diff options
author | Case Duckworth | 2015-03-19 10:00:14 -0700 |
---|---|---|
committer | Case Duckworth | 2015-03-19 10:00:14 -0700 |
commit | e3994243e274b8b0e8111c5aac455331a2d5adc3 (patch) | |
tree | 71aa597d8a620405ad0999bd47b9563eafae79a1 | |
parent | Fix spacing in epigraph + wallpaper (diff) | |
download | autocento-e3994243e274b8b0e8111c5aac455331a2d5adc3.tar.gz autocento-e3994243e274b8b0e8111c5aac455331a2d5adc3.zip |
Add index of first lines
-rw-r--r-- | _first-lines.html | 47 | ||||
-rw-r--r-- | first-lines.html | 69 | ||||
-rw-r--r-- | first-lines.sh | 17 | ||||
-rw-r--r-- | river/_first-lines.river | 1 | ||||
-rw-r--r-- | river/first-lines.river | 1340 | ||||
-rw-r--r-- | src/_first-lines.txt | 0 | ||||
-rw-r--r-- | src/first-lines.txt | 160 | ||||
-rw-r--r-- | src/found-typewriter-poem.txt | 1 | ||||
-rw-r--r-- | src/swear.txt | 1 |
9 files changed, 1634 insertions, 2 deletions
diff --git a/_first-lines.html b/_first-lines.html new file mode 100644 index 0000000..598dd47 --- /dev/null +++ b/_first-lines.html | |||
@@ -0,0 +1,47 @@ | |||
1 | <!DOCTYPE html> | ||
2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
3 | <!-- vim: fdm=indent | ||
4 | --> | ||
5 | <html lang="en"> | ||
6 | <head> | ||
7 | <meta charset="utf-8"> | ||
8 | <meta name="generator" content="pandoc"> | ||
9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
10 | <meta name="author" content="Case Duckworth"> | ||
11 | |||
12 | <title> | Autocento of the breakfast table</title> | ||
13 | <link rel="icon" type="image/png" href="img/favico.png" /> | ||
14 | |||
15 | <link rel="stylesheet" type="text/css" href="./css/common.css"> | ||
16 | <script src="./js/lozenge.js" type="text/javascript"> </script> | ||
17 | <script src="./js/hylo.js" type="text/javascript"> </script> | ||
18 | |||
19 | <!--[if lt IE 9]> | ||
20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
21 | <![endif]--> | ||
22 | <!-- <script src="js/external.js"> </script> --> | ||
23 | </head> | ||
24 | <body> | ||
25 | |||
26 | |||
27 | <article id="container"> | ||
28 | <header> | ||
29 | <!-- title --> | ||
30 | |||
31 | |||
32 | |||
33 | <div class="header-extra"> | ||
34 | |||
35 | </div> | ||
36 | </header> | ||
37 | |||
38 | |||
39 | <section class="content "></section> | ||
40 | </article> | ||
41 | <nav> | ||
42 | <a href="#" id="lozenge" title="Random page"> ◊ </a> | ||
43 | </nav> | ||
44 | |||
45 | |||
46 | </body> | ||
47 | </html> | ||
diff --git a/first-lines.html b/first-lines.html new file mode 100644 index 0000000..e526541 --- /dev/null +++ b/first-lines.html | |||
@@ -0,0 +1,69 @@ | |||
1 | <!DOCTYPE html> | ||
2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
3 | <!-- vim: fdm=indent | ||
4 | --> | ||
5 | <html lang="en"> | ||
6 | <head> | ||
7 | <meta charset="utf-8"> | ||
8 | <meta name="generator" content="pandoc"> | ||
9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
10 | <meta name="author" content="Case Duckworth"> | ||
11 | |||
12 | <title>Autocento of the breakfast table | Autocento of the breakfast table</title> | ||
13 | <link rel="icon" type="image/png" href="img/favico.png" /> | ||
14 | |||
15 | <link rel="stylesheet" type="text/css" href="./css/common.css"> | ||
16 | <script src="./js/lozenge.js" type="text/javascript"> </script> | ||
17 | <script src="./js/hylo.js" type="text/javascript"> </script> | ||
18 | |||
19 | <link rel="stylesheet" type="text/css" href="./css/prose.css"> | ||
20 | <script src="./js/prose.js" type="text/javascript"> </script> | ||
21 | <link rel="stylesheet" type="text/css" href="./css/autocento.css"> | ||
22 | <script src="./js/autocento.js" type="text/javascript"> </script> | ||
23 | <!--[if lt IE 9]> | ||
24 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
25 | <![endif]--> | ||
26 | <!-- <script src="js/external.js"> </script> --> | ||
27 | </head> | ||
28 | <body> | ||
29 | |||
30 | |||
31 | <article id="container"> | ||
32 | <header> | ||
33 | <!-- title --> | ||
34 | <h1 class="title">Autocento of the breakfast table</h1> | ||
35 | <h1 class="subtitle">index of first lines</h1> | ||
36 | |||
37 | <div class="header-extra"> | ||
38 | |||
39 | </div> | ||
40 | </header> | ||
41 | |||
42 | |||
43 | <section class="content prose"><p><a href="deadman.html">A dead man finds his way into our hearts</a> <a href="movingsideways.html">a dog moving sideways is sick; a man moving sideways is drunk.</a> <a href="building.html">ART and CRAFT are only the inside and outside of the same building.</a> <a href="angeltoabraham.html">Abraham, Abraham, you are old and cannot hear:</a> <a href="big-dipper.html">after searching for days or even months</a> <a href="and.html">and you were there in the start of it all</a> <a href="tapestry.html">apparently typewriters need ribbon.</a> <a href="ex-machina.html">Bottom of the drink: they had</a> <a href="paul.html">contents of the shed</a>.</p> | ||
44 | <p><a href="statements-frag.html">“Can one truly describe an emotion?” Eli asked me over the walkie-talkie.</a> <a href="about_author.html">Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.</a> <a href="last-bastion.html">Dimly remembered celebrity chefs shuffle</a>. <a href="question.html">“Do you have to say your thoughts out loud for them to mean anything” Paul asked Jill on his first coffee break at work.</a> <a href="planks.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a>. <a href="swear.html">EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME</a>. <a href="love-as-god.html">God is love, they say, but there is</a> <a href="window.html">hymn 386: jokes</a>.</p> | ||
45 | <p><a href="shipwright.html">He builds a ship as if it were the last thing</a> <a href="sapling.html">he chopped down: a sapling pine tree and looked at his watch.</a> <a href="toothpaste.html">He couldn’t find a shirt to go to work in.</a> <a href="wallpaper.html">He didn’t go back into the shed for a long time.</a> <a href="deathstrumpet.html">He didn’t have any polish so he spit-shined the whole thing,</a> <a href="underwear.html">he dropped the penny in the dryer, turned it on, and turned around.</a> <a href="squirrel.html">He is so full in himself:</a> <a href="hands.html">He looked down at his hands idly while he was typing.</a> <a href="ouroboros_memory.html">He said at the beginning, “It’s like rolling yarn into a too-small ball.</a>" <a href="writing.html">He sat down at his writing desk and removed his new pen from its plastic wrapping.</a> <a href="leaf.html">He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.</a> <a href="stump.html">He walked into the woods for the first time in months.</a> <a href="about-the-author.html">He was born on a few separate occasions: green traffic lights at night</a>. <a href="cereal.html">He woke up after eleven and didn’t go outside all day, not even to his Writing Shack.</a> <a href="yellow.html">He would enter data at work for fifty minutes and then go on break.</a> <a href="joke.html">He wrote JOKES on the top of a page in his notebook.</a></p> | ||
46 | <p><a href="phone.html">“Hello Paul this is Jill Jill Noe remember me” the voice on the phone was a woman’s.</a> <a href="leg.html">His first chair was a stool.</a> <a href="hardware.html">His mother drove him to the Hardware Store on a Tuesday.</a> <a href="fire.html">His mother ran out of the house in her nightgown.</a></p> | ||
47 | <p><a href="words-meaning.html">“How astonishing it is that language can almost mean, / and frightening that it does not quite,” Jack Gilbert opens his poem “The Forgotten Dialect of the Heart.”</a> <a href="on-genre-dimension.html">How does one describe a poem?</a> <a href="i-am.html">I am a great pillar of white smoke.</a> <a href="walking-in-the-rain.html">I can walk through the rain, that rare occurrence</a>. <a href="exasperated.html">I didn’t write this sestina yesterday.</a> <a href="snow.html">I don’t care if they burn he wrote on his last blank notecard.</a> <a href="in-bed.html">I hear the rats run</a>. <a href="roughgloves.html">I lost my hands & knit replacement ones</a>. <a href="plant.html">I need a plant. I need a thing</a>. <a href="sense-of-it.html">I only write poems on the bus anymore.</a> <a href="epigraph.html">I saw my life branching out before me like the green fig tree in the story.</a> <a href="weplayedthosegamestoo.html">I saw two Eskimo girls playing a game</a> <a href="onformalpoetry.html">I think that I could write formal poems</a>; <a href="i-think-its-you.html">I thought I saw you walking</a>. <a href="dollywood.html">I turned off the TV as soon as the end credits began.</a></p> | ||
48 | <p><a href="i-want-to-say.html">I want to say I take it all back</a>, <a href="i-wanted-to-tell-you-something.html">I wanted to tell you something in order to</a>— <a href="howithappened.html">I was away on vacation when I heard—</a> <a href="time-looks-up-to-the-sky.html">I wish I’d kissed you when I had the chance.</a> <a href="poetry-time.html">I’m writing this now because I have to.</a> <a href="sixteenth-chapel.html">If Justin Bieber isn’t going for the sixteenth</a>— <a href="listen.html">if you swallow hard enough</a>— <a href="philosophy.html">importance is important.</a> <a href="riptide_memory.html">Inside of my memory, the poem is another memory.</a></p> | ||
49 | <p><a href="father.html">“Is man the natural thing that makes unnatural things” he thought to himself as he looked out the kitchen window at the shed.</a> <a href="dream.html">It had gotten cold.</a> <a href="stayed-on-the-bus.html">It was a gamble</a>; <a href="telemarketer.html">it was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.</a> <a href="hymnal.html">It’s all jokes Paul wrote in what he was now calling his Hymnal.</a> <a href="january.html">January.</a></p> | ||
50 | <p>“<a href="call-me-aural-pleasure.html">Like 40 as I challenge anyone to come too!</a> <a href="found-typewriter-poem.html">Look, I say—look here—</a> <a href="amber-alert.html">Lost things have a way of staying lost.</a>” <a href="cold-wind.html">Man of autumn, cold wind,</a> <a href="last-passenger.html">memory works strangely, spooling its thread</a>.</p> | ||
51 | <p><a href="peaches.html">“My anger is like a peach,” he said.</a> “<a href="spittle.html">My body is attached to your body by a thin spittle of thought.</a>” <a href="the-night-we-met.html">My head is full of fire, my tongue swollen,</a> <a href="nothing-is-ever-over.html">nothing is ever over; nothing</a>— <a href="proverbs.html">nothing matters; everything is sacred.</a> <a href="boar.html">Now the ticking clocks scare me.</a></p> | ||
52 | <p><a href="prelude.html">Of course, there is a God.</a>— <a href="purpose-dogs.html">Okay, so there either is or isn’t a God.</a> <a href="seasonal-affective-disorder.html">On your desk I set a tangerine:</a> <a href="notes.html">Paul began typing on notecards.</a></p> | ||
53 | <p><a href="toilet.html">Paul only did his reading on the toilet.</a> <a href="axe.html">Paul took his axe and went out into the woods to chop trees.</a> <a href="art.html">Paul was writing in his diary about art.</a></p> | ||
54 | <p><a href="reports.html">“Paul, you can’t turn in your reports on four-by-six notecards” Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.</a> <a href="stagnant.html">“Riding the bus to work is a good way to think or to read” Paul thought to himself on the bus ride to work.</a></p> | ||
55 | <p><a href="elegyforanalternateself.html">Say there are no words. Say that we are conjoined</a>: <a href="music-433.html">silence lies underneath us all in the same way</a> <a href="apollo11.html">it’s the fucking moon. Big deal. As if</a> <a href="creation-myth.html">two hyperintelligent pandimensional beings</a> <a href="real-writer.html">feel as though I am not a real writer.</a> <a href="words-irritable-reaching.html">Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.</a></p> | ||
56 | <p><a href="swansong.html">Swans fly overhead singing goodbye</a>: <a href="man.html">THIS MAN REFUSED TO OPEN HIS EYES</a>. <a href="treatise.html">TREATISE ON LITERATURE AS “SPOOKY ACTION AT A DISTANCE”</a>: <a href="likingthings.html">the definition of happiness is <em>doing stuff that you really like</em>.</a> <a href="table_contents.html">The look she gave me (Half-hours in heaven are three times that in hell)</a>. <a href="moon-drowning.html">The moon is drowning the stars it pushes them</a>— <a href="moongone.html">The moon is gone and in its place a mirror. Looking at the night sky now</a>, <a href="mountain.html">the other side of this mountain</a>: <a href="problems.html">the problem with people is this: we cannot be happy.</a> <a href="worse-looking-over.html">The radio is screaming the man</a>— <a href="serengeti.html">the self is a serengeti</a>— <a href="todaniel.html">there are more modern ideals of beauty</a>— <a href="what-we-are-made-of.html">there is a cave just outside of Flagstaff made from ancient lava flows.</a></p> | ||
57 | <p><a href="initial-conditions.html">There is a theory which states the Universe</a>, <a href="howtoread.html">this book, is an exploration of life, of all possible lives that could be lived.</a> <a href="swansong-alt.html">This poem is dry like chapped lips.</a> <a href="finding-the-lion.html">Tonight, as I look up, the stars</a>, <a href="the-sea_the-beach.html">waiting for a reading to start</a>, <a href="lovesong.html">walking along in the dark, is a good way to begin a song.</a></p> | ||
58 | <p><a href="lappel-du-vide.html">Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.</a> <a href="theoceanoverflowswithcamels.html">We found your shirt deep in the dark water</a>— <a href="options.html">what did he do when he was in the woods?</a></p> | ||
59 | <p><a href="shed.html">“What do you do all day in that shed out back” his mother asked one night while they ate dinner in front of the TV.</a></p> | ||
60 | <p><a href="manifesto_poetics.html">What is a poem?</a> <a href="arspoetica.html">What is poetry?</a> <a href="largest-asteroid.html">What secrets does it hold?</a> <a href="death-zone.html">When I think of death I think</a>, <a href="ronaldmcdonald.html">when Ronald McDonald takes off his striped shirt,</a> <a href="punch.html">when he finally got back to work, he was surprised they threw him a party.</a> <a href="boy_bus.html">When he said Bible I heard his southern accent</a>: <a href="100-lines.html">whenever you call me friend</a> <a href="x-ray.html">while chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he’d never heard before cried out.</a> <a href="no-nothing.html">While swimming in the river</a>: <a href="early.html">YOU CANNOT DISCOVER ART ART MUST BE CREATED he sat on the couch at home while his mother watched TV and smoked.</a></p> | ||
61 | <p><a href="feedingtheraven.html">You never can tell just when Charlie Sheen will enter your life.</a> <a href="hard-game.html">You think building Hoggle’s a hard game?</a> <a href="when-im-sorry-i.html">Your casserole dish takes the longest:</a> <a href="something-simple.html">in mammals the ratio between bladder size</a> <a href="collage-instrument.html">has been a part of the Unix toolset since the late 70s.</a></p></section> | ||
62 | </article> | ||
63 | <nav> | ||
64 | <a href="#" id="lozenge" title="Random page"> ◊ </a> | ||
65 | </nav> | ||
66 | |||
67 | |||
68 | </body> | ||
69 | </html> | ||
diff --git a/first-lines.sh b/first-lines.sh new file mode 100644 index 0000000..50b0e0c --- /dev/null +++ b/first-lines.sh | |||
@@ -0,0 +1,17 @@ | |||
1 | #!/bin/bash | ||
2 | |||
3 | outFile=src/first-lines.txt | ||
4 | |||
5 | echo "" > $outFile | ||
6 | |||
7 | for file in src/*.txt; do | ||
8 | echo -n "Getting first line of $file .. " | ||
9 | endOfYAML=$(sed -n '/^\.\.\.$/=' "$file") | ||
10 | firstLineNumber=$((endOfYAML + 2)) | ||
11 | |||
12 | echo "$file: " >> $outFile | ||
13 | echo " $(head -n $firstLineNumber "$file" | tail -n 1)" >> $outFile | ||
14 | |||
15 | unset endOfYAML firstLineNumber | ||
16 | echo "Done." | ||
17 | done | ||
diff --git a/river/_first-lines.river b/river/_first-lines.river new file mode 100644 index 0000000..8b13789 --- /dev/null +++ b/river/_first-lines.river | |||
@@ -0,0 +1 @@ | |||
diff --git a/river/first-lines.river b/river/first-lines.river new file mode 100644 index 0000000..b1470e7 --- /dev/null +++ b/river/first-lines.river | |||
@@ -0,0 +1,1340 @@ | |||
1 | autocento | ||
2 | of | ||
3 | the | ||
4 | breakfast | ||
5 | table | ||
6 | index | ||
7 | of | ||
8 | first | ||
9 | lines | ||
10 | a | ||
11 | dead | ||
12 | man | ||
13 | finds | ||
14 | his | ||
15 | way | ||
16 | into | ||
17 | our | ||
18 | hearts | ||
19 | a | ||
20 | dog | ||
21 | moving | ||
22 | sideways | ||
23 | is | ||
24 | sick | ||
25 | a | ||
26 | man | ||
27 | moving | ||
28 | sideways | ||
29 | is | ||
30 | drunk | ||
31 | art | ||
32 | and | ||
33 | craft | ||
34 | are | ||
35 | only | ||
36 | the | ||
37 | inside | ||
38 | and | ||
39 | outside | ||
40 | of | ||
41 | the | ||
42 | same | ||
43 | building | ||
44 | abraham | ||
45 | abraham | ||
46 | you | ||
47 | are | ||
48 | old | ||
49 | and | ||
50 | cannot | ||
51 | hear | ||
52 | after | ||
53 | searching | ||
54 | for | ||
55 | days | ||
56 | or | ||
57 | even | ||
58 | months | ||
59 | and | ||
60 | you | ||
61 | were | ||
62 | there | ||
63 | in | ||
64 | the | ||
65 | start | ||
66 | of | ||
67 | it | ||
68 | all | ||
69 | apparently | ||
70 | typewriters | ||
71 | need | ||
72 | ribbon | ||
73 | bottom | ||
74 | of | ||
75 | the | ||
76 | drink | ||
77 | they | ||
78 | had | ||
79 | contents | ||
80 | of | ||
81 | the | ||
82 | shed | ||
83 | can | ||
84 | one | ||
85 | truly | ||
86 | describe | ||
87 | an | ||
88 | emotion | ||
89 | eli | ||
90 | asked | ||
91 | me | ||
92 | over | ||
93 | the | ||
94 | walkie-talkie | ||
95 | case | ||
96 | duckworth | ||
97 | is | ||
98 | the | ||
99 | cowardly | ||
100 | but | ||
101 | lovable | ||
102 | great | ||
103 | dane | ||
104 | who | ||
105 | solves | ||
106 | mysteries | ||
107 | on | ||
108 | tv | ||
109 | dimly | ||
110 | remembered | ||
111 | celebrity | ||
112 | chefs | ||
113 | shuffle | ||
114 | do | ||
115 | you | ||
116 | have | ||
117 | to | ||
118 | say | ||
119 | your | ||
120 | thoughts | ||
121 | out | ||
122 | loud | ||
123 | for | ||
124 | them | ||
125 | to | ||
126 | mean | ||
127 | anything | ||
128 | paul | ||
129 | asked | ||
130 | jill | ||
131 | on | ||
132 | his | ||
133 | first | ||
134 | coffee | ||
135 | break | ||
136 | at | ||
137 | work | ||
138 | everything | ||
139 | changes | ||
140 | or | ||
141 | everything | ||
142 | stays | ||
143 | the | ||
144 | same | ||
145 | everything | ||
146 | changes | ||
147 | or | ||
148 | everything | ||
149 | stays | ||
150 | the | ||
151 | same | ||
152 | god | ||
153 | is | ||
154 | love | ||
155 | they | ||
156 | say | ||
157 | but | ||
158 | there | ||
159 | is | ||
160 | hymn | ||
161 | 386 | ||
162 | jokes | ||
163 | he | ||
164 | builds | ||
165 | a | ||
166 | ship | ||
167 | as | ||
168 | if | ||
169 | it | ||
170 | were | ||
171 | the | ||
172 | last | ||
173 | thing | ||
174 | he | ||
175 | chopped | ||
176 | down | ||
177 | a | ||
178 | sapling | ||
179 | pine | ||
180 | tree | ||
181 | and | ||
182 | looked | ||
183 | at | ||
184 | his | ||
185 | watch | ||
186 | he | ||
187 | couldn't | ||
188 | find | ||
189 | a | ||
190 | shirt | ||
191 | to | ||
192 | go | ||
193 | to | ||
194 | work | ||
195 | in | ||
196 | he | ||
197 | didn't | ||
198 | go | ||
199 | back | ||
200 | into | ||
201 | the | ||
202 | shed | ||
203 | for | ||
204 | a | ||
205 | long | ||
206 | time | ||
207 | he | ||
208 | didn't | ||
209 | have | ||
210 | any | ||
211 | polish | ||
212 | so | ||
213 | he | ||
214 | spit-shined | ||
215 | the | ||
216 | whole | ||
217 | thing | ||
218 | he | ||
219 | dropped | ||
220 | the | ||
221 | penny | ||
222 | in | ||
223 | the | ||
224 | dryer | ||
225 | turned | ||
226 | it | ||
227 | on | ||
228 | and | ||
229 | turned | ||
230 | around | ||
231 | he | ||
232 | is | ||
233 | so | ||
234 | full | ||
235 | in | ||
236 | himself | ||
237 | he | ||
238 | looked | ||
239 | down | ||
240 | at | ||
241 | his | ||
242 | hands | ||
243 | idly | ||
244 | while | ||
245 | he | ||
246 | was | ||
247 | typing | ||
248 | he | ||
249 | said | ||
250 | at | ||
251 | the | ||
252 | beginning | ||
253 | it's | ||
254 | like | ||
255 | rolling | ||
256 | yarn | ||
257 | into | ||
258 | a | ||
259 | too-small | ||
260 | ball | ||
261 | he | ||
262 | sat | ||
263 | down | ||
264 | at | ||
265 | his | ||
266 | writing | ||
267 | desk | ||
268 | and | ||
269 | removed | ||
270 | his | ||
271 | new | ||
272 | pen | ||
273 | from | ||
274 | its | ||
275 | plastic | ||
276 | wrapping | ||
277 | he | ||
278 | shrugged | ||
279 | the | ||
280 | wood | ||
281 | off | ||
282 | his | ||
283 | shoulder | ||
284 | letting | ||
285 | it | ||
286 | fall | ||
287 | with | ||
288 | a | ||
289 | clog | ||
290 | onto | ||
291 | the | ||
292 | earth | ||
293 | floor | ||
294 | of | ||
295 | his | ||
296 | writing | ||
297 | shack | ||
298 | he | ||
299 | walked | ||
300 | into | ||
301 | the | ||
302 | woods | ||
303 | for | ||
304 | the | ||
305 | first | ||
306 | time | ||
307 | in | ||
308 | months | ||
309 | he | ||
310 | was | ||
311 | born | ||
312 | on | ||
313 | a | ||
314 | few | ||
315 | separate | ||
316 | occasions | ||
317 | green | ||
318 | traffic | ||
319 | lights | ||
320 | at | ||
321 | night | ||
322 | he | ||
323 | woke | ||
324 | up | ||
325 | after | ||
326 | eleven | ||
327 | and | ||
328 | didn't | ||
329 | go | ||
330 | outside | ||
331 | all | ||
332 | day | ||
333 | not | ||
334 | even | ||
335 | to | ||
336 | his | ||
337 | writing | ||
338 | shack | ||
339 | he | ||
340 | would | ||
341 | enter | ||
342 | data | ||
343 | at | ||
344 | work | ||
345 | for | ||
346 | fifty | ||
347 | minutes | ||
348 | and | ||
349 | then | ||
350 | go | ||
351 | on | ||
352 | break | ||
353 | he | ||
354 | wrote | ||
355 | jokes | ||
356 | on | ||
357 | the | ||
358 | top | ||
359 | of | ||
360 | a | ||
361 | page | ||
362 | in | ||
363 | his | ||
364 | notebook | ||
365 | hello | ||
366 | paul | ||
367 | this | ||
368 | is | ||
369 | jill | ||
370 | jill | ||
371 | noe | ||
372 | remember | ||
373 | me | ||
374 | the | ||
375 | voice | ||
376 | on | ||
377 | the | ||
378 | phone | ||
379 | was | ||
380 | a | ||
381 | woman's | ||
382 | his | ||
383 | first | ||
384 | chair | ||
385 | was | ||
386 | a | ||
387 | stool | ||
388 | his | ||
389 | mother | ||
390 | drove | ||
391 | him | ||
392 | to | ||
393 | the | ||
394 | hardware | ||
395 | store | ||
396 | on | ||
397 | a | ||
398 | tuesday | ||
399 | his | ||
400 | mother | ||
401 | ran | ||
402 | out | ||
403 | of | ||
404 | the | ||
405 | house | ||
406 | in | ||
407 | her | ||
408 | nightgown | ||
409 | how | ||
410 | astonishing | ||
411 | it | ||
412 | is | ||
413 | that | ||
414 | language | ||
415 | can | ||
416 | almost | ||
417 | mean | ||
418 | / | ||
419 | and | ||
420 | frightening | ||
421 | that | ||
422 | it | ||
423 | does | ||
424 | not | ||
425 | quite | ||
426 | jack | ||
427 | gilbert | ||
428 | opens | ||
429 | his | ||
430 | poem | ||
431 | the | ||
432 | forgotten | ||
433 | dialect | ||
434 | of | ||
435 | the | ||
436 | heart | ||
437 | how | ||
438 | does | ||
439 | one | ||
440 | describe | ||
441 | a | ||
442 | poem | ||
443 | i | ||
444 | am | ||
445 | a | ||
446 | great | ||
447 | pillar | ||
448 | of | ||
449 | white | ||
450 | smoke | ||
451 | i | ||
452 | can | ||
453 | walk | ||
454 | through | ||
455 | the | ||
456 | rain | ||
457 | that | ||
458 | rare | ||
459 | occurrence | ||
460 | i | ||
461 | didn't | ||
462 | write | ||
463 | this | ||
464 | sestina | ||
465 | yesterday | ||
466 | i | ||
467 | don't | ||
468 | care | ||
469 | if | ||
470 | they | ||
471 | burn | ||
472 | he | ||
473 | wrote | ||
474 | on | ||
475 | his | ||
476 | last | ||
477 | blank | ||
478 | notecard | ||
479 | i | ||
480 | hear | ||
481 | the | ||
482 | rats | ||
483 | run | ||
484 | i | ||
485 | lost | ||
486 | my | ||
487 | hands | ||
488 | & | ||
489 | knit | ||
490 | replacement | ||
491 | ones | ||
492 | i | ||
493 | need | ||
494 | a | ||
495 | plant | ||
496 | i | ||
497 | need | ||
498 | a | ||
499 | thing | ||
500 | i | ||
501 | only | ||
502 | write | ||
503 | poems | ||
504 | on | ||
505 | the | ||
506 | bus | ||
507 | anymore | ||
508 | i | ||
509 | saw | ||
510 | my | ||
511 | life | ||
512 | branching | ||
513 | out | ||
514 | before | ||
515 | me | ||
516 | like | ||
517 | the | ||
518 | green | ||
519 | fig | ||
520 | tree | ||
521 | in | ||
522 | the | ||
523 | story | ||
524 | i | ||
525 | saw | ||
526 | two | ||
527 | eskimo | ||
528 | girls | ||
529 | playing | ||
530 | a | ||
531 | game | ||
532 | i | ||
533 | think | ||
534 | that | ||
535 | i | ||
536 | could | ||
537 | write | ||
538 | formal | ||
539 | poems | ||
540 | i | ||
541 | thought | ||
542 | i | ||
543 | saw | ||
544 | you | ||
545 | walking | ||
546 | i | ||
547 | turned | ||
548 | off | ||
549 | the | ||
550 | tv | ||
551 | as | ||
552 | soon | ||
553 | as | ||
554 | the | ||
555 | end | ||
556 | credits | ||
557 | began | ||
558 | i | ||
559 | want | ||
560 | to | ||
561 | say | ||
562 | i | ||
563 | take | ||
564 | it | ||
565 | all | ||
566 | back | ||
567 | i | ||
568 | wanted | ||
569 | to | ||
570 | tell | ||
571 | you | ||
572 | something | ||
573 | in | ||
574 | order | ||
575 | to | ||
576 | i | ||
577 | was | ||
578 | away | ||
579 | on | ||
580 | vacation | ||
581 | when | ||
582 | i | ||
583 | heard | ||
584 | i | ||
585 | wish | ||
586 | i'd | ||
587 | kissed | ||
588 | you | ||
589 | when | ||
590 | i | ||
591 | had | ||
592 | the | ||
593 | chance | ||
594 | i'm | ||
595 | writing | ||
596 | this | ||
597 | now | ||
598 | because | ||
599 | i | ||
600 | have | ||
601 | to | ||
602 | if | ||
603 | justin | ||
604 | bieber | ||
605 | isn't | ||
606 | going | ||
607 | for | ||
608 | the | ||
609 | sixteenth | ||
610 | if | ||
611 | you | ||
612 | swallow | ||
613 | hard | ||
614 | enough | ||
615 | importance | ||
616 | is | ||
617 | important | ||
618 | inside | ||
619 | of | ||
620 | my | ||
621 | memory | ||
622 | the | ||
623 | poem | ||
624 | is | ||
625 | another | ||
626 | memory | ||
627 | is | ||
628 | man | ||
629 | the | ||
630 | natural | ||
631 | thing | ||
632 | that | ||
633 | makes | ||
634 | unnatural | ||
635 | things | ||
636 | he | ||
637 | thought | ||
638 | to | ||
639 | himself | ||
640 | as | ||
641 | he | ||
642 | looked | ||
643 | out | ||
644 | the | ||
645 | kitchen | ||
646 | window | ||
647 | at | ||
648 | the | ||
649 | shed | ||
650 | it | ||
651 | had | ||
652 | gotten | ||
653 | cold | ||
654 | it | ||
655 | was | ||
656 | a | ||
657 | gamble | ||
658 | it | ||
659 | was | ||
660 | one | ||
661 | of | ||
662 | those | ||
663 | nameless | ||
664 | gray | ||
665 | buildings | ||
666 | that | ||
667 | could | ||
668 | be | ||
669 | seen | ||
670 | from | ||
671 | the | ||
672 | street | ||
673 | only | ||
674 | if | ||
675 | larry | ||
676 | craned | ||
677 | his | ||
678 | neck | ||
679 | to | ||
680 | almost | ||
681 | vertical | ||
682 | it's | ||
683 | all | ||
684 | jokes | ||
685 | paul | ||
686 | wrote | ||
687 | in | ||
688 | what | ||
689 | he | ||
690 | was | ||
691 | now | ||
692 | calling | ||
693 | his | ||
694 | hymnal | ||
695 | january | ||
696 | like | ||
697 | 40 | ||
698 | as | ||
699 | i | ||
700 | challenge | ||
701 | anyone | ||
702 | to | ||
703 | come | ||
704 | too | ||
705 | look | ||
706 | i | ||
707 | say | ||
708 | look | ||
709 | here | ||
710 | lost | ||
711 | things | ||
712 | have | ||
713 | a | ||
714 | way | ||
715 | of | ||
716 | staying | ||
717 | lost | ||
718 | man | ||
719 | of | ||
720 | autumn | ||
721 | cold | ||
722 | wind | ||
723 | memory | ||
724 | works | ||
725 | strangely | ||
726 | spooling | ||
727 | its | ||
728 | thread | ||
729 | my | ||
730 | anger | ||
731 | is | ||
732 | like | ||
733 | a | ||
734 | peach | ||
735 | he | ||
736 | said | ||
737 | my | ||
738 | body | ||
739 | is | ||
740 | attached | ||
741 | to | ||
742 | your | ||
743 | body | ||
744 | by | ||
745 | a | ||
746 | thin | ||
747 | spittle | ||
748 | of | ||
749 | thought | ||
750 | my | ||
751 | head | ||
752 | is | ||
753 | full | ||
754 | of | ||
755 | fire | ||
756 | my | ||
757 | tongue | ||
758 | swollen | ||
759 | nothing | ||
760 | is | ||
761 | ever | ||
762 | over | ||
763 | nothing | ||
764 | nothing | ||
765 | matters | ||
766 | everything | ||
767 | is | ||
768 | sacred | ||
769 | now | ||
770 | the | ||
771 | ticking | ||
772 | clocks | ||
773 | scare | ||
774 | me | ||
775 | of | ||
776 | course | ||
777 | there | ||
778 | is | ||
779 | a | ||
780 | god | ||
781 | okay | ||
782 | so | ||
783 | there | ||
784 | either | ||
785 | is | ||
786 | or | ||
787 | isn't | ||
788 | a | ||
789 | god | ||
790 | on | ||
791 | your | ||
792 | desk | ||
793 | i | ||
794 | set | ||
795 | a | ||
796 | tangerine | ||
797 | paul | ||
798 | began | ||
799 | typing | ||
800 | on | ||
801 | notecards | ||
802 | paul | ||
803 | only | ||
804 | did | ||
805 | his | ||
806 | reading | ||
807 | on | ||
808 | the | ||
809 | toilet | ||
810 | paul | ||
811 | took | ||
812 | his | ||
813 | axe | ||
814 | and | ||
815 | went | ||
816 | out | ||
817 | into | ||
818 | the | ||
819 | woods | ||
820 | to | ||
821 | chop | ||
822 | trees | ||
823 | paul | ||
824 | was | ||
825 | writing | ||
826 | in | ||
827 | his | ||
828 | diary | ||
829 | about | ||
830 | art | ||
831 | paul | ||
832 | you | ||
833 | can't | ||
834 | turn | ||
835 | in | ||
836 | your | ||
837 | reports | ||
838 | on | ||
839 | four-by-six | ||
840 | notecards | ||
841 | jill | ||
842 | told | ||
843 | him | ||
844 | after | ||
845 | he | ||
846 | handed | ||
847 | her | ||
848 | his | ||
849 | reports | ||
850 | typed | ||
851 | carefully | ||
852 | on | ||
853 | twelve | ||
854 | four-by-six | ||
855 | notecards | ||
856 | riding | ||
857 | the | ||
858 | bus | ||
859 | to | ||
860 | work | ||
861 | is | ||
862 | a | ||
863 | good | ||
864 | way | ||
865 | to | ||
866 | think | ||
867 | or | ||
868 | to | ||
869 | read | ||
870 | paul | ||
871 | thought | ||
872 | to | ||
873 | himself | ||
874 | on | ||
875 | the | ||
876 | bus | ||
877 | ride | ||
878 | to | ||
879 | work | ||
880 | say | ||
881 | there | ||
882 | are | ||
883 | no | ||
884 | words | ||
885 | say | ||
886 | that | ||
887 | we | ||
888 | are | ||
889 | conjoined | ||
890 | silence | ||
891 | lies | ||
892 | underneath | ||
893 | us | ||
894 | all | ||
895 | in | ||
896 | the | ||
897 | same | ||
898 | way | ||
899 | it's | ||
900 | the | ||
901 | fucking | ||
902 | moon | ||
903 | big | ||
904 | deal | ||
905 | as | ||
906 | if | ||
907 | two | ||
908 | hyperintelligent | ||
909 | pandimensional | ||
910 | beings | ||
911 | feel | ||
912 | as | ||
913 | though | ||
914 | i | ||
915 | am | ||
916 | not | ||
917 | a | ||
918 | real | ||
919 | writer | ||
920 | somewhere | ||
921 | i | ||
922 | remember | ||
923 | reading | ||
924 | advice | ||
925 | for | ||
926 | beginning | ||
927 | writers | ||
928 | not | ||
929 | to | ||
930 | show | ||
931 | their | ||
932 | work | ||
933 | to | ||
934 | anyone | ||
935 | at | ||
936 | least | ||
937 | that | ||
938 | in | ||
939 | the | ||
940 | early | ||
941 | stages | ||
942 | swans | ||
943 | fly | ||
944 | overhead | ||
945 | singing | ||
946 | goodbye | ||
947 | this | ||
948 | man | ||
949 | refused | ||
950 | to | ||
951 | open | ||
952 | his | ||
953 | eyes | ||
954 | treatise | ||
955 | on | ||
956 | literature | ||
957 | as | ||
958 | spooky | ||
959 | action | ||
960 | at | ||
961 | a | ||
962 | distance | ||
963 | the | ||
964 | definition | ||
965 | of | ||
966 | happiness | ||
967 | is | ||
968 | doing | ||
969 | stuff | ||
970 | that | ||
971 | you | ||
972 | really | ||
973 | like | ||
974 | the | ||
975 | look | ||
976 | she | ||
977 | gave | ||
978 | me | ||
979 | half-hours | ||
980 | in | ||
981 | heaven | ||
982 | are | ||
983 | three | ||
984 | times | ||
985 | that | ||
986 | in | ||
987 | hell | ||
988 | the | ||
989 | moon | ||
990 | is | ||
991 | drowning | ||
992 | the | ||
993 | stars | ||
994 | it | ||
995 | pushes | ||
996 | them | ||
997 | the | ||
998 | moon | ||
999 | is | ||
1000 | gone | ||
1001 | and | ||
1002 | in | ||
1003 | its | ||
1004 | place | ||
1005 | a | ||
1006 | mirror | ||
1007 | looking | ||
1008 | at | ||
1009 | the | ||
1010 | night | ||
1011 | sky | ||
1012 | now | ||
1013 | the | ||
1014 | other | ||
1015 | side | ||
1016 | of | ||
1017 | this | ||
1018 | mountain | ||
1019 | the | ||
1020 | problem | ||
1021 | with | ||
1022 | people | ||
1023 | is | ||
1024 | this | ||
1025 | we | ||
1026 | cannot | ||
1027 | be | ||
1028 | happy | ||
1029 | the | ||
1030 | radio | ||
1031 | is | ||
1032 | screaming | ||
1033 | the | ||
1034 | man | ||
1035 | the | ||
1036 | self | ||
1037 | is | ||
1038 | a | ||
1039 | serengeti | ||
1040 | there | ||
1041 | are | ||
1042 | more | ||
1043 | modern | ||
1044 | ideals | ||
1045 | of | ||
1046 | beauty | ||
1047 | there | ||
1048 | is | ||
1049 | a | ||
1050 | cave | ||
1051 | just | ||
1052 | outside | ||
1053 | of | ||
1054 | flagstaff | ||
1055 | made | ||
1056 | from | ||
1057 | ancient | ||
1058 | lava | ||
1059 | flows | ||
1060 | there | ||
1061 | is | ||
1062 | a | ||
1063 | theory | ||
1064 | which | ||
1065 | states | ||
1066 | the | ||
1067 | universe | ||
1068 | this | ||
1069 | book | ||
1070 | is | ||
1071 | an | ||
1072 | exploration | ||
1073 | of | ||
1074 | life | ||
1075 | of | ||
1076 | all | ||
1077 | possible | ||
1078 | lives | ||
1079 | that | ||
1080 | could | ||
1081 | be | ||
1082 | lived | ||
1083 | this | ||
1084 | poem | ||
1085 | is | ||
1086 | dry | ||
1087 | like | ||
1088 | chapped | ||
1089 | lips | ||
1090 | tonight | ||
1091 | as | ||
1092 | i | ||
1093 | look | ||
1094 | up | ||
1095 | the | ||
1096 | stars | ||
1097 | waiting | ||
1098 | for | ||
1099 | a | ||
1100 | reading | ||
1101 | to | ||
1102 | start | ||
1103 | walking | ||
1104 | along | ||
1105 | in | ||
1106 | the | ||
1107 | dark | ||
1108 | is | ||
1109 | a | ||
1110 | good | ||
1111 | way | ||
1112 | to | ||
1113 | begin | ||
1114 | a | ||
1115 | song | ||
1116 | walter | ||
1117 | rides | ||
1118 | the | ||
1119 | bus | ||
1120 | into | ||
1121 | work | ||
1122 | on | ||
1123 | wednesday | ||
1124 | morning | ||
1125 | when | ||
1126 | he | ||
1127 | realizes | ||
1128 | with | ||
1129 | the | ||
1130 | force | ||
1131 | and | ||
1132 | surprise | ||
1133 | of | ||
1134 | a | ||
1135 | rogue | ||
1136 | current | ||
1137 | that | ||
1138 | he | ||
1139 | is | ||
1140 | in | ||
1141 | the | ||
1142 | home-for-death | ||
1143 | phase | ||
1144 | of | ||
1145 | life | ||
1146 | we | ||
1147 | found | ||
1148 | your | ||
1149 | shirt | ||
1150 | deep | ||
1151 | in | ||
1152 | the | ||
1153 | dark | ||
1154 | water | ||
1155 | what | ||
1156 | did | ||
1157 | he | ||
1158 | do | ||
1159 | when | ||
1160 | he | ||
1161 | was | ||
1162 | in | ||
1163 | the | ||
1164 | woods | ||
1165 | what | ||
1166 | do | ||
1167 | you | ||
1168 | do | ||
1169 | all | ||
1170 | day | ||
1171 | in | ||
1172 | that | ||
1173 | shed | ||
1174 | out | ||
1175 | back | ||
1176 | his | ||
1177 | mother | ||
1178 | asked | ||
1179 | one | ||
1180 | night | ||
1181 | while | ||
1182 | they | ||
1183 | ate | ||
1184 | dinner | ||
1185 | in | ||
1186 | front | ||
1187 | of | ||
1188 | the | ||
1189 | tv | ||
1190 | what | ||
1191 | is | ||
1192 | a | ||
1193 | poem | ||
1194 | what | ||
1195 | is | ||
1196 | poetry | ||
1197 | what | ||
1198 | secrets | ||
1199 | does | ||
1200 | it | ||
1201 | hold | ||
1202 | when | ||
1203 | i | ||
1204 | think | ||
1205 | of | ||
1206 | death | ||
1207 | i | ||
1208 | think | ||
1209 | when | ||
1210 | ronald | ||
1211 | mcdonald | ||
1212 | takes | ||
1213 | off | ||
1214 | his | ||
1215 | striped | ||
1216 | shirt | ||
1217 | when | ||
1218 | he | ||
1219 | finally | ||
1220 | got | ||
1221 | back | ||
1222 | to | ||
1223 | work | ||
1224 | he | ||
1225 | was | ||
1226 | surprised | ||
1227 | they | ||
1228 | threw | ||
1229 | him | ||
1230 | a | ||
1231 | party | ||
1232 | when | ||
1233 | he | ||
1234 | said | ||
1235 | bible | ||
1236 | i | ||
1237 | heard | ||
1238 | his | ||
1239 | southern | ||
1240 | accent | ||
1241 | whenever | ||
1242 | you | ||
1243 | call | ||
1244 | me | ||
1245 | friend | ||
1246 | while | ||
1247 | chopping | ||
1248 | a | ||
1249 | tree | ||
1250 | in | ||
1251 | the | ||
1252 | woods | ||
1253 | with | ||
1254 | his | ||
1255 | hatchet | ||
1256 | a | ||
1257 | christmas | ||
1258 | gift | ||
1259 | from | ||
1260 | his | ||
1261 | mother | ||
1262 | a | ||
1263 | bird | ||
1264 | he'd | ||
1265 | never | ||
1266 | heard | ||
1267 | before | ||
1268 | cried | ||
1269 | out | ||
1270 | while | ||
1271 | swimming | ||
1272 | in | ||
1273 | the | ||
1274 | river | ||
1275 | you | ||
1276 | cannot | ||
1277 | discover | ||
1278 | art | ||
1279 | art | ||
1280 | must | ||
1281 | be | ||
1282 | created | ||
1283 | he | ||
1284 | sat | ||
1285 | on | ||
1286 | the | ||
1287 | couch | ||
1288 | at | ||
1289 | home | ||
1290 | while | ||
1291 | his | ||
1292 | mother | ||
1293 | watched | ||
1294 | tv | ||
1295 | and | ||
1296 | smoked | ||
1297 | you | ||
1298 | never | ||
1299 | can | ||
1300 | tell | ||
1301 | just | ||
1302 | when | ||
1303 | charlie | ||
1304 | sheen | ||
1305 | will | ||
1306 | enter | ||
1307 | your | ||
1308 | life | ||
1309 | you | ||
1310 | think | ||
1311 | building | ||
1312 | hoggle's | ||
1313 | a | ||
1314 | hard | ||
1315 | game | ||
1316 | your | ||
1317 | casserole | ||
1318 | dish | ||
1319 | takes | ||
1320 | the | ||
1321 | longest | ||
1322 | in | ||
1323 | mammals | ||
1324 | the | ||
1325 | ratio | ||
1326 | between | ||
1327 | bladder | ||
1328 | size | ||
1329 | has | ||
1330 | been | ||
1331 | a | ||
1332 | part | ||
1333 | of | ||
1334 | the | ||
1335 | unix | ||
1336 | toolset | ||
1337 | since | ||
1338 | the | ||
1339 | late | ||
1340 | 70s | ||
diff --git a/src/_first-lines.txt b/src/_first-lines.txt new file mode 100644 index 0000000..e69de29 --- /dev/null +++ b/src/_first-lines.txt | |||
diff --git a/src/first-lines.txt b/src/first-lines.txt new file mode 100644 index 0000000..7e00442 --- /dev/null +++ b/src/first-lines.txt | |||
@@ -0,0 +1,160 @@ | |||
1 | --- | ||
2 | title: Autocento of the breakfast table | ||
3 | subtitle: index of first lines | ||
4 | genre: prose | ||
5 | |||
6 | project: | ||
7 | title: Autocento of the breakfast table | ||
8 | css: autocento | ||
9 | ... | ||
10 | |||
11 | [A dead man finds his way into our hearts](deadman.html) | ||
12 | [a dog moving sideways is sick; a man moving sideways is drunk.](movingsideways.html) | ||
13 | [ART and CRAFT are only the inside and outside of the same building.](building.html) | ||
14 | [Abraham, Abraham, you are old and cannot hear:](angeltoabraham.html) | ||
15 | [after searching for days or even months](big-dipper.html) | ||
16 | [and you were there in the start of it all](and.html) | ||
17 | [apparently typewriters need ribbon.](tapestry.html) | ||
18 | [Bottom of the drink: they had](ex-machina.html) | ||
19 | [contents of the shed](paul.html). | ||
20 | |||
21 | ["Can one truly describe an emotion?" Eli asked me over the walkie-talkie.](statements-frag.html) | ||
22 | [Case Duckworth is the cowardly but lovable Great Dane who solves mysteries on TV.](about_author.html) | ||
23 | [Dimly remembered celebrity chefs shuffle](last-bastion.html). | ||
24 | ["Do you have to say your thoughts out loud for them to mean anything" Paul asked Jill on his first coffee break at work.](question.html) | ||
25 | [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME](planks.html). | ||
26 | [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME](swear.html). | ||
27 | [God is love, they say, but there is](love-as-god.html) | ||
28 | [hymn 386: jokes](window.html). | ||
29 | |||
30 | [He builds a ship as if it were the last thing](shipwright.html) | ||
31 | [he chopped down: a sapling pine tree and looked at his watch.](sapling.html) | ||
32 | [He couldn't find a shirt to go to work in.](toothpaste.html) | ||
33 | [He didn't go back into the shed for a long time.](wallpaper.html) | ||
34 | [He didn't have any polish so he spit-shined the whole thing,](deathstrumpet.html) | ||
35 | [he dropped the penny in the dryer, turned it on, and turned around.](underwear.html) | ||
36 | [He is so full in himself:](squirrel.html) | ||
37 | [He looked down at his hands idly while he was typing.](hands.html) | ||
38 | [He said at the beginning, "It's like rolling yarn into a too-small ball.](ouroboros_memory.html)" | ||
39 | [He sat down at his writing desk and removed his new pen from its plastic wrapping.](writing.html) | ||
40 | [He shrugged the wood off his shoulder, letting it fall with a clog onto the earth floor of his Writing Shack.](leaf.html) | ||
41 | [He walked into the woods for the first time in months.](stump.html) | ||
42 | [He was born on a few separate occasions: green traffic lights at night](about-the-author.html). | ||
43 | [He woke up after eleven and didn't go outside all day, not even to his Writing Shack.](cereal.html) | ||
44 | [He would enter data at work for fifty minutes and then go on break.](yellow.html) | ||
45 | [He wrote JOKES on the top of a page in his notebook.](joke.html) | ||
46 | |||
47 | ["Hello Paul this is Jill Jill Noe remember me" the voice on the phone was a woman's.](phone.html) | ||
48 | [His first chair was a stool.](leg.html) | ||
49 | [His mother drove him to the Hardware Store on a Tuesday.](hardware.html) | ||
50 | [His mother ran out of the house in her nightgown.](fire.html) | ||
51 | |||
52 | ["How astonishing it is that language can almost mean, / and frightening that it does not quite," Jack Gilbert opens his poem "The Forgotten Dialect of the Heart."](words-meaning.html) | ||
53 | [How does one describe a poem?](on-genre-dimension.html) | ||
54 | [I am a great pillar of white smoke.](i-am.html) | ||
55 | [I can walk through the rain, that rare occurrence](walking-in-the-rain.html). | ||
56 | [I didn't write this sestina yesterday.](exasperated.html) | ||
57 | [I don't care if they burn he wrote on his last blank notecard.](snow.html) | ||
58 | [I hear the rats run](in-bed.html). | ||
59 | [I lost my hands & knit replacement ones](roughgloves.html). | ||
60 | [I need a plant. I need a thing](plant.html). | ||
61 | [I only write poems on the bus anymore.](sense-of-it.html) | ||
62 | [I saw my life branching out before me like the green fig tree in the story.](epigraph.html) | ||
63 | [I saw two Eskimo girls playing a game](weplayedthosegamestoo.html) | ||
64 | [I think that I could write formal poems](onformalpoetry.html); | ||
65 | [I thought I saw you walking](i-think-its-you.html). | ||
66 | [I turned off the TV as soon as the end credits began.](dollywood.html) | ||
67 | |||
68 | [I want to say I take it all back](i-want-to-say.html), | ||
69 | [I wanted to tell you something in order to](i-wanted-to-tell-you-something.html)--- | ||
70 | [I was away on vacation when I heard---](howithappened.html) | ||
71 | [I wish I'd kissed you when I had the chance.](time-looks-up-to-the-sky.html) | ||
72 | [I'm writing this now because I have to.](poetry-time.html) | ||
73 | [If Justin Bieber isn't going for the sixteenth](sixteenth-chapel.html)--- | ||
74 | [if you swallow hard enough](listen.html)--- | ||
75 | [importance is important.](philosophy.html) | ||
76 | [Inside of my memory, the poem is another memory.](riptide_memory.html) | ||
77 | |||
78 | ["Is man the natural thing that makes unnatural things" he thought to himself as he looked out the kitchen window at the shed.](father.html) | ||
79 | [It had gotten cold.](dream.html) | ||
80 | [It was a gamble](stayed-on-the-bus.html); | ||
81 | [it was one of those nameless gray buildings that could be seen from the street only if Larry craned his neck to almost vertical.](telemarketer.html) | ||
82 | [It's all jokes Paul wrote in what he was now calling his Hymnal.](hymnal.html) | ||
83 | [January.](january.html) | ||
84 | |||
85 | "[Like 40 as I challenge anyone to come too!](call-me-aural-pleasure.html) | ||
86 | [Look, I say---look here---](found-typewriter-poem.html) | ||
87 | [Lost things have a way of staying lost.](amber-alert.html)" | ||
88 | [Man of autumn, cold wind,](cold-wind.html) | ||
89 | [memory works strangely, spooling its thread](last-passenger.html). | ||
90 | |||
91 | ["My anger is like a peach," he said.](peaches.html) | ||
92 | "[My body is attached to your body by a thin spittle of thought.](spittle.html)" | ||
93 | [My head is full of fire, my tongue swollen,](the-night-we-met.html) | ||
94 | [nothing is ever over; nothing](nothing-is-ever-over.html)--- | ||
95 | [nothing matters; everything is sacred.](proverbs.html) | ||
96 | [Now the ticking clocks scare me.](boar.html) | ||
97 | |||
98 | [Of course, there is a God.](prelude.html)--- | ||
99 | [Okay, so there either is or isn't a God.](purpose-dogs.html) | ||
100 | [On your desk I set a tangerine:](seasonal-affective-disorder.html) | ||
101 | [Paul began typing on notecards.](notes.html) | ||
102 | |||
103 | [Paul only did his reading on the toilet.](toilet.html) | ||
104 | [Paul took his axe and went out into the woods to chop trees.](axe.html) | ||
105 | [Paul was writing in his diary about art.](art.html) | ||
106 | |||
107 | ["Paul, you can't turn in your reports on four-by-six notecards" Jill told him after he handed her his reports, typed carefully on twelve four-by-six notecards.](reports.html) | ||
108 | ["Riding the bus to work is a good way to think or to read" Paul thought to himself on the bus ride to work.](stagnant.html) | ||
109 | |||
110 | [Say there are no words. Say that we are conjoined](elegyforanalternateself.html): | ||
111 | [silence lies underneath us all in the same way](music-433.html) | ||
112 | [it's the fucking moon. Big deal. As if](apollo11.html) | ||
113 | [two hyperintelligent pandimensional beings](creation-myth.html) | ||
114 | [feel as though I am not a real writer.](real-writer.html) | ||
115 | [Somewhere I remember reading advice for beginning writers not to show their work to anyone, at least that in the early stages.](words-irritable-reaching.html) | ||
116 | |||
117 | [Swans fly overhead singing goodbye](swansong.html): | ||
118 | [THIS MAN REFUSED TO OPEN HIS EYES](man.html). | ||
119 | [TREATISE ON LITERATURE AS "SPOOKY ACTION AT A DISTANCE"](treatise.html): | ||
120 | [the definition of happiness is _doing stuff that you really like_.](likingthings.html) | ||
121 | [The look she gave me (Half-hours in heaven are three times that in hell)](table_contents.html). | ||
122 | [The moon is drowning the stars it pushes them](moon-drowning.html)--- | ||
123 | [The moon is gone and in its place a mirror. Looking at the night sky now](moongone.html), | ||
124 | [the other side of this mountain](mountain.html): | ||
125 | [the problem with people is this: we cannot be happy.](problems.html) | ||
126 | [The radio is screaming the man](worse-looking-over.html)--- | ||
127 | [the self is a serengeti](serengeti.html)--- | ||
128 | [there are more modern ideals of beauty](todaniel.html)--- | ||
129 | [there is a cave just outside of Flagstaff made from ancient lava flows.](what-we-are-made-of.html) | ||
130 | |||
131 | [There is a theory which states the Universe](initial-conditions.html), | ||
132 | [this book, is an exploration of life, of all possible lives that could be lived.](howtoread.html) | ||
133 | [This poem is dry like chapped lips.](swansong-alt.html) | ||
134 | [Tonight, as I look up, the stars](finding-the-lion.html), | ||
135 | [waiting for a reading to start](the-sea_the-beach.html), | ||
136 | [walking along in the dark, is a good way to begin a song.](lovesong.html) | ||
137 | |||
138 | [Walter rides the bus into work on Wednesday morning when he realizes, with the force and surprise of a rogue current, that he is in the home-for-death phase of life.](lappel-du-vide.html) | ||
139 | [We found your shirt deep in the dark water](theoceanoverflowswithcamels.html)--- | ||
140 | [what did he do when he was in the woods?](options.html) | ||
141 | |||
142 | ["What do you do all day in that shed out back" his mother asked one night while they ate dinner in front of the TV.](shed.html) | ||
143 | |||
144 | [What is a poem?](manifesto_poetics.html) | ||
145 | [What is poetry?](arspoetica.html) | ||
146 | [What secrets does it hold?](largest-asteroid.html) | ||
147 | [When I think of death I think](death-zone.html), | ||
148 | [when Ronald McDonald takes off his striped shirt,](ronaldmcdonald.html) | ||
149 | [when he finally got back to work, he was surprised they threw him a party.](punch.html) | ||
150 | [When he said Bible I heard his southern accent](boy_bus.html): | ||
151 | [whenever you call me friend](100-lines.html) | ||
152 | [while chopping a tree in the woods with his hatchet (a Christmas gift from his mother) a bird he'd never heard before cried out.](x-ray.html) | ||
153 | [While swimming in the river](no-nothing.html): | ||
154 | [YOU CANNOT DISCOVER ART ART MUST BE CREATED he sat on the couch at home while his mother watched TV and smoked.](early.html) | ||
155 | |||
156 | [You never can tell just when Charlie Sheen will enter your life.](feedingtheraven.html) | ||
157 | [You think building Hoggle's a hard game?](hard-game.html) | ||
158 | [Your casserole dish takes the longest:](when-im-sorry-i.html) | ||
159 | [in mammals the ratio between bladder size](something-simple.html) | ||
160 | [has been a part of the Unix toolset since the late 70s.](collage-instrument.html) | ||
diff --git a/src/found-typewriter-poem.txt b/src/found-typewriter-poem.txt index 5d7af12..f6fd201 100644 --- a/src/found-typewriter-poem.txt +++ b/src/found-typewriter-poem.txt | |||
@@ -15,7 +15,6 @@ project: | |||
15 | css: autocento | 15 | css: autocento |
16 | ... | 16 | ... |
17 | 17 | ||
18 | |||
19 | Look, I say---look here--- \ | 18 | Look, I say---look here--- \ |
20 | at this [old place \ | 19 | at this [old place \ |
21 | where nothing changes][old-place]. \ | 20 | where nothing changes][old-place]. \ |
diff --git a/src/swear.txt b/src/swear.txt index aa923d1..90fc559 100644 --- a/src/swear.txt +++ b/src/swear.txt | |||
@@ -18,7 +18,6 @@ project: | |||
18 | link: stump | 18 | link: stump |
19 | ... | 19 | ... |
20 | 20 | ||
21 | |||
22 | > [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME][] | 21 | > [EVERYTHING CHANGES OR EVERYTHING STAYS THE SAME][] |
23 | > | 22 | > |
24 | > First, a history: I was writing my | 23 | > First, a history: I was writing my |