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authorCase Duckworth2015-03-12 13:01:16 -0700
committerCase Duckworth2015-03-12 13:01:16 -0700
commit2764ce38ff89667fc4073fb66cdd634caaffd613 (patch)
tree2b574940d00219cddba222222ee2ae13d49ea644 /building.html
parentRemove lua cruft (diff)
downloadautocento-2764ce38ff89667fc4073fb66cdd634caaffd613.tar.gz
autocento-2764ce38ff89667fc4073fb66cdd634caaffd613.zip
Fix #9 - ekphrastisize some poems
For ekphrastic articles, add `ekphrastic` node to YAML metadata.
This node includes subnodes `image`, `title`, `alt`, `link`, and `class`.
`image` provides a link to the local image--just include the file name
with the extension, not the folder (all images should be in /img/.)
`title` provides the title of the image, and the alt-text, if there
is no `alt` node.
`alt`, if it exists, provides the alt text for the image.
`link`, if present, wraps the image in an `<a>` tag--it should point
to the source web page of the ekphrastic image.
`class`, if present, sets the class(es) for the image, for styling.

In this commit, I've set `ekphrastic` on the four articles that have
them so far: 'The Death Zone,' 'AMBER alert,' 'The moon is gone,' and
'Man.' I've also updated .template.html with the changes, and updated
README.md to reflect the changes in YAML structure.
Diffstat (limited to 'building.html')
-rw-r--r--building.html11
1 files changed, 5 insertions, 6 deletions
diff --git a/building.html b/building.html index 4543f18..1c61f65 100644 --- a/building.html +++ b/building.html
@@ -37,12 +37,11 @@
37 37
38 </header> 38 </header>
39 39
40 <section class="content prose"> 40
41 <p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p> 41 <section class="content prose"><p><em><a href="toilet.html">ART and CRAFT</a> are only the inside and outside of the same building. The ceiling is</em>—here he put his eraser to his bottom lip, thinking. He crossed out <em><del>The ceiling is.</del></em> <em>The floor is reality and the ceiling is <del>aspiration</del> <del>desire</del> that which is desired. CRAFT is building a <a href="boar.html">chair</a> from wood. ART is using the wood as a substrate for an emotional <a href="poetry-time.html">message to a future person</a>, the READER / VIEWER.</em></p>
42 <p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p> 42<p><em>The important thing is they are both made of wood. The important thing is they were both, at one point, alive natural things that grew and changed and pushed their way out of the dirt into the air. They formed buildings out of the air. They didn’t even try.</em></p>
43 <p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="index.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p> 43<p><em>What separates us from them, the trees? <a href="plant.html">We have to try.</a> We must labor to create our ART, <a href="index.html">our buildings of air</a>. We lay them out brick by brick, we build them up by disintegrating trees and forming them again into what they were before. Why must we do this? Are there any advantages to this human method?</em></p>
44 <p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p> 44<p><em>Our advantage is <a href="ouroboros_memory.html">memory</a>. Our advantage is the reaching-out over space and time to others with our words, our ART. Our buildings last for generations, and after they are demolished they are written about, <a href="man.html">photographs</a> are taken, we <strong>remember</strong>. The <a href="riptide_memory.html">act of memory</a> is our only ART.</em></p></section>
45 </section>
46 </article> 45 </article>
47 <nav> 46 <nav>
48 <a class="prevlink" href="stagnant.html" 47 <a class="prevlink" href="stagnant.html"