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Diffstat (limited to 'src/words-irritable-reaching.txt')
-rw-r--r-- | src/words-irritable-reaching.txt | 16 |
1 files changed, 8 insertions, 8 deletions
diff --git a/src/words-irritable-reaching.txt b/src/words-irritable-reaching.txt index c616c95..97d3e8c 100644 --- a/src/words-irritable-reaching.txt +++ b/src/words-irritable-reaching.txt | |||
@@ -29,14 +29,14 @@ Gilbert furthers Keats in asserting that no matter what we write, "the words / G | |||
29 | In Gilbert's poem, though, he does reach after something. | 29 | In Gilbert's poem, though, he does reach after something. |
30 | In the second half of the poem he begins to imagine what the "mysterious Sumerian tablets" could be as poetry, instead of just "business records:" | 30 | In the second half of the poem he begins to imagine what the "mysterious Sumerian tablets" could be as poetry, instead of just "business records:" |
31 | 31 | ||
32 | > [...] My joy is the same as twelve | 32 | > [...] My joy is the same as twelve \ |
33 | > Ethiopian goats standing in the morning light. | 33 | > Ethiopian goats standing in the morning light. \ |
34 | > O Lord, thou art slabs of salt and ingots of copper, | 34 | > O Lord, thou art slabs of salt and ingots of copper, \ |
35 | > as grand as ripe barley under the wind's labor. | 35 | > as grand as ripe barley under the wind's labor. \ |
36 | > Her breasts are six white oxen loaded with bolts | 36 | > Her breasts are six white oxen loaded with bolts \ |
37 | > of long-fibered Egyptian cotton. My love is a hundred | 37 | > of long-fibered Egyptian cotton. My love is a hundred \ |
38 | > pitchers of honey. Shiploads of thuya are what | 38 | > pitchers of honey. Shiploads of thuya are what \ |
39 | > my body wants to say to your body. Giraffes are this | 39 | > my body wants to say to your body. Giraffes are this \ |
40 | > desire in the dark. | 40 | > desire in the dark. |
41 | 41 | ||
42 | This is my favorite part of the poem, and I think it's because Gilbert, like Hass, reaches for the specific in the general; he brings huge ideas like the Lord or Love or Joy into the specific images of salt, copper, or honey, or like he says at the end of his poem: "What we feel most has / no name but amber, archers, cinnamon, horses and birds." | 42 | This is my favorite part of the poem, and I think it's because Gilbert, like Hass, reaches for the specific in the general; he brings huge ideas like the Lord or Love or Joy into the specific images of salt, copper, or honey, or like he says at the end of his poem: "What we feel most has / no name but amber, archers, cinnamon, horses and birds." |