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| -rw-r--r-- | art.html | 64 |
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| diff --git a/art.html b/art.html new file mode 100644 index 0000000..48f2c6c --- /dev/null +++ b/art.html | |||
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| 1 | <!DOCTYPE html> | ||
| 2 | <!-- AUTOCENTO OF THE BREAKFAST TABLE --> | ||
| 3 | <!-- vim: fdm=indent | ||
| 4 | --> | ||
| 5 | <html lang="en"> | ||
| 6 | <head> | ||
| 7 | <meta charset="utf-8"> | ||
| 8 | <meta name="generator" content="pandoc"> | ||
| 9 | <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes"> | ||
| 10 | <meta name="author" content="Case Duckworth"> | ||
| 11 | |||
| 12 | <title>Art | Autocento of the breakfast table</title> | ||
| 13 | <link rel="icon" type="image/png" href="trunk/favico.png" /> | ||
| 14 | |||
| 15 | <link rel="stylesheet" type="text/css" href="trunk/style.css"> | ||
| 16 | <script src="scripts/randomize.js" type="text/javascript"> </script> | ||
| 17 | <script src="scripts/hylo.js" type="text/javascript"> </script> | ||
| 18 | |||
| 19 | <!--[if lt IE 9]> | ||
| 20 | <script src="http://html5shim.googlecode.com/svn/trunk/html5.js"> </script> | ||
| 21 | <![endif]--> | ||
| 22 | </head> | ||
| 23 | <body id="art" class="paul"> | ||
| 24 | |||
| 25 | <article class="container"> | ||
| 26 | <header> | ||
| 27 | <!-- title --> | ||
| 28 | <h1 class="title">Art</h1> | ||
| 29 | |||
| 30 | |||
| 31 | <div class="header-extra"> | ||
| 32 | |||
| 33 | </div> | ||
| 34 | </header> | ||
| 35 | |||
| 36 | |||
| 37 | <section class="content prose"> | ||
| 38 | <p>Paul was writing in his diary about art.</p> | ||
| 39 | <p><em><a href="ouroboros_memory.html">This is my brain</a></em> he wrote. <em>This is my brain and all it contains. <a href="TODO_BIBLE_LINK">‘I contain multitudes’ said Legion.</a> I think it was Legion.</em> The big heading he had written at the top of the page (<em>ART</em> it read, but only when looking at it from his point of view) sat cold and alone, neglected in the <a href="sense-of-it.html">white space</a> surrounding it. He noticed this presently (but not after he had written a little more about multitudes), paused, frowned, and began to write again.</p> | ||
| 40 | <p><em>ART stands alone at the top of a blank page</em> he wrote. <em>It follows <del>itself in circles</del> its own footprints in a circle around its own name. It leads nowhere but is present everywhere. <del>It contains</del> It contains multitudes. Every painting ever made is a painting of every other painting. Every song is a remix, a <a href="music-433.html">cover version</a>.</em> He crossed out the part about songs for getting off topic. He made a note to himself in the margin—<em>Music is not ART.</em></p> | ||
| 41 | </section> | ||
| 42 | </article> | ||
| 43 | <nav> | ||
| 44 | <div class="anchors"> | ||
| 45 | <a href="backlinks/art.html" id="backlinks" title="Links to this page"> | ||
| 46 | φ | ||
| 47 | </a> | ||
| 48 | <a href="index.html" id="coverlink" title="To cover">◊</a> | ||
| 49 | <a href="#" id="randomizelink" title="ERROR">ξ</a> | ||
| 50 | </div> | ||
| 51 | |||
| 52 | |||
| 53 | <a class="nextlink" href="hymnal.html" | ||
| 54 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 55 | Hymnal | ||
| 56 | </a> | ||
| 57 | <a class="nextlink" href="axe.html" | ||
| 58 | title="Next article in Buildings out of air: Paul in the Woods"> | ||
| 59 | Axe | ||
| 60 | </a> | ||
| 61 | </nav> | ||
| 62 | |||
| 63 | </body> | ||
| 64 | </html> | ||