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-rw-r--r--on-genre-dimension.txt4
1 files changed, 2 insertions, 2 deletions
diff --git a/on-genre-dimension.txt b/on-genre-dimension.txt index e7dfaac..65d305d 100644 --- a/on-genre-dimension.txt +++ b/on-genre-dimension.txt
@@ -44,7 +44,7 @@ It's able to meditate on a subject, or expand on it lyrically, exploring the emo
44Through repitition of sounds, the poem builds meaning through resonance and rhyming, something that's harder to do in prose. 44Through repitition of sounds, the poem builds meaning through resonance and rhyming, something that's harder to do in prose.
45Take, for example, the first lines of "[The Love Song of J. Alfred Prufrock][]:" 45Take, for example, the first lines of "[The Love Song of J. Alfred Prufrock][]:"
46 46
47> LET us go then, you and I, \ 47> Let us go then, you and I, \
48> When the evening is spread out against the sky \ 48> When the evening is spread out against the sky \
49> Like a patient etherized upon a table; \ 49> Like a patient etherized upon a table; \
50> Let us go, through certain half-deserted streets, \ 50> Let us go, through certain half-deserted streets, \
@@ -59,7 +59,7 @@ Take, for example, the first lines of "[The Love Song of J. Alfred Prufrock][]:"
59 59
60And here it is again, without line breaks: 60And here it is again, without line breaks:
61 61
62> LET us go then, you and I, 62> Let us go then, you and I,
63> when the evening is spread out against the sky 63> when the evening is spread out against the sky
64> like a patient etherized upon a table; 64> like a patient etherized upon a table;
65> let us go, through certain half-deserted streets, 65> let us go, through certain half-deserted streets,