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| author | Case Duckworth | 2015-04-14 18:09:55 -0700 |
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| committer | Case Duckworth | 2015-04-14 18:09:55 -0700 |
| commit | 08fd8e95dccb91d0495a50d1009f85cb80cfad65 (patch) | |
| tree | 9accf8a6e9b1f836e3c7c7b5437d11351545a07e /onformalpoetry.html | |
| parent | Change file hierarchy and rewrite makefile (diff) | |
| download | autocento-1.0.0.tar.gz autocento-1.0.0.zip | |
First compile in v1.0.0 v1.0.0
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| -rw-r--r-- | onformalpoetry.html | 62 |
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| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>On formal poetry | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
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| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="onformalpoetry" class="elegies"> | ||
| 24 | |||
| 25 | <article class="container"> | ||
| 26 | <header> | ||
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">On formal poetry</h1> | ||
| 29 | |||
| 30 | |||
| 31 | <div class="header-extra"> | ||
| 32 | |||
| 33 | </div> | ||
| 34 | </header> | ||
| 35 | |||
| 36 | |||
| 37 | <section class="content verse"> | ||
| 38 | <p><span class="line">I think that I could write formal poems</span><span class="line">exclusively, or at least inclusive</span><span class="line">with all the other stuff I write</span><span class="line">I guess. Of course, I’ve already written</span><span class="line">a few, this one included, though “formal”</span><span class="line">is maybe a stretch. Is blank verse a form?</span><span class="line">What is form anyway? I picture old</span><span class="line">women counting <a href="roughgloves.html">stitches on their knitting</a>,</span><span class="line">keeping iambs next to iambs in lines</span><span class="line">as straight and sure as arrows. But my sock</span><span class="line">is lumpy, poorly made: it’s beginning</span><span class="line">to unravel. Stresses don’t line up. Syl-</span><span class="line">lables forced to fit like <a href="ronaldmcdonald.html">McNugget</a> molds.</span><span class="line">That cliché on the arrow? I’m aware.</span><span class="line">My prepositions too—God, where’s it stop?</span><span class="line">The answer: never. I will never stop</span><span class="line">writing poems, or hating what I write.</span></p> | ||
| 39 | </section> | ||
| 40 | </article> | ||
| 41 | <nav> | ||
| 42 | <div class="anchors"> | ||
| 43 | <a href="backlinks/onformalpoetry.html" id="backlinks" title="Links to this page"> | ||
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| 47 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 48 | </div> | ||
| 49 | |||
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| 51 | title="Previous article in Elegies for alternate selves"> | ||
| 52 | Feeding the raven | ||
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| 56 | title="Next article in Elegies for alternate selves"> | ||
| 57 | I am | ||
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| 61 | </body> | ||
| 62 | </html> | ||