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1 files changed, 61 insertions, 63 deletions
diff --git a/deadman.html b/deadman.html index ae1fd52..82fbada 100644 --- a/deadman.html +++ b/deadman.html | |||
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4 | --> | 4 | --> |
5 | <html lang="en"> | 5 | <html lang="en"> |
6 | <head> | 6 | <head> |
7 | <meta charset="utf-8"> | 7 | <meta charset="utf-8"> |
8 | <meta name="generator" content="pandoc"> | 8 | <meta name="generator" content="pandoc"> |
9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> |
10 | <meta name="author" content="Case Duckworth"> | 10 | <meta name="author" content="Case Duckworth"> |
11 | 11 | ||
12 | <title>Dead man | Autocento of the breakfast table</title> | 12 | <title>Dead man | Autocento of the breakfast table</title> |
13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> |
14 | 14 | ||
15 | <link rel="stylesheet" type="text/css" href="_style.css"> | 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> |
16 | <script src="trunk/lozenge.js" type="text/javascript"> </script> | 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> |
17 | <script src="trunk/hylo.js" type="text/javascript"> </script> | 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> |
18 | 18 | ||
19 | <!--[if lt IE 9]> | 19 | <!--[if lt IE 9]> |
20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
21 | <![endif]--> | 21 | <![endif]--> |
22 | </head> | 22 | </head> |
23 | <body id="deadman" class="elegies"> | 23 | <body id="deadman" class="elegies"> |
24 | |||
25 | 24 | ||
26 | <article class="container"> | 25 | <article class="container"> |
27 | <header> | 26 | <header> |
28 | <!-- title --> | 27 | <!-- title --> |
29 | <h1 class="title">Dead man</h1> | 28 | <h1 class="title">Dead man</h1> |
30 | |||
31 | 29 | ||
32 | <div class="header-extra"> | ||
33 | |||
34 | </div> | ||
35 | </header> | ||
36 | 30 | ||
37 | 31 | <div class="header-extra"> | |
38 | <section class="content verse"> | ||
39 | <p><span class="line">The dead man finds <a href="last-bastion.html">his way into our hearts</a></span><span class="line">by <a href="words-meaning.html">opening the door</a> and walking in.</span></p> | ||
40 | <p><span class="line">He pours himself <a href="ex-machina.html">a drink</a>, something like</span><span class="line">German cognac, from the mini-bar. He starts talking</span></p> | ||
41 | <p><span class="line">aimlessly about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other</span></p> | ||
42 | <p><span class="line">like <a href="x-ray.html">x-rays</a> around bones and soft tissue.</span><span class="line">The dead man can see x-rays now, he says,</span></p> | ||
43 | <p><span class="line">a perk of his <a href="initial-conditions.html">condition</a>.</span><span class="line">It’s not so bad, he says, though</span></p> | ||
44 | <p><span class="line">he stops short of saying it’s as good as</span><span class="line">being alive, an omission we can, ultimately,</span></p> | ||
45 | <p><span class="line">forgive. There’s <a href="creation-myth.html">a short silence</a> where nothing</span><span class="line">is said, we’re just looking at him as he looks</span></p> | ||
46 | <p><span class="line">at the ceiling or through it. He looks good</span><span class="line">for being dead. We mention this to him</span></p> | ||
47 | <p><span class="line">but he just looks embarrassed. He mentions</span><span class="line">eels he saw in the aquarium earlier, how they knot</span></p> | ||
48 | <p><span class="line">while mating. For hours, it’s just a huge mass</span><span class="line">of <a href="spittle.html">eel flesh, he says, undulating in the water</a>.</span></p> | ||
49 | <p><span class="line">We nod, waiting for what he’ll say next. He seems</span><span class="line">uncomfortable carrying the conversation, but we</span></p> | ||
50 | <p><span class="line">can’t think of anything either. Now it’s his turn</span><span class="line">to look at us, and <a href="moongone.html">ours to stare at the ceiling</a></span></p> | ||
51 | <p><span class="line">or wherever. Finally, we mention the knots we tied</span><span class="line">in Boy Scouts, especially the loop—a noose? he asks—</span></p> | ||
52 | <p><span class="line">but we say no, the one with the rabbit in its hole</span><span class="line">and the tree it goes around. The dead man</span></p> | ||
53 | <p><span class="line">knows that knot, he says, it’s a good knot. But what</span><span class="line">he really likes is the rabbit, coming out of its hole</span></p> | ||
54 | <p><span class="line">in the morning, eating some grass, and a fox creeping</span><span class="line">out of its hiding place and chasing the rabbit around</span></p> | ||
55 | <p>the tree, back into its hole, where it always ends up safe.</p> | ||
56 | </section> | ||
57 | </article> | ||
58 | <nav> | ||
59 | <div class="anchors"> | ||
60 | <a href="deadman_backlinks.htm" id="back-link" title="Links to this page"> | ||
61 | φ | ||
62 | </a> | ||
63 | <a href="index.html" id="cover-link" title="To cover">◊</a> | ||
64 | <a href="#" id="lozenge" title="ERROR">ξ</a> | ||
65 | </div> | ||
66 | 32 | ||
67 | <a class="prevlink" href="boar.html" | 33 | </div> |
68 | title="Previous article in Elegies for alternate selves"> | 34 | </header> |
69 | The boar | 35 | |
70 | </a> | 36 | |
71 | 37 | <section class="content verse"> | |
72 | <a class="nextlink" href="angeltoabraham.html" | 38 | <p><span class="line">The dead man finds <a href="last-bastion.html">his way into our hearts</a></span><span class="line">by <a href="words-meaning.html">opening the door</a> and walking in.</span></p> |
73 | title="Next article in Elegies for alternate selves"> | 39 | <p><span class="line">He pours himself <a href="ex-machina.html">a drink</a>, something like</span><span class="line">German cognac, from the mini-bar. He starts talking</span></p> |
74 | The angel to Abraham | 40 | <p><span class="line">aimlessly about hunting or some bats he saw</span><span class="line">on the way over, wheeling around each other</span></p> |
75 | </a> | 41 | <p><span class="line">like <a href="x-ray.html">x-rays</a> around bones and soft tissue.</span><span class="line">The dead man can see x-rays now, he says,</span></p> |
76 | </nav> | 42 | <p><span class="line">a perk of his <a href="initial-conditions.html">condition</a>.</span><span class="line">It’s not so bad, he says, though</span></p> |
43 | <p><span class="line">he stops short of saying it’s as good as</span><span class="line">being alive, an omission we can, ultimately,</span></p> | ||
44 | <p><span class="line">forgive. There’s <a href="creation-myth.html">a short silence</a> where nothing</span><span class="line">is said, we’re just looking at him as he looks</span></p> | ||
45 | <p><span class="line">at the ceiling or through it. He looks good</span><span class="line">for being dead. We mention this to him</span></p> | ||
46 | <p><span class="line">but he just looks embarrassed. He mentions</span><span class="line">eels he saw in the aquarium earlier, how they knot</span></p> | ||
47 | <p><span class="line">while mating. For hours, it’s just a huge mass</span><span class="line">of <a href="spittle.html">eel flesh, he says, undulating in the water</a>.</span></p> | ||
48 | <p><span class="line">We nod, waiting for what he’ll say next. He seems</span><span class="line">uncomfortable carrying the conversation, but we</span></p> | ||
49 | <p><span class="line">can’t think of anything either. Now it’s his turn</span><span class="line">to look at us, and <a href="moongone.html">ours to stare at the ceiling</a></span></p> | ||
50 | <p><span class="line">or wherever. Finally, we mention the knots we tied</span><span class="line">in Boy Scouts, especially the loop—a noose? he asks—</span></p> | ||
51 | <p><span class="line">but we say no, the one with the rabbit in its hole</span><span class="line">and the tree it goes around. The dead man</span></p> | ||
52 | <p><span class="line">knows that knot, he says, it’s a good knot. But what</span><span class="line">he really likes is the rabbit, coming out of its hole</span></p> | ||
53 | <p><span class="line">in the morning, eating some grass, and a fox creeping</span><span class="line">out of its hiding place and chasing the rabbit around</span></p> | ||
54 | <p>the tree, back into its hole, where it always ends up safe.</p> | ||
55 | </section> | ||
56 | </article> | ||
57 | <nav> | ||
58 | <div class="anchors"> | ||
59 | <a href="backlinks/deadman.html" id="backlinks" title="Links to this page"> | ||
60 | φ | ||
61 | </a> | ||
62 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
63 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
64 | </div> | ||
65 | |||
66 | <a class="prevlink" href="boar.html" | ||
67 | title="Previous article in Elegies for alternate selves"> | ||
68 | The boar | ||
69 | </a> | ||
70 | |||
71 | <a class="nextlink" href="angeltoabraham.html" | ||
72 | title="Next article in Elegies for alternate selves"> | ||
73 | The angel to Abraham | ||
74 | </a> | ||
75 | </nav> | ||
77 | 76 | ||
78 | |||
79 | </body> | 77 | </body> |
80 | </html> | 78 | </html> |