diff options
| author | Case Duckworth | 2015-03-14 11:33:26 -0700 |
|---|---|---|
| committer | Case Duckworth | 2015-03-14 11:33:26 -0700 |
| commit | 5685e1dba9b485939c833ba86f4e5c2e5e34453b (patch) | |
| tree | f61602ba63e905e9bc7033ad06e790e7356e4dc6 /swansong-alt.html | |
| parent | Move test suite into its own folder (diff) | |
| download | autocento-5685e1dba9b485939c833ba86f4e5c2e5e34453b.tar.gz autocento-5685e1dba9b485939c833ba86f4e5c2e5e34453b.zip | |
Mostly fix #11: Dedication/epigraph alignment
So the issue is solved in terms of how it looks, though it adds a gross extra div into every page and uses :only-child, which I don't think is super-supported. But it's the best I can do that I know of until we get to better flexbox support. Or you know, maybe later I can try doing some templating fixes-- injecting classes so that normally, .dedication is right-aligned but when an epigraph is present, change the class to .dedication-left or something. IDK. Either way is sort of ugly. :(
Diffstat (limited to 'swansong-alt.html')
| -rw-r--r-- | swansong-alt.html | 6 |
1 files changed, 4 insertions, 2 deletions
| diff --git a/swansong-alt.html b/swansong-alt.html index c77c160..67855e0 100644 --- a/swansong-alt.html +++ b/swansong-alt.html | |||
| @@ -34,8 +34,10 @@ | |||
| 34 | <h1 class="title">Swansong</h1> | 34 | <h1 class="title">Swansong</h1> |
| 35 | <h1 class="subtitle">alternate version</h1> | 35 | <h1 class="subtitle">alternate version</h1> |
| 36 | 36 | ||
| 37 | 37 | <div class="header-extra"> | |
| 38 | </header> | 38 | |
| 39 | </div> | ||
| 40 | </header> | ||
| 39 | 41 | ||
| 40 | 42 | ||
| 41 | <section class="content verse"><p>This poem is dry like <a href="time-looks-up-to-the-sky.html">chapped lips</a>.<br /><a href="no-nothing.html">It is hard as teeth</a>—hear the tapping?<br />It is the swan song of beauty, as all<br />swan songs are. <a href="poetry-time.html">Reading</a> it, you are<br />puzzled, perhaps a little repulsed.<br />Swans do not have teeth, nor do they sing.<br />A honking over the cliff is all<br />they can do, and that they do<br />badly. You don’t know where I’m going.<br />You want to tell me, <a href="about-the-author.html">You are not you</a>.<br /><a href="swansong.html">You are the air the swan walks on.</a><br />You are the fringe of the curtain<br /><a href="elegyforanalternateself.html">that separates me from you</a>. I say<br />that you are no longer the temple,<br />that you have been through <a href="fire.html">fire</a><br />and are now less than ash. You are<br />the subtraction of yourself from<br />the world, <a href="finding-the-lion.html">the air without a swan</a>.<br />Together, we are each other. You<br />and I have both nothing and everything<br />at once, we own the world and nothing in it.</p></section> | 43 | <section class="content verse"><p>This poem is dry like <a href="time-looks-up-to-the-sky.html">chapped lips</a>.<br /><a href="no-nothing.html">It is hard as teeth</a>—hear the tapping?<br />It is the swan song of beauty, as all<br />swan songs are. <a href="poetry-time.html">Reading</a> it, you are<br />puzzled, perhaps a little repulsed.<br />Swans do not have teeth, nor do they sing.<br />A honking over the cliff is all<br />they can do, and that they do<br />badly. You don’t know where I’m going.<br />You want to tell me, <a href="about-the-author.html">You are not you</a>.<br /><a href="swansong.html">You are the air the swan walks on.</a><br />You are the fringe of the curtain<br /><a href="elegyforanalternateself.html">that separates me from you</a>. I say<br />that you are no longer the temple,<br />that you have been through <a href="fire.html">fire</a><br />and are now less than ash. You are<br />the subtraction of yourself from<br />the world, <a href="finding-the-lion.html">the air without a swan</a>.<br />Together, we are each other. You<br />and I have both nothing and everything<br />at once, we own the world and nothing in it.</p></section> |