diff options
Diffstat (limited to 'src/lovesong.txt')
-rw-r--r-- | src/lovesong.txt | 43 |
1 files changed, 25 insertions, 18 deletions
diff --git a/src/lovesong.txt b/src/lovesong.txt index e504e14..89a82eb 100644 --- a/src/lovesong.txt +++ b/src/lovesong.txt | |||
@@ -14,28 +14,35 @@ project: | |||
14 | link: roughgloves | 14 | link: roughgloves |
15 | ... | 15 | ... |
16 | 16 | ||
17 | Walking along in the dark is a good way to begin a song. Walking home in | 17 | Walking along in the dark is a good way to begin a song. |
18 | the dark after a long day chasing criminals is another. Running away | 18 | Walking home in the dark after a long day chasing criminals is another. |
19 | from an imagined evil is no way to begin a story. | 19 | Running away from an imagined evil is no way to begin a story. |
20 | 20 | ||
21 | I am telling you this because you wanted to know what it's like to tell | 21 | I am telling you this because you wanted to know what it's like to tell something so beautiful everyone will cry. |
22 | something so beautiful everyone will cry. I am telling you because I | 22 | I am telling you because I want you to know what it is to keep everything inside of you. |
23 | want you to know what it is to keep everything inside of you. I am | 23 | I am telling you. |
24 | telling you. | ||
25 | 24 | ||
26 | Can you see? Can you see into me and reach in your hand and pull me | 25 | Can you see? |
27 | inside out, like an [old shirt][]? Will you wear me until I unravel on your | 26 | Can you see into me and reach in your hand and pull me inside out, like an [old shirt][]? |
28 | shoulders, will you cut me apart and use my skin to clean up the cola | 27 | Will you wear me until I unravel on your shoulders, will you cut me apart and use my skin to clean up the cola you spill on the floor when you're drunk? |
29 | you spill on the floor when you're drunk? | ||
30 | 28 | ||
31 | I want you to know that I want you to know. Do you want me? To know is | 29 | I want you to know that I want you to know. |
32 | to know. I, you want we. We want. That is why we're here. To want is to | 30 | Do you want me? |
33 | be is to want and I want you. Do you also? Check yes or no. | 31 | To know is to know. |
32 | I, you want we. | ||
33 | We want. | ||
34 | That is why we're here. | ||
35 | To want is to be is to want and I want you. | ||
36 | Do you also? | ||
37 | Check yes or no. | ||
34 | 38 | ||
35 | There is a way to end every story, [every song][]. Every criminal must be | 39 | There is a way to end every story, [every song][]. |
36 | caught. Even those who cry dry their tears. I cannot tell you all I want | 40 | Every criminal must be caught. |
37 | because I want to tell you everything. There is no art because there is | 41 | Even those who cry dry their tears. |
38 | no mirror big enough. We wake up every day. Sometimes we sleep. | 42 | I cannot tell you all I want because I want to tell you everything. |
43 | There is no art because there is no mirror big enough. | ||
44 | We wake up every day. | ||
45 | Sometimes we sleep. | ||
39 | 46 | ||
40 | [old shirt]: ronaldmcdonald.html | 47 | [old shirt]: ronaldmcdonald.html |
41 | [every song]: swansong.html | 48 | [every song]: swansong.html |