | [steel](roughgloves.html) | 2327 | [steel](roughgloves.html) |
| 2718 | [steeped](on-genre-dimension.html) | ||
| 2719 | [stem](plant.html) | 2328 | [stem](plant.html) |
| 2720 | [stemmed](howtoread.html) | ||
| 2721 | [stepped](no-nothing.html) | 2329 | [stepped](no-nothing.html) |
| 2722 | [stepping](apollo11.html) | 2330 | [stepping](apollo11.html) |
| 2723 | [steven](collage-instrument.html) | 2331 | [steven](collage-instrument.html) |
| @@ -2725,20 +2333,19 @@ project: | |||
| 2725 | [sticks](yellow.html) | 2333 | [sticks](yellow.html) |
| 2726 | [sticky-sweet](mountain.html) | 2334 | [sticky-sweet](mountain.html) |
| 2727 | [stiff](problems.html) | 2335 | [stiff](problems.html) |
| 2728 | [stimuli](howtoread.html) | ||
| 2729 | [stitches](onformalpoetry.html) | 2336 | [stitches](onformalpoetry.html) |
| 2730 | [stocked](yellow.html) | 2337 | [stocked](yellow.html) |
| 2731 | [stockingsit](problems.html) | 2338 | [stockingsit](problems.html) |
| 2732 | [stocks](about.html) | 2339 | [stolen](yellow.html) |
| 2733 | [stones](serengeti.html) | 2340 | [stones](serengeti.html) |
| 2734 | [stool](hardware.html) | 2341 | [stool](hardware.html) |
| 2735 | [stoppard](proverbs.html) | 2342 | [stoppard](proverbs.html) |
| 2736 | [stores](peaches.html) | 2343 | [stores](peaches.html) |
| 2737 | [stories](collage-instrument.html) | 2344 | [stories](collage-instrument.html) |
| 2738 | [storm](serengeti.html) | 2345 | [storm](serengeti.html) |
| 2346 | [stranded](real-writer.html) | ||
| 2739 | [strangely](last-passenger.html) | 2347 | [strangely](last-passenger.html) |
| 2740 | [stranger](deathstrumpet.html) | 2348 | [stranger](deathstrumpet.html) |
| 2741 | [strapped](howtoread.html) | ||
| 2742 | [strawberries](death-zone.html) | 2349 | [strawberries](death-zone.html) |
| 2743 | [strawberry](death-zone.html) | 2350 | [strawberry](death-zone.html) |
| 2744 | [stray](dollywood.html) | 2351 | [stray](dollywood.html) |
| @@ -2755,7 +2362,6 @@ project: | |||
| 2755 | [strings](collage-instrument.html) | 2362 | [strings](collage-instrument.html) |
| 2756 | [striped](ronaldmcdonald.html) | 2363 | [striped](ronaldmcdonald.html) |
| 2757 | [stripped](dollywood.html) | 2364 | [stripped](dollywood.html) |
| 2758 | [strive](manifesto_poetics.html) | ||
| 2759 | [strokes](dollywood.html) | 2365 | [strokes](dollywood.html) |
| 2760 | [strolled](hardware.html) | 2366 | [strolled](hardware.html) |
| 2761 | [strolls](time-looks-up-to-the-sky.html) | 2367 | [strolls](time-looks-up-to-the-sky.html) |
| @@ -2764,39 +2370,31 @@ project: | |||
| 2764 | [stubbed](dollywood.html) | 2370 | [stubbed](dollywood.html) |
| 2765 | [students](collage-instrument.html) | 2371 | [students](collage-instrument.html) |
| 2766 | [studies](collage-instrument.html) | 2372 | [studies](collage-instrument.html) |
| 2767 | [style](manifesto_poetics.html) | 2373 | [stupid](purpose-dogs.html) |
| 2768 | [stylesheet](process.html) | ||
| 2769 | [subconscious](collage-instrument.html) | 2374 | [subconscious](collage-instrument.html) |
| 2770 | [subject's](howtoread.html) | 2375 | [subject](toilet.html) |
| 2771 | [subliminal](on-genre-dimension.html) | ||
| 2772 | [subsequent](howtoread.html) | ||
| 2773 | [subsist](howtoread.html) | ||
| 2774 | [substantial](howtoread.html) | ||
| 2775 | [substrate](building.html) | 2376 | [substrate](building.html) |
| 2776 | [subtract](i-want-to-say.html) | 2377 | [subtract](i-want-to-say.html) |
| 2777 | [subtraction](swansong-alt.html) | 2378 | [subtraction](swansong-alt.html) |
| 2778 | [subtypes](ouroboros_memory.html) | 2379 | [subtypes](ouroboros_memory.html) |
| 2779 | [suburb](proverbs.html) | 2380 | [suburb](proverbs.html) |
| 2780 | [successful](howtoread.html) | ||
| 2781 | [sucking](plant.html) | 2381 | [sucking](plant.html) |
| 2782 | [sue](ex-machina.html) | 2382 | [sue](ex-machina.html) |
| 2783 | [suffering](worse-looking-over.html) | 2383 | [suffering](worse-looking-over.html) |
| 2784 | [sufficient](collage-instrument.html) | 2384 | [sufficient](collage-instrument.html) |
| 2785 | [suggested](about.html) | ||
| 2786 | [suits](dollywood.html) | 2385 | [suits](dollywood.html) |
| 2787 | [sumerian](words-irritable-reaching.html) | 2386 | [summed](plant.html) |
| 2788 | [sun's](initial-conditions.html) | 2387 | [sun's](initial-conditions.html) |
| 2789 | [sunlit](plant.html) | 2388 | [sunlit](plant.html) |
| 2790 | [sunning](real-writer.html) | 2389 | [sunning](real-writer.html) |
| 2791 | [sunshine](walking-in-the-rain.html) | 2390 | [sunshine](walking-in-the-rain.html) |
| 2792 | [suntan](collage-instrument.html) | 2391 | [suntan](collage-instrument.html) |
| 2793 | [sup](about.html) | ||
| 2794 | [supervisor](telemarketer.html) | 2392 | [supervisor](telemarketer.html) |
| 2795 | [supported](love-as-god.html) | 2393 | [supported](love-as-god.html) |
| 2796 | [supports](process.html) | ||
| 2797 | [supposed](likingthings.html) | 2394 | [supposed](likingthings.html) |
| 2798 | [supposing](love-as-god.html) | 2395 | [supposing](love-as-god.html) |
| 2799 | [surf](howithappened.html) | 2396 | [surf](howithappened.html) |
| 2397 | [surface](in-bed.html) | ||
| 2800 | [surprises](lappel-du-vide.html) | 2398 | [surprises](lappel-du-vide.html) |
| 2801 | [surrounding](art.html) | 2399 | [surrounding](art.html) |
| 2802 | [surroundings](movingsideways.html) | 2400 | [surroundings](movingsideways.html) |
| @@ -2820,9 +2418,9 @@ project: | |||
| 2820 | [sydney](man.html) | 2418 | [sydney](man.html) |
| 2821 | [syl](onformalpoetry.html) | 2419 | [syl](onformalpoetry.html) |
| 2822 | [syllables](table_contents.html) | 2420 | [syllables](table_contents.html) |
| 2823 | [sylvia](epigraph.html) | 2421 | [syntax](collage-instrument.html) |
| 2824 | [syntactic](manifesto_poetics.html) | ||
| 2825 | [system](i-wanted-to-tell-you-something.html) | 2422 | [system](i-wanted-to-tell-you-something.html) |
| 2423 | [systems](collage-instrument.html) | ||
| 2826 | [t-shirt](dollywood.html) | 2424 | [t-shirt](dollywood.html) |
| 2827 | [tablespoons](question.html) | 2425 | [tablespoons](question.html) |
| 2828 | [tablet](collage-instrument.html) | 2426 | [tablet](collage-instrument.html) |
| @@ -2839,40 +2437,34 @@ project: | |||
| 2839 | [tapping](swansong-alt.html) | 2437 | [tapping](swansong-alt.html) |
| 2840 | [taqueria](peaches.html) | 2438 | [taqueria](peaches.html) |
| 2841 | [tar](ronaldmcdonald.html) | 2439 | [tar](ronaldmcdonald.html) |
| 2440 | [task](ouroboros_memory.html) | ||
| 2842 | [tasked](exasperated.html) | 2441 | [tasked](exasperated.html) |
| 2843 | [tasks](exasperated.html) | 2442 | [tasks](exasperated.html) |
| 2844 | [taste](weplayedthosegamestoo.html) | 2443 | [taste](weplayedthosegamestoo.html) |
| 2845 | [taunts](shipwright.html) | 2444 | [taunts](shipwright.html) |
| 2846 | [tautological](proverbs.html) | 2445 | [tautological](proverbs.html) |
| 2847 | [tautology](words-meaning.html) | ||
| 2848 | [tax](january.html) | 2446 | [tax](january.html) |
| 2849 | [technical](abstract.html) | ||
| 2850 | [technology](collage-instrument.html) | 2447 | [technology](collage-instrument.html) |
| 2851 | [teenager](hands.html) | 2448 | [teenager](hands.html) |
| 2852 | [teenagers](movingsideways.html) | 2449 | [teenagers](movingsideways.html) |
| 2853 | [telemarketer](telemarketer.html) | 2450 | [telemarketer](telemarketer.html) |
| 2854 | [telemarketing](telemarketer.html) | 2451 | [telemarketing](telemarketer.html) |
| 2855 | [television](real-writer.html) | 2452 | [television](real-writer.html) |
| 2453 | [telling](i-wanted-to-tell-you-something.html) | ||
| 2454 | [temple](swansong-alt.html) | ||
| 2856 | [tender](creation-myth.html) | 2455 | [tender](creation-myth.html) |
| 2857 | [tends](on-genre-dimension.html) | ||
| 2858 | [tentative](planks.html) | 2456 | [tentative](planks.html) |
| 2859 | [tenth](about.html) | ||
| 2860 | [tenuous](poetry-time.html) | 2457 | [tenuous](poetry-time.html) |
| 2861 | [tenure](dollywood.html) | 2458 | [tenure](dollywood.html) |
| 2862 | [term](likingthings.html) | 2459 | [term](likingthings.html) |
| 2863 | [terminates](telemarketer.html) | 2460 | [terminates](telemarketer.html) |
| 2864 | [termination](ex-machina.html) | 2461 | [termination](ex-machina.html) |
| 2865 | [terminology](about.html) | ||
| 2866 | [test](angeltoabraham.html) | 2462 | [test](angeltoabraham.html) |
| 2867 | [tether](collage-instrument.html) | 2463 | [tether](collage-instrument.html) |
| 2868 | [tethered](words-meaning.html) | ||
| 2869 | [tex](last-bastion.html) | 2464 | [tex](last-bastion.html) |
| 2870 | [texts](about.html) | 2465 | [text](howithappened.html) |
| 2871 | [thanks](reports.html) | 2466 | [thanks](reports.html) |
| 2872 | [thaw](last-passenger.html) | 2467 | [thaw](last-passenger.html) |
| 2873 | [thematic](manifesto_poetics.html) | ||
| 2874 | [thematic/emotional/personal](manifesto_poetics.html) | ||
| 2875 | [themes](abstract.html) | ||
| 2876 | [theories](collage-instrument.html) | 2468 | [theories](collage-instrument.html) |
| 2877 | [therapy](x-ray.html) | 2469 | [therapy](x-ray.html) |
| 2878 | [therefore](love-as-god.html) | 2470 | [therefore](love-as-god.html) |
| @@ -2881,16 +2473,14 @@ project: | |||
| 2881 | [thickens](in-bed.html) | 2473 | [thickens](in-bed.html) |
| 2882 | [thigh](roughgloves.html) | 2474 | [thigh](roughgloves.html) |
| 2883 | [thirst](riptide_memory.html) | 2475 | [thirst](riptide_memory.html) |
| 2884 | [thoroughly](arspoetica.html) | ||
| 2885 | [thou](words-irritable-reaching.html) | ||
| 2886 | [thousands](plant.html) | 2476 | [thousands](plant.html) |
| 2477 | [threads](roughgloves.html) | ||
| 2887 | [threat](about_author.html) | 2478 | [threat](about_author.html) |
| 2888 | [three-dimensional](toilet.html) | 2479 | [three-dimensional](toilet.html) |
| 2889 | [three-fingered](dollywood.html) | 2480 | [three-fingered](dollywood.html) |
| 2890 | [three-message](statements-frag.html) | 2481 | [three-message](statements-frag.html) |
| 2891 | [throats](last-passenger.html) | 2482 | [throats](last-passenger.html) |
| 2892 | [throng](and.html) | 2483 | [throng](and.html) |
| 2893 | [throwing](about.html) | ||
| 2894 | [thud](x-ray.html) | 2484 | [thud](x-ray.html) |
| 2895 | [thumb](writing.html) | 2485 | [thumb](writing.html) |
| 2896 | [thumbed](purpose-dogs.html) | 2486 | [thumbed](purpose-dogs.html) |
| @@ -2898,26 +2488,21 @@ project: | |||
| 2898 | [thumping](one-hundred-lines.html) | 2488 | [thumping](one-hundred-lines.html) |
| 2899 | [thundercloud](snow.html) | 2489 | [thundercloud](snow.html) |
| 2900 | [thursday](feedingtheraven.html) | 2490 | [thursday](feedingtheraven.html) |
| 2901 | [thuya](words-irritable-reaching.html) | ||
| 2902 | [tidal](spittle.html) | 2491 | [tidal](spittle.html) |
| 2903 | [ties](manifesto_poetics.html) | ||
| 2904 | [tiger](what-we-are-made-of.html) | 2492 | [tiger](what-we-are-made-of.html) |
| 2905 | [tighten](manifesto_poetics.html) | ||
| 2906 | [tightens](time-looks-up-to-the-sky.html) | 2493 | [tightens](time-looks-up-to-the-sky.html) |
| 2494 | [tightly](telemarketer.html) | ||
| 2907 | [til](i-wanted-to-tell-you-something.html) | 2495 | [til](i-wanted-to-tell-you-something.html) |
| 2908 | [tiller](paul.html) | 2496 | [tiller](paul.html) |
| 2909 | [tilted](man.html) | 2497 | [tilted](man.html) |
| 2910 | [tim](dollywood.html) | 2498 | [tim](dollywood.html) |
| 2911 | [timber](dollywood.html) | 2499 | [timber](dollywood.html) |
| 2912 | [timbers](shipwright.html) | 2500 | [timbers](shipwright.html) |
| 2913 | [timeline](about.html) | ||
| 2914 | [tin](phone.html) | 2501 | [tin](phone.html) |
| 2915 | [tinker](howtoread.html) | ||
| 2916 | [tinny](phone.html) | 2502 | [tinny](phone.html) |
| 2917 | [tip](epigraph.html) | ||
| 2918 | [tips](about.html) | ||
| 2919 | [tissue](deadman.html) | 2503 | [tissue](deadman.html) |
| 2920 | [titled](man.html) | 2504 | [titled](man.html) |
| 2505 | [titles](todaniel.html) | ||
| 2921 | [toes](last-passenger.html) | 2506 | [toes](last-passenger.html) |
| 2922 | [toil](sixteenth-chapel.html) | 2507 | [toil](sixteenth-chapel.html) |
| 2923 | [toilet-water](what-we-are-made-of.html) | 2508 | [toilet-water](what-we-are-made-of.html) |
| @@ -2927,59 +2512,45 @@ project: | |||
| 2927 | [tongues](plant.html) | 2512 | [tongues](plant.html) |
| 2928 | [too-hot](planks.html) | 2513 | [too-hot](planks.html) |
| 2929 | [too-small](ouroboros_memory.html) | 2514 | [too-small](ouroboros_memory.html) |
| 2930 | [tool](about.html) | ||
| 2931 | [toolset](collage-instrument.html) | 2515 | [toolset](collage-instrument.html) |
| 2932 | [tooth](peaches.html) | 2516 | [tooth](peaches.html) |
| 2933 | [topic](art.html) | 2517 | [topic](art.html) |
| 2934 | [torn](stump.html) | 2518 | [torn](stump.html) |
| 2935 | [torturous](nothing-is-ever-over.html) | 2519 | [torturous](nothing-is-ever-over.html) |
| 2936 | [torvalds](about.html) | ||
| 2937 | [totals](manifesto_poetics.html) | ||
| 2938 | [tourist](dollywood.html) | 2520 | [tourist](dollywood.html) |
| 2939 | [tourists](telemarketer.html) | 2521 | [tourists](telemarketer.html) |
| 2940 | [towels](writing.html) | 2522 | [towels](writing.html) |
| 2941 | [towering](hardware.html) | 2523 | [towering](hardware.html) |
| 2942 | [towers](boar.html) | 2524 | [towers](boar.html) |
| 2943 | [town](man.html) | 2525 | [town](man.html) |
| 2944 | [track](process.html) | ||
| 2945 | [tracked](proverbs.html) | 2526 | [tracked](proverbs.html) |
| 2946 | [traditional](on-genre-dimension.html) | ||
| 2947 | [tragic](collage-instrument.html) | 2527 | [tragic](collage-instrument.html) |
| 2948 | [train](call-me-aural-pleasure.html) | 2528 | [train](call-me-aural-pleasure.html) |
| 2949 | [trains](ex-machina.html) | 2529 | [trains](ex-machina.html) |
| 2950 | [trait](hymnal.html) | 2530 | [trait](hymnal.html) |
| 2951 | [transacted](manifesto_poetics.html) | ||
| 2952 | [transaction](manifesto_poetics.html) | ||
| 2953 | [transferring](what-we-are-made-of.html) | 2531 | [transferring](what-we-are-made-of.html) |
| 2954 | [translate](collage-instrument.html) | 2532 | [translate](collage-instrument.html) |
| 2955 | [translated](about.html) | ||
| 2956 | [transliterate](collage-instrument.html) | 2533 | [transliterate](collage-instrument.html) |
| 2957 | [transmit](manifesto_poetics.html) | ||
| 2958 | [trap](moon-drowning.html) | 2534 | [trap](moon-drowning.html) |
| 2959 | [trash](ex-machina.html) | 2535 | [trash](ex-machina.html) |
| 2960 | [trashcan](reports.html) | 2536 | [trashcan](reports.html) |
| 2961 | [trauma](words-meaning.html) | ||
| 2962 | [travel](largest-asteroid.html) | 2537 | [travel](largest-asteroid.html) |
| 2963 | [traveler](table_contents.html) | 2538 | [traveler](table_contents.html) |
| 2964 | [treading](about.html) | ||
| 2965 | [treat](likingthings.html) | 2539 | [treat](likingthings.html) |
| 2966 | [treatise](toilet.html) | 2540 | [treatise](toilet.html) |
| 2967 | [trees'](cold-wind.html) | 2541 | [trees'](cold-wind.html) |
| 2968 | [trellis](death-zone.html) | 2542 | [trellis](death-zone.html) |
| 2969 | [trench](lappel-du-vide.html) | 2543 | [trench](lappel-du-vide.html) |
| 2970 | [trends](about.html) | ||
| 2971 | [triangle](what-we-are-made-of.html) | 2544 | [triangle](what-we-are-made-of.html) |
| 2972 | [trichinosis](about_author.html) | 2545 | [trichinosis](about_author.html) |
| 2546 | [tries](shipwright.html) | ||
| 2973 | [trigger](peaches.html) | 2547 | [trigger](peaches.html) |
| 2974 | [triggering](words-irritable-reaching.html) | ||
| 2975 | [trigrams](about.html) | ||
| 2976 | [trip](i-want-to-say.html) | 2548 | [trip](i-want-to-say.html) |
| 2977 | [trips](i-want-to-say.html) | 2549 | [trips](i-want-to-say.html) |
| 2978 | [tropical](arspoetica.html) | ||
| 2979 | [trotted](dollywood.html) | 2550 | [trotted](dollywood.html) |
| 2980 | [troubles](the-sea_the-beach.html) | 2551 | [troubles](the-sea_the-beach.html) |
| 2981 | [trousers](peaches.html) | 2552 | [trousers](peaches.html) |
| 2982 | [trunk/versify](about.html) | 2553 | [tube](collage-instrument.html) |
| 2983 | [tuesday](hardware.html) | 2554 | [tuesday](hardware.html) |
| 2984 | [tundra](weplayedthosegamestoo.html) | 2555 | [tundra](weplayedthosegamestoo.html) |
| 2985 | [tune-up](movingsideways.html) | 2556 | [tune-up](movingsideways.html) |
| @@ -2989,17 +2560,15 @@ project: | |||
| 2989 | [twins](weplayedthosegamestoo.html) | 2560 | [twins](weplayedthosegamestoo.html) |
| 2990 | [twirling](telemarketer.html) | 2561 | [twirling](telemarketer.html) |
| 2991 | [two-dimensional](toilet.html) | 2562 | [two-dimensional](toilet.html) |
| 2992 | [txt](about.html) | ||
| 2993 | [typeset](about.html) | ||
| 2994 | [uh](telemarketer.html) | 2563 | [uh](telemarketer.html) |
| 2995 | [ultimate](words-meaning.html) | ||
| 2996 | [um](telemarketer.html) | 2564 | [um](telemarketer.html) |
| 2565 | [unable](ronaldmcdonald.html) | ||
| 2997 | [unaccustomed](telemarketer.html) | 2566 | [unaccustomed](telemarketer.html) |
| 2998 | [unacknowledged](what-we-are-made-of.html) | 2567 | [unacknowledged](what-we-are-made-of.html) |
| 2999 | [unadorned](telemarketer.html) | 2568 | [unadorned](telemarketer.html) |
| 3000 | [unanswerable](love-as-god.html) | 2569 | [unanswerable](love-as-god.html) |
| 3001 | [unassuming](about.html) | ||
| 3002 | [uncareful](cold-wind.html) | 2570 | [uncareful](cold-wind.html) |
| 2571 | [uncomfortable](deadman.html) | ||
| 3003 | [uncomortably](phone.html) | 2572 | [uncomortably](phone.html) |
| 3004 | [uncovering](serengeti.html) | 2573 | [uncovering](serengeti.html) |
| 3005 | [under-the-skin](the-sea_the-beach.html) | 2574 | [under-the-skin](the-sea_the-beach.html) |
| @@ -3015,23 +2584,13 @@ project: | |||
| 3015 | [unharmed](peaches.html) | 2584 | [unharmed](peaches.html) |
| 3016 | [unidentifiable](toothpaste.html) | 2585 | [unidentifiable](toothpaste.html) |
| 3017 | [uniform](fire.html) | 2586 | [uniform](fire.html) |
| 3018 | [unigrams](about.html) | 2587 | [universe](toilet.html) |
| 3019 | [unique](about.html) | ||
| 3020 | [uniqueness](about.html) | ||
| 3021 | [universal](manifesto_poetics.html) | ||
| 3022 | [universality](howtoread.html) | ||
| 3023 | [university](about.html) | ||
| 3024 | [unix](collage-instrument.html) | 2588 | [unix](collage-instrument.html) |
| 3025 | [unix-based](collage-instrument.html) | 2589 | [unix-based](collage-instrument.html) |
| 3026 | [unmade](nothing-is-ever-over.html) | 2590 | [unmade](nothing-is-ever-over.html) |
| 3027 | [unpack](howtoread.html) | ||
| 3028 | [unreliable](collage-instrument.html) | 2591 | [unreliable](collage-instrument.html) |
| 3029 | [unsatisfying](howtoread.html) | ||
| 3030 | [unsayable](howtoread.html) | ||
| 3031 | [unsolvable](ouroboros_memory.html) | 2592 | [unsolvable](ouroboros_memory.html) |
| 3032 | [untranslated](about.html) | ||
| 3033 | [unzipped](dollywood.html) | 2593 | [unzipped](dollywood.html) |
| 3034 | [updater](process.html) | ||
| 3035 | [upholstery](sapling.html) | 2594 | [upholstery](sapling.html) |
| 3036 | [ups](about-the-author.html) | 2595 | [ups](about-the-author.html) |
| 3037 | [upstate](i-want-to-say.html) | 2596 | [upstate](i-want-to-say.html) |
| @@ -3039,9 +2598,7 @@ project: | |||
| 3039 | [urethra](something-simple.html) | 2598 | [urethra](something-simple.html) |
| 3040 | [urge](telemarketer.html) | 2599 | [urge](telemarketer.html) |
| 3041 | [urn](time-looks-up-to-the-sky.html) | 2600 | [urn](time-looks-up-to-the-sky.html) |
| 3042 | [utterance](words-irritable-reaching.html) | 2601 | [utter](initial-conditions.html) |
| 3043 | [utterances](about.html) | ||
| 3044 | [uttered](about.html) | ||
| 3045 | [utterly](collage-instrument.html) | 2602 | [utterly](collage-instrument.html) |
| 3046 | [v](in-bed.html) | 2603 | [v](in-bed.html) |
| 3047 | [vacation](howithappened.html) | 2604 | [vacation](howithappened.html) |
| @@ -3049,17 +2606,14 @@ project: | |||
| 3049 | [valhalla](call-me-aural-pleasure.html) | 2606 | [valhalla](call-me-aural-pleasure.html) |
| 3050 | [valley](mountain.html) | 2607 | [valley](mountain.html) |
| 3051 | [valleys](plant.html) | 2608 | [valleys](plant.html) |
| 3052 | [value](on-genre-dimension.html) | ||
| 3053 | [valve](words-irritable-reaching.html) | ||
| 3054 | [vampire](deathstrumpet.html) | 2609 | [vampire](deathstrumpet.html) |
| 3055 | [vanishes](window.html) | 2610 | [vanishes](window.html) |
| 3056 | [variables](collage-instrument.html) | 2611 | [variables](collage-instrument.html) |
| 3057 | [variety](about.html) | 2612 | [vein](plant.html) |
| 3058 | [vcs](about.html) | ||
| 3059 | [venom](plant.html) | 2613 | [venom](plant.html) |
| 3060 | [veranda](largest-asteroid.html) | 2614 | [veranda](largest-asteroid.html) |
| 2615 | [verse](onformalpoetry.html) | ||
| 3061 | [verses](proverbs.html) | 2616 | [verses](proverbs.html) |
| 3062 | [version-control](about.html) | ||
| 3063 | [versions](punch.html) | 2617 | [versions](punch.html) |
| 3064 | [vertical](telemarketer.html) | 2618 | [vertical](telemarketer.html) |
| 3065 | [verulam](call-me-aural-pleasure.html) | 2619 | [verulam](call-me-aural-pleasure.html) |
| @@ -3076,21 +2630,15 @@ project: | |||
| 3076 | [vinegar](toothpaste.html) | 2630 | [vinegar](toothpaste.html) |
| 3077 | [violent](deathstrumpet.html) | 2631 | [violent](deathstrumpet.html) |
| 3078 | [visible](toothpaste.html) | 2632 | [visible](toothpaste.html) |
| 3079 | [visual](on-genre-dimension.html) | ||
| 3080 | [vitro](words-meaning.html) | ||
| 3081 | [vocal](weplayedthosegamestoo.html) | 2633 | [vocal](weplayedthosegamestoo.html) |
| 3082 | [vocation](sapling.html) | 2634 | [vocation](sapling.html) |
| 3083 | [vogue](movingsideways.html) | 2635 | [vogue](movingsideways.html) |
| 3084 | [voicebox](weplayedthosegamestoo.html) | 2636 | [voicebox](weplayedthosegamestoo.html) |
| 3085 | [voiced](about_author.html) | 2637 | [voiced](about_author.html) |
| 3086 | [volume](on-genre-dimension.html) | ||
| 3087 | [voluminous](howtoread.html) | ||
| 3088 | [vonnegut](howtoread.html) | ||
| 3089 | [vote](call-me-aural-pleasure.html) | 2638 | [vote](call-me-aural-pleasure.html) |
| 3090 | [wagging](proverbs.html) | 2639 | [wagging](proverbs.html) |
| 3091 | [wailful](no-nothing.html) | 2640 | [wailful](no-nothing.html) |
| 3092 | [waists](dollywood.html) | 2641 | [waists](dollywood.html) |
| 3093 | [waiter](howtoread.html) | ||
| 3094 | [waits](window.html) | 2642 | [waits](window.html) |
| 3095 | [wakes](nothing-is-ever-over.html) | 2643 | [wakes](nothing-is-ever-over.html) |
| 3096 | [walgreen's](about-the-author.html) | 2644 | [walgreen's](about-the-author.html) |
| @@ -3120,14 +2668,13 @@ project: | |||
| 3120 | [waving](lappel-du-vide.html) | 2668 | [waving](lappel-du-vide.html) |
| 3121 | [weak](initial-conditions.html) | 2669 | [weak](initial-conditions.html) |
| 3122 | [weary](plant.html) | 2670 | [weary](plant.html) |
| 2671 | [weather](walking-in-the-rain.html) | ||
| 3123 | [weave](likingthings.html) | 2672 | [weave](likingthings.html) |
| 3124 | [weaving](exasperated.html) | 2673 | [weaving](exasperated.html) |
| 3125 | [website](about.html) | ||
| 3126 | [wednesday](lappel-du-vide.html) | 2674 | [wednesday](lappel-du-vide.html) |
| 3127 | [weed](peaches.html) | 2675 | [weed](peaches.html) |
| 3128 | [weekend](reports.html) | 2676 | [weekend](reports.html) |
| 3129 | [weekends](ronaldmcdonald.html) | 2677 | [weekends](ronaldmcdonald.html) |
| 3130 | [welcome](about.html) | ||
| 3131 | [welker](about_author.html) | 2678 | [welker](about_author.html) |
| 3132 | [welling](feedingtheraven.html) | 2679 | [welling](feedingtheraven.html) |
| 3133 | [wetly](plant.html) | 2680 | [wetly](plant.html) |
| @@ -3144,47 +2691,39 @@ project: | |||
| 3144 | [whistfully](largest-asteroid.html) | 2691 | [whistfully](largest-asteroid.html) |
| 3145 | [whistle](stagnant.html) | 2692 | [whistle](stagnant.html) |
| 3146 | [whiteness](what-we-are-made-of.html) | 2693 | [whiteness](what-we-are-made-of.html) |
| 3147 | [whitman](howtoread.html) | ||
| 3148 | [whitman-esque](howtoread.html) | ||
| 3149 | [whittle](leg.html) | 2694 | [whittle](leg.html) |
| 3150 | [whittled](leg.html) | 2695 | [whittled](leg.html) |
| 3151 | [wicker](what-we-are-made-of.html) | 2696 | [wicker](what-we-are-made-of.html) |
| 3152 | [widening](plant.html) | 2697 | [widening](plant.html) |
| 3153 | [wider](abstract.html) | ||
| 3154 | [widgets](dollywood.html) | 2698 | [widgets](dollywood.html) |
| 3155 | [wild](one-hundred-lines.html) | 2699 | [wild](one-hundred-lines.html) |
| 3156 | [willed](sense-of-it.html) | 2700 | [willed](sense-of-it.html) |
| 3157 | [william](hardware.html) | 2701 | [william](hardware.html) |
| 3158 | [willows](words-irritable-reaching.html) | 2702 | [win](likingthings.html) |
| 3159 | [wind's](words-irritable-reaching.html) | ||
| 3160 | [windblown](plant.html) | 2703 | [windblown](plant.html) |
| 3161 | [windows](last-bastion.html) | 2704 | [windows](last-bastion.html) |
| 3162 | [wine](call-me-aural-pleasure.html) | 2705 | [wine](call-me-aural-pleasure.html) |
| 2706 | [winked](what-we-are-made-of.html) | ||
| 3163 | [winter-returned](seasonal-affective-disorder.html) | 2707 | [winter-returned](seasonal-affective-disorder.html) |
| 3164 | [winters](roughgloves.html) | 2708 | [winters](roughgloves.html) |
| 3165 | [wintery](about-the-author.html) | 2709 | [wintery](about-the-author.html) |
| 3166 | [wire](words-irritable-reaching.html) | ||
| 3167 | [wireframe](manifesto_poetics.html) | ||
| 3168 | [wishful](exasperated.html) | 2710 | [wishful](exasperated.html) |
| 3169 | [wisps](dollywood.html) | 2711 | [wisps](dollywood.html) |
| 3170 | [withdrew](statements-frag.html) | 2712 | [withdrew](statements-frag.html) |
| 3171 | [wobbly](leg.html) | 2713 | [wobbly](leg.html) |
| 3172 | [women's](problems.html) | 2714 | [women's](problems.html) |
| 3173 | [wonderful](epigraph.html) | ||
| 3174 | [wooden](paul.html) | 2715 | [wooden](paul.html) |
| 3175 | [woodgrain](wallpaper.html) | 2716 | [woodgrain](wallpaper.html) |
| 3176 | [wool](roughgloves.html) | 2717 | [wool](roughgloves.html) |
| 3177 | [word-picture](on-genre-dimension.html) | ||
| 3178 | [worked](peaches.html) | 2718 | [worked](peaches.html) |
| 3179 | [workers](telemarketer.html) | 2719 | [workers](telemarketer.html) |
| 3180 | [workflow](process.html) | 2720 | [working](plant.html) |
| 2721 | [works](last-passenger.html) | ||
| 3181 | [worldmaking](plant.html) | 2722 | [worldmaking](plant.html) |
| 3182 | [worlds](howtoread.html) | ||
| 3183 | [wormilled](plant.html) | 2723 | [wormilled](plant.html) |
| 3184 | [worms](plant.html) | 2724 | [worms](plant.html) |
| 3185 | [worry](movingsideways.html) | 2725 | [worry](movingsideways.html) |
| 3186 | [worship](i-am.html) | 2726 | [worship](i-am.html) |
| 3187 | [worth](on-genre-dimension.html) | ||
| 3188 | [wound](i-am.html) | 2727 | [wound](i-am.html) |
| 3189 | [wounds](plant.html) | 2728 | [wounds](plant.html) |
| 3190 | [woven](riptide_memory.html) | 2729 | [woven](riptide_memory.html) |
| @@ -3192,10 +2731,9 @@ project: | |||
| 3192 | [wrench](paul.html) | 2731 | [wrench](paul.html) |
| 3193 | [wrestling](one-hundred-lines.html) | 2732 | [wrestling](one-hundred-lines.html) |
| 3194 | [wriggled](about-the-author.html) | 2733 | [wriggled](about-the-author.html) |
| 3195 | [wrinkle](epigraph.html) | ||
| 3196 | [wrists](nothing-is-ever-over.html) | 2734 | [wrists](nothing-is-ever-over.html) |
| 3197 | [writers](words-irritable-reaching.html) | ||
| 3198 | [writers'](peaches.html) | 2735 | [writers'](peaches.html) |
| 2736 | [writes](treatise.html) | ||
| 3199 | [x-ray](x-ray.html) | 2737 | [x-ray](x-ray.html) |
| 3200 | [x-rays](x-ray.html) | 2738 | [x-rays](x-ray.html) |
| 3201 | [xenophobia](collage-instrument.html) | 2739 | [xenophobia](collage-instrument.html) |
| @@ -3204,13 +2742,10 @@ project: | |||
| 3204 | [yeah](call-me-aural-pleasure.html) | 2742 | [yeah](call-me-aural-pleasure.html) |
| 3205 | [year-old](sixteenth-chapel.html) | 2743 | [year-old](sixteenth-chapel.html) |
| 3206 | [yearning](one-hundred-lines.html) | 2744 | [yearning](one-hundred-lines.html) |
| 3207 | [yearnings](howtoread.html) | ||
| 3208 | [yearns](poetry-time.html) | 2745 | [yearns](poetry-time.html) |
| 3209 | [yeats](manifesto_poetics.html) | ||
| 3210 | [yell](dollywood.html) | 2746 | [yell](dollywood.html) |
| 3211 | [yelling](joke.html) | 2747 | [yelling](joke.html) |
| 3212 | [yellowshot](plant.html) | 2748 | [yellowshot](plant.html) |
| 3213 | [yes-or-no](on-genre-dimension.html) | ||
| 3214 | [yesterday](exasperated.html) | 2749 | [yesterday](exasperated.html) |
| 3215 | [yields](moongone.html) | 2750 | [yields](moongone.html) |
| 3216 | [yoke](one-hundred-lines.html) | 2751 | [yoke](one-hundred-lines.html) |
| diff --git a/appendix/islands.txt b/appendix/islands.txt index 452b776..6f0d43f 100644 --- a/appendix/islands.txt +++ b/appendix/islands.txt | |||
| @@ -16,15 +16,17 @@ project: | |||
| 16 | ... | 16 | ... |
| 17 | 17 | ||
| 18 | - ["About the author"](about_author.html) | 18 | - ["About the author"](about_author.html) |
| 19 | - ["_abstract_"](abstract.html) | 19 | - ["Art"](art.html) |
| 20 | - ["Something about my tenure as a bear"](dollywood.html) | ||
| 20 | - ["Hardware"](hardware.html) | 21 | - ["Hardware"](hardware.html) |
| 21 | - ["I want to say"](i-want-to-say.html) | 22 | - ["I want to say"](i-want-to-say.html) |
| 22 | - ["Notes"](notes.html) | 23 | - ["Notes"](notes.html) |
| 23 | - ["Paul"](paul.html) | 24 | - ["Paul"](paul.html) |
| 25 | - ["Peaches"](peaches.html) | ||
| 24 | - ["Punch"](punch.html) | 26 | - ["Punch"](punch.html) |
| 25 | - ["Sapling"](sapling.html) | 27 | - ["Sapling"](sapling.html) |
| 26 | - ["Shed"](shed.html) | 28 | - ["Shed"](shed.html) |
| 27 | - ["Toothpaste"](toothpaste.html) | 29 | - ["Toothpaste"](toothpaste.html) |
| 28 | - ["Walking in the rain"](walking-in-the-rain.html) | 30 | - ["Walking in the rain"](walking-in-the-rain.html) |
| 29 | - ["Words and their irritable reaching"](words-irritable-reaching.html) | ||
| 30 | - ["Writing"](writing.html) | 31 | - ["Writing"](writing.html) |
| 32 | - ["Yellow"](yellow.html) | ||
| diff --git a/appendix/toc.txt b/appendix/toc.txt index 43ed091..15d2433 100644 --- a/appendix/toc.txt +++ b/appendix/toc.txt | |||
| @@ -5,14 +5,11 @@ genre: list | |||
| 5 | ... | 5 | ... |
| 6 | 6 | ||
| 7 | #. ["About the author (not pictured)"](about-the-author.html) | 7 | #. ["About the author (not pictured)"](about-the-author.html) |
| 8 | #. ["_about Autocento_"](about.html) | ||
| 9 | #. ["About the author"](about_author.html) | 8 | #. ["About the author"](about_author.html) |
| 10 | #. ["_abstract_"](abstract.html) | ||
| 11 | #. ["AMBER alert"](amber-alert.html) | 9 | #. ["AMBER alert"](amber-alert.html) |
| 12 | #. ["And"](and.html) | 10 | #. ["And"](and.html) |
| 13 | #. ["The angel to Abraham"](angeltoabraham.html) | 11 | #. ["The angel to Abraham"](angeltoabraham.html) |
| 14 | #. ["On seeing the panorama of the Apollo 11 landing site"](apollo11.html) | 12 | #. ["On seeing the panorama of the Apollo 11 landing site"](apollo11.html) |
| 15 | #. ["Ars poetica"](arspoetica.html) | ||
| 16 | #. ["Art"](art.html) | 13 | #. ["Art"](art.html) |
| 17 | #. ["Axe"](axe.html) | 14 | #. ["Axe"](axe.html) |
| 18 | #. ["The big dipper"](big-dipper.html) | 15 | #. ["The big dipper"](big-dipper.html) |
| @@ -31,7 +28,6 @@ genre: list | |||
| 31 | #. ["Dream"](dream.html) | 28 | #. ["Dream"](dream.html) |
| 32 | #. ["Early"](early.html) | 29 | #. ["Early"](early.html) |
| 33 | #. ["Elegy for an alternate self"](elegyforanalternateself.html) | 30 | #. ["Elegy for an alternate self"](elegyforanalternateself.html) |
| 34 | #. ["_epigraph_"](epigraph.html) | ||
| 35 | #. ["Ex machina"](ex-machina.html) | 31 | #. ["Ex machina"](ex-machina.html) |
| 36 | #. ["Exasperated"](exasperated.html) | 32 | #. ["Exasperated"](exasperated.html) |
| 37 | #. ["Father"](father.html) | 33 | #. ["Father"](father.html) |
| @@ -43,7 +39,6 @@ genre: list | |||
| 43 | #. ["A hard game"](hard-game.html) | 39 | #. ["A hard game"](hard-game.html) |
| 44 | #. ["Hardware"](hardware.html) | 40 | #. ["Hardware"](hardware.html) |
| 45 | #. ["How it happened"](howithappened.html) | 41 | #. ["How it happened"](howithappened.html) |
| 46 | #. ["How to read this"](howtoread.html) | ||
| 47 | #. ["Hymnal"](hymnal.html) | 42 | #. ["Hymnal"](hymnal.html) |
| 48 | #. ["I am"](i-am.html) | 43 | #. ["I am"](i-am.html) |
| 49 | #. ["I think it's you (but it's not)"](i-think-its-you.html) | 44 | #. ["I think it's you (but it's not)"](i-think-its-you.html) |
| @@ -64,7 +59,6 @@ genre: list | |||
| 64 | #. ["Love as god"](love-as-god.html) | 59 | #. ["Love as god"](love-as-god.html) |
| 65 | #. ["Love song"](lovesong.html) | 60 | #. ["Love song"](lovesong.html) |
| 66 | #. ["Man"](man.html) | 61 | #. ["Man"](man.html) |
| 67 | #. ["A manifesto of poetics"](manifesto_poetics.html) | ||
| 68 | #. ["The moon is drowning"](moon-drowning.html) | 62 | #. ["The moon is drowning"](moon-drowning.html) |
| 69 | #. ["The moon is gone and in its place a mirror"](moongone.html) | 63 | #. ["The moon is gone and in its place a mirror"](moongone.html) |
| 70 | #. ["The mountain"](mountain.html) | 64 | #. ["The mountain"](mountain.html) |
| @@ -73,7 +67,6 @@ genre: list | |||
| 73 | #. ["No nothing"](no-nothing.html) | 67 | #. ["No nothing"](no-nothing.html) |
| 74 | #. ["Notes"](notes.html) | 68 | #. ["Notes"](notes.html) |
| 75 | #. ["Nothing is ever over"](nothing-is-ever-over.html) | 69 | #. ["Nothing is ever over"](nothing-is-ever-over.html) |
| 76 | #. ["On genre and the dimensionality of poetry"](on-genre-dimension.html) | ||
| 77 | #. ["100 lines"](one-hundred-lines.html) | 70 | #. ["100 lines"](one-hundred-lines.html) |
| 78 | #. ["On formal poetry"](onformalpoetry.html) | 71 | #. ["On formal poetry"](onformalpoetry.html) |
| 79 | #. ["Options"](options.html) | 72 | #. ["Options"](options.html) |
| @@ -87,7 +80,6 @@ genre: list | |||
| 87 | #. ["Something about the nature of poetry and time"](poetry-time.html) | 80 | #. ["Something about the nature of poetry and time"](poetry-time.html) |
| 88 | #. ["Prelude"](prelude.html) | 81 | #. ["Prelude"](prelude.html) |
| 89 | #. ["Problems"](problems.html) | 82 | #. ["Problems"](problems.html) |
| 90 | #. ["Process narrative"](process.html) | ||
| 91 | #. ["Proverbs"](proverbs.html) | 83 | #. ["Proverbs"](proverbs.html) |
| 92 | #. ["Punch"](punch.html) | 84 | #. ["Punch"](punch.html) |
| 93 | #. ["The purpose of dogs"](purpose-dogs.html) | 85 | #. ["The purpose of dogs"](purpose-dogs.html) |
| @@ -133,8 +125,6 @@ genre: list | |||
| 133 | #. ["What we are made of"](what-we-are-made-of.html) | 125 | #. ["What we are made of"](what-we-are-made-of.html) |
| 134 | #. ["Whem I'm sorry I wash dishes"](when-im-sorry-i.html) | 126 | #. ["Whem I'm sorry I wash dishes"](when-im-sorry-i.html) |
| 135 | #. ["Window"](window.html) | 127 | #. ["Window"](window.html) |
| 136 | #. ["Words and their irritable reaching"](words-irritable-reaching.html) | ||
| 137 | #. ["Words and meaning"](words-meaning.html) | ||
| 138 | #. ["Worse looking over"](worse-looking-over.html) | 128 | #. ["Worse looking over"](worse-looking-over.html) |
| 139 | #. ["Writing"](writing.html) | 129 | #. ["Writing"](writing.html) |
| 140 | #. ["X-ray"](x-ray.html) | 130 | #. ["X-ray"](x-ray.html) |
| diff --git a/backlinks/about-the-author.html b/backlinks/about-the-author.html index 4c97398..9a1513c 100644 --- a/backlinks/about-the-author.html +++ b/backlinks/about-the-author.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../death-zone.html">The Death Zone</a><span class="daisy"><a href="death-zone.html">φ</a></span></li> | 40 | <li><a href="../death-zone.html">The Death Zone</a><span class="daisy"><a href="death-zone.html">φ</a></span></li> |
| 42 | <li><a href="../man.html">Man</a><span class="daisy"><a href="man.html">φ</a></span></li> | 41 | <li><a href="../man.html">Man</a><span class="daisy"><a href="man.html">φ</a></span></li> |
| 43 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | 42 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> |
| diff --git a/backlinks/about.html b/backlinks/about.html deleted file mode 100644 index 12ace3b..0000000 --- a/backlinks/about.html +++ /dev/null | |||
| @@ -1,58 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title><em>about Autocento</em> | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="about-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title"><em>about Autocento</em></h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../abstract.html">Autocento of the breakfast table</a><span class="daisy"><a href="abstract.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="../about.html" id="backlinks" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | |||
| 54 | </nav> | ||
| 55 | |||
| 56 | |||
| 57 | </body> | ||
| 58 | </html> | ||
| diff --git a/backlinks/abstract.html b/backlinks/abstract.html deleted file mode 100644 index 057f322..0000000 --- a/backlinks/abstract.html +++ /dev/null | |||
| @@ -1,56 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title><em>abstract</em> | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="abstract-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title"><em>abstract</em></h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> | ||
| 40 | </section> | ||
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="../abstract.html" id="backlinks" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | |||
| 51 | |||
| 52 | </nav> | ||
| 53 | |||
| 54 | |||
| 55 | </body> | ||
| 56 | </html> | ||
| diff --git a/backlinks/and.html b/backlinks/and.html index 6093db3..87bd3de 100644 --- a/backlinks/and.html +++ b/backlinks/and.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../mountain.html">The mountain</a><span class="daisy"><a href="mountain.html">φ</a></span></li> | 40 | <li><a href="../mountain.html">The mountain</a><span class="daisy"><a href="mountain.html">φ</a></span></li> |
| 42 | <li><a href="../weplayedthosegamestoo.html">We played those games too</a><span class="daisy"><a href="weplayedthosegamestoo.html">φ</a></span></li> | 41 | <li><a href="../weplayedthosegamestoo.html">We played those games too</a><span class="daisy"><a href="weplayedthosegamestoo.html">φ</a></span></li> |
| 43 | </ul> | 42 | </ul> |
| diff --git a/backlinks/arspoetica.html b/backlinks/arspoetica.html deleted file mode 100644 index e62bdb0..0000000 --- a/backlinks/arspoetica.html +++ /dev/null | |||
| @@ -1,61 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Ars poetica | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="arspoetica-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Ars poetica</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> | ||
| 42 | <li><a href="../telemarketer.html">Telemarketer</a><span class="daisy"><a href="telemarketer.html">φ</a></span></li> | ||
| 43 | <li><a href="../words-meaning.html">Words and meaning</a><span class="daisy"><a href="words-meaning.html">φ</a></span></li> | ||
| 44 | </ul> | ||
| 45 | </section> | ||
| 46 | </article> | ||
| 47 | <nav> | ||
| 48 | <div class="anchors"> | ||
| 49 | <a href="../arspoetica.html" id="backlinks" title="Links to this page"> | ||
| 50 | φ | ||
| 51 | </a> | ||
| 52 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 53 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 54 | </div> | ||
| 55 | |||
| 56 | |||
| 57 | </nav> | ||
| 58 | |||
| 59 | |||
| 60 | </body> | ||
| 61 | </html> | ||
| diff --git a/backlinks/art.html b/backlinks/art.html index e82d722..3c8aa49 100644 --- a/backlinks/art.html +++ b/backlinks/art.html | |||
| @@ -36,10 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../words-irritable-reaching.html">Words and their irritable reaching</a><span class="daisy"><a href="words-irritable-reaching.html">φ</a></span></li> | ||
| 42 | </ul> | ||
| 43 | </section> | 40 | </section> |
| 44 | </article> | 41 | </article> |
| 45 | <nav> | 42 | <nav> |
| diff --git a/backlinks/building.html b/backlinks/building.html index 9bc3123..220e6cd 100644 --- a/backlinks/building.html +++ b/backlinks/building.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | 40 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> |
| 42 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | 41 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> |
| 43 | <li><a href="../prelude.html">Prelude</a><span class="daisy"><a href="prelude.html">φ</a></span></li> | 42 | <li><a href="../prelude.html">Prelude</a><span class="daisy"><a href="prelude.html">φ</a></span></li> |
| diff --git a/backlinks/call-me-aural-pleasure.html b/backlinks/call-me-aural-pleasure.html index 1c297cf..0a4979f 100644 --- a/backlinks/call-me-aural-pleasure.html +++ b/backlinks/call-me-aural-pleasure.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | 40 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> |
| 42 | </ul> | 41 | </ul> |
| 43 | </section> | 42 | </section> |
| diff --git a/backlinks/creation-myth.html b/backlinks/creation-myth.html index 85a2420..bd0fd5e 100644 --- a/backlinks/creation-myth.html +++ b/backlinks/creation-myth.html | |||
| @@ -38,7 +38,6 @@ | |||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> |
| 41 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 42 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> |
| 43 | <li><a href="../death-zone.html">The Death Zone</a><span class="daisy"><a href="death-zone.html">φ</a></span></li> | 42 | <li><a href="../death-zone.html">The Death Zone</a><span class="daisy"><a href="death-zone.html">φ</a></span></li> |
| 44 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | 43 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> |
| diff --git a/backlinks/deathstrumpet.html b/backlinks/deathstrumpet.html index ef39086..b57b6f0 100644 --- a/backlinks/deathstrumpet.html +++ b/backlinks/deathstrumpet.html | |||
| @@ -38,7 +38,6 @@ | |||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | 40 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> |
| 41 | <li><a href="../epigraph.html">epigraph</a><span class="daisy"><a href="epigraph.html">φ</a></span></li> | ||
| 42 | <li><a href="../exasperated.html">Exasperated</a><span class="daisy"><a href="exasperated.html">φ</a></span></li> | 41 | <li><a href="../exasperated.html">Exasperated</a><span class="daisy"><a href="exasperated.html">φ</a></span></li> |
| 43 | <li><a href="../hands.html">Hands</a><span class="daisy"><a href="hands.html">φ</a></span></li> | 42 | <li><a href="../hands.html">Hands</a><span class="daisy"><a href="hands.html">φ</a></span></li> |
| 44 | <li><a href="../i-am.html">I am</a><span class="daisy"><a href="i-am.html">φ</a></span></li> | 43 | <li><a href="../i-am.html">I am</a><span class="daisy"><a href="i-am.html">φ</a></span></li> |
| diff --git a/backlinks/dollywood.html b/backlinks/dollywood.html index 4a7a67f..ff029b0 100644 --- a/backlinks/dollywood.html +++ b/backlinks/dollywood.html | |||
| @@ -36,9 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 42 | </section> | 40 | </section> |
| 43 | </article> | 41 | </article> |
| 44 | <nav> | 42 | <nav> |
| diff --git a/backlinks/elegyforanalternateself.html b/backlinks/elegyforanalternateself.html index d3a5220..2422a54 100644 --- a/backlinks/elegyforanalternateself.html +++ b/backlinks/elegyforanalternateself.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | 40 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> |
| 42 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> | 41 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> |
| 43 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> | 42 | <li><a href="../swansong-alt.html">Swansong</a><span class="daisy"><a href="swansong-alt.html">φ</a></span></li> |
| diff --git a/backlinks/epigraph.html b/backlinks/epigraph.html deleted file mode 100644 index d5e8f4a..0000000 --- a/backlinks/epigraph.html +++ /dev/null | |||
| @@ -1,60 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title><em>epigraph</em> | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="epigraph-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title"><em>epigraph</em></h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../love-as-god.html">Love as God</a><span class="daisy"><a href="love-as-god.html">φ</a></span></li> | ||
| 41 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | ||
| 42 | <li><a href="../poetry-time.html">Something</a><span class="daisy"><a href="poetry-time.html">φ</a></span></li> | ||
| 43 | </ul> | ||
| 44 | </section> | ||
| 45 | </article> | ||
| 46 | <nav> | ||
| 47 | <div class="anchors"> | ||
| 48 | <a href="../epigraph.html" id="backlinks" title="Links to this page"> | ||
| 49 | φ | ||
| 50 | </a> | ||
| 51 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 52 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 53 | </div> | ||
| 54 | |||
| 55 | |||
| 56 | </nav> | ||
| 57 | |||
| 58 | |||
| 59 | </body> | ||
| 60 | </html> | ||
| diff --git a/backlinks/howtoread.html b/backlinks/howtoread.html deleted file mode 100644 index 8713384..0000000 --- a/backlinks/howtoread.html +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>How to read this | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="howtoread-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">How to read this</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | ||
| 42 | <li><a href="../no-nothing.html">No nothing</a><span class="daisy"><a href="no-nothing.html">φ</a></span></li> | ||
| 43 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | ||
| 44 | <li><a href="../planks.html">Planks</a><span class="daisy"><a href="planks.html">φ</a></span></li> | ||
| 45 | <li><a href="../table_contents.html">Table of contents</a><span class="daisy"><a href="table_contents.html">φ</a></span></li> | ||
| 46 | <li><a href="../treatise.html">Treatise</a><span class="daisy"><a href="treatise.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../howtoread.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 57 | </div> | ||
| 58 | |||
| 59 | |||
| 60 | </nav> | ||
| 61 | |||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||
| diff --git a/backlinks/i-am.html b/backlinks/i-am.html index d6bc4ca..ab373cf 100644 --- a/backlinks/i-am.html +++ b/backlinks/i-am.html | |||
| @@ -43,7 +43,6 @@ | |||
| 43 | <li><a href="../philosophy.html">Philosophy</a><span class="daisy"><a href="philosophy.html">φ</a></span></li> | 43 | <li><a href="../philosophy.html">Philosophy</a><span class="daisy"><a href="philosophy.html">φ</a></span></li> |
| 44 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | 44 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> |
| 45 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | 45 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> |
| 46 | <li><a href="../words-meaning.html">Words and meaning</a><span class="daisy"><a href="words-meaning.html">φ</a></span></li> | ||
| 47 | </ul> | 46 | </ul> |
| 48 | </section> | 47 | </section> |
| 49 | </article> | 48 | </article> |
| diff --git a/backlinks/in-bed.html b/backlinks/in-bed.html index 438354c..155f644 100644 --- a/backlinks/in-bed.html +++ b/backlinks/in-bed.html | |||
| @@ -38,7 +38,6 @@ | |||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> |
| 41 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 42 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> | 41 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> |
| 43 | <li><a href="../dollywood.html">Something</a><span class="daisy"><a href="dollywood.html">φ</a></span></li> | 42 | <li><a href="../dollywood.html">Something</a><span class="daisy"><a href="dollywood.html">φ</a></span></li> |
| 44 | <li><a href="../dream.html">Dream</a><span class="daisy"><a href="dream.html">φ</a></span></li> | 43 | <li><a href="../dream.html">Dream</a><span class="daisy"><a href="dream.html">φ</a></span></li> |
| diff --git a/backlinks/last-passenger.html b/backlinks/last-passenger.html index 3c20580..b228a46 100644 --- a/backlinks/last-passenger.html +++ b/backlinks/last-passenger.html | |||
| @@ -38,7 +38,6 @@ | |||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> | 40 | <li><a href="../about-the-author.html">About the author</a><span class="daisy"><a href="about-the-author.html">φ</a></span></li> |
| 41 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 42 | <li><a href="../and.html">And</a><span class="daisy"><a href="and.html">φ</a></span></li> | 41 | <li><a href="../and.html">And</a><span class="daisy"><a href="and.html">φ</a></span></li> |
| 43 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | 42 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> |
| 44 | <li><a href="../cereal.html">Cereal</a><span class="daisy"><a href="cereal.html">φ</a></span></li> | 43 | <li><a href="../cereal.html">Cereal</a><span class="daisy"><a href="cereal.html">φ</a></span></li> |
| diff --git a/backlinks/leaf.html b/backlinks/leaf.html index 61b00ce..da672be 100644 --- a/backlinks/leaf.html +++ b/backlinks/leaf.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> | 40 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> |
| 42 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> | 41 | <li><a href="../real-writer.html">A real writer</a><span class="daisy"><a href="real-writer.html">φ</a></span></li> |
| 43 | </ul> | 42 | </ul> |
| diff --git a/backlinks/likingthings.html b/backlinks/likingthings.html index f0135ac..ed56186 100644 --- a/backlinks/likingthings.html +++ b/backlinks/likingthings.html | |||
| @@ -38,7 +38,6 @@ | |||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../tapestry.html">Tapestry</a><span class="daisy"><a href="tapestry.html">φ</a></span></li> | 40 | <li><a href="../tapestry.html">Tapestry</a><span class="daisy"><a href="tapestry.html">φ</a></span></li> |
| 41 | <li><a href="../words-meaning.html">Words and meaning</a><span class="daisy"><a href="words-meaning.html">φ</a></span></li> | ||
| 42 | </ul> | 41 | </ul> |
| 43 | </section> | 42 | </section> |
| 44 | </article> | 43 | </article> |
| diff --git a/backlinks/manifesto_poetics.html b/backlinks/manifesto_poetics.html deleted file mode 100644 index e72a059..0000000 --- a/backlinks/manifesto_poetics.html +++ /dev/null | |||
| @@ -1,58 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>A manifesto of poetics | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="manifesto_poetics-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">A manifesto of poetics</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="../manifesto_poetics.html" id="backlinks" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | |||
| 54 | </nav> | ||
| 55 | |||
| 56 | |||
| 57 | </body> | ||
| 58 | </html> | ||
| diff --git a/backlinks/moongone.html b/backlinks/moongone.html index 14a1e13..5db4bd9 100644 --- a/backlinks/moongone.html +++ b/backlinks/moongone.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../arspoetica.html">Ars poetica</a><span class="daisy"><a href="arspoetica.html">φ</a></span></li> | ||
| 41 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> | 40 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> |
| 42 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> |
| 43 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> | 42 | <li><a href="../deathstrumpet.html">“Death’s trumpet”</a><span class="daisy"><a href="deathstrumpet.html">φ</a></span></li> |
| diff --git a/backlinks/mountain.html b/backlinks/mountain.html index 9e96990..9159056 100644 --- a/backlinks/mountain.html +++ b/backlinks/mountain.html | |||
| @@ -37,11 +37,9 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../boar.html">The boar</a><span class="daisy"><a href="boar.html">φ</a></span></li> | 40 | <li><a href="../boar.html">The boar</a><span class="daisy"><a href="boar.html">φ</a></span></li> |
| 42 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> | 41 | <li><a href="../boy_bus.html">Boy on the bus</a><span class="daisy"><a href="boy_bus.html">φ</a></span></li> |
| 43 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> | 42 | <li><a href="../finding-the-lion.html">Finding the Lion</a><span class="daisy"><a href="finding-the-lion.html">φ</a></span></li> |
| 44 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> | ||
| 45 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> | 43 | <li><a href="../in-bed.html">In bed</a><span class="daisy"><a href="in-bed.html">φ</a></span></li> |
| 46 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | 44 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> |
| 47 | <li><a href="../squirrel.html">The squirrel</a><span class="daisy"><a href="squirrel.html">φ</a></span></li> | 45 | <li><a href="../squirrel.html">The squirrel</a><span class="daisy"><a href="squirrel.html">φ</a></span></li> |
| diff --git a/backlinks/music-433.html b/backlinks/music-433.html index 3508878..c49d4d8 100644 --- a/backlinks/music-433.html +++ b/backlinks/music-433.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> | 40 | <li><a href="../apollo11.html">On seeing the panorama of the Apollo 11 landing site</a><span class="daisy"><a href="apollo11.html">φ</a></span></li> |
| 42 | <li><a href="../art.html">Art</a><span class="daisy"><a href="art.html">φ</a></span></li> | 41 | <li><a href="../art.html">Art</a><span class="daisy"><a href="art.html">φ</a></span></li> |
| 43 | <li><a href="../dream.html">Dream</a><span class="daisy"><a href="dream.html">φ</a></span></li> | 42 | <li><a href="../dream.html">Dream</a><span class="daisy"><a href="dream.html">φ</a></span></li> |
| diff --git a/backlinks/no-nothing.html b/backlinks/no-nothing.html index d2d8f1a..753bce4 100644 --- a/backlinks/no-nothing.html +++ b/backlinks/no-nothing.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../big-dipper.html">The Big Dipper</a><span class="daisy"><a href="big-dipper.html">φ</a></span></li> | 40 | <li><a href="../big-dipper.html">The Big Dipper</a><span class="daisy"><a href="big-dipper.html">φ</a></span></li> |
| 42 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> | 41 | <li><a href="../elegyforanalternateself.html">Elegy for an alternate self</a><span class="daisy"><a href="elegyforanalternateself.html">φ</a></span></li> |
| 43 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> | 42 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> |
| diff --git a/backlinks/on-genre-dimension.html b/backlinks/on-genre-dimension.html deleted file mode 100644 index 292914e..0000000 --- a/backlinks/on-genre-dimension.html +++ /dev/null | |||
| @@ -1,58 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>On genre and the dimensionality of poetry | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="on-genre-dimension-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">On genre and the dimensionality of poetry</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 42 | </section> | ||
| 43 | </article> | ||
| 44 | <nav> | ||
| 45 | <div class="anchors"> | ||
| 46 | <a href="../on-genre-dimension.html" id="backlinks" title="Links to this page"> | ||
| 47 | φ | ||
| 48 | </a> | ||
| 49 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 50 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 51 | </div> | ||
| 52 | |||
| 53 | |||
| 54 | </nav> | ||
| 55 | |||
| 56 | |||
| 57 | </body> | ||
| 58 | </html> | ||
| diff --git a/backlinks/one-hundred-lines.html b/backlinks/one-hundred-lines.html index 745f33b..233bcd6 100644 --- a/backlinks/one-hundred-lines.html +++ b/backlinks/one-hundred-lines.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../creation-myth.html">Creation myth</a><span class="daisy"><a href="creation-myth.html">φ</a></span></li> | 40 | <li><a href="../creation-myth.html">Creation myth</a><span class="daisy"><a href="creation-myth.html">φ</a></span></li> |
| 42 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> | 41 | <li><a href="../initial-conditions.html">Initial conditions</a><span class="daisy"><a href="initial-conditions.html">φ</a></span></li> |
| 43 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> | 42 | <li><a href="../plant.html">Litany</a><span class="daisy"><a href="plant.html">φ</a></span></li> |
| diff --git a/backlinks/onformalpoetry.html b/backlinks/onformalpoetry.html index 8226a7a..57dc227 100644 --- a/backlinks/onformalpoetry.html +++ b/backlinks/onformalpoetry.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../serengeti.html">Serengeti</a><span class="daisy"><a href="serengeti.html">φ</a></span></li> | 40 | <li><a href="../serengeti.html">Serengeti</a><span class="daisy"><a href="serengeti.html">φ</a></span></li> |
| 42 | </ul> | 41 | </ul> |
| 43 | </section> | 42 | </section> |
| diff --git a/backlinks/peaches.html b/backlinks/peaches.html index 77996d7..ada4b26 100644 --- a/backlinks/peaches.html +++ b/backlinks/peaches.html | |||
| @@ -36,9 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | <li><a href="../epigraph.html">epigraph</a><span class="daisy"><a href="epigraph.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 42 | </section> | 40 | </section> |
| 43 | </article> | 41 | </article> |
| 44 | <nav> | 42 | <nav> |
| diff --git a/backlinks/philosophy.html b/backlinks/philosophy.html index 43aacee..1d1b60e 100644 --- a/backlinks/philosophy.html +++ b/backlinks/philosophy.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> | ||
| 41 | <li><a href="../movingsideways.html">Moving Sideways</a><span class="daisy"><a href="movingsideways.html">φ</a></span></li> | 40 | <li><a href="../movingsideways.html">Moving Sideways</a><span class="daisy"><a href="movingsideways.html">φ</a></span></li> |
| 42 | </ul> | 41 | </ul> |
| 43 | </section> | 42 | </section> |
| diff --git a/backlinks/poetry-time.html b/backlinks/poetry-time.html index b65bdc1..9254113 100644 --- a/backlinks/poetry-time.html +++ b/backlinks/poetry-time.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | 40 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> |
| 42 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> | 41 | <li><a href="../i-wanted-to-tell-you-something.html">I wanted to tell you something</a><span class="daisy"><a href="i-wanted-to-tell-you-something.html">φ</a></span></li> |
| 43 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> | 42 | <li><a href="../lovesong.html">Love Song</a><span class="daisy"><a href="lovesong.html">φ</a></span></li> |
| diff --git a/backlinks/prelude.html b/backlinks/prelude.html index 4c3be83..950f6f4 100644 --- a/backlinks/prelude.html +++ b/backlinks/prelude.html | |||
| @@ -37,9 +37,7 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> | 40 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> |
| 42 | <li><a href="../manifesto_poetics.html">Manifesto of poetics</a><span class="daisy"><a href="manifesto_poetics.html">φ</a></span></li> | ||
| 43 | <li><a href="../purpose-dogs.html">The purpose of dogs</a><span class="daisy"><a href="purpose-dogs.html">φ</a></span></li> | 41 | <li><a href="../purpose-dogs.html">The purpose of dogs</a><span class="daisy"><a href="purpose-dogs.html">φ</a></span></li> |
| 44 | </ul> | 42 | </ul> |
| 45 | </section> | 43 | </section> |
| diff --git a/backlinks/process.html b/backlinks/process.html deleted file mode 100644 index ccd68f7..0000000 --- a/backlinks/process.html +++ /dev/null | |||
| @@ -1,59 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Process narrative | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="../trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="../trunk/style.css"> | ||
| 16 | <script src="../scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="../scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="process-backlinks" class="backlinks"> | ||
| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Process narrative</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../abstract.html">Autocento of the breakfast table</a><span class="daisy"><a href="abstract.html">φ</a></span></li> | ||
| 42 | </ul> | ||
| 43 | </section> | ||
| 44 | </article> | ||
| 45 | <nav> | ||
| 46 | <div class="anchors"> | ||
| 47 | <a href="../process.html" id="backlinks" title="Links to this page"> | ||
| 48 | φ | ||
| 49 | </a> | ||
| 50 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 51 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 52 | </div> | ||
| 53 | |||
| 54 | |||
| 55 | </nav> | ||
| 56 | |||
| 57 | |||
| 58 | </body> | ||
| 59 | </html> | ||
| diff --git a/backlinks/riptide_memory.html b/backlinks/riptide_memory.html index ac85dde..126ca3e 100644 --- a/backlinks/riptide_memory.html +++ b/backlinks/riptide_memory.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../axe.html">Axe</a><span class="daisy"><a href="axe.html">φ</a></span></li> | 40 | <li><a href="../axe.html">Axe</a><span class="daisy"><a href="axe.html">φ</a></span></li> |
| 42 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> | 41 | <li><a href="../building.html">Building</a><span class="daisy"><a href="building.html">φ</a></span></li> |
| 43 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | 42 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> |
| diff --git a/backlinks/snow.html b/backlinks/snow.html index 23b1af6..52fc15a 100644 --- a/backlinks/snow.html +++ b/backlinks/snow.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../january.html">January</a><span class="daisy"><a href="january.html">φ</a></span></li> | 40 | <li><a href="../january.html">January</a><span class="daisy"><a href="january.html">φ</a></span></li> |
| 42 | </ul> | 41 | </ul> |
| 43 | </section> | 42 | </section> |
| diff --git a/backlinks/spittle.html b/backlinks/spittle.html index 3e22592..0286f5a 100644 --- a/backlinks/spittle.html +++ b/backlinks/spittle.html | |||
| @@ -39,7 +39,6 @@ | |||
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../call-me-aural-pleasure.html">Call me</a><span class="daisy"><a href="call-me-aural-pleasure.html">φ</a></span></li> | 40 | <li><a href="../call-me-aural-pleasure.html">Call me</a><span class="daisy"><a href="call-me-aural-pleasure.html">φ</a></span></li> |
| 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> |
| 42 | <li><a href="../epigraph.html">epigraph</a><span class="daisy"><a href="epigraph.html">φ</a></span></li> | ||
| 43 | <li><a href="../nothing-is-ever-over.html">Nothing is ever over</a><span class="daisy"><a href="nothing-is-ever-over.html">φ</a></span></li> | 42 | <li><a href="../nothing-is-ever-over.html">Nothing is ever over</a><span class="daisy"><a href="nothing-is-ever-over.html">φ</a></span></li> |
| 44 | <li><a href="../philosophy.html">Philosophy</a><span class="daisy"><a href="philosophy.html">φ</a></span></li> | 43 | <li><a href="../philosophy.html">Philosophy</a><span class="daisy"><a href="philosophy.html">φ</a></span></li> |
| 45 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> | 44 | <li><a href="../statements-frag.html">Statements</a><span class="daisy"><a href="statements-frag.html">φ</a></span></li> |
| diff --git a/backlinks/statements-frag.html b/backlinks/statements-frag.html index 0cf9d49..12b4884 100644 --- a/backlinks/statements-frag.html +++ b/backlinks/statements-frag.html | |||
| @@ -37,10 +37,8 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../amber-alert.html">AMBER alert</a><span class="daisy"><a href="amber-alert.html">φ</a></span></li> | 40 | <li><a href="../amber-alert.html">AMBER alert</a><span class="daisy"><a href="amber-alert.html">φ</a></span></li> |
| 42 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> | 41 | <li><a href="../collage-instrument.html">Instrumented</a><span class="daisy"><a href="collage-instrument.html">φ</a></span></li> |
| 43 | <li><a href="../on-genre-dimension.html">On genre and the dimensionality of poetry</a><span class="daisy"><a href="on-genre-dimension.html">φ</a></span></li> | ||
| 44 | <li><a href="../peaches.html">Peaches</a><span class="daisy"><a href="peaches.html">φ</a></span></li> | 42 | <li><a href="../peaches.html">Peaches</a><span class="daisy"><a href="peaches.html">φ</a></span></li> |
| 45 | <li><a href="../toothpaste.html">Toothpaste</a><span class="daisy"><a href="toothpaste.html">φ</a></span></li> | 43 | <li><a href="../toothpaste.html">Toothpaste</a><span class="daisy"><a href="toothpaste.html">φ</a></span></li> |
| 46 | <li><a href="../wallpaper.html">Wallpaper</a><span class="daisy"><a href="wallpaper.html">φ</a></span></li> | 44 | <li><a href="../wallpaper.html">Wallpaper</a><span class="daisy"><a href="wallpaper.html">φ</a></span></li> |
| diff --git a/backlinks/table_contents.html b/backlinks/table_contents.html index d38c9ec..5ec8420 100644 --- a/backlinks/table_contents.html +++ b/backlinks/table_contents.html | |||
| @@ -37,7 +37,6 @@ | |||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <ul> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> | 40 | <li><a href="../ex-machina.html">Ex machina</a><span class="daisy"><a href="ex-machina.html">φ</a></span></li> |
| 42 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> | 41 | <li><a href="../one-hundred-lines.html">One hundred lines</a><span class="daisy"><a href="one-hundred-lines.html">φ</a></span></li> |
| 43 | </ul> | 42 | </ul> |
| diff --git a/backlinks/words-irritable-reaching.html b/backlinks/words-irritable-reaching.html deleted file mode 100644 index 9a7055d..0000000 --- a/backlinks/words-irritable-reaching.html +++ /dev/null | |||
| @@ -1,56 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
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| 7 | <meta charset="utf-8"> | ||
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| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Words and their irritable reaching | Autocento of the breakfast table</title> | ||
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| 24 | |||
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| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Words and their irritable reaching</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> | ||
| 40 | </section> | ||
| 41 | </article> | ||
| 42 | <nav> | ||
| 43 | <div class="anchors"> | ||
| 44 | <a href="../words-irritable-reaching.html" id="backlinks" title="Links to this page"> | ||
| 45 | φ | ||
| 46 | </a> | ||
| 47 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 48 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 49 | </div> | ||
| 50 | |||
| 51 | |||
| 52 | </nav> | ||
| 53 | |||
| 54 | |||
| 55 | </body> | ||
| 56 | </html> | ||
| diff --git a/backlinks/words-meaning.html b/backlinks/words-meaning.html deleted file mode 100644 index 9b9ca46..0000000 --- a/backlinks/words-meaning.html +++ /dev/null | |||
| @@ -1,64 +0,0 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
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| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Words and meaning | Autocento of the breakfast table</title> | ||
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| 24 | |||
| 25 | |||
| 26 | <article class="container"> | ||
| 27 | <header> | ||
| 28 | <!-- title --> | ||
| 29 | <h1 class="title">Words and meaning</h1> | ||
| 30 | <h1 class="subtitle">backlinks</h1> | ||
| 31 | |||
| 32 | <div class="header-extra"> | ||
| 33 | |||
| 34 | </div> | ||
| 35 | </header> | ||
| 36 | |||
| 37 | |||
| 38 | <section class="content list"> | ||
| 39 | <ul> | ||
| 40 | <li><a href="../arspoetica.html">Ars poetica</a><span class="daisy"><a href="arspoetica.html">φ</a></span></li> | ||
| 41 | <li><a href="../deadman.html">Dead man</a><span class="daisy"><a href="deadman.html">φ</a></span></li> | ||
| 42 | <li><a href="../howtoread.html">How to read this</a><span class="daisy"><a href="howtoread.html">φ</a></span></li> | ||
| 43 | <li><a href="../i-want-to-say.html">I want to say</a><span class="daisy"><a href="i-want-to-say.html">φ</a></span></li> | ||
| 44 | <li><a href="../proverbs.html">Proverbs</a><span class="daisy"><a href="proverbs.html">φ</a></span></li> | ||
| 45 | <li><a href="../sixteenth-chapel.html">The Sixteenth Chapel</a><span class="daisy"><a href="sixteenth-chapel.html">φ</a></span></li> | ||
| 46 | <li><a href="../words-irritable-reaching.html">Words and their irritable reaching</a><span class="daisy"><a href="words-irritable-reaching.html">φ</a></span></li> | ||
| 47 | </ul> | ||
| 48 | </section> | ||
| 49 | </article> | ||
| 50 | <nav> | ||
| 51 | <div class="anchors"> | ||
| 52 | <a href="../words-meaning.html" id="backlinks" title="Links to this page"> | ||
| 53 | φ | ||
| 54 | </a> | ||
| 55 | <a href="../index.html" id="coverlink" title="To cover">◊</a> | ||
| 56 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
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| 58 | |||
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| diff --git a/backlinks/yellow.html b/backlinks/yellow.html index a8d6103..33d662c 100644 --- a/backlinks/yellow.html +++ b/backlinks/yellow.html | |||
| @@ -36,9 +36,7 @@ | |||
| 36 | 36 | ||
| 37 | 37 | ||
| 38 | <section class="content list"> | 38 | <section class="content list"> |
| 39 | <ul> | 39 | <p><a href="../islands.html"><em>island.</em></a> <!--__ISLAND__--></p> |
| 40 | <li><a href="../about.html">Autocento of the breakfast table</a><span class="daisy"><a href="about.html">φ</a></span></li> | ||
| 41 | </ul> | ||
| 42 | </section> | 40 | </section> |
| 43 | </article> | 41 | </article> |
| 44 | <nav> | 42 | <nav> |
| diff --git a/colophon.html b/colophon.html new file mode 100644 index 0000000..c2e69e2 --- /dev/null +++ b/colophon.html | |||
| @@ -0,0 +1,62 @@ | |||
| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
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| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
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| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Colophon | Autocento of the breakfast table</title> | ||
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| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
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| 23 | <body id="colophon" class="front-matter"> | ||
| 24 | |||
| 25 | <article class="container"> | ||
| 26 | <header> | ||
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Colophon</h1> | ||
| 29 | |||
| 30 | |||
| 31 | <div class="header-extra"> | ||
| 32 | |||
| 33 | </div> | ||
| 34 | </header> | ||
| 35 | |||
| 36 | |||
| 37 | <section class="content prose"> | ||
| 38 | <p>This website is authored in <a href="http://www.vim.org">Vim</a> using an extended version of John Gruber’s <a href="http://daringfireball.net/projects/markdown/">Markdown</a> syntax. It’s compiled into HTML and other formats with John McFarlane’s <a href="http://johnmcfarlane.net/pandoc/">pandoc</a> document-conversion tool. The site is hosted on <a href="https://github.com">Github</a> at <github.com/duckwork/autocento>.</p> | ||
| 39 | <p>The content of this site has been compiled from a multitude of other projects, including <em><a href="elegyforanalternateself.html">Elegies for alternate selves</a></em>, <em><a href="prelude.html">The book of Hezekiah</a></em>, <em><a href="table_contents.html">Stark raving</a></em> (later called <em>Everything changes</em>), and <em><a href="art.html">Buildings out of air</a></em>, as well as new poems written 2014–2015.</p> | ||
| 40 | <p>The <a href="hapax.html">appendices</a>, as well as the HTML itself and backlink functionality, are compiled with <a href="https://github.com/duckwork/autocento/blob/gh-pages/makefile">this makefile</a>. The Javascript that randomizes the ξ link at the bottom of each page is located <a href="https://github.com/duckwork/autocento/blob/gh-pages/scripts/randomize.js">here</a>.</p> | ||
| 41 | <p>Any questions or accolades can be directed to my <script type="text/javascript"> | ||
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| 43 | h='gmail.com';a='@';n='case.duckworth+autocento';e=n+a+h; | ||
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| 46 | </script><noscript>email (case.duckworth+autocento at gmail dot com)</noscript>.</p> | ||
| 47 | </section> | ||
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| 49 | <nav> | ||
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| 51 | <a href="backlinks/colophon.html" id="backlinks" title="Links to this page"> | ||
| 52 | φ | ||
| 53 | </a> | ||
| 54 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 55 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 56 | </div> | ||
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| 59 | </nav> | ||
| 60 | |||
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| 62 | </html> | ||
| diff --git a/common-titles.html b/common-titles.html index 8824267..3c82c3f 100644 --- a/common-titles.html +++ b/common-titles.html | |||
| @@ -35,7 +35,7 @@ | |||
| 35 | 35 | ||
| 36 | 36 | ||
| 37 | <section class="content prose"> | 37 | <section class="content prose"> |
| 38 | <p><a href="about-the-author.html">About the author</a> <a href="about.html">Autocento of the breakfast table</a> <a href="about_author.html">About Case Duckworth</a> <a href="abstract.html">Autocento of the breakfast table</a> <a href="amber-alert.html">AMBER alert</a> <a href="and.html">And</a> <a href="angeltoabraham.html">The angel to Abraham</a> <a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a> <a href="arspoetica.html">Ars poetica</a> <a href="art.html">Art</a> <a href="axe.html">Axe</a> <a href="big-dipper.html">The Big Dipper</a> <a href="boar.html">The boar</a> <a href="boy_bus.html">Boy on the bus</a> <a href="building.html">Building</a> <a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html">Cereal</a> <a href="cold-wind.html">Cold wind</a> <a href="collage-instrument.html">Instrumented</a> <a href="creation-myth.html">Creation myth</a> <a href="deadman.html">Dead man</a> <a href="death-zone.html">The Death Zone</a> <a href="deathstrumpet.html">“Death’s trumpet”</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="epigraph.html">epigraph</a> <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> <a href="hard-game.html">A hard game</a> <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">Hymnal</a> <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">In bed</a> <a href="initial-conditions.html">Initial conditions</a> <a href="january.html">January</a> <a href="joke.html">Joke</a> <a href="lappel-du-vide.html">L’appel du vide</a> <a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> <a href="last-bastion.html">Last bastion</a> <a href="last-passenger.html">Last passenger</a> <a href="leaf.html">Leaf</a> <a href="leg.html">Leg</a> <a href="likingthings.html">Liking Things</a> <a href="listen.html">Listen</a> <a href="love-as-god.html">Love as God</a> <a href="lovesong.html">Love Song</a> <a href="man.html">Man</a> <a href="manifesto_poetics.html">Manifesto of poetics</a> <a href="moon-drowning.html">The Moon is drowning</a> <a href="moongone.html">The moon is gone and in its place a mirror</a> <a href="mountain.html">The mountain</a> <a href="movingsideways.html">Moving Sideways</a> <a href="music-433.html">Something</a> <a href="no-nothing.html">No nothing</a> <a href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="on-genre-dimension.html">On genre and the dimensionality of poetry</a> <a href="one-hundred-lines.html">One hundred lines</a> <a href="onformalpoetry.html">On formal poetry</a> <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> <a href="planks.html">Planks</a> <a href="plant.html">Litany</a> <a href="poetry-time.html">Something</a> <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="process.html">Autocento of the breakfast table</a> <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a href="riptide_memory.html">Riptide of memory</a> <a href="ronaldmcdonald.html">Ronald McDonald</a> <a href="roughgloves.html">Rough gloves</a> <a href="sapling.html">Sapling</a> <a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> <a href="sense-of-it.html">Sense of it</a> <a href="serengeti.html">Serengeti</a> <a href="shed.html">Shed</a> <a href="shipwright.html">The shipwright</a> <a href="sixteenth-chapel.html">The Sixteenth Chapel</a> <a href="snow.html">Snow</a> <a href="something-simple.html">“Let’s start with something simple:”</a> <a href="spittle.html">Spittle</a> <a href="squirrel.html">The squirrel</a> <a href="stagnant.html">Stagnant</a> <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">Stayed on the bus too long</a> <a href="stump.html">Stump</a> <a href="swansong-alt.html">Swansong</a> <a href="swansong.html">Swan song</a> <a href="swear.html">Swear</a> <a href="table_contents.html">Table of contents</a> <a href="tapestry.html">Tapestry</a> <a href="telemarketer.html">Telemarketer</a> <a href="the-night-we-met.html">The night we met, I was out of my mind</a> <a href="the-sea_the-beach.html">The sea and the beach</a> <a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a> <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a> <a href="todaniel.html">To Daniel</a> <a href="toilet.html">Toilet</a> <a href="toothpaste.html">Toothpaste</a> <a href="treatise.html">Treatise</a> <a href="underwear.html">Underwear</a> <a href="walking-in-the-rain.html">Walking in the rain</a> <a href="wallpaper.html">Wallpaper</a> <a href="weplayedthosegamestoo.html">We played those games too</a> <a href="what-we-are-made-of.html">What we are made of</a> <a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> <a href="window.html">Window</a> <a href="words-irritable-reaching.html">Words and their irritable reaching</a> <a href="words-meaning.html">Words and meaning</a> <a href="worse-looking-over.html">Worse looking over</a> <a href="writing.html">Writing</a> <a href="x-ray.html">X-ray</a> <a href="yellow.html">Yellow</a></p> | 38 | <p><a href="about-the-author.html">About the author</a> <a href="about_author.html">About Case Duckworth</a> <a href="amber-alert.html">AMBER alert</a> <a href="and.html">And</a> <a href="angeltoabraham.html">The angel to Abraham</a> <a href="apollo11.html">On seeing the panorama of the Apollo 11 landing site</a> <a href="art.html">Art</a> <a href="axe.html">Axe</a> <a href="big-dipper.html">The Big Dipper</a> <a href="boar.html">The boar</a> <a href="boy_bus.html">Boy on the bus</a> <a href="building.html">Building</a> <a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html">Cereal</a> <a href="cold-wind.html">Cold wind</a> <a href="collage-instrument.html">Instrumented</a> <a href="creation-myth.html">Creation myth</a> <a href="deadman.html">Dead man</a> <a href="death-zone.html">The Death Zone</a> <a href="deathstrumpet.html">“Death’s trumpet”</a> <a href="dollywood.html">Something</a> <a href="dream.html">Dream</a> <a href="early.html">Early</a> <a href="elegyforanalternateself.html">Elegy for an alternate self</a> <a href="ex-machina.html">Ex machina</a> <a href="exasperated.html">Exasperated</a> <a href="father.html">Father</a> <a href="feedingtheraven.html">Feeding the raven</a> <a href="finding-the-lion.html">Finding the Lion</a> <a href="fire.html">Fire</a> <a href="found-typewriter-poem.html">Look</a> <a href="hands.html">Hands</a> <a href="hard-game.html">A hard game</a> <a href="hardware.html">Hardware</a> <a href="howithappened.html">How it happened</a> <a href="hymnal.html">Hymnal</a> <a href="i-am.html">I am</a> <a href="i-think-its-you.html">I think it’s you</a> <a href="i-want-to-say.html">I want to say</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">In bed</a> <a href="initial-conditions.html">Initial conditions</a> <a href="january.html">January</a> <a href="joke.html">Joke</a> <a href="lappel-du-vide.html">L’appel du vide</a> <a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> <a href="last-bastion.html">Last bastion</a> <a href="last-passenger.html">Last passenger</a> <a href="leaf.html">Leaf</a> <a href="leg.html">Leg</a> <a href="likingthings.html">Liking Things</a> <a href="listen.html">Listen</a> <a href="love-as-god.html">Love as God</a> <a href="lovesong.html">Love Song</a> <a href="man.html">Man</a> <a href="moon-drowning.html">The Moon is drowning</a> <a href="moongone.html">The moon is gone and in its place a mirror</a> <a href="mountain.html">The mountain</a> <a href="movingsideways.html">Moving Sideways</a> <a href="music-433.html">Something</a> <a href="no-nothing.html">No nothing</a> <a href="notes.html">Notes</a> <a href="nothing-is-ever-over.html">Nothing is ever over</a> <a href="one-hundred-lines.html">One hundred lines</a> <a href="onformalpoetry.html">On formal poetry</a> <a href="options.html">Options</a> <a href="ouroboros_memory.html">Ouroboros of Memory</a> <a href="paul.html">Paul</a> <a href="peaches.html">Peaches</a> <a href="philosophy.html">Philosophy</a> <a href="phone.html">Phone</a> <a href="planks.html">Planks</a> <a href="plant.html">Litany</a> <a href="poetry-time.html">Something</a> <a href="prelude.html">Prelude</a> <a href="problems.html">Problems</a> <a href="proverbs.html">Proverbs</a> <a href="punch.html">Punch</a> <a href="purpose-dogs.html">The purpose of dogs</a> <a href="question.html">Question</a> <a href="real-writer.html">A real writer</a> <a href="reports.html">Reports</a> <a href="riptide_memory.html">Riptide of memory</a> <a href="ronaldmcdonald.html">Ronald McDonald</a> <a href="roughgloves.html">Rough gloves</a> <a href="sapling.html">Sapling</a> <a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> <a href="sense-of-it.html">Sense of it</a> <a href="serengeti.html">Serengeti</a> <a href="shed.html">Shed</a> <a href="shipwright.html">The shipwright</a> <a href="sixteenth-chapel.html">The Sixteenth Chapel</a> <a href="snow.html">Snow</a> <a href="something-simple.html">“Let’s start with something simple:”</a> <a href="spittle.html">Spittle</a> <a href="squirrel.html">The squirrel</a> <a href="stagnant.html">Stagnant</a> <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">Stayed on the bus too long</a> <a href="stump.html">Stump</a> <a href="swansong-alt.html">Swansong</a> <a href="swansong.html">Swan song</a> <a href="swear.html">Swear</a> <a href="table_contents.html">Table of contents</a> <a href="tapestry.html">Tapestry</a> <a href="telemarketer.html">Telemarketer</a> <a href="the-night-we-met.html">The night we met, I was out of my mind</a> <a href="the-sea_the-beach.html">The sea and the beach</a> <a href="theoceanoverflowswithcamels.html">The ocean overflows with camels</a> <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a> <a href="todaniel.html">To Daniel</a> <a href="toilet.html">Toilet</a> <a href="toothpaste.html">Toothpaste</a> <a href="treatise.html">Treatise</a> <a href="underwear.html">Underwear</a> <a href="walking-in-the-rain.html">Walking in the rain</a> <a href="wallpaper.html">Wallpaper</a> <a href="weplayedthosegamestoo.html">We played those games too</a> <a href="what-we-are-made-of.html">What we are made of</a> <a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> <a href="window.html">Window</a> <a href="worse-looking-over.html">Worse looking over</a> <a href="writing.html">Writing</a> <a href="x-ray.html">X-ray</a> <a href="yellow.html">Yellow</a></p> |
| 39 | </section> | 39 | </section> |
| 40 | </article> | 40 | </article> |
| 41 | <nav> | 41 | <nav> |
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| 37 | <section class="content prose"> | 37 | <section class="content prose"> |
| 38 | <p><a href="about-the-author.html">He was born on a few separate occasions <em>green traffic lights at night</em></a> <a href="about.html"><em>Autocento of the breakfast table</em> is a hypertextual exploration of the workings of revision across time.</a> <a href="about_author.html">Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.</a> <a href="abstract.html"><em>Autocento of the breakfast table</em> is my Master’s thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="amber-alert.html">Lost things have a way of staying lost.</a> <a href="and.html">And you were there at the start of it all</a> <a href="angeltoabraham.html">Abraham, Abraham, you are old and cannot hear:</a> <a href="apollo11.html">So it’s the fucking moon. Big deal. As if</a> <a href="arspoetica.html">What is poetry?</a> <a href="art.html">Paul was writing in his diary about art.</a> <a href="axe.html">Paul took his axe and went out into the woods to chop trees.</a> <a href="big-dipper.html">After searching for days or even months</a> <a href="boar.html">Now the ticking clocks scare me.</a> <a href="boy_bus.html">When he said Bible I heard his southern accent</a> <a href="building.html"><em>ART and CRAFT are only the inside and outside of the same building.</em></a> <a href="call-me-aural-pleasure.html">Like <em>40</em> as I challenge anyone to come too!</a> <a href="cereal.html">He woke up after eleven and didn’t go outside all day, not even to his Writing Shack.</a> <a href="cold-wind.html">Man of autumn, cold wind,</a> <a href="collage-instrument.html"><code>tr</code> has been a part of the Unix toolset since the late 70s.</a> <a href="creation-myth.html">So two hyperintelligent pandimensional beings</a> <a href="deadman.html">The dead man finds his way into our hearts</a> <a href="death-zone.html">When I think of death I think</a> <a href="deathstrumpet.html">He didn’t have any polish so he spit-shined the whole thing</a> <a href="dollywood.html">I turned off the TV as soon as the end credits began.</a> <a href="dream.html">It had gotten cold.</a> <a href="early.html"><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother watched TV and smoked.</a> <a href="elegyforanalternateself.html">Say there are no words. Say that we are conjoined</a> <a href="epigraph.html">I saw my life branching out before me like the green fig tree in the story.</a> <a href="ex-machina.html">Bottom of the drink: they had</a> <a href="exasperated.html">I didn’t write this sestina yesterday.</a> <a href="father.html">“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed.</a> <a href="feedingtheraven.html">You never can tell just when Charlie Sheen will enter your life.</a> <a href="finding-the-lion.html">Tonight, as I look up, the stars</a> <a href="fire.html">His mother ran out of the house in her nightgown.</a> <a href="found-typewriter-poem.html">Look, I say—look here—</a> <a href="hands.html">He looked down at his hands idly while he was typing.</a> <a href="hard-game.html">You think building Hoggle’s a hard game?</a> <a href="hardware.html">His mother drove him to the Hardware Store on a Tuesday.</a> <a href="howithappened.html">I was away on vacation when I heard—</a> <a href="howtoread.html">This book is an exploration of life, of all possible lives that could be lived.</a> <a href="hymnal.html"><em>It’s all jokes</em> Paul wrote in what he was now calling his Hymnal.</a> <a href="i-am.html">I am a great pillar of white smoke.</a> <a href="i-think-its-you.html">I thought I saw you walking</a> <a href="i-want-to-say.html">I want to say I take it all back</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something in order to</a> <a href="in-bed.html">I hear the rats run</a> <a href="initial-conditions.html">There is a theory which states the Universe</a> <a href="january.html">January.</a> <a href="joke.html">He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook.</a> <a href="lappel-du-vide.html">Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.</a> <a href="largest-asteroid.html">What secrets does it hold?</a> <a href="last-bastion.html">Dimly remembered celebrity chefs shuffle</a> <a href="last-passenger.html">Memory works strangely, spooling its thread</a> <a href="leaf.html">He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.</a> <a href="leg.html">His first chair was a stool.</a> <a href="likingthings.html">The definition of happiness is <em>doing stuff that you really like</em>.</a> <a href="listen.html">If you swallow hard enough</a> <a href="love-as-god.html">God is love, they say, but there is</a> <a href="lovesong.html">Walking along in the dark is a good way to begin a song.</a> <a href="man.html"><em>THIS MAN REFUSED TO OPEN HIS EYES</em></a> <a href="manifesto_poetics.html">What is a poem?</a> <a href="moon-drowning.html">The moon is drowning the stars it pushes them</a> <a href="moongone.html">The moon is gone and in its place a mirror.</a> <a href="mountain.html">The other side of this mountain</a> <a href="movingsideways.html">A dog moving sideways is sick; a man moving sideways is drunk.</a> <a href="music-433.html">Silence lies underneath us all in the same way</a> <a href="no-nothing.html">While swimming in the river</a> <a href="notes.html">Paul began typing on notecards.</a> <a href="nothing-is-ever-over.html">Nothing is ever over; nothing</a> <a href="on-genre-dimension.html">How does one describe a poem?</a> <a href="one-hundred-lines.html">Whenever you call me friend</a> <a href="onformalpoetry.html">I think that I could write formal poems</a> <a href="options.html">What did he do when he was in the woods?</a> <a href="ouroboros_memory.html">He said at the beginning, “It’s like rolling yarn into a too-small ball.</a> <a href="paul.html">CONTENTS OF THE SHED</a> <a href="peaches.html">“My anger is like a peach,” he said.</a> <a href="philosophy.html">Importance is important.</a> <a href="phone.html">“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s.</a> <a href="planks.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="plant.html">I need a plant. I need a thing</a> <a href="poetry-time.html">I’m writing this now because I have to.</a> <a href="prelude.html">Of course, there is a God.</a> <a href="problems.html">The problem with people is this: we cannot be happy.</a> <a href="process.html"><em>Autocento of the breakfast table</em> is an inter/hypertextual exploration of the workings of inspiration, revision, and obsession.</a> <a href="proverbs.html">Nothing matters; everything is sacred.</a> <a href="punch.html">When he finally got back to work he was surprised they threw him a party.</a> <a href="purpose-dogs.html">Okay, so as we said in the Prelude, there either is or isn’t a God.</a> <a href="question.html">“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work.</a> <a href="real-writer.html">Sometimes I feel as though I am not a real writer.</a> <a href="reports.html">“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.</a> <a href="riptide_memory.html">Inside of my memory, the poem is another memory.</a> <a href="ronaldmcdonald.html">When Ronald McDonald takes off his striped shirt,</a> <a href="roughgloves.html">I lost my hands & knit replacement ones</a> <a href="sapling.html">He chopped down a sapling pine tree and looked at his watch.</a> <a href="seasonal-affective-disorder.html">On your desk I set a tangerine:</a> <a href="sense-of-it.html">I only write poems on the bus anymore.</a> <a href="serengeti.html">The self is a serengeti</a> <a href="shed.html">“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV.</a> <a href="shipwright.html">He builds a ship as if it were the last thing</a> <a href="sixteenth-chapel.html">If Justin Bieber isn’t going for the sixteenth</a> <a href="snow.html"><em>I don’t care if they burn</em> he wrote on his last blank notecard.</a> <a href="something-simple.html">in mammals the ratio between bladder size</a> <a href="spittle.html">My body is attached to your body by a thin spittle of thought.</a> <a href="squirrel.html">He is so full in himself:</a> <a href="stagnant.html">“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work.</a> <a href="statements-frag.html">“Can one truly describe an emotion?” Eli asked me over the walkie-talkie.</a> <a href="stayed-on-the-bus.html">It was a gamble</a> <a href="stump.html">He walked into the woods for the first time in months.</a> <a href="swansong-alt.html">This poem is dry like chapped lips.</a> <a href="swansong.html">Swans fly overhead singing goodbye</a> <a href="swear.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a> <a href="table_contents.html">4. The look she gave me 4. Half-hours in heaven are three times</a> <a href="tapestry.html"><em>Apparently typewriters need ribbon.</em></a> <a href="telemarketer.html">It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.</a> <a href="the-night-we-met.html">My head is full of fire, my tongue swollen,</a> <a href="the-sea_the-beach.html">Waiting for a reading to start</a> <a href="theoceanoverflowswithcamels.html">We found your shirt deep in the dark water,</a> <a href="time-looks-up-to-the-sky.html">I wish I’d kissed you when I had the chance.</a> <a href="todaniel.html">There are more modern ideals of beauty</a> <a href="toilet.html">Paul only did his reading on the toilet.</a> <a href="toothpaste.html">He couldn’t find a shirt to go to work in.</a> <a href="treatise.html">TREATISE ON LITERATURE AS “SPOOKY</a> <a href="underwear.html">He dropped the penny in the dryer, turned it on, and turned around.</a> <a href="walking-in-the-rain.html">I can walk through the rain, that rare occurrence</a> <a href="wallpaper.html">He didn’t go back into the shed for a long time.</a> <a href="weplayedthosegamestoo.html">I saw two Eskimo girls playing a game</a> <a href="what-we-are-made-of.html">There is a cave just outside of Flagstaff made from ancient lava flows.</a> <a href="when-im-sorry-i.html">Your casserole dish takes the longest:</a> <a href="window.html"><em><strong>HYMN 386: JOKES</strong></em></a> <a href="words-irritable-reaching.html">Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.</a> <a href="words-meaning.html">“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.”</a> <a href="worse-looking-over.html">The radio is screaming the man</a> <a href="writing.html">He sat down at his writing desk and removed his new pen from its plastic wrapping.</a> <a href="x-ray.html">While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out.</a> <a href="yellow.html">He would enter data at work for fifty minutes and then go on break.</a></p> | 38 | <p><a href="about-the-author.html">He was born on a few separate occasions <em>green traffic lights at night</em></a> <a href="about_author.html">Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.</a> <a href="amber-alert.html">Lost things have a way of staying lost.</a> <a href="and.html">And you were there at the start of it all</a> <a href="angeltoabraham.html">Abraham, Abraham, you are old and cannot hear:</a> <a href="apollo11.html">So it’s the fucking moon. Big deal. As if</a> <a href="art.html">Paul was writing in his diary about art.</a> <a href="axe.html">Paul took his axe and went out into the woods to chop trees.</a> <a href="big-dipper.html">After searching for days or even months</a> <a href="boar.html">Now the ticking clocks scare me.</a> <a href="boy_bus.html">When he said Bible I heard his southern accent</a> <a href="building.html"><em>ART and CRAFT are only the inside and outside of the same building.</em></a> <a href="call-me-aural-pleasure.html">Like <em>40</em> as I challenge anyone to come too!</a> <a href="cereal.html">He woke up after eleven and didn’t go outside all day, not even to his Writing Shack.</a> <a href="cold-wind.html">Man of autumn, cold wind,</a> <a href="collage-instrument.html"><code>tr</code> has been a part of the Unix toolset since the late 70s.</a> <a href="creation-myth.html">So two hyperintelligent pandimensional beings</a> <a href="deadman.html">The dead man finds his way into our hearts</a> <a href="death-zone.html">When I think of death I think</a> <a href="deathstrumpet.html">He didn’t have any polish so he spit-shined the whole thing</a> <a href="dollywood.html">I turned off the TV as soon as the end credits began.</a> <a href="dream.html">It had gotten cold.</a> <a href="early.html"><em>YOU CANNOT DISCOVER ART ART MUST BE CREATED</em> he sat on the couch at home while his mother watched TV and smoked.</a> <a href="elegyforanalternateself.html">Say there are no words. Say that we are conjoined</a> <a href="ex-machina.html">Bottom of the drink: they had</a> <a href="exasperated.html">I didn’t write this sestina yesterday.</a> <a href="father.html">“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed.</a> <a href="feedingtheraven.html">You never can tell just when Charlie Sheen will enter your life.</a> <a href="finding-the-lion.html">Tonight, as I look up, the stars</a> <a href="fire.html">His mother ran out of the house in her nightgown.</a> <a href="found-typewriter-poem.html">Look, I say—look here—</a> <a href="hands.html">He looked down at his hands idly while he was typing.</a> <a href="hard-game.html">You think building Hoggle’s a hard game?</a> <a href="hardware.html">His mother drove him to the Hardware Store on a Tuesday.</a> <a href="howithappened.html">I was away on vacation when I heard—</a> <a href="hymnal.html"><em>It’s all jokes</em> Paul wrote in what he was now calling his Hymnal.</a> <a href="i-am.html">I am a great pillar of white smoke.</a> <a href="i-think-its-you.html">I thought I saw you walking</a> <a href="i-want-to-say.html">I want to say I take it all back</a> <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something in order to</a> <a href="in-bed.html">I hear the rats run</a> <a href="initial-conditions.html">There is a theory which states the Universe</a> <a href="january.html">January.</a> <a href="joke.html">He wrote <em><strong>JOKES</strong></em> on the top of a page in his notebook.</a> <a href="lappel-du-vide.html">Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.</a> <a href="largest-asteroid.html">What secrets does it hold?</a> <a href="last-bastion.html">Dimly remembered celebrity chefs shuffle</a> <a href="last-passenger.html">Memory works strangely, spooling its thread</a> <a href="leaf.html">He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.</a> <a href="leg.html">His first chair was a stool.</a> <a href="likingthings.html">The definition of happiness is <em>doing stuff that you really like</em>.</a> <a href="listen.html">If you swallow hard enough</a> <a href="love-as-god.html">God is love, they say, but there is</a> <a href="lovesong.html">Walking along in the dark is a good way to begin a song.</a> <a href="man.html"><em>THIS MAN REFUSED TO OPEN HIS EYES</em></a> <a href="moon-drowning.html">The moon is drowning the stars it pushes them</a> <a href="moongone.html">The moon is gone and in its place a mirror.</a> <a href="mountain.html">The other side of this mountain</a> <a href="movingsideways.html">A dog moving sideways is sick; a man moving sideways is drunk.</a> <a href="music-433.html">Silence lies underneath us all in the same way</a> <a href="no-nothing.html">While swimming in the river</a> <a href="notes.html">Paul began typing on notecards.</a> <a href="nothing-is-ever-over.html">Nothing is ever over; nothing</a> <a href="one-hundred-lines.html">Whenever you call me friend</a> <a href="onformalpoetry.html">I think that I could write formal poems</a> <a href="options.html">What did he do when he was in the woods?</a> <a href="ouroboros_memory.html">He said at the beginning, “It’s like rolling yarn into a too-small ball.</a> <a href="paul.html">CONTENTS OF THE SHED</a> <a href="peaches.html">“My anger is like a peach,” he said.</a> <a href="philosophy.html">Importance is important.</a> <a href="phone.html">“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s.</a> <a href="planks.html">EVERYTHING CHANGES OR EVERYTHING</a> <a href="plant.html">I need a plant. I need a thing</a> <a href="poetry-time.html">I’m writing this now because I have to.</a> <a href="prelude.html">Of course, there is a God.</a> <a href="problems.html">The problem with people is this: we cannot be happy.</a> <a href="proverbs.html">Nothing matters; everything is sacred.</a> <a href="punch.html">When he finally got back to work he was surprised they threw him a party.</a> <a href="purpose-dogs.html">Okay, so as we said in the Prelude, there either is or isn’t a God.</a> <a href="question.html">“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work.</a> <a href="real-writer.html">Sometimes I feel as though I am not a real writer.</a> <a href="reports.html">“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.</a> <a href="riptide_memory.html">Inside of my memory, the poem is another memory.</a> <a href="ronaldmcdonald.html">When Ronald McDonald takes off his striped shirt,</a> <a href="roughgloves.html">I lost my hands & knit replacement ones</a> <a href="sapling.html">He chopped down a sapling pine tree and looked at his watch.</a> <a href="seasonal-affective-disorder.html">On your desk I set a tangerine:</a> <a href="sense-of-it.html">I only write poems on the bus anymore.</a> <a href="serengeti.html">The self is a serengeti</a> <a href="shed.html">“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV.</a> <a href="shipwright.html">He builds a ship as if it were the last thing</a> <a href="sixteenth-chapel.html">If Justin Bieber isn’t going for the sixteenth</a> <a href="snow.html"><em>I don’t care if they burn</em> he wrote on his last blank notecard.</a> <a href="something-simple.html">in mammals the ratio between bladder size</a> <a href="spittle.html">My body is attached to your body by a thin spittle of thought.</a> <a href="squirrel.html">He is so full in himself:</a> <a href="stagnant.html">“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work.</a> <a href="statements-frag.html">“Can one truly describe an emotion?” Eli asked me over the walkie-talkie.</a> <a href="stayed-on-the-bus.html">It was a gamble</a> <a href="stump.html">He walked into the woods for the first time in months.</a> <a href="swansong-alt.html">This poem is dry like chapped lips.</a> <a href="swansong.html">Swans fly overhead singing goodbye</a> <a href="swear.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a> <a href="table_contents.html">4. The look she gave me 4. Half-hours in heaven are three times</a> <a href="tapestry.html"><em>Apparently typewriters need ribbon.</em></a> <a href="telemarketer.html">It was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.</a> <a href="the-night-we-met.html">My head is full of fire, my tongue swollen,</a> <a href="the-sea_the-beach.html">Waiting for a reading to start</a> <a href="theoceanoverflowswithcamels.html">We found your shirt deep in the dark water,</a> <a href="time-looks-up-to-the-sky.html">I wish I’d kissed you when I had the chance.</a> <a href="todaniel.html">There are more modern ideals of beauty</a> <a href="toilet.html">Paul only did his reading on the toilet.</a> <a href="toothpaste.html">He couldn’t find a shirt to go to work in.</a> <a href="treatise.html">TREATISE ON LITERATURE AS “SPOOKY</a> <a href="underwear.html">He dropped the penny in the dryer, turned it on, and turned around.</a> <a href="walking-in-the-rain.html">I can walk through the rain, that rare occurrence</a> <a href="wallpaper.html">He didn’t go back into the shed for a long time.</a> <a href="weplayedthosegamestoo.html">I saw two Eskimo girls playing a game</a> <a href="what-we-are-made-of.html">There is a cave just outside of Flagstaff made from ancient lava flows.</a> <a href="when-im-sorry-i.html">Your casserole dish takes the longest:</a> <a href="window.html"><em><strong>HYMN 386: JOKES</strong></em></a> <a href="worse-looking-over.html">The radio is screaming the man</a> <a href="writing.html">He sat down at his writing desk and removed his new pen from its plastic wrapping.</a> <a href="x-ray.html">While chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out.</a> <a href="yellow.html">He would enter data at work for fifty minutes and then go on break.</a></p> |
| 39 | </section> | 39 | </section> |
| 40 | </article> | 40 | </article> |
| 41 | <nav> | 41 | <nav> |
| diff --git a/text/about.txt b/front-matter/about.txt index 4a2564b..4a2564b 100644 --- a/text/about.txt +++ b/front-matter/about.txt | |||
| diff --git a/text/abstract.txt b/front-matter/abstract.txt index 649cdab..649cdab 100644 --- a/text/abstract.txt +++ b/front-matter/abstract.txt | |||
| diff --git a/text/arspoetica.txt b/front-matter/arspoetica.txt index 2ca9033..2ca9033 100644 --- a/text/arspoetica.txt +++ b/front-matter/arspoetica.txt | |||
| diff --git a/front-matter/colophon.txt b/front-matter/colophon.txt new file mode 100644 index 0000000..92819f7 --- /dev/null +++ b/front-matter/colophon.txt | |||
| @@ -0,0 +1,45 @@ | |||
| 1 | --- | ||
| 2 | title: Colophon | ||
| 3 | id: colophon | ||
| 4 | genre: prose | ||
| 5 | |||
| 6 | project: | ||
| 7 | title: Front matter | ||
| 8 | class: front-matter | ||
| 9 | ... | ||
| 10 | |||
| 11 | This website is authored in [Vim][] | ||
| 12 | using an extended version of John Gruber's [Markdown][] syntax. | ||
| 13 | It's compiled into HTML and other formats | ||
| 14 | with John McFarlane's [pandoc][] document-conversion tool. | ||
| 15 | The site is hosted on [Github][] at <github.com/duckwork/autocento>. | ||
| 16 | |||
| 17 | The content of this site has been compiled | ||
| 18 | from a multitude of other projects, including | ||
| 19 | _[Elegies for alternate selves][elegies]_, | ||
| 20 | _[The book of Hezekiah][hez]_, | ||
| 21 | _[Stark raving][stark]_ (later called _Everything changes_), | ||
| 22 | and _[Buildings out of air][paul]_, | ||
| 23 | as well as new poems written 2014--2015. | ||
| 24 | |||
| 25 | The [appendices][], as well as the HTML itself | ||
| 26 | and backlink functionality, | ||
| 27 | are compiled with [this makefile][makefile]. | ||
| 28 | The Javascript that randomizes the ξ link at the bottom of each page | ||
| 29 | is located [here][randomizer]. | ||
| 30 | |||
| 31 | Any questions or accolades can be directed to my [email][]. | ||
| 32 | |||
| 33 | [Vim]: http://www.vim.org | ||
| 34 | [Markdown]: http://daringfireball.net/projects/markdown/ | ||
| 35 | [pandoc]: http://johnmcfarlane.net/pandoc/ | ||
| 36 | [Github]: https://github.com | ||
| 37 | [elegies]: elegyforanalternateself.html | ||
| 38 | [hez]: prelude.html | ||
| 39 | [stark]: table_contents.html | ||
| 40 | [paul]: art.html | ||
| 41 | [appendices]: hapax.html | ||
| 42 | [makefile]: https://github.com/duckwork/autocento/blob/gh-pages/makefile | ||
| 43 | [randomizer]: https://github.com/duckwork/autocento/blob/gh-pages/scripts/randomize.js | ||
| 44 | |||
| 45 | [email]: mailto:case.duckworth+autocento@gmail.com | ||
| diff --git a/text/epigraph.txt b/front-matter/epigraph.txt index 2dc2c13..2dc2c13 100644 --- a/text/epigraph.txt +++ b/front-matter/epigraph.txt | |||
| diff --git a/text/howtoread.txt b/front-matter/howtoread.txt index d03b1b2..d03b1b2 100644 --- a/text/howtoread.txt +++ b/front-matter/howtoread.txt | |||
| diff --git a/text/manifesto_poetics.txt b/front-matter/manifesto_poetics.txt index 5b5181e..5b5181e 100644 --- a/text/manifesto_poetics.txt +++ b/front-matter/manifesto_poetics.txt | |||
| diff --git a/text/on-genre-dimension.txt b/front-matter/on-genre-dimension.txt index 65d305d..65d305d 100644 --- a/text/on-genre-dimension.txt +++ b/front-matter/on-genre-dimension.txt | |||
| diff --git a/text/process.txt b/front-matter/process.txt index 955f0f3..955f0f3 100644 --- a/text/process.txt +++ b/front-matter/process.txt | |||
| diff --git a/text/words-irritable-reaching.txt b/front-matter/words-irritable-reaching.txt index 07b5ef9..07b5ef9 100644 --- a/text/words-irritable-reaching.txt +++ b/front-matter/words-irritable-reaching.txt | |||
| diff --git a/text/words-meaning.txt b/front-matter/words-meaning.txt index 06747a1..06747a1 100644 --- a/text/words-meaning.txt +++ b/front-matter/words-meaning.txt | |||
| diff --git a/hapax.html b/hapax.html index 46b9dbf..6d69518 100644 --- a/hapax.html +++ b/hapax.html | |||
| @@ -35,7 +35,7 @@ | |||
| 35 | 35 | ||
| 36 | 36 | ||
| 37 | <section class="content prose"> | 37 | <section class="content prose"> |
| 38 | <p><a href="poetry-time.html">0</a> <a href="about.html">10</a> <a href="about.html">130</a> <a href="dollywood.html">19</a> <a href="on-genre-dimension.html">1970s</a> <a href="collage-instrument.html">1977</a> <a href="about-the-author.html">1994</a> <a href="about_author.html">1997</a> <a href="dollywood.html">20</a> <a href="howtoread.html">2000</a> <a href="todaniel.html">2006</a> <a href="about.html">2015</a> <a href="man.html">203</a> <a href="man.html">22</a> <a href="man.html">28</a> <a href="paul.html">2x</a> <a href="dollywood.html">30</a> <a href="dollywood.html">32</a> <a href="music-433.html">33</a> <a href="call-me-aural-pleasure.html">4/10</a> <a href="call-me-aural-pleasure.html">40</a> <a href="dollywood.html">50</a> <a href="dollywood.html">55</a> <a href="dollywood.html">58</a> <a href="about.html">6</a> <a href="about.html">7</a> <a href="collage-instrument.html">70s</a> <a href="dollywood.html">8</a> <a href="on-genre-dimension.html">80s</a> <a href="about.html">9</a> <a href="collage-instrument.html">a-z</a> <a href="something-simple.html">abandoned</a> <a href="howithappened.html">abel</a> <a href="likingthings.html">abounds</a> <a href="what-we-are-made-of.html">absence</a> <a href="statements-frag.html">absent-mindedly</a> <a href="words-meaning.html">absolute</a> <a href="i-want-to-say.html">absolution</a> <a href="abstract.html">abstract</a> <a href="boy_bus.html">accent</a> <a href="man.html">accentuated</a> <a href="death-zone.html">accept</a> <a href="about.html">accomplish</a> <a href="about.html">accomplished</a> <a href="movingsideways.html">account</a> <a href="lappel-du-vide.html">accounting</a> <a href="about-the-author.html">accounts</a> <a href="about.html">accurate</a> <a href="telemarketer.html">accurately</a> <a href="cold-wind.html">ache</a> <a href="nothing-is-ever-over.html">aching</a> <a href="moon-drowning.html">acknowledges</a> <a href="problems.html">activities</a> <a href="telemarketer.html">actor’s</a> <a href="on-genre-dimension.html">adage</a> <a href="todaniel.html">adam</a> <a href="howtoread.html">adapting</a> <a href="on-genre-dimension.html">additionally</a> <a href="howtoread.html">additive</a> <a href="lappel-du-vide.html">adjust</a> <a href="dream.html">adjusted</a> <a href="stayed-on-the-bus.html">admin</a> <a href="axe.html">admired</a> <a href="words-irritable-reaching.html">admits</a> <a href="building.html">advantages</a> <a href="manifesto_poetics.html">advertisements</a> <a href="apollo11.html">affairs</a> <a href="about-the-author.html">afford</a> <a href="about.html">afloat</a> <a href="epigraph.html">africa</a> <a href="call-me-aural-pleasure.html">afterbend</a> <a href="call-me-aural-pleasure.html">afterbirth</a> <a href="and.html">afterthought</a> <a href="boy_bus.html">age</a> <a href="on-genre-dimension.html">agent</a> <a href="words-irritable-reaching.html">agree</a> <a href="movingsideways.html">agreeable</a> <a href="peaches.html">agreed</a> <a href="largest-asteroid.html">aimed</a> <a href="ronaldmcdonald.html">aisle</a> <a href="on-genre-dimension.html">akin</a> <a href="about.html">al</a> <a href="dollywood.html">alarm</a> <a href="howtoread.html">alberto</a> <a href="problems.html">alcoholic</a> <a href="theoceanoverflowswithcamels.html">algae</a> <a href="about-the-author.html">alien</a> <a href="last-passenger.html">alight</a> <a href="table_contents.html">alights</a> <a href="father.html">alike</a> <a href="table_contents.html">allen</a> <a href="dollywood.html">allowing</a> <a href="about.html">alonefor</a> <a href="dollywood.html">aloof</a> <a href="collage-instrument.html">alpha</a> <a href="telemarketer.html">alright</a> <a href="swansong.html">alt</a> <a href="epigraph.html">amazing</a> <a href="table_contents.html">amble</a> <a href="epigraph.html">america</a> <a href="statements-frag.html">amicable</a> <a href="finding-the-lion.html">amongst</a> <a href="about.html">amount</a> <a href="words-meaning.html">analogue</a> <a href="words-meaning.html">analytic</a> <a href="lappel-du-vide.html">anemones</a> <a href="elegyforanalternateself.html">animal</a> <a href="statements-frag.html">ankle</a> <a href="about.html">anniversary</a> <a href="x-ray.html">annoy</a> <a href="the-sea_the-beach.html">annoyances</a> <a href="snow.html">annoyed</a> <a href="about.html">annoying</a> <a href="seasonal-affective-disorder.html">ant</a> <a href="window.html">anticipation</a> <a href="on-genre-dimension.html">any-sized</a> <a href="apollo11.html">apollo</a> <a href="in-bed.html">apologize</a> <a href="when-im-sorry-i.html">apologizing</a> <a href="statements-frag.html">apology</a> <a href="initial-conditions.html">appear</a> <a href="i-want-to-say.html">appeared</a> <a href="about.html">apple</a> <a href="words-irritable-reaching.html">applied</a> <a href="about.html">apply</a> <a href="underwear.html">appointment</a> <a href="likingthings.html">appreciate</a> <a href="about.html">approximation</a> <a href="about.html">april</a> <a href="deadman.html">aquarium</a> <a href="dream.html">arabic</a> <a href="deathstrumpet.html">arcade</a> <a href="words-irritable-reaching.html">archers</a> <a href="about.html">arefor</a> <a href="january.html">argument</a> <a href="call-me-aural-pleasure.html">arguments</a> <a href="philosophy.html">arises</a> <a href="howithappened.html">ark</a> <a href="dollywood.html">arm</a> <a href="about.html">arrive</a> <a href="onformalpoetry.html">arrow</a> <a href="fire.html">arson</a> <a href="abstract.html">artist’s</a> <a href="apollo11.html">ascribing</a> <a href="plant.html">ashbark</a> <a href="riptide_memory.html">asleep</a> <a href="on-genre-dimension.html">aspects</a> <a href="building.html">aspiration</a> <a href="peaches.html">ass</a> <a href="words-irritable-reaching.html">asserting</a> <a href="collage-instrument.html">assertion</a> <a href="todaniel.html">assets</a> <a href="ronaldmcdonald.html">associations</a> <a href="manifesto_poetics.html">assumptions</a> <a href="howtoread.html">asteroid</a> <a href="plant.html">astonished</a> <a href="yellow.html">asylums</a> <a href="peaches.html">atlanta</a> <a href="peaches.html">atlanta’s</a> <a href="about.html">atlassian</a> <a href="dollywood.html">atmosphere</a> <a href="howtoread.html">atom</a> <a href="spittle.html">attached</a> <a href="what-we-are-made-of.html">attack</a> <a href="movingsideways.html">attempted</a> <a href="real-writer.html">attic</a> <a href="epigraph.html">attila</a> <a href="words-irritable-reaching.html">attributes</a> <a href="last-bastion.html">audience</a> <a href="seasonal-affective-disorder.html">aunt</a> <a href="call-me-aural-pleasure.html">aural</a> <a href="about.html">authorship</a> <a href="dollywood.html">autograph</a> <a href="about.html">automates</a> <a href="movingsideways.html">automobile</a> <a href="movingsideways.html">average</a> <a 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href="call-me-aural-pleasure.html">40</a> <a href="dollywood.html">50</a> <a href="dollywood.html">55</a> <a href="dollywood.html">58</a> <a href="collage-instrument.html">70s</a> <a href="dollywood.html">8</a> <a href="collage-instrument.html">a-z</a> <a href="something-simple.html">abandoned</a> <a href="howithappened.html">abel</a> <a href="likingthings.html">abounds</a> <a href="what-we-are-made-of.html">absence</a> <a href="statements-frag.html">absent-mindedly</a> <a href="i-wanted-to-tell-you-something.html">absolutely</a> <a href="i-want-to-say.html">absolution</a> <a href="x-ray.html">absorbed</a> <a href="boy_bus.html">accent</a> <a href="man.html">accentuated</a> <a href="death-zone.html">accept</a> <a href="collage-instrument.html">access</a> <a href="movingsideways.html">account</a> <a href="lappel-du-vide.html">accounting</a> <a href="about-the-author.html">accounts</a> <a href="telemarketer.html">accurately</a> <a href="cold-wind.html">ache</a> <a 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href="movingsideways.html">vogue</a> <a href="weplayedthosegamestoo.html">voicebox</a> <a href="about_author.html">voiced</a> <a href="call-me-aural-pleasure.html">vote</a> <a href="proverbs.html">wagging</a> <a href="no-nothing.html">wailful</a> <a href="dollywood.html">waists</a> <a href="window.html">waits</a> <a href="nothing-is-ever-over.html">wakes</a> <a href="about-the-author.html">walgreen’s</a> <a href="swansong.html">walkers</a> <a href="movingsideways.html">wandered</a> <a href="table_contents.html">wandering</a> <a href="call-me-aural-pleasure.html">wanna</a> <a href="plant.html">warbling</a> <a href="january.html">ward</a> <a href="cereal.html">warm-cold</a> <a href="no-nothing.html">warmer</a> <a href="no-nothing.html">warmth</a> <a href="telemarketer.html">warning</a> <a href="what-we-are-made-of.html">warthog</a> <a href="sixteenth-chapel.html">wary</a> <a href="cereal.html">washer</a> <a href="last-bastion.html">waste</a> <a href="worse-looking-over.html">wasted</a> <a href="shed.html">wasting</a> <a href="hard-game.html">wastrel’s</a> <a href="cold-wind.html">watcher</a> <a href="plant.html">waterlike</a> <a href="howithappened.html">waters</a> <a href="spittle.html">watery-eyed</a> <a href="dollywood.html">waved</a> <a href="window.html">wavered</a> <a href="lappel-du-vide.html">waving</a> <a href="initial-conditions.html">weak</a> <a href="plant.html">weary</a> <a href="walking-in-the-rain.html">weather</a> <a href="likingthings.html">weave</a> <a href="exasperated.html">weaving</a> <a href="lappel-du-vide.html">wednesday</a> <a href="peaches.html">weed</a> <a href="reports.html">weekend</a> <a href="ronaldmcdonald.html">weekends</a> <a href="about_author.html">welker</a> <a href="feedingtheraven.html">welling</a> <a href="plant.html">wetly</a> <a href="last-passenger.html">wetness</a> <a href="what-we-are-made-of.html">what-do-we-do-now</a> <a href="deadman.html">wheeling</a> <a href="last-bastion.html">wheels</a> <a href="dollywood.html">when’s</a> <a href="one-hundred-lines.html">whenever</a> <a href="man.html">whichever</a> <a href="table_contents.html">whinny</a> <a href="plant.html">whisper</a> <a href="time-looks-up-to-the-sky.html">whispered</a> <a href="largest-asteroid.html">whistfully</a> <a href="stagnant.html">whistle</a> <a href="what-we-are-made-of.html">whiteness</a> <a href="leg.html">whittle</a> <a href="leg.html">whittled</a> <a href="what-we-are-made-of.html">wicker</a> <a href="plant.html">widening</a> <a href="dollywood.html">widgets</a> <a href="one-hundred-lines.html">wild</a> <a href="sense-of-it.html">willed</a> <a href="hardware.html">william</a> <a href="likingthings.html">win</a> <a href="plant.html">windblown</a> <a href="last-bastion.html">windows</a> <a href="call-me-aural-pleasure.html">wine</a> <a href="what-we-are-made-of.html">winked</a> <a href="seasonal-affective-disorder.html">winter-returned</a> <a href="roughgloves.html">winters</a> <a href="about-the-author.html">wintery</a> <a href="exasperated.html">wishful</a> <a href="dollywood.html">wisps</a> <a href="statements-frag.html">withdrew</a> <a href="leg.html">wobbly</a> <a href="problems.html">women’s</a> <a href="paul.html">wooden</a> <a href="wallpaper.html">woodgrain</a> <a href="roughgloves.html">wool</a> <a href="peaches.html">worked</a> <a href="telemarketer.html">workers</a> <a href="plant.html">working</a> <a href="last-passenger.html">works</a> <a href="plant.html">worldmaking</a> <a href="plant.html">wormilled</a> <a href="plant.html">worms</a> <a href="movingsideways.html">worry</a> <a href="i-am.html">worship</a> <a href="i-am.html">wound</a> <a href="plant.html">wounds</a> <a href="riptide_memory.html">woven</a> <a href="statements-frag.html">wrap-up</a> <a href="paul.html">wrench</a> <a href="one-hundred-lines.html">wrestling</a> <a href="about-the-author.html">wriggled</a> <a href="nothing-is-ever-over.html">wrists</a> <a href="peaches.html">writers’</a> <a href="treatise.html">writes</a> <a href="x-ray.html">x-ray</a> <a href="x-ray.html">x-rays</a> <a href="collage-instrument.html">xenophobia</a> <a href="the-sea_the-beach.html">yawn</a> <a href="what-we-are-made-of.html">yawns</a> <a href="call-me-aural-pleasure.html">yeah</a> <a href="sixteenth-chapel.html">year-old</a> <a href="one-hundred-lines.html">yearning</a> <a href="poetry-time.html">yearns</a> <a href="dollywood.html">yell</a> <a href="joke.html">yelling</a> <a href="plant.html">yellowshot</a> <a href="exasperated.html">yesterday</a> <a href="moongone.html">yields</a> <a href="one-hundred-lines.html">yoke</a> <a href="last-passenger.html">yoked</a> <a href="what-we-are-made-of.html">yolks</a> <a href="plant.html">youngnesses</a> <a href="sixteenth-chapel.html">youth</a> <a href="sixteenth-chapel.html">youthful</a> <a href="dollywood.html">zipped</a> <a href="dollywood.html">zipper</a> <a href="death-zone.html">zone</a> <a href="shed.html">zoom</a> <a href="last-passenger.html">zoos</a></p> |
| 39 | </section> | 39 | </section> |
| 40 | </article> | 40 | </article> |
| 41 | <nav> | 41 | <nav> |
| diff --git a/islands.html b/islands.html index d1193e9..43883af 100644 --- a/islands.html +++ b/islands.html | |||
| @@ -37,18 +37,20 @@ | |||
| 37 | <section class="content list"> | 37 | <section class="content list"> |
| 38 | <ul> | 38 | <ul> |
| 39 | <li><a href="about_author.html">“About the author”</a></li> | 39 | <li><a href="about_author.html">“About the author”</a></li> |
| 40 | <li><a href="abstract.html">“<em>abstract</em>”</a></li> | 40 | <li><a href="art.html">“Art”</a></li> |
| 41 | <li><a href="dollywood.html">“Something about my tenure as a bear”</a></li> | ||
| 41 | <li><a href="hardware.html">“Hardware”</a></li> | 42 | <li><a href="hardware.html">“Hardware”</a></li> |
| 42 | <li><a href="i-want-to-say.html">“I want to say”</a></li> | 43 | <li><a href="i-want-to-say.html">“I want to say”</a></li> |
| 43 | <li><a href="notes.html">“Notes”</a></li> | 44 | <li><a href="notes.html">“Notes”</a></li> |
| 44 | <li><a href="paul.html">“Paul”</a></li> | 45 | <li><a href="paul.html">“Paul”</a></li> |
| 46 | <li><a href="peaches.html">“Peaches”</a></li> | ||
| 45 | <li><a href="punch.html">“Punch”</a></li> | 47 | <li><a href="punch.html">“Punch”</a></li> |
| 46 | <li><a href="sapling.html">“Sapling”</a></li> | 48 | <li><a href="sapling.html">“Sapling”</a></li> |
| 47 | <li><a href="shed.html">“Shed”</a></li> | 49 | <li><a href="shed.html">“Shed”</a></li> |
| 48 | <li><a href="toothpaste.html">“Toothpaste”</a></li> | 50 | <li><a href="toothpaste.html">“Toothpaste”</a></li> |
| 49 | <li><a href="walking-in-the-rain.html">“Walking in the rain”</a></li> | 51 | <li><a href="walking-in-the-rain.html">“Walking in the rain”</a></li> |
| 50 | <li><a href="words-irritable-reaching.html">“Words and their irritable reaching”</a></li> | ||
| 51 | <li><a href="writing.html">“Writing”</a></li> | 52 | <li><a href="writing.html">“Writing”</a></li> |
| 53 | <li><a href="yellow.html">“Yellow”</a></li> | ||
| 52 | </ul> | 54 | </ul> |
| 53 | </section> | 55 | </section> |
| 54 | </article> | 56 | </article> |
| diff --git a/makefile b/makefile index 5ba127c..890d33c 100644 --- a/makefile +++ b/makefile | |||
| @@ -3,19 +3,22 @@ | |||
| 3 | # vim: fdm=marker | 3 | # vim: fdm=marker |
| 4 | 4 | ||
| 5 | # variables {{{ | 5 | # variables {{{ |
| 6 | appendixd := appendix | 6 | appendixd := appendix |
| 7 | backlinkd := backlinks | 7 | backlinkd := backlinks |
| 8 | hapaxd := hapax | 8 | frontmatterd := front-matter |
| 9 | scriptd := scripts | 9 | hapaxd := hapax |
| 10 | templated := templates | 10 | scriptd := scripts |
| 11 | textd := text | 11 | templated := templates |
| 12 | trunkd := trunk | 12 | textd := text |
| 13 | wipd := wip | 13 | trunkd := trunk |
| 14 | wipd := wip | ||
| 14 | 15 | ||
| 15 | compiler := bash $(scriptd)/compile.sh | 16 | compiler := bash $(scriptd)/compile.sh |
| 16 | texts := $(wildcard $(textd)/*.txt) | 17 | texts := $(wildcard $(textd)/*.txt) |
| 18 | frontmatter := $(wildcard $(frontmatterd)/*.txt) | ||
| 17 | 19 | ||
| 18 | htmls = $(patsubst $(textd)/%.txt,%.html,$(texts)) | 20 | htmls = $(patsubst $(textd)/%.txt,%.html,$(texts)) \ |
| 21 | $(patsubst $(frontmatterd)/%.txt,%.html,$(frontmatter)) | ||
| 19 | htmlWriter := html5 | 22 | htmlWriter := html5 |
| 20 | htmlTemplate := $(templated)/page.html | 23 | htmlTemplate := $(templated)/page.html |
| 21 | htmlFilter := $(scriptd)/versify.exe | 24 | htmlFilter := $(scriptd)/versify.exe |
| @@ -80,6 +83,9 @@ again : clean all | |||
| 80 | %.html : $(textd)/%.txt $(htmlFilter) $(htmlTemplate) | 83 | %.html : $(textd)/%.txt $(htmlFilter) $(htmlTemplate) |
| 81 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ | 84 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ |
| 82 | 85 | ||
| 86 | %.html : $(frontmatterd)/%.txt | ||
| 87 | pandoc $< -t $(htmlWriter) $(htmlOptions) -o $@ | ||
| 88 | |||
| 83 | $(htmlFilter) : $(htmlFilterSrc) | 89 | $(htmlFilter) : $(htmlFilterSrc) |
| 84 | ghc --make $< | 90 | ghc --make $< |
| 85 | # }}} | 91 | # }}} |
| diff --git a/odt/about-the-author.txt.odt b/odt/about-the-author.txt.odt new file mode 100644 index 0000000..d600f1c --- /dev/null +++ b/odt/about-the-author.txt.odt | |||
| Binary files differ | |||
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| diff --git a/templates/page.tex b/templates/page.tex new file mode 100644 index 0000000..81a21f0 --- /dev/null +++ b/templates/page.tex | |||
| @@ -0,0 +1,13 @@ | |||
| 1 | % use --no-tex-ligatures --smart | ||
| 2 | \object{$title$}{$id$} | ||
| 3 | $if(subtitle)$\subt{$subtitle$}$endif$ | ||
| 4 | $if(epigraph.content)$\epigraph{$epigraph.content$}{$epigraph.attrib$}$endif$ | ||
| 5 | $if(dedication)$\dedication{$dedication$}$endif$ | ||
| 6 | $if(ekphrastic.image)$\ekphrastic{$ekphrastic.image$}$endif$ | ||
| 7 | % Include project information? | ||
| 8 | |||
| 9 | \begin{$genre$} | ||
| 10 | |||
| 11 | $body$ | ||
| 12 | |||
| 13 | \end{$genre$} | ||
| diff --git a/tex/autocento.tex b/tex/autocento.tex new file mode 100644 index 0000000..d549159 --- /dev/null +++ b/tex/autocento.tex | |||
| @@ -0,0 +1,60 @@ | |||
| 1 | % Autocento book LaTeX. For compiling all of the smaller LaTeX files | ||
| 2 | % into one big book file (for proper pagination, etc). Use this to | ||
| 3 | % include all the other files & run latex on it (or xelatex?). Yeah. | ||
| 4 | \documentclass{book} | ||
| 5 | % Font specifications | ||
| 6 | \usepackage{fontspec} | ||
| 7 | \usepackage{xunicode} | ||
| 8 | \usepackage{xltxtra} | ||
| 9 | \setmainfont{Linux Libertine} | ||
| 10 | \setmonofont{Courier Prime} | ||
| 11 | \newfontfamily{\titlefont}{Playfair Display} | ||
| 12 | \newfontfamily{\typewrite}{Courier Prime} | ||
| 13 | % TOC & LOF (t?) | ||
| 14 | \usepackage{tocloft} | ||
| 15 | % Page geometry | ||
| 16 | \usepackage[letterpaper, inner=1in, outer=1in, top=1in, bottom=1in]{geometry} | ||
| 17 | % Fancy header | ||
| 18 | \usepackage{fancyhdr} | ||
| 19 | \fancyhead{} | ||
| 20 | \fancyhead[RO,LE]{\thepage} | ||
| 21 | % \leftmark = chapter number | ||
| 22 | % \rightmark = section number | ||
| 23 | \fancyhead[LO,RE]{\nouppercase{\leftmark} -- \nouppercase{\rightmark}} | ||
| 24 | \fancyfoot{} | ||
| 25 | \fancyfoot[RO,LE]{} | ||
| 26 | \fancyfoot[LO,RE]{} | ||
| 27 | % Document information | ||
| 28 | \title{Autocento of the breakfast table} | ||
| 29 | \author{Case Duckworth} | ||
| 30 | % new commands for pages' metadata | ||
| 31 | \newcommand{page}[2]{% | ||
| 32 | \pagebreak | ||
| 33 | \label{#2} | ||
| 34 | \section{#1} | ||
| 35 | } | ||
| 36 | %\newcommand{subt}[1]{{\large \emph{#1}}} | ||
| 37 | \newcommand{epigraph}[2]{content, attrib#1#2} | ||
| 38 | \newcommand{dedication}[1]{\emph{for #1}} | ||
| 39 | \newcommand{ekphrastic}[1]{image#1} | ||
| 40 | % renew commands for other stuff | ||
| 41 | \renewcommand{href}[2]{target, text#1#2} | ||
| 42 | % new environments for prose, etc. | ||
| 43 | \newenvironment{prose}{}{} | ||
| 44 | % \newenvironment{list}{}{} | ||
| 45 | \newenvironment{table}{}{} | ||
| 46 | |||
| 47 | \begin{document} | ||
| 48 | |||
| 49 | \begin{titlepage} | ||
| 50 | fancy title page goes here | ||
| 51 | \end{titlepage} | ||
| 52 | |||
| 53 | \pagestyle{fancy} | ||
| 54 | \frontmatter | ||
| 55 | include front-matter stuff here | ||
| 56 | |||
| 57 | \mainmatter | ||
| 58 | include all pages here | ||
| 59 | |||
| 60 | \end{document} | ||
| diff --git a/toc.html b/toc.html index 3267311..7a050ce 100644 --- a/toc.html +++ b/toc.html | |||
| @@ -37,14 +37,11 @@ | |||
| 37 | <section class="content list"> | 37 | <section class="content list"> |
| 38 | <ol> | 38 | <ol> |
| 39 | <li><a href="about-the-author.html">“About the author (not pictured)”</a></li> | 39 | <li><a href="about-the-author.html">“About the author (not pictured)”</a></li> |
| 40 | <li><a href="about.html">“<em>about Autocento</em>”</a></li> | ||
| 41 | <li><a href="about_author.html">“About the author”</a></li> | 40 | <li><a href="about_author.html">“About the author”</a></li> |
| 42 | <li><a href="abstract.html">“<em>abstract</em>”</a></li> | ||
| 43 | <li><a href="amber-alert.html">“AMBER alert”</a></li> | 41 | <li><a href="amber-alert.html">“AMBER alert”</a></li> |
| 44 | <li><a href="and.html">“And”</a></li> | 42 | <li><a href="and.html">“And”</a></li> |
| 45 | <li><a href="angeltoabraham.html">“The angel to Abraham”</a></li> | 43 | <li><a href="angeltoabraham.html">“The angel to Abraham”</a></li> |
| 46 | <li><a href="apollo11.html">“On seeing the panorama of the Apollo 11 landing site”</a></li> | 44 | <li><a href="apollo11.html">“On seeing the panorama of the Apollo 11 landing site”</a></li> |
| 47 | <li><a href="arspoetica.html">“Ars poetica”</a></li> | ||
| 48 | <li><a href="art.html">“Art”</a></li> | 45 | <li><a href="art.html">“Art”</a></li> |
| 49 | <li><a href="axe.html">“Axe”</a></li> | 46 | <li><a href="axe.html">“Axe”</a></li> |
| 50 | <li><a href="big-dipper.html">“The big dipper”</a></li> | 47 | <li><a href="big-dipper.html">“The big dipper”</a></li> |
| @@ -63,7 +60,6 @@ | |||
| 63 | <li><a href="dream.html">“Dream”</a></li> | 60 | <li><a href="dream.html">“Dream”</a></li> |
| 64 | <li><a href="early.html">“Early”</a></li> | 61 | <li><a href="early.html">“Early”</a></li> |
| 65 | <li><a href="elegyforanalternateself.html">“Elegy for an alternate self”</a></li> | 62 | <li><a href="elegyforanalternateself.html">“Elegy for an alternate self”</a></li> |
| 66 | <li><a href="epigraph.html">“<em>epigraph</em>”</a></li> | ||
| 67 | <li><a href="ex-machina.html">“Ex machina”</a></li> | 63 | <li><a href="ex-machina.html">“Ex machina”</a></li> |
| 68 | <li><a href="exasperated.html">“Exasperated”</a></li> | 64 | <li><a href="exasperated.html">“Exasperated”</a></li> |
| 69 | <li><a href="father.html">“Father”</a></li> | 65 | <li><a href="father.html">“Father”</a></li> |
| @@ -75,7 +71,6 @@ | |||
| 75 | <li><a href="hard-game.html">“A hard game”</a></li> | 71 | <li><a href="hard-game.html">“A hard game”</a></li> |
| 76 | <li><a href="hardware.html">“Hardware”</a></li> | 72 | <li><a href="hardware.html">“Hardware”</a></li> |
| 77 | <li><a href="howithappened.html">“How it happened”</a></li> | 73 | <li><a href="howithappened.html">“How it happened”</a></li> |
| 78 | <li><a href="howtoread.html">“How to read this”</a></li> | ||
| 79 | <li><a href="hymnal.html">“Hymnal”</a></li> | 74 | <li><a href="hymnal.html">“Hymnal”</a></li> |
| 80 | <li><a href="i-am.html">“I am”</a></li> | 75 | <li><a href="i-am.html">“I am”</a></li> |
| 81 | <li><a href="i-think-its-you.html">“I think it’s you (but it’s not)”</a></li> | 76 | <li><a href="i-think-its-you.html">“I think it’s you (but it’s not)”</a></li> |
| @@ -96,7 +91,6 @@ | |||
| 96 | <li><a href="love-as-god.html">“Love as god”</a></li> | 91 | <li><a href="love-as-god.html">“Love as god”</a></li> |
| 97 | <li><a href="lovesong.html">“Love song”</a></li> | 92 | <li><a href="lovesong.html">“Love song”</a></li> |
| 98 | <li><a href="man.html">“Man”</a></li> | 93 | <li><a href="man.html">“Man”</a></li> |
| 99 | <li><a href="manifesto_poetics.html">“A manifesto of poetics”</a></li> | ||
| 100 | <li><a href="moon-drowning.html">“The moon is drowning”</a></li> | 94 | <li><a href="moon-drowning.html">“The moon is drowning”</a></li> |
| 101 | <li><a href="moongone.html">“The moon is gone and in its place a mirror”</a></li> | 95 | <li><a href="moongone.html">“The moon is gone and in its place a mirror”</a></li> |
| 102 | <li><a href="mountain.html">“The mountain”</a></li> | 96 | <li><a href="mountain.html">“The mountain”</a></li> |
| @@ -105,7 +99,6 @@ | |||
| 105 | <li><a href="no-nothing.html">“No nothing”</a></li> | 99 | <li><a href="no-nothing.html">“No nothing”</a></li> |
| 106 | <li><a href="notes.html">“Notes”</a></li> | 100 | <li><a href="notes.html">“Notes”</a></li> |
| 107 | <li><a href="nothing-is-ever-over.html">“Nothing is ever over”</a></li> | 101 | <li><a href="nothing-is-ever-over.html">“Nothing is ever over”</a></li> |
| 108 | <li><a href="on-genre-dimension.html">“On genre and the dimensionality of poetry”</a></li> | ||
| 109 | <li><a href="one-hundred-lines.html">“100 lines”</a></li> | 102 | <li><a href="one-hundred-lines.html">“100 lines”</a></li> |
| 110 | <li><a href="onformalpoetry.html">“On formal poetry”</a></li> | 103 | <li><a href="onformalpoetry.html">“On formal poetry”</a></li> |
| 111 | <li><a href="options.html">“Options”</a></li> | 104 | <li><a href="options.html">“Options”</a></li> |
| @@ -119,7 +112,6 @@ | |||
| 119 | <li><a href="poetry-time.html">“Something about the nature of poetry and time”</a></li> | 112 | <li><a href="poetry-time.html">“Something about the nature of poetry and time”</a></li> |
| 120 | <li><a href="prelude.html">“Prelude”</a></li> | 113 | <li><a href="prelude.html">“Prelude”</a></li> |
| 121 | <li><a href="problems.html">“Problems”</a></li> | 114 | <li><a href="problems.html">“Problems”</a></li> |
| 122 | <li><a href="process.html">“Process narrative”</a></li> | ||
| 123 | <li><a href="proverbs.html">“Proverbs”</a></li> | 115 | <li><a href="proverbs.html">“Proverbs”</a></li> |
| 124 | <li><a href="punch.html">“Punch”</a></li> | 116 | <li><a href="punch.html">“Punch”</a></li> |
| 125 | <li><a href="purpose-dogs.html">“The purpose of dogs”</a></li> | 117 | <li><a href="purpose-dogs.html">“The purpose of dogs”</a></li> |
| @@ -165,8 +157,6 @@ | |||
| 165 | <li><a href="what-we-are-made-of.html">“What we are made of”</a></li> | 157 | <li><a href="what-we-are-made-of.html">“What we are made of”</a></li> |
| 166 | <li><a href="when-im-sorry-i.html">“Whem I’m sorry I wash dishes”</a></li> | 158 | <li><a href="when-im-sorry-i.html">“Whem I’m sorry I wash dishes”</a></li> |
| 167 | <li><a href="window.html">“Window”</a></li> | 159 | <li><a href="window.html">“Window”</a></li> |
| 168 | <li><a href="words-irritable-reaching.html">“Words and their irritable reaching”</a></li> | ||
| 169 | <li><a href="words-meaning.html">“Words and meaning”</a></li> | ||
| 170 | <li><a href="worse-looking-over.html">“Worse looking over”</a></li> | 160 | <li><a href="worse-looking-over.html">“Worse looking over”</a></li> |
| 171 | <li><a href="writing.html">“Writing”</a></li> | 161 | <li><a href="writing.html">“Writing”</a></li> |
| 172 | <li><a href="x-ray.html">“X-ray”</a></li> | 162 | <li><a href="x-ray.html">“X-ray”</a></li> |