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author | Case Duckworth | 2015-04-17 19:43:04 -0700 |
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committer | Case Duckworth | 2015-04-17 19:43:04 -0700 |
commit | 96ceefa9c99a45d84af7ac8afb637dccbadc3f87 (patch) | |
tree | 7a70f2668f22c61446c66689cf802987124ac85c /text | |
parent | Fix unforeseen verse typesetting issue with width (diff) | |
download | autocento-96ceefa9c99a45d84af7ac8afb637dccbadc3f87.tar.gz autocento-96ceefa9c99a45d84af7ac8afb637dccbadc3f87.zip |
Revise abstract & add to index.html
Diffstat (limited to 'text')
-rw-r--r-- | text/abstract.txt | 40 | ||||
-rw-r--r-- | text/howithappened.txt | 2 |
2 files changed, 23 insertions, 19 deletions
diff --git a/text/abstract.txt b/text/abstract.txt index ea30fbb..649cdab 100644 --- a/text/abstract.txt +++ b/text/abstract.txt | |||
@@ -1,34 +1,38 @@ | |||
1 | --- | 1 | --- |
2 | title: Autocento of the breakfast table | 2 | title: Autocento of the breakfast table |
3 | subtitle: abstract | 3 | subtitle: _abstract_ |
4 | genre: prose | 4 | genre: prose |
5 | 5 | ||
6 | id: abstract | 6 | id: abstract |
7 | toc: "_abstract_" | 7 | toc: abstract |
8 | 8 | ||
9 | project: | 9 | project: |
10 | title: Front matter | 10 | title: Front matter |
11 | class: front-matter | 11 | class: front-matter |
12 | ... | 12 | ... |
13 | 13 | ||
14 | ## Brief Description | 14 | Technology has utterly changed the ways in which we interact with ourselves, society, and nature. |
15 | Ways of thinking and collaborating thought all-but-impossible less than a generation ago have become commonplace, even necessary, in the Internet age. | ||
16 | _Autocento of the breakfast table_ is an attempt to leverage the power of the Internet to capture the [author][]’s inspiration, composition, and revision processes all at one time, through a linked hypertext. | ||
15 | 17 | ||
16 | _Autocento of the breakfast table_ is my Master's thesis, an inter/hypertextual exploration of the workings of inspiration, revision, and obsession. | 18 | As a website, _Autocento of the breakfast table_ is at first enigmatic. |
17 | I've compiled this work over multiple years, and recently linked it all together to form a (hopefully) more cohesive whole. | 19 | The reader is unable to merely consume the text; they must actively interact with it---by clicking links, in this case---in order to create a meaning. |
18 | To make this easier than collating everything by hand, I've relied on a process that leverages open-source technologies to publish my work onto a web platform. | 20 | In doing so, the reader empathetically engages with the author’s published self, journeying with the author or around the author to create a text that is utterly unique to the moment it’s being read. |
21 | In a sense, the reader is not merely a reader, but a user of the text in front of them: they can get as much or as little from it as they are willing. | ||
19 | 22 | ||
20 | ## Things to notice | 23 | The Internet is the perfect medium for a text like _Autocento of the breakfast table_. |
24 | Scott Rosenberg, in his essay “[Will Deep Links Ever Truly Be Deep?][]” on Medium, notes that “originally, the exact purpose of links was” to make “conceptual links” and connect “disparate thoughts” across a democratic space---the Web. | ||
25 | The Web, envisioned this way, removes the arbitrary structuring of page order, publishing imprints, and temporality that print technology is bounded by. | ||
26 | With a Web-like platform, ideas can live of themselves, by themselves, and for themselves: instead of ordering ideas by some value system, we can organically link them together by similarities. | ||
21 | 27 | ||
22 | Take a look around the site. | 28 | The ideas that _Autocento of the breakfast table_ works with and links together are the [_hapax legomenon_][], or “something said only once,” and the _cento_, or “patchwork garment.” |
23 | See how it's navigable: there are links within each article to other articles and to the wider web, mapping common images, themes, or inspirations; | 29 | These two ideas are held in a kind of balance when expanded to the scale of a poem: while every word has necessarily been said before, every thought unoriginal, the author can hope to arrange these unoriginal thoughts into their own shapes. |
24 | there's also navigation links at the bottom of each page: | 30 | To put it another way, we’re all making pots out of the same clay, but each one is irrevocably ours. |
31 | The cento of _Autocento of the breakfast table_ is the project itself, in its entirety; I am a composite of everything I’ve done. | ||
25 | 32 | ||
26 | - The **φ** shows you the backlinks to each page. | 33 | _Case Duckworth_ |
27 | - The **◊** takes you back to the cover of the project, to start over. | 34 | _Flagstaff, 2015_ |
28 | - The **ξ** takes you to a random article in the project. | ||
29 | - Some pages also have _previous_ and _next_ links. These take you to other articles in their original project-order. It's another way to navigate the page. | ||
30 | 35 | ||
31 | Check out my [process narrative][] for the technical details of putting this site together, or see my [about page][] for an artist's statement. | 36 | [author]: about_author.html |
32 | 37 | [Will Deep Links Ever Truly Be Deep?]: | |
33 | [process narrative]: process.html | 38 | [_hapax legomenon_]: hapax.html |
34 | [about page]: about.html | ||
diff --git a/text/howithappened.txt b/text/howithappened.txt index 2fd39fe..d2bd5b0 100644 --- a/text/howithappened.txt +++ b/text/howithappened.txt | |||
@@ -1,6 +1,6 @@ | |||
1 | --- | 1 | --- |
2 | title: How it happened | 2 | title: How it happened |
3 | genre: 'verse' | 3 | genre: verse |
4 | 4 | ||
5 | id: howithappened | 5 | id: howithappened |
6 | toc: "How it happened" | 6 | toc: "How it happened" |