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| author | Case Duckworth | 2015-03-24 22:53:18 -0700 |
|---|---|---|
| committer | Case Duckworth | 2015-03-24 22:53:18 -0700 |
| commit | df0d5f3cb03f8bf7d72e067c0fd7ee54ce4b86eb (patch) | |
| tree | 9cb3585e91c71e0d56bff5fb1f0d6c8dc5f8c093 /poetry-time.html | |
| parent | Disable Jekyll page rendering (diff) | |
| download | autocento-df0d5f3cb03f8bf7d72e067c0fd7ee54ce4b86eb.tar.gz autocento-df0d5f3cb03f8bf7d72e067c0fd7ee54ce4b86eb.zip | |
Change template and CSS for flatter structure
- Change CSS to one file - Change template to reflect CSS flattening
Diffstat (limited to 'poetry-time.html')
| -rw-r--r-- | poetry-time.html | 28 |
1 files changed, 13 insertions, 15 deletions
| diff --git a/poetry-time.html b/poetry-time.html index e180465..33eb018 100644 --- a/poetry-time.html +++ b/poetry-time.html | |||
| @@ -12,23 +12,19 @@ | |||
| 12 | <title>Something | Autocento of the breakfast table</title> | 12 | <title>Something | Autocento of the breakfast table</title> |
| 13 | <link rel="icon" type="image/png" href="img/favico.png" /> | 13 | <link rel="icon" type="image/png" href="img/favico.png" /> |
| 14 | 14 | ||
| 15 | <link rel="stylesheet" type="text/css" href="./css/common.css"> | 15 | <link rel="stylesheet" type="text/css" href="style.css"> |
| 16 | <script src="./js/lozenge.js" type="text/javascript"> </script> | 16 | <script src="./js/lozenge.js" type="text/javascript"> </script> |
| 17 | <script src="./js/hylo.js" type="text/javascript"> </script> | 17 | <script src="./js/hylo.js" type="text/javascript"> </script> |
| 18 | 18 | ||
| 19 | <link rel="stylesheet" type="text/css" href="./css/verse.css"> | 19 | <!--[if lt IE 9]> |
| 20 | <script src="./js/verse.js" type="text/javascript"> </script> | ||
| 21 | <link rel="stylesheet" type="text/css" href="./css/stark.css"> | ||
| 22 | <script src="./js/stark.js" type="text/javascript"> </script> | ||
| 23 | <!--[if lt IE 9]> | ||
| 24 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> |
| 25 | <![endif]--> | 21 | <![endif]--> |
| 26 | <!-- <script src="js/external.js"> </script> --> | 22 | <!-- <script src="js/external.js"> </script> --> |
| 27 | </head> | 23 | </head> |
| 28 | <body> | 24 | <body id="poetry-time" class="stark"> |
| 29 | 25 | ||
| 30 | 26 | ||
| 31 | <article id="container"> | 27 | <article class="container"> |
| 32 | <header> | 28 | <header> |
| 33 | <!-- title --> | 29 | <!-- title --> |
| 34 | <h1 class="title">Something</h1> | 30 | <h1 class="title">Something</h1> |
| @@ -40,13 +36,15 @@ | |||
| 40 | </header> | 36 | </header> |
| 41 | 37 | ||
| 42 | 38 | ||
| 43 | <section class="content verse"><p>I’m writing this now because I have to.<br />Not in some “my soul yearns for this and<br />I can’t help it” way, but in the way that this<br />moment is structured as such, that it is<br />crystallized this way, me writing this, and later<br />you reading it, now for you, later for me,</p> | 39 | <section class="content verse"> |
| 44 | <p>and this tenuous connection mates me<br />and you forever, combined with each other, two<br /><a href="treatise.html">electrons momentarily entwined</a>. Later,<br />when I’m dead or far too famous for you, and<br />you’re in school, reading my words because it is<br />required reading, I want you to remember this</p> | 40 | <p>I’m writing this now because I have to.<br />Not in some “my soul yearns for this and<br />I can’t help it” way, but in the way that this<br />moment is structured as such, that it is<br />crystallized this way, me writing this, and later<br />you reading it, now for you, later for me,</p> |
| 45 | <p>connection we’ve always had, this<br /><a href="last-passenger.html">spider’s thread</a> hanging between you and me.<br />Which of us is the spider and which is<br />the fly still remains to be seen. To<br />eat, perchance to fly: all of that and<br />more. We can settle all of this later.</p> | 41 | <p>and this tenuous connection mates me<br />and you forever, combined with each other, two<br /><a href="treatise.html">electrons momentarily entwined</a>. Later,<br />when I’m dead or far too famous for you, and<br />you’re in school, reading my words because it is<br />required reading, I want you to remember this</p> |
| 46 | <p>Yes, it is you I’m thinking of in your later<br />time: you specifically, not another. This<br />is true for all <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><mrow><mi>x</mi></mrow></math> such that <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><mrow><mi>x</mi><mo>></mo><mn>0</mn></mrow></math> and<br /><math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><mrow><mi>x</mi></mrow></math> is a real person, though it doesn’t bother me<br />to write to a fictional figure or to<br /><a href="epigraph.html">a figment</a>, maybe, of my imagination. This is</p> | 42 | <p>connection we’ve always had, this<br /><a href="last-passenger.html">spider’s thread</a> hanging between you and me.<br />Which of us is the spider and which is<br />the fly still remains to be seen. To<br />eat, perchance to fly: all of that and<br />more. We can settle all of this later.</p> |
| 47 | <p>what you are right now, anyway, <a href="real-writer.html">dear Reader</a>, is<br />it not? I’m talking about my now, of course, not later,<br />which is your now. Later will be my now too,<br />and maybe I’m ultimately writing to a future part of this<br />self: you could very well be me.<br />In fact, you probably are me, <a href="elegyforanalternateself.html">some other version</a>, and</p> | 43 | <p>Yes, it is you I’m thinking of in your later<br />time: you specifically, not another. This<br />is true for all <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><mrow><mi>x</mi></mrow></math> such that <math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><mrow><mi>x</mi><mo>></mo><mn>0</mn></mrow></math> and<br /><math display="inline" xmlns="http://www.w3.org/1998/Math/MathML"><mrow><mi>x</mi></mrow></math> is a real person, though it doesn’t bother me<br />to write to a fictional figure or to<br /><a href="epigraph.html">a figment</a>, maybe, of my imagination. This is</p> |
| 48 | <p>I am you in the past, or what you could’ve been, and<br />at the same time, this isn’t true. Everything is,<br />and nothing isn’t. The difference between “you” and “me”<br />is in name only. Maybe you’ll get this later,<br /><a href="found-typewriter-poem.html">when you’re older</a>, when I’m older, when all of this<br />is something we’ll look fondly back to,</p> | 44 | <p>what you are right now, anyway, <a href="real-writer.html">dear Reader</a>, is<br />it not? I’m talking about my now, of course, not later,<br />which is your now. Later will be my now too,<br />and maybe I’m ultimately writing to a future part of this<br />self: you could very well be me.<br />In fact, you probably are me, <a href="elegyforanalternateself.html">some other version</a>, and</p> |
| 49 | <p>because I do hope to meet you, although much later,<br />and I hope your feeling is the same. All this<br />talk on me and you and you and me we’ll keep between us two.</p></section> | 45 | <p>I am you in the past, or what you could’ve been, and<br />at the same time, this isn’t true. Everything is,<br />and nothing isn’t. The difference between “you” and “me”<br />is in name only. Maybe you’ll get this later,<br /><a href="found-typewriter-poem.html">when you’re older</a>, when I’m older, when all of this<br />is something we’ll look fondly back to,</p> |
| 46 | <p>because I do hope to meet you, although much later,<br />and I hope your feeling is the same. All this<br />talk on me and you and you and me we’ll keep between us two.</p> | ||
| 47 | </section> | ||
| 50 | </article> | 48 | </article> |
| 51 | <nav> | 49 | <nav> |
| 52 | <a class="prevlink" href="big-dipper.html" | 50 | <a class="prevlink" href="big-dipper.html" |