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Diffstat (limited to 'on-genre-dimension.river')
-rw-r--r-- | on-genre-dimension.river | 1168 |
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diff --git a/on-genre-dimension.river b/on-genre-dimension.river deleted file mode 100644 index 1f9053e..0000000 --- a/on-genre-dimension.river +++ /dev/null | |||
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1 | how | ||
2 | does | ||
3 | one | ||
4 | describe | ||
5 | a | ||
6 | poem | ||
7 | a | ||
8 | genre | ||
9 | is | ||
10 | a | ||
11 | set | ||
12 | of | ||
13 | creative | ||
14 | outputs | ||
15 | that | ||
16 | fit | ||
17 | a | ||
18 | given | ||
19 | set | ||
20 | of | ||
21 | criteria | ||
22 | genres | ||
23 | are | ||
24 | useful | ||
25 | as | ||
26 | a | ||
27 | sort | ||
28 | of | ||
29 | shorthand | ||
30 | when | ||
31 | describing | ||
32 | a | ||
33 | thing | ||
34 | of | ||
35 | art | ||
36 | instead | ||
37 | of | ||
38 | noting | ||
39 | for | ||
40 | example | ||
41 | all | ||
42 | of | ||
43 | the | ||
44 | objects | ||
45 | depicted | ||
46 | in | ||
47 | a | ||
48 | still-life | ||
49 | that | ||
50 | are | ||
51 | not | ||
52 | people | ||
53 | or | ||
54 | land-features | ||
55 | we | ||
56 | call | ||
57 | it | ||
58 | a | ||
59 | still-life | ||
60 | and | ||
61 | get | ||
62 | on | ||
63 | to | ||
64 | describing | ||
65 | how | ||
66 | the | ||
67 | objects | ||
68 | interrelate | ||
69 | to | ||
70 | each | ||
71 | other | ||
72 | on | ||
73 | the | ||
74 | canvas | ||
75 | if | ||
76 | you | ||
77 | ask | ||
78 | me | ||
79 | what | ||
80 | kind | ||
81 | of | ||
82 | painting | ||
83 | i'm | ||
84 | working | ||
85 | on | ||
86 | and | ||
87 | i | ||
88 | say | ||
89 | a | ||
90 | still-life | ||
91 | you | ||
92 | have | ||
93 | an | ||
94 | expectation | ||
95 | of | ||
96 | certain | ||
97 | elements | ||
98 | the | ||
99 | painting | ||
100 | will | ||
101 | contain | ||
102 | if | ||
103 | you | ||
104 | happen | ||
105 | to | ||
106 | be | ||
107 | an | ||
108 | agent | ||
109 | and | ||
110 | try | ||
111 | to | ||
112 | sell | ||
113 | the | ||
114 | painting | ||
115 | later | ||
116 | you'll | ||
117 | say | ||
118 | to | ||
119 | your | ||
120 | prospective | ||
121 | buyers | ||
122 | it | ||
123 | is | ||
124 | a | ||
125 | still-life | ||
126 | and | ||
127 | whether | ||
128 | the | ||
129 | buyer | ||
130 | is | ||
131 | over | ||
132 | the | ||
133 | phone | ||
134 | or | ||
135 | standing | ||
136 | in | ||
137 | the | ||
138 | gallery | ||
139 | they'll | ||
140 | know | ||
141 | whether | ||
142 | they'll | ||
143 | like | ||
144 | it | ||
145 | or | ||
146 | not | ||
147 | based | ||
148 | on | ||
149 | whether | ||
150 | they | ||
151 | like | ||
152 | still-lifes | ||
153 | in | ||
154 | the | ||
155 | same | ||
156 | way | ||
157 | they | ||
158 | can | ||
159 | call | ||
160 | you | ||
161 | up | ||
162 | and | ||
163 | ask | ||
164 | if | ||
165 | you | ||
166 | have | ||
167 | any | ||
168 | still-lifes | ||
169 | for | ||
170 | sale | ||
171 | right | ||
172 | now | ||
173 | and | ||
174 | get | ||
175 | a | ||
176 | simple | ||
177 | yes-or-no | ||
178 | answer | ||
179 | for | ||
180 | it | ||
181 | this | ||
182 | is | ||
183 | the | ||
184 | first | ||
185 | kind | ||
186 | of | ||
187 | genre | ||
188 | and | ||
189 | it | ||
190 | applies | ||
191 | well | ||
192 | within | ||
193 | separate | ||
194 | types | ||
195 | of | ||
196 | fundamentally-different | ||
197 | media | ||
198 | such | ||
199 | as | ||
200 | painting | ||
201 | sculpture | ||
202 | film | ||
203 | or | ||
204 | the | ||
205 | written | ||
206 | word | ||
207 | a | ||
208 | poem | ||
209 | obviously | ||
210 | is | ||
211 | in | ||
212 | this | ||
213 | last | ||
214 | category | ||
215 | and | ||
216 | for | ||
217 | some | ||
218 | reason | ||
219 | its | ||
220 | designation | ||
221 | is | ||
222 | hairier | ||
223 | than | ||
224 | others | ||
225 | people | ||
226 | refer | ||
227 | to | ||
228 | all | ||
229 | sorts | ||
230 | of | ||
231 | art | ||
232 | or | ||
233 | even | ||
234 | dispassionate | ||
235 | events | ||
236 | as | ||
237 | poetry | ||
238 | dancing | ||
239 | is | ||
240 | called | ||
241 | poetry | ||
242 | in | ||
243 | motion | ||
244 | for | ||
245 | example | ||
246 | i | ||
247 | think | ||
248 | the | ||
249 | confusion | ||
250 | is | ||
251 | caused | ||
252 | in | ||
253 | part | ||
254 | by | ||
255 | the | ||
256 | nature | ||
257 | of | ||
258 | writing | ||
259 | as | ||
260 | a | ||
261 | medium | ||
262 | namely | ||
263 | in | ||
264 | that | ||
265 | it | ||
266 | captures | ||
267 | thoughts | ||
268 | more | ||
269 | clearly | ||
270 | and | ||
271 | communicably | ||
272 | than | ||
273 | other | ||
274 | art | ||
275 | forms | ||
276 | while | ||
277 | a | ||
278 | picture | ||
279 | can | ||
280 | be | ||
281 | worth | ||
282 | a | ||
283 | thousand | ||
284 | words | ||
285 | as | ||
286 | the | ||
287 | old | ||
288 | clich | ||
289 | goes | ||
290 | when | ||
291 | those | ||
292 | words | ||
293 | are | ||
294 | actually | ||
295 | written | ||
296 | out | ||
297 | they | ||
298 | can | ||
299 | contain | ||
300 | shades | ||
301 | of | ||
302 | meaning | ||
303 | impossible | ||
304 | to | ||
305 | capture | ||
306 | in | ||
307 | the | ||
308 | picture | ||
309 | itself | ||
310 | at | ||
311 | least | ||
312 | as | ||
313 | quickly | ||
314 | as | ||
315 | they | ||
316 | can | ||
317 | be | ||
318 | absorbed | ||
319 | in | ||
320 | writing | ||
321 | it | ||
322 | seems | ||
323 | as | ||
324 | though | ||
325 | writing | ||
326 | is | ||
327 | akin | ||
328 | to | ||
329 | the | ||
330 | fundamental | ||
331 | nature | ||
332 | of | ||
333 | thought | ||
334 | or | ||
335 | at | ||
336 | least | ||
337 | of | ||
338 | spoken | ||
339 | language | ||
340 | which | ||
341 | our | ||
342 | thought | ||
343 | is | ||
344 | steeped | ||
345 | in | ||
346 | so | ||
347 | we | ||
348 | know | ||
349 | what | ||
350 | writing | ||
351 | is | ||
352 | what | ||
353 | is | ||
354 | a | ||
355 | poem | ||
356 | especially | ||
357 | in | ||
358 | a | ||
359 | world | ||
360 | with | ||
361 | such | ||
362 | forms | ||
363 | as | ||
364 | prose | ||
365 | poetry | ||
366 | flash | ||
367 | fiction | ||
368 | short-shorts | ||
369 | lyrical | ||
370 | essays | ||
371 | lyrical | ||
372 | ballads | ||
373 | et | ||
374 | cetera | ||
375 | what | ||
376 | makes | ||
377 | a | ||
378 | poem | ||
379 | a | ||
380 | poem | ||
381 | i | ||
382 | read | ||
383 | an | ||
384 | essay | ||
385 | once | ||
386 | that | ||
387 | lamented | ||
388 | the | ||
389 | unidimensionality | ||
390 | of | ||
391 | writing | ||
392 | it | ||
393 | posited | ||
394 | that | ||
395 | prose | ||
396 | is | ||
397 | really | ||
398 | just | ||
399 | a | ||
400 | long | ||
401 | wrapped | ||
402 | line | ||
403 | of | ||
404 | text | ||
405 | that's | ||
406 | bound | ||
407 | by | ||
408 | time | ||
409 | when | ||
410 | you | ||
411 | read | ||
412 | a | ||
413 | novel | ||
414 | for | ||
415 | example | ||
416 | you | ||
417 | really | ||
418 | must | ||
419 | start | ||
420 | at | ||
421 | the | ||
422 | beginning | ||
423 | and | ||
424 | read | ||
425 | through | ||
426 | to | ||
427 | the | ||
428 | end | ||
429 | in | ||
430 | order | ||
431 | some | ||
432 | newer | ||
433 | forms | ||
434 | of | ||
435 | fiction | ||
436 | are | ||
437 | changing | ||
438 | this | ||
439 | such | ||
440 | as | ||
441 | the | ||
442 | choose-your-own-adventure | ||
443 | genre | ||
444 | in | ||
445 | the | ||
446 | 1970s | ||
447 | and | ||
448 | 80s | ||
449 | or | ||
450 | hyperfiction | ||
451 | found | ||
452 | online | ||
453 | which | ||
454 | raises | ||
455 | the | ||
456 | question | ||
457 | for | ||
458 | me | ||
459 | if | ||
460 | these | ||
461 | newer | ||
462 | forms | ||
463 | could | ||
464 | be | ||
465 | considered | ||
466 | on | ||
467 | some | ||
468 | level | ||
469 | to | ||
470 | be | ||
471 | poetry | ||
472 | this | ||
473 | is | ||
474 | because | ||
475 | poetry | ||
476 | has | ||
477 | more | ||
478 | than | ||
479 | one | ||
480 | dimension | ||
481 | due | ||
482 | to | ||
483 | its | ||
484 | linear | ||
485 | nature | ||
486 | those | ||
487 | line | ||
488 | breaks | ||
489 | are | ||
490 | intentional | ||
491 | and | ||
492 | the | ||
493 | poem | ||
494 | ca | ||
495 | not | ||
496 | just | ||
497 | fit | ||
498 | into | ||
499 | any-sized | ||
500 | book | ||
501 | or | ||
502 | web | ||
503 | page | ||
504 | if | ||
505 | prose | ||
506 | is | ||
507 | a | ||
508 | liquid | ||
509 | filling | ||
510 | any | ||
511 | container | ||
512 | it | ||
513 | is | ||
514 | placed | ||
515 | in | ||
516 | with | ||
517 | a | ||
518 | constant | ||
519 | volume | ||
520 | poetry | ||
521 | is | ||
522 | more | ||
523 | like | ||
524 | a | ||
525 | crystallized | ||
526 | form | ||
527 | of | ||
528 | prose | ||
529 | or | ||
530 | to | ||
531 | put | ||
532 | it | ||
533 | another | ||
534 | way | ||
535 | poetry | ||
536 | has | ||
537 | between | ||
538 | one | ||
539 | and | ||
540 | two | ||
541 | dimensions | ||
542 | i | ||
543 | would | ||
544 | not | ||
545 | say | ||
546 | that | ||
547 | poetry | ||
548 | has | ||
549 | fully | ||
550 | two | ||
551 | dimensions | ||
552 | except | ||
553 | for | ||
554 | some | ||
555 | of | ||
556 | the | ||
557 | more | ||
558 | conceptually | ||
559 | visual | ||
560 | stuff | ||
561 | that | ||
562 | i'd | ||
563 | call | ||
564 | a | ||
565 | word-picture | ||
566 | anyway | ||
567 | because | ||
568 | from | ||
569 | line | ||
570 | to | ||
571 | line | ||
572 | that | ||
573 | unidimensionality | ||
574 | of | ||
575 | prose | ||
576 | remains | ||
577 | poetry | ||
578 | has | ||
579 | a | ||
580 | higher | ||
581 | dimensionality | ||
582 | than | ||
583 | prose | ||
584 | though | ||
585 | because | ||
586 | it | ||
587 | is | ||
588 | crystallized | ||
589 | there | ||
590 | on | ||
591 | the | ||
592 | page | ||
593 | this | ||
594 | fractal-dimensionality | ||
595 | of | ||
596 | poetry | ||
597 | has | ||
598 | interesting | ||
599 | side | ||
600 | effects | ||
601 | on | ||
602 | the | ||
603 | genre | ||
604 | itself | ||
605 | for | ||
606 | one | ||
607 | thing | ||
608 | poetry | ||
609 | is | ||
610 | not | ||
611 | as | ||
612 | bound | ||
613 | by | ||
614 | time | ||
615 | as | ||
616 | prose | ||
617 | is | ||
618 | it | ||
619 | can | ||
620 | as | ||
621 | marianne | ||
622 | boruch | ||
623 | writes | ||
624 | resist | ||
625 | narrative | ||
626 | sequence | ||
627 | or | ||
628 | the | ||
629 | forward | ||
630 | press | ||
631 | of | ||
632 | time | ||
633 | itself | ||
634 | due | ||
635 | to | ||
636 | its | ||
637 | repetitions | ||
638 | and | ||
639 | diversions | ||
640 | which | ||
641 | are | ||
642 | in | ||
643 | turn | ||
644 | made | ||
645 | possible | ||
646 | or | ||
647 | more | ||
648 | apparent | ||
649 | by | ||
650 | its | ||
651 | line | ||
652 | breaks | ||
653 | it | ||
654 | is | ||
655 | able | ||
656 | to | ||
657 | meditate | ||
658 | on | ||
659 | a | ||
660 | subject | ||
661 | or | ||
662 | expand | ||
663 | on | ||
664 | it | ||
665 | lyrically | ||
666 | exploring | ||
667 | the | ||
668 | emotions | ||
669 | connected | ||
670 | with | ||
671 | the | ||
672 | images | ||
673 | in | ||
674 | the | ||
675 | poem | ||
676 | or | ||
677 | the | ||
678 | connections | ||
679 | between | ||
680 | images | ||
681 | through | ||
682 | repitition | ||
683 | of | ||
684 | sounds | ||
685 | the | ||
686 | poem | ||
687 | builds | ||
688 | meaning | ||
689 | through | ||
690 | resonance | ||
691 | and | ||
692 | rhyming | ||
693 | something | ||
694 | that's | ||
695 | harder | ||
696 | to | ||
697 | do | ||
698 | in | ||
699 | prose | ||
700 | take | ||
701 | for | ||
702 | example | ||
703 | the | ||
704 | first | ||
705 | lines | ||
706 | of | ||
707 | the | ||
708 | love | ||
709 | song | ||
710 | of | ||
711 | j | ||
712 | alfred | ||
713 | prufrock | ||
714 | let | ||
715 | us | ||
716 | go | ||
717 | then | ||
718 | you | ||
719 | and | ||
720 | i | ||
721 | when | ||
722 | the | ||
723 | evening | ||
724 | is | ||
725 | spread | ||
726 | out | ||
727 | against | ||
728 | the | ||
729 | sky | ||
730 | like | ||
731 | a | ||
732 | patient | ||
733 | etherized | ||
734 | upon | ||
735 | a | ||
736 | table | ||
737 | let | ||
738 | us | ||
739 | go | ||
740 | through | ||
741 | certain | ||
742 | half-deserted | ||
743 | streets | ||
744 | the | ||
745 | muttering | ||
746 | retreats | ||
747 | of | ||
748 | restless | ||
749 | nights | ||
750 | in | ||
751 | one-night | ||
752 | cheap | ||
753 | hotels | ||
754 | and | ||
755 | sawdust | ||
756 | restaurants | ||
757 | with | ||
758 | oyster-shells | ||
759 | streets | ||
760 | that | ||
761 | follow | ||
762 | like | ||
763 | a | ||
764 | tedious | ||
765 | argument | ||
766 | of | ||
767 | insidious | ||
768 | intent | ||
769 | to | ||
770 | lead | ||
771 | you | ||
772 | to | ||
773 | an | ||
774 | overwhelming | ||
775 | question | ||
776 | oh | ||
777 | do | ||
778 | not | ||
779 | ask | ||
780 | what | ||
781 | is | ||
782 | it | ||
783 | let | ||
784 | us | ||
785 | go | ||
786 | and | ||
787 | make | ||
788 | our | ||
789 | visit | ||
790 | and | ||
791 | here | ||
792 | it | ||
793 | is | ||
794 | again | ||
795 | without | ||
796 | line | ||
797 | breaks | ||
798 | let | ||
799 | us | ||
800 | go | ||
801 | then | ||
802 | you | ||
803 | and | ||
804 | i | ||
805 | when | ||
806 | the | ||
807 | evening | ||
808 | is | ||
809 | spread | ||
810 | out | ||
811 | against | ||
812 | the | ||
813 | sky | ||
814 | like | ||
815 | a | ||
816 | patient | ||
817 | etherized | ||
818 | upon | ||
819 | a | ||
820 | table | ||
821 | let | ||
822 | us | ||
823 | go | ||
824 | through | ||
825 | certain | ||
826 | half-deserted | ||
827 | streets | ||
828 | the | ||
829 | muttering | ||
830 | retreats | ||
831 | of | ||
832 | restless | ||
833 | nights | ||
834 | in | ||
835 | one-night | ||
836 | cheap | ||
837 | hotels | ||
838 | and | ||
839 | sawdust | ||
840 | restaurants | ||
841 | with | ||
842 | oyster-shells | ||
843 | streets | ||
844 | that | ||
845 | follow | ||
846 | like | ||
847 | a | ||
848 | tedious | ||
849 | argument | ||
850 | of | ||
851 | insidious | ||
852 | intent | ||
853 | to | ||
854 | lead | ||
855 | you | ||
856 | to | ||
857 | an | ||
858 | overwhelming | ||
859 | question | ||
860 | oh | ||
861 | do | ||
862 | not | ||
863 | ask | ||
864 | what | ||
865 | is | ||
866 | it | ||
867 | let | ||
868 | us | ||
869 | go | ||
870 | and | ||
871 | make | ||
872 | our | ||
873 | visit | ||
874 | the | ||
875 | end-rhymes | ||
876 | that | ||
877 | do | ||
878 | so | ||
879 | much | ||
880 | for | ||
881 | the | ||
882 | sound | ||
883 | of | ||
884 | the | ||
885 | poem | ||
886 | are | ||
887 | gone | ||
888 | and | ||
889 | so | ||
890 | part | ||
891 | of | ||
892 | the | ||
893 | meaning | ||
894 | of | ||
895 | the | ||
896 | poem | ||
897 | its | ||
898 | obsessive | ||
899 | self-consciousness | ||
900 | its | ||
901 | paranoia | ||
902 | are | ||
903 | gone | ||
904 | as | ||
905 | well | ||
906 | additionally | ||
907 | line | ||
908 | breaks | ||
909 | act | ||
910 | as | ||
911 | punctuation | ||
912 | in | ||
913 | the | ||
914 | entirety | ||
915 | of | ||
916 | this | ||
917 | fragment | ||
918 | without | ||
919 | them | ||
920 | the | ||
921 | meaning | ||
922 | becomes | ||
923 | obscured | ||
924 | in | ||
925 | the | ||
926 | long | ||
927 | first | ||
928 | sentence | ||
929 | of | ||
930 | the | ||
931 | poem | ||
932 | perhaps | ||
933 | due | ||
934 | to | ||
935 | this | ||
936 | dwelling | ||
937 | on | ||
938 | scene | ||
939 | or | ||
940 | on | ||
941 | all | ||
942 | aspects | ||
943 | of | ||
944 | a | ||
945 | single | ||
946 | scene | ||
947 | at | ||
948 | one | ||
949 | time | ||
950 | poetry | ||
951 | tends | ||
952 | to | ||
953 | be | ||
954 | heavy | ||
955 | on | ||
956 | images | ||
957 | or | ||
958 | lyrical | ||
959 | i | ||
960 | think | ||
961 | this | ||
962 | is | ||
963 | what's | ||
964 | generally | ||
965 | meant | ||
966 | when | ||
967 | someone | ||
968 | describes | ||
969 | a | ||
970 | dance | ||
971 | as | ||
972 | poetic | ||
973 | or | ||
974 | a | ||
975 | story | ||
976 | or | ||
977 | anything | ||
978 | else | ||
979 | i | ||
980 | think | ||
981 | they | ||
982 | really | ||
983 | mean | ||
984 | lyrical | ||
985 | or | ||
986 | maybe | ||
987 | beautiful | ||
988 | the | ||
989 | images | ||
990 | form | ||
991 | sort | ||
992 | of | ||
993 | a | ||
994 | narrative | ||
995 | as | ||
996 | the | ||
997 | reader | ||
998 | moves | ||
999 | through | ||
1000 | them | ||
1001 | as | ||
1002 | cesare | ||
1003 | pavese | ||
1004 | says | ||
1005 | that's | ||
1006 | nevertheless | ||
1007 | different | ||
1008 | than | ||
1009 | a | ||
1010 | traditional | ||
1011 | narrative | ||
1012 | this | ||
1013 | image | ||
1014 | narrative | ||
1015 | jumps | ||
1016 | from | ||
1017 | image | ||
1018 | to | ||
1019 | image | ||
1020 | not | ||
1021 | by | ||
1022 | a | ||
1023 | logical | ||
1024 | progression | ||
1025 | but | ||
1026 | by | ||
1027 | the | ||
1028 | resonances | ||
1029 | between | ||
1030 | the | ||
1031 | images | ||
1032 | that | ||
1033 | run | ||
1034 | underneath | ||
1035 | them | ||
1036 | on | ||
1037 | almost | ||
1038 | a | ||
1039 | subliminal | ||
1040 | plane | ||
1041 | almost | ||
1042 | without | ||
1043 | noticing | ||
1044 | the | ||
1045 | reader | ||
1046 | of | ||
1047 | a | ||
1048 | poem | ||
1049 | is | ||
1050 | taken | ||
1051 | on | ||
1052 | an | ||
1053 | emotional | ||
1054 | journey | ||
1055 | that's | ||
1056 | not | ||
1057 | necessarily | ||
1058 | connected | ||
1059 | to | ||
1060 | the | ||
1061 | images | ||
1062 | of | ||
1063 | the | ||
1064 | poem | ||
1065 | themselves | ||
1066 | poetry | ||
1067 | is | ||
1068 | a | ||
1069 | manipulation | ||
1070 | of | ||
1071 | emotion | ||
1072 | or | ||
1073 | a | ||
1074 | communication | ||
1075 | of | ||
1076 | it | ||
1077 | prose | ||
1078 | has | ||
1079 | the | ||
1080 | space | ||
1081 | the | ||
1082 | time | ||
1083 | to | ||
1084 | describe | ||
1085 | what's | ||
1086 | going | ||
1087 | on | ||
1088 | even | ||
1089 | if | ||
1090 | the | ||
1091 | author | ||
1092 | stands | ||
1093 | by | ||
1094 | the | ||
1095 | old | ||
1096 | adage | ||
1097 | of | ||
1098 | show | ||
1099 | do | ||
1100 | not | ||
1101 | tell | ||
1102 | showing | ||
1103 | in | ||
1104 | prose | ||
1105 | inherently | ||
1106 | involves | ||
1107 | more | ||
1108 | telling | ||
1109 | than | ||
1110 | poetry | ||
1111 | does | ||
1112 | as | ||
1113 | poetry | ||
1114 | communicates | ||
1115 | a | ||
1116 | feeling | ||
1117 | itself | ||
1118 | this | ||
1119 | definition | ||
1120 | may | ||
1121 | be | ||
1122 | broad | ||
1123 | enough | ||
1124 | to | ||
1125 | include | ||
1126 | certain | ||
1127 | dance | ||
1128 | performances | ||
1129 | or | ||
1130 | paintings | ||
1131 | but | ||
1132 | that's | ||
1133 | okay | ||
1134 | i'm | ||
1135 | of | ||
1136 | the | ||
1137 | opinion | ||
1138 | that | ||
1139 | the | ||
1140 | more | ||
1141 | useful | ||
1142 | genre | ||
1143 | distinctions | ||
1144 | are | ||
1145 | those | ||
1146 | which | ||
1147 | describe | ||
1148 | the | ||
1149 | thing | ||
1150 | technically | ||
1151 | verse | ||
1152 | for | ||
1153 | example | ||
1154 | or | ||
1155 | lyrical | ||
1156 | poetry | ||
1157 | is | ||
1158 | almost | ||
1159 | a | ||
1160 | value | ||
1161 | judgement | ||
1162 | and | ||
1163 | that | ||
1164 | makes | ||
1165 | me | ||
1166 | a | ||
1167 | little | ||
1168 | uncomfortable | ||