diff options
Diffstat (limited to 'wip')
-rw-r--r-- | wip/0 | 0 | ||||
-rw-r--r-- | wip/apollo11.txt | 16 | ||||
-rw-r--r-- | wip/backlink.sh | 22 | ||||
-rw-r--r-- | wip/deathstrumpet.txt | 9 | ||||
-rw-r--r-- | wip/i-am.txt | 26 | ||||
-rw-r--r-- | wip/makefile | 48 | ||||
-rw-r--r-- | wip/moongone.txt | 6 |
7 files changed, 127 insertions, 0 deletions
diff --git a/wip/0 b/wip/0 new file mode 100644 index 0000000..e69de29 --- /dev/null +++ b/wip/0 | |||
diff --git a/wip/apollo11.txt b/wip/apollo11.txt new file mode 100644 index 0000000..5c6ef3c --- /dev/null +++ b/wip/apollo11.txt | |||
@@ -0,0 +1,16 @@ | |||
1 | So it's the fucking moon. Big deal. As if | ||
2 | you haven't seen it before, tacked to the sky | ||
3 | like a piece of rotten meat, or a maudlin | ||
4 | |||
5 | love letter (the _i_'s dotted neatly with hearts) | ||
6 | on the sky's door like the ninety-eight theses. | ||
7 | |||
8 | Don't stare at it like it means anything. | ||
9 | Don't give it the chance to collect meaning | ||
10 | from your outstretched hand, like an old pigeon. | ||
11 | |||
12 | Don't dare ascribe it a will, or call it fickle, | ||
13 | or think it has any say in your affairs. | ||
14 | |||
15 | It's separated from you by three hundred and eighty | ||
16 | thousand miles of empty space, | ||
diff --git a/wip/backlink.sh b/wip/backlink.sh new file mode 100644 index 0000000..dfbfe4b --- /dev/null +++ b/wip/backlink.sh | |||
@@ -0,0 +1,22 @@ | |||
1 | #!/bin/bash | ||
2 | |||
3 | # Variables | ||
4 | OPTIND=1 | ||
5 | header="" | ||
6 | blacklist="" | ||
7 | |||
8 | while getopts "h:b:" opt; do | ||
9 | case "$opt" in | ||
10 | h) | ||
11 | header=$OPTARG | ||
12 | ;; | ||
13 | b) | ||
14 | blacklist=$OPTARG | ||
15 | ;; | ||
16 | esac | ||
17 | done | ||
18 | |||
19 | shift $((OPTIND - 1)) | ||
20 | |||
21 | echo "header = $header" | ||
22 | echo "blacklist = $blacklist" | ||
diff --git a/wip/deathstrumpet.txt b/wip/deathstrumpet.txt new file mode 100644 index 0000000..e7edd43 --- /dev/null +++ b/wip/deathstrumpet.txt | |||
@@ -0,0 +1,9 @@ | |||
1 | He didn't have any polish so he spit-shined the whole thing | ||
2 | until it gleamed like a tomato on the vine that was begging | ||
3 | to be picked and thrown on some caprese. Death loved caprese. | ||
4 | |||
5 | He stood up to put the horn to his lips, trying to imagine | ||
6 | it was a woman he loved. He blushed as he realized how bad | ||
7 | the metaphor was. He practiced anyway for six hours a day | ||
8 | in front of the mirror---what else was there to do with time | ||
9 | that stretched like the mozzarella on Death's caprese? | ||
diff --git a/wip/i-am.txt b/wip/i-am.txt new file mode 100644 index 0000000..f4727a9 --- /dev/null +++ b/wip/i-am.txt | |||
@@ -0,0 +1,26 @@ | |||
1 | I am a great pillar of white smoke. | ||
2 | I am Lot's nameless wife turned to salt. | ||
3 | |||
4 | I am the wound on Christ's back as he moans | ||
5 | with the pounding of a hammer on his wrist. | ||
6 | |||
7 | I am the nail that holds his house together, | ||
8 | the long nail in his right wrist that points | ||
9 | |||
10 | toward heaven. I am that nail and I am | ||
11 | the builder of the house, a strong house | ||
12 | |||
13 | with a sound foundation. I am not the only | ||
14 | one who lives here. I am the god of | ||
15 | |||
16 | a race of dust mites who build monuments | ||
17 | in my honor every day in the small dark | ||
18 | |||
19 | corners of my house. I destroy each one | ||
20 | before I sleep each night. Every morning | ||
21 | |||
22 | there are still more. I am unaware where | ||
23 | all of them are. There are too many. | ||
24 | |||
25 | I am a god without a name in an empty house. | ||
26 | I am an open wound festering in the white sun. | ||
diff --git a/wip/makefile b/wip/makefile new file mode 100644 index 0000000..88ff6c9 --- /dev/null +++ b/wip/makefile | |||
@@ -0,0 +1,48 @@ | |||
1 | # MAKEFILE for Autocento of the breakfast table | ||
2 | # by Case Duckworth | case.duckworth@gmail.com | autocento.me | ||
3 | # inspired by Lincoln Mullen | lincolnmullen.com | ||
4 | # vim: fdm=marker | ||
5 | |||
6 | # Define variables {{{ | ||
7 | srcs := $(wildcard *.txt) | ||
8 | trunk:= trunk | ||
9 | versifyer = $(trunk)/versify.exe | ||
10 | versifySrc= $(trunk)/versify.hs | ||
11 | |||
12 | htmlBlackList = index.html template.html index-txt.html | ||
13 | htmls = $(filter-out $(htmlBlackList),$(patsubst %.txt,%.html,$(srcs))) | ||
14 | htmlTemplate = template.html | ||
15 | htmlPandocOptions = --template=$(htmlTemplate) | ||
16 | htmlPandocOptions+= --filter=$(versifyer) | ||
17 | htmlPandocOptions+= --smart --mathml --section-divs | ||
18 | |||
19 | backBlackList = "hapax.txt|first-lines.txt|common-titles.txt" | ||
20 | backSrcs = $(patsubst %.html,%.back,$(htmls)) | ||
21 | backs = $(patsubst %.back, %_backlinks.htm,$(backSrcs)) | ||
22 | backHead = $(trunk)/backlink.head | ||
23 | |||
24 | hapaxBlackList = first-lines.txt common-titles.txt hapax.txt | ||
25 | hapaxs = $(patsubst %.txt,%.hapax,$(srcs)) | ||
26 | hapaxer = $(trunk)/hapax.lua | ||
27 | hapaxHead = $(trunk)/hapax.head | ||
28 | hapaxTemp = hapax.tmp | ||
29 | hapaxOut = hapax.txt | ||
30 | |||
31 | lozengeOut = $(trunk)/lozenge.js | ||
32 | # }}} | ||
33 | |||
34 | .PHONY: all | ||
35 | all: $(versifyer) htmls backlinks | ||
36 | .PHONY: htmls | ||
37 | htmls: $(htmls) | ||
38 | .PHONY: backlinks | ||
39 | backlinks: $(backs) | ||
40 | |||
41 | $(versifyer): $(versifySrc) | ||
42 | ghc --make $(versifySrc) | ||
43 | |||
44 | %.html: %.txt template.html $(versifyer) | ||
45 | pandoc $< -f markdown -t html5 $(htmlPandocOptions) -o $@ | ||
46 | |||
47 | %_backlinks.htm: %.back | ||
48 | pandoc $< -f markdown -t html5 $(htmlPandocOptions) -o $@ | ||
diff --git a/wip/moongone.txt b/wip/moongone.txt new file mode 100644 index 0000000..9168ff0 --- /dev/null +++ b/wip/moongone.txt | |||
@@ -0,0 +1,6 @@ | |||
1 | The moon is gone and in its place a mirror. | ||
2 | Looking at the night sky, the viewer sees only his own face as viewed from far away, surrounded by a vague landscape of mountains, the plain he's standing on, a river. | ||
3 | He sees he is alone in the wilderness. | ||
4 | He wonders in being alone. | ||
5 | |||
6 | But behind him, the viewer sees a pursuer. | ||