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| 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | 12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="img/favico.png" /> | 13 | <link rel="icon" type="image/png" href="img/favico.png" /> |
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| 28 | <body> | 24 | <body id="common-titles" class="autocento"> |
| 29 | 25 | ||
| 30 | 26 | ||
| 31 | <article id="container"> | 27 | <article class="container"> |
| 32 | <header> | 28 | <header> |
| 33 | <!-- title --> | 29 | <!-- title --> |
| 34 | <h1 class="title">Autocento of the breakfast table</h1> | 30 | <h1 class="title">Autocento of the breakfast table</h1> |
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| 45 | </header> | 41 | </header> |
| 46 | 42 | ||
| 47 | 43 | ||
| 48 | <section class="content verse"><p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a>, <a href="about_author.html">Case Duckworth</a> (née <a href="amber-alert.html">Amber): alert</a>!</p> | 44 | <section class="content verse"> |
| 49 | <p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.<br /><a href="collage-instrumented.html">Instrument</a> a collage.”</p> | 45 | <p><a href="100-lines.html">100 lines</a> <a href="about-the-author.html">about the author</a>, <a href="about_author.html">Case Duckworth</a> (née <a href="amber-alert.html">Amber): alert</a>!</p> |
| 50 | <p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p> | 46 | <p><a href="and.html">And</a> <a href="angeltoabraham.html">the angel, to Abraham</a>, <a href="apollo11.html">on seeing the panorama<br />of the Apollo 11 landing site</a>: “<a href="arspoetica.html">Ars poetica</a>: <a href="art.html">art</a>, an <a href="axe.html">axe</a>,<br /><a href="big-dipper.html">the big dipper</a> and <a href="boar.html">the boar</a>. The <a href="boy_bus.html">boy on the bus</a> is <a href="building.html">building</a>.<br /><a href="call-me-aural-pleasure.html">Call me</a> <a href="cereal.html"><em>Cereal</em></a> or <a href="cold-wind.html"><em>Cold Wind</em></a>.<br /><a href="collage-instrumented.html">Instrument</a> a collage.”</p> |
| 51 | <p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p> | 47 | <p><a href="creation-myth.html">Creation myth</a>: <a href="deadman.html">dead man</a> = <a href="death-zone.html">the death zone</a> =<br /><a href="deathstrumpet.html">Death’s trumpet</a>. <a href="dream.html">Dream</a> <a href="early.html">early</a>.</p> |
| 52 | <p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>-<a href="on-genre-dimension.html">on poetry</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p> | 48 | <p><a href="elegyforanalternateself.html">Elegy for an alternate self:</a> an <a href="epigraph.html">epigraph</a>,<br /><a href="ex-machina.html"><em>ex machina</em></a> and <a href="exasperated.html">exasperated</a>; <a href="father.html">Father</a> <a href="feedingtheraven.html">feeding<br />the raven</a>, <a href="finding-the-lion.html">finding the lion</a>, setting a <a href="fire.html">fire</a>.</p> |
| 53 | <p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br /><a href="i-want-to-say.html">I want to say</a> the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p> | 49 | <p><a href="found-typewriter-poem.html">Look</a>: <a href="hands.html">hands</a>-<a href="on-genre-dimension.html">on poetry</a>!<br /><a href="hard-game.html">A hard game</a>: <a href="hardware.html">hardware</a>.<br />(<a href="howithappened.html">How it happened</a>?)<br /> <a href="howtoread.html">How to read this</a> <a href="hymnal.html">hymnal</a>:<br />“<a href="i-am.html">I am</a>.” “<a href="i-think-its-you.html">I think it’s<br />you (but it’s not)</a>.”</p> |
| 54 | <p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>. This is<br />a <a href="manifesto_poetics.html">manifesto</a>.</p> | 50 | <p><a href="i-wanted-to-tell-you-something.html">I wanted to tell you something</a> <a href="in-bed.html">in bed</a>—<br /><a href="i-want-to-say.html">I want to say</a> the <a href="initial-conditions.html">initial conditions</a> of <a href="january.html">January</a>’s <a href="joke.html">joke</a> are <a href="lappel-du-vide.html"><em>l’appel du vide</em></a>.<br /><a href="largest-asteroid.html">The largest asteroid in the asteroid belt</a> is the <a href="last-bastion.html">last bastion</a>,<br />the <a href="last-passenger.html">last passenger</a> <a href="leaf.html">leaf</a>, the <a href="leg.html">leg</a> <a href="likingthings.html">liking things</a>.</p> |
| 55 | <p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p> | 51 | <p><a href="listen.html">Listen</a>: <a href="love-as-god.html">love as God</a> loves, better<br />than a <a href="lovesong.html">love song</a>, <a href="man.html">man</a>. This is<br />a <a href="manifesto_poetics.html">manifesto</a>.</p> |
| 56 | <p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p> | 52 | <p><a href="moon-drowning.html">The moon is drowning</a>. <a href="moongone.html">The moon is gone,<br />and in its place: a mirror</a>. <a href="mountain.html">The mountain</a>’s<br /><a href="movingsideways.html">moving sideways</a>, <a href="music-433.html">something about all music<br />being performances of <em>4′33″</em> in places<br />where other bands happen to be playing</a>. Listen:<br /><a href="no-nothing.html">no nothing</a>, no <a href="notes.html">notes</a>, <a href="nothing-is-ever-over.html"><em>nothing</em> is ever over</a>.</p> |
| 57 | <p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>,<br />some <a href="peaches.html">peaches</a>. <a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p> | 53 | <p><a href="onformalpoetry.html">On formal poetry</a>, <a href="options.html">options</a>:<br />an <a href="ouroboros_memory.html">ouroboros of memory</a>, <a href="paul.html"><em>Paul</em></a>, <a href="philosophy.html">philosophy</a>,<br /><a href="phone.html">phone</a>s, or <a href="planks.html">planks</a>. A <a href="plant.html">litany for a plant</a>.</p> |
| 58 | <p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p> | 54 | <p><a href="poetry-time.html">Something about the nature<br />of poetry and time</a>: <a href="prelude.html">prelude</a>, <a href="problems.html">problems</a>, <a href="proverbs.html">proverbs</a>,<br />some <a href="peaches.html">peaches</a>. <a href="punch.html">Punch</a> is <a href="purpose-dogs.html">the purpose of dogs</a>.</p> |
| 59 | <p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p> | 55 | <p>A <a href="question.html">question</a>: if <a href="real-writer.html">a real writer</a> <a href="reports.html">reports</a> on<br />the <a href="riptide_memory.html">riptide of memory</a>, does <a href="ronaldmcdonald.html">Ronald McDonald</a><br />wear <a href="roughgloves.html">rough gloves</a> or a <a href="sapling.html">sapling</a>?</p> |
| 60 | <p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="dollywood.html">Something about my tenure as a bear</a>. <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p> | 56 | <p><a href="seasonal-affective-disorder.html">Seasonal affective disorder</a> is part of the <a href="sense-of-it.html">sense of it</a>.<br />The <a href="serengeti.html">serengeti</a> is a <a href="shed.html">shed</a>. <a href="shipwright.html">The shipwright</a><br />builds <a href="sixteenth-chapel.html">the sixteenth chapel</a> in <a href="snow.html">snow</a>.</p> |
| 61 | <p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p> | 57 | <p><a href="something-simple.html">Let’s start with something simple</a>:<br /><a href="spittle.html">spittle</a> on <a href="squirrel.html">the squirrel</a> sitting <a href="stagnant.html">stagnant</a>.<br /><a href="dollywood.html">Something about my tenure as a bear</a>. <a href="statements-frag.html">Statements</a> <a href="stayed-on-the-bus.html">stayed on the bus too long</a>.</p> |
| 62 | <p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p> | 58 | <p>A <a href="stump.html">stump</a> is not a <a href="swansong-alt.html">swansong</a> is not a <a href="swansong.html"><em>swan</em>, Song</a>.<br /> <a href="swear.html">Swear</a> the <a href="table_contents.html">table of contents</a> is a <a href="tapestry.html">tapestry</a>.<br /><a href="telemarketer.html">Telemarketer</a>s swear that <a href="the-night-we-met.html">the night we met, I<br />was out of my mind</a>.</p> |
| 63 | <p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p> | 59 | <p><a href="the-sea_the-beach.html">The sea and the beach</a>, even <a href="theoceanoverflowswithcamels.html">the ocean overflows<br />with camels</a>. <a href="time-looks-up-to-the-sky.html">Time looks up to the sky</a>,<br /><a href="todaniel.html">to Daniel</a> on the <a href="toilet.html">toilet</a> writing “<a href="toothpaste.html">Toothpaste</a>,”<br />a <a href="treatise.html">treatise</a> on <a href="underwear.html">underwear</a> and <a href="wallpaper.html">wallpaper</a>.</p> |
| 64 | <p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, <a href="walking-in-the-rain.html">walking<br />in the rain</a>, thinking about <a href="what-we-are-made-of.html">what we are made of</a>: <a href="words-meaning.html">words and meaning</a>, <a href="words-irritable-reaching.html">irritably reaching after reason</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p></section> | 60 | <p><a href="weplayedthosegamestoo.html">We played those games too</a>.</p> |
| 61 | <p><a href="when-im-sorry-i.html">When I’m sorry I wash dishes</a> in the <a href="window.html">window</a>, <a href="walking-in-the-rain.html">walking<br />in the rain</a>, thinking about <a href="what-we-are-made-of.html">what we are made of</a>: <a href="words-meaning.html">words and meaning</a>, <a href="words-irritable-reaching.html">irritably reaching after reason</a>. I feel <a href="worse-looking-over.html">worse,<br />looking over</a> at you, than when I’m <a href="writing.html">writing</a><br />an <a href="x-ray.html">x-ray</a> in <a href="yellow.html">yellow</a>.</p> | ||
| 62 | </section> | ||
| 65 | </article> | 63 | </article> |
| 66 | <nav> | 64 | <nav> |
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