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Diffstat (limited to 'man.html')
| -rw-r--r-- | man.html | 24 |
1 files changed, 11 insertions, 13 deletions
| diff --git a/man.html b/man.html index ce91fc3..542ba3e 100644 --- a/man.html +++ b/man.html | |||
| @@ -12,23 +12,19 @@ | |||
| 12 | <title>Man | Autocento of the breakfast table</title> | 12 | <title>Man | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="img/favico.png" /> | 13 | <link rel="icon" type="image/png" href="img/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="./css/common.css"> | 15 | <link rel="stylesheet" type="text/css" href="style.css"> |
| 16 | <script src="./js/lozenge.js" type="text/javascript"> </script> | 16 | <script src="./js/lozenge.js" type="text/javascript"> </script> |
| 17 | <script src="./js/hylo.js" type="text/javascript"> </script> | 17 | <script src="./js/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <link rel="stylesheet" type="text/css" href="./css/prose.css"> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="./js/prose.js" type="text/javascript"> </script> | ||
| 21 | <link rel="stylesheet" type="text/css" href="./css/paul.css"> | ||
| 22 | <script src="./js/paul.js" type="text/javascript"> </script> | ||
| 23 | <!--[if lt IE 9]> | ||
| 24 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 25 | <![endif]--> | 21 | <![endif]--> |
| 26 | <!-- <script src="js/external.js"> </script> --> | 22 | <!-- <script src="js/external.js"> </script> --> |
| 27 | </head> | 23 | </head> |
| 28 | <body> | 24 | <body id="man" class="paul"> |
| 29 | 25 | ||
| 30 | 26 | ||
| 31 | <article id="container"> | 27 | <article class="container"> |
| 32 | <header> | 28 | <header> |
| 33 | <!-- title --> | 29 | <!-- title --> |
| 34 | <h1 class="title">Man</h1> | 30 | <h1 class="title">Man</h1> |
| @@ -48,11 +44,13 @@ | |||
| 48 | </a> | 44 | </a> |
| 49 | </div> | 45 | </div> |
| 50 | 46 | ||
| 51 | <section class="content prose"><p><em>THIS MAN REFUSED TO OPEN HIS EYES</em></p> | 47 | <section class="content prose"> |
| 52 | <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p> | 48 | <p><em>THIS MAN REFUSED TO OPEN HIS EYES</em></p> |
| 53 | <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p> | 49 | <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p> |
| 54 | <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p> | 50 | <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p> |
| 55 | <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p></section> | 51 | <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p> |
| 52 | <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p> | ||
| 53 | </section> | ||
| 56 | </article> | 54 | </article> |
| 57 | <nav> | 55 | <nav> |
| 58 | <a class="prevlink" href="cereal.html" | 56 | <a class="prevlink" href="cereal.html" |