diff options
Diffstat (limited to 'src')
-rw-r--r-- | src/hands.txt | 22 | ||||
-rw-r--r-- | src/leg.txt | 18 | ||||
-rw-r--r-- | src/notes.txt | 26 | ||||
-rw-r--r-- | src/paul.txt | 43 | ||||
-rw-r--r-- | src/planks.txt | 6 | ||||
-rw-r--r-- | src/swear.txt | 71 | ||||
-rw-r--r-- | src/treatise.txt | 80 |
7 files changed, 128 insertions, 138 deletions
diff --git a/src/hands.txt b/src/hands.txt index e175a54..da83048 100644 --- a/src/hands.txt +++ b/src/hands.txt | |||
@@ -32,15 +32,13 @@ He opened the medicine cabinet. | |||
32 | 32 | ||
33 | Back in his Writing Shack, he started to type. | 33 | Back in his Writing Shack, he started to type. |
34 | 34 | ||
35 | ```type | 35 | > What is it about hands that gives |
36 | What is it about hands that gives | 36 | > them such power? It is that their |
37 | them such power? It is that their | 37 | > power is hidden in the arm. Push |
38 | power is hidden in the arm. Push | 38 | > on the inside of the wrist--the |
39 | on the inside of the wrist--the | 39 | > hand closes. Reach under the skin |
40 | hand closes. Reach under the skin | 40 | > and pull on the outside tendons-- |
41 | and pull on the outside tendons-- | 41 | > the hand opens again. Hands are |
42 | the hand opens again. Hands are | 42 | > only machines for grasping, |
43 | only machines for grasping, | 43 | > controlled by the arm, not the |
44 | controlled by the arm, not the | 44 | > mind. |
45 | mind. | ||
46 | ``` | ||
diff --git a/src/leg.txt b/src/leg.txt index 50a3bfe..dab2c19 100644 --- a/src/leg.txt +++ b/src/leg.txt | |||
@@ -26,20 +26,16 @@ He began again but this time only with legs. | |||
26 | He built one leg, which means he cut a straight piece of wood down to four feet in length, whittled the bark off, and sanded it down smooth in what he was now calling his Woodworking Shack. | 26 | He built one leg, which means he cut a straight piece of wood down to four feet in length, whittled the bark off, and sanded it down smooth in what he was now calling his Woodworking Shack. |
27 | He typed up a note on how to make chair legs. | 27 | He typed up a note on how to make chair legs. |
28 | 28 | ||
29 | ```type | 29 | > MAKING CHAIR LEGS |
30 | MAKING CHAIR LEGS | ||
31 | 30 | ||
32 | 1. get longish piece of wood | 31 | > 1. get longish piece of wood |
33 | 2. cut it to length (4 feet I'd | 32 | > 2. cut it to length (4 feet I'd |
34 | recommend) | 33 | > recommend) |
35 | 3. whittle off bark | 34 | > 3. whittle off bark |
36 | 4. sand smooth the leg | 35 | > 4. sand smooth the leg |
37 | ``` | ||
38 | 36 | ||
39 | After he tried remembered tried standing the leg up, failing, and after much thought realizing that the ends needed to be flat, he typed one more line on his notecard: | 37 | After he tried remembered tried standing the leg up, failing, and after much thought realizing that the ends needed to be flat, he typed one more line on his notecard: |
40 | 38 | ||
41 | ``` | 39 | > 5. make ends flat |
42 | 5. make ends flat | ||
43 | ``` | ||
44 | 40 | ||
45 | He had no tools with which to flatten the ends of his leg. | 41 | He had no tools with which to flatten the ends of his leg. |
diff --git a/src/notes.txt b/src/notes.txt index 7705f5e..5047314 100644 --- a/src/notes.txt +++ b/src/notes.txt | |||
@@ -29,17 +29,15 @@ For now he was writing his ideas, "notes" he now called them, something for him | |||
29 | He didn't like to think about it. | 29 | He didn't like to think about it. |
30 | On this particular cold winter morning, he wrote | 30 | On this particular cold winter morning, he wrote |
31 | 31 | ||
32 | ```type | 32 | > Woke up from a dream I was famous. |
33 | Woke up from a dream I was famous. | 33 | > One of the more famous people in |
34 | One of the more famous people in | 34 | > fact. I had written something |
35 | fact. I had written something | 35 | > everyone could relate to and at |
36 | everyone could relate to and at | 36 | > the same time proved my parents |
37 | the same time proved my parents | 37 | > wrong. Because I made a lot of |
38 | wrong. Because I made a lot of | 38 | > money. Or not a lot, but enough |
39 | money. Or not a lot, but enough | 39 | > and more than they thought I |
40 | and more than they thought I | 40 | > would. It was a good day. |
41 | would. It was a good day. | 41 | > Woke up this morning and I was |
42 | Woke up this morning and I was | 42 | > still cold. Still Paul. Still not |
43 | still cold. Still Paul. Still not | 43 | > good at furniture. |
44 | good at furniture. | ||
45 | ``` | ||
diff --git a/src/paul.txt b/src/paul.txt index 7834b5b..37f3d11 100644 --- a/src/paul.txt +++ b/src/paul.txt | |||
@@ -18,37 +18,32 @@ project: | |||
18 | link: options | 18 | link: options |
19 | ... | 19 | ... |
20 | 20 | ||
21 | ```type | 21 | > CONTENTS OF THE SHED |
22 | CONTENTS OF THE SHED | ||
23 | 22 | ||
24 | - typewriter | 23 | > - typewriter |
25 | - writing desk | 24 | > - writing desk |
26 | - notecards (top drawer of desk) | 25 | > - notecards (top drawer of desk) |
27 | - pen (fountain) | 26 | > - pen (fountain) |
28 | - inkpot (empty) | 27 | > - inkpot (empty) |
29 | - wood (a lot, more out back) | 28 | > - wood (a lot, more out back) |
30 | - bare lightbulb | 29 | > - bare lightbulb |
31 | - candle | 30 | > - candle |
32 | - wooden shelf with tools: | 31 | > - wooden shelf with tools: |
33 | - claw hammer | 32 | > - claw hammer |
34 | - screwdriver | 33 | > - screwdriver |
35 | - prybar | 34 | > - prybar |
36 | - 2x wrench (different | 35 | > - 2x wrench (different kinds) |
37 | kinds) | 36 | > - tiller machine |
38 | - tiller machine | 37 | > - push lawnmower |
39 | - push lawnmower | 38 | > - hatchet |
40 | - hatchet | 39 | > - axe |
41 | - axe | ||
42 | ``` | ||
43 | 40 | ||
44 | He typed the list in the typewriter and looked around some more. | 41 | He typed the list in the typewriter and looked around some more. |
45 | He wanted to make sure he didn't miss anything. | 42 | He wanted to make sure he didn't miss anything. |
46 | Finally it hit him and he smiled. | 43 | Finally it hit him and he smiled. |
47 | He typed one more line, stood up, and went out of the shed. | 44 | He typed one more line, stood up, and went out of the shed. |
48 | 45 | ||
49 | ```type | 46 | > - Paul Bunyon |
50 | - Paul Bunyon | ||
51 | ``` | ||
52 | 47 | ||
53 | He got some kerosene from under the house, poured it around the base of the shed, lit a cigarette. | 48 | He got some kerosene from under the house, poured it around the base of the shed, lit a cigarette. |
54 | He smoked half of it and threw it down to start the fire. | 49 | He smoked half of it and threw it down to start the fire. |
diff --git a/src/planks.txt b/src/planks.txt index f9c802a..f37b9e5 100644 --- a/src/planks.txt +++ b/src/planks.txt | |||
@@ -18,10 +18,8 @@ project: | |||
18 | link: phone | 18 | link: phone |
19 | ... | 19 | ... |
20 | 20 | ||
21 | ```type | 21 | > EVERYTHING CHANGES OR EVERYTHING |
22 | EVERYTHING CHANGES OR EVERYTHING | 22 | > STAYS THE SAME |
23 | STAYS THE SAME | ||
24 | ``` | ||
25 | 23 | ||
26 | This sat alone on a blank notecard in Paul's typewriter. | 24 | This sat alone on a blank notecard in Paul's typewriter. |
27 | He stared at it, sipping at his too-hot coffee. | 25 | He stared at it, sipping at his too-hot coffee. |
diff --git a/src/swear.txt b/src/swear.txt index a23d9eb..855e72a 100644 --- a/src/swear.txt +++ b/src/swear.txt | |||
@@ -18,40 +18,45 @@ project: | |||
18 | link: stump | 18 | link: stump |
19 | ... | 19 | ... |
20 | 20 | ||
21 | ```type | 21 | |
22 | EVERYTHING CHANGES OR EVERYTHING | 22 | > [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME][] |
23 | STAYS THE SAME | 23 | |
24 | 24 | > First, a history: I was writing my | |
25 | First, a history: I was writing my | 25 | > thoughts in a book. I got a typewriter |
26 | thoughts in a book. I got a typewriter | 26 | > and typing things in a book |
27 | and typing things in a book | 27 | > became impossible. I began typing |
28 | became impossible. I began typing | 28 | > on 4x6 notecards. I ran out of |
29 | on 4x6 notecards. I ran out of | 29 | > ribbon in my typewriter. I wrote |
30 | ribbon in my typewriter. I wrote | 30 | > on the 4x6 notecards. I bought a |
31 | on the 4x6 notecards. I bought a | 31 | > new ribbon and new notecards. Now |
32 | new ribbon and new notecards. Now | 32 | > again I am typing on notecards. |
33 | again I am typing on notecards. | 33 | |
34 | What have I been typing? | 34 | > What have I been typing? |
35 | Thoughts, impressions maybe, a log | 35 | > Thoughts, impressions maybe, a log |
36 | of changes to my mental state. I | 36 | > of changes to my mental state. I |
37 | waited long enough and I began | 37 | > waited long enough and I began |
38 | recording them in the same way. If | 38 | > recording them in the same way. If |
39 | I wait longer the ribbon will run | 39 | > I wait longer the ribbon will run |
40 | out again and I'll write again, on | 40 | > out again and I'll write again, on |
41 | notecards or in my book. The same | 41 | > notecards or in my book. The same |
42 | thoughts in different bodies. | 42 | > thoughts in different bodies. |
43 | That's what it means, "Every | 43 | |
44 | thing changes or everything stays | 44 | > That's what it means, "Every |
45 | the same." It might as well be | 45 | > thing changes or everything stays |
46 | "and." Local differences add up to | 46 | > the same." It might as well be |
47 | global identities. It's a hoop, | 47 | > "and." Local differences add up to |
48 | right? And we keep going around | 48 | > global identities. It's a [hoop][], |
49 | and we think it's flat but it's | 49 | > right? And we keep going around |
50 | round like the Earth. | 50 | > and we think it's flat but it's |
51 | ``` | 51 | > round like the Earth. |
52 | 52 | ||
53 | Paul pushed his chair away from the Writing Desk and stared at the notecard. | 53 | |
54 | Paul pushed his chair away from the [Writing Desk][] and stared at the notecard. | ||
54 | He stood up, knocked his head on the lightbulb, swore. | 55 | He stood up, knocked his head on the lightbulb, swore. |
55 | He pulled the notecard from his typewriter and crumpled it up with his left hand. | 56 | He pulled the notecard from his typewriter and crumpled it up with his left hand. |
56 | With his right hand he reached in his pocket and pulled out his cigarettes. | 57 | With his right hand he reached in his pocket and pulled out his cigarettes. |
57 | He put one in his mouth, threw the paper in the corner, grabbed his axe, went out into the woods. | 58 | He put one in his mouth, threw the paper in the corner, grabbed his axe, went out into the woods. |
59 | |||
60 | [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME]: planks.html | ||
61 | [hoop]: ourobors_memory.html | ||
62 | [Writing Desk]: finding-the-lion.html | ||
diff --git a/src/treatise.txt b/src/treatise.txt index 5bf1ac0..3702077 100644 --- a/src/treatise.txt +++ b/src/treatise.txt | |||
@@ -18,45 +18,45 @@ project: | |||
18 | link: toothpaste | 18 | link: toothpaste |
19 | ... | 19 | ... |
20 | 20 | ||
21 | ```type | 21 | > TREATISE ON LITERATURE AS "SPOOKY |
22 | TREATISE ON LITERATURE AS "SPOOKY | 22 | > ACTION FROM A DISTANCE" |
23 | ACTION FROM A DISTANCE" | ||
24 | 23 | ||
25 | There is this thing called "spooky | 24 | > There is this thing called "spooky |
26 | action at a distance." Einstein | 25 | > action at a distance." Einstein |
27 | mentioned it first I believe. It | 26 | > mentioned it first I believe. It |
28 | is about how two electrons can act | 27 | > is about how two electrons can act |
29 | like they are right next to each | 28 | > like they are right next to each |
30 | other although they are very far | 29 | > other although they are very far |
31 | away (lightyears even). For a long | 30 | > away (lightyears even). For a long |
32 | time this puzzled scientists until | 31 | > time this puzzled scientists until |
33 | someone (not Einstein) figured out | 32 | > someone (not Einstein) figured out |
34 | that maybe the universe is a | 33 | > that maybe the universe is a |
35 | hologram or projection. So what | 34 | > hologram or projection. So what |
36 | appears to be very far apart in | 35 | > appears to be very far apart in |
37 | the hologram might actually be | 36 | > the hologram might actually be |
38 | very close in the substrate | 37 | > very close in the substrate |
39 | reality. | 38 | > reality. |
40 | I want to talk about this | ||
41 | effect in literature. In literature | ||
42 | the writer writes words on a | ||
43 | substrate (paper) and later the | ||
44 | reader reads the same words off | ||
45 | the substrate. Although the writer | ||
46 | and reader might be very far apart | ||
47 | from each other in time and space, | ||
48 | they experience the same effect | ||
49 | from reading the words. Even the | ||
50 | writer reading his own words after | ||
51 | he has written them becomes a | ||
52 | reader and feels who he was at | ||
53 | that time, like a ghost. | ||
54 | 39 | ||
55 | PROBLEMS: | 40 | > I want to talk about this |
56 | Maybe the substrate isn't | 41 | > effect in literature. In literature |
57 | paper it's what the writing is | 42 | > the writer writes words on a |
58 | about. Where is the hologram? Are | 43 | > substrate (paper) and later the |
59 | physics and literature comparable? | 44 | > reader reads the same words off |
60 | What if the universe isn't a | 45 | > the substrate. Although the writer |
61 | hologram what then? | 46 | > and reader might be very far apart |
62 | ``` | 47 | > from each other in time and space, |
48 | > they experience the same effect | ||
49 | > from reading the words. Even the | ||
50 | > writer reading his own words after | ||
51 | > he has written them becomes a | ||
52 | > reader and feels who he was at | ||
53 | > that time, like a ghost. | ||
54 | |||
55 | > PROBLEMS: | ||
56 | |||
57 | > Maybe the substrate isn't | ||
58 | > paper it's what the writing is | ||
59 | > about. Where is the hologram? Are | ||
60 | > physics and literature comparable? | ||
61 | > What if the universe isn't a | ||
62 | > hologram what then? | ||