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Diffstat (limited to 'river/on-genre-dimension.river')
-rw-r--r-- | river/on-genre-dimension.river | 1159 |
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diff --git a/river/on-genre-dimension.river b/river/on-genre-dimension.river deleted file mode 100644 index 147251b..0000000 --- a/river/on-genre-dimension.river +++ /dev/null | |||
@@ -1,1159 +0,0 @@ | |||
1 | how | ||
2 | does | ||
3 | one | ||
4 | describe | ||
5 | a | ||
6 | poem | ||
7 | a | ||
8 | genre | ||
9 | is | ||
10 | a | ||
11 | set | ||
12 | of | ||
13 | creative | ||
14 | outputs | ||
15 | that | ||
16 | fit | ||
17 | a | ||
18 | given | ||
19 | set | ||
20 | of | ||
21 | criteria | ||
22 | genres | ||
23 | are | ||
24 | useful | ||
25 | as | ||
26 | a | ||
27 | sort | ||
28 | of | ||
29 | shorthand | ||
30 | when | ||
31 | describing | ||
32 | a | ||
33 | thing | ||
34 | of | ||
35 | art | ||
36 | instead | ||
37 | of | ||
38 | noting | ||
39 | for | ||
40 | example | ||
41 | all | ||
42 | of | ||
43 | the | ||
44 | objects | ||
45 | depicted | ||
46 | in | ||
47 | a | ||
48 | still-life | ||
49 | that | ||
50 | aren't | ||
51 | people | ||
52 | or | ||
53 | land-features | ||
54 | we | ||
55 | call | ||
56 | it | ||
57 | a | ||
58 | still-life | ||
59 | and | ||
60 | get | ||
61 | on | ||
62 | to | ||
63 | describing | ||
64 | how | ||
65 | the | ||
66 | objects | ||
67 | interrelate | ||
68 | to | ||
69 | each | ||
70 | other | ||
71 | on | ||
72 | the | ||
73 | canvas | ||
74 | if | ||
75 | you | ||
76 | ask | ||
77 | me | ||
78 | what | ||
79 | kind | ||
80 | of | ||
81 | painting | ||
82 | i'm | ||
83 | working | ||
84 | on | ||
85 | and | ||
86 | i | ||
87 | say | ||
88 | a | ||
89 | still-life | ||
90 | you | ||
91 | have | ||
92 | an | ||
93 | expectation | ||
94 | of | ||
95 | certain | ||
96 | elements | ||
97 | the | ||
98 | painting | ||
99 | will | ||
100 | contain | ||
101 | if | ||
102 | you | ||
103 | happen | ||
104 | to | ||
105 | be | ||
106 | an | ||
107 | agent | ||
108 | and | ||
109 | try | ||
110 | to | ||
111 | sell | ||
112 | the | ||
113 | painting | ||
114 | later | ||
115 | you'll | ||
116 | say | ||
117 | to | ||
118 | your | ||
119 | prospective | ||
120 | buyers | ||
121 | it's | ||
122 | a | ||
123 | still-life | ||
124 | and | ||
125 | whether | ||
126 | the | ||
127 | buyer | ||
128 | is | ||
129 | over | ||
130 | the | ||
131 | phone | ||
132 | or | ||
133 | standing | ||
134 | in | ||
135 | the | ||
136 | gallery | ||
137 | they'll | ||
138 | know | ||
139 | whether | ||
140 | they'll | ||
141 | like | ||
142 | it | ||
143 | or | ||
144 | not | ||
145 | based | ||
146 | on | ||
147 | whether | ||
148 | they | ||
149 | like | ||
150 | still-lifes | ||
151 | in | ||
152 | the | ||
153 | same | ||
154 | way | ||
155 | they | ||
156 | can | ||
157 | call | ||
158 | you | ||
159 | up | ||
160 | and | ||
161 | ask | ||
162 | if | ||
163 | you | ||
164 | have | ||
165 | any | ||
166 | still-lifes | ||
167 | for | ||
168 | sale | ||
169 | right | ||
170 | now | ||
171 | and | ||
172 | get | ||
173 | a | ||
174 | simple | ||
175 | yes-or-no | ||
176 | answer | ||
177 | for | ||
178 | it | ||
179 | this | ||
180 | is | ||
181 | the | ||
182 | first | ||
183 | kind | ||
184 | of | ||
185 | genre | ||
186 | and | ||
187 | it | ||
188 | applies | ||
189 | well | ||
190 | within | ||
191 | separate | ||
192 | types | ||
193 | of | ||
194 | fundamentally-different | ||
195 | media | ||
196 | such | ||
197 | as | ||
198 | painting | ||
199 | sculpture | ||
200 | film | ||
201 | or | ||
202 | the | ||
203 | written | ||
204 | word | ||
205 | a | ||
206 | poem | ||
207 | obviously | ||
208 | is | ||
209 | in | ||
210 | this | ||
211 | last | ||
212 | category | ||
213 | and | ||
214 | for | ||
215 | some | ||
216 | reason | ||
217 | its | ||
218 | designation | ||
219 | is | ||
220 | hairier | ||
221 | than | ||
222 | others | ||
223 | people | ||
224 | refer | ||
225 | to | ||
226 | all | ||
227 | sorts | ||
228 | of | ||
229 | art | ||
230 | or | ||
231 | even | ||
232 | dispassionate | ||
233 | events | ||
234 | as | ||
235 | poetry | ||
236 | dancing | ||
237 | is | ||
238 | called | ||
239 | poetry | ||
240 | in | ||
241 | motion | ||
242 | for | ||
243 | example | ||
244 | i | ||
245 | think | ||
246 | the | ||
247 | confusion | ||
248 | is | ||
249 | caused | ||
250 | in | ||
251 | part | ||
252 | by | ||
253 | the | ||
254 | nature | ||
255 | of | ||
256 | writing | ||
257 | as | ||
258 | a | ||
259 | medium | ||
260 | namely | ||
261 | in | ||
262 | that | ||
263 | it | ||
264 | captures | ||
265 | thoughts | ||
266 | more | ||
267 | clearly | ||
268 | and | ||
269 | communicably | ||
270 | than | ||
271 | other | ||
272 | art | ||
273 | forms | ||
274 | while | ||
275 | a | ||
276 | picture | ||
277 | can | ||
278 | be | ||
279 | worth | ||
280 | a | ||
281 | thousand | ||
282 | words | ||
283 | as | ||
284 | the | ||
285 | old | ||
286 | clich | ||
287 | goes | ||
288 | when | ||
289 | those | ||
290 | words | ||
291 | are | ||
292 | actually | ||
293 | written | ||
294 | out | ||
295 | they | ||
296 | can | ||
297 | contain | ||
298 | shades | ||
299 | of | ||
300 | meaning | ||
301 | impossible | ||
302 | to | ||
303 | capture | ||
304 | in | ||
305 | the | ||
306 | picture | ||
307 | itself | ||
308 | at | ||
309 | least | ||
310 | as | ||
311 | quickly | ||
312 | as | ||
313 | they | ||
314 | can | ||
315 | be | ||
316 | absorbed | ||
317 | in | ||
318 | writing | ||
319 | it | ||
320 | seems | ||
321 | as | ||
322 | though | ||
323 | writing | ||
324 | is | ||
325 | akin | ||
326 | to | ||
327 | the | ||
328 | fundamental | ||
329 | nature | ||
330 | of | ||
331 | thought | ||
332 | or | ||
333 | at | ||
334 | least | ||
335 | of | ||
336 | spoken | ||
337 | language | ||
338 | which | ||
339 | our | ||
340 | thought | ||
341 | is | ||
342 | steeped | ||
343 | in | ||
344 | so | ||
345 | we | ||
346 | know | ||
347 | what | ||
348 | writing | ||
349 | is | ||
350 | what | ||
351 | is | ||
352 | a | ||
353 | poem | ||
354 | especially | ||
355 | in | ||
356 | a | ||
357 | world | ||
358 | with | ||
359 | such | ||
360 | forms | ||
361 | as | ||
362 | prose | ||
363 | poetry | ||
364 | flash | ||
365 | fiction | ||
366 | short-shorts | ||
367 | lyrical | ||
368 | essays | ||
369 | lyrical | ||
370 | ballads | ||
371 | et | ||
372 | cetera | ||
373 | what | ||
374 | makes | ||
375 | a | ||
376 | poem | ||
377 | a | ||
378 | poem | ||
379 | i | ||
380 | read | ||
381 | an | ||
382 | essay | ||
383 | once | ||
384 | that | ||
385 | lamented | ||
386 | the | ||
387 | unidimensionality | ||
388 | of | ||
389 | writing | ||
390 | it | ||
391 | posited | ||
392 | that | ||
393 | prose | ||
394 | is | ||
395 | really | ||
396 | just | ||
397 | a | ||
398 | long | ||
399 | wrapped | ||
400 | line | ||
401 | of | ||
402 | text | ||
403 | that's | ||
404 | bound | ||
405 | by | ||
406 | time | ||
407 | when | ||
408 | you | ||
409 | read | ||
410 | a | ||
411 | novel | ||
412 | for | ||
413 | example | ||
414 | you | ||
415 | really | ||
416 | must | ||
417 | start | ||
418 | at | ||
419 | the | ||
420 | beginning | ||
421 | and | ||
422 | read | ||
423 | through | ||
424 | to | ||
425 | the | ||
426 | end | ||
427 | in | ||
428 | order | ||
429 | some | ||
430 | newer | ||
431 | forms | ||
432 | of | ||
433 | fiction | ||
434 | are | ||
435 | changing | ||
436 | this | ||
437 | such | ||
438 | as | ||
439 | the | ||
440 | choose-your-own-adventure | ||
441 | genre | ||
442 | in | ||
443 | the | ||
444 | 1970s | ||
445 | and | ||
446 | 80s | ||
447 | or | ||
448 | hyperfiction | ||
449 | found | ||
450 | online | ||
451 | which | ||
452 | raises | ||
453 | the | ||
454 | question | ||
455 | for | ||
456 | me | ||
457 | if | ||
458 | these | ||
459 | newer | ||
460 | forms | ||
461 | could | ||
462 | be | ||
463 | considered | ||
464 | on | ||
465 | some | ||
466 | level | ||
467 | to | ||
468 | be | ||
469 | poetry | ||
470 | this | ||
471 | is | ||
472 | because | ||
473 | poetry | ||
474 | has | ||
475 | more | ||
476 | than | ||
477 | one | ||
478 | dimension | ||
479 | due | ||
480 | to | ||
481 | its | ||
482 | linear | ||
483 | nature | ||
484 | those | ||
485 | line | ||
486 | breaks | ||
487 | are | ||
488 | intentional | ||
489 | and | ||
490 | the | ||
491 | poem | ||
492 | can't | ||
493 | just | ||
494 | fit | ||
495 | into | ||
496 | any-sized | ||
497 | book | ||
498 | or | ||
499 | web | ||
500 | page | ||
501 | if | ||
502 | prose | ||
503 | is | ||
504 | a | ||
505 | liquid | ||
506 | filling | ||
507 | any | ||
508 | container | ||
509 | it's | ||
510 | placed | ||
511 | in | ||
512 | with | ||
513 | a | ||
514 | constant | ||
515 | volume | ||
516 | poetry | ||
517 | is | ||
518 | more | ||
519 | like | ||
520 | a | ||
521 | crystallized | ||
522 | form | ||
523 | of | ||
524 | prose | ||
525 | or | ||
526 | to | ||
527 | put | ||
528 | it | ||
529 | another | ||
530 | way | ||
531 | poetry | ||
532 | has | ||
533 | between | ||
534 | one | ||
535 | and | ||
536 | two | ||
537 | dimensions | ||
538 | i | ||
539 | wouldn't | ||
540 | say | ||
541 | that | ||
542 | poetry | ||
543 | has | ||
544 | fully | ||
545 | two | ||
546 | dimensions | ||
547 | except | ||
548 | for | ||
549 | some | ||
550 | of | ||
551 | the | ||
552 | more | ||
553 | conceptually | ||
554 | visual | ||
555 | stuff | ||
556 | that | ||
557 | i'd | ||
558 | call | ||
559 | a | ||
560 | word-picture | ||
561 | anyway | ||
562 | because | ||
563 | from | ||
564 | line | ||
565 | to | ||
566 | line | ||
567 | that | ||
568 | unidimensionality | ||
569 | of | ||
570 | prose | ||
571 | remains | ||
572 | poetry | ||
573 | has | ||
574 | a | ||
575 | higher | ||
576 | dimensionality | ||
577 | than | ||
578 | prose | ||
579 | though | ||
580 | because | ||
581 | it's | ||
582 | crystallized | ||
583 | there | ||
584 | on | ||
585 | the | ||
586 | page | ||
587 | this | ||
588 | fractal-dimensionality | ||
589 | of | ||
590 | poetry | ||
591 | has | ||
592 | interesting | ||
593 | side | ||
594 | effects | ||
595 | on | ||
596 | the | ||
597 | genre | ||
598 | itself | ||
599 | for | ||
600 | one | ||
601 | thing | ||
602 | poetry | ||
603 | isn't | ||
604 | as | ||
605 | bound | ||
606 | by | ||
607 | time | ||
608 | as | ||
609 | prose | ||
610 | is | ||
611 | it | ||
612 | can | ||
613 | as | ||
614 | marianne | ||
615 | boruch | ||
616 | writes | ||
617 | resist | ||
618 | narrative | ||
619 | sequence | ||
620 | or | ||
621 | the | ||
622 | forward | ||
623 | press | ||
624 | of | ||
625 | time | ||
626 | itself | ||
627 | due | ||
628 | to | ||
629 | its | ||
630 | repetitions | ||
631 | and | ||
632 | diversions | ||
633 | which | ||
634 | are | ||
635 | in | ||
636 | turn | ||
637 | made | ||
638 | possible | ||
639 | or | ||
640 | more | ||
641 | apparent | ||
642 | by | ||
643 | its | ||
644 | line | ||
645 | breaks | ||
646 | it's | ||
647 | able | ||
648 | to | ||
649 | meditate | ||
650 | on | ||
651 | a | ||
652 | subject | ||
653 | or | ||
654 | expand | ||
655 | on | ||
656 | it | ||
657 | lyrically | ||
658 | exploring | ||
659 | the | ||
660 | emotions | ||
661 | connected | ||
662 | with | ||
663 | the | ||
664 | images | ||
665 | in | ||
666 | the | ||
667 | poem | ||
668 | or | ||
669 | the | ||
670 | connections | ||
671 | between | ||
672 | images | ||
673 | through | ||
674 | repitition | ||
675 | of | ||
676 | sounds | ||
677 | the | ||
678 | poem | ||
679 | builds | ||
680 | meaning | ||
681 | through | ||
682 | resonance | ||
683 | and | ||
684 | rhyming | ||
685 | something | ||
686 | that's | ||
687 | harder | ||
688 | to | ||
689 | do | ||
690 | in | ||
691 | prose | ||
692 | take | ||
693 | for | ||
694 | example | ||
695 | the | ||
696 | first | ||
697 | lines | ||
698 | of | ||
699 | the | ||
700 | love | ||
701 | song | ||
702 | of | ||
703 | j | ||
704 | alfred | ||
705 | prufrock | ||
706 | let | ||
707 | us | ||
708 | go | ||
709 | then | ||
710 | you | ||
711 | and | ||
712 | i | ||
713 | when | ||
714 | the | ||
715 | evening | ||
716 | is | ||
717 | spread | ||
718 | out | ||
719 | against | ||
720 | the | ||
721 | sky | ||
722 | like | ||
723 | a | ||
724 | patient | ||
725 | etherized | ||
726 | upon | ||
727 | a | ||
728 | table | ||
729 | let | ||
730 | us | ||
731 | go | ||
732 | through | ||
733 | certain | ||
734 | half-deserted | ||
735 | streets | ||
736 | the | ||
737 | muttering | ||
738 | retreats | ||
739 | of | ||
740 | restless | ||
741 | nights | ||
742 | in | ||
743 | one-night | ||
744 | cheap | ||
745 | hotels | ||
746 | and | ||
747 | sawdust | ||
748 | restaurants | ||
749 | with | ||
750 | oyster-shells | ||
751 | streets | ||
752 | that | ||
753 | follow | ||
754 | like | ||
755 | a | ||
756 | tedious | ||
757 | argument | ||
758 | of | ||
759 | insidious | ||
760 | intent | ||
761 | to | ||
762 | lead | ||
763 | you | ||
764 | to | ||
765 | an | ||
766 | overwhelming | ||
767 | question | ||
768 | oh | ||
769 | do | ||
770 | not | ||
771 | ask | ||
772 | what | ||
773 | is | ||
774 | it | ||
775 | let | ||
776 | us | ||
777 | go | ||
778 | and | ||
779 | make | ||
780 | our | ||
781 | visit | ||
782 | and | ||
783 | here | ||
784 | it | ||
785 | is | ||
786 | again | ||
787 | without | ||
788 | line | ||
789 | breaks | ||
790 | let | ||
791 | us | ||
792 | go | ||
793 | then | ||
794 | you | ||
795 | and | ||
796 | i | ||
797 | when | ||
798 | the | ||
799 | evening | ||
800 | is | ||
801 | spread | ||
802 | out | ||
803 | against | ||
804 | the | ||
805 | sky | ||
806 | like | ||
807 | a | ||
808 | patient | ||
809 | etherized | ||
810 | upon | ||
811 | a | ||
812 | table | ||
813 | let | ||
814 | us | ||
815 | go | ||
816 | through | ||
817 | certain | ||
818 | half-deserted | ||
819 | streets | ||
820 | the | ||
821 | muttering | ||
822 | retreats | ||
823 | of | ||
824 | restless | ||
825 | nights | ||
826 | in | ||
827 | one-night | ||
828 | cheap | ||
829 | hotels | ||
830 | and | ||
831 | sawdust | ||
832 | restaurants | ||
833 | with | ||
834 | oyster-shells | ||
835 | streets | ||
836 | that | ||
837 | follow | ||
838 | like | ||
839 | a | ||
840 | tedious | ||
841 | argument | ||
842 | of | ||
843 | insidious | ||
844 | intent | ||
845 | to | ||
846 | lead | ||
847 | you | ||
848 | to | ||
849 | an | ||
850 | overwhelming | ||
851 | question | ||
852 | oh | ||
853 | do | ||
854 | not | ||
855 | ask | ||
856 | what | ||
857 | is | ||
858 | it | ||
859 | let | ||
860 | us | ||
861 | go | ||
862 | and | ||
863 | make | ||
864 | our | ||
865 | visit | ||
866 | the | ||
867 | end-rhymes | ||
868 | that | ||
869 | do | ||
870 | so | ||
871 | much | ||
872 | for | ||
873 | the | ||
874 | sound | ||
875 | of | ||
876 | the | ||
877 | poem | ||
878 | are | ||
879 | gone | ||
880 | and | ||
881 | so | ||
882 | part | ||
883 | of | ||
884 | the | ||
885 | meaning | ||
886 | of | ||
887 | the | ||
888 | poem | ||
889 | its | ||
890 | obsessive | ||
891 | self-consciousness | ||
892 | its | ||
893 | paranoia | ||
894 | are | ||
895 | gone | ||
896 | as | ||
897 | well | ||
898 | additionally | ||
899 | line | ||
900 | breaks | ||
901 | act | ||
902 | as | ||
903 | punctuation | ||
904 | in | ||
905 | the | ||
906 | entirety | ||
907 | of | ||
908 | this | ||
909 | fragment | ||
910 | without | ||
911 | them | ||
912 | the | ||
913 | meaning | ||
914 | becomes | ||
915 | obscured | ||
916 | in | ||
917 | the | ||
918 | long | ||
919 | first | ||
920 | sentence | ||
921 | of | ||
922 | the | ||
923 | poem | ||
924 | perhaps | ||
925 | due | ||
926 | to | ||
927 | this | ||
928 | dwelling | ||
929 | on | ||
930 | scene | ||
931 | or | ||
932 | on | ||
933 | all | ||
934 | aspects | ||
935 | of | ||
936 | a | ||
937 | single | ||
938 | scene | ||
939 | at | ||
940 | one | ||
941 | time | ||
942 | poetry | ||
943 | tends | ||
944 | to | ||
945 | be | ||
946 | heavy | ||
947 | on | ||
948 | images | ||
949 | or | ||
950 | lyrical | ||
951 | i | ||
952 | think | ||
953 | this | ||
954 | is | ||
955 | what's | ||
956 | generally | ||
957 | meant | ||
958 | when | ||
959 | someone | ||
960 | describes | ||
961 | a | ||
962 | dance | ||
963 | as | ||
964 | poetic | ||
965 | or | ||
966 | a | ||
967 | story | ||
968 | or | ||
969 | anything | ||
970 | else | ||
971 | i | ||
972 | think | ||
973 | they | ||
974 | really | ||
975 | mean | ||
976 | lyrical | ||
977 | or | ||
978 | maybe | ||
979 | beautiful | ||
980 | the | ||
981 | images | ||
982 | form | ||
983 | sort | ||
984 | of | ||
985 | a | ||
986 | narrative | ||
987 | as | ||
988 | the | ||
989 | reader | ||
990 | moves | ||
991 | through | ||
992 | them | ||
993 | as | ||
994 | cesare | ||
995 | pavese | ||
996 | says | ||
997 | that's | ||
998 | nevertheless | ||
999 | different | ||
1000 | than | ||
1001 | a | ||
1002 | traditional | ||
1003 | narrative | ||
1004 | this | ||
1005 | image | ||
1006 | narrative | ||
1007 | jumps | ||
1008 | from | ||
1009 | image | ||
1010 | to | ||
1011 | image | ||
1012 | not | ||
1013 | by | ||
1014 | a | ||
1015 | logical | ||
1016 | progression | ||
1017 | but | ||
1018 | by | ||
1019 | the | ||
1020 | resonances | ||
1021 | between | ||
1022 | the | ||
1023 | images | ||
1024 | that | ||
1025 | run | ||
1026 | underneath | ||
1027 | them | ||
1028 | on | ||
1029 | almost | ||
1030 | a | ||
1031 | subliminal | ||
1032 | plane | ||
1033 | almost | ||
1034 | without | ||
1035 | noticing | ||
1036 | the | ||
1037 | reader | ||
1038 | of | ||
1039 | a | ||
1040 | poem | ||
1041 | is | ||
1042 | taken | ||
1043 | on | ||
1044 | an | ||
1045 | emotional | ||
1046 | journey | ||
1047 | that's | ||
1048 | not | ||
1049 | necessarily | ||
1050 | connected | ||
1051 | to | ||
1052 | the | ||
1053 | images | ||
1054 | of | ||
1055 | the | ||
1056 | poem | ||
1057 | themselves | ||
1058 | poetry | ||
1059 | is | ||
1060 | a | ||
1061 | manipulation | ||
1062 | of | ||
1063 | emotion | ||
1064 | or | ||
1065 | a | ||
1066 | communication | ||
1067 | of | ||
1068 | it | ||
1069 | prose | ||
1070 | has | ||
1071 | the | ||
1072 | space | ||
1073 | the | ||
1074 | time | ||
1075 | to | ||
1076 | describe | ||
1077 | what's | ||
1078 | going | ||
1079 | on | ||
1080 | even | ||
1081 | if | ||
1082 | the | ||
1083 | author | ||
1084 | stands | ||
1085 | by | ||
1086 | the | ||
1087 | old | ||
1088 | adage | ||
1089 | of | ||
1090 | show | ||
1091 | don't | ||
1092 | tell | ||
1093 | showing | ||
1094 | in | ||
1095 | prose | ||
1096 | inherently | ||
1097 | involves | ||
1098 | more | ||
1099 | telling | ||
1100 | than | ||
1101 | poetry | ||
1102 | does | ||
1103 | as | ||
1104 | poetry | ||
1105 | communicates | ||
1106 | a | ||
1107 | feeling | ||
1108 | itself | ||
1109 | this | ||
1110 | definition | ||
1111 | may | ||
1112 | be | ||
1113 | broad | ||
1114 | enough | ||
1115 | to | ||
1116 | include | ||
1117 | certain | ||
1118 | dance | ||
1119 | performances | ||
1120 | or | ||
1121 | paintings | ||
1122 | but | ||
1123 | that's | ||
1124 | okay | ||
1125 | i'm | ||
1126 | of | ||
1127 | the | ||
1128 | opinion | ||
1129 | that | ||
1130 | the | ||
1131 | more | ||
1132 | useful | ||
1133 | genre | ||
1134 | distinctions | ||
1135 | are | ||
1136 | those | ||
1137 | which | ||
1138 | describe | ||
1139 | the | ||
1140 | thing | ||
1141 | technically | ||
1142 | verse | ||
1143 | for | ||
1144 | example | ||
1145 | or | ||
1146 | lyrical | ||
1147 | poetry | ||
1148 | is | ||
1149 | almost | ||
1150 | a | ||
1151 | value | ||
1152 | judgement | ||
1153 | and | ||
1154 | that | ||
1155 | makes | ||
1156 | me | ||
1157 | a | ||
1158 | little | ||
1159 | uncomfortable | ||