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author | Case Duckworth | 2015-03-10 23:17:06 -0700 |
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committer | Case Duckworth | 2015-03-10 23:17:06 -0700 |
commit | bec7c936d59e331500c8350b92e33f2b5c5eb0e0 (patch) | |
tree | eb35d9c37efccc6eafa8dbca1538387dcf6c3ff4 /man.html | |
parent | Fix broken link in I think it's you (diff) | |
download | autocento-bec7c936d59e331500c8350b92e33f2b5c5eb0e0.tar.gz autocento-bec7c936d59e331500c8350b92e33f2b5c5eb0e0.zip |
Move dedication to before epigraph
Diffstat (limited to 'man.html')
-rw-r--r-- | man.html | 43 |
1 files changed, 21 insertions, 22 deletions
diff --git a/man.html b/man.html index 737cd6a..f9551e6 100644 --- a/man.html +++ b/man.html | |||
@@ -1,5 +1,6 @@ | |||
1 | <!DOCTYPE html> | 1 | <!DOCTYPE html> |
2 | <!-- Template for compiled 'Autocento' documents --> | 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> |
3 | <!-- vim: fdm=indent --> | ||
3 | <html lang="en"> | 4 | <html lang="en"> |
4 | <head> | 5 | <head> |
5 | <meta charset="utf-8"> | 6 | <meta charset="utf-8"> |
@@ -23,28 +24,26 @@ | |||
23 | <!-- <script src="js/external.js"> </script> --> | 24 | <!-- <script src="js/external.js"> </script> --> |
24 | </head> | 25 | </head> |
25 | <body> | 26 | <body> |
27 | |||
28 | <article id="container"> | ||
29 | <header> | ||
30 | <!-- title --> | ||
31 | <h1 class="title">Man</h1> | ||
32 | |||
26 | 33 | ||
27 | <article id="container"> | 34 | </header> |
28 | <header> | ||
29 | <!-- title --> | ||
30 | <h1 class="title">Man</h1> | ||
31 | |||
32 | |||
33 | |||
34 | </header> | ||
35 | |||
36 | <section class="content prose"> | ||
37 | <p><em><a href="http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&recno=31230">THIS MAN REFUSED TO OPEN HIS EYES</a></em></p> | ||
38 | <figure> | ||
39 | <img src="img/tbedemugshot.jpg" alt="THIS MAN REFUSED TO OPEN HIS EYES" /><figcaption>THIS MAN REFUSED TO OPEN HIS EYES</figcaption> | ||
40 | </figure> | ||
41 | <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p> | ||
42 | <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p> | ||
43 | <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p> | ||
44 | <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p> | ||
45 | </section> | ||
46 | </article> | ||
47 | 35 | ||
36 | <section class="content prose"> | ||
37 | <p><em><a href="http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&recno=31230">THIS MAN REFUSED TO OPEN HIS EYES</a></em></p> | ||
38 | <figure> | ||
39 | <img src="img/tbedemugshot.jpg" alt="THIS MAN REFUSED TO OPEN HIS EYES" /><figcaption>THIS MAN REFUSED TO OPEN HIS EYES</figcaption> | ||
40 | </figure> | ||
41 | <p>Paul read this on an old mugshot in the library. He had taken the <a href="boy_bus.html">bus</a> into town to check out a few books on woodworking and got distracted by the True Crime section. He found this mugshot in a book titled <em>Crooks like Us</em> that was published in Sydney. He liked how cities were named after women, or how women were named after cities, whichever was true.</p> | ||
42 | <p>The man in the picture’s eyes were tightly shut, as though he’d just come into the brightness of day after being dark inside for a long time. His head was tilted up and slightly to the right. He was wearing a short light tie with hash marks, and a pinstripe suit. Paul wished the <a href="about-the-author.html">photograph</a> was in color. He was standing in front of a plain brown wall covered in fabric.</p> | ||
43 | <p>The man’s eyes were not so tightly shut as Paul first thought. His eyebrows lifted away from the eyes, giving the man a bemused look. His mouth was slightly opened in what seemed to Paul like a grin. This was accentuated by the man’s ears, which were large. Paul wasn’t sure why the ears made the man look happier. He wondered what crime he had committed.</p> | ||
44 | <p>Above the man’s head was written <a href="http://emiliaphillips.com/books/signaletics/"><em>T. BEDE.22.11.28 / 203 A</em>.</a> <em>THIS MAN REFUSED TO OPEN HIS EYES</em> was written over his suit, directly below his ribcage.</p> | ||
45 | </section> | ||
46 | </article> | ||
48 | <nav> | 47 | <nav> |
49 | <a class="prevlink" href="cereal.html" | 48 | <a class="prevlink" href="cereal.html" |
50 | title="Next article in Buildings out of air: Paul in the Woods"> | 49 | title="Next article in Buildings out of air: Paul in the Woods"> |
@@ -64,5 +63,5 @@ | |||
64 | Notes | 63 | Notes |
65 | </a> | 64 | </a> |
66 | </nav> | 65 | </nav> |
67 | </body> | 66 | </body> |
68 | </html> | 67 | </html> |