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30 </header> 30 </header>
31 31
32 <section class="thing prose"> 32 <section class="thing prose">
33 <p><em><a href="http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&amp;recno=31230" class="external">THIS MAN REFUSED TO OPEN HIS EYES</a></em></p> 33 <p><em><a href="http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&amp;recno=31230">THIS MAN REFUSED TO OPEN HIS EYES</a></em></p>
34 <figure> 34 <figure>
35 <img src="img/tbedemugshot.jpg" alt="THIS MAN REFUSED TO OPEN HIS EYES" /><figcaption>THIS MAN REFUSED TO OPEN HIS EYES</figcaption> 35 <img src="img/tbedemugshot.jpg" alt="THIS MAN REFUSED TO OPEN HIS EYES" /><figcaption>THIS MAN REFUSED TO OPEN HIS EYES</figcaption>
36 </figure> 36 </figure>
37 <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p> 37 <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p>
38 <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p> 38 <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p>
39 <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p> 39 <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p>
40 <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/" class="external"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p> 40 <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p>
41 </section> 41 </section>
42 42
43 <nav> 43 <nav>